Hey guys,,,,guess whos not dead?!
Teen Dad Logan :)
Or, I suppose more accurately, Young Dad Logan. And by adjacency, Uncle Dad Victor.
This turned out to be one of my largest pieces of writing ever Bee-Tee-Dubs so its going to be under this to not Kill You All:
So in this AU they meet when they're 10 and 11, Jimmy just out of foster care after they found out he's a mutant, and Vic a few weeks after murdering his Father.
At first, it's honestly Jimmy showing Victor a lot of things. Simple things, like how to forage and how to scent, but it's all...quiet. Jimmy already carries a sense of shame for his ferocity that Vic never enjoys. So he draws the kid into fights, helps him laugh until his face is red with laughter instead of shame. He learns about him, and in turn Jimmy learns about him. Happy enough kids until things turned south. One was locked up and the other ran away. They escaped and found each other. It was meant to be.
Victor gives him his new name. Jimmy hasn't felt like His in a long time and the first time Vic calls him Logan, he beams.
Vic still calls him Jimmy when he's scared, but it's their little secret.
Anyways, they stay rough and tumble until The developers in the Weapon X project find them, aged 14 and 15 respectively. It's Victor's idea that they stay. Logan, for all his desires to settle down, feels chafed by the military, but Vic sees through that, see's what they could be, in the future. See's him and his Runt living free after serving, what's a few years as lab rats if they get all their adult life? What's being looked at like a monster when he's allowed to be a monster and still get schooling? Logan doesn't think any of these things, but when Vic nods, he does too.
They're only allowed to be together for the first three months, and then their forced apart, to 'reduce codependency'. They last two years without each other, and when they're reunited...things are different.
Creed has grown into his role, with each murder proving that his dad wasn't special, he's always been meant for this, how dare Anyone Try to stop him. He's become an Animal. Sabretooth.
And Wolverine....is Wolverine now. But doesn't take long before Vic realizes somethings wrong. Wolverine glances at him, but there's no glint of recognition in his eyes. As Creed starts to question him, he thinks it's a clone. So he Kills It.
Its only the third time Logan revives and puts his claws through Creeds chest that Creed realizes it's his runt. Still, being forgotten stings, being ignored stings worse, and there's a lot more blood shed before the guards are able to separate the two.
Safe to say they butt heads a lot more. Vic goads him often, word for word the way he used to, and like a house of cards, Wolverine always folds. The only times he seems to come back to himself for a moment, are the moments after Creed's killed him, and he's just waking up. He'll get a look on his face, one Vic recognizes. He's seen it a hundred of times before, even if the runt always tried to hide it:
Fear. Exhaustion.
They never talk. Victor pets his hair as Logan's throat is rapidly sewing itself back together, or Logan rumbling under Vic's body as his puncture wounds close. In those moments, Logan Remembers.
...
It all starts to fall apart when one Logan Howlett, at the fresh age of 18, is chosen to become Weapon X.
Creed sees red. This was HIS goal, His to earn, that stupid brat doesn't even want to be here, Logan doesn't even remember why he's-
He doesn't even remember why he came here in the first place.
But Sabretooth is smart. He figures out when, and where, they're going to do the operation. And obviously, he bursts in.
As he does, he overhears a Commander noting that they should 'wipe wolverines mind clean one last time, to make sure he's only obedient to them.
And that is First Strike.
Victor lashes out, taking down a doctor and a guard before anyone can blink. But his noise distracts the surgeons and other doctors carefully monitoring The Wolverine's Adamantium intake, and one of them nudges their controls in their scramble to get away, pushing significantly more onto his skeleton than originally planned.
Victor stops when he hears screaming.
