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#and had an atrocious lighting execution
astranauticus · 1 month
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inspired by this post by tumblr user @orphiclovers. the lines are direct quotes from the novel but the scene itself isnt a redraw of any specific novel scene, i just really wanted to draw black coat 1863 x white coat 1864 HSY lol
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lunar-years · 7 months
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The JackKeeley story would have been vastly improved imo if they had actually used it as a mechanism to explore Keeley's headspace with both her 3-season cycle of crumbling relationships and her struggles with her job. Like, yeah Jack was definitely...something... as a character. Incredibly unlikable, obviously. A conservative elitist bitch who saw Keeley as someone she needed to hid to protect her own image, absolutely. Lauding Keeley around the office and showering her with gifts in this weird peacocking of their power imbalance, yes. And then to top it off she went and decided to victim blame her girlfriend after Keeley refused to do what Jack wanted her to do/"risked" Jack's precious reputation. All of which was completely gross, and it was unpleasant to watch, and I totally get why people hate it on that alone. BUT Jack was a Plot Device character, which I personally could probably have gone along with so long as she like...actually serviced an arc worth telling with a satisfying conclusion, anddd that's where the show lost me.
I think the writers sort of tried to do something interesting with it, what with showing how depressed and spiraling Keeley got after that breakup and maybe making half a reference to her abandonment issues and having her panic over the loss of her funding. But, rather than the end result being Keeley grasping hold of her own life and taking space to reexamine what she actually wants out of both her relationships and career, she... immediately falls back into old patterns (by sleeping with Roy despite not wanting to get back together with him just to feel something or whatever, which is then never explicitly addressed as a bad move or ill advised behavior) and gets her business back by...virtue of having a rich friend who can swoop in with several thousand pounds and fix all her problems (i cannot begin to tell you how much I loathed Rebecca fixing everything for her instead of Keeley finding her own path back). At the VERY LEAST I wish she had gotten the opportunity to process the things that had happened to her in that relationship and how damaged she clearly felt by it, lean on her friends for emotional support and healing (rather than having them pull out their wallets and immediately problem solved), and have an honest and frank conversation with Roy about how he, too, hurt her and his apology wasn't good enough and wasn't going to fix everything immediately. That's what Keeley deserved.
Which is all to say, I definitely did not enjoy Jack or the JackKeeley relationship, but I would've been willing to forgive a lot if including her had felt like...purposeful? Instead (like Zava & Shandy and a lot of things in s3 tbh) it just felt like she was taking up a bunch of screen time while not furthering Keeley (the main character we are all very invested in and actually care about) at all in her journey. Instead the show just kept kicking Keeley while she was down and then at the end everything was magically grand again with Keeley having next to no real agency in any of it. That's why keeley's s3 storyline was so damn bad (Jack included).
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rating being human uk dvd covers (the best and the worst)
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I like the ghostly effect on Annie and the "moon" behind George. I don't know what's supposed to be at Mitchell's feet. Tissues? Snow? Ripped piece of the inside of furniture maybe? I like how they are inside the house instead of outside since so much of season 1 is focused on the house itself. The photoshop also looks good.
Rating 9/10
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This image gives me so much nostalgia. Seeing it is like being wrapped in a cozy warm blanket. This is because it was the first image I ever saw of the show, all the way back in middle school. I heard the premise and saw this poster and I knew I had to see this show. Is the photoshop as good as the season 1 poster? Definitely not. But it's definitely not the worst looking in terms of photoshop (we'll get to that next). I also love the fact that Annie is cradling her box of tea.
Rating 10/10 for nostalgia (probably an 8/10 otherwise)
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The photoshop here is atrocious. No one looks like they are actually in the environment. I like the concept of them being weird in such a normal location but it doesn't look good. Good concept, not great execution. I think if it was just Annie, George, and Nina it would look a lot better but Mitchell looks too out of place and the wrinkles in his jeans just look like he was poorly cut out on photoshop.
Rating 5/10
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Annie looks good but both Tom and Hal look so bored and disinterested. I mean Hal looks bored but still slightly sinister while there is absolutely nothing going on inside Tom's head. The background moon with birds is just cheesy and unimaginative. Hal also looks more like he was caught eating a bag of cheetos than drinking blood.
Rating 1/10
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I love this one. The characters look like they are actually standing in the hotel rather than superimposed onto a background. I like the details of Crumb, Rook, and Hatch in the background so we get a little bit more than just the main trio. I also like the glow behind them, it makes me think of the white light behind ghosts' doors in the show.
Rating 10/10
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The bodies in the foreground is an interesting touch and sets this one apart from other posters. Usually the characters are standing still so it's nice to see a bit of motion. I think I'd prefer if Tom and Hal were also looking at the viewer like Alex. But it's definitely a poster that makes you think what's the context here? I do think the hotel cover represents season 5 better because it shows the hotel. This poster is a better poster just for the finale episode though.
Rating 8/10
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So this is the cover they have for season 3 on amazon and it's what inspired me to make this post. What the actual fuck is this? I love how Annie and Nina are standing off to the side like they’re in a sitcom going “can you believe how silly our boys are??” Annie just looks disinterested which is like the opposite of her personality and Nina looks like that sitcom trope of the slightly naggy but wholesome wife who never gets to do anything fun. Also if George gets to be wolfy so should Nina, that's werewolf gender equality. Having the backdrop as the Honolulu wallpaper also makes the image look even weirder tone-wise, especially if you'd never seen the show and just saw this. This image of Mitchell is also the same one as in the other season 3 poster but the lighting on him looks better here and more integrated into the environment at least.
Rating: both 1/10 and 10/10
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alethiometry · 2 years
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Rules: list eight shows for your followers to get to know you better.
Tagged by @aeide!
1. black sails. OBVIOUSLY. it's got everything. drama, intrigue, ocean gays, lying little wet rat twinks, anti-colonialist uprisings, caribbean history, grimy period-appropriate costumes, heartbreak, monologues, toby "saturday chillin don't fuckin @ me i'm chillin" schmitz calling himself daddy. everybody slays absolute cunt. it is THEEEE most perfect show ever created.
2. parks and recreation. rewatching p&r is an interesting experience because it was such a product of obama-era liberal america and the optimism just oozes out of every scene. also we don't like crisp ratt anymore. but it's also so genuinely funny and heartfelt and comforting! this show had a massive impact on my sense of humor, as well as i think framed failure in such a positive light: every character failed drastically at something over the course of the show, but through caring for each other were able to pick themselves back up and never let their shortcomings define them. i first watched it at a point in my life where i really needed that, so it has always stuck with me.
3. leverage. my comfort show to turn to when living in a post-capitalist hellscape that continues to reward billionaires for their moral bankruptcy while shitting on everybody else gets too depressing (so… like every day). is it campy and unrealistic? yes. do i care? no. sometimes you need escapism via direct action, heist hijinks, and extreme displays of bisexuality. also aldis hodge is one of the most beautiful human beings on planet earth.
4. supernatural. yeah yeah it's the hehe destiel meme show. but it was also tons of fun to watch every week, the worldbuilding started out fantastic (and then got progressively more and more insane), i think it's really the epitome of "really cool ideas with mostly lackluster execution". the bloody mary episode remains one of my favorite episodes of tv ever, and the fandom drama just keeps giving! i also met some of my dearest friends through the fandom, so maybe the real destiel love memes were the friends we made along the way.
5. twin peaks. the only show that made me so insane i went and got a tattoo of it. impeccable vibes, the experience of watching s3 and then memeing about it on reddit with everyone else who were all equally confused is an experience that will never be replicated.
6. love island uk. listen. fucking listen. i don't want this show to be listed here any more than any of you do, i'm sure. absolute bottom of the barrel brain rot that consumes my life and brings my workday to a grinding halt (thank you timezones) for the 2 months that each season is running. i absolutely have nothing good to say about love island uk other than it's sometimes really funny, usually unintentionally. but iain stirling's voice and those stupid neon pillows/beanbags and atrocious cursive font and catchphrases have wormed their way into my brain and nothing short of a complete lobotomy can remove it.
7. how to get away with murder. this wouldn't even be on here if saff and i didn't go on an insane binge of all six seasons last fall. but since we did… here we are. michaela pratt is an icon and has never done anything wrong ever in her life and i will die on this hill.
8. cunk on earth. this is probably recency bias speaking but oh my god i adore this show. it is exactly my brand of humor and i have so much respect for all the experts and miss diane morgan herself for making it through those interviews without breaking, because i would be fighting for my fucking life. this is the show that i will henceforth be recommending like a madwoman to all my friends.
honorable mentions: american vandal, derry girls, naruto, south park, dexter, elementary, orphan black.
i'm tagging: @winedark @seance @assassiyun @thatsouthernanthem @potsticker1234 @ciaramedba @doomcountry @thychesters <3
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dylandotwhat · 1 year
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Okay, I'm going to rant about the DSMP "canonical ending" for a hot minute because I didn't get to when everything happened. I did rant on fics online though, so if anybody's seeing this and goes, "This looks like [username's] comment on ao3," no it doesn't, cause you didn't see ANYTHING. SHHHHHH.
After everything from these last few years up to those last few days in November, I felt cheated and destroyed. I'd dedicated myself to the characters and lore because of my hyperfixation on the story and personal connection towards C!Tommy. We were the same age, had a fiery and loud personality, loyal to both our siblings and best friend, and willing to give up anything for said people. Then it got too personal. The betrayals, the abuse, the trauma, and certain actions that just SPOKE to me, it's everything that I've been through and understood. I related to these characters heavily and was rooting for the best since forever. But everything just got worse and worse. Until finally, we got what we thought was a happy ending, a little fucking tease of light shining through, even with everything that had happened, like the fucking nasty execution of L'manburg, the unjustified claims on specific characters, and Tommy's physical, emotional and mental torture, the one behind all of it was finally put away, behind bars for his crimes. But I should've known from the start that it was all just a disguise for what disgusting act was going to happen next. A ugly excuse of a calm before the storm. We got a sprinkle of healing and good times, before they crushed us all down and wrecked what little hope we had for progress. Cruelly ripped away from us by letting that monster win. Again, and again, and again. And instead of letting the characters get support, they'd make them go through the worst of the worst alone, turning and lashing out at each other. And just when we thought it couldn't be any worse, they not only baited us with a satisfactory victory, but they tried to downplay everything we had witnessed and second handily gone through, with it finally ending our distressing and sour-ful misery by making the abused apologize. What. The. Fuck. I just stopped working, I could not believe what I'd just witnessed. From the abusers straight up admitting to torturing not just Tommy, but two others before hand and willing to kill every single player on the server, to claiming that they were "never targeting Tommy," just for the apology to be going to them? Absolutely atrocious. What the fuck kind of system let's a man walk free to just admitting to all that. Not only that, "Not targeting Tommy" my ass! What the fuck were those tunnel systems doing under Tommy's home, hmm? Why was only Tommy exiled when Ranboo contributed as well with nothing, but a passing suspicion and that's it, when clearly not only did Ranboo admit to playing a part to the fire, Dream has already said he was controlling Ranboo's mind, meaning privacy was never a thing for Ranboo, so Dream knew his role on George's house from the start! And yet, only Tommy was isolated and abused by HIS hands, explain that! Don't get me started on the control room. Instead of just planning to kill both of them, he only wanted to kill Tubbo. Why? Oh yea, it was to FUCKING BREAK TOMMY'S SPIRIT, EMOTIONALLY DAMAGE ALL HIS ATTACHMENTS, AND POSSIBLY STEAL THE POOR KID AWAY TO EXPERIMENT SOME MORE. MOTHERFUCKERS. Seeing people who blame C!Tommy, who was a child at the start mind you, for a manipulative, vile adult monster's actions and decisions makes me sick. I just wanted everybody to heal, not be forced to try being sympathetic to some fucking psychopath. I just wanted them to heal. I just wanted to heal..
I'm still going to be in the fandom and read and see all these amazing work done by you lovely people on the internet, as they bring me great joy and relief whenever I do. End of rant y'all, time to pass out for the next few hours.
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lady-phasma · 2 years
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Do you like Daemon/Rhaenyra or Criston/Rhaenyra love scenes more? Why?
