#and god yeah the queer rep they promised?

[lilareviewsbooks]

Queer Normal-World in SFF Books

Here are five books where being queer is the norm, aka there is no homophobia or transphobia at all! Not all these books are fluffy though -- most of them have heavy conflicts and a bunch of shit going down, but at least no one has a problem with anyone being gay!

These are my favorite kind of books and I have so, so many recommendations, so let me know if you ever want more of these :) And I can also absolutely do only fluffy queer books, too!

The Genesis of Misery, by Neon Yang

Mx. Yang's books are perfect for this type of prompt. The Genesis of Misery is their most recent, and the premise is absolutely killer. It follows Misery Nomaki (she/they), who is haunted by an apparition of an angel. While she is convinced she is mentally ill like her mother, and that her visions are a symptom, people around her seem more and more certain that she is actually some sort of messiah. 

I have my issues with The Genesis of Misery, but it’s a very creative sci-fi that’s worth the read. It includes mecha, interesting depictions of religion, which permeates the entire story, and, of course, excellent queer rep. We have characters who use neo-pronouns, a polyamory situationship and most characters are queer. Not to mention, it’s written by a queer and non-binary author, which is always a plus. It’s part of an on-going series, though, so be prepared to wait a little while for the sequel! 

Plus, The Locked Tomb fans might be interested to know that there’s a very cavalier-necromancer dynamic in this, and that Rebecca Roanhorse (who wrote Black Sun) described it as Joan of Arc meets Gideon The Ninth. 

Yep. You wanna read it, don’t you?

(Also, if for some reason you’re like: “gee, I really wish there was a black-and-white silent movie with a killer score that touched on these same themes”, then you should probably watch The Passion of Joan of Arc (Carl Theodor Dreyer, 1928). It’s not explicitly gay, but it is queer in my heart. And it rocks.)

The Locked Tomb Series, starting with Gideon The Ninth, by Tasmyn Muir

Since I mentioned it, I guess I might as well include The Locked Tomb in here! This is a Tumblr favorite, and with good reason, because The Locked Tomb fucking rocks. It’s hard to pitch it to someone without ruining the whole point of the series, but the first book follows a necromancer, Harrowhark and her sworn swords-woman, her cavalier, the butch-as-hell Gideon, as they’re summoned to the First House to compete to become Lyctors, the companions of God. 

Yeah, I know that’s a lot, and, to be honest, it’s probably not gonna make much sense to you at many points throughout the story, but that’s the point of The Locked Tomb - everything is confusing, and it’s about sapphics in space! 

The thing about this series is they’re the most unique books you’ll ever read. Every volume has a different approach to telling its story. There’s so many mysteries and it’s almost impossible to understand all the intricacies without sitting down and doing some work. The magic system is also the wonkiest, coolest thing - it involves eating people, sometimes, y’know. And, I promise, you’ll love every single second of it. Especially because there’s absolutely no homophobia or transphobia in any of it, and almost every character is queer as fuck - especially after the second book, when gender starts getting a little funky!

Winter’s Orbit, by Everina Maxwell

I love this book so much, and so know that it comes highly, highly recommended! I have a whole five star review on it you can check out here. (Do check trigger warnings, though! You should always, but especially for this one. I didn’t and they really got me!). 

Winter’s Orbit features my absolutely favorite trope - queer arranged marriage. (Nothing better - those three words and you know it’s gonna be a queer normal world, have some politics and probably be really fucking sweet.) This one is probably one of only ones out of this list where the romance is very predominant and serves as an important B plot. It’s also a standalone, but has a companion book in the same universe, called Ocean’s Echo, which rocks, too!

This one follows Jainan, a recent widower who is rushed into an arranged marriage with Prince Kiem in order to keep the alliance between their homelands intact. Together, they must navigate court intrigue I’m trying my best not to spoil and investigate Jainan’s ex-husband’s death, which might not have been an accident, after all...

In this sci-fi fantasy world, being queer is completely normal, and their system when it comes to gender is absolutely fascinating. People will wear little gender signifiers, like a wodden token for female, for instance, so that others know how to refer to them. It’s super cool to see these kind of things incorporated into the world-building, and it’s something you really only get when queer authors are behind the helm.

(Also, this was originally written online, and it was actually picked up and traditionally published! Which is so cool! Queer fics becoming traditionally published books is so rare, it’s so nice to see it actually happen!)

The Teixcalaan Series, starting with A Memory Called Empire, by Arkady Martine

This is another one of my favorites! I read it last year and it blew me away - so much so that I’ve been itching to re-read it ever since I finished the second book.

The Teixcalaan Series is a political sci-fi duology focusing on the themes of language, empire and cultural domination through imperialism. It’s amazing, and I wrote about it in a full-length review, here, if you wanna take a look! 

It follows Mahit Dzamare, from the tiny Lsel Station, who becomes the ambassador to the huge Teixcalaan Empire, whose culture she’s been in love with for ages. The problem? Something happened to the Lsel ambassador, and the Empire’s control over the Station has been growing ever bigger. To make matters worse, Mahit’s imago machine - the cerebral implant full of her predecessors memories and experiences - doesn’t seem to be working properly, leaving her with a ghost of her predecessor inside of her head...

With all the problems the Teixcalaan Empire has, it’s not homophobic or transphobic, which is a plus for us gays who want to read in peace. Mahit has a charged relationship with her cultural liason, Three Seagrass (yes, that’s her name; yes, there’s an in-world explanation; no, I won’t tell you what it is, you’ll have to read it and find out), not to mention all the hijinks she finds out her predecessor was up to. And none of it needs to be justified or explained at all - people are just gay, and that’s fine!

On A Sunbeam, by Tillie Walden

This graphic novel has a stunning art style, and, listen closely sapphics, absolutely no men at all. Yep. Literally there’s only women and non-binary people in this comic! 

And guess what? It’s available to read for free, here. Thank you, Ms. Walden!

Here, romance is also an important plot point. On A Sunbeam follows Mia, who starts working for a crew of repair-people who rebuild broken down structures. In another timeline, we flashback to her experiences at her boarding school, and to her relationship with a new student.

What’s most unique about On A Sunbeam - apart from the fact that there are no men at all - is it’s unique version of outer space. It’s almost historical, with huge sprawling marble structures decaying, surronded by trees. The ships are shaped like huge fish. You can feel the whimsy in your bones from the colors and the art style that Ms. Walden uses, here.

This standalone is definitely worth a read. And if you like it, you should definitely check out the rest of Ms. Walden’s work - it’s all as beautiful as this is, if not more. Her The End of Summer was one of my favorite reads, last year.

That’s all I’ve got, guys, but lemme know if you want more of these - I have so many, I can definitely recommend you more! Drop me an ask if you have specifications, too - I’m always happy to do some digging :)

[jovenshires]

🦚 for the queer ask game!

🦚 - Are there any queer books/shows/etc. that you would suggest?

oh my god YEAH absolutely. i used to be a queer media connoisseur (im no longer a romance girlie when i consume media bc i write so much of it but i still have love for the genre). i'll do one rec for each category up here but ill put some more under the cut!!

book: aristotle and dante discover the secrets of the universe. it's my favorite book i've gotta put it out there. literally changed my life when i was like 16 i love it so much

show: there's so many popular ones that i feel like if you're gay you've already seen them by now, so im gonna throw a curveball and go with crazy ex-girlfriend. they talk a LOT about lgbtq+ identities and explore dynamics with different couples, and if you love musicals, you absolutely must go watch it rn i fear

movie: moonlight. oh my god if you haven't seen moonlight go watch moonlight it's so so incredible 10/10. a drama that follows a black gay man from childhood to adulthood, explores the themes of masculinity, family, and friendship as well as romantic love. it's just an incredible movie it deserves all the hype tbh

music: once again there's so many popular queer musicians nowadays that i Do Not HAVE to rec (you know the ones they go hard), so im gonna rec chrissy chlapecka!! she just makes such incredible, sugary-sweet pop music about such amazing fucked up shit i love her

send me some gay asks!

okie doke as promised here's some more recs from yours truly bc i really, really love media and have a collection to rec atp NDNKFNKND ill try to order them by genre from least to most obscure LMAO

BE WARNED: i do read some graphic stuff - im an adult and my media taste reflects that. before you read anything i rec, look it up for trigger warnings!! i don't want anybody to be hurt by something i recommend. <3

books:

of course like. simon vs the homosapien agenda by becky albertalli is out there. this is one of those classics i was talking about KDNKFNFK it's very ya-gay-romance-romcom you can eat up ya know. the movie's also not too bad (people think it's 'cringey' nowadays but that was HUGE for me when i was like 19 and had my first girlfriend). anyway it's feel-good fluff if you like that kind of thing!!

red white and royal blue is obviously another classic and one i can't rec enough. i love the way its written, i love the characters, i love the plot. like it's everything, if you're into the romcom vibe this is a great one to check out. (and as a bonus this one also has a movie and it Slaps)

it's not like it's a secret by misa sigura is a pretty solid wlw coming-of-age novel that i highly rec if you're into the rom-com type book. it's also got some EXCELLENT poc representation!!

bloom by kevin panetta is a graphic novel and i love it. so so so much. truly i think i read this in a day and i am NOT a huge graphic novel reader. feel-good romcom, poc rep, body diversity, AND pretty pictures. what is there not to love. everyone should read bloom tbh

lies we tell ourselves by robin talley is Probably my favorite wlw book ever. it's historical fiction and it is Everything to me. and im actually a known historical fiction hater so take it from me - its Good.

carry on by rainbow rowell is i think a classic at this point and i love it. so so so much. you ever identify with a character a little too hard. yeah thats me and this book. i gave my best friend a copy for her graduation. it is an Excellent take on 'remember all the heroes you wanted to be gay when you were a kid. imagine if they were.' it's my beloved

a hero at the end of the world by erin claiborne is another great one in the same vein, with a punchy, dry humor twist. basically if you were a harry potter kid but you hate jkr. you'll love this one and carry on KSNDKDNFK

nimona by nd stevenson is another graphic novel!! it's another fantasy, so if that's your cup of tea, i highly recommend it. it's got an amazing queer love story, a genderfluid protag, and most importantly, found family. literally everything. (it also has a movie but i haven't seen it yet

the raven cycle by maggie stiefvater is HUGEEEE i love that series it reshaped me. it's. mystery/supernatural i would say? it has multiple of my fave queer characters of all time and honestly. everyone there is a little gay. one of my absolute faves <3

we are the ants by shaun david hutchinson is a sci-fi horror adventure story and this one. it stuck with me. the main character hit me so hard and his internal struggle is so SO interesting. if you're into this kind of shit. give it a shot!

every day by david levithan is not one of MY all-time faves, but i can still say it's super interesting and has great rep!! it has a genderfluid/agender main character (depending on how you look at it). i will say i think there are multiple books in the series (?) but i stopped at one bc. it made me too sad anyway. <3

the perks of being a wallflower by stephen chbosky is not queer bc it's explicitly about a queer character or a queer love story, BUT. it still has one of my favorite lgbt characters of all time. patrick you will always be famous to me. as a bisexual girl in a catholic high school, saw a Lot of myself in patrick. (i do also have a special place in my heart for the movie bc it was my depression movie as a teen but patrick is played by ezra miller so be warned)

one of us is lying by karen mcmanus is another one that's not just. About a Gay Couple BUT it is one of my fave books (a murder mystery retelling of the breakfast club) and it has a gay main character!! his struggle with his sexuality is something he really struggles with and he has a boyfriend and i adore him.

shows:

i mean obviously like. heartstopper is incredible. like i said im not super into the romcom/young adult genre anymore but that show is just so beautiful and amazing and really healed my inner gay teen. it has a really diverse cast and representation for all kinds. i really recommend it!!!

everything sucks was gone before its time, but it is SUCH an amazing show. it has one of my fave on-screen wlw couples of all time. it's a feel-good, coming of age classic and i miss it deeply. (what did you just say??? 'katie rewatch it' oh my god you're onto something)

now if yall know me. glee is absolutely gonna be on this list. is it good? technically no. is it one of the greatest pieces of satire ever created? up until season three yes. i realized i was gay via santana lopez. THE gay character of all time. and all the love in my heart for all the other lgbt characters (kurt hummel you will always be famous to me......) some of it's a little dated (don't get me STARTED on unique) but it does genuinely have some great lgbt rep and if you watch it with a grain of salt it's a great comedy

julie and the phantoms made by kenny ortega (of THE high school musical and descendants fame) and it has a gay character i love!! (actually technically it has a few <3)

i'm a huge consumer of kids' media (i think phineas and ferb is a literal masterpiece and im not even kidding) so if you're like me and enjoy the disney/kid show beat i cannot rec andi mack enough. it's dramatic it's campy it's fun it's silly it's got a FANTASTIC gay character and a gay couple i deeply adore and not to mention!! so much representation!! it's like junior fosters tbh

we're gonna get into a little pocket here of like. normal romance but slightly niche - animes! sasaki to miyano is like my top lgbt anime rec. it is so, SO good. just absolute feel-good romcom goodness pls give it a shot

depending on interpretation, ouran high school host club arguably has a nonbinary character, some bi/gay characters, and a trans character! now. it IS hella dated do not get me wrong. BUT for the time? incredibly progressive and a wonderful watch. just brace yourself for some out of pocket shit

stars align has one of my favorite lgbt characters EVER, a nonbinary icon <3 and it's like. a PLOT. truly so rare to see something like that done on tv, let alone in anime. this is a sports anime - soft tennis my beloved - but it has So Much More To It than that.

