#and isnt that a tragedy

[feelo-fick]

does chilchuck get an cunty outfit like marcille did or does he stay in his usual outfit? (im assuming he becomes the master of the dungeon in the tragedy au) because i think he deserves one, let him have a funny outfit

no clue what you mean by "master of the dungeon" -- but chilchuck is on vacation , so i dont imagine him wearing anything super fancy. just whatevers comfortable + presentable enough :D his usual outfit is for work , so thats out of the question, of course.

(inspired by @cabinette's dm chilchuck design :D)

[biblically-accurate-dca]

if you met an alternate reality version of yourself that was better than you in every single way would that be fucked up or what lol

[threebea]

Rewatched Return of the Jedi and forgot how Han and Leia's romance sets up what unselfish love looks like to compare with in the prequels and also gives us context why love can be dangerous for a Jedi.

(Note: this isn't an!dala bashing I like an!dala)

With Han! (Yes! Han the non-Force sensitive.)

Han, we must remember has been out of the loop because of his Carbonite freezing, but even so he wakes up to: someone who loves you. Before that he had Leia declaring: I love you!

He gets very clear signs from Leia that she is in love with him. Like. Very clear out loud signs. In the Ewok village when they reunite they hug.

But he's still jealous of Luke.

So when he finds Leia crying after Luke says he's leaving to face Vader and that he's Leia's brother, his first reaction is jealousy. He gets mad when she refuses to tell him what's wrong. He accuses her of being able to tell Luke but not him, implying obviously she thinks Luke is more important to her.

His fear she doesn't love him back makes him angry.

You can see how it could lead to hate, this kind of situation. Hating Luke and Leia two people he adores because he thinks they're together, which would lead to him suffering unable to let go of his feelings for Leia and Leia suffering from his anger as well. He could destroy all their relationships with his anger, and he's just a normal non-Force sensitive guy.

And Luke and Leia aren't even a thing. He's just assuming! He's letting his emotions control him.

He's about to stomp away with a: bitter forget it! As she sobs.

But he stops! He stops giving into his negative emotions and he goes back to comfort her without demanding answers. He holds her because he loves her. He lets go of his negative emotions and possessive jealous feeling. His love is stronger than his fear.

Then on Endor he point blank asks her if she loves Luke. She answers Yes, not realizing unlike the Skywalkers he didn't get the memo from the Force about the family stuff.

And he is disappointed, but he says he'll step aside. He loves Leia and he's willing to let her go for her happiness.

That's what romantic love without possessive attachment looks like. He loves her. He puts his own initial negative emotions aside.

-

I always wondered why as a kid this was the romance I liked out of all other movie romances. (Usually I hated romance in things.)

At first I thought it was because there's not a lot of emphasis on it, but now I realised when Han has all the opportunities to do the classic Alpha Male stuff, he doesn't. In other movies he would have walked away and let her cry by herself to make drama. Have the stakes higher. They'd get together in the end but it would be after Han does something heroic and Leia throws herself at him or something. Which would make Leia a prize even though she never had to be.

But Return of the Jedi cuts through it. Han comes back, holds her even though she might not love him. That's incredibly powerful. That moment he holds her and apologizes and lets her cry and is there for her despite his jealously. Even now it's pretty refreshing considering the archetype people associate Han with.

And Han doesn't heroically save Leia to win her. They get held up. She has her gun ready to blast their attackers. They smile at each other. That's the moment he says the words I love you out loud. When she is about to save them.

It's obviously contrasted with Anakin and Padme.

Once again it is very clear how Padme feels. They both verbally reinforce their love for each other.

But Anakin isn't thinking of what Padme would want or asking what she would want. Through out the movie he's obsessed with the idea of her death. Letting himself be corrupted and ultimately killing people so that he doesn't have to feel losing her. Unlike Han, he puts his negative emotions and possession of her above his love for her.

And just like Return of the Jedi is different for Han coming back and holding her, Revenge of the Sith is different because usually movies emphasis all-consuming love as a good thing. Love so strong you would do anything to save them is shown as being selfish in RotS because Anakin does it. He does anything and everything. He makes himself unrecognizable.

