#and not really too active on jon

[simcardiac-arrested]

im in the archives like tape recorder

[carolperkinsexgirlfriend]

Steddie Upside-Down AU Part 87

Part 1 Part 86

Mom’s hovering in front of the door, a knife in her hand, trying to get the rest of them to get away from the window. It’s not working. If anything, Max’s nose only presses more firmly to the glass with every request she makes.

Will’s hovering just behind her, desperate to keep Steve and Eddie in his line of sight. He can just barely see the wisp of a curl through the side window of the van, bouncing as Eddie moves around inside.

He squints, trying to keep the hair in sight as the movement becomes more erratic.

Will hears glass breaking just as he loses sight of Eddie entirely, wisps and all.

He rushes past his Mom, using the weight of his body to open the door, even as she stands in the way. It’s almost involuntary, a compulsion to follow the thread that Eddie’d pulled him by.

“Will, don’t!” she cries, but it’s too late. He’s out, and through.

Mike calls after him, too, and there’s the sound of tennis shoes stampeding out of the house behind him. Will only hopes he’s not leading them all to their impending doom.

Bodies slump into the driveway, none of them human. They’re like if the Demogorgon had followed a different evolutionary chain. Dustin would find it fascinating. Will just wants Eddie and Steve back.

Wayne’s still standing sentry, looking out across the street, waiting for more monsters to creep in from the darkness, Barbara by his side.

Shielding the entrance to the van, is El.

“El!” It’s Mike, because it always is. He sounds so genuinely elated that something curdles and dies in his throat. He swallows it down, hopes it decomposes in his stomach, so he never has to look directly at it. “You came!”

El smiles, happily at Mike, then around to all of them. “Of course.” She looks over at Max, and she’s frowning now, that way she does when she doesn’t understand something. It used to happen all the time. Now, it’s rare.

Will doesn’t care, can’t when Eddie’s too quiet in the van somewhere Will can’t see. He pushes past her, too.

There’s a misshapen, monstrous foot sticking out of the broken window. He stares at it for a second before swinging the door open. It wrenches the foot strangely, makes it crack and tear with the resistance of the door before it breaks free, black blood flowing like the thing’s still alive. 

It stays still. 

Will looks past it, and finds Eddie’s pale face.  

There’s glass in his hair, and his palms are bleeding where they’re held in front of him, but he’s breathing. Alive. And he’s looking up at El like she’s answered all his prayers. Will and Eddie have been sharing the same prayers from the same broken pews for so long that for a second, Will thinks Steve is back. 

He scrambles over the dead thing blocking his entrance. It’s cold against his palms, flesh barely giving as he crawls hand over feet atop it. But, Steve’s still just sitting there, blinking, Carol huddled into his side like he can protect her, even like this.

“Steve needs your help,” Eddie says, plaintive. Begging with both voice and unblinking eyes, gaze locked on El’s own until she breaks it to look at where Steve still sits, unbothered.

Her brow furrows, eyes squinting like she’s peeling off layers of skin and meat to get to whatever’s underneath. “He’s lost?” she asks.

Carol is squinting at El like the words aren’t clicking for her. She looks back to Steve, then back to El, brow furrowing with anger.

Eddie nods. Will clears his throat. “Not like last time,” he clarifies. “He’s here, but his mind isn’t.”

El nods, decisive. “I will help.”

“What the hell are you all talking about!” Carol demands, even as people scatter around her, setting up for El’s latest rescue mission. “He’s right there!”

She’s not looking at Will, though. She’s looking at Eddie like it’s all his fault. Still, when Steve doesn’t say anything, her lip wobbles as she turns and asks, “right Steve?”

He doesn’t answer, even as she calls again. Will looks away when she bites her lips, eyes wide.

It’s easier this time. They don’t have to break into the school, don’t have to find a pool. El just sits cross-legged in front of Steve on the carpet, careful to stay away from the broken glass and the dead thing. Mike covers her eyes with Wayne’s flannel while the man himself switches the radio dial until he finds one with enough white noise to satisfy.

He can’t quite tune out the murmured conversation between Eddie and Carol, though, no matter how hard he tries. Eddie explains, in clipped, emotionless words, that something, one of the monsters from the other place she’d just gotten a taste of, has taken over Steve. 

“But we’re getting him back?” she asks, voice shrill and breaking, contrasting with Eddie’s own even tone. A veteran to the newbie in the warzone. 

Will, suddenly, feels terribly old. 

“Quiet now,” El demands. 

Eddie looks away from Carol without answering. There is no answer to that question when they’re all subsisting off hope, and not much else.

“Tell him we’re coming, okay?” Eddie asks. He’s looking down at his own bloody palms now, like he can’t bear to look at their last bastion of hope and wait for it to flame and go out. 

“Ask ‘im how to stop the thing taking ‘im over,” Wayne interjects. 

Eddie’s lip wobbles. Will knows how he feels. He doesn’t want Steve to know, if he’s in there at all, that they don’t know what to do. Neither does Will. He wants to save Steve. He always wants to save Steve.

But, Eddie finally looks up, meeting Will’s eyes before nodding. The movement knocks a tear free, but his voice sounds clear when he says, “Ask him how we kill the fucker.”

El nods, shoulders settling as she reaches out to take Steve’s hand. The white noise blankets them all. Will settles down to wait. 

That’s what they always do, when Steve is dying: they wait. This time is no different. 

Part 88

Taglist: @deany-baby @estrellami-1 @altocumulustranslucidus @evillittleguy @carlprocastinator1000 @hallucinatedjosten @goodolefashionedloverboi @newtstabber @lunabyrd @cinnamon-mushroomabomination @manda-panda-monium @disrespectedgoatman @finntheehumaneater @ive-been-bamboozled @harringrieve @grimmfitzz @is-emily-real @dontstealmycake @angeldreamsoffanfic @a-couchpotato @5ammi90 @mac-attack19 @genderless-spoon @kas-eddie-munson @louismeds @imhereforthelolzdontyellatme @pansexuality-activated @ellietheasexylibrarian @nebulainajar @mightbeasleep @neonfruitbowl @beth--b @silenzioperso @best-selling-show @v3lv3tf0x @bookworm0690 @paintsplatteredandimperfect @wonderland-girl143-blog @nerdsconquerall @sharingisntkaren @canmargesimpson @bananahoneycomb

[fizzseed]

assorted thoughts on ep 134, written as i listen. im so unwell about this show rn

martin having to correct himself from archival assistant :(((

ADELARD DEKKER???

wait wait wait WAIT! A FIFTEEENTH??????? A FIF TEENTH?

the extinction is TERRIFYING. nuclear winter.

so interested in what gertrude had to say about this considering jon was never taught about it. and then why is peter lukas so intent on teaching martin about it????

The Mother of Puppets is a SICK ASS name for a ritual holy shit?? Terminus too but the Web is so sketchy lmao

but WHY wouldn’t the eye want to stop the extinction??? or is peter lucas just so intent on it?? and how would the avatar of the eye be a participant in stopping it

and martin coming to peter lukas after the flesh attacked?????? WHY specifically

”Like a grubby jesus” show has comedic chops too i love it when they just bust out a hilarious line

MARTIN was stacking tape recorders on the coffin????? i thought they just appeared,, holy shit. okay.

”we’re you compel” peter not being able to comprend that martin did it of his own free will because he CARES. or he knows that martin cares and it’s his goal to STOP that.

he’s for SURE worried about jon, even though he says he isn’t, and knowing if jon could compel martin EVEN THROUGH the influence of the buried would be incredibly important to know. he’s working WITH the eye, but i don’t know if i trust The Lonely to work with anyone for any extended period of time.

[greenglowinspooks]

Honestly I think the fics where Danny’s a Kryptonian have a lot of potential, so here’s me throwing my hat into the ring

Danny was born a human. He was born to two loving (though slightly neglectful) human parents in the painfully mundane state of Illinois.

Then, he died, but he didn’t do it right. He became a Halfa; too alive to be a ghost, but too dead to be human.

Then, through strange, uncontrollable circumstances, that changed as well.

He had been heavily injured, missing a large percentage of body mass, and was at the cusp of either dying fully or just fading from existence.

(Perhaps it was an ordinary fight. Perhaps it was the GiW, or his parents. Perhaps it was a simple accident. That didn’t matter now.)

He fled, phasing through the ground, trying to bury himself as deep as possible.

(Perhaps he didn’t want to be unmasked in death. Perhaps that was already too late, and he just wanted his body be able to rest in peace.)

Unfortunately for him, he was in Metropolis, and ended up in a secret genetics lab below the earth.

Danny detransformed, completely exhausted, falling onto a table covered in different labeled specimen containers. He closed his eyes, and prepared himself for what would happen next.

And… nothing.

Slowly, cautiously, he opened his eyes.

Danny sat up, brushing off the foul-smelling liquid from the specimen jars, petri dishes, and assorted vials.

He felt…fine.

No, better than fine. He felt normal. Healthy.

He felt like he wasn’t missing most of his internal organs anymore.

Danny looked down at his stomach, and saw that the wounds that were killing him had completely disappeared.

(The blood blossoms, if there had been any, were still there, but they no longer hurt. At most, they itched a little, or maybe just tickled a bit.)

He wanted to question what in the hell had just happened, but he didn’t want to jinx it. He just quietly changed back to Phantom, going invisible and phasing out of wherever he had found himself in, ignoring the loud alarm system that had begun to blare when he broke the samples on that table.

Life mostly went back to normal after that.

If, like Danny, you ignored all the physical changes in a valiant effort to remain in denial that something was horribly wrong.

His skin was tougher, now; he didn’t get scrapes or cuts, even when he accidentally fumbled a knife while trying to cook. His ghost form was stronger, too; he was barely knocked down by his old rogues anymore.

He could fly, even in his human form. Though, admittedly, the flight was much different. It was like using a muscle he hadn’t known existed beforehand. He didn’t just ignore gravity or wind resistance, though he felt more graceful in the air now than he ever did as Phantom.

There were more powers popping up, lasers and cold breath, x-ray vision and super strength. His lungs and heart were larger, and he could handle temperatures much easier. He didn’t have to transform to handle the pressure and cold of space anymore.

His reaction time had improved, becoming much faster than ever before. His senses were much stronger, and he had even seemed to gain a sense of electric fields, like a shark.

The only thing that separated him from a Kryptonian was that he had developed electrokenesis, which he had never seen any of them use on TV.

So, surely, he was fine.

Everything was normal, he hadn’t been transformed by alien DNA in a sketchy lab, he had just had a really weird and specific metagene activation.