another gay sports anime is run with the wind, a recent fave of mine. and i don't mean gay in the way that most sports animes are kinda gay. i mean he literally says 'im in love with this guy.' it's an amazing watch if you like that kinda thing!!

if you want an aroace genderfluid protag. the disastrous life of saiki k is up there as one of my fave animes ever AND saiki (the main character) is my fave protag of all time. this silly lil show is supernatural (ish?) and comedy all wrapped into one fantastic show i highly recommend!!

segueing back into live action shows, buffy the vampire slayer is an AMAZING, iconic, female-led supernatural dramedy with some early and, for its time, incredible lesbian rep.

yellowjackets because i LOVE unhinged lesbians. i didn't even know there was gay people in this - i started watching because i love horror and girls' soccer DLNKFNFLN and it's amazing!! if you like tragic gay women i HIGHLY endorse yellowjackets.

in the flesh. look. here's my pitch for itf. do you love being sad. do you love catharsis. do you love zombies. you will LOVE in the flesh. please. i miss it so bad i've seen this show 4 times (and you're right i should also watch this one again!!!) and i never tire of it.

sense8 is a sci-fi show and IT IS EVERYTHING TO ME. truly the diversity is unparalleled. so many lgbt characters of so many different identities. polyamory, trans people, a neuro-link that's destroying peoples' lives. it literally has everything.

the get down is not just an lgbt show, BUT it has an incredible lgbt character/storyline that i adore. a musical show, a historical fiction piece (which means a lot coming from me), and almost every character is a poc. pls give it a shot it's everything

bodies is another one that isn't just about lgbt+ rep BUT. it's incredibly diverse, examining people facing discrimination throughout history (you've got a gay mc, a jewish mc, a muslim mc, AND a disabled mc) and it just has such amazing plot lines and representation. it's a murder mystery/sci-fi double whammy, so give it a shot if you're interested!!

movies:

alex strangelove is a good, underrated, coming of age classic. it follows a guy who struggles with his sexuality. very teen rom-com-dramedy core!!

i adored boy meets girl when i watched it. a very romcom-y movie about a trans woman from a small town dreaming of getting out....... friends to lovers.......... i adore it

happiest season is a christmas movie and it's very sweet. its been panned (there are some just criticisms on the plot tbf) BUT i do think it's really cute

to wong fu thanks for everything julie newmar is just. so so good. it's an underrated classic imo. three drag queens go on road trip, end up in a small town, and change it for the better. it's literally so amazing it's just feel good found family PLEASE give this one a shot

the birdcage is another classic i so genuinely enjoy. who doesn't want robin williams and nathan lane as their gay dads. at the end of the day it's all about found family, love, and old gay men.

handsome devil is a foreign film - irish to be exact! - and i love it so much. once again as a catholic school kid.......... yeah. YEAH. anyway go watch the og gay nicholas galitzine movie LKNDKFNKNLFNKLF

pride is a historical piece and an excellent movie. it's got its ups and downs but god it's just an overall good movie. another irish film, coincidentally!

the way he looks is also a foreign film, this time in spanish, BUTTTTT it's one of my faves i love it so much. it's very feel-good, sweet, romcom so if you feel like you could be into that - give it a shot!!

rent, if you're into musicals, has some of my fave musical characters ever. angel dumott schunard you will ALWAYS be the love of my life. it is deeply sad but. other than that. i live in denial.

the prom is a much more light-hearted and silly lgbt musical. people shat on that movie but i think it's SWEET and cute and has some bangers!!

i mean like. we can joke ab how hyped it is all we want but brokeback mountain is basically required gay watching. it is EXACTLY as amazing as everyone says it is. the chemistry..... oh my god we could never make that movie again it was like catching lightning in a bottle.

bodies, bodies, bodies is a fun and campy lgbt horror if you're into that kind of thing!! the ending was a bit not my fave but otherwise it's an incredible cast and got some great silly scares

on the topic of gay horror, jennifer's body is gay and again, exactly as good as everyone hypes it up to be. you want gay women who are terrible to each other? oh boy do i have the movie for you

and i promise ill wrap on gay horror with it chapters 1 & 2. reddie will unfortunately always be famous.

everything, everywhere, all at once is not Just a gay movie BUT. it has an incredible gay character and it factors so interestingly into the mother/daughter relationship. i love that movie i will always talk about it

music (these are all just people i personally listen to but there are SO many more. im not gonna expand on these ones too much just go check em out you'll get it):

lil nas x

troye sivan

kim petras

kesha

tegan and sara

brandi carlile

hayley kiyoko

rina sawayama

peach prc

renee rapp

adam lambert

scene queen

willow

halsey

clairo

cavetown

janelle monae

[flamingo-strikes]

12 + 16 for the ask game? :3

SELMA!!!!!!!!! 🫶🫶🫶🫶🫶

[16 answered here hehe!]

12. Any books that disappointed you?

Oh I fucking love this question 😭 YES TOO MANY!!! I literally adore Six Crimson Cranes by Elizabeth Lim, it is one of my favorite fantasy books of all time, but the sequel The Dragon’s Promise was SUCH a let down omfg! The plot was all over the place and I would’ve preferred if she had simply written a standalone. The characters felt regressive and the lack of supporting cast really bothered me. Shiori’s relationship with her family was SO important and then it was lackluster. Also I’ve seen complaints from EA readers that Lim mixed a lot of mythology together especially so in the sequel, and I got that vibe too because what the hell is Chang’e the Moon Goddess doing in a Japanese mythology book 😭 it was so random and I really did not like the ending.

God I waited forever to finally read Hani and Ishu’s Guide to Fake Dating by Adiba Jaigirdar. Queer Bengali girls, even Sylheti and Muslim rep???? It was MADE for me, and yet it made me so angry for one reason. Hani spends the ENTIRE book just letting her white friends be racist and horrible to Ishu, and I’m supposed to ship that???? It literally enraged me. Other than that it was a solid book but I hated that so much.

Red Rising by Pierce Brown is one of the worst pieces of writing I’ve laid my eyes on, and I’m not shy about saying this because literally fuck that disgusting ass zionist man. The oppression in this world is so rudimentary and clearly written by someone who can’t fathom it in the slightest. The prose sucked, the MC is so hollow, the plot was incomprehensible. I’m shocked that people actually compared this to The Poppy War, a book inspired by the real mass rape and genocide in Nanking. While Red Rising is just mass rape written by a white man who has no idea how to show brutality otherwise. Dfkm 😭

Sorry lmfao I get so angry when I think about Red Rising and how many dudebros refuse to hear criticism about that shitty series 😭 but yeah those are my top 3 most disappointing reads!! there were a couple others but these were the most astonishing to me.

[aroacesigma]

By all means ignore this if you'd rather not talk ab the show, but what exactly makes the loki series bad? Genq bc I'm kinda on the fence about it

dont worry i am ALWAYS happy to talk about why the show sucks . sorry this will be very long

basically it boils down to two things: straight up transphobia towards gfluid people , and character assasination . andddd the rest under the cut cause i tend to ramble ab this .

so, for a while now its been canon in marvel comics that loki is genderfluid. fans obviously were calling for this to be acknowledged for a while, actor seemed on board (still seemed on board . gonna be real w u hes the only member i dont blame he didnt seem particularly pleased about a lot of choices), blah blah . so obviously the producer gets asked and the dick michael waldron says yep ! yessir we have rep .

the rep in question was splitting the character into a male and female version, giving no indication towards any genderfluidity whatsoever (having all the 'male' variants be shocked that theres a female one like wtf), and then pulling some good old selfcest between the two at the end to really seal the deal . the bi representation that was also promised was a one off easily missable line but thats a whole other can of worms . it got worse after the show, whenever prompted about it people involved would say very weird shit. kate herron tried to pull the cis queer card a few times if im recalling correctly. dont even get me started on sophia di martino .

second problem, characterisation. at that point in the timeline we have loki straight out of avengers . which means you either have evil and a bit crazy loki or you have an opportunity to confirm the popular fan theory of mind control . neither happened , instead i think they were trying to speedrun his ragnarok/infinity war character development, fucked it up spectacularly and rather than making him a more morally grey but still a little bit yknow, loki, made him like...really wimpy for some reason? a lot of his actions were extremely out of character . theres a lot of focus on him being full of himself (hence the selfcest), which is kinda fundementally misunderstanding him as a character . the self obsession is a front which is obvious to anyone who watched even half of thor 1 . yknow, the very first movie hes in . side note michael waldron said he didnt watch thor 1 ? i cant tell if he was joking or not but on god it did not seem like he was from the show.

also more related to comics synergy, just sylvie as a character . they mashed up loki while fem presenting (why.), amora, and sylvie lushton when they couldve just had amora for a romance plot ??? sylvie lushton also fucking sucked like the comics community generally has a low opinion of her . her ass is homophobic and annoying and an amora knockoff . you could really see the inspiration shine through .

honestly the agent of asgard run is a very good example of how the variant concept can be handled well, and without blatant transphobia . honestly they shouldve gotten al ewing to write the whole thing hes the only person i trust to write loki .

so yeah sorry for the very long paragraph 😭😭😭 this show just drives me up the wall SO BAD

[alectology-archive]

oh my god finally another memory called empire hater…. well not hater i just found it. promising but ultimately very mediocre. felt like the author had some very strong concepts but didn’t really know how to write a full finished book? like, the plot and especially the action or dramatic scenes were extremely blow by blow and i felt like it was very tell and very little show? like there’s a scene where the protagonist is supposedly in the most pain she’s ever been in and it does barely anything to describe that pain! like maybe i just got spoiled by the description of the winnowing trial in gideon the ninth because that’s an incredible description of a character in intense pain but like. and it does the same for emotional pain too… idk it just felt like a collage of interesting concepts formed into a bland thing

the gideon the ninth winnowing trial oh my god... definitely one of my favourite bits of writing ever, I think, right up there with the bone sex scene. but I also think very few books (probably none) published in the sff space & marketed alongside the locked tomb manage to match up to tamsyn muir’s prose, to be fair? I mentioned this only in the tags but I've generally found that I don't trust any of the books (YA or Adult) marketed solely for the queer rep these days - I was burned by the jasmine throne, a memory called empire, the unbroken, the bone shard daughter, crier's war and queen of coin and whispers. All of these books still somehow have a very good reputation going for them for reasons I can't fathom.

And yeah, you're very right about a memory called empire having very interesting concepts at play! The seduction of imperialism, the struggle for individual identity separate from its influence, the way more privileged members of colonised cultures are still able to integrate into and benefit from its structure - these are all such fascinating concepts and ideas to explore! I loved the idea of shared collective memory being passed down through generations to guide new leaders and how it mimics the oral traditions of storytelling! And yet! The plot was very, very mediocre, didn’t really explore the concepts it promised to touch on as much as it could have, and it wasn't particularly great prose-wise either. It was a very unmemorable book and I immediately forgot about it as soon as I was finished, tbh.

[anadrenalineslut]

LOVER GAYLOR'S VERSION WOULD BE SO GOOD

I ABSOLUTELY AGREE ANON.

I'm actually kind of sus over those lover vinyls now, not gunna lie to you. I just feel like... yes, lover is queer already but I feel like there is definitely a song or two she cut from the listing that are explicitly queer... or maybe there aren't and this was the "coming out" album the way it was supposed to be because ME! is pretty explicit honestly. "like a rainbow with all of the colors, i promise you'll never find another like me" is a queer ass lyric.

not only that but she intentionally made the aesthetic of that song on rep tour a rainbow, with her background dancers in pink, yellow, blue powersuits- which is an inherently queer clothing item to me tbh. Like, you wanna talk about queerflagging? that's the literal definition of queerflagging. I don't know any grown ass adults donning a full rainbow dress unless they're queer. I just don't see taylor loving rainbows because she just "loves" rainbows.

Like, not to mention she goes into dwoht/atw after shake it off, which I feel like is SO telling of 1989 era isn't it?

but like, yeah, I just feel like if you listen to lover from the lens of a bisexual woman coming out- it is pretty explicitly queer. False God is just another name for Pussy is Bible, change my mind. I just... idk... don't get me wrong I want lover (gaylor's version) because I want more lover era songs. I love lover, i'm so sad she didn't get her own tour and has to share the spotlight with nine other bitches but it's okay i'm FINE.

I just... I want her to be able to come out the way she planned it. Taylor is not a private person by nature, and she is putting up boundaries but I cannot imagine she wants to stay in the closet. Like, what was lover then if not her wanting to make a huge show out of her coming out? When I hear the speeches, I see the videos and hear her discuss lover... my heart breaks, she put so much thought and care into that fucking era... she wanted to put her sexuality on the front pages of every magazine because she feels like she fucking earned it? Like, if i was taylor, I would want the attention on my sexuality if I was forced into the closet which... idk it's pretty clear from her own visual work that she's resentful of her "glass closet" and has been seeking a way to get out of it for over a decade now, probably.