Interesting ask, anon!
I'm trying not to just type Matt Smith and then click post. LoL
Rhaenyra and Daemon are OTP for me so I'm biased but aside from that you asked about "love scenes" not "sex scenes" and that's intriguing word choice to me. I feel like the episode 4 almost-sex scene with Rhaenyra and Daemon is incredibly erotic and one of my favorite scenes in the series. I mention it to set up that immediately after Rhaenyra fucks Criston. I do not see that sex act as anything to do with love. Perhaps had it been framed differently it could have been, but the way it was presented to the viewer was Criston as a sex toy. She essentially masturbated with him.
In episode 7 when Rhaenyra and Daemon have sex on the beach that is more about love and is framed as such within the narrative. I don't find this scene to be as visually erotic as their scene in episode 4 but it is visually more intimate in the emotional sense (not intimate as in close-up shots as both scenes were shot with extreme close-ups). I most certainly liked this scene better than hers with Criston. I'm not going to discuss the atrocious lighting of that episode here as I think your ask was about content and not execution.
Criston's personality is very passive in his sex scene with Rhaenyra, they are not passionate in the same way. The mutual, equal passion Daemon and Rhaenyra have makes their scenes more interesting and more complex.
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but since I did mention Matt I had to include my gif of him pulling his hair to the side because it is hot as fuck
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yoihino · 3 months
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You know I wanted to like the pokemon cartoons so bad but it just, it has gotten so bad. Like in the first seasons of all you had your villains and your battles and Ash was bad but that was the point you know? He was a newbie with a big dream and the point was this was his journey to learning about the world and getting better at battling and living and making friends and taking care of and training pokemon.
But just watching the last season, he si so terribly incompetent. He is always failing when it doesn't matter and it will bring a few laughs and always winning when the show calls for it, nevermind whether he deserves it or not. So because I have been dragged to watching all of the new journey series with my little sister all of you now get to hear me complain about it. Warning this is a rant and a vent so if you like the pokemon cartoon you might prefer not to read this.
First of all, the battles. I don't remember how they were in the first seasons because it's been a few years since I last saw them but let me tell ou the ones in this season are just atrocious. No sense of tension, no sense of timing or strategy or what majes battles actually fun to watch.
Tension from wondering whether Ash will win or lose? None, because he is just that good in the early battles and because narratively he can't without finishing the season right there in the later ones.
But what about the enjoyment one can get from a fast-paced, action-packed battle-scene, akin to those in one punch man where even if you know Saitama will win are still enjoyable? Well, the momentum is continually lost because the writers/animators believe their audiemce can't handle having two things happen at the same time, and so the pokemons take each one action at a time, or their trainers call out one after the other as if they were taking turns, the pokemon just sitting in waiting for the orders without moving. There's barely any battle coreography and if not it doesnt' have to have been much thought put into it, with how clumsy and staggering every move feels. At most you have flashy lights and some 'oh' s and 'ah' s from the audience (which are always interrupting to comment on what has just happen and say how cool the characters are, which is tiring but also typical for the genre so I won't comment). Aside from that, Ash doesn't really startegize, aside from some 'spur of the moment' ideas that are treated as genious, and while they tend to be cool in concept and good at their job, are undermined because of how Ash, as a character, is generally treated.
As I mentioned previously, Ash was a character which the kids watching the show dhould have been able to relate to, both from playing the game as well as kids in general. Nevertheless, those characteristics (being childish, oblivious, enamoured with pokemon, excentric in his treatment of pokemon) have been maximised to the ridiculous. This leaves a stupid character which sometimes has good ideas in battle (which are then executed poorly in terms of battle choreography) but is otherwise quite useless and even more oblivious and unaware of the world than he was in the original series. This particularly clashes when battles occur, as he is supposed to be practically a veteran in terms of pokemom battles, and yet he fails at the most basic tasks and battles and must be taught 'lessons' by his opponents. This worked in earlier seasons as he never managed to win the league and his earlier travels were always ignored, but bow these are being actively akcnowledged and brought up constantly, making it much more difficult to believe that a champion could be so incompetent (moreover when the other, much stronger and competent and mature champions also appear alongside him).
Moreover, there's the matter of Ash's team as well. Training is barely shown in a casual manner (as in letting the viewers know that training is a daily occurance), only appearing in dedicated episodes. The choice in having almost all the components of the team be their final evolution when caught is also detrimental, as compounded with the lack of visible training and new moves learned, ends up in feeling as if there is no growth at all. Most of the training is instead centered around special techniques, which lose their awesomeness and newness from overuse soon enough (as they tend to be use in a similar manner each time they appear) and for secondary characters who won't battle at all.
Finally, the villains have also been ruined. Team rocket, once an undoubtedly evil group (even if they were comical and mostly ineffective) have also been reduced to charicature of themselves, rarely attacking or having any plans at all and mostly appearing as background characters or as an outsider point of view. One of the only factors that saved them in the Alola region, their relationships with their pokemon, has also been eliminated, as now (aside from the typical members) they only have a machine which gives them random pokemons for each battle that they then give back (making impossible to form any form of attachement or relationship) and a rodent pokemon (pikachu's newest clone) that when in camera only eats or annoys team rocket, leaving them out of money and food, and that they never even trap or train and only exicts as an obstacle for them, fpr some reason, and that the animators love to show eating for no apparent purpose, as well). As an aside, now at the end of the second season of journey, I can barely remember the last time they actually fought the protagonist.
So all in all I hate this series and I know it could be so so much better, but instead all it has is won battles that feel unearned and are incredibly boring to watch, and characters that don't give the viewer any reason to want to continue watching. I know this doesn't matter and that it is just a kid's show but if you are going to make it anyway the least they could do is make it good.
PS: In the last battle, between Ash and Leonel (aside from being unbearably long at 4 full episodes), has a moment in the confrontation between their last pokemons where the animation triples their budget and while normally this is a good thing it looks so out of place in comparision with all the other battles (and the same battle that had been happening until just a moment before) that it just looks like they are trying to hype you up because they know that otherwise the battle that was supposed to top any and all others is just mid. Pathetic but kudos to the animators because it was really pretty and I wish they had been payed to do that to more battles.
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stellorc · 2 years
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Molioris Crown
A young Gwen enjoying the Summerday at the Circle's grounds. I just wanted to paint her with shining hair. I have a simple taste. I have a long way to go to acquire the ability to balance details, but one day I'll get there. In the meantime, I'll make you all suffer with my attempts. I'm not sorry.
Process gift under the cut, enjoy :)
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also i never really introduced her here. She's a circle mage from the Trevelyan House and is best friends with my beloved Hecate Hawke. I'm usually a bit scared sharing dragon age stuff, mainly because i like both Sebastian and Anders. Anyway, I shall return to my cave. goodbye <3
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gildedmuse · 3 years
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Hey, everyone.
So recently I've (predictably) very not well. Actually, whenever I don't post for long periods, just assume my body is trying to kill me. But I've gotten messages from three people asking if I. Okay, which is super sweet. I am actually trying to work on the next All Hearts, a really long ZoLaw post and two request fics, but mixing chronic kidney pain and capitalist society's mandate to work 40+ hours is not recommended.
But to prove I'm okay and still me, here is some Shanks antics with him being a total slut while Mihawk and Beckman just roll their eyes and go along with it. [Shout out to @jhaernyl who not only listens to me ramble about this stuff, but actively encourages it]. I also have many thoughts on the latest episodes and so many screenshots it's embarrassing. Hopefully, when I'm in less pain, I'll get around to actually posting those. Otherwise I just look like an insane person who literally takes by the second frame shots every time Zoro is on screen.
.... What is that? I look like that anyway? Fair.
Shanks Is A Bad Influence
It feels like Buggy and Shanks split up after Roger's death (the crew was told to, and they are the only ones who went to his execution) and I find it impossible to think Shanks didn't immediately set out and find a crew; like, pirating is the only thing this kid knows in life. This means two things:
He set out from East Blue. Also, he seemed at ease and familiar with the East so it's possible he spent like a year there getting everything together. Maybe he even played around in the other blues for a while before heading back to the Grand Line. I say this because his crew is from all over so either he found and recruited them in the Grand Line or visited various blues. Either way, I'm gonna say it took him about two years before getting a 'proper' start. In that case, he would have started out properly at the age of 17 and we know One Piece likes it's parallels.
That still puts Shanks at 17 to Benn Beckmen's 28. How the fuck did Shanks manage that? I'd call it grave robbing, but let's face it, the little tyke probably got up to some actual robbing of graves as well.
My point being everytime Shanks teases Mihawk about keeping this 19 year old kid on his personal island, mostly shirtless, Benn Beckmen just lifts an eyebrow.
Excuse me, captain, who had prefected the 'opps still don't have my sea legs' trip-and-fall into their first mates lap by the age of 17?
Shanks: Beckmen, you caught me! *Shamelessly nuzzles up* Thank goodness! I could be a devil's fruit user after all and - Ahh!
Benn: *Drops Shanks straight over the side of the ship into the water*
Shanks: *Sputtering* What what that!?
Benn: Checking to see if you had eaten a devil's fruit on us, Capatin.
Benn: You didn't.
Smart ass. But he can't resist Shanks forever. Shanks will wear him down eventually.
Next time Mihawk tracks him down for another match - because you know he gets bored way quicker than he'll ever admit and Shanks is at least amusing a challenge - Shanks makes a big deal out of how Mihawk follows him around, "accidentally" revealing they slept together, sighing about how it's so hard to resist him.
Benn Beckmen is just leaning against the side of the ship, sipping his booze.
Shanks: -and I can't stay for hours like last time!!
Mihawk: Are you quite done?
Shanks: *whispering* Does Benn look jealous?
Mihawk: He looks bored. Much like I am. Is this some strange attempt to get out of my challenge, Akagami?
Shanks: What? No, come on I told you I was game. But, hey, could you do me a favor? Maybe like try and kiss me or something? Like take a swing like your going to hit me but then stop shot and grab me by the waist instead.
Mihawk: .... Trickery is beneath you. Besides, you're absolute rubbish at it.
Shanks: Oh, come on, I would totally help you get laid if you asked!
Mihawk: .... *Sigh* I want a proper match afterwards.
Mihawk: *In a forced, monotone voice* After this I will take you to my lair and have my way with you, Akagami.
Mihawk: ... My lair? Really?
Shanks: *Holding up cue card with quickly scribbled line* What? That is how you talk.
Mihawk: I can't believe I wasted precious hours of light tracking you to this atrociously rural port.
Shanks: See? Now, read the next one.
Benn: Captain? If this is going to take all night, I am going to go join the rest of the men in the tavern.
Shanks: Huh? Wait! Benn! What if Miha really stabs me this time!?
Benn: *Salutes Shanks with his bottle* Sounds like that is his plan captain. Have a good 'challenge'.
Shanks: What? No... *Reaching out hand, like he might die if Benn leaves, looking completely devastated* Not even a little jealous...
Mihawk: You couldn't have thought that pantomime would actually work.
Shanks: Benny, don't leave me.... *Turns to Mihawk, immediately brightening* Oh, well, there's always tomorrow. Hey, Miha, guess whose free all night and horny as a pirate in the calm belt?
Mihawk: .... *Sigh* Very well.
Mihawk might as well get something for the trip he made. Although, he's reconsidering if the sex was actually worth the trouble after he ends up listening to Shanks worry half the night that Benn is shacking up with someone else (after a couple hours of rough and raw fucking, admittedly).
Is it the hat? He likes his captain's hat. Miha, you think his captain's hat is sexy, don't you?
Mihawk: It's utterly ridiculous.
Shanks: ....
Shanks: ....
Shanks: *Smile* Ahh, Miha, I knew you liked the hat!
Shanks: What do you old Northerns find sexy?
Mihawk: I am only four years older than you.
Mihawk: And silence.
Trying to convince Mihawk to go spy on Beckman for him. Shanks doesn't actually care if he does sleep with someone else, it's more that Beckman didn't immediately turn angry and jealous like Buggy would have that has him paranoid.
Mihawk is going to fuck this annoying red head again just to shut him up.
Mihawk: Maybe he doesn't like red haired boys who don't know when to be quiet?
