dazai making up a whole language with fyodor that no one else can understand is amazing but imagine him using codes that, very objectively speaking, you could crack, it's just that no normal person would ever make the insane leaps in logic that it requires. except for someone familiar with dazai's weird thinking patterns, that is.
i just love the idea of dazai's unhinged antics being dialed up to an eleven when he was in the port mafia, and oda being the only one who simply wouldn't bat an eye at it but chuuya was the only one who would actually get it.
like imagine ango at the end of the jailbreak, his boss saying he should allow himself to sigh and lean back and maybe indulge himself, pat him on the shoulder, tell him what he pulled off reading heart rates wasn't easy and he should be proud for being able to keep up with such a plan
but ango i-drank-with-teenage-dazai-and-also-had-the-records-for-every-soukoku-mission sakaguchi can only remember the time dazai was like using greek sign language through his breathing patterns to communicate from a submarine from beneath the pacific ocean or something, and chuuya could not fathom how no one else could understand him.
and that was the day mori signed off on skk being exclusive partners because every subordinate in the room was crying tears of blood by the time chuuya finished explaining which blood pressure level was warning them about a bomb, which blinking sequence was him conveying the vault password and which series of inhales was just him calling mori a bitch.
(ango also pointedly did not want to think about how smug dazai had looked after the mission when mori confirmed skk would only be each others' partners for efficiency and to maintain everyone else's sanity
or about how when he called chuuya to tell him about dazai's prison break scheme he could only get like 3 out of 276 steps into the plan before chuuya rolled his eyes, said "got it" then hung up and pulled the whole thing off without a hitch.)
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Id love to hear ur interpretation and analysis on falin! She’s one of my favorite characters and and I was wondering what ur thoughts on her are
Man, I struggle to think of anything I could say about Falin that others have not already said. But she's one of my favorite things about Dungeon Meshi too.
So much of the story revolves around Falin, and she's not even there. Tumblr loves to talk about haunting the narrative, but Falin might be one of the best examples of it ever put to page. She's dead. She's alive. She's dead. She's alive. She's alive but she's missing, she's alive but she isn't herself. She's dead but she might wake. She's dead but she's frozen in ice. She's alive but she's sleepwalking. They chase her ghost and they chase her body all through the story.
I think what Kui does with her is fascinating. Not just as character with a personality we can analyze, but as an object in a narrative- that's why I say she's one of my favorite things about the story, because I also mean it in a mechanical sense. As a writer, Kui's really good at misdirection- that is, setting you up to believe or expect something about a character or a plot, and then turning that on its head. It's most apparent with Kabru, but it works really well with Falin too.
Because the precious little sister is a very well known character archetype, right? So is the gentle healer. The heart of the party. The white mage girl. The damsel in distress. The martyr.
And this isn't a Laura Palmer situation, where we find out that beneath her wholesome surface there's something dark and troubled. No, Falin truly is a kind and gentle person. That isn't where the misdirection leads (and that, too, I think, is another misdirection- it's not "Plot twist, she isn't as nice as you thought!", which would almost be too easy).
The misdirection here is more about structure than about character (but also, yeah- a little about character).
What I mean is, with these archetypes firmly in mind, along with a whole other host of fantasy genre expectations, I think anyone who goes into Dungeon Meshi un-spoiled probably expects Falin's rescue to be an endgame event; at least on a subconscious level, where you're not really thinking about it but in the back of your head you're already stretching out the story to place Falin firmly in the distance. Fire breathing dragon at the bottom of the dungeon is perfect final boss material, right? Slay the dragon. Rescue the princess.
And Falin is the perfect prize in the traditional old school fantasy that the concept of the titular dungeon is a send-up to. Blonde (white), soft-spoken, sweet-natured, beloved by everyone. An angelic figure.
Maybe that's why Ryoko Kui gave her white wings.
It is sort of jarring when chapter 23 rolls around and it's already time to fight the red dragon. And it takes a few chapters, but they succeed. And then Falin's impossible resurrection succeeds. But by then you guess that this is not going to be the story you expected it to be.