Lover was so open that folkmore videos feel like a slap in the face with their tone honestly. the last music video we got for lover was the man and I doubt she wanted to end with that because u know cruel summer was going to get released as a single... you just fucking know it. there's no way, she teased the FUCK out of that song. MULTIPLE references to it... nah, something's up. but like... go back and watch me! then watch cardigan... it's a complete tone shift. It's a complete emotional departure from where ME! was and I don't think that it's "reading too much" into it when this is like superficial stuff I'm talking about... we've returned to a dark cottage and forest and taylor is trapped behind a glass closet... after lover era where bisexual rumors were at an all time HIGH?

no bro, she's hurt over the way it all went down and it's fucking evident.... but i think the finality of midnights as an era and the way it's kind of been the best of all the eras (like... the glam of 1989, the healthy attitude of lover, the hair ish of debut/fearless/red all together, the sadness of red in the official photoshoots, the easter eggs of reputation, the queerness of speak now) makes me feel like we're going into a really fun and new and honest era of taylor swift. I think she's finally done with the lying and hiding and she's going completely change the way she approaches music after this year.

I think she's hinted that she's ready to get onto ts11 and the new chapter of her life several times this year... I think she might just mush all the rest of the rerecordings together with lover b side for tour (imagine the record she would set with that babes.... i know she's thinking about it) because she wants to have a gay ass tour this time around, the way lover was supposed to be. And I think that's why she's decided to do an eras tour as well, because she's been playing with the rest of her eras this entire midnights era. like what is the midnights era? it's literally a retrospective on her past eras.

so i think we might get lover gaylor's version only because she'd probably be the first and only person in history to chart all 250+ songs that she'd definitely chart if she released the rest of her recordings at the same time, and the only person to chart all ten of her first albums at once too. it'd be a nice even record to set and she loves her some numbers.

anyways i hope you enjoyed my intense clowning anon

[theninjamouse]

Yeah uh, Stranger Things. You messed up big time. For many, many reasons, which people have far more elegantly talked about and I do not have the energy or time to do so. But I am going to talk about one scene in particular that is driving me absolutely bonkers pissed.

*Spoilers*

But that scene where Hopper takes his shirt off and we see how skinny he's become. That is some of the WORST VFX I've seen netflix dish out and there has been some really crappy VFX work.

Like my dudes. I could've made that more believable and VFX isn't my specialty. You're telling me that Stranger Things, one of Netflix's most profitable shows, can't afford a decent amount of CGI for this particular scene? (Which was written very poorly anyway, but that's a rant I'll save for the end)

I mean, barest props to not forcing David Harbour to starve himself, but all you had to do was get a skinny guy to play the body, green screen the head and then composite David's head on top. That's exactly what they did for Captain America, and from there you can do some tweaking to make him look skinnier but no, they replaced him with a horribly done PS3 level of rendering. In my sibling's words, it looks like he's about to start clipping through the floor. It's honestly pathetic.

But also yes, totally believable that this guy, who has been imprisoned, tortured, starved, broke his ankle (didja forget about that one, cause I did and so did the Duff brothers it seems) and the woman who thought he was dead for all that time would immediately get the hots for each other after she sees his broken, scarred and skin and bones frame. Like lady!! Maybe help him get something to eat before you try to jump him! Good lord, I am so sick of romantic subplots getting shoved down my throat when the writing is worse than that of a grade schooler.

Straight up, panty scenes are banned. I don't want to see them anymore.

[itsclydebitches]

RWBY Ice Queendom Recaps: “Red, White, Black, Yellow”

Hello, RWBY fandom! It feels good to be back.

Technically I never left — still answering the occasional ask, just finished up "The Girl in the Tower" recap — but between the extra long hiatus and my continuing obsession with Our Flag Means Death, it feels like I've been out of the RWBY loop for a while. I wanted to start this post with that acknowledgement because I had assumed that's why I didn't realize that Ice Queendom had dropped the first three episodes. Sure, I got an anon asking my opinion of the reboot (AU? Rewrite? We're all a little unclear about that still), but I had thought that was just in preparation for the July 3rd premiere. So imagine my surprise when I did a bit of googling last night — just in case — and found a new trailer, then a three episode sneak peak, but it weirdly wasn’t on First, but it was on Crunchyroll, and (at the time) it was set to drop on YouTube at 1:00pm today, but only for a short period? Some fans had clearly seen the episodes already, yet there wasn't nearly the amount of posting I'd expect for a community-wide, anticipated drop, and official information seemed to be scarce ... but surely my confusion was simply a result of me taking a semi-break from keeping up with all RWBY info, right?

Ehhh...

This is an excerpt from MurderOfBirds’ tweet thread (URL posted at the end of the recap, in case tumblr is still being weird about links) and, if you've been in the RWBY community for any significant length of time, you'll understand my shock that he of all fans was calling RT out like this. To be honest, I don't have much to say beyond, "This is happening"? From what little I've gathered, fans seem to have enjoyed the IQ premiere — or at least, they haven't called for a salt and burning yet — but RT's relative success in that regard doesn't suddenly erase all the other problems surrounding RWBY as a franchise. RTX planning remains a mess, communication about upcoming projects is shoddy at best, RT's company culture is continually under fire, worries about Volume 9 and the upcoming video game haven't disappeared just because we've had little reason to discuss them lately, etc. Regardless of what we think about IQ as a story, it's coming into a tumultuous IP — to put it mildly.

Again, I fully acknowledge that I haven't been actively seeking out every bit of RWBY info lately, but the fact that I, someone who is generally working to keep up with the story, had to suddenly scramble to figure out how and when and why a big chunk of the new installment was releasing now is... not great. And apparently I'm not the only one who feels this way.

That said, let's get into the story proper. In case it's not abundantly obvious by the title, I've decided to keep these recaps separated by episode, despite 1-3 releasing as a single hour of content. You all know I can write enough for each, even with a lot of this plot being repeated. No sense in giving you all a dissertation to wade through lol.

Let's do it!

We begin, as we did originally, with Salem's voice-over telling us how the humanity of today came to be.

(Oh yay, a nice het-centric creation myth. Look, I really wasn't joking about being obsessed with OFMD right now. After months of canonical queer pirates, I'm feeling a little salty towards RWBY's version of queer rep. I won't get over it, sorry, but I promise I won't bitch about it too much.)

(Actually wait, one more point: I saw a post here — which I’ve now lost — where the author didn't seem terribly enthusiastic about IQ, but they said they'd forgive it if Blake and Yang made out in every upcoming scene and like yeah, joke-y posts are jokey-y, I love them, but AS IF. If IQ confirms Bumbleby I'll just straight up die of shock. You all can @ me in the afterlife.)

(But oh god can you IMAGINE if IQ confirmed the fandom's biggest ship before the webseries? Chaos. Calamity. An actual, defensible position for IQ being better. It would be a complete disaster, yeah... but potentially an entertaining one.)

Anyway, back to the plot. We go through a version of our opening speech and, frankly, I don't think the actress playing Salem sounds nearly as menacing as Taylor does. I've always cared more about the characters themselves than the actors playing them, so I don't have any big opinions on the casting here. This is just a little acknowledgement that, had I been watching IQ prior to RWBY, I never would have gone, "Oh, this is our villain" like I did during the webseries’ opening. At least not until the end of the episode when we get the more threatening dialogue. Regardless, the animation more than makes up for that, showing us not merely the paper-like history of humanity, grimm, and the rise of their combat capabilities, but far more visceral images like a man collapsing amidst a field of flames, very nearly succumbing to them. That sells the idea of humanity almost crumbling back to dust.

But then, “The smallest spark of hope brought forth a great light” and humanity discovers capital 'D' Dust, which allows them to maintain and spread civilization despite the grimm. Salem says that it was through their “power and ingenuity” that they secured it and I'm like... really? Because the animation just shows an almost-dead guy stumbling upon a glowing rock in the ground and presumably thinking, "Hey, that might be useful." Not sure there's much power and ingenuity in randomly finding a magic mineral lol.

With the history lesson out of the way, we find Ruby at Summer's grave with... a military-like march soundtrack? It's an intriguing choice and, combined with Ozpin’s introduction + Weiss' AU design, I'm curious to see how much this story will feed into RWBY's (badly managed) anti-military themes. Though introducing our simple soul protagonist with that vibe doesn't seem like a great start...

What is done well is the character work in this scene. Actually, that's something I want to praise about the episode as a whole: IQ is very good (so far) at developing the cast and the world, something it absolutely has over the original RWBY. Remnant feels lived in, the characters' stories are better intertwined — helped by making this episode a combination of the trailers and “Ruby Rose” — and I actually feel like they have internal lives they're living, rather than just existing as archetypal puppets under the Rule of Cool's strings. Sure, RWBY gets better at that as time goes on — I wouldn't care about the early Volumes like I do if the characters didn't feel engaging to me — but IQ nails it right from the start.

Case in point, Ruby isn't just staring at a mysterious grave that was added last minute because hell, why not. She's really talking to Summer, telling her all about how Yang made it into Beacon Academy and that she "always said she wanted to be a huntress." Such a small line of dialogue and yet suddenly Yang’s motivations better align with Ruby's. Rather than being the party girl just out for a good time (the club scene doesn't even make it into this episode, if it shows up at all), Yang always wanted to be a huntress, specifically — just like their mom. It stabilizes Yang's career path and helps sell the idea that one primary, personal conflict is how Ruby will break away from her sister's shadow: she's talking to Summer primarily about her "sis," she wants to be a huntress just like Yang, she's kinda jealous that Yang is already on her way — a nice detail that makes Ruby feel like a legit person with complex emotions — Tai is worried about his youngest standing on her own, and meanwhile Ruby is asking her mom, “What can I do to be more like [Yang]?” Frankly, this scene sells the idea of Yang raising and influencing Ruby far more than the entirety of Volumes 1 and 2 did. We can see how Yang has become the mother figure that Ruby is desperate to emulate, even as she says she also wants to follow in Summer's footsteps. From Yang and Tai talking about Ruby like they're the parents waiting on their wayward child, to the hug where Ruby is positioned more like the child as Yang holds her and looks to Summer —

I feel like the show has visually told me that Yang helped raise Ruby, episodes before we get to that talk with Blake. Sure, they're absolutely still playful sisters — and Yang calls Summer "Mom." No Raven complications just yet — but IQ changes the dynamic slightly, making Yang come across as more mature and, consequentially, more of a mentor figure for Ruby. Yang is someone Ruby needs to eventually step away from in order to forge her own path.

Also, love that they give them the exact same wink. Again, they're close and we can see Ruby mimicking some of Yang's mannerisms:

However, this is perhaps as good a time as any to admit that I don't really like the character designs? Outside of their normal outfits/distinguishing features, of course. I mentioned weeks back that I find their eyes to be creepy as hell and though I realize now that's a visual staple of the creator's... it doesn't change that I think they're creepy lol. Worse, there's something very doll-like about the models that makes my skin crawl. It's not too bad when we've got a fight sequence going on, but when Ruby is just standing there with her unnatural eyes, glossed lips, painted cheeks, kinda shiny skin like she might be made of porcelain...

Yeesh.

I don't know. I'm assuming this is purely a me problem (no doubt born from too many horror movies in my youth) and not every shot is bad! But some definitely make my brain go, "Nope, nope, nope, NOPE" in a very Uncanny Valley kind of way.

I mean sure, the animation quality is undoubtedly better, but original Ruby just looks more... real to me? You know? Does anyone else get that?

Yeah, I can't explain it well. It’s fine. Just don't let IQ!Ruby into my room at night, please.

We cut to Weiss standing before the garden monument — which I've only now realized is kinda weird. Who gives a snowflake wings? —  and she's approached by Klein who is, for all intents and purposes so far, a totally different character. There's no sign of his semblance (no real loss imo) and he's far more formal — deferential — towards Weiss than he’s ever been in the webseries. Gone is the chaotic, buddy-buddy dynamic they had and in its place is the far more common “Play-by-the-rules butler has a soft spot for the young mistress, allowing for a bit of parental love to shine through.” Think Carson with Lady Mary. Or even Alfred with Bruce. Though I’m personally a big fan of this character type—I’m an absolute sucker for love pushing up against class/social expectations/job formalities—this is a case where IQ arguably moves backwards. Rather than introducing a bit of depth like we saw between Ruby and Yang, we’ve reverted to a far simpler setup. Which, I want to emphasize, isn’t necessarily a bad thing. I don’t think Klein is important enough to necessitate that creativity when being a fond, long-suffering butler serves the story just as well. It’s just an observation that they have stripped him of what made him stand out from the butler crowd.  

He tells Weiss that the “arrangements” have been made and they walk together to the ballroom where her final test is to take place. On the way we spot a day-drinking Willow from behind and the shot reminds me a bit of the comic panels:

and we also run into Whitley, still leaning smugly against the wall like he did in the webseries. This time though I’m reading him through the lens of the kid he is, rather than the scheming, Jacques Jr. that both stories seem to be going for. See: Whitley smirking from the shadows while Weiss walks through beams of beautiful light, finally settling between the pillars in the full sun. It’s not subtle.

