#and i only started this game very very recently

[deerspherestudios]

Hii, sorry if there is something that is not well understood, I'm using a translator jej [My native language is Spanish]. I just wanted to say that I love everything about the game, Mychael is a character that really grabs you in a very nice way. I'm also very happy to know that I'm not the only one who likes things to go slowly, that it first starts with small feelings until it reaches a dark obsession [I really love it!] On the other hand, I hope there's no problem with me using Mychael as a little inspiration to create a character I'm working with to create a story. Attached is a little drawing I did, I love his work! ᐢᗜᐢ

Aaa thank you so much!! The drawing is lovely, I love your character; they're so cute!!!! <3 Good luck with your story!!

In terms of yan VNs, I feel like there's more variety these days (though I haven't explored any recent yandere visual novels in a while; they keep popping up like mushrooms! /j) but I'm happy the slow burn aspect in MO is something people enjoy!

[ohsc]

Imagine Sam with his daughter and she's dressing him up and doing his hair. You know those fairy wings you can wear, her forcing him to wear those and she's wearing a princess dress.

tysm for the request!! i’m a bit rusty so i feel like this kinda sucks and it ended up being much longer than intended lol but i’m loving this verse sm so much more to come :) | juno verse, single dad sam winchester x fem!reader, 1.5k, kid fic, fluff, not proof red, requests open only for juno fics

“Don’t laugh.” Were the first words out of his mouth when he opened the door and saw her stood there.

He had been trying to clean up the apartment when he knew that she was coming over after work — also in an attempt to starve off the giddiness, which hadn’t worked out either — when his daughter had attached herself to his leg and refused to let go until he played with her. Juno, he was convinced, had all of the stubbornness of a Winchester, and he’d rather just give in easily then peel her off of his leg and have a crying toddler and a messy apartment.

Y/N had been visiting more and more over the recent weeks, she had started to work herself into the little routine that he and Juno had been building, and it made him so soft. There hadn’t been somebody that he’d looked forward to seeing like that in a long time.

Her lips were curving upwards as she looked at him, lips pressed together in a clear attempt to not laugh at him. “…you look pretty.”

Juno’s recent game of choice had been dress up, which was honestly just a kinder way of saying she liked to hold him hostage and dress him up until she got bored. His hair was pulled into three pigtails, there were god knows how many butterfly clips up there, and he was pretty sure there were at least two stickers on his face somewhere.

“Thanks,” he rolled his eyes, stepping aside to let her into the apartment. He really tried not to stare as she stepped past, but she really was just so pretty. It would help if he didn’t have Dean in his ear whenever he called telling him that he clearly had a thing for waitresses. “My stylist got bored waiting for you, here.” Sam gently took her jacket from her and hung it up next to his own and Juno’s red coat on the hooks by the door.

“I’d say I’m sorry but I’m not, you look great.” She giggled, a hand reached up with the intention of touching his hair, but the shout of her name from down the hall took both of their attention.

She crouched down just in time to open her arms to the toddler barrelling down the hall towards her, almost slipping on the material of her princess dress in the process which made Sam wince.

“Hey, sweetheart.” She caught Juno in her arms with a tight squeeze, somehow not knocked to the floor. Sam was so immeasurably soft whenever he got to watch her with his daughter, how much she was adored by Juno and how much she adored her back. It was the most important thing to him, that his daughter liked her. And she really did — more than him, he thought sometimes.

“Oh I missed you so much,” she squeezed his toddler once more before pulling back to look at her, smiling as she touched the puffy skirt of her dress. “Oh don’t you look so pretty, Junie? I love your dress.”

“It’s sleeping beauty’s dress,” Juno informed her, smile full of pink chubby cheeks as she soaked up the praise. “Daddy got it for me for my last birthday, when I was three.” She held up three fingers to show her, somehow covered in glitter that Sam could only dread to think was in his hair.

“Well it’s very pretty,” she beamed, gently smoothing over a few wrinkles in the dress. “Are you dressing up daddy to match?”

“No,” she shook her head, tone firm as if it was obvious. “He’s a fairy,” as if she suddenly just remembered what they’d been doing she frowned and let go of Y/N, clumsily stepping around her to grab at Sam’s hand and tugged with far too much strength for her little body. “Daddy, not done.”

Sam sighed, eyes down on her as she tugged on his arm as if she could pull him down the hallway herself. She had turned her big puppy eyes on, the ones he could never really say no to. “I know, Bug, why don’t you let me make Y/N a coffee and then—”

“No,” she whined, tugging harder. “Now.”

The clouds were forming for a tantrum, it had been that way all afternoon, it’s why he’d settled for letting her play dress up in the first place. She always got cranky after pre-school on Mondays. “Baby—”

“It’s okay,” a hand touched his arm and he turned to look at her. “I know where everything is, I can make one. I did interrupt play time.”