He will stop at nothing to keep her. And then the moment he thinks Padme herself is the one trying to take herself away from him. When he thinks she's chosen the other side or Obi-Wan or however you interpret the moment and not him, he doesn't let her go. He doesn't love her enough to see her happy, he attacks her. That's what attachment does. It isn't about the love he truly feels for her, it's about the fear of losing her. His negative emotions ruling him. He lashes out and hurts the person he's supposed to be saving because it was about him, not about her. She became a prop. An icon of his fear of loss.

He wasn't acting on his love when he joins Sidious, he was acting on his fear. It is a selfish moment and ends in everyone suffering.

I can see why there was supposed to be more of a love triangle with them and Obi-Wan in the earlier concepts just to heighten the contrast with Leia and Han.

Han accepts that Leia chooses Luke (even though she didn't). He says he'll let her go to be happy.

Anakin accuses Obi-Wan of turning Padme against him (even though he hasn't). He attacks her when he thinks she's going to leave him.

Anakin's love by itself has never been the problem. It's what love so easily can become if darker emotions are controlling you. The Jedi forbid these kind of relationships because of the powers they hold and how easily love can turn to fear, anger, hatred, and suffering. And because they have powers most do not, how devastating that can be. Jedi learn emotional regulation so they don't get overwhelmed and hurt people. Palpatine made an effort to chip away at those teachings by using Anakin's trauma against him and encouraging him to dig into his negative emotions. That he's right for indulging in them and that it's human and normal to do so.

Sidious tries to do this with Luke. He's taking Luke's love for his friends and emotions and trying to get him to strike him. Use his fear to put him on the path to the Darkside. To give into his hatred and violence.

Then Luke remembers the cave. Killing Vader would be to kill himself, just as Anakin had once done. Winning the fight would be losing his soul.

He lets go of his fear for his friends and his hatred for Sidious and he refuses to fight. He sees the only way forward is love. That when Yoda said he must face Darth Vader before he can be a Jedi this is what he meant. In facing Vader he is facing his own darkness.

This is all to say the Jedi teaching doesn't only apply to Jedi. (I mean it's based on real world practices it's not just fantasy nonsense). But it makes sense that it's very important for Jedi.

This is also why I prefer the release viewing order. It gives a lot more context to the prequels that can get lost in the shuffle. Rather than trying to make prequel concepts fit for the OT, OT concepts are actually being expanded on in the PT. Looking at it the other way around is working backwards from the true starting point.

Tl;dr: Han shows what love without attachment looks like.

Thanks for coming to my blorbo talks.

As always YMMV.

[getougender]

actually i am now actively rooting for jjk bad end. not necessarily a total loss, but like. pyrrhic victory. god can u imagine. yuuji and everyone else vs sukuna and megumi seizes control at the last moment before he dies in front of yuuji in a reflection of the cursed womb arc. curses still exist. yuuji winds up as one of the last surviving members of his generation, detested by the higher-ups but respected by his peers, and takes up a mentorship role. not as a teacher and not a complete loose cannon, but something between nanami and yuki. he exorcises curses and protects people—civilians and young sorcerers alike—where he can, but it’s like he said: he’s a cog. it’s his job. the cycles. The Cycles.

[haunted-xander]

One thing I really love about Marcille is that despite her deep fear of outliving her loved ones, she never, never let's it get in the way of her making bonds and getting close to people. She loves deeply and strongly and she doesn't try to supress that! She embraces it wholeheartedly! Her friends are so important to her and she's not ashamed or scared of it!

Actually, out of all the characters, I'd say Marcille is one of the ones who care the most about bonds of friendship. She's angry at Namari for leaving after Falin got eaten and holds that grudge up until Namari helps defeat the Undine (and therefore having 'proven' herself). She's shocked and upset when Chilchuck explains his policy of payment and that he's not really here bc of friendship. She puts a lot of focus on the party being a Group Of Friends rather than a team of hired hands dedicated to the specific role(s) they are paid for. Which of course makes sense since she joined the party to begin with because of her friend! To her, the party has always been 'Falin and her brothers' friend group' rather than a hired party. (A little reminder: Marcille was the most recent member when the story starts. She never met the previous members who left so the team of Laios, Falin, Chilchuck, Namari and 'Shuro' is what she's always known it as.)