—

Clark Kent, Kal-El, was panicking.

It had been around a month and a half since a particularly brutal fight between Interpol and an unknown assailant, and it seemed that Interpol was determined to draw out whoever had scorned them.

Their method of doing this, of course, was trying to level the city.

He and Jon were doing their best to stop them, but with both Kon and Zor-El away on their own business, it was difficult.

And by difficult, he meant almost impossible.

Slowly but surely he was driving them back, but not without massive amounts of damage to the city, especially with only Jon on dedicated rescuing duty.

He was distracted, trying to draw a group away from a heavily occupied building, when a projectile hit him in the back of the head.

The world spun for a moment, and then it went black.

(It was, probably, then, some sort of Kryptonite-metal alloy. Interpol at its finest.)

He woke slowly, forcing his eyes open. He felt like he had been hit by an eighteen wheeler.

Clark jolted up, preparing for the worst.

To his shock, though, the city hadn’t been reduced to rubble while he was out.

Jon seemed to still be working on evacuation, either unaware that he had went down or forcing himself to focus on the task at hand.

Then, a lightning-quick figure flew into view, and Clark’s mind went blank.

He thought, for a moment, that Kara was back. But, no, that wasn’t right, she was supposed to be off-planet for another week or so.

Besides, this new figure didn’t move like her. They were lankier and more slender, and they flew quicker than any member of his family.

Their powerset was different, too; they focused mainly on using blasts of ice and electricity to drive enemies back, only occasionally using their strength or lasers—ones which came from their hands instead of their eyes.

He had woken up at the tail end of the fight, it seemed. The remaining Interpol agents were fleeing from the mysterious metahuman.

They stayed in the sky, motionless, watching them leave.

As if they could sense him staring, they turned.

They were small, still clearly young. Probably around Kon’s age, or maybe even younger.

Instead of the colorful clothing he had inherited from his family, the stranger wore black and white clothes which looked similar to a hazmat suit, their face covered by some sort of gas mask.

Interestingly enough, instead of the S-shape crest that he was so used to seeing, the stranger wore the letter D on his chest.

Kal’s heart sped up.

From up in the sky, he heard the stranger’s heart, on the left instead of the right, speed up in return.

But before he could say a word to them, they sped off, disappearing into the deep blue sky.

[couldeatthatgirlforlunch]

The Lost Condom

Synopsis: You were in the middle of a spicy time with your boyfriend, when something odd happened: the condom disappeared. Inside. Of. You.

The solution? Go to the hospital.

The problem? Your family didn't know about your relationship.

Pairing: Jon Kent X Gn!AFAB!Reader; Platonic!Batfam

Tw: 18+; Only mention and slight description of genitals and sex, but nothing too explicit; All characters are aged up of course; English isn't my 1st language.

Word count: 1,8k.

Requested? Nah.

Extra notes: This isn't an original idea of mine, it's based on a real life story someone told me. Also the family finding out scene was inspired by this fanfic from @dccomicsimagines and this scene from Megamind. Also, eventually I will work on the asks waiting for me I swear 😭

General masterlist

So… You were in the middle of… Having fun… With your boyfriend… When suddenly, he said something that really confused you.

— Hmm… Babe… Where’s the condom? — Your head snapped back to look at him, since you were on all fours.

— Where's the ‘what’? — Your eyes were wide, unconsciously. Jon was blushing intensely, looking from your eyes to your entrance. He didn't know how to explain.

— I-I-I put it inside with the condom on, but now it's… Gone! — You narrowed your eyes. You watched him wrap and then enter you, you didn't feel him pull out at any moment, and even if he did, why would he tell you that he pulled out, took the condom off and then put it inside again secretly while you were still going at it?

You were both silent for a few seconds.

— Search for it! — You practically yelled at him, making him scramble to get off of you. You laid with your back down and legs open, looking at the ceiling, trying to calm down and not feel embarrassed. You felt him entering you with his fingers and searching around for minutes, grumbling and getting frustrated. The sensation was good… But you had bigger priorities at hand!

You huffed and changed positions a few times. A pillow underneath your butt, legs up, on all fours. Nothing worked. You even searched around the room and the bed, just to be sure. At some point, you both defeatedly decided it was best you go to the hospital.

The thing is, your relationship was still new, and no one in your family was aware. Lois and Clark already knew and approved, and you thought Cass suspected you were seeing someone, but you hadn't told them yet.

Especially Damian.

You and Jon knew each other years before Damian was even part of the family, since Bruce raised you since your birth — you were the product of one of his affairs, your biological mother didn't want to raise you, but she also didn't want to abort, so she and Bruce agreed that he would have you as soon as you were born — and he's best friend was Clark. Although, you didn't see each other much back then. It was after the Supersons became a team and besties that he started frequenting the manor more. You always had a childhood crush on each other — Jon thought you were beautiful and nice, and you thought he was cute and sweet, very different from the gross and rude boys from your school. —. Until you were each other's first kiss, then years later, first relationship, and first time. Of course, all in secret from Damian. The older family members only knew about your crush because of your physical language, but since you grew older and learned to hide, they assumed it was just a childish crush from the past.

Lois and Clark knew and approved, but they also always reminded you that you needed to tell Bruce soon, or at least Alfred, especially after you started being sexually active.

Unfortunately, the day came. Yes, you and Jon were old enough to have sex, but too young to be mature and brave enough to go to the hospital by yourselves. Lois was in another country for work, Clark was in the Watchtower in a League meeting, your dad was there too. Leaving the 2nd best option: Alfred — the best would be Lois, then Alfred, Clark, Cass, and then you would have to discuss which one of your other family members would it be.

Since you were in Metropolis — again, no one knew. More privacy wink wink —, Jon flew you back to Gotham, and you both almost cheered when you realized you were completely home alone, except for Alfred, of course.

Poor Alfred knew something was up when you suddenly were back from your “shopping trip”, with messy hair and clothes, red face and Superboy looking almost sick. He released a long sigh.

— Mx/Miss/Master (Y/N). Young Mr. Kent… — You cleared your throat.

— Alfred… We need help…

After you explained everything, Alfred looked ten years older. He didn't comment on anything, but his face showed how unimpressed he was. He just gestured for you to follow him to the garage, took the keys and started driving.

— Let me warn Master Bruce while we are-

— NO! — You yelled, started. He looked at you through the rearview mirror disapprovingly.

— Should I remind you that he will see the hospital bill and go after the truth? — You bit your lip.

— No, I know that. Just… Can't we pay on cash? — You smiled at him hopefully and nervously, but it was more like a grimace. Alfred was silent. You groaned. — I will tell him okay! Tonight! — Jon’s eyes snapped to yours, wide. — Relax! You're not gonna die!

— Yeah, until Damian whips out a kryptonite sword… — He groaned, hiding his burning face in your neck. You huffed, now wasn't time for him to be adorable.

— He doesn't have a kryptonite sword. Dad didn't let him do it. He would have to build it first. That would give him enough time to calm down. — Jon looked at you, indignant. Alfred cleared his throat.

— While we're there, I can't make any promises that if your father asks, I will hide the truth. He will know. — You and your boyfriend groaned, rubbing your faces with your hands.

— Yes, Alfred, I know…

Two hours later, you were finally laid down in position for the doctor to begin the procedure. Since if wasn't anything serious, you were on the emergency and there was only a curtain separating you from the rest of the patients outside. Alfred was sitting just outside, waiting, while Jon was standing by your side, holding your hand, as if you were about to give birth. The doctor was amused by your story, and her jokes helped you calm down.

She searched around you for a few minutes, the instrument she was using inside you being a little uncomfortable. Jon was silently horrified when he saw, you were startled too, but maintained the composure.

— AHA! Found it! It was really deep inside, almost on your cervix! — When she pulled out the condom, you both let out a breath of relief you didn't know you were holding.

You quickly put your clothes on again, you and Jon chatting as everything seemed lighter, and then left.

What you didn't know was that when Bruce got home and you and Alfred weren't there, it made him call, finding out just that you were in the hospital. Alfred refused to say much more than reassure him that it wasn't urgent and that he would soon know, thus he didn't have to crazily drive all the way there. That didn't stop him from alerting all your siblings.

When you got home, your whole family was there.

— Jon?! What're you doing here? — Alfred kept a straight face. Wow, he really wasn't going to help.

— Hmmm... — Jon subtly and subconsciously hid behind you. You shifted from one foot to another. Damian got up with a threatening scowl. You just came from the hospital. With a kryptonian.

— Kent! If you hurt my sibling I will-

— I didn't! — Jon almost yelled, then covered his face with his hands.

— Then, what is happenning here? — Bruce got up with a raised brow, analyzing the situation.

You thought for a moment. You either told them now and made things easier, or you spent all the way to dinner with them bothering you to tell. You could take it, Jon couldn't.

You took a deep breath.

— JonandIwerehavingsexwhenthecondomdisappearedinsideofmewecouldn'tfinditanywheresoweaskedAlfredforhelpandwenttothehospital.

They blinked.

— … What?

You huffed.

— Jon and I were having sex, when the condom disappeared inside of me. We couldn't find it anywhere, so we asked Alfred for help and went to the hospital. — You said, slower this time, although uma lower, more abashed tone.

Silence.

— … But… It was stuck inside? Weren't you wet, though…? — Tim's analysis broke the silence.

— SEX?! — Dick and Jason exclaimed.

— YOU WERE HAVING SEX WITH MY SIBLING?!

— Knew it. — Cass smiled and nodded, proud of herself.

Bruce heaved a sigh and sat down again.

— I CAN'T BELIEVE YOU DID THIS! — Damian threw Tim's coffee mug in your direction and Jon zoomed in front of you. The mug broke. Jon had a sheepish expression.

— Tim, go grab kryptonite. — Jason ordered and got up, walking toward the hidden compartment in the shelf where he kept his guns. Dick held him back while Damian threw a flower vase at Jon.

— No! Don't do that, Tim. — Dick ordered back. Tim shook his head.

— I wasn't going to anyway… — He mumbled. Damian threw the center table.

— YOU ACTED BEHIND MY BACK! YOU TRAITOR! YOU- OUCH! PENNYWORTH STOP! — Alfred tutted, pinching his ear.

— I'm sure civilized conversations don't involve breaking the forniture. — Alfred shot a pointed look at Bruce. — Master Bruce! Say something! — Your dad just kept gazing at you and your boyfriend.

Cass sighed, stepping toward Bruce and sitting beside him.

— (Y/N)’s happy. He’s good. They're careful. — Bruce nodded, finally showing some reaction and looking pleased. Jason stopped struggling against Dick and looked at you.