Logan hears....nothing. He knows the procedure is going to begin, but he doesn't know when. When the burning starts, he goes to that little place in his head he pretends he doesn't have. He sees flashes of Creed's face, snarling and smiling, and he feels...safe. He sees white, and red hair and...hears yelling. His eyes open, and immediately close as salt water rushes into them. He breathes unsteadily through his
The water stops draining but the burning doesn't stop. Worse, his head feels like it's being torn apart, a feeling he remembers but can't name. And suddenly, nothing matters because,
Sabretooth is calling him Jimmy and why why WHY DOES EVERYTHING HURT OW OW OW OW OW OW Victor help please please plEASE PLEASE VICTOR VIC-
...
Safe to say the adamantium causes even more psychological damage to them.
There is one single benefit: The Memory Adjustment failed. In fact, it failed so bad that Creed, for three whole days, get's Logan to himself.
They don't do much. Logan wakes up and launches himself at Vic, legs collapsing as his ligaments struggle to accustom themselves to the weight of his new bones. He's in constant pain, mostly just looking at Vic with big, sad brown eyes until he lies back down with him on the shitty Hospital ordered bed. It creaks under them, but thankfully never gives.
When they do talk, they don't talk about the memories. About Wolverine gutting Sabretooth to prove a point, about Sabretooth biting out his spinal chord, about Wolverine ripping out his teeth in claws. None of it matters. They know it can't last. Creed didn't plan, and Logan is too weak to think, not that he does much of that in the first place.
After those days of clarity post operation, Logan is wiped clean. And for the next year, it's back to normal. For Wolverine at least.
But of course, Logan has to beat him to the punch. Literally.
Around a month after the one year anniversary of his Surgery, Wolverine comes Bursting through the training rooms, with twenty guards hot on his trail. Sabretooth, a Predator, Obviously follows. Logan runs and runs and runs, and eventually rips the door of a particular room, to reveal...
an eerily large room filled with tubes. There's wires and things being suspended in liquid, and at first, Victor can't comprehend what he's looking at. By the time he reads 'X-02', Doner Wolverine, Logan's already broken three of the tubes with his claws, uncaring of the thick glass cutting him open in retribution for being shattered.
people go flying, and as they hit equipment the room itself begins to collapse, separating Sabretooth from Wolverine. Wolverine continues through the rooms, ensuring that there's nothing deeper inside that can help them make more of him. He has enough nightmares. Sabretooth stays back to help finish the job. All those tubes don't destroy themselves, you know?
He finds a room full of his samples, and a woman in a chair. A woman with a bullet in her neck instead of her head. Poor thing had probably gotten caught in between him and the guards. But why was she just sitting-
The woman has a baby in her arms, tubes still attached. He growls for a moment, moving to finishes her off, but freezes when she and she's groans.
"Laura...Laura..."
Logan looks at her little beady eyes, mousy brown hair, and knows...she's his.
Before he's even thought about it she's cradled in his arms, evidently all wrong because she starts to wail and Vic skids in, shoulder denting the doorframe as he stops and stares at the scene in front of him.
The woman gives one final shudder, and her head lulls. Dead.
Still, there's no time to think. Victor hears thuds getting closer to the room, and as he looks to his right he realizes there's only one way out. The window. Oh well.
with a swear, he lifts Logan by the back of his jacket and gives him a shove, and his back goes strait through the paneling and out of the fourth story. Victor whoops, and follows him down. By the time he's already made his much more elegant landing, Logan is groaning and cussing him out as much as his winded lungs will let him, which is a surprising amount. Still, Vic scruffs him again and sets him on his feet, and nods in the direction of the woods.
"Lets go"
And they do.
They end up being surrounded by the X-Men somewhere in Maine and are "Invited" to Stay at Xavier's school. Logan decides for them this time. A house, a promise that the government will be dealt with for them, and that he can get all of his memories back are very good motivators. And they an finish their education.
Victor actually...enjoys classes. He likes being smart, and it's easy. Logan does Charter school. He had lasted exactly a week in public education before deciding that if he had to deal with one more idiotic comment from one of those stupid fucking kids he was going to-
Well. His words were Not Child Friendly, so he made sure to cover his kid's ears. Besides, he's bonded with fellow teen Rogue and preteen Jubilee and Kitty (his daughters) like little sisters, but he never really settles unless he's with his Kid. His Laura.