The next morning Shanks is pacing among his poor crew that's gotten stuck listening to Shanks obsess about Beckman again. IS IT REALLY THE HAIR!?
It's not even a matter of Shanks's age (or obvious immaturity). I mean, Beckman got on board and stayed, didn't he? Beckman just enjoys watching Shanks try so hard to get his attention. Like Benn's attention isn't constantly on Shanks. He had to when his captain is always one step away from disaster.
He only left him with Mihawk because it was clear Dracule is not a real danger to Beckman's captain.
Except maybe insulting him to death. But Beckman is pretty sure Shanks can handle it. He's met Buggy. He's suspects Shanks LIKES it if anything.
It gets to the point where when they dock somewhere and see Mihawk waiting, or come back to the ship and spot his familiar silhouette, most of the crew goes off somewhere for another drink (sometimes the newer kids will stay to watch such an awesome fight, everyone else is like... Look, you'll have plenty of opportunities later. This is not a one off.)
Benn just takes a look around, nods to Mihawk (a silent signal for, "he's all yours, do with him as you please, if anything happens to him I will track you down and make sure your last few hours on this blue world are as painful as humanly possible") and heads off.
Oh, it's just the Hawk boy.
That's fine then.
Benn use to be a sailor on a trade ship between the North, East, West and Grand Line. He's seen it all.
They called him The Gun Slinger BEFORE he joined Shanks's crew and became a pirate.
So this young, broke ass kid from the streets of some near artic northern island trying to pass himself off as a Lower North rich type has a thing for his captain? Not really enough to keep Beckman up at night, no matter how good at swords he's supposed to be
Besides, he's pretty sure for the kid to keep tracking down Shanks, he must be bored out of his skull. He's not going to do anything to endanger their captain.
Not if Shanks is the only thing he can find to keep him entertained.
One day, Mihawk is going to be waiting on the dock when a bunch of Red Haired pirates are stumbling home, laughing and chattering amongst themselves (Shanks's crew always seems to be in a good mood). One of them will catch sight if Mihawk and walk by with a smile, patting him on the shoulder.
The captain's occupied. Seems likely he'll be 'occupied' for a good while, too.
Mihawk won't smile, but he will think "So you finally warmed him up to you, Akagami?" and snort lightly.
Poor Benn, though. Mihawk could never imagine being with someone so much younger than him. Shanks is only four years his junior and already it strains Mihawk to put up with his occasional moments of "youthful whimsy" (aka being an annoying, immature child)
"A young, cocky pirate with strangely colored bright hair"
Mihawk just putting that on his Not To Do List.
That lasted until Roronoa.
(Mihawk just looking at Zoro knowing this is bad news.)
Mihawk: *Takes list from Benn*
*Cross out, scribbles*
*Hands back to Benn*
Do Not Do:
- A young, cocky pirate with strangely colored bright hair a silly hat, who is overly dramatic and in any way, shape or form related to Gol D Rogers.
Ace: Hey what's up?
Mihawk: *Takes list from Benn*
Go ahead, Benn, laugh it up. Mihawk is aware he has a type. Young, pretty, and utterly insane.
After that night where Shanks was otherwise 'occupied', it's over six months before Mihawk sees his friend his rival again. He is, as expected, far too smug and proud looking.
Shanks: Oh, Miha, so sorry you came all this way, I'm-
Benn: Well, I'm off, captain.
Shanks: What!? But we, you, I... Benn, hessoeexyarentyouworriedforyourcaptain?
Benn: *patting Mihawk on the shoulder* Have fun with him. Don't forget to return him by noon tomorrow, we have a schedule. Oh, but if you can babysit him for at least four hours? That would be great.
Shanks: BABYSIT!?
Mihawk: I suppose I can be troubled to do so.
Shanks: TROUBLED!?
Benn: Thanks, Hawkeyes. I owe you.
Shanks: *Fake tears clinging to his lashes* You two are so mean!
No, don't feel bad for him. Shanks is just trying to guilt the two of them into bed at the same time, and they both know it.
Thanks no thanks, they're not into that. But Shanks can be pretty cute when he's trying so hard (Benn) and at least he's not as boring as everything else in this world (Mihawk) so they allow him to keep up the act
Shanks: *looking at Zoro's wanted poster over Mihawk's shoulder* But I feel like you'd gladly go to bed with him and his captain if he asked. That doesn't seem fair to me. You'd never go that far with me and Benn.
Mihawk: *Eyes Benn*
Mihawk: *DEAD. ONLY.*
Mihawk: I have my reasons.
They can and do agree on plenty of things, including reciprocally not being that attracted to each other.
Shanks: Sounds fake to me
Shanks: But guys!
Shanks: This isn't about you
He's gonna need you guys to drop the egos and focus on what HE wants. I.E., being in the middle of two sexy Northern men.
Honestly, so mean to poor Shanks!
86 notes · View notes
m-y-fandoms · 4 years
Text
1 Thing I Love & 1 Thing I Hate About EVERY Danganronpa Character Part 1
Part 2
SPOILERS FOR ALL THREE MAIN GAMES
I’d love to hear our opinions as well in the comments or my inbox or DM’s! If you try this trend with DR characters, tag me!
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Sayaka Maizono
♡ Her passion for her career and friends.
✘ The way she tries to screw over Makoto when the game had just begun. Like wait and see what happens before screwing over such a great guy? Leon didn’t deserve it either.
Leon Kuwata
♡ His voice actor (English), and how real and human his execution was in that we all would be so scared and irrational. It was just so iconic and sad as it’s our first introduction to the death in this series and we all think: “shit, this is real... they are really killing these kids.” I didn’t think it would be that brutal, just seeing his body limp at the end with the haunting music.
✘ His design is disgusting. I hate how he looks.
Chihiro Fujisaki
♡ So innocent, so kind, so intelligent
✘ Shouldn’t have been killed for such a stupid reason, also they did Mondo dirty with that motive for killing as well. Just a mess. As for the actual character, Chihiro cries right off the bat when you do your introductions and that was kind of annoying to me personally.
Mondo Oowada
♡ He has a lot of respect, understanding and emotions for someone I thought would be a hard-ass douche biker.
✘ The worst motive to kill ever in a game where you know you’re getting executed if you’re found out. Like you’d be extra careful and that’s his reason to kill? Lazy writing.
Celestia Ludenberg
♡ Bad bitch energy and her goth lolita design.
✘ Manipulation and double murder. Bad bitch energy only goes so far. Confidence is different then selfishness. Also, of all the chapter 3 triple murders... the worst motive to kill.
Kiyotaka Ishimaru
♡ Emotions: secure in his masculinity, able to cry, show emotions, and apologize when he’s wrong. He’s funny and likable.
✘ The Ishimondo white hair thing was stupid. Taka was fine on his own.
Hifumi Yamada
♡ Writing takes talent, fan fiction as much as any other style or genre. Also the talent of his voice actor (who also voices Kiibo/K1-B0).
✘ Literally everything else about him.
Sakura Oogami
♡ I love everything about her. I love her wisdom, loyalty, design, voice etc. Just step on me, mother.
✘ Why the hell would she ever agree to be a spy even if it meant the end of her dojo? I just don’t think she would do that rationally because she isn’t selfish. The others would suffer for her spying. She remedies this with redemption in her letter in chapter 4 but still she should’ve said no off the bat. Everyone had something to lose. The dojo wasn’t worth spying for monokuma. Also I just don’t think she would commit suicide. She can’t help the remaining students survive and redeem herself truly if she’s dead.
Kyoko Kirigiri
♡ Bad bitch energy, calm and collected when I could never be.
✘ Especially in future arc of the anime, damn can you show some emotion please? Through your words and expressions not just your actions. Sure she was willing to “die” for Makoto but like I just want more emotion from her sometimes, even in THH.
Makoto Naegi
♡ So pure. I Love Bryce Papenbrook. Makoto reminds me of Sora and I love his design.
✘ In THH I didn’t mind his innocence but in the Danganronpa 3 future arc anime, when people started straight up abusing him and accusing him, he needed to grow a little backbone.
Byakuya Togami
♡ Love my dad, king shit, also love how over the progression of the games and animes he becomes a little more kind to his friends.
✘ Why the fuck did he mess with Chihiro’s body? Just so cruel and disrespectful.
Yasuhiro Hagakure
♡ Funny magic man. Sexy voice.
✘ Please. Please Hiro use your brain just once. Why do we have to prove Kyoko isn’t a ghost?!
Toko Fukawa
♡ Character development in UDG and I love Genocider.
✘ Putting down herself and others constantly gets old in THH.
Aoi Asahina
♡ Love her voice actress and her personality
✘ We really just gonna get everyone killed in chapter 4 huh? Surely you know they don’t all deserve that.
Junko Enoshima
♡ A very memorable villain with great hair and design.
✘ I just can’t stand her. I hate her so much.
Mukuro Ikusaba
♡ Her mercenary background is super cool as a concept.
✘ Too bad it wasn’t explored nearly enough.
Hajime Hinata
♡ Seeing the protagonist be a little less naive, innocent and positive than Makoto was a refreshing change, although I loved Makoto. I liked Hajime’s cynicism and expressions that sometimes just screamed “this shit again, huh?”
✘ I enjoy the way Izuru looks but I hate him as a character. He is sexy to look at but Hajime is just a better character overall
Teruteru Hanamura
♡ His love for his family and mother especially is so cute and heart breaking if you know the full story.
✘ He needs to know when to dial it back and quit with the perversions. And no it’s not just how he looks, Miu needs to chill at times, too.
Twogami
♡ I feel like he genuinely cares about his friends, just hides it well
✘ His death felt like a cop out and poorly written. It just didn’t sit right with me. Also his design is disgusting to me, his outfit and such.
Mahiru Koizumi
♡ Loyal to her close friends.
✘ I just have no interest in her as a character and I find her boring.
Peko Pekoyama
♡ Loyalty. Loyalty is something I value very highly in every form of relationship. Peko is also very hot.
✘ Come on girl... I know how you were raised but you should’ve known Fuyuhiko didn’t think of you as just a tool and you two should’ve expressed your true feelings long ago. Like even in secret. How do you live like this? Also I feel like killing Mahiru could’ve been avoided with a calm talk.
Ibuki Mioda
♡ Cute design, positive vibes.
✘ Cringe sometimes in the way she talks.
Hiyoko Saionji
♡ Beautiful character design and some very good insults and snarky remarks at times.
✘ Just irredeemably mean and annoying. Even when you do her free time events she is just so annoying.
Mikan Tsumiki
♡ I like her design as well as her hair, expressions, sprites and clothing.
✘ I hate her. I just hate her whether she’s in her true psycho form or timid stuttering form. She’s just annoying in my opinion.
Nekomaru Nidai
♡ So supportive, can hold my drink at a party. Respects everyone and wants the best for them.
✘ Bro Mechamaru was a stupid plot point. I just couldn’t stand looking at him and couldn’t take it seriously. Still sad when he died though.
Chiaki Nanami
♡ From chapter 5 of sdr2 on she is impossible not to love if you didn’t already. Just the selflessness, the sadness of the reveal and execution, how she returns to help Hajime at the end???? I love her. I love her hair design, color palette, her personality, everything.
✘ I’m bitter and miserable about her being the only class member to actually die (the despair arc anime) also her falling asleep at random times is kind of odd and she doesn’t seem to be like that later on in the game??? Like it seemed like a cheap joke but not actually who she is? Hard for me to explain.
Gundham Tanaka
♡ King shit, couldn’t praise him enough. He’s sexy, loves animals, and is funny as hell sometimes. His voice actor is a saint and a cool dude and I named my guinea pigs after the Dark Devas (yes I know they are hamsters in the games.)
✘ Come on dude. I get that being from Hell and magic and having evil powers is your shtick, but we all know that you and Nekomaru sacrificed yourselves so the others wouldn’t starve. We know you care about your classmates. There comes a time when it’s time to let personas and facades fade and be true to your heart. I just feel like him denying he cared at the end hurt. We all know he cared. I didn’t like how he was haughty until the end. He deserved better. I love him.
Nagito Komaeda
♡ I love him so much. So cunning and intelligent, always a step ahead. And he’s big sexy.