“Thanks,” he breathed, ever grateful for how amazing she was with Juno. If he didn’t know any better, he’d have assumed that she had kids of her own. “Really, I’ll make it up—”

“Daddy.” Juno was whining louder, tugging his arm again, and he just let out a breath as he leaned down to scoop her up onto his arms, settling her on his hip.

“Why are you acting up, hm?” Not really annoyed, he knew she couldn’t really help it, he reached his free hand up to tickle at her side until she giggled. Satisfied that he’d successfully worked around a tantrum he led Y/N down the hall with his daughter on his hip, though she already knew the place like the back of her hand. If he wasn’t so nervous he would’ve invited her to stay the night already.

He watched her disappear into the kitchen to make herself a drink before he took Juno back into the living room, and returned to his spot on the floor where he’d been held captive for the past twenty minutes. The floor was littered with hair clips and tiaras and plastic shoes which he’d clean up when she went to bed, but he didn’t really mind the mess if it meant she was happy.

“Daddy,” she was pulling at his hair again, stood on his thighs, only not falling off onto the carpet because of his hands on her sides. He watched her reach for another hair clip, a glittery yellow butterfly, and tried not to wince as he felt it’s teeth scrape against his scalp as she shoved it into place. “Can Y/N play too?”

Juno had been attached to her ever since they’d become friends. It was sweet, endearing really. Aside from himself and Dean, the only other adults she really got to see were her teachers at pre-school. Juno really adored her, clung to her every moment she could. She’d come with Sam to pick Juno up from school once and she’d practically screamed across the playground when she saw her.

“If she wants to, Junie,” he hummed, holding her steady as she leaned to the floor to grab something else. “She had a long day at work, she might be tired.”

“I still play after school.” Her nose scrunched up in a way that made him smile.

“Waitressing is a little different to school, baby. It’s not very fun.”

Juno hummed like she was thinking about it as she scrambled off of his lap to reach into her toy box. “Then she should get a new job,” she settled on, tugging out her pink fairy wings from the crate. “A fun one.”

Sam nodded a little, smiling softly as he murmured, “I agree.”

Little hands pulled at his arm, and he leaned forwards like she’d moved him herself. The elastic loops of the fairy wings were a little small for his shoulders, but he didn’t complain about the tightness of the band as he helped her get them on him, worth it to hear her giggle when it was all done.

“Those look great,” he looked up and watched as Y/N walked into the room, two mugs in her hands, one of which she placed down on the coffee table for him. “You did a really great job, Junie, now he really looks like a fairy.”

The way she was smiling at him was making his face heat up. Jesus, he needed to get a grip.

“Can you play?” Juno clambered off of Sam’s lap again to head over to her, grabbing some butterfly clips from the floor on her way. “Pretty please?”

“Baby, I’m sure she’s probably really tired—”

“It’s okay,” she waved him off with a fond little smile, before she looked back to Juno. “I’ll play if you make a deal with me, sweet girl.”

Juno nodded furiously like it was the most important thing in the world.

“If you promise me that you’ll eat your vegetables with dinner you can dress me up however you like, hm?”

Juno beamed and nodded, her little pinky clunkily hooking around the one that Y/N held up.

Sam met her eyes over Juno’s head, mouthing a thank you that earned him a smile in return. God, he was smitten.

[galaxy-fleur]

What did you think of Leon and Ada's new relationship in the remakes? Meta wise

I think it's an interesting and more nuanced take on their relationship! Which I definitely like. I see no point in judging OG RE2's love story between them, no matter how cliché and nonsensical it is. It's a product of its time, and it's charming in its own cheesy way. Teenage me cried over Ada's death in there, so I do have a soft spot for it.

But the Remakes offer a fresh interpretation of what happened between them, and I'm definitely interested to see where they will take their relationship in the future (that is if they do, because I wouldn't mind them just having separate story arcs from now on).

If we're talking actual analysis, I'll put down my thoughts. I don't know if you can call it a full-on analysis per se, as it's more just me writing out my personal interpretations on things. So keep that in mind please!

Long post under the cut. I'm talking almost 4k words and way too many shitty gifs (I have no time to make them all polished). I have way too much to say. I'll basically be going over their entire relationship throughout RE2R and RE4R so... yeah.

RE2R and RE4R are two games that offer a full story for Leon's character, and that's a very awesome thing that Capcom has done. I'd even say it's one of the best things they've done with RE recently. Making RE4R feel like a direct continuation to Leon's arc in RE2R makes total sense, and it makes many scenes in RE4R that much more satisfying to play through.