— I don't care. I'm going to kill him. — Damian growled, starting to pace around the room in anger. Jon silently sighed in relief that Damian kept his distance by being on the other side of the room, the couch and the whole family serving as a barrier. You stepped forward.

— It's not casual. We've been together for almost two months now. — Everyone but Alfred and Cass gasped. Damian burned holes in Jon’s head with his eyes and your dad looked at you, masking his mix of emotions.

Cass tsk.

— So clueless. Many signs. — She shook her head.

— (Y/N), why didn't you tell us before? — Dick asked carefully, walking in your direction and stopping in front of you. Jon fiddled behind you. You shrugged.

— Didn't want to deal with you all while we were just starting things. Especially if it didn't work out.

— When were you planning to tell us? — You pouted.

— I don't know… In a month or two? You guys probably would find out by yourselves. — You shrugged.

— You've been sneaking out a lot… — Tim spoke up for the second time, catching everyone’s attention. He was fiddling with his laptop, likely doing his own investigation. The ones closest to Tim looked from the monitor to you again.

— When did you go to Metropolis?! — Jason exclaimed, indignantly.

— Hehe…

Damian growled.

— So that's why you've been ditching me?! — Damian pointed a finger at Jon, who scratched the back of his head.

— Surprise...? — Jon weakly sang the word.

Bruce cleared his throat.

— So that's why Clark’s been acting like he was happy he knew something I didn't… — He got up and pointed at you. — No more sneaking out. Ask permission before going anywhere. — You opened your mouth to protest, but he stopped you. — Either that or you're grounded. — You pursed your lips and nodded in defeat. — Now we will talk about birth control…

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DC Taglist:

@wandalfnation @vadersassistant @h0rr0r-10ver-69 @hxsun4 @silverklaus @toast-on-dandelioms @bluewillbon

[just-a-ghost00]

A glimpse at your FS

Group 1

Channeled songs : Youtiful - Stray Kids, Mon Amour - GEMINI, Life goes on - AGUSTD Cards : 8 of pentacles, 2 of wands, Temperance, The Wildling, The Outlaw, Love

Lives at a distance from you, cultural differences, likes to travel for fun.

Apogender (doesn't relate to the notion of gender and has no defined gender, doesn't care about what gender people attribute to them) / genderfluid looks / unisex clothing.

Successful at their work place, feels like they can't be themselves at work.

Closed heart chakra, isn't ready to open up to other people.

Longs for deep connections, very sociable but always feels lonely, only has a small number of "friends". Has a very unconventional view of relationships and love or feels like they can't find their match romantically. Feels like an outcast.

Likes to go on long walks, enjoys spending time alone, tends to keep people at arms length.

Chris / Chan from Stray Kids vibes.

Possible meaningful locations : East Asia / Central Asia / Europe / North Africa / Latin America

Developped 5D connection, astral travelling, connecting through dreams or receiving messages from them at night because of time difference.

Very patient in relationships, longs for someone who can understand them but also call them out when needed.

Looks for fun and surprising connections in which they can feel safe and free to be themselves.

They want someone that will be loyal and trustworthy but will keep them on their toes.

Extras : Sagittarius, Gemini, numbers 2/5/8/14, snakes, masks, knives, crosses, blades, cactus, steampunk, boots

💙✨️💙✨️💙✨️💙✨️💙✨️💙✨️💙✨️💙✨️💙✨️💙✨️💙✨️

Group 2

Channeled songs : Connected - Bangchan, Comflex - Stray Kids, Lose my breath SKZ version Cards : 2 of pentacles rx, The Star, King of pentacles, The Alchemist, The Seeker, The Explorer

Possible careers / hobbies : arts / influencers / modeling

Well established, possibly famous or at least people in their field look up to them. High status, very experienced.

High level manifestor, high achiever in all areas of life except for love. They have a lot of knowledge and a lot of skills but when it comes to love they're a noob.

Game of Thrones references, especially Jon Snow vibes ("You know nothing Jon Snow").

You are already aware of who they are and they are aware of your existence but they're either ignoring the signs or downright ignoring you. They're not ready and/or they're scared of the connection.

You both have been manifesting this connection. While you are expectant and wanting to move forward with them, they are freaking out because they were not expecting you so soon.

Their energy is all over the place. They're engaged in a lot of projects, events, activities. They don't have time in their schedule to have a love life on top of that.

You throw them off their balance because you're everything they could ever wish for and they were not expecting to be able to have their wish granted, because whether they want to admit it or not this person has been manifesting you and praying for you.

They have a flirty, social butterfly type of energy. They have been indulging in connections, looking out for their person only to find out that they weren't the one. They've done nothing but flirting. They noticed very quickly that this wasn't gonna work so they quickly gave up. They were a busy bee, flying from flower to flower, never really finding their kind of nectar.

They are very spiritual, though they are constantly working on their material life. They receive a lot of downloads from their guides.

A part of them doubts the connection. They feel like it's too good to be true. Also they're too conscious of the differences between you. They're scared of the public opinion.

Extras : letters C/S/T, numbers 2/8/17, wolves, stars, crows, ravens, hands, bracelets and rings, compass, teeth, cranes, Aquarius, difference of status, overseas

💙✨️💙✨️💙✨️💙✨️💙✨️💙✨️💙✨️💙✨️💙✨️💙✨️💙✨️

Group 3

Channeled songs : Comflex - Stray Kids, Comfortable - H.E.R, Mon Amour - GEMINI Cards : Underworld rx, destruction rx, Speak truth, knight of cups, queen of swords, The Star

Recently got out of a dark night of the soul / depression.

Is learning to set boundaries and express their truth without fear of being rejected.

Very giving and fair person that only wishes to connect with and love people but life has given them a hard time. They find it hard to believe that people can be genuinely nice to them with no ulterior motive.

They tend to hide their emotional side more nowadays because they're afraid of being taken advantage of. They might be neurodivergent or struggle with ASD.

They are very feminine in their energy. They are deeply connected to their emotions to the point that it can often overwhelm them. They are deeply empathetic and sympathetic. They can sometimes feel other people's pain as if it were their own.

Highly spiritual, highly emotionally intelligent person but also very clever, witty, often sarcastic.

Huge Scorpio vibes.

Will Graham vibes.

Has a hard time being vulnerable with other people, struggles with the notions of intimacy and beauty. Yet, they're extremely beautiful inside and out.

Has a very clear and charming voice. Enjoys singing, chatting about their interests.

Possible careers / hobbies : psychic / healer / doctor / teacher / music / writing poetry / influencer / fishing / research / sharing knowledge

Lives at a distance from you, possibly near an important body of water.

Though they wish for romance, they're not really looking at potential partners and they don't put themselves out there. They're waiting for the right person to just show up out of nowhere, like some kind of white rabbit coming out of a hat.

They have the potential of being a very important public figure, maybe even being super famous but they don't believe in themselves enough at this moment to reach that potential. They're not really interested in fame but I feel it is part of their destiny. They're on their way to manifest greater success.

Alice in Wonderland vibes, only they're the Mad Hatter when people think they're the innocent and naive "little girl" chasing after rabbits. People tend to underestimate their power.

Extras : Gemini, Aquarius, letters C / S, numbers 8/17, long hair, water, owls, hands, scars, wings, crosses, cranes, horses, swords, long and flowy dresses, jewelry

[ew-selfish-art]

Dp x Dc AU: That one episode of teen titans where they all dress up as Robin + Tim being a gremlin about his legacy + Danny look alike/twin AU.

So there is that episode of Teen Titans where Starfire, Cyborg, Beast Boy and Raven all dress as Robin (Dick) while he's out and it's admitted that the outfit makes them feel cool. Imagine a young Tim hearing that story mentioned in passing by Dick while trying to manage what becomes Young Just-us. And then when Damain becomes Robin?? Gremlin mode activated.

Tim hosts regular 'Robin' Parties, where the idea is that you come in Robin colors, get a mask at the door and everyone gets to basically hang out in civilian clothes without the identity crises for those just getting started. "age appropriate" drinks, games, and good music are all staples. The parties become more frequent once Damian becomes Robin and he pointedly doesn't attend Tim's parties which... Neither of them are really happy about. Family is complicated, but finally, after a few years of cooling off, it's decided that Robin will actually host this years Robin party.

Meaning Tim shows up in casual clothes (MIT sweatshirt) and a mask, and Damian is actually dressed as Robin when the party is starting to get into the swing of things. The point of it is to make sure all the young heroes get to come and start to befriend each other, so there are a few people who show up and have to actually say that they're *insert alias* and this is met with basically "Dope, nice to meet you Robin" etc.

Insert Danny Twin AU (Or just look-alike fuckery) (for either brother but my brain is on Tim Twin au mode).

Danny decides to show up as his human self, grabs a mask at the door before coming in, and is slowly integrating himself into a conversation when someone grabs his arm- "Hey Red your brother is fighting with a newbie about meat products again-"

And Danny doesn't have a brother but my god has he heard this fight too many times with Sam and Tucker- He's going in and he's defusing this situation because he cannot handle the thought of this argument taking over his new friend group. He deals with it enough, okay?

Robin (like, the real one) looks at him curiously while Danny is talking down the other hero Robin (insert here), and the whole room notices when Robin doesn't take the opportunity to dismiss or belittle his older brother (Lmao because its danny). Damian cannot place his unease about Drake (again, Danny, who is not hiding his identity beyond a mask), and simply decides that this isn't worth the effort.

The party moves on but now instead of everyone calling themselves Robin, Danny is distinctly being called Red. It confuses him a bit, he didn't even know Red Robin was going to be at this party (he hasn't met the guy and doesn't know the lore), but he rolls with it because he's made fast friends with Robin (Bart), Robin (Cassie) and Robin (JON). The kid was full little bro energy and it made Danny laugh, he was so surprised when the real Robin joined them and fell into easy conversation with Robin (Jon).

Danny is playing games with a few others when someone goes to grab a broom to clean up- Turns out Red Robin and his boyfriend Kon had been making out in the closet for most of the party- and the whole room looks at Danny like he's tried to trick them. Tim is at first uneasy that so many people mistook him, but once he's in front of his dupe, puzzle pieces start to move around in his head.

"And who are you again, Robin?" Tim asks carefully, though he suspects he has his answer.

"Uh, Phantom, but you know, a lot of people were calling me Red tonight and I didn't get why until just now." Danny laughs nervously.

"Yeah I bet- Find me monday and we can see about a geneology test."

"That leaves us the whole weekend, to do what exactly? Fuck with people by pulling a parent trap style swap?"