✘ Him killing himself in chapter 5 hurt me so bad I was like in denial for days. Also hate how Bryce Papenbrook gives him a raspy stoner psycho voice in the game then a light airy higher-pitched voice in the despair arc anime. It just bothers me. I love his voice still but the inconsistency just hurts my OCD
Sonia Nevermind
♡ I love that she’s so interested in her passions and love her feelings for Gundham
✘ Her outfit and bow are atrocious. Also why didn’t she start liking and talking to Gundham sooner on? Their romance bloomed late and it would’ve made for a better chapter 4 ending if they were a bit closer.
Kazuichi Souda
♡ Cool design and outfit, love his voice (also voices Kaito in V3) and his backstory is relatable at times. He’s also very human in that he’s scared a lot of the time or insecure or blames others in panicked situations. It’s not always a good thing but it’s human and realistic.
✘ Gosh he can be so annoying. Sometimes flirting or whining too much is well... too much.
Akane Owari
♡ Strong-willed and definitely someone I would be friends with
✘ What the hell is her outfit? Gymnasts and athletes don’t wear that shit. Stop objectifying her when it doesn’t even make the product or plot better. Like there’s absolutely no point to making her dress that way. I was a gymnast for 15 years. Even those who do parkour (which Akane seems to do more often than actual gymnastics in the anime and game) don’t wear what she wears. Also she’s underrated.
Fuyuhiko Kuzuryuu
♡ I love him. He’s the DR character I’m most like out of all the games and anime. Tenko is a close second. I think he’s adorable, love his character arc, development, redemption, and love his voice.
✘ In the anime/despair arc, Fuyuhiko is not done justice. He doesn’t get enough lines, has a different voice actor, just doesn’t give off the same vibes.
Izuru Kamakura
♡ Sexy man long hair good.
✘ Boring character. I wish he were just Hajime.
Kaede Akamatsu
♡ Loyalty and leadership are such attractive qualities in her. Also she faced her death with such class and dignity and I respect her because I could never.
✘ Some of the voice lines Erika does for her are just weird and cringe. Just random moans or grunts... I don’t know it’s like when Ann Takamaki from Persona 5 (also voiced by Erika) makes suggestive noises as well. Just grinds my gears. Also hate her outfit down to the hair pins.
Shuichi Saihara
♡ I love his nasally voice. I love his design and he’s so adorable. I love how emotional and compassionate he can be. He ties with Makoto for favorite protag of mine.
✘ That sprite where he sniffs his hand. And his ugly ass hat.
Rantarou Amami
♡ Sexy man, sexy voice, sexy piercings
✘ Ugly outfit, and wasted potential
Ryoma Hoshi
♡ I respect him and feel bad for his outlook on life and for how poorly he views himself. I love his little hat as well and he’s the first “different styled” character (Hifumi, Bandai, Teruteru) that I liked the design of.
✘ I hate when he says “got a long ways to go,” it’s overused and annoying, and wish he gave himself more credit. Also hate that when you first meet him he warns you that he’s killed people and is dangerous to be around. Come on buddy, you know you wouldn’t hurt your friends. Stop pushing them away.
Kirumi Tojo
♡ Competence, well rounded, skillful
✘ Boring as hell. I wouldn’t waste one free time event on her.
Angie Yonaga
♡ Dark skin, super cute, love her talent as an artist myself.
✘ Gives religious people a bad name and is super manipulative which I hate.
Tenko Chabashira
♡ I relate to her and feel bad when she’s misunderstood. She’s a good person deep down. Also love her sprites.
✘ There’s more cunning, funny and clever ways to write her digs at men.
Korekiyo Shunguuji
♡ I’m in love with this man. Long hair, voice, mystery, mask, intelligence, passion, talent.
✘ He definitely was a victim of abuse and a lot of people refuse to see that and just hate him. Team Danganronpa should’ve given him a redemption arc where he realized his sister abused him and changed.
Gonta Gokuhara
♡ I love his design except for his suit. Also he’s so cute and naive. I cried for his trail.
✘ No need talk like caveman. Better way to do this.
Kokichi Ouma
♡ Like Nagito, I value his intelligence and crazy cunning.
✘ Shouldn't have died. Also shouldn’t have manipulated Gonta. That was just cruel.
Miu Iruma
♡ She has her hilarious moments and her death surprised me and was sad.
✘ Sometimes she lacks basic empathy, i.e. calling Tenko “Tencrotch” when she just fucking died.
Maki Harukawa
♡ Amazing character development. Didn’t see her surviving until the end at the start. Also her love and passion for Kaito.
✘ “Do you wanna die?” gets old.
Kaito Momota
♡ Just the overall best bro you could ever have.
✘ Has some toxic masculinity issues and anger issues.
K1-B0
♡ Pretty much everything about him. His design, his attitude and personality, especially how amazing and cool he is chapter 5 onward, his execution made me so sad. He’s so innocent and funny without trying.
✘ When you do his free time events he’s very arrogant and just talks about himself a lot... it seems odd and not similar to the Kiibo we see throughout the game.
Himiko Yumeno
♡ Super cute design, love her voice and “Nyeh...” and her sprites. Her character development is great as well.
✘ Why did they take so long to make her important and likable?
Tsumugi Shirogane
♡ An excellent and well hidden reveal
✘ I hate her. So annoying, from the voice to the references and her personality.
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mylifeincinema · 3 years
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My Week(s) in Reviews: November 12, 2021
Oops! I forgot to post (again!) last week... ::shrugs:: Oh well, here’s a bunch!
Eternals (Chloé Zhao, 2021)
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It fails by giving characters moments they haven’t earned and highlighting the less likable/interesting of the bunch while relegating some of the best of bunch to brief moments in the background. The fact of the matter is that Oscar-winning director, Chloé Zhao simply wasn’t ready for a film of this magnitude. There are moments throughout where her work as both director and writer worked wonders, but the logistics of the grand scale of both cast and overall product clearly overwhelmed, and therefore the whole suffers from muddled execution and some awkward pacing. Add onto that Ben Davis’ shockingly atrocious cinematography and you get one of the MCU’s very worst, to date. In fact, the only things keeping this from being an all-around failure are Gemma Chan, Lauren Ridloff, Don Lee, Barry Keoghan, and the wider possibilities it opens the MCU up to for future films. Cut a solid 40-minutes off and this might fall into the middle of the MCU, but with the exhausting running-time and everything else, this doesn’t even crack the top 20. Sure, I still mostly had fun, but this wasn’t the film we wanted or needed at this point in Phase Four. - 6.5/10
Last Night in Soho (Edgar Wright, 2021)
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Edgar Wright directs all of his films as if they were musicals... and it works. Pretty much all of the problems with this one come from the fact that the ideas within the story work significantly better on the page than they do the screen. Big plot points become obvious far too early, and while its style is sharp and interesting, it also polishes some of the horror aspects a little too much to keep their edge. But that never stops it from being an enjoyable, slick little homage to the films that came before it. The editing and pacing are brilliant, and create an overwhelming sense of confusion (and paranoia, and eventually terror) while never letting things actually become confusing. Thomasin McKenzie and the seemingly under-utilized/under-developed (mostly because of the story’s structure) Anya Taylor-Joy shine, and the amazing Diana Rigg steals every scene she’s in. Then there are the always spot-on needle drops. Nobody does ‘em so Wright. (Not sorry.) - 8/10
Spencer (Pablo Larraín, 2021)
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I’d be fine if we just had Pablo Larraín do all the biopics from here on out. Between this and Jackie, he showed how much more effective and interesting a more intimate or even surreal approach to the biopic really is. Kristen Stewart does what I thought was impossible and makes me genuinely care about Princess Diana. She tears away the public veneer of one of the most famous people of my lifetime to shine an honest, vulnerable light on the loneliness and suffocation Princess Diana was overwhelmed by at this point in her tragically short life. It’s a revelation of a performance, and explores creatively just how crushing this life had become for Diana. Plus, Jonny Greenwood’s score is masterful, and does a brilliant job tying the whole thing together. - 9/10
Pig (Michael Sarnoski, 2021)
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A lot more emotionally philosophical than I’d expected. It takes revenge film plot beats and upends them, creating something so much more interesting and singular in the process. Nicolas Cage is phenomenal in a shockingly understated performance that explores purpose in the wake of grief in a patient yet gripping manner. - 8/10
Snake Eyes: G.I. Joe Origins (Robert Schwentke, 2021)
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Not nearly enough action. But when the action does go down, it’s thoroughly enjoyable... especially for someone who had a toy-box full of G.I. Joe action figures. Also, Iko Uwais is significantly more badass than you. - 5/10
Zola (Janicza Bravo, 2021)
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Ugh... I hate everyone in this movie. Hate them. But, Bravo brings their batshit crazy to life with a creative energy and economic running-time that makes this absurd ride one just worth taking. - 6/10
Army of Thieves (Matthias Schweighöfer, 2021)
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Enjoyable. Light. Well-paced. Dieter was the most likable character in Army of the Dead, and it was fun going on another job with him, especially seeing as his gang also included the amazing Nathalie Emmanuel & Ruby O. Fee. Sure, the suspense in the third act is damn-near non-existent, and the ending is far too convenient, but this  more than fits the bill for some light viewing. - 7/10
Free Guy (Shawn Levy, 2021)
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Surprising. I had little interest in this movie from the get-go (despite liking pretty much all of the cast), but especially so after it was delayed several times and its trailer played before just about every movie I saw in cinemas for over a year. But, I grabbed it from my library because... why not? And damn! This is a sweet, thoroughly enjoyable, occasionally quite creative little action-comedy. Reynolds, naturally, is insanely likable in the lead, Comer is pretty damn wonderful, and the supporting cast brings so much to the table. It’s all a little silly, sure, but its heart is in the right place, it’s never dull and again... that cast! - 7.5/10
Stillwater (Tom McCarthy, 2021)
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The pacing kinda kills a lot of the emotional weight the film carries. But thankfully, Damon is on his A game and the screenplay holds enough surplus thematic weight to survive the film’s excessive running-time and sluggish pacing. - 6/10
Enjoy!
-Timothy Patrick Boyer.
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petracore101 · 3 years
Note
Don't you think the fallout from this finale is just like the response to vol.3? If you stayed after that why are you leaving now?
Honestly? No, I don’t really think the two responses are remotely the same. Nor were the emotional cores of the finales themselves.
(warning that this does get pretty critical, so.. yknow... dead dove, don’t eat.)
Don’t get me wrong, V3’s finale hurt. Even though a good chunk of the fandom saw the foreshadow-y writing on the wall, it still hurt. Our heroes failed, Beacon fell, Penny and Pyrrha died, and it was painful and tragic and heartbreaking. Especially coming after what was (for a lot of the fandom) a very difficult year. People took it hard, there was a lot of pain, and yeah, a fair bit of anger.
But there was nothing about the V3 finale that was unnecessary, from a writing perspective. The terrible things were the building blocks upon which the story could build- they lay the foundations for the arcs our characters needed to go through. And painful as they were, those moments were all treated with the utmost gravity and care within the narrative. Penny’s death in V3 was horrible, and that horror was reflected in the reactions of the crowd, of her friends, of Ruby. Yang’s maiming was brutal, and that brutality was reflected in the sudden style switch of the shot itself, in Blake’s desperate reaction, and in the response of her team when they reunited. Pyrrha’s death was tragic, and that tragedy was reflected in the buildup to her choice, in the efforts of her friends to save her, in the quiet sadness of her death, and in Ruby’s sorrow when she arrived too late. And in each case, we, the audience, were given time and attention within the narrative to come to terms with it. The lead up to the fall provided ample hints and foreshadowing. The groundwork was all there- we watched it unfold, saw the disaster coming before it struck. Simply rewatching the first 3 volumes makes it clear, this is where things were always headed. The tragedy was not simply that these things happened, but that they may have been prevented, if only our heroes had known some small piece of what we knew. Had seen what we had seen, as it was playing out. But they didn’t, so for them, it was all inevitable. Penny would always go cheerily into battle against an opponent who could unknowingly rip her to shreds. Yang would always launch herself at any danger to save Blake. Pyrrha would always give everything she had to protect those she loved. Even so, those moments were given such weight by the narrative. The pain of the characters and the audience was treated with care and respect, the scenes given time and a sorrowful focus as the truth of them sunk in. So while watching it play out was heartbreaking, it always made sense, always felt compelling. The characters did all they could with the knowledge they had, they just didn’t have the knowledge they needed. And even so, there was still hope. There was still light. There was still a chance for a better day.