This is one of a couple split-screens in our opening episode and though it’s a technique the webseries has made use of recently (think the Team RWBY vs. Ace Ops fight), personally it’s something that I think should be used sparingly. Like here, do we really need to get Klein’s reaction and, in the process, see the awkwardness of Weiss with half a face? Or, in a moment, a shot of her boots?

Next to the contrast of Weiss and Whitley, which actually serves a narrative purpose, these just feel unnecessary. Technique for the sake of technique.

We also get a shot of the family portrait as Weiss passes by. Nothing detailed unless you pause the episode, but it's a glimpse of that supposedly picture-perfect family right before we see it unravel. Whitley questions Weiss’ ability to pass this test, she tells him to just watch her do it, and then we get what I think is a damn solid line:

“I’ve always watched you, my fearless, foolish sisters."

We’ve got the story introducing that there's a third sibling before we see Winter at the test. There’s Whitley's quiet admission that yes, he's been watching them (looking up to them) for, presumably, years. Also an acknowledgement of those complicated emotions tied up in their choice to not just become Huntresses, but to use the career as a means of escaping their father's abuse when he, someone without combat skills, can't follow them. Is it foolish then, or fearless? Depends entirely on whether you have that option to begin with. This is a Whitley who, right from the start, feels like a kid struggling under an inability to follow in his sisters' footsteps, despite how the animation paints him as the shadowy antagonist, with the concept of paths and having to carve out your own tying in nicely with Blake's story.

Weiss arrives at the test where both Winter and Jacques are waiting for her. It puts them on fairly even footing — both watching this dangerous battle with detachment, both taking up the same position on opposite sides of the room — despite the fact that verbally Winter is more supportive of Weiss than Jacques has ever been in his life. Still, that parallel combined with Winter being "too busy" when Weiss leaves for Beacon and her cold approach to training her in the flashback makes this version of Winter seem far less welcoming than the original. “The powerless return to dust. That is the law of this world” she tells Weiss after she fails to defeat all of her summons (as seen in the Volume 5 short) and while that is a very cool line that hints at how Remnant's history has influenced the peoples’ philosophy, it’s also a damn bit more dismissive than Weiss promising to do better and Winter saying only that she hopes she can — she'll need it to escape. I can't imagine this Winter playfully batting Weiss' head and demanding information about the friends she's made.

I do want to emphasize that Weiss' entire story is much clearer for the audience though. We're told exactly who all these people are (at least in relation to one another). We've established that Weiss is undergoing a test to get into Beacon. We have a line about Klein releasing the grimm, right on the heels of our intro explaining wtf grimm are, and oh look, now she's fighting it. All of "Red, White, Black, Yellow" flows together more smoothly than the trailers + "Ruby Rose” do, meaning there's no mad scramble to, say, explain to the community that this is a flashback, Weiss got that scar during her fight—look, there’s a bit of blood—she’s singing on her father’s orders, yeah idk why exactly it’s just a thing she does, mhmm the fight is a test to get into Beacon, etc. I didn’t come into RWBY until Volume 3, but I remember finding old posts that worked to clarify the iffy canon of our trailers (and, indeed, acknowledging that some details like Ruby’s strength against the grimm remain in the realm of “Not canon, actually”) as well as explaining what precisely happened in each. None of that is necessary here. The only thing the scene doesn’t clarify is how a suit of armor is also a grimm, but failing to get into the possession abilities is small potatoes compared to the potential confusion we started out with.

Yet despite the obvious benefits of that clarity, the fight itself is just… fine? Don’t get me wrong, there’s nothing bad about it—except, perhaps, the weird glyph sound effects that I personally hate—yet even following much of the original choreography, I didn’t have an emotional investment in this fight like I did the White Trailer. I think a great deal of that comes down to the music. Though I’ve always agreed that the soundtrack is a huge part of RWBY’s personality, I didn’t realize quite how much of the emotion it carried until it was gone. The generic battle music of IQ just can’t compare to hearing

Mirror, mirror

Tell me something,

Who’s the loneliest of all?

…I’m the loneliest of all.

while Weiss is framed in front of the broken moon, expression stony, this epic moment inter-cut with her future self belting this lament, all right before she drives through the knight and lands, perfectly confident in her victory.

IQ!Weiss technically has the same combat beats of the original fight (with the exception of the knight’s sword nearly crushing Klein??), but it’s a completely different vibe. IQ!Weiss feels frantic at the end to me and her getting to coldly demand the Beacon reward from her father is a one-up moment that doesn’t jive with, say, Weiss later trying to muster up a fake smile in the elevator to convince her family that everything’s fine. She feels too confident, like she’s already won against Jacques and RWBY!Weiss’ journey (marred as it was by Volume 8) isn’t even on the table anymore. And, you know, maybe it’s not. Though the changes are subtle so far, this is already a very different version of Weiss. Personally, I prefer the theme of loneliness in the original: Weiss standing as the knight is obliterated behind her, bloody face fading into someone who, despite this victory, is still left standing there, alone on stage, performing for her father. She won the battle, but is still fighting the war.

(Gotta love shots like this though. The size difference! The scale! The seemingly insurmountable challenge!)

With a red leaf that looks a lot like a rose petal flying by—nice—we transition to Blake who is…

…Naruto running with Adam?

alksdfjalsjfa okay, cool.

Their section is pretty similar to the Black Trailer, though this time around Blake’s decision to leave feels like it’s really coming out of left field. I mean, she questions whether they’ll be fighting actual people, but Adam reframes that around Blake’s courage and there’s no visual cue from her that he’s wrong about that. Then we get a seemingly sweet moment where she doesn’t even look at the Atlas soldier behind her, knowing Adam’s got her back

and though she’s clearly not happy about Adam crashing the train when there are people on board, Blake doesn’t have that much of a reaction to it. She just walks over to the next car and severs the connection, leaving the audience with Adam’s supremely awkward line, “Are you betraying me? Betraying the White Fang?”

Easily the worst part of the episode for me 😬 You know you haven’t written a scene well when a character has to spell things out in the most heavy-handed way possible.

To be honest, I’ve always found the Black Trailer to be the weakest of the bunch and I don’t think IQ has succeeded in improving on it. If anything, I think having Blake sneak away while Adam is busy with the mech, only for him and the audience to both realize she’s on a different, separated car works better than… this. I suppose neither version really sells me on the idea that this was a breaking point for Blake and if it wasn’t, why leave now, right in the middle of a mission? Compared to the clarity of our other stories, Blake’s remains lacking in some respects.

We get to Ruby’s Dust shop robbery and, given that we’ve just gone through two of the trailers, I’m a little disappointed that the Red Trailer wasn’t included. Certainly it’s the least plot connected of the four and yes, they’ve done away with Yang’s too, but Ruby taking out a horde of grimm under a shattered moon is the defining image of the franchise—at least for me. It’s not just what IQ decided to cut out though. Like Weiss’ fight sending a very different message thanks to the time spent on clarifying her test and its consequences, the development of Ruby’s character pre-robbery means that we’ve lost the appealing surprise of who she really is. What I mean is, outside of the Red Trailer, the moment Ruby turns—tiny, bright-eyed, sporting headphones and a weapons magazine—is our first introduction to her and that particular image contrasts wonderfully with her kicking that goon to hell and back. I mean sure, we already know how such “surprises” work (especially in a combat webseries. It’s not really a surprise), but I still love the (supposed) shock of this child being cornered, but then turning around and kicking ass.

That doesn’t happen in IQ precisely because the show does a better job of developing Ruby beforehand. We’ve already watched her tell Summer about how she might be getting bad grades, but she’s an expert with weapons. She’s already visited a weapons store before popping into the Dust shop.

She’s already gushed over the weapons magazine and even quoted from it, rather than that existing purely as a background detail for the audience to catch. Hell, we’ve already seen Crescent Rose, at least in its compact state, which makes the robbery “reveal” no longer a reveal at all. There’s no, “Oh cool the vulnerable kid is actually a badass fighter! And she’s got a scythe!!” reaction because the show has established that as a firm part of Ruby’s characterization. We know about Yang and Beacon and Ruby’s long-term combat goals. This

just doesn’t have the same impact anymore.

It’s the same with Zwei. Do I love seeing my favorite pupper right in the first episode? Hell yeah. Have we now lost the opportunity to introduce him through the mail—another iconic RWBY moment? Also yeah.

Which, again, is not automatically a bad thing. This isn’t a case of “Choice A works, but Choice B doesn’t.” Although IQ’s timeline is arguably a more productive way to write a long-term story, in inevitably comparing it to the webseries, I can’t help but notice that we’ve lost a certain absurdity and, well, fun that’s a part of RWBY’s charm.

(That’s an awesome shot though. Love the lighting.)

So Ruby works her way through the goons—a combat sequence I quite enjoyed. Very liberal on the crunchy faces. Looked painful—and Roman runs through most of his original lines. This time he does comment, “Semblance? A Beacon Academy student?” when Ruby busts out the window, which both hints at the fact that semblances might be comparatively rare (remember that Roman doesn’t have one) and, by extension, highlights Ruby’s innate abilities. The fact that Roman assumes she must go to Beacon implies that only someone two years older than her could pull that kind of control off. Ruby, as the talented protagonist, has managed this early.

Roman throws his smoke bomb, runs up the building, Ruby follows him… calls him a thief even though technically he didn’t take any of the Dust with him lol. While they’re on the roof, Tai, Yang, and Zwei arrive on the scene, having grown worried when Ruby failed to return home at a normal time.

(Why is that clock so cool and why don’t I own it.)

Again, IQ does a really great job of fleshing out the world and the characters’ relationships, especially in just 20 minutes. I love that Ruby was out looking for a present for Yang (still bitter we never got to see what she bought her in Volume 6), that Yang and Tai have this conversation about Ruby’s growth, Zwei is being used as a bloodhound to track her, the fact that yeah, of course there are other civilians about and the police were called on scene.

Personally, I think there’s a nostalgic charm to RWBY’s shadow people, but it’s still true to say that animating actual characters responding to situations goes a long way towards making your world feel lived in. 

Also, can I just SHOUT FROM THE ROOFTOPS that Tai is out looking for his daughter? I never cared about his character much until post-Volume 3 when the fandom started dragging him for… well, everything. How dare you make a joke your daughter clearly loved. How dare you tell her the truth in an effort to keep her from losing another limb—or her life. (Which, I will always point out now, happened! Yang stupidly jumped in front of Ruby, just like she stupidly charged Adam, and Neo killed her!! You have a ranged weapon, Yang, oh my god—) How dare you fail to follow one kid while the other is at home with severe depression. How dare you not follow both when [checks notes] you’re not a part of the primary plot. Tai really went the way of Ozpin and Ironwood (pre-Volume 8 Ironwood, anyway) where potential mistakes are declared unforgivable sins and… that’s it. You’re Remnant’s #1 Worst Dad. Sucks to be you.

So hell yeah, good on IQ for reminding everyone that Tai, even an AU Tai, is of course worried sick over his missing kid and will do whatever he can to help her. Double kudos for managing that alongside a slight increase in mom!Yang energy.

Glynda (my beloved) shows up and does her thing. Cinder never comes out to fight them, but we still see her piloting the airship, which is interesting. At least, it is to me given that I’d assumed going into IQ that a lot of the larger plot-lines would be dropped in favor of the new story: the White Fang, Cinder’s lust for power, even Salem herself. Obviously that’s not the case, so now I’m wondering if IQ is like an interlude type story? We get a mostly-the-same Volumes 1-2, then a totally new adventure, then the implication that the characters go back to a version of the original tale with Relics, Maidens, la de da? We’ll have to see.

After Ruby DOESN’T ask for Glynda’s autograph (tragic) and she’s getting her lecture while Tai and Yang wait at the station, Ozpin shows up to… salutes?

That’s a choice.

You know how I was saying that Whitley’s characterization feels more in line with where he’ll end up several Volumes later? Well, Ozpin’s characterization feels more in line with where the show says he ends up several Volumes later… even though they never actually wrote that. Meaning, this is an Ozpin introduction that actually implies an ulterior, morally gray motive. This is a guy that does feel sketchy to me.

Let’s tally the details.

Ozpin arrives at the station—now overtly a police station and not the ambiguous closet of the webseries—and is saluted by everyone there. He doesn’t wave the formality aside with discomfort or anything, but takes it as a given. If I didn’t know better, I’d think that was Ironwood walking into the room.

He still gives Ruby cookies, but this time we see that he didn’t arrive with them. Meaning, he must have made one of the officers scrounge them up which, while still potentially just a nice gesture, feels like it has more potential for manipulation. More “Do the work for me so I can look good to the kid” rather than, “I heard Glynda had you in her clutches and brought cookies from home to soothe that :D”

Ruby never gives her passionate speech about wanting to help people like her parents taught her to and how Beacon is her plan to do that. So although the fandom has long assumed that Ozpin invited her partly due to her Silver Eyes—an assessment I agree with—that motivation feels far more prominent without Ruby overtly wanting to come. At least, she doesn’t tell Ozpin she wants to come. Now, instead of making Ruby’s wish come true (with the added benefit of assisting Ozpin’s war) Ozpin offers a place seemingly out of the blue, still putting some focus on Ruby’s combat skills, far more on those special, Silver Eyes. This feels like a recruitment now, not a benevolent gesture towards a family friend’s kid.