"Nature vs. nuture and all but I don't know how you could be anything but my brother with a question like that." Tim grins and they get to scheming.

[sleepybugeyes]

I read through all of Elias/Jonah's dialogue (as you do) plus some relistening and mentions of him, so here's a big list of some fun things and behaviors I noted!

I thought he made a lot of eye puns/jokes, but he only does it once in mag161, however he does enjoy making jokes. "Creativity never was their forte." from mag80, "You want my account? My sworn testimony? My statement?" from 82, "If you die, I’m afraid you probably won’t be able to claim your expenses." in 116 and "I only have two eyes, after all." in 120. no one ever laughs at his jokes only he finds them amusing

His last words telling Jon a sarcastic or mocking "good luck" are mirrored earlier as he also tells Basira good luck the last time he sees her, and Martin, as he's getting arrested

He loves gloating. "I forget how new you all are to this." from mag92, "Coffee is not as good for disguising tastes as you might think." in 98, "She’s hoping that even if I see it coming she’ll still be able to overpower me. She’s wrong, of course," in 102, "A masterpiece, isn’t it?" abt his panopticon in 158 and of course his whole monologue in 160

He does his budgeting on tuesdays and his scheduling on wednesdays

He also likes getting lost in work

in mag40 he makes up proper incompetency (said he didnt know how the fire system works, while he later admits he was actively waiting) just that once, but more so he acts like he doesnt get the full picture (doesnt know whats in the tunnels, whats strange about the institute) or acts too late and apologises (not stepping into jon's stalking behaviour). Which makes me think he is quite fine letting people think less of him but unless he has something to hide hes not actively looking to give the impression

in mag92 elias slides the papers for basira across his desk, but you don't hear him take them out before, meaning he prepared and got ready for this before he called the police

in general he's a very preparing man, Lukas steps in when Elias is arrested so has has control over who'd run it. in mag118 he says he prepared something to hurt martin (my speculation is that he likely has some trauma that could hurt you prepared for any person that could cross him, just in case he needs it). When he gets arrested he has something prepared so he doesnt get killed and ofc s1-4 is preparing Jon for his grand ritual

Elias admits the idea for his ritual kinda fell into place after Getrude didnt do anything about the people's church in march 2015. He shot Getrude and appointed Jon shortly after so "when you came to me already marked by the Web, I knew it had to be you." is pure dramatics as Jon was hired 4 years prior

also he got his ritual in 2018 so he managed to acomplish his life's goal in only 3 years, love his grindset 🔥

We never get a number for how many people Elias has killed in his ritual, the real life millbank has held over 1000 people at once, but id imagine his one panopticon held less than a whole complex

its really interesting to me in mag92 that hes SO sure they all know he's talking to them of his own free will. is he just that dead set on being in control or making sure they take no credit for his confession

there is a clock in Elias' office (but it's only heard in mag98)

He has killed people but Elias is very much not a blood thirsty person. Getrude and Peter are both surprised when he results to that. He's very much just ruthless and does not care, if to get his way he has to kill someone. It doesnt seem like he's ever happy to do so, maybe this is a quirk of being eye aligned and getting rid of any type of knowledge is painful (he does for example never want Tim to die at the Unknowing), or he just finds covering those murders up a hassle

for the Unknowing Elias books them all hotel rooms, how thoughtful

something cute to me that Jon was too good at the Eye that Elias couldnt meet him face to face post coma

In mag158 he implies that even Institute employees not in the archives are tied to it, at least enough that they could suffer or die if it burned down

between finding other people just as tools to watch and discard and saying empathy holds you back he was definitely a very very lonely man

He is a very breathy person. He sounds breathy when he talks. He takes deep breaths to ready himself and before he uses his powers. And he often breathes through his nose before speaking or during pauses

He has said Jon's name 62 times, only twice calling him "Jonathan" and called him archivist 25 times (24 in the mag120 statement, 1 in mag138 and 1 in mag161)(he also kinda calls him The Archive in 160)

other fun amount of words: know (65 times), see (42), martin (35), detective (20), eyes (20) and eye (9), afraid (9) and "bullshit" (1)

its still insane to me they added all of those sound effects of Elias' cuffs in prison, thats something fun to appreciate. It also means its canon he gestures quite a bit!

[cherrrydragon]

➤ find something worth saving (it's all for the taking)

CHAPTER SEVENTEEN: HOME

← back to chapter list

SUMMARY ↳ Home is where the heart is. Tony's eyes study you carefully. "You sure you're okay?" "I'm home, Tony," is all you say." pairing: jon kent x gn!reader x damian wayne warnings: none wc: 3.2k

all of your replies from last chapter really made me chuckle, glad to see that the writing hit like it was supposed to lol

Miguel refuses to let you go anywhere without getting checked out by somebody. A Spider-Doctor looks you over, poking and prodding at you. She asks you a bunch of questions, some miniscule and some strange.

“Does it hurt when I press here?”

“Is your vision blurry?”

“Does your body feel different on an atomic level?”

She deems you good to go. Your friends are all waiting for you outside the office. Miguel immediately hands you a Web-Watch before stalking off somewhere (grump, you swear). It feels heavenly in your grip. Man, how you missed it. You quickly wear it, placing it just under your web-shooters. The weight of it is reassuring.

With a glance at your friends, you feel a surge of gratitude for their unwavering support. “I should…”

Peter smiles, waving you off. “Go, kid.” The rest of them nod encouragingly. You almost want to cry at their understanding expressions. The watch beeps as you put in your destination. That familiar hum of the universe greets you as the portal opens up. With one last wave to them, you enter it.

Earth-143258

Queens, New York.

Home. You’re finally home.

You breathe in the air. It’s night time now. Avengers tower stands tall, a lighthouse providing a way home. The cool night air swirls around you, carrying with it echoes of past memories. You decide you’ll walk there.

As you walk through the familiar streets, the city feels simultaneously unchanged and yet subtly different. The sounds of the city—distant traffic, people chatting, the occasional siren—blend with the comforting hum of all that New York is.

The familiar sights and sounds evoke visuals, reminding you of the countless times you've swung through these very streets, fighting crime and protecting the innocent.

Passing by old haunts and familiar landmarks, your heart swells with a mix of nostalgia and determination. You catch glimpses of everyday life—families out for an evening stroll, street vendors closing up shop, and the occasional patrol car passing by. Each step feels like a reunion with a part of yourself that you've missed during your time away.

Avengers Tower looms ahead, its imposing silhouette against the night sky serving as a beacon of hope and security. With each stride, you feel more grounded, more connected to this world than ever before. As you approach the entrance to the main lobby, you pause for a moment, taking in the scene before stepping inside.

“Welcome home, [Name],” greets FRIDAY. It sounds like she’s smiling. The warmth in her voice is noticeable, almost as if the building itself is happy to see you return. The spacious, modern interior of the lobby feels like a sanctuary, a place where you've spent countless hours.

“Where’s… where’s everyone?”

“Would you like me to tell them you’re here?”

You swallow. “No, can you just. Can you tell me where they are?”

FRIDAY's voice, smooth and comforting, responds immediately, "Of course. Tony is in his lab, working on a new project. Natasha and Clint are in the training room, sparring. Steve is in the gym, and Bruce is in the kitchen.”

You nod, feeling a mix of relief and anticipation. It’s been too long since you’ve seen them, but you need a moment to gather yourself before facing even one of them. After a few moments of reflection, you stand up, feeling more grounded. It’s time to reconnect with your team, your family. You decide to head to the lab first. You have to see Tony first.

The lab is a hive of activity, filled with the hum of machinery and the soft glow of various screens. The familiar sights and sounds embrace you like a well-worn glove. Tony is hunched over a workbench, tinkering with what looks like a new piece of tech. For a moment, you simply watch him, the flickering lights casting shadows on his face.

“Hey, Tony,” you call out softly, your voice carrying a mix of emotions.

Tony freezes, pausing his work. He turns around slowly, and for a heartbeat, his expression is unreadable. “I’ve officially gone crazy. I’m seeing things.”

You step further into the lab, your heart pounding with a mixture of nerves and excitement. Tony's gaze remains fixed on you, his eyes narrowing slightly as if trying to discern whether you're real or a figment of his imagination.

You chuckle softly, trying to ease the tension. "If you're seeing things, then we both are, because I'm definitely standing right here."

Tony sets down his tools, his eyes scrutinizing. "Well, I'll be damned. Look who decided to drop back in from the multiverse." His sass seems infinite.

He strides over, and before you know it, you're enveloped in a bear hug that speaks volumes of relief and genuine affection. "You’re here," he murmurs, his voice gruff and wavering. “You came back.”

You smile, eyes watering. “Miss me?”

“Every damn day,” he replies fiercely. “It’s been months, kid.”

Your heart tightens at his words, and suddenly the dam breaks. A choked sob escapes you without your permission. You bury yourself deeper in Tony’s embrace. Tony only holds you tighter. The weight of everything comes crashing down on account of you finally letting go of everything you’ve been holding in for far too long.

Tony feels like a lifeline, grounding you in a flood of emotions built up. You’ve longed to feel this safe since you first landed in the other universe. His silent reassurance speaks volumes. There is no need for words in this moment, only the warmth in familiarity.

Tony doesn’t pull back until you do, brushing a hand down your face to wipe away your tears. “You wanna go see the others?”

You nod, feeling a rush of gratitude for Tony's understanding as you sniffle. Tony asks FRIDAY to gather your folk into the common room. He fills the silence with mindless chatter about what’s happened since you’ve been away—small little missions here and there, new tech he demanded Miguel to learn about.

“Oh, I’ve gotta let Wanda and Strange know you’re back. Wanda especially has been a little restless.”

“You asked them for help?”

He looks at you. “You were suddenly stranded in the multiverse. Why wouldn’t I?”

Your legs feel so numb you’re not sure how they still work. “Right.” A realization overwhelms you with a sense of belonging. It’s a feeling you haven’t felt in a while.

When you enter the common room, a wave of nostalgia hits you. You just want to sink into the comfy couches and take a three year nap. It feels like stepping back into a cherished memory. Natasha and Clint are already there, looking up as you and Tony walk in. Natasha’s eyes widen imperceptibly, you’re surprised you catch it. Clint’s usual expression breaks into a warm smile.

“Hey, stranger,” Clint says, voice barely above a whisper. His smile is warm, genuine, and it feels like coming home.

“We were starting to think you were avoiding us.” Natasha’s steps toward you are careful and coordinated, everything about her is. But her eyes are softened.

You manage a watery laugh. “Missed you guys too.”