And even while the fandom mourned, the overall response reflected those truths. We were heartbroken, but the focus was on coming to terms with the tragedy, not justifying how it was executed. But now? The conflict, the anger, the pain and frustration now? That’s not just coming from people trying to come to terms with Atlas’s fall or Penny’s death or RWBY’s plunge into the void... It’s coming from people upset with how they chose to do these things. Making Vine (who we have had maybe 1-2min worth of speaking lines from) blow himself up to save his teammates was tone deaf and lacked emotional depth, particularly after a series of events that relied on Harriet wanting to bomb a city of civilian refugees for reasons that were shakily developed at best. Turning Penny “human” just to kill her as bloodily as possible was unnecessary and cruel. And having her successfully commit suicide after a full volume of near-constant suicidal comments was just atrocious, no matter what warnings they put ahead of the ep. Having each member of RWB/Y fall (to their “deaths”, from the perspective of those still standing) after barely even landing hits on their opponents, then quickly moving on without pause was jarring and felt senseless. Lingering on Mantle and Atlas being utterly demolished but not showing any reaction from any of its former residents was callous and devoid of any emotional stakes. It leaves us with no hope, no depth, no stakes. Just shock, frustration, pain, confusion.
I liked V3 because the tragedy, the pain, it meant something. It made sense why things played out as they did, and that enhanced the tragedy of it all. But I did not like V7 or V8, because the plot points are not written to be meaningful, they are written to be painful for the sake of being painful. There’s no emotional depth to any of it, no time given to exploring the nuance of what it does to the characters involved, or narrative weight given to their response or that of the audience. The finale especially feels, to me, incredibly superficial. It is dark for the sake of darkness, like it resorts for shocking the audience as a cheap way to elicit an emotional response. And I have no interest in watching the characters I love be reduced to that kind of story. I’m not quitting the show because bad things happened. I’m out because I’m tired of incredibly serious things being treated so callously.
It’s fine if you disagree, it’s fine if you liked it, I’m not trying to ruin the show for anyone. If you continue to watch, I hope it continues to be what you’re looking for. But please do not act like those who are upset by this are simply angry it didn’t go their way. You do not have to agree with the criticisms or even understand where people are coming from. Just be kind.
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chudleycanonficfest · 3 years
Text
Day 29, Post #2 by @maggotsstuff
Title: The Masterstroke
Author: maggotsstuff
Pairing: Ron-Hermione
Theme: A Friendship like no other/Bravery 
Beta Credits: Two amazing person – Adenei and Folk-melody.
The sleepy stone corridors of the Castle of Durmstrang reverberated with the sound of heavy footsteps. The echo of the rhythmic pace pierced through the silence of several corners and passages until it came to a halt before an old wooden door. There was a gentle knock on the wooden surface, which was soon followed by a series of raps. 
The din was answered by a slow and lazy creak of the hinges, followed by the dim light of a candle that floated in the air. The silhouette of a woman dressed in black robes and a black hood appeared at the door.
“Prince Draco! What business brings you here to my chamber at this hour? Could this not have waited until the daylight had shone?” she asked haughtily.
“Huh? Is this the way to speak to the future King of Slytherin, Ravenclaw?” 
“My fault, Prince Draco. But your aunt, Queen Bellatrix is still the Queen of Slytherin.”   
Draco became so pale that his face was almost the same colour as his silver blonde hair. The sentries escorting the Prince, who stood a few steps behind him, lowered their heads.
Draco’s face contorted with a scowl, which was smothered by the smirk playing across his thin lips. 
“You are too smart for your own good,” Draco replied darkly. He didn’t wait for her reply as he paced back through the corridors. 
Ravenclaw heard warning bells chiming inside of her. Draco certainly had not come to invite her for any midnight tryst. She hurried after him. The floating candle moved ahead of all.
The quartet marched through the long corridors and then through a small passage, which opened in a big hall that was decorated with a throne with a serpent headed backrest. Ivory chairs were arranged in rows at a distance from the throne on both of its sides. The tall walls of the hall had human heads affixed to them. It seemed that each head had a story of an atrocious death to tell.  
At the far end of the hall, a flight of spiral steps was erected. The small procession halted there. Draco turned back and feigned surprise.
“Ah, Ravenclaw! Did you follow us until here? Am I so lucky that the mighty witch of my land has finally discovered the truth in my words?” he jeered, raising a silver blonde eyebrow of his at her. 
“I cannot ignore the nephew of my Queen. If he cares to visit me at this hour he would certainly have urgent orders for this servant. I am waiting for your commands, Prince.”
“I am humbled that the mighty witch has expressed her desire to fulfil my wish,” Draco stroked her cheek over her black hood. She clenched her fist to resist herself from cursing him back.
“But tonight, your service is reserved for my aunt. You will regret wasting more of her valuable time. The fulfillment of my wish can wait until then,” Draco brushed his hand against hers.
Without another word or a second look, Ravenclaw glided over the staircase. 
***
Queen Bellatrix lived in the innermost quarters of Durmstrang. Her chamber was decorated with exotic furniture and guarded by the Naginis. They were serpents with human heads and were her pets. The Naginis spiralled themselves on the way to her bedroom. They hissed at Ravenclaw. Their hisses were silenced as a tall woman with dark hair and heavy eyelids strode forward from behind a tapestry. Ravenclaw bowed to her.
"Welcome to my palace! Was my nephew good to you?" Bellatrix winked.
Ravenclaw did not want to bite her bait.
"At his best, my Queen." She tried hard to maintain a neutral expression.
Bellatrix snorted.
"I know you have much disdain for me and my actions. Yet you never fail me, Ravenclaw. Isn't it difficult for you to serve the same woman who wiped out your entire village, maybe even your family?"
"If you hadn't raided my village and stolen me from my family that day, the villagers would have killed me because they thought I was a curse to the village." 
The Queen acknowledged with a nod. 
Since the Queen was silent, Ravenclaw continued, "May I ask the Queen why she summoned her servant at this hour?"
"This is what I like in you. You're always in to business," Bellatrix laughed.
Ravenclaw stood silently. There was stony silence, which was soon broken by the Naginis' hisses.
"Alright, I take it that you don't want to have a friendly chat with me. Ravenclaw, tonight I dreamt of a knight." 
Ravenclaw's eyes blinked in astonishment. She was not at all prepared to listen to the Queen's rendezvous with a knight in her dreams. 
"The Vision," Bellatrix gestured towards a glistening mirror, "told me that he can give me the child who will help me conquer the world." 
Bellatrix, who was pacing around Ravenclaw, stopped on her tracks and gauged her reaction. The witch kept on staring straight. Bellatrix handed over a scroll of parchment, several quills and an assortment of ink pots to Ravenclaw.
"I want you to paint me a picture of this knight. With your mystique powers you will tell me who he is."
***
Ravenclaw sat deeply immersed in her thoughts in the confines of her dingy room. Her companion of recluse, the black robes and the hood laid discarded in a corner. Eyes shut, she let her mind run free.
While she was at Bellatrix's palace, she had decided to safeguard the man from the evil designs of Bellatrix whose sketch she had unintentionally made. Soon after, her mind worked at the speed of light.
Bellatrix wanted to have him captured by her Dementors. She convinced Bellatrix that if the Dementors captured Ronald, Gryffindor would definitely know that Bellatrix had him kidnapped. 
King James of Gryffindor was not on good terms with Bellatrix. (The relationship between the two monarchs had soured after she had executed Sirius, her brother and James’ friend, on charges of treason.) The king would encash the opportunity for a war because of this; Slytherin's army would not be able to sustain Gryffindor's warfare, she reasoned. 
Instead of creating unwanted repercussions, Bellatrix could allow her to steal him away from Godric's Castle.  No one would know as she would kidnap him through her magic.
Bellatrix's eyes gleamed with evil delight. The echo of her savage laughter still rang in the precincts of her mind.
Ronald — the valiant warrior of the kingdom of Gryffindor — the knight appearing in Bellatrix's dreams — the man with fiery red hair grown up to his shoulders, long nose and strong jaw, with arrogance in blue eyes — his eyes stirred the memory of someone far, yet so near, that someone who was always so kind to her, that someone whom she loved, whom she might still love. But Ronald was not him. Still….
"RONALD! We shall meet soon!" Ravenclaw thought aloud.
At Godric's Castle, which was miles away from Durmstrang, Ronald heard his flute piping out a syllable which strangely felt like his name. He hurried to the object which was staked in his old leather bag. 
He shook his head in disbelief and unwittingly blurted out, "It's not possible!"
But a part of him still hoped.
***
Draco kept lurking around and pestered her for information about her meeting with the Queen. But as days elapsed, he gradually lost interest in the matter. Ravenclaw regarded that the time had finally arrived as Draco’s prying eyes were off her. 
One moonless night she flew off to Gryffindor in quest of Ronald, the man with blue eyes. She flew hundreds of miles across rivers, forests and oceans, until finally she noticed Gryffindor's red and golden flag fluttering with the wind. Her tired body immediately recovered with a fresh surge of energy. 
Ravenclaw hovered over Godric's Castle for a few seconds. To her relief there were no protective enchantments over the Castle. But the Castle was much bigger than Durmstrang. She decided to perch on top of a low tower until it was dark.
Ravenclaw chose a window as her hiding place which was hidden from direct view.  When she crawled onto the panel, she was alarmed by the sound of a low cough. She crawled through the panel into the tower and found herself standing in a small bedroom and staring at an old dog.
"Fang!" she exclaimed. The dog ran towards her, barking with delight.
But, there was a rush outside and she hid herself under the simple four poster bed. 
"Fangiekins! What's up," the entrant hollered. Fang pulled him to where Hermione was. 
Down under the bed, Ravenclaw tried to control her breath. She knew it was him.
Ronald — Ron! What would she do now?
Before it was too late and Ravenclaw changed her mind, she exhaled through her mouth, emptying her two lungs. Right after her action, she saw Ronald's legs lose balance and before he tumbled onto the floor she withdrew herself from her position and helped him fall asleep on the bed. Fang fell asleep too. All she needed was to wait until dark to steal him away. She hid herself again under Ronald's bed, her mind wandering back to the alleys of Hogsmeade where she met Ronald for the first time.
***
Before darkness crept in, Ravenclaw came outside. She paused to stare for a moment at the tall man sleeping soundly in his bed and then set to work as fast as she could. She gathered ropes, leather straps, even iron chains that she found in the tiny room and strapped Ronald securely to his bed. When the Castle went silent, she levitated Ronald's narrow bed and with a little shove pushed it outside of the window. She fastened her robes to one of the four posters and flew away towards the land of Slytherin where Bellatrix was waiting for her prey.
***
Ravenclaw zoomed into her chamber with a sleeping Ronald on his four poster bed, through the open window of her chamber. The morning rays of sun followed her soon after.
No one noticed except a man with silver blonde hair who had patiently waited for Ravenclaw's arrival since her departure. He hurried towards the Queen.
Ravenclaw headed straight for her bathroom. She needed a bath and food for further functioning. But when she finished her bath and entered her room a hard punch on her head welcomed her, knocking her straight to the floor.  
She laid on the floor trying to gather her wit when she saw Ronald's familiar pair of boots running past her. There was a thud and the door to her chamber swung open. She tried to crawl towards the door, but she felt too weak.
She heard Ronald. He kept on swearing. There was the sound of hitting, punching, kicking and cries of pain. Ronald roared. 
Ravenclaw somehow managed to stand on her feet. She snatched a scarf, covered her face and hurried out of her chamber. Injured bodies of sentries laid scattered on the stone floor. She saw Ronald clutching Draco’s neck and suffocating him with his bare arm.
"Ronald! No! Please don't kill him!" Ravenclaw screamed. Ronald continued holding Draco’s neck but it seemed to her that he had relaxed his muscles. 
