Not a submission, but an actual question to satisfy my curiosity:
Do you have a list of places you'd like to visit someday, and if so, has it grown longer because of this blog? Any notable examples? Since following, my list of destinations to visit has grown even more absurdly long, and I was wondering if that happened to anyone else.
I'd love to hear your personal answer to the question, but I would also be interested in hearing from your followers, if anyone is so inclined.
This blog is very fun; thank you for all the time and effort you put into it!
Hello! I don't *really* have a list of places I'd like to visit more than vague wishes of "it'd be nice to visit Italy one day!" Etc., buuuut this blog has definitely helped me make one! If you're curious to see where I might want to go one day, check out the "#to do list" tag on my main blog, @yupokaysuremhm. I reblog the places from here that I find especially cool. Mostly waterfalls and pretty cities!
If anyone else has a list of places they'd like to visit, you're more than welcome to mention them on this post :)
Thank you for enjoying the blog!! Knowing that people like it and want it to continue is a lot of what keeps it going!
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an incomplete list of terrible but extremely popular Our Flag Means Death takes that I would like to never see again please
(and I do mean popular, as in, lots of people seem to think they're canon, to the point where I feel slightly insane and like I was watching a different show to everyone else)
1. Ed's mum was loving and nice and supportive, if hampered by her bad situation
this comes up more in fic than analysis, to be fair, but good god, what show were some of you watching? this isn't to vilify her, because yeah, she's clearly a product of colonialism, white christian supremacy, and domestic abuse, but like. that doesn't make how she raised Ed good. clearly she was trying to keep him safe, but "we don't deserve nice things", and especially "it's not up to us, it's up to god", speaks to me of someone who squashes down any ambition on her son's part, has fully bought into the lies of christian colonialism, and tries to pass them down to her son.
as does happen in colonised communities, particularly among older generations. I know us white people like to think that every indigenous person is a perfect left-wing anti-imperial activist, but that's simply not the case, and Ed's mum is so clearly an example of an older conservative christian indigenous parent who had to believe the lies told by their coloniser in order to survive, but is now passing on that trauma to their children. and I just...
if I read one more fic where Ed's mum is a perfect loving supportive angel who always believed in her kid and always supported and protected him, I'm gonna scream. yes, it's sweet, and it's fun to sometimes veer from canon and give your blorbo nice things, but it's still veering from canon. and yet, I see very few people acknowledge that, or actually talk about the nuances of Ed's mother, and how she definitely tried to protect him, but was far from sweet, doting, and unconditionally supportive.
2. Ed's loving look when Stede is picking food from his beard in 1x07
like most of these things, I enjoyed it as a joke or exaggeration at first, until I realised that people were actually being serious. but every time I watch that scene, I see Ed looking absently-mindedly over Stede's shoulder, because a) that's what you do when someone leans in to pick something off you, and b) surely the point of the scene is that they're so comfortable and easy together that they don't notice the intimacy of what they're doing, but Lucius, an outside observer, thinks it's obvious. right?? I can't be the only one seeing it???
[sigh]
anyway. finally, the really really big one:
3. Ed is a soft uwu babygirl princess femme bottom sub who loves her cat collar and is teaching Stede how to dom him in the "say you're the captain" scene
I mean, there's not much to say except to link to duke's absolutely phenomenal twitter thread about "how the 'babygirlfication' and infantilization of ofmd ed teach is an extension of racist perceptions of indigenous men being inherently violent and thus needing to be emasculated to be considered sympathetic"
but especially That One Fucking Scene, good lord. talk about taking shit out of context. everyone looked at a slowed-down gif of one shot in the trailer and cried "babygirl!! he's such a simp, he just wants to be dommed!!", when actually that scene is about how a) Stede is cringefail and terrible at being a typical harsh, commanding pirate, and b) Ed is lovingly embarrassed by this. he encourages Stede to assert himself (and give Ed something to do during his probation/help him make amends with the crew), but like. normally. he's acting perfectly normal in that scene, and mostly annoyed by the outfit and embarrassed by how badly Stede fails. but just because he's sitting down while Stede is standing, and he happens to take a breath in that one shot (because, you know, people breathe sometimes), everyone's doubled down on their "submissive babygirl" bullshit, and I can't get the fuck away from it.
which - listen, it's fun for me, too! it's fun to explore exaggerated aspects of a character, it's fun to read/write/draw that angle in smut, I get it! but I keep seeing people keep claim it's literally canon, and I cannot stress enough that that is Straight Up False. for the love of god, please just watch the show without your (potentially kinda racist) bias glasses on, and remember to treat the characters with respect instead of projecting onto their every interaction a shallow dom/sub binary just because you find it hot.
