it was really only a matter of time until edwardian payneland happened and what if i channeled maurice about it. just a little
-
Charles is the son of the groundskeeper at St. Hilarion's School for Boys while Edwin is a pupil there. And he can't help but notice Edwin—how he’s nearly always alone, or else being harangued by the cruel older boys who call themselves his peers.
Charles privately thinks they hardly seem equal to him in poise or grace or manner. They are boisterous, brash, crass, violent, all overlaid with a veneer of false propriety, but Charles can see the cracks in it. He knows that sort by how they are inside, and they cannot be like Edwin at all. No, Edwin Paine's got a sad, drawn sort of look about him that Charles can't help recognizing. This lonely boy who feels somehow kindred in a way he can't put a finger on, but is pulled to him all the same, though by rights he'd do better to keep his distance.
Edwin often sits by the lake by himself, to read, or to do his assignments in the shade of the trees. Picturesque as a painting, he is. One day Charles dares to approach him, though he knows the risk in it—prepared to be rebuffed, rebuked for his untoward attention to someone he is meant to ignore; but the boy does not turn him away.
And so they become friends. Tentative, and then less and less so.
Together they explore the school's sprawling grounds, all of whose surprising hiding-places Charles Rowland knows by heart, having wandered them himself for years and made them his own refuge. The woods become theirs; the shore by the lake theirs; the shade of the trees theirs. The attic, where no one comes to look for them in the dead of night, also theirs.
And then one day Charles notices a group of boys surrounding Edwin. The usual cadre, and they're posturing, their voices loud in the autumn air. They’ve ripped Edwin's penny magazine from his grip and are tearing pages out of it, scattering them to be plucked up by the wind. Charles can do nothing else but step in. He shouts at them to back off, puts himself between them and Edwin, and gets himself thrashed for his trouble—but they, at least, finally leave Edwin alone.
Edwin, for his part, cannot believe Charles would be so reckless for his sake. Charles has not yet mentioned to him that he is used to this sort of treatment, and sees worse at home. They sit together in the boathouse by the lake, cross-legged, close enough for Edwin to dab carefully at Charles’ split lip and bleeding knuckles.
“You should not have done that for me,” he chides, though it carries no heat. “What will happen now?” He thinks word is sure to get back to the school, and there will be a scandal. Those boys, who so vocally despise Edwin, will hardly be quiet in their outrage, their humiliation. Charles’ father might be relieved of his post, and then Charles’ family will have to leave St. Hilarion’s. That is how these things go.
And what was it all for? For Edwin? How could it have been worth it?
“Doesn’t matter, does it?" Charles is saying, when Edwin surfaces from his troubled thoughts. "Couldn’t let them treat you like that. They had you five to one. And that, just ‘cause you’re different. I know how it is.” Charles’ eyelashes are very long, and the light turns his eyes a warm, deep amber as he talks fiercely, insistently, in defense of Edwin.
It’s terribly forward, Edwin thinks. And, despite every misgiving, he welcomes it. No one has ever fought for Edwin before. No one has ever spoken about him with such conviction.
Then Charles seems to lapse into pensiveness. “You didn’t have to…” he says softly. "All this." He gestures, with the free hand Edwin isn’t busy wrapping up, at the little bottle of antiseptic, the scissors, the roll of bandages and the cloths, all spread out on the floorboards between them.
“Of course I did,” Edwin says.
Really, he had not given it much consideration. He had had only the presence of mind to memorize the sight of Charles kneeling in the dew-damp grass, angry gaze still spitting fire at the backs of Edwin’s retreating bullies. He’d had blood in his bared teeth, and the briefest flash of desire had seared through Edwin—to kiss him. Merely in thanks, perhaps, but still, to kiss him.
He would know the warmth of Charles’ mouth. Fleeting, forbidden, it would sear itself into his mind for ever.
Of course, he had done no such thing; for he could not. Instead, he’d done the only thing he could do—bent low towards Charles, and squeezed his shoulder once, as if to say, Wait here for me. I will come back to you.
And as he'd turned on his heel and gone off in the direction of the infirmary, leaving Charles there with dusk encroaching, Edwin had hoped Charles understood his gesture for the indelible promise it was.
328 notes
·
View notes
hi rook sorrgy I'm back but I've been thinking about your akeshu as girls genderfuckery tweet for 20 million years. idk if you can share anything in good faith here on the Tumblr corner of the internet (if not then by all means ignore this) but if you did I'd owe you perhaps my entire soul!! thank you very much either way :3
i would LOVE to talk about this thank you so much for asking
[under the cut in case anyone would not like to see genderfuckery stuff]
okay so first of all.