"Bring him to my palace." Everyone who was not gravely injured turned  with surprise to the spot from where Bellatrix's voice came.
"Well done, Ravenclaw. But your service is not over yet. Follow us to my palace," Bellatrix commanded. Ravenclaw obliged, forgetting that she was awfully hungry.
On their way to the hall, Draco sidled her.
"Why did you bother to save me from that beast?" he asked out of the corner of his mouth.
"Maybe because I hoped that you can do better than what you are," she whispered back. Draco became sober.
***
Bellatrix ordered all but Ravenclaw and Ronald to leave the hall. Ravenclaw furtively glanced at Ronald. He was still fuming. 
"Follow me," she commanded while climbing up the stairs. Ravenclaw followed. But Ronald could not break the magical barrier and climb the staircase.
"My Queen, this is the magic of your ancestors. No man can ever cross this barrier and reach your chamber," Ravenclaw said concernedly.
"But you're a witch. Break the barrier so that Ronald can follow his destiny," Bellatrix demanded. Ronald frowned.
"Your ancestors' magic is far more superior than the feeble witchcraft I practice." 
"In that case, I beseech the responsibility of his well-being upon you. My nephew Draco shall be commissioned for your assistance."
Ravenclaw understood the subtle warning. Yet, she felt relieved. 
"Unlock any room nearby to your chamber and arrange for his stay. You can take him away now." With an air of finality, Bellatrix flounced away.
***
"Why am I here?" Ronald growled as he followed Ravenclaw through the corridors and passages.
"I am not supposed to tell you. Ask the Queen," Ravenclaw kept on marching forward without looking back at him.
Ronald let out an exasperated breath.
"You are the one who kidnapped me, aren't you? Not her. So you will tell me."
"I didn’t know you could be so naive, Ronald. If you haven’t noticed, I am a plain servant here and I work on orders. It's the Queen who decides," Ravenclaw's voice vibrated out shrilly. 
Ronald was taken aback. They walked in silence for some time and then Ronald said grumpily, "I am hungry."
"So am I. I haven't eaten for more than twenty four hours. Besides, there was nothing to eat in your room at Godric's Castle and the stench in it was horrible," Ravenclaw barked. 
She was listless. That was the first time after so long; she had a banter with someone and was thrilled about it.
"Now it is my fault that I don't keep food to feed my kidnappers!" Ronald retorted back. 
Ravenclaw smirked. They kept on walking and reached the same point where Ronald had caused quite a stir some time back.
"This is where you will stay. I will send for some food if you are hungry. And behave yourself. Don't try to run away again. We have had enough of your nuisance," she said sternly.
"This is mental." 
Ravenclaw heard him say before she left, and she felt butterflies fluttering inside her belly. 
***
Almost a month had passed since Ronald's kidnapping. To Ravenclaw's relief, Bellatrix was yet to figure out how to let Ronald into her palace. The wizards she had summoned to break the jinx failed miserably in their mission. Bellatrix ensured that those wizards were punished adequately.
When Ravenclaw entered Ronald's room, he was lying on his small bed, blankly staring at the ceiling. He didn’t even stir when he heard the door to his room open and close. 
"I just came to check on you," Ravenclaw tried to be as comforting as she could. He said nothing.
Over the past one month Ravenclaw had shared many details of her dark life and Ronald shared his experiences.  They became much more civil to each other, if not friendlier. 
"Look I never wanted to put you through this—" 
"Bellatrix came here yesterday," Ronald blurted out. 
Ravenclaw's palm automatically covered her mouth over her hood; her eyes popped so wide that it could have bounced out of its socket.
Ronald stared at her for a moment and then said, "You knew about her intentions, didn't you?"
Ravenclaw slowly nodded her head. She knew that he would now hate her forever.
"Then why did you bloody kidnap me?" he yelled.
"Or else she would have sent the Dementors after you. They are the worst kind of species. They would have plundered everything you had in Gryffindor and scarred your people for life," she screamed back.
"Huh, Dementors! As much as Bellatrix called you a brilliant witch who traced me out of her dreams, you failed to understand that I am not afraid of any mortals or demons. But since you wanted to become this angel," Ronald marked quotes in the air, "you could have spared me too. Why did you bring me here?" Ronald asked sarcastically. 
"Because I was stupid and thought that I could protect you. Besides, I knew that Bellatrix's palace was forbidden for man. Her father, King Salazar, was a wizard and a blood purist. He cast those unbreakable spells so that no man of lesser blood ventures near her. And I knew you didn't have royal blood running in your veins. But I must admit that I didn't know Bellatrix well. I didn't think that she would keep you a hostage and…," Ravenclaw's eyes were downcast with guilt and she faltered.
"What if I refuse to oblige. Would my head be displayed on the wall of that scary hall?" Ronald asked, frowning.
"No. I will never let that happen. Tonight you will escape from Durmstrang. And you needn't escape through that tunnel underneath your bed." Ronald stood up in attention.
"You think I didn't notice," Ravenclaw said with a chuckle. Ronald deliberately bumped his head against one of the posters on his bed. 
"Don't do this," Ronald snarled. "I don't want you to risk your life for me."
"You needn't bother about me. I'm tired of my life, anyways. People like Bellatrix keep me safe, but scar my soul. Your world will not take me back because of who I am," Ravenclaw turned away to hide the tears glistening in her eyes.
Ronald tentatively placed his hand over her shoulder. This was the first time he touched her in the past month of their acquaintance.
"You never asked me why I didn't kill your friend Draco when you asked me not to kill him," Ronald said gently. Ravenclaw turned around in surprise.
"The day you kidnapped me, I heard your voice coming out from the flute an amazing girl once gave me. She was a witch, but she didn't know that I knew. We seldom met. But I remember all the moments we shared together in the village of Hogsmeade," Ronald paused. Ravenclaw's eyes began to shed those unshed tears of years.
"One day she told me that she cannot be friends with me anymore. Rumors of her being a witch had already rippled through our village. I told her that I wanted to be friends with her no matter what. I would stand by her even if the gods were against her. She cried. Just like you're crying now." 
He brushed his fingers against her tears. Ravenclaw closed her eyes.
"She gave me a magical flute and said that if she ever needed me she would call out for me through that. She had indeed called out for me on the day she vanished from her village. I went in search of her, but the entire village was in shambles," he hesitated and then added, "her family was murdered too."
"OH, RON!" Ravenclaw wrapped her arms around Ron's torso and buried her head into his chest and cried. He embraced her with equal passion. 
They sat down together on Ron's bed. She craved more of Ron's warmth and comfort, which he was more than willing to give.
"What gave me away?" she asked softly.
"Your voice, Hermione!" Her body tensed at the mention of her name which she thought had died a thousand deaths already. 
"You could have found me using your magic. Why didn't you do so?" Hermione could sense hurt in Ron's voice.
"I was in captivity, mind you. But after that I thought that you would never want to be my friend after knowing my truth," she said with a shaky whisper.
"From the day we met here, I wanted to say something to you, but couldn't sum up my courage—," Hermione covered his mouth with her palm before he could complete his sentence and said, "Say it Ron."
"That Ravenclaw is a stupid name and your costume is ridiculous," he chuckled.
Hermione punched his gut. 
"Ouch! Hermione it hurts!" He gasped in pain.
"I can curse you and make you speechless," she threatened him with mock anger.
"I know you won't because, I — I wanted to say that I was and will always be yours," Ron whispered.
Words didn't seem enough to express what Hermione felt at that moment. She lifted her hood in one swift motion and kissed Ron's mouth. She was finally back with the one she belonged to.
***
Hermione braced herself to execute the plan of their escape that she and Ron had hatched. If caught, she knew both of them would face a gory end. Ron was, however, amused to find her so worried. 
"Come on, love," he said, "I am the best commander of Gryffindor. I know the rules of the games. From what I could make out of the excellent details you have provided, we are on the right track." 
We are on the right track—We are on the right track— She kept on repeating. 
And then she found the person she was searching for — Draco. He was standing on the edge of an open terrace.
"Good Evening, Prince! Have you gotten tired of spying on me so soon?" Hermione cooed. Draco was startled. "And oh! Please don't let yourself stand on these edges. A sweet little shove could be fatal," Hermione murmured into his ears and smirked mischievously. 
For a moment Draco was shocked at her audacity, but thereafter he composed himself. 
"Why did you come here?" he grunted. "Are you not supposed to be guarding your captive?"
"Umm… the Queen herself guards him now." 
Draco glanced at her sharply. 
"Didn't you know why she made me kidnap him? She wanted to have an heir to her throne. The Vision told her that Ronald is the man who should father her child if she wanted him to be invincible."  
Draco was gobsmacked. "And did she tell you all this when she summoned you?" 
"10 points to you. At least you figured this out. Yes, indeed she told me. You should have known that he meant more to her than other men when she refrained from killing him after he created all that nuisance on his first day here."
Draco was staring at her in silence.
"But I pity you, Prince. After how she murdered your grandfather and your parents, you still believe that she will let you be the king of Slytherin."
"You are lying. My parents murdered my grandfather and she punished my parents for spilling the blood of their father. She brought me up like I was her own progeny," Draco countered.
"For a Prince, you have an intellectual range of a teaspoonful," Hermione snorted.
"What do you mean by that?" he growled.
"Your aunt staged everything. She didn't kill you because you're not capable of harming her while you're a kid. But times have changed."
Draco contemplated for a moment.
"But why are you telling me all these things? I have never been really good to you. In fact, my words only confirmed my not so good intentions for you," Draco said plainly.
"Like I said before, I believed you could be better. I always considered your behavior towards me as an act of spite. You said those things because you were jealous of me and wanted to rile me up. If I am not wrong you would have considered it to be a personal insult in laying your hands on the dirty knickers of a witch," Hermione said in a breath.
"What now?" Draco asked intrigued. He had dropped all his pretense and listened to Hermione with rapt attention.
"News is that Ronald is going to escape tonight. If I were you I would have never stopped him," Hermione finally made her move.
"I will not stop him. But who's going to stop Bellatrix? Her Dementors will find him from any corner of the earth," he stated matter of factly.
"Did you know how your grandfather was murdered?" Hermione asked.
Draco scowled and shook his head affirming his lack of knowledge.
"Bellatrix turned the Dementors against him. And from what I know, you have access to her palace being of royal blood. Bonus — the Naginis would not be very happy with her if they knew that Ronald does not have royal blood running in his veins, yet she had been pursuing after him."
"Ravenclaw, you are simply a genius. I would have actually married you if you were not a witch. What do you want in return? I will give you anything," Draco blurted out. His eyes were gleaming with pleasure.
"I want to leave Slytherin. No one should come hunting for me," she said boldly.
"Granted. Tonight you and Ronald can leave Slytherin, and no one from Slytherin will come after you. I will handle the rest," Draco announced.
"Fine. I take your word. Goodbye," she said.
"Ravenclaw, one final word. If Ronald does not accept you, you can still be the old witch of Slytherin," Draco sniggered.
Hermione left him without another word. 
***
The death hour had arrived. Ron didn't agree to be flown away by Hermione. He wanted some action during his escape so that no one became suspicious of Hermione helping him. In case Draco ditched them and Ron was captured, he didn't want her to be tortured.
When it was dark, Hermione reluctantly let him crawl out of the tunnel he had dug out on the wall. She supplied him with all the ammunition he wanted. They kissed each other before he left promising to meet soon. 
Hermione watched through her window as Ron dropped himself on the ground with the help of ropes suspended from the tunnel. He was dressed in the robes of sentries of Slytherin. After some time, she saw his silhouette riding a horse towards the entry gate. And then she saw the big gates ajar. Draco had ultimately kept his word. She heaved a sigh of relief. She watched until she could see his silhouette fading away in darkness. 
Hermione swept her glance one last time all over her little room and then with a smile on her face leapt out from her window to fly away. She deserved to share her home with Ron. They had always belonged with each other.
***
The news of murder of Queen Bellatrix by her own pet Naginis spreaded like wildfire through Gryffindor. The king of Gryffindor, James, announced a feast for all his countrymen in honor of his dead friend Sirius, who was framed and killed by Bellatrix. 
Hermione watched everyone making merry from the small quarters where both Ron and Hermione now lived together along with Fang. 