He had to fight to keep her, a young unstable mutant like him was not the ideal parent, but for the first two months, she sobbed if anyone else held her, terrible screeches, and would reach for him to the point of falling out of peoples arms. And, he had imprinted on her to. He swore he could tell when she was happy or uncomfortable before she could, would burp her or flip her back onto her back before she got fed up with tummy time.
Vic is Terrified of touching her but refuses to admit it. He carefully runs his finger down her pudgy little cheek, in awe of her soft skin against his knuckle, when she moves suddenly, and she attempts to nuzzle her way into his palm. He, obligingly, opens his hand. When one of his claws scrapes her hair, he freezes, waiting for her to cry out. Instead, she burbles happily, honey brown eyes giving him long, slow blinks.
She likes his head scratches the best.
Logan sometimes falls asleep with her on his stomach on the couch, leaving Victor to carry him AND his clingy baby back to bed, the crib next to them so Laura can still grab onto Logans finger. They sleep together now, in a nest of blankets and pillows, Logans hand always off the bed but still somehow still touching Vic, as if to make sure he's still there.
Their codependency is back full swing, and the only time they can be reliably separated is when Vic goes to school, because he goes with Scotty, and the Boy Scout would never let anything happen to another mutant, even if that mutant makes him want to shoot him with his laser-beam full power just to see what would happen.
Thankfully, because of Victors presence, the Mind Adjustment does actually work, but it leaves Logan questioning his parallel memories for years. In the process they realize that...Victors memories have been tampered with too.
But that, is a story for another time.
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Okay, a good amount of time has passed, and after having seen this post by @weretiger-be-my-horse , I've been turning it over and over in my brain going absolutely feral over this concept. I need to expand upon my thoughts on this idea and all the evidence there is pointing towards it, whether that be actual tangible things, or purely strong vibes I have.
First of all, full disclaimer: I did not like the season 5 finale, and how it wrapped up the DoA arc. To say that I "disliked" it is putting it extremely lightly, in fact -- I absolutely hated it, and I am still, to a degree, in disbelief that I actually even watched those 24 minutes with my own two eyes, and that it somehow wasn't a complete fever dream. While I'm not going to go in long-winded detail into all the ways that I feel like the finale almost completely bastardized all of its featured characters and destroyed any and all buildup we've had going on in this arc for 50 some chapters now, because that's not the main point of this post, I will not make any attempt to hide the fact that the theory-crafting I'm about to pose here is partly influenced and prompted by how much I hated the finale, and how much I desperately hope that it will not end up being manga canon. Therefore, if you enjoyed the finale — and that's fine! — and don't want to read any negativity about it, then I would not recommend reading any further (I mean, you've probably already left by this point, which is fair lol), While obviously it's important that I be as objective and unbiased as possible when explaining my thoughts, some of my negative feelings about the writing will be a part of this analysis, even if this isn't going to be a full-blown rant. Just know that if you proceed.
With that out of the way, let me continue.
So. In the aforementioned post, the theory presented is that the anime may be operating on an alternate timeline, and that this will become evident once we read the upcoming October chapter, wherein things will go completely differently post-chapter 110 than they do in the final episode — probably for the worse, with the s5 finale intending to lull us into a false sense of security and make us assume that everything in the manga arc finale will wrap up as smoothly and consequence-freely(? lol) as it did in the anime one. It also suggests that the Fukuchi we see at the very end that sskk are fighting came from the manga timeline, where he won, and that he used the Book to jump to a timeline where he lost, the anime one, proven by the fact that this Fukuchi is wearing a mask with the same design on it as the mask Fukuchi is wearing on the chapter 110 DoA color spread/title page.