While RE2R does end on a somewhat positive note (much like every RE game has to), Leon's arc in it is very much negative. He loses more than he gains, he's unable to save anyone, and his good intentions end up being used against him. Claire ends her RE2R story by saving a little girl she has come to care for. Leon ends his RE2R story by losing the G-sample, 'losing' Ada without getting much, if any, closure from her, and not saving even a single person he has encountered. Claire and Sherry don't really count in Remake-verse (which I kinda don't like) because their storylines mostly happened separately from each other.

And that's not mentioning that he gets (assumedly, and I am very much hoping we'll finally see more concrete scenes of how it all happened in Remake-verse) pretty much kidnapped and forced into a life he never wanted right after. To say that Leon can't get a break in RE2R is like saying nothing at all. Poor guy gets put through the wringer on every level.

Now, onto his relationship with Ada, and how it ties into everything... It should be said that, while he obviously grows to care about her throughout their short time spent together, he remains suspicious of her. RE2R Leon is naive, but I often feel like people make him too naive. He's not an idiot. He tries over and over again to get answers from her, and he clearly feels apprehensive with her. And I mean... that makes sense. While she does save him multiple times, she keeps her distance from him.

I'd say he starts opening up to her on an emotional level after witnessing Robert having to kill off his own daughter. He directly confronts her, demanding for answers and voicing his drive to do what's right. In a way, that's him showing his vulnerability to her. And Ada uses it against him. After all, it's a perfect opportunity to play on his (rather naive) determination to be the hero to help her achieve her own goals. Ada is also the only figure of 'authority' he has at the moment. Even if her claim of being FBI seems kinda off, she's the only one he has.

And I'll go over Ada and how I interpret her later. For now, just keep in mind that her using Leon is more of a gray area than just some horrible, disgusting thing. I'm just going over the events from Leon's viewpoint here.

So, they team up. Ada starts softening up to him. They share light banter with each other: 'A: After you. L: Gee, thanks.' She expresses concern over his safety (the alligator scene). I'd say that's the point where he starts to care for her on a more personal level from before. As you would.

Him taking a bullet for her was instinctual. I'd say it's a more pivotal moment for Ada's character here rather than Leon's. In Leon's case it's moreso her taking care of him right after that matters. He directly mentions it to her later on (at least I'm pretty sure his 'you protected me' referred to that). I'd say him waking up to find himself tucked in with her coat and his wound taken care of was the moment his 'I care because it's another person who's in this with me' turned into 'I care because I feel genuine attachment to this person'.

Was it romantic? I'd say that's left for you to interpret how you wish. I like to think of it as him just caring for her as a person. Leon is someone who cares very deeply for others, and he's always striving to be the protector to those around him. I kind of think that someone caring for him when he's weak and vulnerable is something that is very meaningful to him. Now, Ada saves him multiple times at that point. But that's the first instance of her arguably going beyond what's needed. Sure, taking care of his wound was necessary, although she could have just let him be as he was for all we know. But tucking him in on top of that? Yeah, that's an obvious 'I care' gesture.

From then on, Leon is following Ada because he wants to trust her. And I do want to ring this home. He wants to trust her. Doesn't mean he does trust her. Because even though he shows genuine care for her, it's clear that he knows she's might not be telling him everything.

He wants her to trust him, so that she'll tell him what she is keeping from him. So that he can trust her.

The kiss scene is a perfect representation of exactly that, I'd say. Honestly, I'll just link this analysis right here, because I pretty much interpret it in almost the exact same way. But I'll go over it in my own words as well.

Leon's growing frustration is in full display here. He turns around from her, he paces, he tries to appeal to her. To just trust him enough to be honest with him. It's clear that he knows Ada might not be telling everything, but he chooses to believe her regardless.

Hence the exchange that follows this:

Ada: 'Hey Leon, trust me?'

Leon, walking up to her: 'Trust me?' (Reversing her question)

Ada: 'Honestly, if I didn't, you'd probably be dead.' (A genuine answer as far as we know, but it's not one Leon wanted to hear, so he shakes his head, mutters 'Right.' and walks off.)

And I do feel like Ada knows that Leon is suspicious of her here. Her reaction once he walks off comes off as kind of panicky to me. She knows she might be losing him, and she can't have that. So, she once again appeals to what she knows is his weak spot. His drive to help others and 'save' the city. It does work. Somewhat. But he's still swaying, so she does the first thing she thinks of. She kisses him.

She, quite literally, cuts off his line of thought so he stops thinking about it. Because him thinking is dangerous for what she's really doing here.

I think it would be very disingenuous to say that that was a kiss of love or affection. It is not presented as such, nor is it addressed that way in all. It was Ada's last attempt at stopping Leon from questioning her any further. How much of it was her focusing on her goals, and how much of it was her effort to 'protect' him from potentially figuring out the truth, is left to your interpretation. But whatever intentions she had, good or bad, it was a kiss of manipulation.

