If you were to rewrite Jackson, would you still implement the love triangle? If so, would you make it more of an unrequited love or would you truly explore Jayley? If not, what type of role would you have him play?
TGW outtake suggestion:
In chapter 30 (I think) it mentioned Elijah never called Hayley for her birthday, and knowing Elijah, he’d probably feel guilty about this. So I’m thinking this could start from the dinner Hayley, Elijah, and astra we’re having together and at the end of the dinner, Elijah pulls astra aside and tells her that he wants to plan this whole day out as a surprise to celebrate her birthday. Then the next day could be them doing all sorts of activities and Elijah giving her some sort of expensive gift or something.
That explanation sucked, basically just Elijah plans a day to celebrate Hayley’s birthday because he feels guilty that he missed it.
If I was the writer from the beginning, I would have gotten rid of any love triangles. I've said it before, I don't like them. They are unnecessarily messy. Especially in a show like TO where the plot is so heavy. It worked better in TVD because the show centered more around the relationships. Most of the enemies were part of the romantic drama. But TO was focused on family and the enemies were typically after power or revenge. There wasn't time for messy relationship drama. I would have preferred for the show to have established relationships that could have been partners/supported each other throughout the show.
I've loved Nathan Parsons since before TO even existed so I was so excited to see him in TO. Fun fact, he was one of my first male crushes. I was then super disappointed to see his character be so underutilized and underdeveloped. I would have introduced him as alpha of the pack without the arranged marriage. I know many cultures have arranged marriages and that is great as long as everyone wants it. Hayley was not comfortable with it and said it multiple times. I hated that the show just kept going down that path and introduced the arranged marriage again in season 2 just under a different name, the "unification." If I was in charge, the women would have much more autonomy in the show.
I would have kept the warring family idea and even had Jackson be warry of Hayley's sudden appearance. This girl who is supposedly the long-lost "princess" of the pack shows up, pregnant by their enemies, and living with the Mikaelsons. Hayley would have had to earn his respect as well as the packs, but once she did, he would teach her the pack's history. I would also make him a better alpha. I don't think I would make him more politically minded because I would have played more into the fact that he has spent his entire adult life as a wolf because of the curse. He would have leaned on Hayley who naturally seemed to know how to make allies with the other factions. Instead of a marriage to fix the rift in the pack, Jackson and Hayley would have created a bond based on mutual respect and love for the pack. They would have introduced the idea of co-alphas without needing it to be romantic or sexual.
I hate when shows can't allow opposite gender individuals to just work together without it being romantic or sexual. I love a good friendship. That is one of my biggest complaints about TVDU. It created such great friendships but instead of developing them, it focused on the romantic drama. The friendships/found families in New Orleans were what was going to save it from war. You have Marcel and Davina, Vincent and Cami, Cami and Marcel, Vincent and Freya, etc. These bonds that transcended the factions was what saved them over and over. But the wolves are left out of that since, after Jackson died Hayley basically forgot about the pack. They could have done it with Eve, but she died to early. It would have been nice to see Jackson forming those bonds with the other factions, starting with Hayley.
I wouldn't do an unrequited love storyline. These always just make me sad. I know it happens in real life but that's why I love fiction, I don't need to add any unnecessary pain that way (I know that's ironic coming from me). If I did explore Jayley, I would have actually shown them developing feelings for each other. Show Hayley being torn between her feelings. And then shown that even if you love someone and try to make it work, for various reasons, it may not. This doesn't mean it was bad or one of the partners was "evil." In real life, relationships don't work out, it doesn't make the relationship any less important or impactful.
I truly do think Jackson deserved better from the writers. This is why *spoilers for my story, The Great War* I had jayley end the way they did. It was on Jackson's terms. I know some people thought it was out of character, and maybe it was for the show, but that's the point. Jackson is supposed to be a strong leader, yet he couldn't stand up for himself in the show. He gave Hayley ultimatums instead of setting boundaries and then just left when it got hard. They needed to have a real conversation. So in my story, when they did have this real conversation, they realized they were never going to get what they wanted out of the relationship. Jackson deserved to be able to set his boundaries and get away from the Mikaelsons. He deserved to have a love that isn't forced or manipulated. It's why I didn't kill him. I hated that so many characters were sacrificed just to push certain ships or push the Mikaelson story forward (RIP Gia).