First of all, I want to note the fact that it's not just the mask design that's the same: the entire outfit is roughly more or less the same as well. It's not completely 1-to-1, because the anime can never fully match the intricacies of Harukawa's beautiful outfit designs, and the Fukuchi in this scene has the kimono half-off because of the... super saiyan mode he's in, but most all of the main pieces of clothing are there. Any small inaccuracies could also be attributed to the fact that Harukawa probably didn't have this finalized art ready back when this episode was being made, so the animators wouldn't have had the complete design to work off of. But in general, because it's all so similar, I think we can quite confidently say that the ending episode Fukuchi is meant to be the one from this manga art.
Also, people have pointed this out, but it's worth mentioning that the mask Asagiri wore at Anime Expo in July was referencing this Fukuchi. It's not a crucial detail, but it just proves more that Asagiri is a gigantic fucking troll, and that he clearly wanted to draw attention to this Fukuchi design. It's important. He describes the mask here as made in the motif of an ellipses inside a speech bubble... could that perhaps be referencing meta aspects, like the Book?
Next, I want to talk about the even bigger elephant in the room, which to me is the most damning and undeniable piece of evidence there is of the anime operating on a completely separate timeline from the manga:
This Fucking Hand™️
As we all know, in the anime, Fyodor injures his hand when the password input device blows up, and as we all know, this does not happen in the manga. In the last episode, Dazai claims that the final nail in the coffin of his impromptu plan to kill Fyodor relied on this hand injury: because Fyodor couldn't pilot his escape helicopter himself, he would ask one of his Meursault vampires to do it for him, unaware that Bram and thus this vampire was now on the ADA's side, and said vampire could kill him while his guard was down.
Ignoring how utterly stupid and contrived this plan is when you stop and think about it for more than two seconds, the fact of the matter is that something that initially seemed like nothing more than an odd but inconsequential anime original addition ended up snowballing into being the entire reason one of the big bads was brought down. If Fyodor hadn't hurt his hand, he wouldn't have needed another pilot, and so the traitor vampire wouldn't have had an opportunity to get near him and kill him without him expecting it even though said vampire was presumably with him as they were leaving Meursault, and was probably already a traitor by then, so there was plenty opportunity for him to still die. not to mention by Chuuya's hands at literally any time he wanted to, because Chuuya was coherent the whole time. Also there's absolutely no way Dazai could have known exactly what Ranpo would do, no matter how smart he is and how much he trusts him. idk it's fucking dumb, just roll with it. Therefore, putting aside all other variables for now, we can conclude that, on the most basic level, this signifies that no hand wound = no death.
And let me tell you, this hand wound bothers me. It really, really does. Because they focus on it a LOT — they go out of their way to draw attention to it MULTIPLE TIMES, from the moment it first happens to the end of the season. Fyodor even talks about it to himself, about Dazai being able to cause him tangible, visible, bodily harm, (something that, again, as far as we've seen, has never happened in the manga). Hell, even after Fyodor's death, they're still drawing attention to it, because his right arm is all of him that survives, and Dazai picks it up and gives it to Nikolai to do his hilarious sad little gay fondling of it played completely straight even though there's nothing straight going on here at all! It's like it's a big red flashing sign at all times going "you see this injured hand? This is important. Are you picking up that it's important? Are you taking note of it?" Why is that? Obviously, it serves to give us the lore crumbs about Fyodor and "that man", but that's hardly the main, much more glaring reason, as I've already mentioned.