It does shut Leon up, as he's visibly stunned. He doesn't even say anything at that. He just stares at her, then at her hand on his knee. Now, here's the tricky part of it all. Do I think Leon felt romantic affection/attraction to her here? On some level, I'd say yes. But it's definitely no 'love at first kiss' or anything like that. He's confused, mostly. While he spent arguably little time with Ada, it was a time full of meaning. Surviving side by side and protecting one another is no small feat. And Ada did show her care for him.

I think, he chooses to trust her in that moment, because he, once again, wants to believe in her. Even if her kiss felt out of nowhere, and so much of what she says (or rather doesn't say) makes no sense. He chooses to trust her because he wants to think that she's a good person who cares for him.

And so, we come to the pivotal bridge scene once he learns the truth. I do like how he confronts her in a blatantly emotional manner rather than logical. It's not so much about her being a mercenary itself, as it is about her using him and lying to him. That's what he's actually confronting her about, whether he realizes it or not. That's exactly why he tells her to shoot him, fully resolute as he holds her gaze. He wouldn't do that if he was just trying to apprehend a criminal like a good cop would (as he tries to present it at first).

But, he never gets that closure or resolution he was aiming for. Ada lowers her pistol. He breaths out shakily, probably wanting to continue talking, to figure this out. But he doesn't get that.

I do think Ada telling him to take care of himself as her 'last words' is a very painful thing for him. Because it leaves him with no actual closure on what happened between them. Ada chose to not harm him, and her last words to him are ones of selflessness. But she also lied to him and used his vulnerabilities to achieve her goals. And it's not like Leon knows anything about her occupation, and just how much she's involved with it on an emotional level. Maybe she's someone forced to do this against her will. Or maybe she enjoys doing such dirty jobs for all he knows.

That's the thing. Leon doesn't know. And that must be both frustrating and painful. He's basically left questioning all of his interactions with her, how much of it was genuine, whether she was honest with him at all.

And, most importantly, his time with Ada basically proves to him that his drive to protect and save, his willingness to give people the benefit of the doubt - is a flaw, and a weakness. It directly ties into his arc in RE4R. (And his relationship with Krauser, in a way, but I won't go over it here.)

He throws away her bracelet on the train, and I think that kind of shows that he chooses to believe in the pessimistic way of interpreting their time together. He throws it away because he doesn't want to hold on to something that reminds him of her. And, simultaneously, of his mistakes.

Now, let's go through the same events from Ada's POV, shall we? It's a bit more challenging, since we don't get to be in her shoes, but it's still a fun exercise.

Ada's initial interactions with Leon are ones of annoyance. She basically scolds him like a kid for always getting in danger and acts like saving him is a chore. But chooses to help him out regardless. I think it speaks of her humanity despite her line of work. It's an interesting dichotomy that follows her every single appearance pretty much, though not much is done with it (thanks Capcom). But yeah, despite her visible annoyance with him, she saves him time and time again.

She doesn't visibly soften up to him up until that same Robert scene. She's pretty observant from what we can tell, and she probably already had a good idea of Leon's righteous nature, but it's the first instance of her actively playing into it instead of making small snide comments about it ('Trying to save the world?' 'Good luck with that.'). That doesn't mean she doesn't care, though. It's subtle, but the little sighs and changes in her facial expression do show that she's at least a little bit conflicted at the prospect of lying to him on such a huge level (though you can't see most of it with her sunglasses).

It's one thing to say a passing lie about you being an FBI agent, and it's completely another to play the long game by using someone like that. But she needs to accomplish this task, and it already proved to be more difficult than she expected. Remember, Racoon City was Ada's first time dealing with anything of this sort, too. She might be a mercenary, but it's not like she had to deal with zombies and B.O.W's before that. She's out of her depth, and she has someone pretty much offering themselves to her as her assistance.

So, she takes the risk.

While she does join in some passing banter with Leon after that, she still keeps her distance. She's dry and mostly unemotional in her mannerisms. Remember how I said that Leon taking the bullet for her was more pivotal to her in the story? Let's go over that.

It would be disingenuous to say that Ada is a complex character, unfortunately. Most of the complexity she does have, we pretty much have to add on to ourselves. Hell, I'm doing it right now with this entire section! Capcom is doing a way better job with her in the Remakes, but she's still pretty flat as a character. Maybe this'll (hopefully) change in future installments. But for now, we work with what we have.

Either way, we do know that Ada is someone who's self-sufficient and chooses to work alone. She keeps her distance from everyone, and she lives by 'everyone for themselves' ideology. Basically, a total opposite of Leon's 'protector' role. All that to say... someone taking a bullet for her is definitely not something she would expect. On some level, specifically because she would never do that herself. Especially for someone she basically just met. But Leon risks his life for her. Furthermore, telling her to go ahead instead of anything else.