Natasha is the first to move, closing the distance between you with her characteristic grace. She wraps you in a hug that is both gentle and firm, conveying unspoken words of relief and joy. It surprised you greatly, her willingness to openly show affection like this.  Clint follows suit, patting you on the back with a warm hand.

“Steve’s on his way,” Natasha says, stepping back but keeping a hand on your shoulder. “He’s been worried sick.”

Bruce arrives next, hair messy. His eyes dart around the room, landing on you. He breathes a sigh of disbelief, crossing the room to get to you. Bruce's hug is tentative at first, as if he's afraid you might disappear. But when he feels the solid warmth of your form, his grip tightens.

“Hey, kid.” It’s all you need to hear. You smile and wrap your arms around him. 

“Hi.”

Before long, Steve bursts into the room, his expression a mixture of disbelief and joy. His eyes widen slightly when he sees you, and for a moment, he seems rooted to the spot. Then, with a few long strides, he closes the distance between you.. “You’re really here,” he says, pulling you into a hug that almost lifts you off your feet.

You return the hug with equal fervor, feeling the tension and weight of your absence melt away in the embrace of your friends, your family. “Where’s Bucky?”

“Currently breaking several traffic laws to get here,” he chuckles, letting you go reluctantly. 

“And Pepper?” you ask Tony, looking over Steve’s shoulder at him.

Tony blinks. “FRIDAY, please tell Pepper [Name]’s back.” You roll your eyes, not really surprised. “She’s out right now,” Tony says, giving a winning smile. “Nevermind that, let’s throw a party.”

Chuckles fill the room as Tony rounds behind the bar. Typical Tony, ever the partygoer. “Can I drink too?”

Tony squints at you, so you pull out the puppy eyes. “Come on, I deserve it. I was so far from home,” you pout. 

“One drink. One,” he points at you, turning to grab you a bottle to pour.

“They’re not legal, Tony–” cuts in Steve, because of course.

“Don’t be a party pooper, Cap.” Tony passes you your drink. You grin at Steve as you sip it. “You’re a bit of a rule breaker yourself.”

Steve chuckles, shaking his head in mock disapproval as he takes a seat nearby. You imagine a warm blanket settling on you after a long night. Everyone gathers around, sharing stories and catching up on what has transpired during your absence.

Sam shows up with Bucky, walking towards you with a grin and his arms out. You don’t think you’ve ever received so many hugs in one night before. Bucky awkwardly pats your head, then pokes it for “leaving us so long.”

Wanda shows up next, dragging Vision behind her. She smiles widely upon seeing you, looking a little wistful. You kind of wish the drinks you’d been sneaking could take effect. Cursed super metabolism. Too many emotions have been felt tonight.

"Wanda," you say warmly, reaching out to embrace her. She returns the hug with a heartfelt squeeze, her voice tinged with relief. “I’m so glad you’re alright.”

Vision nods, a faint smile on his lips as he greets you warmly. Wanda’s eyes shimmer with unshed tears as she embraces you tightly, whispering how much she missed you. “Strange sends his regards,” sniffles Wanda, fondly brushing her fingers against your forehead.

The doors to the common room slide open again, and this time, it's Pepper who walks in. Her eyes widen as she takes in the sight of you standing there, and she rushes forward, enveloping you in a tight hug. "I can't believe it," she murmurs, her voice trembling with emotion. "Welcome home."

You feel your heart squeeze. You would’ve thought she wouldn’t be able to meet you tonight, since she had prior plans, but here she is. For you.

Throughout the night, amidst the laughter and shared stories, you find yourself reconnecting not just with your friends (read: family), but with a part of yourself that had felt lost. Tony asks FRIDAY to play your favorite song. 

Tony's eyes study you carefully. "You sure you're okay?"

“I’m home, Tony,” is all you say.

He seems to relax at that, nodding slowly. “You are, and we’re not letting you out of our sight anytime soon."

The night outside is calm, New York’s lights twinkling like stars. The moment feels precious. You wish you had your camera to capture it.

Your camera that was gifted to you back in the other universe.

Hm.

You're fingers start to fidget with your green and blue bracelet.

Eventually, the revelry winds down. Everyone bids their goodnights, and you find yourself standing on the balcony of Avengers Tower, gazing out at the cityscape that stretches before you.

The night air is cool against your skin, carrying with it a sense of peace and contentment. You take a deep breath, letting the moment wash over you. In the quiet of the night, with the city bustling below, you feel a renewed sense of self.

You will all your worries away. You’re right where you need to be. You’re heart must truly lie here.

You find that your room is the same as you left—comfortable, familiar, and filled with reminders of your life here. Pictures litter the walls, ones of you, of your friends, you with your friends. The bed is inviting, and you collapse onto it, exhaustion mingling with the exhilaration of being back home.

You reach for your Web-Watch, now resting beside you on the bedside table. It's a tangible reminder of where you've been and where you are now. In the other universe, you felt like you were constantly flying. Never a moment’s rest. At the very least, you were flying with people you liked.

But here, in this room, surrounded by mementos and the quiet hum of the city outside, you feel grounded. This is your home, your family, and they've welcomed you back with open arms. 

No matter, now you just want to sleep. You nestle into the softness of the pillows, allowing the weariness of your journey and the emotional release to finally catch up with you. Your thoughts are a jumble of faces and voices, memories and new beginnings.

Sleep comes easily, cradling you in its embrace as you drift off into a deep, restful slumber. 

Gwen’s Earth has always been pretty. Soft hues captivate you. It’s a world where the sky seems perpetually painted in pastels, casting a serene glow over the city below. Since you dipped on them last time to go home, they’ve decided that today is hang out time.

It’s always a sort of dance, swinging with the others. You and Gwen are more effortless in your grace, Pav comes close. The two of you twirl around each other, feeling the rush of wind and the freedom of the swing. The cityscape blurs past, a vibrant tapestry of lights and shadows.

“Show offs!” yells Miles, a ways behind you. Gwen's laughter rings out beside you, a melody of happiness that lifts your spirits even higher. The two of you share a glance, matching grins under your masks.

Miles zips past with a playful whoop, joining in the aerial dance with his own unique flair. He’s getting faster with his swinging. Hobie passes by as well, bumping you with his shoulder teasingly. You all swing through the cityscape, weaving between skyscrapers and navigating the intricate web of New York's skyline. 

As the night winds down, you find yourselves perched atop a familiar rooftop, looking out over the city sprawled beneath you. The lights of the city twinkle like stars, a breathtaking sight that never fails to inspire awe.

"I missed you guys," you admit, the words carrying a weight of sentimentality. "Being here, with all of you."

“Awe,” coos Pav, hands squishing his cheeks.

Miles grins, nudging you playfully. "You’re the one that disappeared on us.”

You laugh, feeling a surge of gratitude for these friends who have become your family across dimensions. "I promise, no more disappearing acts without warning."

With a final glance at the city below, you feel a sense of peace settle over you. In this moment, you’re surrounded by friends who care about you. Who could ask for more?

Together, you watch the sunrise paint the sky in hues of orange and pink, a new day dawning over the city that never sleeps.

“So…” hums Gwen, hands behind her back. You raise an eyebrow at her. “What was it like?”

You shake your head good-naturedly at her. Pav nods at her, looking at you. “Yeah, what did you do there?”

“Well for starters,” you clap your hands together, turning to face them all. “You guys got DC comics in your universe?”

“Like, Superman and stuff?” ask Miles.

You nod. He blinks. “No way.”

“Yes way,” you chuckle at their reactions, enjoying the disbelief on their faces. “Yeah, and guess where I landed.”

“Central City?”

“Themyscira!”

“Metropolis?”

You suck in air through your teeth dramatically. “Gotham.” They share a wince. Seems about right. "It's like someone took the grittiest, darkest parts of New York and turned them up to eleven," you explain, gesturing animatedly. "Never a dull moment. You've got Batman and the whole Batfamily running around. Don’t go to a carnival because Poison Ivy will attack it.”

Gwen raises an eyebrow. "Wait, you hung out with the Batfamily?"

You nod. “Yeah, I got like, initiated. I got myself enrolled in school, and Damian Wayne got involved. That snowballed into me getting involved with their superhero world, ‘cause you know, I wasn’t gonna stop being Spinnerette.”

Hobie fist bumps you in agreement. “Met Superboy, he’s a real sweetie. Consequently met his parents, and holy shit, Lois Lane is so cool.” Gwen nods hard in agreement. “I also technically made history when I remade Tony Stark's new element.”

You shrug at their stares. “I was trying to build a watch to get back home!” you defend, then turn to Hobie. “Which, by the way, you have to teach me how you did it. I’d rather not get stranded again, thank you.”

“Sounds like you had a blast over there,” teases Gwen, hooking her arm around you.

You scoff. “Once I got past the looming realization that I could be stuck there forever and never see my friends and family again, sure.” It’s a joke, but not really. “It was a bit unfair, I guess. I knew just about everything about them and they knew nothing about me. But I did… make friends there.”

“Just friends?” Pav leans in. You gulp, remembering what happened just before Miguel found you.

“Just friends,” you huff, shoving Pav back playfully. “Damian’s about as complicated as you’d expect, but he’s a good friend. Touchier than I thought he’d be. Intense, blunt, but still kind. And Jon’s… Jon’s Jon,” you continue, thinking back on your life in Gotham. “Real sweet, like I said. Earnest, kind, and desperately needs some brown contacts,” you chuckle fondly. “They’ve got a dynamic going on. But they’re also… just people. Like us.”

“Sounds like a really crazy telenovela,” hums Miles.

“Trust me, it was,” you agree, thinking of the rollercoaster of emotions and events you experienced. “But it was also… eye-opening. I learned a lot about myself, about what I’m capable of, and about what really matters to me.”

You lean back on your hands. “I just hope everything's okay. I kind of just… left.”

“You wanna go back?”

You hesitate, considering the question carefully. “Part of me does. I left things unfinished. But another part of me…” You glance at your friends, feeling a swell of warmth in your chest. “Another part of me knows that this is where I belong. With you guys. With my family.”

“Damn right,” says Gwen, punching you lightly in the arm.

“They don’t need me, anyway. I just hope they’re not too worried.” The sunrise bathes the rooftop in golden light, casting long shadows and warming the cool morning air. You take a deep breath, feeling at peace with your decision. For now, in this moment, you’re exactly where you need to be.

notes: if you don't know, '143' is slang for 'i love you', each number corresponds to the number of letter in each word of the phrase. reader's universe, earth-143258 means 'i love you in every universe', same rules.