on the topic of boobs
this is important to lead with do you understand. most of the akeshu as girls stuff ive seen around has akc as flat-chested and ren as boobed. and that's valid i support that. but personally. personally to me. i think it's the opposite. tbe reason (well one reason) i think it's the opposite is because i think girlren is a little rat of a creature and akechi who is prim and feminine and perfect is so FUCKING angry about her crush on ren like she's barely surviving it and then this is the nail in the coffin. she's like why can't i stop thinking about that messy unassuming thing. she doesn't even have boobs
my other reasons for tihs are that i think joker is more androgynous charm while akechi is more feminine/masculine duality i think this makes sense to nobody else. i think ren regardless of agab is riding the rail of the gender spectrum 🛹 while akc is collecting extremes of gender presentation like they're pokemon do you understand. are we on the same page here. ren being into drag is important to me for this reason (again regardless of agab). meanwhile akechi having very clear feminine secondary sex characteristics but presenting gradually more and more masculine in terms of clothing/hair/personal style etc. is also extremely important to me. and that includes being biog of tity while her style veers more and more into masc as time goes on
ok
the detective prince
i think girl akechi (at 17-18) presents very femininely because it's what's effective for her. i would call her style................... kawaii corporate chic. does that make sense for everyone. it's like schoolgirl girlboss. she has a bow instead of a tie but it's a very classy one not a kitschy one. smart blazer, uniform pleated skirt, patent leather shoes, u know the drill BUT. people still call her the detective prince. this is VERY IMPORTANT to me. no detective princess. only detective prince. do you understand the importance of the genderfuckery of a super feminine girl being called by masculine terms. to me. we're continuing the legacy set by my hero naoto shirogane bigender queeng. bigender kin. bigender genderneutral non-monarchical ruler
i think by third sem girl akechi is starting to dress more androgynously/masculinely. more pants. i think her third sem outfit is unchanged from canon. just a smart coat, sweater, buttondown, slacks. postcanon she gets a haircut.
just trying to live an honest student life
ren is like so fundamentallyuncomfortable with the fact of his existence at the beginning of canon so to me girlren is like... she dresses like she's trying to hide in her clothes. messy hair. i have no strong feelings about whetehr her hair should be long or short, or whether it's loose or pulled into a tail, but i know it's messsy. untamed curls. and she uses it to hide her face. none of her clothes fit. she's in oversized everything. i have a very clear image in my head of a ren idle animation where she leans down to pull up her leggings because they keep falling down. she also has terrible posture. she's androgynous at this stage not on purpose but because she's too self conscious to like... exist... and present... in any notable way at all
i think as she gets more confident and as the year progresses she starts to dress more distinctively. i like the idea of her getting more comfortable prettying up. maybe working at crossroads helps her with this 🤔 i dont know how to explain this but i think she's still feminine in a gentlemanly chivalrous way rather than a girly cute way. girlren has that same steady calming vibe that guy ren does
joker & crow
crow has a magical girl skirt. i have a drawing of this but im too self conscious about my own lack of drawing skill to show it off so i cropped out the key part and put it into an ms paint void in the distance as my visual aid
there. i hope this is illustrative
i think given girl akechi's use of her feminine charms to gain popularity, her hero complex would be similarly gendered given we have confirmation that robin hood represents not (only) heroics for altruistic reasons but also the theatre of being seen doing good. there's a real drama element to the idea of a magical girl transformation that i honestly wish we got for male crow too. i always am depressed that we don't get to see much theatre for akechi's initial appearance as crow and summoning of robin hood, anyway, girlcrow has ribbons and a capelet that flap in non-existent wind.
black mask's outfit is unchanged from canon. i'd like it to look a little less stupid but that has nothing to do with gender i just want it to look a little less stupid.
joker's outfit is also unchanged from canon. listen. im back on my bullshit. in the metaverse her behaviour gets more feminine and more sly and confident than in reality. she's got that femme fatale shit going on. however, she is still a gentleman thief. she has the long coat. she has the poofy trousers. she has the waistcoat. she's still smirking and fixing her gloves and flipping her knife and doing that thing that canon ren does where he lifts his chin and does the little "come on" thing with her fingers. do you understand? do you understand me
46 notes
·
View notes
inspired by @flashyysins
Two days after Hawkins was almost split open, Robin saw a woman pacing in the hospital waiting room.
There were plenty of other people as well, sitting or standing or walking the length of the room in a similar pattern, but there was something about the woman that Robin noticed. It wasn't just that she was beautiful, which she was- it's that there was something familiar about her.
She was in blue jeans and an old-school Hawkins High Letterman jacket, light brown hair twisted up in a claw clip. Robin had never met her before, she'd remember that at the very least, but still.
Something about the angle of her nose or the gentle waves of her hair felt like something Robin had seen before, something she'd be able to find in a crowded room or across a street.
But Robin had somewhere to be, so she shook off the odd feeling, and followed the familiar path to Steve's room.
---
"Hey Stevie."
Steve's smile was tired, but he was looking more lively than when he'd passed out in the waiting room the other day, so she'd take it.
"Robbie, you left me hanging yesterday."
She snorted and dropped into one of the chairs by his bed, swinging her legs over the arm rest and cradling the bag she'd brought with her in her lap. "You're the one who fell asleep during visiting hours."
He rolled his eyes, and she happily noted the colour returning to his skin. "You should be exempt from visiting hours, you're like...essential to my recovery or something."