Our Flag is a show very specifically about masculinity, and what it means to be a man; how assumptions about that can harm and restrict men; and how men can grow beyond them. it's a nuanced and sympathetic examination of this. the whole point is that Ed is allowed to like nice fabrics and be tired of violent piracy and still be a man. the point is that two men fall in love - equal, honest, sincere love - and are still men, still exactly who they are.
(on that note, insisting that Ed is canonically trans or femme because of these things often ends up just leaning into gendered stereotypes: men are harsh and active and dominant, and women are soft and passive and submissive, and if Ed's not the former, he must be the latter, right? it also tends to hetero-ify the central relationship, casting Stede as "the boy" and Ed as "the girl", needing one to be masc and one femme. not always, and again, I understand and have enjoyed transformative works that take those elements and run with them, and explore what the story could be like if Ed were trans/nb/etc - but it's still a transformative interpretation. it's not canon.)
relatedly: those fucking wedding toppers! it seemed blatantly obvious to me that half the point of those scenes was that Ed is distraught and blaming himself for Stede leaving because he wasn't the ideal partner. it's his entire arc for the first half of season 2! Ed hates himself and believes there's something wrong about him that makes him unlovable. so he keeps and then discards the wedding toppers, painting himself onto one of them, because he's projecting himself onto an image of ideal/successful romantic love that he thinks Stede wants, and in which he doesn't fit. he's trying to mould himself into someone else to make himself lovable, not realising that Stede already loves him for himself.
like, it's important that the groom figure isn't actually like Stede, either. yes, it's blond and has a nice, peach-coloured suit, but a) Stede was very specifically unhappy in the posh, heterosexual, married state the figures represent, and b) Stede by this point looks nothing like that figurine. it's directly contrasted with the image of him in the rowboat, scruffy and plain and earnestly in love, rather than fancy, cold ceramic.
so it's important to the whole narrative that Ed's yearning for/projection onto the wedding toppers is false, and born from his insecurity. he gets drunk, and play-acts a stereotypical image of romantic happiness into which he doesn't fit, but real love looks nothing like that, because real love isn't found in stifling hegemonic cultural structures, but honest, emotional connections between people allowed to be their whole, vulnerable selves. Stede is not like the groom, and Ed is not like the bride, because they shouldn't have to be. Ed should not (and does not) have to warp himself into a demure bride in order to be worthy of love: he's already lovable and loved exactly as he is! that's the point!! of the scene!!!!!!
but no, I have to wade through swathes of art and fic and meta about how badly Ed wants to be a sweet little demure kitty princess, how he wants a wedding night and a ring to prove he's Stede's property, and acting as if this is somehow canon, because people on the internet have zero reading comprehension and are scared of brown men.
the whole point of Our Flag is that you don't need to compress yourself into prescribed social roles, and in fact, doing so will only make you miserable; and that racist, patriarchal, colonial institutions should be resisted and dismantled at every opportunity.
so tell me again why the ultimate message is that Ed and Stede should get married under an arch in front of an altar and their lined-up friends, with flowers and rice falling around them, all dressed in white, one in a suit and one in a dress, with rings and a kiss and a honeymoon after, before they move into a detached house with a yard and a fence and re-adopt the kids that Stede abandoned? and this isn't about promises, fidelity, or even monogamy - I'm specifically talking about everyone in this fandom who seems to think that the ultimate goal is the most stereotypical 20th century cisheteropatriarchal christian wedding, but with the name "matelotage" slapped on top, as if that takes away all of the underlying baggage.
just - I know we're all meant to hate men and masculinity and yadda yadda yadda, but actually, to be earnest for a second, men deserve respect too, because all people and all genders do. and two men are allowed to be in a relationship and still both be men - complex men, with their own, layered relationships to their gender - without having to fall into neatly-arranged dom/sub masc/femme roles, or seal the deal with a hegemonically-approved ceremony.
so please, stop reducing an indigenous lead character to a caricature of a femme uwu princess bottom just because he has long hair, wore a robe once, and you're too scared of brown men to imagine him with proper agency. and then please, for the love of god, stop claiming that that interpretation is canon.