Ron watched her golden wedding ring glisten under the sun. He tried to steal a glance of her content face as she examined her ring. As much as he tried to watch her smile, the cascade of her brown untamed hair teased him by causing hindrance. 
In a way, her wild hair was like dark clouds in the sky, hiding away the brightness of the sun beneath them, he thought. In his case, it was the pleasure of experiencing the sweetness of her smile that her hair was robbing him off. Ron smiled. He was a goner.
Ron trudged towards the window beside which his wife was standing. He lightly grasped a fistful of her hair and kissed her neck. Hermione sighed. He closed his eyes and savored the feeling.
"Ermynee! You're so intoxicating. What have you done to me?" Ron breathed into her ears.
Hermione turned to face him. They kept on staring into each other's eyes.
"What did I do?" Hermione asked, raising her brows. 
"I was a savage warrior. And now I am a moonstruck lover."
He pressed his hand against his heart and staggered backwards.
"But how could I help in this situation?" Hermione asked with mock dismay. 
She flung her arms around his neck. He embraced her with fervor and crushed her chest against his.
"As much as I like your clothes, your skin suits you best," he hummed breathlessly, lacing his fingers in her hair. And then they kissed. 
"I love you so much, Ron," Hermione murmured in between kisses.
"I love you more," Ron panted and smiled. 
They kissed deeper and became hungrier. The anticipation of intimate touches became too much for both of them to bear. Ron pulled Hermione to their bed and worshipped every inch of her body with every inch of his until both of them surrendered to spasms of ecstasy.
Hermione smiled. She would never need those black robes and the stupid name with Ron around her. His love was enough to keep her safe.
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madsthewordclown · 4 years
Text
Four Walls | Sokka
warning: just lots of fluff because I wanted to
pairing: sokka x reader, modern au
summary: Quarantine is stressful, but Sokka’s a pretty great roommate to be stuck with. 
Y’all, this is my first fic I’ve ever written and I apologize in advance, and thank you for bearing with me. 
          “Traditionally, you’re meant to cook the noodles.” Sokka pretends not to hear you. Or maybe he really can’t hear you over the loud crunching of uncooked penne. There’s an empty jar of sauce on the table across from where he sits, crunching down dry noodles like its chips. You walk over to get a bottle of water from the fridge and notice two of your reusable milkshake straws sitting in the sink. Looking back the jar of sauce, you shudder.
           “Traditionally, the noodles aren’t meant to be whole-grain,” Sokka answers finally, as if the situation he is in is completely normal. The box of pasta now sits empty on the table, and he’s grinning from ear to ear. “How was work?”
         “Fine,” you answer. “Can I ask why you didn’t just boil the noodles? Weren’t they awful?” You know you’re deflecting about work, but it’s not a big deal. The restaurant had only just started to reopen, and you only got one or two shifts a week, but dealing with customers felt more grueling than ever. You knew Sokka missed having something to do, so you couldn’t complain too much.
           “Cooking them is too much work, Y/N,” Sokka replies matter-of-factly, “and they were awful, but I had to finish what I started.”
           Quarantine is not treating either of you well. For you, the strain manifests itself much more quietly; you haven’t been sleeping very well, and you get headaches more frequently than normal. For Sokka, it’s this. You don’t know how much orange juice he’s consumed straight from the carton, but it can’t be good for his teeth. Drinking tomato sauce can’t be too good, either, although he somehow manages to maintain his good looks nonetheless.
           “Katara called while you were gone,” Sokka mentions as you plunk yourself down in the chair across from him.
           “She did?” You frown. You and Sokka didn’t get too many calls from his sister or any of your other friends anymore. When quarantine started, you had frequent group calls and virtual game nights, but over time, they kind of fizzled out. You missed seeing everyone’s faces. While Sokka was a great friend and a great roommate, you couldn’t help but wish you were all under the same roof.
           “Yeah,” Sokka continues, standing up and picking up the empty pasta box and jar. He’s wearing khaki shorts and a Hawaiian shirt; it may be fit for a Midwestern dad, but at least he put on a full outfit today. Quarantine hasn’t exactly required it. “She’s scheduling a movie night for this Saturday. You’re off work, right? I tried to see if you sent me your schedule, I wanted to make sure you didn’t miss it.”
           “Yeah, I only worked today and then Friday this week,” you say excitedly. “Is everyone joining?”
           “Suki can’t make it,” Sokka shrugged, walking across the kitchen to rinse out the jar, “but Zuko and Toph will be there. And Katara and Aang, obviously.”
           You kick your shoes off under the table and feel the tension in your feet ease slightly as Sokka turns on the faucet. Your shift was busy, considering the circumstances. You yawn. “What movie are we watching?”
           “I don’t know, some indie film she and Aang found,” Sokka says, turning off the water and bending down to put the jar and box in the hot pink recycling tub you keep under the sink. Katara had brought it in one day after learning that Sokka didn’t recycle. You could still hear her telling him off about plastics in the ocean. She had been very pleased when she saw your small collection of reusable grocery bags. Good guys recycle, Sokka. Right, Y/N?
           “What’s with the outfit?” You can’t help but say. You notice that Sokka is wearing tennis shoes without socks along with his vacation ensemble. He grins at you again, blue eyes sparkling as he begins walking toward the door to his room.
           “Setting trends, Y/N/,” he laughs, “get with the program.”
           You wake up at four in the morning, again. You know before you’ve even opened your eyes that you are awake way too early; it’s happened at least three times in the last two weeks. You slowly peek your eyes open and pick up your phone, flinching as the bright light hits your face. 4:08. You sigh.
           You slowly pull yourself out of bed and easily leave your room without needing the lights, but the main room is more difficult. You have no clue what you and Sokka have left out on the floor in the last few days. You put one arm straight out in front of you to detect obstacles, and curse to yourself about leaving your phone on the nightstand.
           You carefully walk by what you think is the couch and swing your arm none too gently to find it. To your surprise, you hit something that definitely isn’t the couch.
           “Ow!” a voice cries out. You let out a scream, and jump back, falling on the carpeted floor with a thump. “Whoa,” Sokka says, and you feel relief flood over you. It’s just Sokka. You try to let your heartbeat slow down. “Are you okay?”
           Sokka must have gotten up and found the light switch. You see him in the corner of the room, his hair pulled up, and wearing his same Hawaiian shirt, but with basketball shorts. An even more atrocious outfit. You laugh to yourself as you continue to get your bearings. Sokka makes his way over to where you sit behind the couch and offers a hand to help you up. You take it.
           “You scared the shit out of me,” you say shakily as he helps you to your feet.
           “I’m sorry,” Sokka says sincerely. “I didn’t think you’d be up. Could you not sleep?”
           You shake your head. Sokka doesn’t press; just nods. “What were you doing in here?” You ask.
           “Same thing, but it’s probably because I drank too much coffee after dinner.”
           “How much coffee is too much?” Sokka just shakes his head slowly.
           “Too much, Y/N.” He looks at the ground for a moment. “Want to watch a show or something?”
           It becomes a routine for the next few days; watching shitty cartoons and soap operas with Sokka whenever you wake up in the night. He’s somehow awake every time, and you try not to dwell on it. You’re not one to talk. It’s nice, sitting with him and watching something that lets you not think for a while. That’s your problem; overthinking about anything and everything. You get to forget about work, where a customer coughing sends you into such a spiral that you have to spend ten minutes in the back room to calm down. You’re looking forward to it when you get home from your Friday shift.
           Sokka is in his room when you arrive, close to 11, even though your shift was meant to end at 10. You pull your shoes off as soon as you’re in the door and drop your purse on the floor, not even bothering to get to the kitchen table or couch before you’re lying on the carpet and staring at the ceiling. You don’t even hear it when Sokka comes out of his room and stands over you.
           “That bad, huh?” He says simply. You try not to notice the sympathy in his eyes, or the way his brow softens when he looks at you. You just nod your head and try to block out the echoing yells of an angry mom that you served earlier, and the mere $25_ _you brought home for tips after hours on your feet, working in a pandemic hellscape.
           Instead of trying to coax you up off the ground, Sokka disappears into the kitchen, the counter obscuring your view. You can hear him open and close a cupboard before he reappears, a bag of Doritos in hand.
           You can’t stop the shocked look on your face as Sokka slowly sits down next to you and then leans back on the floor. The bag of chips crinkles as he opens it and sets it on the floor between you. You wordlessly take out a few chips and start snacking. Even though Sokka has only been your roommate for a few months, you’re still impressed by how perceptive he is. He always seems to know what to do to make you feel better. You feel bad that you can’t do the same for him.
           Sokka talks about his latest project for his online summer class. It’s something to do with engineering, and you try to listen, but he gets to talking so fast and excitedly that you can’t keep up. You don’t understand most of what he’s saying anyway, but you like listening to him talk. Katara says he can’t shut up, and most of the time she’s right, but you like his passion.
           Between the two of you, you manage to finish the whole bag of Doritos. You can tell your air conditioning has shut off again when the blistering July heat begins to creep in, and that’s when you make the executive decision that it’s time to get off the floor. You turn to your side and are surprised to discover that Sokka is looking at you, and he’s not talking. You don’t know when he stopped, but you already miss it.
           “Are you sure you’re okay?” Sokka whispers, so quietly that you almost wonder if he said it at all, but he’s looking at you for an answer, his blue eyes boring into you.
           “Yeah,” you answer equally as quietly, your voice hoarse after lying silent for so long. You bite your lip and let your hand fall between you and Sokka. You ask something you should’ve asked a while ago. “What about you?”
           Sokka glances away for a moment and sighs. “I just miss people, you know?” You nod. He continues. “We haven’t seen Katara in, I don’t know, two months? I know we don’t always get along, but I miss her, and I know that she has to be careful, we all have to be careful, but that doesn’t make it less hard, y’know?
           “And it’s not just our friends, or even my dad or anything. Just people. I miss being around people, and not having any sort of outlet, you know? Just four walls.”
           “And little-old-me,” you add jokingly. Sokka rolls his eyes.
           “Four walls and you,” he amends. You try to ignore the rush you feel when he lets his hand brush against your own.
           “Want to watch a show or something?”
           Saturday night can’t come soon enough, and when you come out of your room after your shower, you’re surprised and excited to see that Sokka has gone all out with the movie night. The movie has to be streamed on the computer, so Sokka has his laptop set up on the coffee table, ready to go. You smell the popcorn he has popping in the microwave.
           “Ready for the best quarantine movie ever?” He greets, then jumps as the popcorn begins to pop almost aggressively in the microwave.
           “Of course,” you reply, hopping yourself over the back of the couch and pulling the throw blanket there over yourself. “I can’t wait to see everybody. It’s been too long.”
           Sokka is careful not to burn the popcorn and even goes as far as to dump it out of the bag and into an actual bowl for the two of you. He comes over and takes a seat next to you; you’ve both opted for sweatpants, as you both tend to do even though it’s the middle of summer. It’s not like you’re leaving the house, although Sokka still complains about the heat sometimes.
           You hop onto the voice call with the others at exactly 8 o’clock. Zuko is already there, of course, as well as Katara and Aang. It only takes Toph a few seconds to join after you.
           “Hi, guys!” Katara exclaims, waving at her camera. She’s already pressed up against Aang’s side on the sofa in their apartment, and he’s leaning his head on her shoulder. Their huge white dog, Appa, can just barely be seen at the bottom of the screen, laying across their laps.
           “Hey, Katara!” You respond excitedly, leaning in closer to the camera. “I miss you guys so much!”
           “Hey, Sokka, how’s your class going?” Zuko asks. Immediately, Sokka begins a tangent about whatever his latest project is. Zuko matches his enthusiasm with talk about his screenwriting class.
           “Nerds,” Toph mutters, crossing her arms. You laugh.
           “You guys ready to start the movie?” Zuko says. Aang gives a thumbs up into the webcam.
           “Flameo, hotman.”
           The movie is, of course, frequently interrupted by you and your friends’ commentary. Sokka has had to shush you multiple times, as you keep leaning over and whispering dumb observations and jokes in his ear. You aren’t one to take any movie too seriously, and this indie film is no exception. But you don’t think Aang would appreciate your comments, since he looks like he’s about to tear up as he leans into Katara before the movie is even halfway through.