I think that's the moment Ada starts caring for him on a personal level. Maybe she feels like she should repay him for this. Or that she owes him a debt. Regardless, she takes care of him and tucks him in, before proceeding further.

That care only grows once they reunite. Now she's the one injured, and he takes care of her, despite her protests: 'I can do it myself'. Ada is self-sufficient, but Leon offers her his companionship time and time again. We don't know whether that's something she lacks in her life or not. We don't know enough of her as a character to say that. But she's obviously someone who's not used to getting help from others. Again, on some level, because she doesn't do that herself.

Remember, while Ada did save Leon numerous times before, she always acted visibly frustrated by it, like it was a chore she was forced into, despite her choosing to help him herself. Leon, on the other hand, is quick to offer and insist on helping out, very much eager to do that for her. She already made the choice to use him, but now she learns that he's a genuinely good person with a kind heart, and not just some stupid naive rookie.

And so, the kiss scene, again. I already said that her kiss feels like a last-ditch effort to stop Leon from questioning her any further. And I do think she acted on impulse. Thus why she follows up with a hand on his knee and the: 'I'm counting on you'. And I, personally, think she kind of regretted doing that right after. Or maybe felt extra conflicted about the whole ordeal as a whole. The way she slouches and sighs heavily once Leon leaves is very reminiscent of that. It's kind of a mix of 'Fuck, I messed that up, didn't I?' and 'What the hell am I going to do after this?'

It also should be noted that Ada never meant to tell Leon the truth. It would be convenient for both of them. Leon would feel like he did something good, and she would complete her mission with no further issues. Both sides win. But... things go haywire. And she's confronted with the consequences of her initial choice to use him.

It'll be silly to say that Ada doesn't care for Leon. If she truly was this heartless mercenary some would like her to be, she would shoot him on the spot. Her pistol being empty doesn't really matter, either. Leon was basically offering himself up to her, again. Even without any bullets on her hands, she could have easily knocked him out or something.

But, she can't bring herself to hurt him. Because Leon really is a good person that doesn't deserve that. And she knows that, and she cares for him on a personal level on top of it all. We don't know what she was going to do, before Annette shot her. Maybe I'm actually talking out of ass here, and she really was planning on knocking Leon out cold. But, we'll never truly know.

And her last words for him are to take care of himself. Because, in a way, Ada, more than anyone, knows just how selfless Leon is. On some level, it's a wordless 'I'm sorry', if you wish to interpret it that way.

Boy, was that a lengthy mess! Their first introduction to each sure was tumultuous. But we still have RE4R to go through! Though it'll be more about Ada than Leon.

Nevertheless, let's talk about Leon's interactions with Ada. I think we all know he's noticeably harsher and colder to her. It's an interesting change, and it does show that he feels resentment towards her for what happened in Racoon City. We don't know how his initial conflicted feelings morphed into this resentment, but they did.

I don't think nearly enough people mention that he's genuinely being very damn rough with her in their little sparring session. While yeah, you could make an argument that he's holding back, he's not being careful either. Ada has to put in actual effort to fight him off, which she doesn't even succeed in because he takes her off-guard with his intensity.

And he also puts the sharp end of his dagger to her throat. Just to rub more salt into the wound.

I don't think this was him wanting to hurt her or threaten her, though. It was more of a show of strength. Ada approaches him by taunting him and teasing him, like she can do whatever she wants to him. But he's not that same naive rookie anymore. And he shows her exactly that.

A kind of: 'Don't think you can play the same trick on me twice, or you might get burned' message. A message that I think Ada does get.

As for him smirking at her, I don't think that's him being 'happy' to see her or anything. I think that's just him being amused that she still thinks she can play him like that. He grows all cold and distant with her right after.

Leon obviously has a grudge that he hasn't let go of. I actually like how he's almost needlessly petty with her in RE4R. Making snide remarks, calling her heartless and dismissing her on numerous occasions. It shows that he does care. If he didn't, he would cooperate with her with no further complaints on his part. He's purposefully being cold to her to show that yes, he is still upset about what happened, and he will use every opportunity to demonstrate exactly that. It's petty and kind of childish, in a way. But it makes sense for him, and it adds extra flavor to their relationship at this point in time.

Though, he does offer an opening to her in the boat.

'Have you changed, Ada? Or are you trying to use me again?'

It's a good parallel to his: 'Trust me?' In RE2R, and both phrases are used for a similar purpose.

He gives Ada an opening to trust him and be open with him. One that she doesn't take, again: 'What do you think?'