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Or, alternate funny version to the previous: any combination of Uchiha watching Tobirama fight and discussing their observations (gossiping/oogling shamelessly), after peace exists and they SHOULD technically probably help him, but... Tobirama can clearly handle it, no need to get in his way
I once read that a drabble is 200 words or less. I will never beat those allegations.
The ability to share memories with the sharingan really isn't meant to be used this way, but that's never actually stopped anyone.
"I swear to you," Says Madara with a snicker, "He slapped himself in the face with a water whip. Acted like it never happened, but I saw it."
The scene is a bit more endearing than that, when Madara shows it. Tobirama is sparring with his students and one of them can't quite dodge in time. That jutsu can break skin and cut through muscle if it hits right, but rather than hurt one of his students that badly, Tobirama jerks it back. He breaking the whip's momentum but loses a good portion of control and, indeed, slaps himself in the fact with it. He looks rather akin to a wet cat.
Madara and Izuna both break out into another fit of laughter, but Hikaku just shakes his head fondly.
"I've seen him do that on purpose, actually." He says after the laughter has died down a bit. It's not exactly the same -- the memory he calls up had been recorded on accident. It had been in those early days of peace, when seeing Tobirama move water about had made him call up the sharingan on instinct, back when they'd be so concerned that he'd break peace that he wasn't allowed to go off on missions alone.
I'd been rather rote mission -- dealing with bandits who had thought they could take advanced of the disorganization of a new village. It had had been hot, the summer temperatures soaring high and uncomfortable, and they'd both been sweat soaked and sticky by the end of it.
"Excuse me" Tobirama had said the moment he'd cause sight of a source of water. He'd let himself jump in ankle deep instead of standing on top, raised an arm, and proceeded to dump an honestly excessive amount of water over himself. Of course, his mastery over water let him pull water out of his clothes until he was just the right amount of damp without any effort-- Hikaku had been and still is jealous over it -- and even back then, eyes lingered on where wet clothes stuck to well-defined muscle.
Thankfully no one comments. The sharingan's tendency to show the exactly what was seen means they've all shared unintentionally embarrassing moments. Plus, Hikaku knows he's not the only one who's done that exact thing.
"Oh, sensei will do that for us, if we ask!" Chimes in Kagami, thankfully too young and oblivious to understand why his cousins are giving Hikaku the side eye. He launches into a memory of his team begging and pleading to be allowed to train on the water on another hot day. His sensei had crossed his arms, unimpressed, and said he knew that the lot of them had all mastered water walking already…
…But that if the lot of them managed to prove they could do their D-rank mission without complaining, he would think of a way to cool them all off. In Kagami's young memory, the cool mist Tobirama had raised from the pond of the garden they'd been weeding had been the most refreshing thing he'd ever felt.
"…He's too soft on you." Madara says, without any real heat.
"He's something." Izuna responds dryly. "Sometimes I forget, none of you have ever seen what it's like when he really wants to get something done."
Without warning, Izuna calls up the memory of a fight. No… A spar, but a bloodthirsty one. Probably one of the first ones they'd had since they were allowed to again, after peace was called. A mixture of pent up frustration and the fact that they were no longer supposed to kill each other had both of them showing off -- Izuna was prone to do it, regardless, but this was the first time he'd seen Tobirama opt for techniques that were more flashy than practical. A water dragon with mutliple heads split apart into multiple, chasing Izuna through the trees, each one eating one of the multi-fireballs Izuna hurls out to counter them.
Tobirama did not hesitate, leaping out from the steam and twisting his fingers. The droplets of water in the air shimmered and twisted until everything was an indistinct haze.
Not that it stops a sharingan. But something about the scene -- the way the light hit the mist, haloing Tobirama with a sort of rainbow -- or maybe the way he's smirking -- makes Izuna pause.
Oh, he thinks.
Oh, thinks everyone else.
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