Going off of that, there’s no playful banter between Ozpin and Glynda about Ruby getting in early. This Ozpin has very little of the kind, fatherly energy of the webseries.

Finally, we see Ozpin talking to Tai afterwards and though Tai is quite taken with Ruby getting to skip two years, it’s not like Ozpin is asking his permission here. Sure, sure, we could get into the question of how much agency Remnant kids actually have—Blake’s parents are cool with her going off to Beacon after being missing for a time, no one is looking for Oscar, etc.—but the point is that twice, once before meeting Ruby and once after, Ozpin has the chance to offer Tai this opportunity for his daughter, but very overtly does not. He says that he will be speaking to Ruby. He says that she will be attending Beacon. He’s in control here.

The combination of this creates a far less approachable, more calculating Ozpin. AKA, the kind of Ozpin that RWBY failed to write, but the fandom insists is there in an effort to make the fury in Volume 6+ make sense. I’m not sure how I feel about it? On the one hand yeah, I’m glad to see IQ setting the stage for future reveals. This is an Ozpin who really might be puppeteering this war in a way the cast can be justifiably disgusted by. Yet on the other hand, it doesn’t feel much like Ozpin to me. Though small changes have been made to all the characters, they still feel like themselves (Klein being the exception). Ozpin though… there’s no interest in Ruby’s passion, no teasing Glynda, no intimacy with Tai. Seriously, go back and watch “Ruby Rose.” We’ve got Ozpin’s dad-like concern over Ruby using one of the “most dangerous weapons every designed,” his clear fondness for his “dusty old crow,” offering the cookies only after Ruby has explained herself a bit and her actually eating them (comfortable in his presence/trusting what he gives her), the eye-twitch when she talks with her mouth full, fond smile as Ruby gushes about her uncle, laughing a little at her karate chops, “adorable girl,” the very stern “You want to come to my school?” which forces Ruby to clearly state her own goals and desires (that oh so conveniently align with his), THIS

I mean, Ozpin is a dad. I feel like that’s a very crucial part of his characterization. He’s a romantic who settled down, had kids, does the stupid voices while reading his beloved fairy tales… and then his life went to absolute shit. He’s an exhausted dad who is still fighting because he believes wholeheartedly that the world is worth fighting for. He’s exactly the kind of guy who would bring a talented kid cookies and let her skip two years, all while ensuring her happiness benefits humanity somehow.

This guy feels like a creep—and that’s not just because of the weird doll features.

So good for the fandom, finally has a legitimately suspicious Ozpin to embrace? Yay IQ laying the groundwork for future plot-points? But as my favorite character, I wish we had Ozpin back. Especially since he’s only existed as an extension of Oscar for the past five Volumes, one everyone uses as a punching bag.

Maybe his characterization will change in the upcoming episodes? :(

We near the end of “Red, White, Black, Yellow” with a bit of additional worldbuilding slapped onto the trailer content. Weiss learns from Winter that there are hard rules to their totally-not-magic system—“Your Aura can only take a direct attack once or twice at most. The moment you’re hit, you’re finished”—and that’s reiterated by Glynda to Ruby: “Is your Aura strong enough to stop every bullet they fired?”

Cue me CACKLING at, like, every single RWBY fight ever. Will IQ do what the webseries couldn’t and actually stick to its own rules? We’ll have to see…

Blake is off in a… barn? Some isolated place with a bag of supplies now. She gets her admission notice from Beacon and I have to wonder when she took that exam. Was it before she left Adam, thereby making her leaving him feel a little less random? Was it after her escape and she’s been, what? Just running through grimm infested territory since then, popping into Beacon once for a quick test? Why didn’t she ever go home?? Yeah, there are still aspects that don’t quite add up for me. Regardless, Blake gets teary and says that now she’s really able to follow a “different path.”

Klein sends Weiss off with faith that she’ll carry on the legacy of Master Nicholas Schnee and, after Ruby tells Tai that she’ll make a ton of friends at Beacon (that’s a change in characterization), we finish with them all boarding the same transport. We then get a really lovely moment where both Weiss and Blake stare at their reflection on opposite sides of the ship, mustering up a smile.

Watching OFMD grow as a fandom these last few months, I’ve gotten to see a lot of people question certain fandom trends that have popped up, including asking, “Wait, people ship that?” Ignoring for the moment that you obviously don’t need a reason beyond, “I like it,” we can usually pinpoint why fans end up liking that particular duo (or trio). The important takeaway here is that it doesn’t take much—at ALL—to spark that interest. This moment is a perfect example of that. Blake and Weiss are set up to parallel and contrast one another. One is the rich heiress harming the faunus. The other is the (right now reading as) poor faunus fighting the heiress. They’ve got that Romeo and Juliet potential—two houses not meant to join—and yet we also see, right here, that they’re so much more alike than either will initially believe. They’re separated now, haven’t yet met, are literally on opposite sides of the transport, and yet they both go through the exact same motions of sighing in relief at making it in time, catching sight of themselves in a reflective surface, considering who they are, and then smiling. There’s so much potential there! We in the RWBY fandom know that Bumbleby and White Rose are the two heavy-hitters, but right now Weiss hasn’t met Ruby and Blake hasn’t met Yang. I guarantee that if IQ were its own show and we were waiting a week for the next, totally original episode, fans would be all over Monochrome as the primary ship. It would have sunk its teeth into the community from that alone and even if IQ went the way of RWBY, splitting them up and starting numerous moments of other shipping potential (Weiss slowing coming to care for Ruby, Yang opening up to Blake, etc.) there’s a good chance that Blake/Weiss would have hung on like whoa, just from this moment and a week of theorizing alone. Never doubt the power of fans to imagine up the most epic romances from a single, thematically loaded shot.

We’re given our first glimpses of Jaune (vomiting), Nora (hanging onto Ren), Ren (suffering, but he likes it), and Pyrrha—taking up most of the screen as Salem says that “even the most brilliant lights eventually flicker and die.”

I can’t go through this again 😭

At least that’s a WAY better introduction for Pyrrha than being Jaune’s background, quirky girl...

And, of course, we end on a close-up of Ruby as Ozpin talks about small sparks and simple souls igniting the most change.

(I’m sorry she looks so creepy here hOW IS THAT NOT A MURDER DOLL??)

So, just to summarize, there's really good character work throughout this episode. Not only are the introductions tighter and better interwoven with Remnant's worldbuilding, but IQ does a decent job of setting up future themes, conflicts, and — if the plot circles back to canon — foreshadowed events like Pyrrha’s death. Basically, this is what happens when you take your story through another draft. This is RWBY with an eye towards what did and didn't work the first time around.

Yet for all that praise... I have to admit that a certain spark is missing. Yes, the animation is so much better, but as said, there's something charming about RWBY's janky movements and shadow people. Yes, the characters' introductions fit more neatly into the story-world now, but it was exciting to get individual action trailers, unsure at first how they would develop into a plot-driven narrative. No, there's no reason to waste time on silly things like Jaune being Vomit Boy, but the lack of stupid humor in this premiere makes me feel like a crucial part of RWBY is missing. There's no disappearing cookies, or Ruby being chill about Yang kicking men out of club windows, or karate chops, or (and this is a real travesty imo) a cringey "Can I have your autograph??" towards Glynda. Maybe it's that we're nearly a decade out from the original air date and tastes have changed, or maybe it's just straight up nostalgia on my part, but for however good IQ is so far, it doesn't feel like it has the same heart that RWBY did — and I don't think it's capable of recreating that. RWBY was a specific storm of Monty + 2013 + the appeal of a group of fans doing something fun in their basement over something objectively "good," and who knows what else thrown into the mysterious pot of success. You literally can't recreate that, especially when so much of RWBY's fanbase are adults now, unable to return to their teenage years — or even just the eight years younger version of themselves if they were adults the first time around — and the headspace of when they first fell in love with the story. That doesn't make IQ bad by any means (and it may well get its own fanbase of first-time viewers). I really enjoyed this first episode... but I enjoyed it in the way I enjoy lots of other well-made, but kinda generic anime. Without it already being a RWBY story and without RWBY having caught my imagination back when it did, I don't think I would have gotten hooked on IQ in the same way. The premier is good, arguably far, FAR better than "Ruby Rose" ever was, and yet, whether due to time, nostalgia, or something else entirely, RWBY still feels like it comes out on top. It’s just got... something that IQ lacks.

Not that it's a competition, of course, though certain members of the fandom seem to believe quite strongly that it should be. More because they’d like a built-in reason to drag anyone with a criticism of IQ/RWBY than because they actually believe two versions of a story can’t co-exist.

But I digress.

With that, we've completed "Red, White, Black, Yellow"! At a measly 6,000 words, no less. (I’m apologizing now for the inevitable typos. It’s past 1:00am now and I can’t read through this again...) As is abundantly obvious, these recaps take a long time to write and this sneak peek has, quite unexpectedly, dropped the equivalent of three weeks worth of RWBY content into my lap all at once. Normally I'd have no problem buckling down to write the next episode, but I have a number of fic commitments at the start of July that I can't afford to ignore. So writing time will be going towards those, first and foremost, with me continuing to work on Ice Queendom on the side. I hope to have the next episode recapped in the next few days — at the latest — but that depends entirely on how kind the writing Gods are to me this week.

So stay tuned and, as always, thanks for reading! <3

MurderOfBirds' Twitter Thread: https://twitter.com/MurderofBirds_/status/1540414268457340928

[kitkatopinions]

Same anon who asked the original question about Coco - thank you for educating me on that. That is absolutely horrifying and fucking appalling. It really pisses me off, because I loved what I thought was the premise/concept of her character - just a fashionista lesbian - without realizing that she was actually alluding to a Nazi. That just kills me. God, is it too much to ask of content creators to give us chic queer characters aren't an allusion to antisemites? >:(

Yeah, it's horrible. I didn't know when I first watched RWBY, and only found out about it through my interactions with critics (specifically ironpines, who has a lot of good posts about it,) and then looked into it myself. But it is a shame, especially for LGBTQ+ people, to be promised rep and then some of the only rep we actually get is based off of a Nazi. RT needs to clean up their act and do better.

Thanks for listening and sorry to be the bearer of bad news.

[cushfuddled]

Okay so JDS came forward with a statement about how he’s working to be better and the comments underneath are like...oh my god

Some of them are genuine critique and like, people saying “Yeah, you really hurt me with how you portrayed x character.” But some of them are just flat-out cruel??

Like, I’m under no delusions here. Voltron FUCKED UP. It fucked up HARD. Adam, an mlm POC, died screaming as he was blown to fiery bits. Allura, a POC commander, suffered a frankly ridiculous amount of torture (she lost her planet; her whole family and culture besides Coran; her commander position; her castle ship; her LIFE...even her crown). Shiro, an mlm Asian disabled man with PTSD, existed to be sidelined or get the ever-loving shit beaten out of him. Ezor, another queer character, would’ve been killed had there not been fan backlash. If the wedding was an olive branch (as the EP’s claimed), it was a twig thrown over the studio’s shoulders as they fled down the fire escape. 

VOLTRON. WAS. A. FUCKING. MESS.

These creators fucked up. But the fact that one of them has had the balls to come forward and say, “Hey, I’ve been writing from a place of privilege, and I understand that I can’t make up from what I’ve done in the past, but I am educating myself and working to become a better person now,” is like...I think that’s something to celebrate!

I’m not saying anyone has to forgive this dude. A lot of people like me loved Voltron BECAUSE of its hopeful messages about rep and found family...and when that blew up like a grease fire, we were left to pick up the pieces. There was zero response from the studio besides a somewhat patronizing pair of Afterbuzz interviews two months after the fact. I was in those video chats; I know how frustrating that was. Voltron meant a HELL OF A LOT TO PEOPLE. For those of you who used Voltron to literally survive: I’m one of you!! I used Voltron to get through my depression and stress and misery at college! It gave me something to hold on to when I wanted to give up. 

BUT ALSO...we have to remember that Voltron was, at the end of the day, a show. It might have been healthy for some people to use Voltron to cope, but it certainly wasn’t healthy for me. I attached too much of my mental health to VLD, so that when it spiraled it took me with it. The show made horrible choices that hurt me and others like me terribly, but a lot of the very real pain I experienced after s7 dropped (s8 was more a nail in the coffin for me than anything else) was because I’d literally become dependent on a show to keep me going in life. And I don’t think that’s a fair burden to put on any show!

I’m saying—we’re valid af, to be pissed off at the VLD team for their creative choices. But there are replies to this apology with people talking about how, after the last season aired, they had to TALK MULTIPLE PEOPLE DOWN FROM SUICIDE, and then PINNING THAT ON JDS. 