Fyodor doesn't hurt his hand in the manga. Fyodor won't die here in the manga. I am so dead serious by this point about this, and it's not just simply the fact that this was absolutely not at all the time for him to die, or the fact that his hand is the reason for his death in the anime in and of itself, but how much EMPHASIS they place on this, and on the hand in general. What would be the point of adding something like this, if it's not meant to alert us to the fact that it has a major impact on how the story plays out? We all know Bones: they struggle to get right and include everything that's already there in the source material; they would never go out of their way to add something this noteworthy if there wasn't a very good reason for it, if it wasn't absolutely necessary. I've seen a few people bring up the fact that Fyodor gets shot in the shoulder by Sigma and that that could lead to the same outcome in the manga, but I disagree: although he has blood on his shoulder in the manga, it seems like the bullet just grazed the top of it, because his arm and hand appears completely functional afterwards (not hanging limp by his side or anything). But that doesn't even matter, because this isn't even about the semantics/logistics of how the hand wound caused Fyodor's death because again, it's a stupid outcome, or what could serve as a substitute in the manga — thematically, this is a textbook example of the butterfly effect. Countless parallel universes exist within this series, ones where even the most minute differences lead to a majorly different outcome: this just happens to be one of them. There's no reason to think it isn't, and there's no reason to not think that the anime wants us to clue into the fact that things only went as smoothly as they did on the Meursault side because of this wound; in other words, that things will go very differently in the manga thanks to the absence of said wound. They wouldn't have added it in the first place and put such clearly deliberate emphasis on it otherwise.
Things are going to happen very differently in the manga, at least when it comes to the Meursault crew (but then, if you assume that, you then naturally assume it all will be very different). This is the only conclusion one can come to with the presentation of this anime-only wound, combined with the fact that parallel universes are a very real thing in BSD.
I'm going to go on a bit of a tangent, so bear with me. I play a lot of visual novels, and although such concepts aren't really as original now as they were a while ago, some of my favorite and some of the very best VNs out there are the ones that break the fourth wall and make the visual novel branching route format directly intertwined with the story: you know, the ones where the characters go "if only I had done things differently, maybe everything would have turned out better...!" in a wink wink nudge nudge moment, and the ones where the characters are aware of the different timelines, even, or even have the ability to gain information from their selves in said alternate timelines to influence events in their current one (I'm intentionally not naming the games I'm thinking of for the sake of spoilers, but if you know, you know lmao). It gets very meta in this regard, and this is how I started viewing BSD through the lens of ever since I first learned about Beast: like a visual novel with many branching routes, and only a few routes that feel entirely "right".
When I first read Dazai's Entrance Exam, I was struck by how unnerving the ending sequence in the abandoned hospital felt. Obviously, Kunikida's internal struggle over Sasaki's actions and motives is him still desperately clinging to his ideal world that does not exist, but the specific type of phrases he uses — "who is wrong?" "[who is] the cause of all this?" "there has to be an ideal world" "there has to be something, I'm sure of it" "There must have been something we could have done!" — and the framing of the scene in general, is eerily reminiscent of a bad ending in a visual novel, to me. There's a haunting, looming, bleak sense that a different outcome could have been achieved, if different decisions had been made, or if things outside of anyone's control had been different... and we know that this is true, because in Beast alone, Kunikida never goes through the Azure Messenger incident, because Dazai doesn't have his entrance exam. Hell, you could even consider the anime's version of the Azure Messenger arc an alternate timeline in of itself, if you really wanted to, long before we even arrive at season 5.
When it comes to Beast, this timeline has almost the opposite feeling of what I described above, that I've also encountered in visual novels: the idea of a "good route" or "good ending" that still doesn't feel quite earned, or as perfect as one would expect. Beast is presented as the "ideal" timeline purely for one sole reason: Oda is alive. It is the only timeline where he's alive, and keeping Oda alive is the ultimate goal Dazai wants to achieve, the only reason this timeline exists; therefore, disregarding all else, Beast should be the best timeline, because Oda's death is the greatest devastation in the series to date. We all want him to live, so why wouldn't the timeline where he does be the best one? And yet... of course, it isn't. Dazai is alone, and steeped in darkness and loneliness without Oda, and dies by the end of the story for Oda's continued living. Atsushi has Kyouka still, but he's suffering and more traumatized, and unable to heal while stuck in the mafia, and neither can Kyouka. Akutagawa is living a much better life in the ADA... but without his sister, and without what he has from his bond with Atsushi in canon, that isn't replicated in Beast. And Oda... Oda is alive, and he has his children and his novel, but there is a feeling that he is aimless, that something in his life is missing. He has everything he ever wanted, but all that means nothing without what he truly needs: Dazai, and his time with Dazai and Ango at the bar. In this way, things going well and us getting what we want — in this case, Oda living — goes against how it's supposed to be, the natural order, which is why it feels so hollow. In the specific visual novel I'm thinking of here as a comparison (again, shoutout if you know), there's an alternate ending that involves you inputting information you gain at the end of the game very early on in the game, wherein the protagonist now has memories of the future and is able to bypass and prevent all of the events that take place normally. This means that people who die or are hurt somehow in general are saved from that fate, and nothing bad ever occurs; everything wraps up neatly and nicely... but again, there's an undeniable, unsettling feeling of emptiness, of a victory that rings hollow, because what's the point if everything is simply handed to you easily, where's the sense of accomplishment, without any struggles to achieve said victories, or any growth along the way? How can it feel earned if one doesn't have to, in Dazai's words, "scream within the storm of uncertainty, and run with flowing blood"?