[wolfythewitch]

hi I feel like I've been attempting to interact with your stuff way too much and I'm probably annoying you but I wanted you to see some of my own sketches of your Hadestown au bc it had a chokehold on me yesterday and it wouldn't leave me alone. I decided Elias would be Hermes for several reasons

(You don't have to read this bit if you don't want to lol)

Tim doesn't have anything close to a guide/mentor figure in tma and Elias is probably the only person who a) has a connection to him and b) actively utilises Tim's decisions for his own ends. He's a bitch yes, and his Hermes would be a much more insidious, manipulative one, but there's really nobody else who fits the bill as much as Elias does. He enjoys the tragedy, actively basks in it in fact, and I think while Hermes continues to tell the story hoping that it might end well one day, Elias would tell it knowing that it never will and enjoying the inevitability of it all. He would appear genuine to the other characters, but the audience would know that he's a rat bastard - and this would show through to Tim during "Hey, the big artiste...".

Also I gave Jon a bundle of heliotropes instead of a red carnation bc they signify devoted, undying love and they have a tragic origin derived from an old Greek myth.

enjoy (or don't, whatever floats your boat). your art is very cool and got me to enjoy my own art process for the first time in a very long time so thank you a lot for that :)

Oh this is so cool!! Your style is so pretty and aaa jonmartin dancing <33 I've thought more about Elias as Hermes but I've come to the decision that I don't want the tone to shift that much haha, and Elias being hermes would definitely switch the tone of hadestown needing you to think every time that maybe, maybe this time it will end with a happy ending

[wandascrush]

The family

Summary: Your family is very different from the Romanoffs. Maybe that’s okay.

Warnings: secrecy, criminal activity, mafia inuendos, kissing, lmk if I forgot anything! A/N: This part kinda serves as family background context

Family, family, family. You love em’ or you hate em’. When you really thought about it, your family couldn’t be any more different from Natasha’s. You came from a middle class family, while the Romanoffs were so removed from that life. You two weren’t different just in terms of tax brackets- no, the culture was different too. You had an older brother, your mother, and your father. Nothing really out of the ordinary, and you had family spread all throughout New York- extremely tight knit. Something the Romanoffs didn’t seem like they had. 

    The business of your two families, that couldn’t be more different. Natasha’s father was the head of the NYPD, an upholding citizen of the law. Your father- well, he ran a corner store with your mother, and as much as all of that was true and honest, they also ran a background business with your Uncles. You had always assumed it was petty goods or something minuscule, unimportant. That was until your favorite Uncle randomly got taken away one Tuesday afternoon at the dry cleaners he ran, and your family quickly cut off all ties with him. As if he ceased to exist. Their business affairs became much more secretive, organized, and quiet after that. That was the first time you ever felt that maybe the underground business your family ran wasn’t so unimportant…or underground. All of that was nearly three years ago, and now you understood the scope of what your family had going on- or that is, at least you thought you understood the scope of what they had going on. Either way, you came from a line of hard workers, entrepreneurs, and a loving home. Not perfect, not always pretty, and not shiny, but there was love in it. And you knew that. The sharp, young mind that you had would have never considered anyone in your family criminals- like truly bad criminals. Real criminals. Unfortunately, that’s not what Natasha’s father, Jon, saw when you stepped foot in their home. He knew all about your little family and their businesses, both above and underground. He just didn’t know what exactly they were doing underground, but he heard whispers of it from colleagues, friends, customers. 

   Natasha’s father is a man of few words, but his presence commands respect and fear. He’s not the type to show affection openly, and when he does speak, his words carry the weight of unspoken threats. You know he’s not the dad that kisses his daughters goodnight, or watches as they descend the stairs before their first school dance. He’s the type of dad to give you a firm pat on the shoulder, and go back to his study. Meanwhile Natasha’s mother was soft spoken, nice- but not kind, and distant. She was in two places at once when she talked to you, never quite giving her full attention. 

    On the other hand, your family was so warm, like a fireplace. Your dad was funny and so protective, but sometimes he could be so angry. Sometimes, he scared you. You now know he’s involved in something more than just the legitimate businesses he fronts; the hushed conversations in the study, the late-night visitors who never stay long, the subtle nods of acknowledgment he receives from men who walk with a certain air of authority—they all point to a darker truth. That never stopped him from being a good dad though, your dad. Your mother is equally enigmatic, a woman of grace and elegance who runs the household like a queen. She’s fiercely protective of you, but there’s always a sense of something unspoken, something lurking just beneath the surface of her calm demeanor. And her love for you two is fierce beyond belief. Then there’s your older brother, who’s already being groomed to take over the family business. He’s charming and charismatic, the kind of man who can talk his way out of anything, but you’ve started to see the darker side of him too—the cold, calculating stare, the ruthless determination to protect the family’s interests at any cost. As deep as your love runs for them, sometimes you wonder if you’re safe. Really safe.

    Through you and Natasha’s “friendship,” or whatever it was, there were unspoken rules that lingered between you two: 1. Don’t get caught. 2. Never be affectionate in public. And perhaps the most impotent rule of all- 3. Our families can never know. She explained all these rules to you while sitting on your lap in the attic, kissing you between every rule.

[qqueenofhades]

Good Omens Season 2: Some Thoughts (and also Screaming)

First, /screams

Second, obligatory disclaimer that this meta contains MAJOR SPOILERS for all six episodes. If you somehow have managed to remain virginally unspoiled, look away now, scroll past, or add "good omens s2" and "good omens spoilers" to your block list, as those are the tags I have been using for all posts and reblogs.

Third, /screams more

Okay okay okay. Deep breaths.

Anyway, so, uh, how about all that, huh? First, the good thing about the tone of the season overall was that it felt considerably darker and more adult, in a good way. We didn't have the precocious kiddies, the kitsch and literally-comphet Anathema and Newt, the so-clever narration, etc. All that was gone, which makes sense when you consider that a) the end of last season saw them reboot into an entirely new universe, and b) the fact that God has gone silent is, in fact, a major plot point for the season. We don't have Her slyly telling us the story, or indeed anything, and everyone is left to make their own judgments and take their own actions. Which, obviously, gets them into a lot of trouble, especially when Metatron (the Voice of God, aka someone acting in the belief that they're speaking for God and therefore doing terrible harm) swoops in with the ultimate buzzkill at the end of episode 6. But we'll get to that.

The downside was that the main, present-day plot (hiding Gabriel in the bookshop and trying to get Nina and Maggie to fall in love) was fairly thin, felt stretched out and at times weirdly paced, and otherwise existed mostly to get us to That Ending and the setup for season 3. But the ending was so damn good (if obviously, very painful) that I can't be TOO mad, not least because we spent six episodes with them just making absolutely no pretense about the whole thing being as incredibly homosexual as possible. I'll be honest: I did not think they were going to actually, explicitly go there. Neil Gaiman has been so consistent about "your interpretations are valid and you're welcome to read it however you want, but the only canon is what's on screen," which I think is frankly a good thing (not least since the Neil GAYman Cinematic Universe is consistently very, very good to us queers), that I just... didn't quite think they'd pull the trigger. Sir Terry is dead and can't have active input, this is based on a book published 30 years ago, maybe they didn't want to make it LIKE THAT... etc. I certainly hoped, but I didn't really think they would.

Uh. Well.

As I said in my various semi-coherent liveblog posts, I honestly don't think there was a single straight person in the entire season, among both major and background characters. Aziraphale/Crowley and Maggie/Nina are the obvious paralleling couples, but Beelzebub (using "they" pronouns and addressed as "Lord" despite presenting as femme/femme-adjacent) is clearly nonbinary and therefore also queer, and the countless gay/queer side characters were just /chefs kiss. From Job's son making a sassy pass at Aziraphale, to the random Scottish goon with Grindr on his phone (which he then gives to Aziraphale, because what is subtlety), to the interracial couple with the trans spouse at the Pride and Prejudice ball, there was just a lot of casual, unremarked, non-story-critical queer representation visible at every turn. It's like the NGCU saw the bigots wailing about Sandman season 1 being extremely gay and went CHALLENGE ACCEPTED, LET'S MAKE GOOD OMENS 2 EVEN MORE GAY.

God bless.

Obviously, Jon Hamm as Amnesia!Gabriel stole the show (he was SO fucking funny) and it was also incredibly fun to watch Miranda Richardson repurposed as a scheming demon. Nina Sosanya also reappeared as Nina the coffee shop owner, which leads us into the Maggie-and-Nina subplot. They're obviously, wildly, incredibly clearly an analogue for Aziraphale and Crowley themselves, but they're also each, crucially, a mix of both. On the surface, Maggie is Aziraphale: the plump, blonde, earnest, sweet-natured one owning a slightly dated book music shop and somewhat clueless about emotional nuances, while Nina is (also on the surface) Crowley, the hard-edged dark loner who doesn't want to open herself up to people or be spotted caring. But emotionally, Maggie is Crowley: the one openly pining, clearly besotted, only wanting to hang around their crush and do whatever they can to make themselves useful, while Nina is Aziraphale. Interested but reticent, attracted but conflicted, trapped in an abusive relationship with a demanding offscreen "lover" (Lindsay/Heaven) who tries to constantly control and shame them without ever offering much, if anything in return. By the end, they bring themselves around to what Maggie/Crowley are offering, but by then, well. We've got a lot more problems on our hands.

As I also said in my earlier posts, this entire thing has always been a metaphor for religion, queerness, and what religion -- especially abusive, fundamentalist, organized religion -- does to queer people, but they really cranked the FUCK out of that metaphor this season. Aziraphale is guilt-tripped, controlled, and shamed for his attraction to Crowley at every turn. He is torn between his imagined duty to Heaven, in all its ignorant, uncaring, bureaucratic, gratuitously cruel system that he still insists on seeing the best in because he can't bear the alternative, and the chaotic and sometimes grey but genuinely more good morality that Crowley offers him. (Can I just say, we were explicitly shown that the two of them together doing "just a little miracle" are more powerful than Heaven AND Hell combined.) And at the end, he's told that the only way he can be with Crowley -- what Metatron explicitly blackmails him with -- is if they both go back to heaven, submit themselves to the cruel system again and give up everything that has made them who they are: their home in London, their human friends, their reliance on each other, their independence, their own ways of doing things. You can be queer in this (religious) framework, but only the limited, watered-down, controlled, controllable, constantly-under-supervision kind of queer, which relies on both you and your lover "converting" back to the true faith. And if you don't cooperate, they will literally kidnap you, lie to you, manipulate you, take you from your soulmate, and force you right back into doing the one thing (destroying the world) that you never, ever wanted to do in the first place, because in their minds, that is still better than this. It's for your own good.

Ouch.

