What do you think as Hermione's career would be post battle of Hogwarts? To me her being minister for magic really doesn't make sense. She does not have patience or tact to wade through murky waters of politics 😭😭
So hard to say! The Trio are so, so young when we leave them, I find it almost impossible to project their futures farther than a few years out. The job that suited me at 17 would be radically unsuited to me now. That's why of all the Trio, Ron's ending strikes me as the most realistic — he jumps straight into the save-the-world business again, burns out, realizes he's actually Done The Fuck Enough, Thanks, and pivots into a low-stress career where he gets to see his family a lot. Feels accurate! The others are weirder to me because they do seem to just... pick a lane and stay there.
With Hermione, you could spin her a couple ways. You could say that she leans into her bookish side and does research or teaching, which is not my preference for a couple reasons (namely, I don't think Hermione would like academia as a profession; she finds her classwork interesting and enjoys intellectual validation, but she'd be stifled and wasted in a DPhil program, and she'd be infuriated by the administrative politicking of your average higher-ed faculty). You could say that she gets disaffected with politics and ends up as a barrister or a lobbyist of some kind, but if anything that requires more political finesse, because you don't actually have institutional power, you're just handling the people who make decisions and trying to persuade them of your goals. This is not Hermione's preferred method of influence. She's not even particularly good at persuasion, she just happens to be smart enough (and right often enough) that people take her ideas seriously.
Or you could say her brashness fades with the years into a softened flavor of tell-you-like-it-is honesty, which some politicians actually do successfully trade on; as we see in British politics today, you don't have to be all that charming or clever to get ahead, you just need to be really driven and well-connected (which Hermione completely is; she fought shoulder-to-shoulder with the first postwar Minister and her bestie, the Literal Messiah, runs the Auror Office.) But I don't know if Hermione especially wants to be Minister, after the war. She's just watched years of horrendous bureaucratic incompetence plunge the country into a violent civil conflict. She's had not one, but two Ministers of Magic try to bully or shame her friends into complicity with fascism. Her view of government is... likely extremely dark.
But Hermione also isn't the kind of person who sees her life as a quest for happiness. Babygirl has a savior complex that makes Harry look selfish. (She basically kills her parents — yeah, obliviating is a form of murder, #changemymind — "for their own good," and justifies every batshit, vindictive, mean-spirited move she ever pulls on the grounds that it "helps" one of her friends.) She is a mean, lean, dragon-slaying machine, and she needs a dragon. After Voldemort, the Ministry is the no. 1 threat to muggle-borns and non-wizarding Beings. As a war heroine with basically infinite political capital, I'd be surprised if she didn't try to do something there. That said, Hermione is so vivacious and dynamic that she could potentially grow in a hundred different directions; it's possible that all of this, while true of her at 18, becomes completely inaccurate by 22. That's why I'm not too fussed about any particular fanon interpretation.
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I feel like the epic the musical keeps giving Odysseus these moments emphasizing that he’s mortal and human and grieves and feels so much (just a man, remember them, and then the end of keep your friends close) only to then immediately have a divine figure punish him for that
Someone else posted about how there’s this conflict of the Ancient Greek morals homer presents in the odyssey about the valor of essentially ruthlessness which is definitely what Athena and Poseidon are conveying but then Odysseus is written in epic with more modern morals (at least to start).
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Always assume that I’m thinking about making a LONG post on the differences between Jekyll and Hyde from the novel to the movies, webcomics, musicals, and tv shows and how the story is so different nowadays compared to the original text.
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Spent two years being afraid to try bridling Stevie again because she used to flip out so badly (with or without a bit), so I just rode in her rope halter
Stevie: hold my beer *self bridling in two sessions with literally no issues*
Gonna keep practicing with this cheap cavesson before I try her custom-made sidepull, but I never thought we'd get this far, let alone so quickly 😭
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I hope this isn't weird but earlier I was thinking about how much good artists do in the world, and so many artists don't recognize it. You bring a lot of joy to a lot of people. I've gotten a few commissions from you at this point, and every time I look at them I get so happy because, man, there was someone who took time to create something for me (I know I payed, but still!) Beyond that, I have seen when you draw little doodles just because people inspire you to eith their asks. You practiced your skill and you use it to make others happy and that's so valuable. You contribute a lot to this world just by bringing people's moods up, and I hope you recognize that. You're pretty awesome :)
t thank yuou ,....
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legitimately everytime a new thing became tumblr popular over the last ten years I’d be like “looks like shit isn’t even actually gay” and I gained such a pavlovian response towards Ignoring everything you guys like for it being boring and not actually gay, that when you guys got into actually gay shows (ofmd etc) I didn’t believe they were actually gay and just continued to ignore you until I saw a gifset of two men actually physically kissing
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posting separately as to not hijack flowers' post but realising that some of you guys may also not be as into ddlc and not know all the nuances and random tidbits about it and specifically monika. like, for example, the fact that monika's piano playing is a metaphor for her hacking the game/changing the code, the fact that every time one of the girls is acting particularly out of character she isn't present in the room, only to rush back in like "oh what happened? i had nothing to do with this!!", the times where she gets absolutely steamrolled in act 2 by yuri and natsuki and is so clearly taken aback despite the fact she's the one fucking with their codes to make them aggressive enough to do that, etc.
also just, all the lines in act 1 where she's so blatantly talking about her sentience but that you wouldn't pick up on unless you already knew she was sentient. like she is not even trying to hide it from the beginning, you just know when she talks about her "epiphany" she's giggling to herself like "oh they're never gonna believe what i mean by that"
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