You can probably already see where I'm going with this.
This finale feels weird. Really, really weird. It feels too cheap, too simple, too unsatisfying. So much so, in fact, that for almost the entire runtime, as I was bombarded with resolution upon resolution one after another, I kept thinking "There's no way this can be real. Where's the catch? When is the "gotcha!" moment gonna happen? The "it was all a dream" reveal?". And this isn't just because I hated the writing, and that it really did feel like a fever dream watching fanfic levels of bad (actually, that's an insult to fanfic writers, tbh; they could do better) — no, it genuinely feels so incredibly fake. Even upon rewatching it and already knowing what happens, my brain still naturally keeps expecting some kinda of "sike, you THOUGHT!" moment to suddenly appear. It just.... feels "too good to be true". Dazai and Chuuya come out unscathed, and it's revealed that they were never in any real danger to begin with. Fyodor, one of our biggest threats, is dealt with supposedly for good (I say "supposedly" only because of the Jesus line, but if anything imo, I think that's just a hint that this won't be the canon ending in the manga, so in a sense he's going to "come back to life"), and Nikolai seems somewhat at peace with his death. The other biggest threat, Fukuchi, is also dealt with, and he and Fukuzawa get their final moment together of closure. Yes, Sigma is left in Meursault don't even get me started on how angry this alone makes me, and Fukuzawa loses Fukuchi, but overall, everything is portrayed in a positive light, and any negatives or losses are quickly glossed over. Everything is tied up nicely, neatly, and smoothly. ...And that is exactly what makes it feel so wrong, and hard to trust in.
I'm not sure if this will make sense, but to me, the finale is so incredibly poorly written that it almost feels.... intentional. It's so bad to the point of feeling self-aware in how bad it is, how unrealistically happy and convenient an ending it is. It had to end this neatly in order to rush to wrap up this arc for the season finale and not leave the last episode on a cliffhanger — which imo is chiefly the main reason it turned out this way, and, if this whole theory is true, Asagiri just used it to his advantage — and I'm not saying this was probably an effect Bones had in mind intentionally, I'm sure they just threw shit at the wall and went with whatever stuck, maaaaybe with some suggestions/approval from Asagiri, but the result is that you have a conclusion that contradicts so much of what was set up before and goes against so many character arcs, making some characters so out of character and even regressing in their development Dazai. I'm talking about Dazai abandoning Sigma, because he would never; hashtag #NOTMYDAZAI. Also Nikolai, Nikolai for most of that is so ooc I can't even begin to describe it oh my god. Everyone is OOC to a degree though lmao, and opens so many plot holes, to the point that it's impossible not to watch all that and get the feeling that it is subtly saying to you "did you really think it could be this easy? It feels wrong, doesn't it? It doesn't feel satisfying. It feels unearned." I find it incredibly interesting and suspicious in particular that they confirmed multiple theories people had about soukoku in Meursault: that Chuuya slowed the elevator's fall so that Dazai wouldn't die from it, that Chuuya slowed down the bullet so that it only penetrated Dazai's skin and not his skull, and that the both of them used Fyodor's camera angle to their advantage because they knew he wouldn't be able to see certain things from his view. I'm not saying that Asagiri trawled BSD twitter and tumblr after those chapters dropped for the most popular theories before the final episode was made lmao, there was no time for that (imagine though lol—), but I do think it's highly likely that he already had in mind exactly what theories would be made about these parts (I mean, the evidence for the gun scene was all there), and that Dazai rattling them off in his long monologue to Fyodor at the end is essentially him speaking to the audience and going "yeah, that's what you would predict, right? Those are the clichés, after all", much like him suggesting earlier that he can maybe