I want to point out that Falin spends a lot of time getting, well, babied, post-resurrection. Marcille washes her in the bath, despite Falin stating that she's capable of washing herself. Marcille schools her about her mana use despite Falin demonstrating that she is not hurting for mana, and brushes aside Falin's explanations. Both Marcille and Laios refuse to actually tell her what happened. Laios scruffs up her hair like she's a little kid and scolds her for something she can't remember doing. Marcille explicitly calls her a little kid when Falin tries to talk about how much she's grown.
Of course I'm not saying that Laios was wrong to act like a big brother, or that Marcille shouldn't be worried about taking care of her shell-shocked friend in the bath. But the framing of it clearly shows a Falin who is struggling to be heard.
If you'd like to address the big gay elephant in the room while we're here, I want to state for the record that- whether you read her as gay or not -I think Marcille is completely oblivious during this. Because Falin is her little friend from school. Her best friend, yes, but also the young tallman student she, in her infinite elven wisdom, had to mentor and look after. Marcille has not yet accepted that Falin is an adult now, nor has she accepted that she, herself, is only barely past teenagerhood developmentally and is not nearly as mature as she believes. Of course she'd scrub Falin in the bath and fuss over her.
Falin, meanwhile, seems more than aware of her own adult body and the inappropriate way Marcille is treating it.
The mana-sharing scene is, I think, Falin trying to get a little of her own back. How do you like it, Marcille?
And she tries again in bed.
Maybe she's wondering if their relationship will change now that they're grown ups. If Marcille prefers her as a little girl, or at least as a woman who lets herself be guided like one; if Marcille will react badly if Falin keeps trying to assert herself. She also might be subtly trying to signal to Marcille that bed sharing, like bathing, carries a different weight to it when you do it as adults rather than as children.
With all this in mind, the decision to turn Falin from the precious prize they rescued into to the vicious dragon they have to slay, hits a lot harder.
Falin with a powerful, monstrous, destructive body. Falin, who couldn't even stand to cause people pain from using healing spells, slaughtering half a dozen people in brutal ways. And that's not her, she's being mind-controlled, but as an object in the story she has completely flipped. From damsel to threat.
And I love that she carries a little bit of that with her when she's resurrected again.
Because she's no longer the girl who's going to let herself be stifled by her brother's and her best friend's co-dependency, no matter how much she loves them. She's different now: stronger, eyes open, forging her own path instead of following in their wake. Falin is still going to come back to them again, but this time it won't be because they chased her. It'll be because they let her go.
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Vlad: Would you like to form an alliance... with me?
Ghost writer: Absolutely. Absolutely, I do.
Now, Vlad should know better than to ally himself with someone who broke the Christmas truce, buuuut. The call for DnD is so tempting that he just had to do it.
He then dragged Daniel and his friends into it as well. Daniel dragged his sister along and then the Fenton parents found out and, well.
It suddenly became a thing.
Oh well, both Vlad and Ghost Writer sculpt up some lore from each of their character sheets, weave a world from words and then drag a random number of people to act as their 'players.'
It was supposed to be people from Amity Park, but there was a miscalculation on that part, and honestly you can't even blame them because they've been weaving nonstop and Vlad ignored quite a bit of sleep to try and make this perfect as he could.
So instead of civilians they dragged in a few members of the Justice League and, well.
As long as they play by the rules nothing would hopefully go wrong...?
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Something that I’d like to see in future book is Eragon realizing just how afraid Murtagh is of other people.
He never forgets that Morzan is Murtagh’s father, but he also knows that Murtagh is so much more than his parentage. He will do everything he can to remind Murtagh of this truth.
Eragon is also aware of how the denizens of Alagaesia feel about Murtagh and Thorn. Hostility at best, desiring to cause physical harm or death at worst.
He remembers Murtagh’s resistance towards going to the Varden, and probably expects some of that same resistance when he mentions Carvahall.
But then he realizes, it’s not just doubt or regret or belief that people will only see him as his father’s spawn, and the evil lieutenant of Galbatorix who betrayed the Varden.
No, Murtagh is afraid. Afraid of not being able to redeem himself. Afraid of being rejected. Afraid for Thorn’s safety. Possibly afraid for his life and being overpowered.
I expect this revelation to surprise Eragon in some way as it sheds more light onto his brother’s mindsets. It’s not just stubbornness or frustration at his situation or pride. No, it’s fear that keeps Murtagh from making connections.
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