When she becomes dungeon lord, the thing that manages to snap her out of the Winged Lions grasp is the earnest care and love her party is showing her. Literally 'power of friendship'ed their way through the Lions hold and gave her her clarity of mind back.

And!!!! At the end of the feast right before they're about to attempt to revive Falin again, she says!!! this!!!!

She's ready to accept that Falin might not come back, even after everything. The entire story she's been running away from death, from having to outlive her loved ones (in this case: Falin). But here she is, ready to let her stay dead if this last attempt doesn't work.

And it's not giving up. It's realizing that she did all she could, and that it's okay. Because she still got to meet and be friends with Falin. That time with her might be just a speck in the length of life Marcille will have to live still, but it still happened and that's what matters.

It's not about escaping death; it's about cherising the moments before it.

[lovesickeros]

☆ de fontaine

{☆} characters furina {☆} notes cult au, imposter au, drabble, gender neutral reader {☆} warnings angst, suicidal thoughts, hurt / no comfort {☆} word count 1.4k

This wasn't fair. This wasn't fair. This wasn't fair!

She thought, for one moment, she could put the mask down and breathe – for one moment of daydreaming, she thought she could just be Furina. She thought she would finally get to live the live she should've had in the first place, the life she threw away to play God to an audience who saw her as nothing but a circus animal, dancing to their whims. Furina just wanted to be selfish for one brief and fleeting moment..and it was gone before she could even grasp it in her hand. A comet soaring past far out of her reach.

She can barely keep her hands from violently shaking as she looks down at them – broken and bloody and more a corpse then a person – and she feels so numb she can't even feel the rain pelting against her back. None of this is fair, she wants to scream, why is it always me? But her voice is silent beneath the torrent of rain. She wonders if the ocean would take her if she sank into it's depths – just for a moment, she wonders how it would feel to finally be able to sleep at ease.

Furina is tired.

But Furina is nothing if not useful, isn't she?

So she forces her feet to move, dragging against the stone beneath her heels, and drags their bloodied body into the nearest empty building, letting the rain do the work of washing away the smeared blood following her path. The smell makes her feel sick, the feeling of it sticking to her hands and gloves makes her lightheaded, but she persists. Because Furina is useful, because Furina won't let them die out in the rain, because Furina won't stand by and just let them rot on the streets like some..pest.

Furina wants to go home. She wants to sleep and she isn't she if she wants to wake up, this time. But she keeps going anyway.

Because it's all she's ever done, and the habit sticks.

An Archon she may not be, not anymore, but the expectations of five hundred years still linger like eyes on the inside of her skull. They watch her, pry and prod at her thoughts, mocking laughter and judging eyes following her as she forces herself to dance to the song they weave with glee. Furina never stepped off that stage – she's still there, she thinks, watching the crowd stare at her in disdain as the curtain call looms above her like a guillotine. She still hears Neuvillette deliver her damnation and salvation with a trembling voice, still feels her hair stand on end when electro crackled like the crack of the whip, Clorinde's blade aimed at her like a loaded gun.

She's trapped on that stage and she never left, not really.

She hates it. She thinks she hates them, but it's not their fault. They didn't ask for this, didn't ask for everyone to turn against them, didn't ask for her to save them. Neither did she..yet here they are, she thinks.

She tries to tell herself she's in control this time, though. She can stop performing her part in this horrible, bloody play any time she wants. It makes her feel better, just for a little while, if she convinces herself she's still Furina, painfully human.

And Furina has always been good at lying.

It's the believing that's the hard part.