bring Chuuya back to himself with a few moving words and the power of friendship, and Fyodor using the split personalities trope to fool Sigma. We expect these tropes to be true. Of course we'd fall for them, as Fyodor tells Sigma, especially if the evidence is right there. But Asagiri himself has explicitly said that he likes doing the opposite of what people expect. And so just because people predicted correctly with the three things I mentioned in this timeline... doesn't mean they'll be true in the manga's. Things happened how we wanted and expected it to, and everything turned out happily. So we can relax now, right? Everything will work out just as easily in the manga, right? Or... is the reason most of this finale feels so fake and unsettling and unsatisfying because it's meant to lull us into a false sense of security before all our heroes lose in the manga? Because deep down, we don't want an ending that's this simple, because we'd rather have a conclusion where our characters have struggled more and grown more and come out the better for it, and we know it?
After rewatching the episode a lot, and watching some other videos, and doing a lot of thinking, I am pretty confident in suspecting that the only part of this finale that is actually from manga canon, aside from Aya jumping off the building of course, is Fyodor and Nikolai's exchange after Fyodor leaves Meursault — specifically, them talking about Fyodor leaving Sigma behind, and their "new game" and Nikolai being excited at the prospect of it. This little conversation actually feels in character for them, and it's easy to tell this when contrasting it with everything that happens immediately after, wherein Fyodor is fatally stabbed, and Nikolai, completely at odds with what he was just talking about, just... stands there and watches Fyodor die while Dazai monologues lmao. I'm not sure if the helicopter is still a factor, but I would bet good money on Fyolai getting out of Meursault being manga canon, and that Dazai and Chuuya getting out as well and killing Fyodor + everything with FukuFuku, is part of the anime original ending, in order to wrap up everything positively. It makes much more sense if you think about, in reality (aka in the manga), Dazai and Chuuya still being left behind in Meursault (where they can eventually try to get Sigma), because none of it was an act and things did not go according to plan, and Fukuchi having an entirely different goal that doesn't feel so stupid and contradictory to his character, and Fukuzawa possibly dying — everyone seemingly loses, with Aya still being the last hope, perhaps by awakening her ability like we all speculated.
There's a youtuber I watch who covers BSD in-depth, despite being an anime-only (she reads the respective manga content after each season, though). Going into this finale, she knew about the fact that the anime had overtaken the manga, though she didn't know where the cutoff point was; despite that, however, she made predictions about what was from the manga so far and what was anime original, and it was almost entirely spot-on, based mostly on what she basically described as "anime original dialogue." She talked about how you can always tell when dialogue is veering into the realm of anime-original, because the sentences are very short, choppy, and slightly out of character, but generic enough to not be TOO out of character, and so that anyone can easily write said lines, even if they're not extremely familiar with the character like the original author would be. And when I heard this explanation, everything clicked — because so much of this finale has dialogue like that. The Fyolai scenes just feel peppered with it, around the lines I mentioned earlier, the Dazai dialogue does too, and ESPECIALLY shit at the end like Fukuchi and Fukuzawa exchanging the cliche death lines to end all death lines: "Are you there? I'm a little tired." "Rest up." That just isn't Bungou Stray Dogs. That isn't Asagiri. BSD is cheesy at times, yes, but it isn't like this; it's smarter. The dialogue is smarter, the explanations/plot twists are smarter, Asagiri is smarter, and the aforementioned youtuber I watched agreed. She's a pretty casual fan of the series, so if even she could pick up on these things, I think it speaks volumes.