If VLD made you have anxiety attacks or caused a depressive episode or made you contemplate suicide...like, I also struggle with depression and anxiety, and VLD punched me like a train to the gut. But at a certain point I had to look at myself and say, “This reaction is not all the EP’s fault.” I had tied my emotional health to a fictional series. It was a dangerous thing to do, and it backfired. 

Personally?? I’m really glad that JDS is educating himself. It would’ve been REALLY easy for him to just move on with his life and pretend nothing ever happened now that like *checks watch* a year and a half has passed since s8 dropped. But instead he came forward and promised to do better, and he gave people a platform to finally tell him how they felt. 

Isn’t this what we want? For creators to acknowledge it when they fuck up, and work to do better next time? Yeah, I know—he could’ve done this a year and a half ago. But he’s doing it now, when he could have chosen not to do it at all...and honestly, I don’t think I’ve ever seen a big-time creator make that kind of decision. I just wish people wouldn’t look at that apology about fictional representation and respond by accusing JDS of NEARLY INCITING SUICIDES

[colorful-yarns-queer-stories]

Wayward Son: You’re Probably Going to Hate Me for This

A quick caveat: This post took me almost 8 months to write because Wayward Son wrecked me that thoroughly. It left me that much of a mess, reeling that hard over how very wrong it went after Carry On. This post reflects those kinds of feelings from a queer reader, so if you love the book and feel extremely positively toward it, this post is not for you. Just keep scrolling and go on to enjoy your day. Your opinion is valid. If Wayward Son left you feeling sick, betrayed, and worse than before you got it, maybe we can commiserate. If you’re teetering back and forth on whether to read it, this post offers you the worst to look at opposite the best. If you don’t want to hear it, don’t read it. It’s that easy. 

On September 24, 2019, I was practically shaking when I opened my eyes and began setting up my cozy reading nook. I requested the day off work, cleared my entire schedule, and settled in my comfiest sweater and blankets with a fully stocked tea cabinet to read what was, for me, one of the most highly anticipated book releases of the year. I pre-ordered a signed physical copy of the book, the audiobook, even got the collectible patch. I could not WAIT to sit down and read the healing story of Simon Snow’s cross-country queer road-trip with his boyfriend Baz and his best friend Penny. I was so excited to see how Simon was helped on his road to recovery from the trauma of the previous book. Rainbow had psyched us up so much to see how things would get better for our favorite Chosen One, despite how hard his journey to mental wellness might be.

Oh, reader. I was so naive.

Now, before I go into my complicated emotions about this book, I need to clarify something. This is not really a book review. This is a brief and personal  examination of how queer characters and audiences are advertised toward vs. what product/representation they receive. Because Wayward Son? As a book, it was solid. Great story, great conflict, great characters. A Very Good Book. But it wasn’t the book we were advertised.

If you are a member of the LGBT+ community, you know what it is to be queerbaited. Shows advertise as though there will be LGBT+ representation, market these stories as queer love stories or stories about queer people learning to love themselves, but in the end, those promises are never delivered upon, leaving LGBT+ audiences open to attacks from cishet fans mocking them for hoping for representation in the first place and reminding LGBT+ audiences that their stories will never be center-stage unless they are fetishes, jokes, or tragedies. (Teen Wolf, BBC Sherlock, and The Cursed Child are just a few immediate examples that spring to mind.)

Rainbow Rowell did not technically queerbait. She wrote two LGBT+ main characters! They got together at the end of the first book! She delivered, right? Mmmm, not quite. Yeah, Simon and Baz got together at the end of the first book, and it was wonderful and heartwarming and hopeful, even if it was still a little bittersweet. After all, that’s realistic right? And they are both still the main characters of the second book. They are still together. She kept her word, right? Wrong.

Rainbow Rowell marketed us a hopeful cross-country road-trip with the Chosen One’s boyfriend and best friend in pursuit of healing and recovery for Simon Snow after he was left traumatized and adrift in the wake of saving the magical world. Well, we got a road trip. He did have a boyfriend and best friend present, sort of. Healing? Hahaha no. None. Not even a little bit. We were promised recovery and hope. What we got instead was a whole lot of Queer Suffering. Literally hundreds of pages of it.

Look, part of writing solid representation is being aware of the cultural and political climate in which you are writing. After the 2016 U.S. election, the LGBT+ and POC communities came under massive fire from the U.S. President, the federal government, and all of the devoted bigots who have loudly and violently sworn themselves to the cause of rooting out and eliminating every minority present here in the States. Since 2016, minority communities have done nothing but suffer under attack after attack over and over and over again. If you look at the majority of books published for LGBT+ audiences since 2016, you will notice that most of them are geared toward messages of healing, of hope, of strength in the face of adversity, because that is what we need given the reality of our existence right now. We need strength, we need hope, we need healing. We exist under a constant barrage of hate and vitriol and violence, and the number of hate crimes being committed against minority communities have risen consistently through the entirety of this Presidential term. So when we are marketed a book about hope and healing, by god we are putting faith in you to deliver on that promise, that commitment you are making to us as a community. We are trusting you, giving you our money, our time, our emotional commitment.

Wayward Son did not deliver on those promises of healing and hope and recovery. Nothing positive happened to any of the characters in the book. Nothing. What hope? What healing? What love? You made Simon and Baz essentially strangers planning their breakup from chapter one, not to mention their individual suffering you attached to their own identities (Simon as ex-Chosen One, Baz as a vampire). You made Penelope Bunce lose her partner of several years. You forced Agatha Wellbelove into a traumatic kidnapping specifically imitating and amplifying her brand of trauma from the end of Carry On. Every single character in your book was a minority (LGBT+, POC, QPOC, women), and every single one was forced to suffer even greater trauma this time with no reprieve or recovery from their previous experiences. YOU MARKETED THE BOOK WITH A FU**ING PRIDE PATCH ONLY TO HAVE YOUR QUEER CHARACTERS PLANNING THEIR BREAK UP FROM CHAPTER ONE. WHAT ABOUT THAT ARE WE SUPPOSED TO BE PROUD OF? Did you even take the time to become aware of the big tropes aimed at queer characters by straight authors? Of either burying your gays or making them end up apart? Of why it’s wrong to use your female characters constantly as damsels in distress (I thought you wanted Agatha to be the opposite of that, but here she is being the damsel in distress AGAIN)? Rainbow, YOU were the one who wrote Agatha hating her part in the Chosen One BS. You wrote her hating danger and magic and you wrote her escape only to reel her right back in? Wayward Son felt like Rainbow Rowell hitting the “Undo” button on all of the positive rep she gave us in the last book and replacing it with loads of misery just because cynicism is “In.”

If someone asked me to recommend a YA fantasy for their teen with solid queer rep, a diverse cast, and healthy messages, I absolutely would have had no problem recommending Carry On. I have, in fact, put it into the hands of LGBTQIA+ teens on multiple occasions. I could not, however, recommend Wayward Son. This book was the antithesis to Carry On and destroyed everything I loved about the original. Was Wayward Son, from a literary standpoint, a good book? Absolutely. But I cannot in good conscience recommend it to any LGBT+ readers, especially given the current political and social climate in which we live. Maybe the third installment will be a fix-it. Maybe things will get better. As for me, though, my faith in this author’s representation of minority characters was broken with Wayward Son.

What kills me about it, though… the thing that really just tears me up inside… is that if she had marketed it to us as, “Lol you’re all going to suffer, this book is totally going to hurt,” I would have been okay with it. I love TJ Klune’s books, but they tear your beating heart out of your chest and then feed it back to you by hand. His books hurt. The difference between him and Rainbow Rowell, though, is that he advertises them that way. When he writes something painful, he markets it as painful. When he writes something soft, he markets it as soft. We know we can trust him because he makes realistic promises and then delivers on them. Rainbow did the exact opposite, promising us recovery and giving us nothing but several hundred pages of pain for literally every single character involved. How are we supposed to trust you now? Honestly, for my part, now I know I can’t.

I’m sorry if this is upsetting. I know lots of people (if they ever see this) are gonna be VERY, VERY angry with me for writing it and for feeling this way. But this is my honest take on Wayward Son: the entire book is one giant trigger, and I think that, until there is anything at all positive to offer in its place, that it’s better for LGBT+ and other minority readers to avoid this one. Maybe wait until the next book or stop after Carry On. If you are a member of a minority group and struggle hard with mental health issues, this might be one to avoid for now.

[incarnateirony]

Isn't it cute how we keep finding RL parallels to show that what they're doing with Destiel is a Romance with a capital R, and now the show itself used Destiel as a parallel to show that Saileen is a romance (even tho everyone already knew That)? And they'll come back to eachother eventually? Wow. I hope I got my point across, but this thought hasn't left me since the "What's real?" "This is." convo between Sam and Eileen. Two sister ships are driving this season, and I'm all here for it.

Yeah.

The fandom result is less fun, with people calling text subtext because they simply don’t understand the text’s merit (eg, Last Call) that was settled long before anybody in this fandom considered themselves a genius to try to argue circles around it. Like Y2K called it wants to update fandom on some LGBT issues already settled. Oz was… what? 1997-2003? (Which is when Bobo ended up writing his LGBT rep sociopolitical commentary?)

The show has me ecstatic. The fandom has me reeling in horror in how willfully LGBT people have coded themselves into a performative-to-het-demands-culture that they’ll talk down content and structure used for romantic het pairings even when it’s front and center. 

This isn’t the world of subtextual secret handshakes anymore, guys. I don’t know if meta fandom is reeling on what an actual Will They/Won’t They looks like as opposed to, yes, S7 wallpapers or fish or whatever rando shit got chased as a stream; or even compared to lowkey structural subtext like Colette which hid so many layers beneath the surface that it needed to be actively negotiated and tracked. 

Not front, textual assertions that Dean does in fact have Oz-esque group encounters beyond even Deanmon, that he alone had to bury Cas and burying Eileen was the same for Sam, only to turn around and have them mirror shit and truncate their emotional adventure with a kiss and fandom’s out here footstomping and invalidating the text level bullshit because it’s not said how they want, when they want. 

Like guys that shit is text. People not understanding the text does not make it non-text. Whether or not you know your LGBT history and intersectional issues (or have modernly soaked dialogue from alt right platforms that XYZ isn’t gay if you yell no homo, since there’s even parts of the world where men identify “straight” despite routinely pursuing sex with men and abandoning women that FOR SOME REASON PEOPLE HERE CATER TO THE DIALOGUES OF) – whether you know any of this, whether you UNDERSTAND this – the information still exists. 

People still try to explain that the earth is flat instead of round because they don’t understand science, or evolution for the same reason. That doesn’t mean there’s actually reasonable permissive argument here. In fact, it’s embarrassing as fuck to watch anyone hold one of these arguments. People not understanding material does not invalidate what the material actually means.

And seriously like– “WE WANT–” … what, a love confession or a kiss, I guess. All the other goalposts that were set up were blown by. The former love yous and similar phrasings (I guess we’re herding love affirmations into ONLY three specific words and otherwise it’s not valid, because… Magic Meta Gay People Rules) weren’t enough! And! AND! Even the ones that WERE those three words, people could arGUE!!! It might not be gaY!!!

So let’s be honest bitters & meta fandom & alternate shippers having sixteen jealousy fits: You don’t even want an I Love You, because it would have to be “I love you, and like, only you, romantically, like in love with you, in the gay way, let’s go have gay sex” for this to pacify this utterly homophobic ball of bullshit they have going on.

So we’ll be honest. You want a kiss.

That’s great. I do too.

At the same time, I can gesture you to a literally endless amount of history where literature and TV did not require a kiss for the romantic content to be valid and even celebrated.

That’s not what magically makes all the text text. The text is the text.

The subtext is elements like Reno, and Mary/John, or Amara/Chuck, and even those are loud as FUCK still. Ironically, *the text is quieter than the subtext right now*

If you take the text: Dean has repeat group encounters that are decades-ago LGBT qualified as queer; Dean loses all hope without Cas, once he has to bury Cas, and Eileen does the same for Sam.

The subtext of this: Dean actually forgot an entire woman in his tryst, which means she wasn’t a focus, which makes this gayer than the default gay text; Dean yet again followed viking widower tradition with Cas as a spouse and buried him himself.

This is literally “Cas is Dean’s Collette” but 1. fully textual instead of 3 levels under and 2. much more personal with a full character we witnessed with Eileen rather than flashbacks of Colette for a few seconds. The text here has subtext. It is text. Whether people understand the text, like the LGBT issues around 15.07 or not is an onus on them, but does not invalidate the content. People not understanding Gays doesn’t delete Gays, that isn’t how that works.

Because the hilarity of the line people trying to keep their blogs valid at– that they’re running? All text is subtext unless all text is explained unto a point that it can’t be argued, but that of course leaves the explanation subtext until it, too, is explained beyond a shadow of a doubt to children, and then so on, ad infinity, in a quantum loop of calling everything under god’s written heaven subtext.