She laughed to hide the way those words curled soft and warm around her heart, eyes stinging until she blinked it away. The dumbass had almost over-worked himself to the point of no recovery. "'Exempt?' Someone's been reading a dictionary- did one of your children leave theirs behind?"
"Oh fuck you-"
They were interrupted by a knock on the door, and Robin was startled to see the woman from the waiting room hovering behind a nurse.
"You have a new visitor Mr Harrington."
Even knee-deep in confused intrigue, Robin couldn't help but dramatically mouth Mr Harrington over her own shoulder, pleased at the face he pulled in retaliation.
And then the door shut, and Steve looked up to find the woman-from-the-waiting room standing at the end of the bed.
Robin saw his brain grind to a halt at the sight of her.
It was silent (well, as much as it could be in a hospital room, what with all the beeping and whirring) as they took each other in, and Robin slowly brought her knees in closer to her chest like it would shield her from the vague awkwardness chewing at her.
And then-
"Fucking hell, Eve." The woman breathed out, white knuckling the bar at the end of his bed.
At the same time, Steve's face scrunched up as he demanded: "What are you doing here?"
"What do you mean 'what am I doing here'? You're in hospital!"
"I thought you were in New York!"
"Yeah and then I got a call from Hawkins General that my little brother was dying in a hospital bed! Thank you for keeping me as your emergency contact, by the way."
"Well-" Steve spluttered and then crossed his arms over his chest, wincing at the pressure on his injuries. "Obviously."
Several things clicked into place like undone locks. Steve had almost been too comfortable about "feminine" topics for as long as she'd been an active member of his life- and even slightly before.
(He'd once run out of Scoops to buy her pads when she'd started her period in the middle of a shift. At the time she'd figured he was just trying really hard to beat the still a douche-bag allegations.)
Then there were the sweaters that he wouldn't confess to the origin of, the jokes he'd make about Robin "not being the only woman in his life" that she'd thought were about Nancy Wheeler, the vehement denial that the rom-com collection in the theatre room were his.
And, while Robin hated to enforce gender stereotypes, he'd always had the kind of mean girl cattiness that was usually only forged in teenaged girls and merely rubbed off on others.
Of course Steve Harrington had a sister.
Now Robin understood why she'd seemed so familiar in the waiting room.
"What happened to you?"
Simultaneously, Robin and Steve shifted uncomfortably, meeting each others eyes and coming up blank on both ends.
Steve's sister swallowed, jaw clenched and lip quivering as she look back and forth between them. She seemed suddenly fragile, like Steve after a nightmare, or right before he'd collapsed in the waiting room after carrying Eddie inside.
Steve cracked first. "Lou-"
"Don't fucking lie to me, Stephen. This is the third time you've ended up in hospital since your senior year."
Steve blinked, startled. "How did you-"
"I'm your sister." She seethed, and Robin could see flickers of Steve with an axe in his hand in the arch of her shoulders. "You might have told the hospital not to call but I still have friends in this town. If that Hargrove asshole wasn't already dead-"
"Lou-"
"Don't-"
"It was a serial killer." Robin blurted, drawing Steve's sisters' attention to her. "I don't now if you heard about it, but someone was going around killing teenagers. It started with Chrissy Cunningham- she was a cheerleader? kind of cute in a preppy sort of way, but, um- she was killed in our friends living room and then he sort of got blamed for it because, I mean, it was pretty sketchy but he didn't do it! I promise, Eddie didn't- anyway, there was this whole witch hunt, and two more people died which just sort of made it worse for Eddie and a group of us were trying to, like, clear his name, you know? Because we knew he didn't do it and we didn't want him to get killed next, but then one of our other friends - this girl, Max, she's a riot - she was being targeted by the real killer so we came up with this...really stupid plan to catch the killer but everything went sort of tits up and Eddie and Steve both got, well-" She waved her hands at the bandage around Steve's throat and the bruising around his wrists from the vines. "And Max, she broke her elbow and her knee when she fell, and I think Dustin twisted his ankle? So now Max and Eddie and Steve are all in hospital and Dustin has these crutches that he doesn't want to use but, I mean, Steve always makes him because it's Steve, and we don't really know if Eddie's okay yet but no one's come to tell us he's not so we're still hopeful-"
"Robin."
Robin shut her mouth, and took a deep breath through her nose. Steve's sister was staring at her in the startled sort of awe that Robin was used to seeing when she got going. She had the lungs of a trumpet player, it wasn't hard for her to talk until she forgot where she'd started.
"You fought a serial killer?" Steve's sister - Lou? - asked, and Robin hysterically felt like she should offer up her seat.
Steve, bless him, only nodded. Lou stared, lips pressed into a thin line and nostrils flared slightly.
And then, quite abruptly, she was straightening her back and stepping around the bed to hold out a hand to Robin. "Louisa Harrington."
Robin blinked, and shook her hand. "Robin Buckley."
Louisa nodded, like that made sense, and smiled the same cupids-bow smile as her brother. "The best friend- it's good to meet the other half of my brothers brain. Clearly the better half, considering you aren't the one in the hospital bed."
Steve made an offended noise, and Robin grinned.
526 notes
·
View notes