She gives him no answer. Just like she didn't in RE2R. I think, in a way, that kind of gives Leon an answer by itself. He trusts Ada and relies on her when push comes to shove, but he doesn't give her any more openings from then on. I'd say that's his 'I think we both know this is where we go our separate ways' moment.

With Ada, things are way more complicated, in a good way. Separate Ways gave us so much to work with, and that's amazing.

Throughout Separate Ways, we see Ada bouncing back-and-forth on what she wants to do. She's initially very cold and resolute in her job, helping Leon out more like a passing convenience than anything else. She does still help him, though. She's still dealing with the dichotomy of what she presents herself as, and what she actually acts as.

I really like her confrontation with Luis in particular. She's cutthroat and blunt. Almost chillingly so. And she only relents once Luis mentions her own infection. Him telling her of Leon's infection has little effect.

'And why does that matter to me?'

I think that's a question she's asking herself just as much as Luis here. Though, she's still in her cold, self-sufficient mercenary role here. To be honest, I find her relationship with Luis in particular much more interesting in RE4R, but since we're talking about her and Leon here, I'll just say that Luis is the catalyst to her change (so to speak, Ada doesn't really change as a character per se, I'll elaborate on that later). Not Leon.

She confronts Leon face-to-face, quickly being met with the truth that he is not as easy for her to push around now. And I do think she has zero bad intentions there. She was genuinely just playing around and teasing him. Only to figure out that that approach won't work at all. It's kinda cute, honestly. So, she gives him an opening of her own instead. She tells him to leave Ashley, to prioritize his own safety over hers. Because that's what she would have done in his place. Leon is quick to shut that down. Something that Ada probably expected, as she just huffs and gives a knowing 'Right.' to that.

That's the moment Ada knows Leon hasn't changed. Not really. He might be colder, more ruthless and dangerous, but he's still that same guy, wanting to protect others, no matter what. She knows she'll have no success in swaying him at that point. Hence why she tells him exactly that on the boat later.

The next pivotal scene, I'd say, is her watching Ashley wake up and learn of Luis' death. Ada mostly treats Ashley like a nuisance, something Leon has to protect. Because that's his job. But in that moment, she sees the genuine connection they share with each other. She sees that Leon cares. And not just because Ashley is an innocent person he has to save, but because it's Ashley.

Ada's arc throughout Separate Ways is not that connected to Leon, which is a good thing. Similarly to Leon concluding his story from RE2R by saving Ashley and proving to himself (first and foremost) that he can protect someone he cares about, and that his humanity is a strength, not a weakness, Ada learns to accept herself, too. She's visibly conflicted at the start of SW, but by the end of it, she knows what she has to do, and she made peace with that. Her hesitating before going against Wesker in the facility is one of the last moments of her hesitating with her intentions.

But, again, that scene is more about her and Luis. Luis is very important to Ada's character in SW, and I think that's neat.

While the scene itself is kinda awkward, her encountering Ashley during the final battle is another arguably important one. Her watching Leon and Ashley before that was about her witnessing Leon's care for her. Now she sees that Ashley fully reciprocates that care. They are on equal ground with each other.

And so, the final scene between them. I already said that Leon settled on his answer concerning Ada before that. But Ada makes one final opening to him. It's a selfish one. After all, what exactly would happen if Leon agreed to come with? Would they just leave Ashley to die and fly off into the sunset? On some level, I think Ada knows that what she's asking is unrealistic, especially for Leon. But I think it also speaks of her progression throughout Separate Ways. Ada learns to be more genuine with herself, even if it means being selfish or asking something that she knows will be rejected.

So, she shoots her shot one last time. Leon gives his answer. Ada is not surprised by it. But she is visibly upset by it. She knew it was coming, though.

So, they do exactly that. They go their separate ways. At least for now.

[teabeexo]

Would you recommend Our life? Obviously this is a pretty stupid question but I’ve done some research on it and it seems pretty good!! Is there anything specific about the fanbase or plot I should know about it before I get it? :]

Hello lovely!! Yes, I would completely recommend Our Life! Even though a lot of the fandom has only played OL:NF, the OL game that is currently only out in a demo, I personally started with OL:BA and I do not regret it! If it gives you any perspective on how badly it had me in its grasp, I had over 300+ hours by April (and I bought it November of last year). All the characters are fantastic and very real. The representation in the game is also amazing. Words cannot express how much I love this game.

in terms of fanbase, and some might disagree with me here, it’s relatively stable. Actual arguments seem to be pretty small and contained. There was a big fandom shake recently with something that went down, which was one of the biggest fandom-wide ordeals I’ve seen while being in the community. I’m in the GB Patch Games discord, and most small spats there are dissolved before it can get too bad. This is speaking completely from personal experience, but I would say most of the hostility exists around characters (because there are some characters that people love, while others hate them), but it’s nothing that can’t be brushed off. GB Patch herself has handled issues, but the fandoms opinions on how they’re handled is up in their air. By that I mean, a lot of people have varying feelings. Im sorry if this is very vague, I just want to be broad because there truly are so many opinions and it’s hard to capture them all.