There isn't time for her to wallow in her own self pity, though. They're still bleeding out onto the dusty, creaky floorboards of some random, broken down house and she's just standing there as the blood stains the wood. She can fix it – she's good at fixing things. She's done nothing but fix things – try to, anyway – for five hundred years. She can fix a little wound, how hard could it be? Her hands are clenched so tight they ache as she kneels down, wincing at the creak of the floorboards beneath her heels– she hesitates just long enough to wonder if she's making a mistake before she peels away just enough of the outer layer of their clothes to see the deep, bloody gash across their chest. She tries not to think about it – it's deep, too deep, and she feels dizzy just looking at it, but she's handled worse, right?

Furina can fix it. That's what she's good at.

She doesn't feel so confident when she tries to wrack her brain for..something. Five hundred years, and a little wound stumps her? No, she had to have learned something, right? She's decidedly not trying to buy time because she's panicking, parsing through hundreds of years of memories like flipping through a book. Furina isn't made for this, not really – she's running on nothing but adrenaline and she's really not sure what she's doing, but she's trying. And just like before, it won't be enough, will it?

She'll fall short again – she'll be too late to fix it before she's alone again.

Furina was an Archon..used to be. What use would she have for that sort of knowledge? Which makes her predicament all the more harrowing and bleak. What was she supposed to do?

Furina had heard it first hand, that vitriol in Neuvillette's voice. She isn't sure she's ever heard him that..angry before. She's not sure he would listen to her if she tried, either. And that scares her more then anything. All of Fontaine was up in arms about this..imposter, yet here she was, staring down at them bleeding out in front of her, and she was trying to save them.

Why? Why is she throwing away her only chance at normalcy for a fraud? Why didn't she just turn them in?

They were dying – that should've been a good thing, shouldn't it? So why didn't it feel like it?

"Why you?" Her voice breaks as she speaks in harsh tones, grabbing the front of their shirt in trembling, bloodied hands. "Why now?" She wants to scream, to demand answers they can't give, to claw back the reprieve she was promised after five hundred years of agony..and all she can do is sob into their chest, pleading for an answer that will not come. "Why me?"

Silence is their answer, and it hangs heavy on her trembling shoulders as she cries.

Of course they don't, she thinks bitterly, no one has ever answered her pleas spoken in hushed sobs. Not her other self and certainly not them.

Furina has always been alone. Furina will always be alone.

Because Furina never left that stage, never left that moment when she looked at herself in the mirror and took up a mantle too heavy for her to bear. She always finds her way back eventually. There's no one on the other side anymore – she stands alone on a stage, waiting for an inevitable end she isn't sure will come.

"Please," She pleads through tears and choked sobs, clinging to them like they are all that keeps her from sinking. "Please don't leave me, too." The words burn on her tongue – how pathetic is she that she craves companionship from the bloodied body of the imposter? Perhaps she's truly lost her mind after all these years..perhaps she's finally gone mad. She must have.

But their presence is like the first feeling of gentle warmth upon her skin as the sun crests the horizon, like the gentle lap of tides along her heels, the sway of branches and leaves as the wind blows through them like an instrument all it's own. They are the soothing sound of rain against the window as she watches the dreary skies in fond longing, the first bloom of spring as color blooms upon the landscape like paint had been spilled across the hills and valleys.

They are like the faint spark she carefully nurtures and stokes, so fragile even the smallest wind could blow it out like a candle. She cradles it within her palms, pleads with whoever will listen – prays that someone finally listens, because if not for her, then for them.

She's failed to protect too much already, let too many people with so much trust in her fall between the cracks of her fingers like grains of sand. She won't let them go – she can't.

If nothing else, if she couldn't be saved when she begged for salvation from that five hundred year long agony, even if she never got that chance..

Furina will make sure they do.

[tin-cant]

I know this sounds cruel, but Fcg was a great choice for a PC death. I dont say that because I'm not sad. They were a favorite of mine! It's just that he was at a good place in his story for it. If Imogen or Fearne, who have really important plot/personal connections that still need to be explored died, it would feel like we lost too much of the story. While Chetney nearly dying felt more somber than tragic because he'd already lived such a full life. Fcg was at a good middle ground where it feels like we could have had more while still being a satisfying end for them. His story feels both complete and incomplete, and that's what makes it such a great tragedy.

[joshuamj]

been scribbling out some little comics for my EoW!Zelda Impersonates Link AU!