I have already written an outtake for chapter 30 but I do love this idea. And y'all know I love writing haylijah. I'm not sure when I'll get it done but I will definitely write this!
Thanks for the ask and the suggestion!
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Shape-shifters, face-blindness, and "paying attention to others"
The shapeshifter is one of my favourite "monster of the week" episodes because it showcases how differently Laios processes social information than the rest of the party. It reminds me a lot of the strategies I, faceblind name-forgetter and eye-contact avoider, use to recognize people and learn things about them.
We see Laios clearly fail at recognizing the doubles through "standard" social cues that are perceived as "easy to tell", such as their clothes. This makes the team (unfairly, but understandably) weary of his ability to tell the fakes apart and even worried that he'd prefer the monster versions* over them. Nonetheless, he gives it a try!
...And is immediately overwhelmed. His lack of attention to social cues works a bit in his favor, though, as it makes it harder for him to fall for stereotypes that fool the rest of the group.
Instead, he chooses to rely on his strengths and use his investigation and animal handling skills to distract the shapeshifters, lure out the monster, and roll the most insane balls-to-the-wall intimidation check of all time.
If it had ended there it still would have been a great episode that showcases Laios' strategic mind and his strengths as a leader. He doesn't have the social skills necessary for the task, but he is clever and creative enough to use the skills he does have proficiency in to solve the problem*.
However, what makes this episode so dear and near to my faceblind heart is the revelation that Laios was able to recognize the real party members after all.
Laios is fantastic representation of how special interests actually work for a monotropic interest system. Having a special interest is not just about how much you like it and the need to know everything about it, it's a way of processing and filtering information. Laios' special interest is monsters: his skills as a dungeoneer and party leader are acquired for and informed by his desire to interact with monsters, as is his interest in eating them. He actually brings this up himself when comparing his interest in cooking to Senshi's.
And in this episode, we see that this also extends to his friends. Laios hacks one of the most difficult types of information for him to process by routing it through the lens of the special interest. And, because it's not something most people would notice, it works. He knows that Chilchuck wouldn't let his guard down around a potential mimic, that Senshi values a balanced ecosystem, that (my favourite) Marcille just isn't as thoughtful about monsters as he is.
It might not be what was expected, but it did the trick! And what's more, the narrative validates his way of thinking (even if Chilchuck doesn't).
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Reading (listening to, as Homer intended) the Iliad making me go oh. Ohhh. I should have done this before I read Gideon the Ninth. I get it now.
Particularly thinking now about the tidbit that in early drafts, our beloved gray-eyed Necromancer Warden of the Sixth House was named Diomedes Sextus. For Diomedes, king of Argos, young, brave, noble, heroic. Favorite fighter of Athena, bestest friend of Odysseus. And, notably, fought gods and—well he didn’t win exactly. But he got them good.
And specifically, he fought and wounded Aphrodite; Aphrodite, who is also called Cytherea.
And then of course Tamsyn Muir said she decided to change his name so she could make the Sex Pal joke.
Palamedes is a less heroic, less fondly remembered character in the Trojan War, but according to Plato, he unrelatedly invented both number and the alphabet, so you keep that connection to scholarship even if that’s not the first association with him. More interestingly, imo, there’s also an Arthurian Knight of the Round Table named Palamedes, best known for his unrequited love for Isolde (and his apparent ultimately gracious acceptance of her choosing Tristan).
I think this is actually a super interesting shift in thematic naming focus: from favored-of-Athena, fought-gods-and-wounded-them to unrequited heterosexual love, but didn’t act like a dick about it.
Also y’know. Sex Pal
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