My experience has been very positive overall. One of my current closest online friends was made through this fandom (via the discord)! Most individuals are very kind and respectful, and the diversity in MCs is fantastic!! If you ever need/want to talk about your MCs (or just the game in general) with someone, I’m here! I love it <33

I’d say there’s not any particular warnings for either game — especially since one is incomplete. I’m aware that the details of Cove’s parents (OL:BA) can be triggering for some, or make them uncomfortable, but it’s not fully dived into until a Step 3 DLC moment, so it’s avoidable. One of the love interests, Baxter, also has canonically bigoted parents, but we never see them and Baxter does not hold their views whatsoever. For OL step one, there’s a lot of discussion of divorce and emotion distress that comes from that, so if that’s alarming just be wary!! OL:NF is very much mostly fluff and comfort and setting up characters right now, so if you decide to the play the demo I don’t think there will be any issues there.

It’s very possible there are things I missed, so if anybody else has things to add, feel free to!

IM SO GLAD YOURE INTERESTED AHH!! If you decide to play, I’d love to hear about it! If you want me to go more in-depth on anything, let me know and I will gladly do so. Consider giving the games a shot!! Thank you!

[deltaruminations]

quick breakdown of what i think The Legend (as told to us by ralsei) might be communicating, since i don't think i've actually laid out my thoughts on this before

Once upon a time, a LEGEND was whispered among shadows. It was a LEGEND of HOPE. It was a LEGEND of DREAMS. It was a LEGEND of LIGHT. It was a LEGEND of DARK. This is the legend of DELTA RUNE

this first section is just serving to establish broad themes and symbols relevant to the story. it's scene-setting, and suggests an origin for the legend ("whispered among shadows").

For millenia, LIGHT and DARK have lived in balance, Bringing peace to the WORLD. But if this harmony were to shatter... a terrible calamity would occur. The sky will run black with terror And the land will crack with fear. Then, her heart pounding... The EARTH will draw her final breath.

we know as of chapter 2 that this part describes the Roaring, and vaguely gestures at its cause (the "harmony" between light and dark being "shattered"). in a normal RPG "prophecy," this would be describing the Terrible Outcome that the heroes are destined to prevent.

the part that confounds theorists is how it seems to contradict the next bit, which more or less directly states that the three heroes of legend won't even arrive until after the Earth has died. what this implies is that the Roaring already happened before the game even started. if we're doomed from the start, then what's the point?

if we say that this is a "second take" of the world, then this is actually internally consistent. the Roaring did, in fact, already happen in a different "session" or instance of deltarune's story -- maybe it happened in this timeline, and the timeline was recently reset, or maybe it was a different timeline from which this one was spun off. either way, the world was given a second chance to stop the Roaring, but this only became possible after it had already happened (at least) once.

if we put stock in the idea that gaster wrote the Legend (as it's told by ralsei), we could speculate that this part of the Legend isn't actually prophetic, but rather based on some kind of prior experience, whether because he saw it from the outside or experienced it first-hand.

Only then, shining with hope... Three HEROES appear at WORLDS' edge. A HUMAN, A MONSTER, And a PRINCE FROM THE DARK. Only they can seal the fountains And banish the ANGEL'S HEAVEN. Only then will balance be restored, And the WORLD saved from destruction.

this is, of course, setting the scene for our current "session" and laying out the basic goals for the rest of our journey (or at least, what those goals are *supposed* to be).

under the "take 2" interpretation, this is the section describing the world's second chance. the Roaring is fated to happen, and indeed already has, in a different "session." without intervention, the Roaring WILL happen, by default. so the Legend hasn't simply tasked the heroes with preventing a calamity that theoretically COULD occur, but rather with changing the very fate of a world that is supposed to be DESTINED for that calamity.

"Angel's Heaven" could be referring to some end-state of a Roaring'd world, but it might refer to something else, depending on who or what we think this "Angel" actually is. if we consider the Angel some kind of demiurge, creator figure, or even author stand-in, then "heaven" could even refer to the story itself, whereby the narrative described in the previous section -- the one that prescribes a "fated" Bad End -- might itself be the Angel's "Heaven." it's a world of the Angel's design, that follows Its will; "heaven" in this sense might not refer to the specific quality of someone's Happy or Good Place, but more generally to the Angel's holy domain -- Its sphere of control, or maybe Its sandbox. to prevent the Roaring and change the story's ending is, in a way, to "banish" that story and replace it with a story that the Angel didn't design and can't control -- a story of profane (or perhaps "hellish") origin, which happens to be consistent with gaster's roles as both Actual Satan and the possible orchestrator of the current "session."