           “Sokka, you look pretty cozy,” Katara giggles suddenly. You didn’t realize it, but now that you were paying attention, you could feel Sokka’s side pressed up against you as you both leaned in to better see the laptop screen. You can see now that his arm is draped over the couch behind you.
           “What? What’s happening?” Toph asks, and Zuko starts to laugh a little bit. To your surprise, Sokka doesn’t pull away.
           “I am, thanks,” he says, trying to be nonchalant, but still letting a sheepish smile sneak past his lips.
           “Okay, then,” Katara smiles, refocusing on the movie. Your heart flutters a bit as you remember where you are. With Sokka. Your roommate. Who you don’t need to have feelings for, but you think you might be doing it anyway.
           You feel your eyes getting droopier as the movie goes on, and you don’t really pay attention anymore. Before you know it, you can’t seem to get your eyes open anymore, and the sounds of the movie and your friends’ laughter fades away.
           You wake up to the sound of laughter. The movie is gone, and the screen is entirely taken up by your friends’ faces.
           “Oh, look,” Zuko says, “sleepy head’s finally awake.”
           “Shut up,” you groan. You didn’t even realize you had fallen asleep until the moment, and you hadn’t realized that you had fallen asleep… on Sokka. Your head rested on his shoulder, and his right arm was around you. One of your hands was resting on his lap. Your friends started laughing again, and you jerked your hand away, but didn’t quite sit up. You still felt too tired for that.
           “Well, we should probably go,” Katara said finally, although Aang was already definitely half asleep on her shoulder. Zuko and Toph muttered something similar, and everyone said their goodbyes. Sokka reached with his left arm to exit the call but left the laptop on.
           You feel Sokka gently grab your hand as your eyes start to drift shut once again, sleep too tempting to refuse. You feel him lean down and whisper in your ear, always careful, “Is this okay?”
           You nod into his shoulder, and you feel him breathe a sigh of relief as he rests his head on yours. It would always be okay. And you didn’t need to talk about it yet, although you’d have to eventually. For tonight, though, while the world raged on, it was just you and him, and the four walls of your apartment. And while the months of quarantine seemed to stretch on forever, you knew you had someone to hold on to.
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dialecticalmadness · 3 years
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THE CONFESSIONS OF NAT TURNER,
THE LEADER OF THE LATE INSURRECTION IN SOUTHAMPTON, VA
TO THE PUBLIC:
The late insurrection in Southampton has greatly excited the public mind, and led to a thousand idle, exaggerated and mischievous reports. It is the first instance in our history of an open rebellion of the slaves, and attended with such atrocious circumstances of cruelty and destruction, as could not fail to leave a deep impression, not only upon the minds of the community where this fearful tragedy was wrought, but throughout every portion of our country, in which this population is to be found.
Public curiosity has been on the stretch to understand the origin and progress of this dreadful conspiracy, and the motives which influences its diabolical actors. The insurgent slaves had all been destroyed, or apprehended, tried and executed, (with the exception of the leader,) without revealing any thing at all satisfactory, as to the motives which governed them, or the means by which they expected to accomplish their object.
Every thing connected with this sad affair was wrapt in mystery, until Nat Turner, the leader of this ferocious band, whose name has resounded throughout our widely extended empire, was captured. This "great Bandit" was taken by a single individual, in a cave near the residence of his late owner, on Sunday, the thirtieth of October, without attempting to make the slightest resistance, and on the following day safely lodged in the jail of the County. His captor was Benjamin Phipps, armed with a shot gun well charged. Nat's only weapon was a small light sword which he immediately surrendered, and begged that his life might be spared. Since his confinement, by permission of the Jailor, I have had ready access to him, and finding that he was willing to make a full and free confession of the origin, progress and consummation of the insurrectory movements of the slaves of which he was the contriver and head; I determined for the gratification of public curiosity to commit his statements to writing, and publish them, with little or no variation, from his own words. That this is a faithful record of his confessions, the annexed certificate of the County Court of Southampton, will attest.
https://docsouth.unc.edu/neh/turner/turner.html
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lady-divine-writes · 4 years
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Good Omens - “Risks and Consequences” (Rated PG13)
Summary: Crowley surprises Aziraphale with a surprise skating excursion on Christmas night during a suspicious snowstorm. (1436 words)
Read on AO3.
“You do enjoy shoving me headfirst out of my comfort zones. Don’t you, my dear?” Aziraphale asks, warily watching his husband strap a stiff black boot to his foot. 
“Poppycock,” Crowley grumbles, struggling to unknot long laces he accidentally macramed while attempting to navigate the rows of eyelets and hooks. “Consider this an adventure.”
“This is certifiable! You do know that?”
“How? You’re an angel! What on Earth could happen to you?”
“A great many things, I imagine,” Aziraphale replies. It’s a thin response. Crowley can tell Aziraphale has a thought, a vivid one, of something plausible. 
Something that has him concerned. 
Crowley stops messing with the skate and looks into Aziraphale’s face. Aziraphale's gaze ducks and dodges, bouncing from his hands to his knees to other random things inside the confines of Crowley’s Bentley. But Aziraphale can’t avoid Crowley’s gaze, nor Crowley himself, for too long. “Sometimes, I feel as if, one of these days, I’m going to snap my fingers, and nothing will happen. Heaven will have found a way to make me mortal or …”
“Or abandoned you altogether?”
Aziraphale nods sadly. “Yes.”
“I get those thoughts, too, sometimes,” Crowley admits, going back to fixing his angel’s skate. “Too often, really. Which probably explains why you use your magic so rarely, and I use mine all the time.”
“You’re always double-checking."
“And you’d rather not know.”
“Losing my powers wouldn’t be the worst part. Inconvenient, yes, but not terrible. Abandoned by Heaven …” Aziraphale's words drift off, but their meaning lingers, clinging to Crowley's heart and building like the snow outside their windows.
Crowley winks at his husband, trying to get him to smile, to laugh, to roll his eyes and groan Oh Lord! “It’s not so bad ..."  
“... once you get used to it. So you keep telling me,” Aziraphale teases, gifting his husband with the tiniest of grins, gone all too swiftly. “Are you truly afraid of being abandoned by Hell?”
"Ngk ..." Crowley’s shoulders bounce a shrug back and forth as he thinks over his answer “... nah. Not really. They've already tried to exterminate me once, haven't they? It’s the consequences that come with it that would really suck: being mortal, having no powers, growing old …” Crowley’s eyes meet Aziraphale’s - melancholy blue eyes exposing those same fears, a subject his angel hasn’t felt comfortable bringing up before tonight. He still doesn’t seem comfortable with it, tight-lipped as an oyster. “But let’s not talk about that now,” Crowley suggests. “Tonight is for having ridiculous amounts of fun. Stirring up a little mayhem.”
“We’re going to get into trouble,” Aziraphale laments. “With the humans, I mean.”
“Nonsense. They'll never even know we were here."
“There are security cameras everywhere!”
“When was the last time you got caught doing anything on CCTV? It would be all over the Internet if you had! I'll fix it. You'll see.”
“By wasting another miracle? Or do you have a small army of rodents positioned on light poles, waiting to do your bidding?”
“Besides,” Crowley continues, overlooking the jab at what was one of his more masterfully executed, if not elaborate, schemes, “I’m not sure this is actually illegal. As long as we abide by all traffic laws and posted speed limits.”
“Where did you even get this idea?”
“From YouTube. The youths do it - barrel down frozen roads wearing bicycle helmets and hockey skates.”
"You're getting your evil ideas from children?" Aziraphale tuts. “Aren’t you supposed to be the bad influence? Not the other way around?”
“No shame in finding inspiration outside your own head.”
“Yes, well, I hope you skate better than you drive.”
“Oi! I am an excellent driver!”
“I know two rabbits and a squirrel who might disagree with you.”
“That wasn’t my fault! You’d think they’d know to get the Hell outta the way of a moving vehicle!”
“Speaking of which, we’re going to get hit by a car.”
“What car?” Crowley stops fiddling with Aziraphale’s skate to wipe down a fogged window and take a look around. Beneath the glow of the street lamps, he sees nothing but snow - a veil of flakes wafting down from the sky, pushed into swirls by the frigid wind. “No one’s out here! It’s three in the bloody morning after one of the worst storms London has had in years! You’d have to be insane to be outside!”
“My thoughts exactly,” Aziraphale mutters. “Bit early for a storm like this though, isn’t it?”
“Uh … maybe,” Crowley says, abruptly returning to his task. 
“London isn’t due for snow until January.”
“Is that so? Strange.”
Aziraphale's brow furrows as he watches his husband focus intensely on basically nothing. “Crowley …”
“Wot?”
“Are you responsible for this?”
"Wot would make you think that?"
"Crowley. Look at me."
Crowley's head slowly lifts, eyes aimed everywhere but Aziraphale's face. At one point, he even closes them, assuming that, behind his dark lenses, Aziraphale won't notice. 
But Aziraphale does notice. Even if Crowley were speaking to him from a completely different room, Aziraphale would notice.
Because, for a demon, Crowley happens to be an atrocious liar.
“It’s Christmas night!" Crowley pleads, unable to hold back any longer. "The perfect time for a lock-yourself-indoors-and-get-sloshed sort of snowstorm, a'right?"
“So why are we not inside getting sloshed then?”
“Because this is something I’ve wanted to do for a while! And I was gettin' tired of waiting for Mother Nature to accommodate. Plus, with climate change and global warming, nothing's guaranteed, is it?” Crowley moves on from Aziraphale's right foot and begins sliding his reluctant left foot into its skate. “Live a little!” 
“I aim to live a lot, which specifically requires avoiding activities such as this." Aziraphale pauses his complaining to watch Crowley work, beyond curious what was going on inside his husband's demonic mind when he hatched this plan. "So," he says, working through the mystery out loud, "you conjured up a snowstorm, froze the streets, are in the process of strapping these awful contraptions to my feet ... would you like to tell me why?”
"Do I have to?"
"It would be nice."
"I'm a demon. I'm not nice."
"Crowley ..."
“Alright! It's because I wanted us to be together like this." 
"Like what?"
Crowley sighs. "Like humans. And do the stupidly wonderful things humans do when they’re in love: take moonlit strolls, hold hands, kiss in the rain, all that sappy shite. Humans go skating at Christmas! It's, like, number three on their list of Yuletide activities. It's almost a requirement! Even if they can't stand steady in regular shoes, they go skating. And they cling to one another, and they laugh, and they kiss, and I … I didn't want to take the chance that if I waited, I might miss ..."
Nothing's guaranteed, Aziraphale thinks as he watches Crowley sink in on himself, head bowed over Aziraphale's feet, curling as if he wants to disappear. And Aziraphale begins to understand. 
Crowley has been a ball of anxious energy for as long as Aziraphale can remember. Aziraphale doesn't blame him. Crowley has been tiptoeing through minefields since the beginning - making innocent mistakes and paying huge prices for them. As supernatural entities, it's easy to get lulled into the false sense of security that nothing bad can happen to you. 
But that's not true. 
Not at all true.
Because even a demon and an angel with magical powers aren't anywhere near the top of the food chain.
Crowley destroying Ligur with Holy Water proved that.
So did his belief that Aziraphale had been extinguished by Hellfire.
The fact that he hadn't been didn't prove Crowley wrong.
Hellfire would most definitely annihilate his angel from the face of the planet.
Crowley and Aziraphale helped save Earth for humanity, but every day, the humans work harder and harder towards their own destruction.
Nothing's guaranteed. 
Not for anyone.
"If you don’t want to go skating, that’s fine. I know it’s risky. Probably the last way in the world you’d want to discorporate."
"I can think of worse ways," Aziraphale says with a chuckle.
"We can go back to your bookshop, make hot cocoa, listen to your gramophone or ... or something.”
“The biggest risk I’ve taken is sitting right here with me. And that’s worked out so far. For 6000 years, as a matter of fact. I don’t mind taking another one. Just … try not to let me fall.” 
“Just hold on tight.” Crowley scoots down the bench towards his husband and wraps his arms around him. “I promise I won’t let you fall.”
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