I had a conversation with a meta writer who won’t be named that went full bore in a loop. They called it subtext. I pointed out where it was flat surface text. Yes, they said, that IS text, but people can still argue, so that makes it subtext. Uh, no, I pointed out, that isn’t how this works or what those words mean, someone’s understanding of the meaning of text does not invalidate the actual meaning the words have. Arguing with a phantom menace of a GA that’s all catching on right now to contend with tinhatters and a few other oddballs out there that are hilariously small and not in the GA eye isn’t worth changing the entire dictionary. Because The Dictionary Is A Good Book. If someone doesn’t understand all the words in the dictionary and what they mean that, also, does not invalidate the dictionary if it doesn’t have an infinite set of asterisks defining every definition. Anyway, said meta person completely went postal about it after that because after trying to loop the same argument three times and realizing They Will Always End Up Here, off they went when I said that arguing with idiots online wasn’t worth demolishing the dictionary, media study, or queer content.

AV medium seems to be confusing the fuck out of people that fancy themselves or are even degreed lit savants.

But hey, maybe there’s a ruse being played. Maybe Bobo already got that lucky corporate dice roll and is playing into his thematic structure. Maybe he will manage to break through with a kiss. Maybe, maybe, maybe. 

Frankly more than to argue with idiots, I kind of want it to exemplify the gross homophobia going on in this fandom. And I don’t mean antis. I mean every single person, right here and right now, redefining things to maintain their hysteria and anger or even just their general relevance/podium that evaporates if they acknowledge that it is what it is; that every bit of queer text AND subtext they talked down and deleted and tried to wedge into “platonic” boxes due to their own lack of LGBT cultural understanding was real, and valid, and while antis screamed and shouted raging at the text as provided, they were the ones there, being enemies this year, deleting queer content until their arbitrary goalpost, fulfilling as it may be, and as much as I personally want it too, was met. But if that happens, IF that happens, it WILL be by Bobo’s hand or Dabb’s with Bobo’s guidance, and I can PROMISE you he will make it such a sociopolitical commentary on the heteronormative bullshit going on (like his DreamHunter commentary that BLEW BY everyone) that I expect several people to delete their damn accounts in mortal embarrassment.

This season is gorgeous everyone. Enjoy it.

For the record, if that million to one shot is on the table, the episode everyone should watch for results, beyond the finale, is 15.18. I’m not gonna get into all the reasons here beyond Putrefaction/Blackening > Whitening > Yellowing > Reddening = Gold and if anybody wants to know what the fuck I mean by that, send me an ask. (I’m working on a Putrefaction video to plug into my series to help with that. And beyond that pacing, structure, rhythm, and Bobo. But that also does not mean anyone should seriously place their emotional chips on it, just to stop getting cranked up and demanding THIS NEXT EPISODE OR PERISH.)

Because if you think there’s ever a point homophobes are gonna stop arguing shit down, you’re in for a bad time. Straight pairs like Mulder/Scully that kissed got no romos mental gymnasticsing around it. If you expect differently with DeanCas you’re IN FOR A RIIIIIIIIIIIIIIIIIIIIIIIDE

But I don’t want to hear one more goddamn peep about representation from that wing of meta fandom. The representation is there, front and center, to relate to for the intended demographic, it just wasn’t what other demographics wanted. But it’s written by a middle aged LGBT man for middle aged LGBT men and if you aren’t in that bracket, and don’t like the results, you don’t get to go and try to destroy that representative material. Hell if you ARE in that demographic you don’t get to one-card steam roll over other LGBT men too, the way it works from there is you find other people in that demographic and discuss the content’s pros and cons. If it ends at “not the ship I like” instead of genuine problems with the content, you also don’t get to destroy that for other people in the demographic. So whether it’s like, desperate clout/platform/relevance clinging, or just complete lack of understanding of LGBT media history and the represented demographic, that shit needs to stop. Pick a side. 

You can’t genuinely fight for representation while going and kicking down rep sandcastles because they weren’t shaped how you want. That isn’t how it works. It works by owning the content, and requesting better or more. Requesting more explicit content does not require destroying the content you don’t consider “enough”, in front of you.

Overt queer subtext AND text remain an overt body within the text even if it does not reach a given explicit landmark that you personally have decided on and is 0% dependent on anyone’s understanding of the fucking content.

[coredrill]

alright, here are my thoughts on the unstoppable wasp novel! i’ve put the majority of my thoughts, and LOTS of spoilers, below the cut. short summary is that . . . i didn’t really like it at all :/

so, i’m gonna preface this by saying that i wanted to absolutely LOVE this book. it’s all about nadia and she is one of my all-time favorite characters and it’s so great that she got the spotlight in this way! i just really really wish i could, in good faith, say that the book was good, but i just can’t. and admittedly, i consider the unstoppable wasp comics to be nearly perfect, which is a high bar to hit, but there was just so much about this book that left a bad taste in my mouth.

first thing i want to mention is the role of the rest of the g.i.r.l.s. and when i say that, i mean that they had virtually no role. i genuinely wasn’t sure if i (the reader) was expected to have read the comics before the novel. on one hand, the first few chapters were spent pretty much summing up the comics, which is fine, especially because some readers may not have read the comics. on the other hand, if i hadn’t read the comics, there’s NO WAY i would’ve known anything about the other g.i.r.l.s!! they’re barely present in the plot of the book! they are present in one scene in the beginning, taina has a few lines throughout, and they’re more involved at the end, but a lot of the times they seemed more like wallpaper than actual characters. especially because of the frequency with which the author would throw in lines such as “that ethiopian place that shay likes” or “priya’s on-trend jeans” and just name-drop them without really giving them any substance. since i know the comics, i already know these characters--but if i was just reading the novel with no background? there’s no way i’d be able to keep them straight.

building off of what i said in that last point, i also wanted to mention that i listened to the women of marvel podcast interview with the author. something that i noticed is that she would always refer to the g.i.r.l.s as the “g.i.r.l. squad.” and that, i think, is the root of why i didn’t like how they were handled. it’s obviously pretty simple to explain their absence in the story by just noting that the whole point was that nadia was feeling alone and isolated from them. HOWEVER, in my opinion as a woman who has been in engineering . . . that doesn’t happen? nadia and the g.i.r.l.s are labmates--it’s right there in the title. they ARE the genius in action research labs. the “lab” isn’t just the location, it’s the people who make it up. by referring to them as “g.i.r.l. squad” instead of just “g.i.r.l.,” the author is changing the dynamics from “being a cohesive unit of girls who make up this incredible group and support each other in their science and goals” to “friend group who all happen to do science.” and as i mentioned, the random falling-out that happens in the book doesn’t happen to groups of the first type. being a girl in stem SUCKS. being in a stem class means that you’re automatically friends with the 1-2 other girls in there with you. and the people you work on projects with in a lab? the other girls who take the time to support you and have your back even though the odds are stacked against you? those are a whole different kind of friendships and i PROMISE they’re not wrecked by just forgetting to talk to each other. the girls that i worked with in college--the girls that i worked with now--it’s for survival. you don’t just fall apart like nadia apparently did from the g.i.r.l.s in this book.

okay. final bullet point on this topic. but in the women of marvel interview, the author said that she wanted to explore what could break apart the bonds that the g.i.r.l.s had formed. but on page 263, there’s the line “and if they had all just been a little better at communicating, maybe it wouldn’t have been so long before one of them realized that nadia was relying a little too closely on that little gold device.” so this deep dive into splitting the g.i.r.l.s apart, and barely giving shay, taina, ying, and priya a role in the story--was caused by MISCOMMUNICATION??? no freaking thanks LMAO. even without everything i’ve already mentioned, that trope is so lazy.

the writing style kinda bothered me at some points--i remember the discharge being described as “carbon dioxide” at one point, but like, just call it white foam. it’s so much easier and saying carbon dioxide pulled me out of what was happening. obviously this is a personal thing, not something objectively bad, but i still thought i’d mention it.

there seemed to be this point, around page 260, where it seems like the book flipped a switch. obviously, this is where the climax hit, but so many other things seemed to just randomly get pushed into place because the plot necessitated it? like, for example, nadia and the g.i.r.l.s are suddenly bffs again. even though, in nadia’s interior monologue, we’ve been hearing her resentment for them, it seemed like once the plot needed them to work together that they were able to do so without problem. and not only that, but it didn’t even feel earned? the book NEVER showed nadia and the g.i.r.l.s as actually like. being friends. (as i mentioned, not a choice i agree with, but still a fact.) so to have them all suddenly team up for the Big Boss Battle just felt weird and disengenuous to all of them. additionally, nadia went from defending margaret at all costs to suddenly thinking “oh yeah, she’s probably super evil. no big deal.” like WHAT??? the whole point of the first 250 pages was to show that nadia feels like margaret is the only person she can trust. all of a sudden she’s cool with her being evil??? make it make sense! you could see throughout the rest of the book that nadia was building up her Wrong Thoughts. sooooo much time was spent on it and we actually saw the development of how nadia felt. but to have her switch all that on a dime so that she can have her Right Thoughts now??? just in time for the Boss Battle? it just feels so unearned, since there’s nothing building to it. she just . . . changes her mind.

i also feel like writing a book where the protagonist, where the person whose perspective we’re following, is being MIND-CONTROLLED, but not revealing that mind control until the 11th hour (to validate the sudden switch from Wrong Thoughts to Right Thoughts) was just. a bit weird. i’m 22, but if i was reading this as a teenager, i’m not sure i would’ve quite gotten that the WHOLE BOOK was now being told by an unreliable narrator, with absolutely zero reliable information as a base (except the comics, of course).

ON PAGE 274. THERE IS ONE MENTION OF SHAY MAKING HER TELEPORTER PORTABLE. THIS IS AN INCREDIBLE FEAT OF SCIENCE AND SO GREAT FOR SHAY WHY WAS THIS NOT EXPANDED ON IN THE SLIGHTEST????

alright, time to talk about the nadia-being-ace thing. so, ever since i started reading unstoppable wasp, i’ve interpreted nadia as aroace. her version of friendships, her attempts to change the topic when romance for herself is brought up--these are all very authentically ace experiences. and that was okay for me to just have her coded that way! the writer of the comics, jeremy whitley, has included TWO (2!!!) ace characters in his raven pirate princess series so i definitely allowed myself to entertain the idea that the ace aspects of nadia were intentional. i was also okay with it not being explicitly mentioned in the comics--sure it would’ve been cool, but i understand that there are 18 issues TOTAL and it would be hard to fit the entirety of nadia’s story in there. BUT, when the author of this book mentioned that nadia was ace, and jeremy whitley confirmed that he’d been writing her as ace, it was awesome and super validating!! first of all, nadia being the first canonically ace marvel character--even just by word of god--is so freaking incredible and just adds to my enjoyment of the story. i’m very glad that we got confirmation and that i can continue reading the comics knowing, at the very least, that my ace reading of them is backed up by the canon (!!!!!). however, the author of this novel 100% used it as a marketing tactic which is super shitty. i was obviously going to read it anyway, since it was about nadia, but i do know people who bought it specifically because the author mentioned nadia being ace. and there was maybe one throwaway line in the novel about how nadia was only interested in romance ~theoretically.~ that’s not rep. in fact, it’s even less rep than the comics, which represented nadia being ace (at least in my opinion) far more authentically than this novel did. i’d honestly even go so far as to say it was riiiight up against the line of queerbaiting--yes nadia is canonically queer, but only by word of mouth, and it’s not mentioned even once in the story. that’s bad. using ace people for marketing--baiting them into buying your book on the promise of rep which we already have so little of--is so so shitty. yes, i am glad that we got that confirmation from jeremy whitley who never used this to promote the comics and didn’t even mention it until now, but i genuinely cannot believe that this author (who is bi! i checked her twitter!) effectively used it to market her awful book. honestly if the book weren’t bad enough already, to add this on top of it is even WORSE.

in the same vein, the author mentioned ying and shay being in a wlw relationship in the same interview where she mentioned nadia being ace. ying and shay are barely in the novel and EVEN WORSE, their relationship is kind of treated as an “obstacle” that nadia and the other g.i.r.l.s have to overcome in order to start working as a unit again. also bad!!!!!

okay. i think i’ve got this and one more bullet point, so we’ll see how it goes. but the way that the science in this book was handled was atrocious. sure, we had the cute science facts, but there is one (1) paragraph on page 311 about the g.i.r.l.s doing science for the sake of doing science and helping their community. IN THE WHOLE BOOK. you know a great way to demonstrate to women that they shouldn’t go into stem fields? write a cautionary book about the ~dangers of ai and data collection~ AS IF ANYONE LIVING IN THE WORLD RIGHT NOW DOESN’T KNOW THAT SHIT. jesus fucking christ. the comics showed all of this great science by the way of the g.i.r.l.s papers, shay making her teleporter at home, defusing the bomb in ying’s head, recreating the vision gloves, tai’s sports robots . . . this book had NONE of that. it literally just had the evils that we see in the news EVERY DAY. that’s not what you show people to get them excited, and i find it really fucking weird that ANYONE greenlit a book about characters who support and encourage women to go into stem fields with the overall message of “science bad!” like. how the fuck was this plot approved. in the women of marvel interview, the author claims that she’s written about women in science before--and i believe her. i just don’t think that she’s ever actually spoken to a woman in science.

and lastly, i have a huge issue with the role of hope in the book. by that, i mean that the novel is called “built on hope” but hope is literally never a theme throughout the book? so yet another instance of the book building off the comics without any form of payoff. the unstoppable wasp comics are kind, and loving, and hopeful. this book is callous and condescending and seems more concerned with its sassy one-liners about white dudes and ham-fisted pop culture references than LITERALLY ANYTHING ELSE, including hope. nadia claims to love her friends but spends the majority of the book shitting on them. nadia lies to janet to “avoid hurting her” but the end of unstoppable wasp 10 showed the flip side of the situation where nadia and jan realize that although janet was hiding the truth about hank from nadia, nadia wanted to hear the information anyway!! and i just--WHY would you take a character who has been explicitly used in the past to introduce girls to women in stem (the interviews with real people in the back of the comics!) AND THEN WRITE HER INTO A FUCKING CAUTIONARY “TECHNOLOGY BAD” STORY??? it’s SO discordant with the comics and i genuinely hope that anyone reading this book goes and read the comics themselves, which are incredible and a bajillion times better than this book in all aspects. i’m finishing this “review” a lot more fired up then when i started typing it but i honestly can’t believe that marvel greenlit THIS and not like. 2 more comics.

so, yeah, those are my thoughts. kudos to anyone who actually made it through the whole thing (if anyone does), it’s egregiously long but i needed to put my thoughts somewhere! tldr: i will not be recommending this to my mom.