[beestripe-and-spines]

your end

my end

@barrenclan

[yourlocalabomination]

Song - Taking What’s Not Yours by Tv Girl.

(I learnt my lesson from last time so here’s the animated version in the original post)

[uncharted-constellations]

Re-reading untold tales kills me every time, They Were Babies 🥺

[bnesszai]

(late) Vik day fic part 1 is finally HERE

@minusboy ily. enjoy <3

“Displeasure to meet you, Chuuya.” He kicks at their stool. “Likewise.” Dazai takes a drink, turning to fully face Chuuya. “What's someone like you doing here?” “The hell is that supposed to mean?” “Choker. Piercings. A scary face. This is a jazz bar.” “I know that,” Chuuya hisses, almost shattering the wineglass in his hand. A pretty face doesn't always make for a pretty personality, it seems. “And what do you mean, scary face?” Dazai flashes an irritating, shit eating grin. “A scary face that screams don't talk to me or I'll punch you.”  “And yet, here we are.” Chuuya rolls his eyes and takes a gulp of wine. “Maybe I want to be punched.” Chuuya wrinkles his nose. “Gross. Go away.”

again, it can be found here on ao3 (please mind the tags)

[vivitalks]

man. derek is such an interesting character in season 1, especially when you can look at him through the lens of having seen the whole show, because he's like an unreliable narrator for scott, even though he's not a narrator for the show.

the thing is, derek in season 1 is the primary vehicle for werewolf lore. as new viewers, we're reliant on his character to explain to us the rules and conceits of the genre, but once you've seen the whole show, that role is no longer necessary. but for scott, in season 1, derek is the sole source of werewolf intel. derek is werewolf jesus. which means that everything scott initially learns about being a werewolf is filtered through the Derek Hale Trauma Matrix, and neither of them know it.

for example: in 1x05, derek tells scott that pain is what keeps you human (which is a mantra that gets repeated and referenced a ton over the course of the rest of the show). scott has been a werewolf for all of five seconds, and has no choice but to take the word of this obviously much more knowledgeable werewolf. in that way, derek operates as a kind of narrator for scott, giving him information and context he couldn't really get any other way. but it's unreliable info. don't get me wrong - derek isn't trying to be an unreliable narrator; he's not aware of how much his life experience has colored his understanding of his own species. it's just that...well...derek is a twenty-something with the kind of trauma that eats other trauma for breakfast. of course he would say that pain is what keeps you human. at this point in the show, pain is all he has.

this is the same guy who, in the next episode, says this:

DEREK: You getting angry? That's your first lesson. You want to learn how to control this, how to shift-- you do it through anger, by tapping into a primal animal rage, and you can't do that with her around. SCOTT: [defensively] I can get angry. DEREK: Not angry enough. This is the only way that I can teach you.

except we know, and scott quickly learns (in that very same episode, in fact), that this isn't true. anger doesn't work for everyone, and it doesn't work for scott, who's not an angry person. the things that work for derek won't work for all werewolves - but how would derek know that? he's never had to teach someone to be a werewolf before. he's not actually werewolf jesus.

to scott, derek is the only trustworthy source of information on being a werewolf, because he's the only werewolf scott knows. and from derek's perspective, everything he knows about being a werewolf must be true, because it's true for him. derek is the narrator, and it's only as his backstory unfolds that the viewers, and scott, learn just how much his history and trauma have obscured the reality of things, even for derek himself.

pain is not what makes you human. it's what makes derek human. because the moments in derek's life that stand out to him most are all tinged with tragedy. mercy killing his high school girlfriend. losing his entire family in a house fire. the death of his sister. for derek, to be human is to be in pain, and to be angry about that is the only way to be in control. after all, he doesn't have anyone teaching him otherwise.

[bardicjustice]

Sidestep: this story is a tragedy.

Ortega: not if I have anything to say about it

[haunted-xander]

I shall protect you

[froggy-nebula]

vriska is really funny cause when you look at the shit she actually does shes not the best at manipulating people or flarp or combat she just cant win at any of her hobbies