I mentioned this briefly earlier, but this theory makes sense if you consider that this situation probably came about because of Bones wanting two seasons back-to-back when they did, and this arc being as long as it is. Season 3 aired in 2019, and I imagine Bones would have wanted season 4 in 2020, and might have then been willing to wait a bit longer for season 5 in order for more of this arc's manga chapters to come out — but then covid happened. Because of that, season 4 was delayed to 2023, creating the longest gap we've had between seasons, and I wouldn't at all be surprised if the delay made them want season 5 right together with it, after getting so far "behind", so to speak. S4 was announced in November of 2021, and roughly around that time, Asagiri was finishing up writing the plot of the DoA arc. If Bones came to him sometime in late 2021 and said they wanted two seasons now (so basically, one giant two cour season), Asagiri would know that not only of course would this arc not be finished publishing in the manga for a very long time yet, but that roughly 20ish episodes would not be enough to cover it all to the end, with this arc being longer than any arc the anime has adapted to date. Because of all this, and the arc manga chapters being nowhere near fully drawn to completion, he'd have to make a decision about what to do, and what to give Bones. Without ending season 5 on a massive cliffhanger that wouldn't be resolved for years until an eventual season 6, the only other option would be to rush towards an anime-original ending for the DoA arc.... and for Asagiri to take advantage of that, and integrate it into BSD's lore. Thereby creating a truly unique cross-media experience that utilizes the different mediums to create multiple timelines, that could make both the anime and manga interact with each other and become part of a bigger picture (not that you'd need to see both to get the full experience, mind you, just that it'd provide a little bonus if you did).... and would without a doubt be Asagiri's biggest surprise yet.
...I feel like at this point I'm starting to ramble, and my evidence become more and more incoherent and less substantial lmao, so I should probably end this post. 💀 Thank you if you've read this far, and hopefully it made some semblance of sense, despite not being structured very well; I know I promised at the start to try to be as objective as possible and curb my negative feelings, but I'm not sure how well I succeeded in that regard. If it weren't for the Fukuchi thing and the Fyodor hand thing, I probably wouldn't take how wrong and strange and bad the finale feels to me as serious evidence about it being an alternate timeline, especially since I seem to be one of the only people who actually hates all of it.... but combined with everything else, I am just so convinced of this theory being true. It started off as pure copium, but as more time has gone on, I fully, 100% believe in my bones (ha) that there is no way that finale is the same Bungou Stray Dogs I know and love, for so many reasons. It just isn't. It can't be. I know BSD better than this, I know Asagiri better than this, and I know that it's absolutely in the realm of possibility for him to cook up this whole scheme to completely blindside us with in the upcoming chapters, because that's exactly the kind of shit Mr. "Please Be Surprised!" himself would pull. If I end up being completely wrong, I guess I'm wrong, and you can laugh at me all you want then.... but I just know that ages ago people were teasing the idea of the anime operating on a different timeline from the manga, and I truly do think that only now are we finally seeing that idea come to fruition, as a setup for Asagiri going full-bore insanity with the Book in the upcoming arc(s). if I and the OP of that theory end up right, this will be the wildest time in the BSD fandom's history.
Like. I cannot even emphasize how hard they are trolling us at this point. Something is going on. Something is being cooked over there, the likes of which we've never seen before... and I don't think any of us are ready for it.
Oh yeah, and one last thing of note: both Fyodor and Nikolai here have their right arms hidden from view. Is that alluding to anything? I'm not sure. I also think that since chapter 110 was so short, next chapter will likely be 110.5 instead of 111, and if that's the case, this title spread could still technically be associated with the next chapter... wherein we might see this Fukuchi, who ends up wreaking havoc, right before he jumps to the timeline in the anime, as we see him at the end of the s5 finale.
I guess we'll find out on Tuesday.
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