Today, the FOUNTAIN OF DARKNESS- The geyser that gives this land form- Stands tall at the center of the kingdom. But recently, another fountain has appeared on the horizon... And with it, the balance of LIGHT and DARK begins to shift...

and of course this is just setting up chapter 1 lol

anyway that's all. thanks. bye

[jamstreak]

well, i’m glad you’re still here

[bardicblast]

Van der Linde Isaac - "CoS is actually a western" is such a concept ever since i saw somebody pointing that out i kept thinking about it

i rant about the redesign a bit:

so i went ahead and redesigned him to fit the rdr2 setting entirely, i cant give him a full on wolf arm, so i gave him burn scars on his face, that he hides all the time with a scarf or a bandana. hat in the back to replace the hoodie's shape. he is most comfortable using the rolling block rifle plus a knife. he would probably play a lot of five finger fillet.

plus, he gets his arm blown off at one point (not from finger fillet!! i swear), probably during the saint denis robbery, then dies during the guarma chapter, bc there is no way he would survive longer than that

also i cant have him choose sides at chapter 6 when i know he has blind loyalty

[cyrusthedragon]

I seriously still think this is 100% one of his honest emotions. Like. He was PLEASANTLY SURPRISED.

Baby went: 😲😲😲 WILLIAM!!! 😃😃😃

If you are THIS happy to see your enemy, then you're no longer enemies, folks. You are GAY.

Check the tags

[do-you-know-this-adhd-character]

Do you know this (noncanon) ADHD character?

Evidence below the cut!

can be pretty hyperactive, forgets things regularly (even important things, forgot he turned into a heartless in kh1), distractable, later on he seems to have some problems with emotional dysregulation. hes constantly called lazy by his friends but as soon as hes doing something he likes he has all the energy in the world, and also tends to dismiss his own intelligence despite actually being pretty smart, both of which are things that i think are decently common with undiagnosed adhd

[solradguy]

Always a little jumpscared going through old (<2005) USA gaming mags for Guilty Gear reviews and seeing decent scores and nice things said about them lol

[art-from-the-juice-box]

hiiii heres my qsmp stuff from my ipad :) its all really old now i don’t have anything during or purgatory since during is in my sketchbook and after that charlie only streamed like one more time before the server imploded and id moved interests in like october

they’re in chronological order from oldest at the top to newest at the bottom- and the tallulah and chayanne designs are so old that if i redrew them now they would look completely different lmao. (they’re also so old that i spelled tallulah’s name wrong lol) those are from before we knew all that much about them (at least for tallulah, i think for chayanne i just hadn’t watched enough streams) but the canvas next to it that didn’t pass the cringe test does have chayannes skull mask so i fixed that part RIGHT after that drawing lmao. the election doodles are from during the winner announcement stream and the charlie glitches are from the evening that stream dropped i watched his pov live and then watched cellbit and phil’s perspective afterwards while doodling it :) watched a lot of tubbo for a bit since he was always live when i was up and before anyone else went live so there’s frubbo as well :]

[skunkes]

really truly genuinely in top 5 of favorite character designs of all time

[karamell-sweetz]

this is suuuch a stretch but now that the wonderland sekai has a confirmed ocean and islands i ALMOST want them to accidentally sail into the empty sekai’s body of water and freak out.

if that’s even possible in the lore. idk i haven’t read a good portion of the vsinger events where they talk about the lore soooo

but like… think about it. after they finish the first round of world link events for all the units i have NO idea what they’re going to do with that event type. coincidentally the vsinger wl (estimated for august) is in line with the 4th anni, and it sort of makes sense that the sekais could potentially connect and lots of stuff happens before 5th anni (usually a good milestone if i’m going off bandori). the only good scenario i have in mind is yk… GROUP SHUFFLES! SEKAI COLLISIONS OR SOME SHIT!! MULTI GROUP COVERS which i know they said they weren’t going to do unless for special occasions but like??

and also im aware that pjsk as it is is actually doing pretty well without doing group shuffle covers and stuff like bandori (by this i mean like the general election special songs like catastrophe banquet) and each of the groups don’t actually NEED that connection with the other groups… but come on. it’d be neat.

*noclips through the floor*

[sipsteainanxiety]

mha nation how yall doin

[goldensunset]

nobody has the relationship i do to the sinnoh games. no one else on this earth has had my particular specific experience

[dungeons-and-dragon-age]

I like doing comparisons for myself sometimes of my first drawing vs a more recent one (vs their in-game appearance) so. might as well put one here :] Plus bdays for all the kids, based on the earliest save files i could find <3