[chaoslaura]

no but how lucky you are as an actor to get a role with a dog just laying with you resting his head AND HIS PAWS on your lap!! 😭🥺😍🥰💖🥰😍😭🥺

"and bisexual people exist"; live footage of me hearing this:

"I just repressed it an suffered" kflajklfdajflk 😂

Nellie!! Miss Nellie Nelson!!! Miss Nellie herself!!! (I'm just saying Aleksi takes notes on proper "showing your pets to anyone who does or doesn't want to see them" behavior)

Also can I say the way this is shot with the scenes being very short and like zack-zack-zack one after the other is doing very good things for my usual shite attention span in watching new stuff hehe

SITTING NEXT TO EACH OTHER ON THE SAME DRUM CHAIR TO TEACH HIM TO PLAY ARE YOU KIDDING ME BUT THAT'S SO GAY NICHOLAS

The Am I Gay quiz, how I'm reminded of Isak

(but oh god oh no ben's definitely gonna pull some shit with nick right 😭)

(I promise you won't get another live-commenting when i watch the rest of it)

I also thought if I would have read the script I would have instantly went in for Nick's role. Like what a job to be lying there with a dog on you. DREAM.

I am so happy about bisexual Nick😭 There's rarely a bi character in shows, movie except for sidecasted roles nobody cares for and the others are mostly full on gay, which good for you! But I also want my rep. It's hard to do so with the lack of queer media in general that's why I'm so hype about Nick. He's bisexual! Hell yeah!

Let me tell you the teacher is hilarious. There's a small storyline for him and another teacher in the comic and idk if we will get it in season 2 (pls confirm it) but I hope so because it's really sweet.

"That's so gay Nicholas"😂 Here let me take your hands to guide you and show it how its down while we're pressed against each other.

Hey the Am I Gay quiz is a universal experience. When I saw it on skam I was like are you kidding me?? Because I definitely did this and I wasn't aware so many people did that...which....mad sense, but I never really thought about it. But yeah it didn't help a bit😅

(Oh please give me all the live commentary, I love it.)

[ezrisdax-archive]

I read “Ship It” by Britta Lundin so you don’t have to

I should start out with something at least trying to be witty here like “I don’t ship it” or this book could be called “shit it” instead of what it is but my brain is melted from reading this garbage so here we are. I regret so much.

 I’ll get right in to it, this book is riddled with problems. It starts with Claire writing fic and being judgemental to another girl who just asks her about a homework question. But she’s not Claire and doesn’t know fandom so clearly she doesn’t matter here. The bitch.

 Anyway, Claire watches the girl kiss her boyfriend and gets all huffy that it’s obscene where her fanfic is beautiful and true love and I’m already ready to set this book on fire in flames of hell where it belongs. I probably should take some self reflection here as once upon a time I probably was like Claire. Except I didn’t write RPF about an actor for petty revenge and shove fandom things in their face so I’d like to give my high school self a pass there. She still sucked though. Moving on!

 So Claire’s whole thing is she has this ship, this otp, and loves it a lot and yeah, we’ve all been there as fans pretty much. Of course I can’t speak for all fans since fandom isn’t a monolith like many think it is. The representation of how fandom looks like always ends up with girls like Claire, slashers who are single minded for their otp never mind that fandom is as varied as it gets. Yet Claire’s got her head stuck in the sand so much that when people at a panel point out that they kill an Asian girl on the show or how little poc there are she just nods but the second someone asks about the ship and the actor dismisses it she’s up in arms and yelling at him.

 Forrest is our other protag, the book goes back and forth between him and Claire and I kinda felt for him at first being an actor overwhelmed by all this. But he’s also an ass like Claire in a different more homophobic way. Anyway, he yells back at Claire that his character isn’t gay, she leaves in tears, and I’m supposed to suspend my disbelief that the PR department cares enough about LGBT fans that they fake a contest for her to win to follow the actors on a convention tour. My buddy, my gal who is definitely not my pal because I want you to stay the hell away from my bisexual ass, I got news for you: this would never fucking happen. But we move on again.

 Claire’s whole goal now is to convince the showrunner to make the characters gay, because it’s important to her. Now the whole time this is going on she’s met a fanartist named Tess, who’s black and describes herself as homoromantic pansexual or just queer to make it easier for herself. Claire is stunned that Tess is queer, she wears dresses and the only lesbians Claire has met are into basketball. As we all know, these things can’t mix. All queer people are alike and never wear dresses.

  Thems the facts.

 Tess asks Claire out but assures her ‘its not a date’ and then takes her to a gay centric restaurant and that sits badly with me because it feels like Tess is trying to force it to be a date anyway. They kiss back at the hotel, it’s actually kinda cute and the gay panic Claire goes through could be relatable in some ways but Claire ruins it by continually focusing on her gay otp instead.

 Oh god, I don’t want to remember more of this book, I want to purge it from my memory but Claire and Forrest fight and Claire writes RPF about him and his co-star using facts that Forrest told her in confidence as revenge and makes up the story  that his dad used to beat him. Our protag.

 She also gets into a fight with Tess and tells Tess’ friends she’s really into fandom, this sucks but then Tess tells Claire’s mother Claire is gay as revenge so hey, that’s worse. Nothing really comes of it though, there’s no talk with her mom at all. Tess does apologize over a text thankfully and Claire readily forgives her. Tess also points out that being a black fan isn’t easy and this is about thirty or so chapters in, Claire’s response is that she can’t make the showrunner turn the characters black but she can try to make them gay. Charming really.

 The showrunner is an ass I’ll grant you that but Claire’s final card is to break into his twitter account and send out a bunch of tweets. That’s illegal. I wanted her to get sued by the end of it. I was actively hoping our main character got sued. Fans like her give all of us a bad name, they’re the ones on twitter who relentlessly tag the actors in fanart or fanfic and try to force it on them. If an actor wants to actively look for it, that’s one thing, if you have genuine criticism they should hear, that’s another. Forcing this personal stuff on them is just uncomfortable.

 But of course Claire gets away with it all. Nevermind that the showrunner decides to kill Forrest’s character and keep him dead, that fans were whispering about facts of him they got from reading Claire’s RPF, and now he doesn’t have a job. But don’t worry, in the end he gets the shipping thing and representation is important and acts out a love scene with his costar on stage. At San Diego comic con. Again my suspension of disbelief doesn’t go this far. Also Claire gets to moderate the talk at San Diego comic con. Sure Claire.

 She makes a heartfelt speech about rep which honestly, I agreed with but at this point she and Tess have talked about how much better slash incest shipping is than boring old het shipping and I’m rolling my eyes so much I can look inwards and see my brain melting from this mess.

 This book was a nightmare when it came to the idea of fandom. In the words of an anon: it represents us the same way 50 shades represents the bdsm community. Fandom is a lot of things and certainly there are people who are like Claire in this book, who see their ship as the be all end all and care nothing else, who are fine with shipping real people and incest and anything else under the fucking sun but holy fuck do I not want that to represent me. I just wanted a fun wlw story about two girls falling in love at a convention while loving a show because I get that. Hell I’ve always wanted to maybe meet someone at a con. But this story was like the worst parts of fandom shoved into a blender and turned on to puree and promising it’s good for you.

 I’ve never been as angry at a story as I have with this one and when I found out the author writes for tv shows I genuinely worried about the state of the writers room. Then I found out it was Riverdale and it explained so much honestly, that show is trash like this book and I want to purge it from my head with an ice pick.

[priceforrottenjudgement]

whenever shit like this happens people start debating if it was even really queerbaiting and start accusing people of just being mad because their ship didnt become canon. in the case of voltron i literally gave zero fucks about ships. i wasnt really into the fandom, i had seen all the episodes, but i didnt ship anyone in particular. and then they announced that one of the main characters was going to be lgbt and even have a partner! i got really excited and thought “maybe i can get invested in this”. yeah, luckily i didnt, because we all know how that turned out. 

so many people (usually straight people, but also a surprising amount of lgbt people) like to reduce outrage over queerbaiting to ships, because it makes it seem like something you dont have to take seriously. god forbid lgbt ppl just wanting to see people like them in a positive light in media.

is it still queerbait when the gay couple DOES appear, but one of them dies after 2 minutes? thats a thing i’ve heard a lot, because apparently the creators and a few fans think its not. they announced a gay couple and a gay couple was kinda on screen. i mean, you cant go against that logic when they reduce it to that, but the announcement of shiro being gay and having a boyfriend was a big thing at comic con. they saw what kind of impact it had on the crowd and online and they knew it would have that kind of impact. yet they still killed one half of the couple in under 5 minutes of screentime after KNOWING the fans were excited and hopeful for lgbt content. hyping something up like that and ending up giving the fans that little is still queerbaiting. its just all the more insulting when they justify it by saying the show isnt about romance, yet manage to fit in 3 brand new happy straight couples.

another thing that comes with all of this is fans saying stuff like “oh those nasty shippers are assaulting and harrassing the actors on social media!!! just because their ship isnt canon!!” which just isnt true 90% of the time. it is never right to go after the actors when they have little to no power over the storytelling. and most upset fans know that. making your disappointment and sadness known is something completely different than ‘insulting innocent actors’. the criticism is almost always directed exclusively at the people who are actually responsible for what happens on the show. like producers, writers, directors and, you know, people who loudly said they werent going to queerbait, knowing full well they would be killing a gay dude after what felt like 10 seconds.

same as with married couples, you cant hold an actor responsible for what their employer does. nobody should force somebody to take the criticism for what their spouse did on their own either. the situation changes however, when the actor/spouse involves themselves in the discussion and makes attempts to defend the behaviour. i’ve seen at least one actress defend it and respond to criticism of queerbait with the literal words “there was queer content, just not thee queer content you wanted” well DUHHHHHH nobody wanted the bury your gays trope, of course they are upset, there is no need to make this sound like yet another “youre just mad because your ship didnt kiss” kind of thing.

i’ve seen this happen a few times now. sometimes creators never explicitly state there would be a gay couple and never interact with people who ask about it, but will still capitalize off of fans who would love to see it happen (naruto). sometimes creators never explicitly say a gay couple is going to happen, but interact with fans who ask about it FREQUENTLY, capitalize off of them and also shape the marketing in a way that alludes to possible lgbt content (sherlock). and sometimes people straight up say theyll have a gay couple, promise there wont be any queerbaiting, capitalize off of this AND OTHER couples liked by fans, enjoy the wave of euphoria from lgbt fans, congratulate themselves for ticking off that specific box only to kill one half of the couple at the earliest possible moment and give all the happy moments to three straight couples they apparently had no time for (voltron, duh.). queerbaiting comes in different forms and with different intent. 

with naruto the creator most likely never wanted to make them a couple and never expected people to see any romance between them, so it was never publically addressed, but they sure saw that lgbt fans bought a lot of merch with the two of them on it and also really liked the vaguely shippy moments, so why not make money off of that.

with sherlock the creators have alluded to wanting a gay sherlock in the past, repeatedly vaguely hinted that something incredible and unbelievable was going to happen, knowing full well fans would believe that it was about gay rep and also knowing full well it would never come and at the end laughed at the fans for believing them and claimed they were seeing things that were never there. but they still took all their money, ofc.

with voltron they were apparently out for the lgbt money and clout. its so easy to get lgbt fans on the hook when you just promise the smallest possible representation, creators have learned that by now. but for some reason they havent learned that making false promises and driving up hopes will backfire extremely when the actual content doesnt match the hype. so now its of course the fault of the fans again, because they read too much into it, they had too high expectations. no word of apology for driving up those expectations though. that never comes. newsflash: nobody in their right mind believes a dead gay man with little to no screentime is good representation.

there is a reason why lgbt fans are perpetually suspicious when they are promised new lgbt representation. its like reaching a hand out to someone only to pull it back at the last possible moment and then laugh at the dumb idiot who went in for the handshake.