And the thing is: that's why the ending a) hits so hard and b) is so fucking painful, because of course Aziraphale agrees. He has no conception of being able to defy Heaven on his own; he has always, always needed Crowley for that. In the flashbacks, when Aziraphale is faced with an order from Heaven that he desperately does not want to carry out (such as letting all Job's children get killed), he still relies completely on Crowley to "outsmart the rules" and find a better way. Crowley is A Crafty Demon; that's what he does, and so Aziraphale rationalizes it to himself that therefore that must be fine. Even in season 1, when he really didn't want the Apocalypse to happen but initially thought it was his duty as a good Heaven footsoldier, he relied on Crowley to talk him out of it and allow him to do what he really wants instead. That's their whole dynamic in a nutshell, as exemplified in that scene in episode 2, where Crowley tempts Aziraphale with the "pleasures of the flesh" while sprawled on his back in Ravish Me mode like the giant walking gay disaster that he is. (Sorry, buddy. That beard. Can't do it.) Everything that Aziraphale's existence is, that makes him who he is, that he loves and cherishes the most (in this case, food and wine) comes from Crowley. Everything else is just background noise.

Throughout the season, what we see is Aziraphale increasingly coming around to the fantasy of being with Crowley. He's coy and flirty; he talks about "our car" and expects Crowley will let him (which he does); he wants to have a Jane Austen ball and for them to dance together (oh my heart); he even thinks, at the crucial moment, that the best way for them to be together is to go back to heaven just like they were in the beginning, once more perfect angels, as if those entire six thousand years of struggle and grief and pining and separation and falling didn't happen. And Crowley -- poor, poor, brave, devoted, heartbroken Crowley -- has just heard for the first time in said six thousand years that actually telling the person you love how you feel is an option. Maggie and Nina tell them point-blank that their whole stupid plan failed because people aren't chess pieces who can be moved and automatically achieve the desired result. And of course this gobsmacks the dearest and dumbest Ineffable Husbands, because they can't conceive of anything else. People are chess pieces in the Great War of Heaven and Hell; Aziraphale and Crowley themselves are chess pieces who have been desperately trying to get out of being moved by external forces, but that doesn't change the fact that that's what they are. They don't have volition or agency aside from that which they can sneak for themselves in brief and stolen moments. That's it.

Until, well. It's not it. They discover that this whole would-be war is actually an elaborate ruse to cover up another angel-demon romance, that of Gabriel and Beelzebub. (I'll be honest, I'm 99% sure they did this storyline because they saw the fans crackshipping them, but I appreciate a fictional narrative that values and incorporates its fans' input, rather than trying to constantly "trick" or "outsmart" them or "do what they don't expect.") And Gabriel and Beelzebub get to be together, but only by leaving their world forever. They have to desert their homes, their structures, even their own identities, and never return. And Crowley and Aziraphale are so rooted in their "precious, perfect, fragile" life in their little corner of Soho, with their bookshop and their Bentley and their dining at the Ritz (which they didn't get to do in the end because METATRON /shakes fist), that that just doesn't work. Neither of them can conceive of doing that. So Aziraphale thinks "go back to heaven and try to make the terrible system do some good and take what we can in terms of being together" and Crowley just... pours out his heart. He's ready to fucking propose. He barely stops himself from saying something to the effect of "I want to spend eternity with you." He begs, he pleads with Aziraphale to go away not in the literal sense, but the emotional/metaphysical: to finally break this toxic dependence on Heaven and tell them once and for all where to stick it. And because he is desperate to make Aziraphale understand, he finally throws all caution to the winds and recklessly, desperately, adoringly kisses him, the one thing he's wanted to do for ages and...

Gets. Shot. Down.

Ugghhhhh. I'm suffering all over again. Aziraphale wants him, hungers for it, for them, and yet he's been so abused and so conditioned by Heaven (he's still blithely repeating to Crowley's face that "Hell are the bad guys!") that he just cannot accept that kind of desperate, blind, limitless, lawless affection. He even forgives Crowley for this "transgression," just to really twist the knife, and Crowley just can't take it, can't face up to how terribly this has all gone up in flames, after he went to heaven trying to find the answer for Gabriel's situation. Gabriel, who he fucking hates. Gabriel, who tried to kill the angelic being he loves (and for which Crowley has transparently never forgiven him). And yet at one pouty puppy-eyed look from Aziraphale and a warning that whoever is harboring Gabriel might be in danger, Crowley leaps headlong into the Bentley again and rushes to the rescue while "Good Old Fashioned Lover Boy" is blaring. He stoutly protects Gabriel; he does a miracle to disguise him; he lets him have hot chocolate and stay in the bookshop; he guards him from the literal demonic horde outside. All because of Aziraphale. That's it. And then, it still doesn't work. Not only that, Gabriel's absence and decision to forego Armageddon gives Heaven the one tool they finally need to take Aziraphale away from him.

I repeat: Ugghhhhhhhh.

(In a good way. Ngl, I love this angst. This is the kind of angst my brain Thrives on, the Thematic Parallel Romantic Character Arc kind. Nom nom nom. But also: AGONY.)

I also need to talk about Aziraphale driving the Bentley, aside from the obvious metaphor of him being in Crowley's home while Crowley is in his. Last season, we had the "you go too fast for me, Crowley" scene with them sitting in said Bentley, which was Aziraphale saying he's not ready for a relationship. In this season, as noted above, we see Aziraphale increasingly embracing the potential fantasy of being with Crowley. But here's the catch: when he's in the Bentley this time, driving it, setting the pace, acclimating to the idea, he's driving his own idea of what the Bentley/his relationship with Crowley is. It's not the real thing. He plays classical music; he supplies himself sweets; he turns it yellow; he drives too slow. Crowley calls him in another old-married-couple snitfit to complain that Aziraphale's messed it up, but what Aziraphale has actually messed up (or will, by the end of the season) is far more consequential than just a car. He's changed the entire shape of their relationship to the one he thinks can make it work, and it just doesn't. It has to be them -- "we could have been... Us" -- or it's not even close to the truth. It's not worth their time.

I repeat: Ouch.

Speaking of the writers validating fan theories, I know we all picked up and screamed about on Crowley's idea of Peak Romance Guaranteed To Fall In Love being sheltering from rain and gazing into each other's eyes, which confirms that that poor bastard was indeed ass-over-teakettle gone as soon as he met Aziraphale (again) in Eden. I also need to talk about the 1941 redux, because wow. This time, the danger comes from Hell, which we see being its usual self: gleefully, pointlessly cruel, pettily backbiting, dirty, sniping, tedious, endless, determined to mindlessly destroy because They're The Bad Guys and they like it. So they blackmail, spy on, miracle-block, illicitly photograph, and try to prove that Aziraphale and Crowley are secretly a couple, right after Aziraphale himself has just had the Light From Heaven realization that he's in love (which we all also picked up on in s1). They're forcibly outing them (to speak of more Religious Queer Trauma) in order to break them up/get them into trouble with their authorities/families. Aziraphale and Crowley manage to escape it mostly by dumb luck, but Crowley having an altogether freakout, hands shaking, barely able to actually point the gun at Aziraphale even in the knowledge that it's supposed to be fake, is just... wow. He can't even fathom the idea of ever trying to destroy him in earnest, especially when he knows on some level that Aziraphale also finally just realized his own feelings. So I just need to --

/screams

Anyway, Aziraphale's entire arc this season is doing what he thinks is the right thing and then inadvertently causing harm and damage as a result. In the Edinburgh flashbacks (live slug reaction of me: SEAN BIGGERSTAFF???!!) he tries to stop Elspeth from stealing bodies and gets Morag killed and Crowley drinking the laudanum to save him (though that part with David Tennant just riffing left and right, using his natural Scottish accent, and being Tiny Crowley/Huge Crowley was hilarious). He invites his neighbors to a Pride and Prejudice ball and makes them all the target for demonic attack. And of course the Job episode: Aziraphale, horrified at Heaven's callous cruelty, desperate not to get Job's children killed, willing to go along with Crowley's tricks to save them somehow, tempted by Crowley to do the fucknasty with their angel bits eat some food and decide that he likes it. As mentioned, the whole thing about God being silent this season is a major thematic choice. The only time we see/hear God is Her communing with Job from afar. Aziraphale enviously imagines the answers he must be getting (he's not, he's baffled and perplexed), while Crowley longs beyond words to even have the opportunity to ask the question: why? Why do this? Why is this your plan?

And of course, this absence culminates in the Metatron, the Voice of God, the person arrogantly claiming that they're speaking for God and know exactly what Heaven wants, being able to seize Aziraphale by the short hairs and absolutely fuck him over. Gabriel is gone/decommissioned/eloping with Beelzebub, so Heaven needs a Supreme Leader (God apparently is no longer a factor in the equation). And what this Supreme Leader needs to do is finally unleash the Apocalypse that Gabriel decided to pass on (the Second Coming). Aziraphale needs to be punished, taken away from Crowley's influence/love, and put back under Heaven's explicit control, so Metatron spots a great opportunity to do all three at once. It's not an accident that the exact tool he uses to get Aziraphale to agree is "now you can actually be with Crowley!" Aziraphale and Crowley have been trying so hard to hide out from their respective Head Offices, but now all at once, there's this seemingly miraculous opportunity for them not to have to do that anymore! They can be together! They can be sanctioned by Heaven! They can give up all this hiding and sneaking around and lying! Isn't that better?

... As long as, of course, they give up absolutely everything that makes them who they are. No big deal. Minor catch. Probably nothing.

Metatron doesn't let Aziraphale have time to escape, or think it over, or reflect, or anything. He pressures Aziraphale to come with him immediately, or be once more subject to Heaven's implicit wrath/destruction/judgment. Believe me, Aziraphale already KNOWS he's made a huge mistake, as soon as he hears what Metatron really wants: bringing him back to unleash the Apocalypse that Aziraphale and Crowley have given up literally everything to prevent. He doesn't need time to reflect. By the time my man is in that elevator, he's well aware of what a catastrophic misjudgment he's made, and yet --

Aziraphale needs this. He has, as noted, literally always relied on Crowley outsmarting Heaven's cruel orders in order to prevent himself from having to do them. He's relied on Crowley rescuing him ("rescuing me makes him so happy," WELL BUB, IT'S BECAUSE YOU ALWAYS NEED IT). He admits to Crowley's face that "I need you!" He hates Heaven's sadistic meanness, but he has absolutely no framework, in and of himself, to defy it. When the rubber hits the road, he will crumple and try to go along with it, and now he's been put in a position where he's going to have to stand up, defy Heaven, and make the break once and for all BY HIMSELF. He doesn't have Crowley around to do it for him, he has no support, he is going to arrive in Heaven and be shuttled straight off to the Apocalypse 2.0 War Room. The only way he gets out of this is if he actively stands up, if he chooses himself and Crowley and their life, and he has to.

The thing is:

Aziraphale has lived his entire eternal existence Looking Up. Up is the direction of Goodness and Heaven. Up is where Angels go. Up is where Aziraphale comes from and where Demons and Hell are not. But now he's going Up, in a position to take over the whole shebang, and it's the last thing he wants.

So he's going to have to come back Down.

He's going to have to Fall. He's going to have to get back Below at all costs. He's going to have to finally, once and for all, understand what led Crowley to make the choice to leave Heaven and never come back. It's only then that they can possibly be together on any kind of conscious, equal, deliberate footing, claim their own agency, reject Heaven AND Hell, and try to really earn that South Downs cottage and that happy-ever-after, and it's gonna hurt so good.

Now if you will excuse me, /screams

[sisaloofafump]

The funniest missed chance DC could have taken during the whole Clark Kent Reveals He Is Superman time was him having a very public friendship with Bruce Wayne. Because people already know that Clark Kent and Bruce Wayne are friends, but Superman and Bruce Wayne?? Now that's funny.

Give me Bruce declaring that of course he always knew who Clark/Superman was. Give me a Bruce vs Batman rivalry over the title of Superman's Best Friend. Have that explain why Superman's always rescuing Bruce instead of Batman.

Give me Bruce constantly trying to wear down the Superman persona in public because it's not like that mask is really needed. Give me Bruce pulling stupid dramatic stunts knowing that Superman is going to save him. Give me Bruce doing anything to mess with him, leaving bystanders wondering "what do they see in each other" but the answer can only be that Superman is way more laid back than assumed because Bruce Wayne is increasingly less sincere the moment they're together.

Give me Bruce using Clark to fly him to work (he'll love it so long as he's not Batman at the moment) and when Clark gets too fed up with the ridiculous flying positions Bruce wants, give me Bruce bribing Jon to take him instead.

Give me Bruce immediately cutting the crap out at one glare from Lois Lane.

Give me Lois Lane actively encouraging him behind Clark's back.

Give me a deeply conflicted Clark who's trying not to murder Bruce at every opportunity but also cherishes their time together and recognizes the ease it provides them to exchange information and materials. Give me Clark trying so hard to keep his composure and "pleasure to see you again, Mr. Wayne" his way through situations while Bruce is loudly inviting his whole family over to dinner and gossiping about the latest personal news. Give me Clark reminding himself constantly that this is Batman, and he will do something amazing soon, he just needs patience (and to yell at him a little), but also this isn't Batman right now and he can't get into a fight with a civilian.

Just... give me public Superman and Bruce Wayne interactions.

[magpod-confessions]

I do not love Alice as much as most of yall seem to. I do not get the hype. On the contrary, i think Sam and Gwen get too much hate.

I come from a labour majority town. I live in a tarrace house. I have a single parent. I am not well to do. And Gwen, to me, is not the embodiment of nepo baby government kiss-ass you all interpret her as.

For one, i doubt her rich as all hell family would be vying for her to work at a suspicious, dingy work job. And i dont think Lena particularly cares for the Bouchard title. And Gwen seems to work as hard as she can, and actually seems to be the only one treating her work as WORK. I can imagine her situation [at the start of the series] was like working on a long-term group project with 1 person who Does Not Give A Fuck and is trying to teach the newbies of the group to do the same as her [Fuck all], which only puts more work and stress on HER.

And her whole "shes a lady" thing with me did not come off as classism. Well to do people tend to do their fucked up shit in private. Bonzo is an otherworldly creature who doesn't care what others think and will just kill you. The fact Mowbray's a Lady makes her seem more human, which is the trap Gwen fell into. It makes her seem like she would only do the atrocious acts in ways that would not damage her title. Whether she is right or wrong, we dont know.

And then there's sam. I never hear anyone really talk about sam in a way thats not

A] talking about him in a way that dumbs down his character.

B] Comparing him to Jon or other characters from TMA

C] only talking about his relationships.

It feels like people are actively resisting having Sam as an actual protagonist, instead trying to make Alice fit into that role. Theyre both complex characters, treat them the bloody same please.

.

[annabelle--cane]

I'm kinda obsessed with the period between the Unknowing and Jon's return and the Martin-Basira-Melanie relationship during it because in my view the sequence of decisions that Martin makes during that space of time are in fact the cruelest things he's ever done in the the podcast. He left them alone not too much long after Jared's attack on the institute to cooperate with someone who as far as they knew was there to intentionally harm them. And it's clear how much this undermined the trust they placed in him, especially because Melanie doesn't even mention him until season 5. And I think this is his character's mortal flaw, not the manipulation as a defense mechanism, he has such a low sense of value and is so incapable of thinking beyond the figure of the plus one that he has internalized for himself that he simply doesn't care about explaining his actions or acknowledging his responsibility for people's pain. He can't see himself as part of the system and someone who actively hurts people because he doesn't believe he has enough power to do it.

pointing emphatically and jumping up and down YEAH. that's exactly it! and like most good fatal flaws, it's double edged and can sometimes work as a positive, ex. he stopped believing peter because he didn't buy that he was uniquely important enough to be the only one who could save the world from the extinction. he doesn't feel like he's capable of, well, being capable, to the point where there are few times jon looks to him and says "you can make this decision and I'll act on it" and martin point blank refuses because he just can't. his complete lack of ego at times can almost twist back around into selfishness, because he can't conceive of anyone being really affected by his actions so he proceeds with the underlying idea that being absent from or cold with them won't mean anything.

[suzukiblu]

Ko-fi thank-you sentences for @wolfjackle; omega!Clark wants to nurse his pups and hungry!Kon doesn't realize he counts. Cut for length.

Kon’s breathing is normal, and his heartbeat is too. No signs of bruising or cuts or burns or any internal damage. He’s definitely passed out and not asleep, because the kid sleeps light, but that's not exactly reassuring. 

Nothing about his pup being functionally unconscious is reassuring, obviously. 

It doesn't help that Kon is functionally unconscious in his arms, either, because Clark's inner omega is losing its goddamn mind right now. It wants Kon curled up safe in a pack nest and to curl up around him in turn and just not come out until the next apocalypse. 

Kon is just so small and skinny and sharp-boned, and Clark just . . . 

It's very, very hard to keep himself from letting down. Or from scenting the kid with protective pheromones. Or–

It's just hard. 

But not as hard as it was for Kon to keep that building from collapsing on everyone inside it, Clark's sure, so he pushes all that aside and just checks the kid over again before forcing himself to take off with him again. He hates being exposed with Kon when Kon's vulnerable like this, but staying on the roof isn't exactly ideal either. Even if the kid doesn't want to be in a nest with him, at least he can get him back to the den and into his room. Or the living room, at least, if Kon doesn't wake up by the time they get there. 

Clark stays out of Kon's room, because Kon's never invited any of them into it. They all do.

Clark has to respect that. It's not Kon's den, but it's still his. 

Clark is very, very careful of respecting things that belong to Kon, given that the kid hadn't had a damn thing but the clothes on his back when they took him in. Nothing he’d been able to keep from what little Lex had allowed him. And Clark’s gotten the impression that Lex had allowed him very, very little. 

So it's not really a surprise that Kon invests the vast majority of his allowance in clothes and consumable things, considering. Things that either won't or can't be taken away from him, statistically. 

At least it's not a surprise to Clark, anyway. 

He takes Kon back to the pack den. Kon doesn’t so much as stir for the whole flight there, which admittedly isn’t a very long flight, especially with how fast Clark takes it. The fact still makes him feel restless and uncomfortable and worried, though. 

Still makes him want to curl up in a nest and scent his pup with safe-protected-safe, and makes his chest ache. 

He lands on the balcony and ducks into the apartment with Kon in his arms, and feels a little tension go out of himself at being enveloped in the familiar scents of their home territory. Kon doesn’t relax at all, but he tries not to read into that. The kid’s functionally unconscious. It’s . . . normal, not to react to things like that in that condition. 

He wants to believe that right now, anyway. 

“Saw the news,” Lois says from the kitchen table, putting a hand on Jon’s shoulder to keep him in his seat and visibly restraining the urge to come over to them herself–to not crowd Kon while he’s vulnerable, which Clark appreciates. They’re pack, but he knows Kon just isn’t comfortable in that close to them. He wouldn’t be this close to him if he were conscious right now. “The kid okay?” 

“He just overused the TTK again,” Clark reassures her as he lays Kon on the couch with a twinge of regret. It’s not the nest, but Kon never even goes near the nest, so . . . “Kept the whole power plant in one piece so I could clear out the civilians and then passed right out.” 

“Wasn’t the power plant actively exploding?” Lois says, her eyebrows shooting up. Clark spares her a wry smile. “Jesus.” 

“Seriously?!” Jon says, looking starry-eyed and leaning forward in his seat. “That’s so cool!” 

“It was pretty cool, yeah,” Clark says with a quiet laugh, relieved that Jon isn’t worrying and giving him a quick smile as he resists the urge to scent Kon again and tries not to look too worried himself. He doesn’t drape the throw over Kon–it’d be too close to scenting him, with how much it smells like everyone else in the pack. Even laying him on the couch at all . . . well, he won’t go into the kid’s room without permission outside of an emergency, so it’s the lesser of two evils, that’s all. Much lesser, in Clark’s opinion. 

The pack’s scent doesn’t really include Kon, except in the faintest traces. Even the den’s doesn’t. And Kon himself doesn’t smell outright stray, but . . . 

Well, he smells like he’s just occasionally around a pack, more than actually part of one. And right now, with his suit and blockers on, even to Kryptonian senses he doesn’t smell like he has a pack at all. 

It’s making it a little difficult for Clark to stop worrying. 

Or . . . very difficult, at this point. 

“This kid is gonna be the death of me, I swear,” Lois says, her brow furrowing and her pheromones just barely tinged with restlessness. She’s not the type to fret unnecessarily, but bringing their unconscious pup home when he smells this close to stray . . . 

Well, of course she’d be concerned about that. 

“I was right there the whole time,” Clark promises her, stepping away from the couch before he accidentally does something like brush Kon’s hair back off his forehead or anything similarly invasive. It’s the kind of thing he’d do to Jon without even thinking, but . . . 

Well, once early on he’d lifted a hand intending to touch Kon’s cheek and the kid had outright flinched.

So it’s not something he does to Kon.