#and the fact that out of the three main actors you could clearly tell he was the only one not giving a fuck really showed

[intermittent-showers]

Watching Lou's cameos and I think the fact that he shut them off is a huge tell for season 8.

I know there's been a huge campaign against this man, which is crazy because he didn't ruin anything. He simply answered a phone call and agreed to play a part offered to him. He put his all into this role too. He created his own backstory so he could step into the mindset of why Tommy might say something this way or why he might do this over that.

And like... that's normal? That's something all actors do. He didn't ruin the character or jeopardize the plot. His job is to BE that character, and clearly, he was given something to go off of to base Tommy's backstory on the one he's personally used thus far.

He has also been nothing but kind about Buddie. He knows what Buddie is (please note that Jennifer didn't even know on her live), and he's never said one negative thing about that ship. Does he yap? Yeah, but you can tell he appreciates his fans, and he's not used to all this attention. And yet he still did at least 70 cameos in a three month period.

And uh huh, sure, he's paid to do them but it's no different than a convention. People pay for pictures and autographs. They pay to have personal one on ones with their favorites, and cameo is no different.

But, back to my main point.

For an actor, such as Lou, cameo is an income. He's done a lot of guest roles on different shows and he's done s.w.a.t. for 7 seasons now (only in 1 to 2 episodes each season though beginning after season 1).

So, in retrospect, wouldn't he continue to ride this cameo thing out? For as long as possible? Money is money after all...

That's not what is happening here.

He stopped them, and I know the kindergarteners over at delulu twt daycare were celebrating and probably still are, but the most likely explanation is that Lou signed a pretty nice contract for 911. He no longer really needs the income from cameo because he has months of solid work ahead.

You don't do an interview with Oliver Stark on a nationally syndicated entertainment news program if you aren't sticking around... you just don't.

And there's also the entire saga of the "Lou blocked me" trend on twt. He's either just curating his social media for his mental health, or he's preparing for being more active, so he's removing the toxicity of stantwt. It's not a good sign for the Lou haters and I love that they're so unfocused that they don't even realize what is about to happen.

All this to say, I can't wait to see more Lou in season 8.

[astridthevalkyrie]

U want lds thoughts? I gotchu 🫡

I really like all 3 boys, but I'm leaning Zayne bc he's just so husband coded. He's the only one I could see a long-term relationship w. I love Xavier and Rafayel, but I just can't picture them as husbands or dads (at least w my MC/myself). I also desperately need them to interact in game and in the main story, there's just sm potential for chaos and funnies.

I honestly dk what will happen next. Obviously, MC is gonna want to investigate Onichynus and her heart, but idk how that story will unfold or how they'll tie in the stories w each li and their separate myths/reincarnation bit. (Also, the fact that the myths happen in the future doesn't make sense to me yet, so I hope they plan to really flesh that out and not give us questionable writing like most mobile otomes do). Idk how I feel abt Sylus (and possibly Caleb) becoming lis, ig I'll have to see what they're like and if they appeal to me at all, bc so far we haven't had enough Caleb content for me to actually get attached (I was also convinced he was MCs brother so idt I'll ever be able to see him romantically 😭).

I hope we'll get to see more of the side characters and what MCs life is like outside of just the three guys, but I honestly doubt it lmao (more for me to hc abt ig lol).

I have more but this is already rambly and idk how to be coherent rn. This game is giving me brainworms and I'm def thinking abt it too hard. Oh, well. I don't consume media, media consumes me.

i'm telling you it's xavier boyfriend zayne husband and rafayel sneaky link. that's exactly the look and vibe they give off.

i think as of right now zayne is the most popular, at least on ao3 him/mc is the most popular ship. which is just to be expected when you have a levi ackerman coded character LOL. like you said, he's a husband. he just is. he's a doctor and he's successful and he cares for the mc so deeply it just makes sense. i started the game for him because. i mean he looks like THAT. he acts like THAT. he has ice powers and you get to melt the ice in his heart and make him love you i adore that shit see my pinned post for the kind of romance i write you could make a zayne x reader set in the aot universe and it would be my fic. and dooooooon't get me started on dawnbreaker zayne. DON'T GET ME STARTED i gasped during the anecdote when the truth about the kid comes out. he dreams about his past life what the fuck bro what the fuck.

surprisingly, though, while i do love him, he's probably the one i've had the least amount of thoughts about (that's still clearly a lot of thoughts so that's not saying much). i think it's partly because my gacha favors xavier and rafayel a lot more and right now i pretty much am just heavily thinking about whichever guy i consumed the content for last.

xavier and rafayel have me obsessed. i thought xavier would be completely meh because zen from mysme was meh for me. but um. he was not meh. my levi hawks pattern has told me that i love a man who was forced into fighting because of the stupid goodness in his heart and manipulative outside forces. and even though that's not exactly what's going on with xav, he does have that vibe. his is the only myth i've watched in full and i'm just. they should have been able to go to uluru together. the scene where they're both lying on the ground i have watched it so many times. i love love love the royalty x captain of the guards trope so much. the fact that they both serve in both roles is insane. i've read the anecdote about her first life on philos too there's a fucking part in there that talks about how he shares his EARBUDS with you?????? end me.

and rafayel is beautiful. like he's actually beautiful. his english voice actor makes him sound so fucking bisexual + the bi wife energy whenever you're with him is just. UGH. the game is hilarious whenever he's on screen and obviously with the way the main story has ended for now he's the most intriguing. and while you can feel the pining energy from all three of them, his is just. lowkey the most pathetic. and i eat it up. bro started TEACHING AT HER COLLEGE just for the chance to see her. i like that he's not possessive per se but he is very whiny and attention seeking the sassy man syndrome is real. i need to unlock his myth but i'm not patient so i may very likely just watch it on youtube. i need to see hunter rafayel. i need to see him right now.

the main story is genuinely fascinating. i was a little bit bored up until the explosion happened and it really kicked in. bc suddenly it's not just 3 guys and you doing your best, but you actively investigating and them helping you. like i said i don't have raf's myth and i haven't finished zayne's yet (need more fucking upgrades to his card) so i don't have the full story but at least what i'm getting right now is okay. they're all from the past or future. they all remember?? xavier and rafayel definitely do. zayne knows something about grandma who seems kinda shady to me. i've seen the caleb=sylus or at least caleb lives theories. i saw someone say the man at the end isn't sylus though? and his english va is the same as caleb's but in other languages it's someone else. idk.

idk about the others but xavier's myth being in the future makes sense. i'm pretty sure the timeline goes: in our current timeline, earth is about to go bye-bye and become inhabitable bc of wanderers -> survivors go to philos -> xavier and a new mc are both born -> she dies bc of something in her heart and is reborn bc she's the only one who's truly immortal (everyone else on philos lives forever naturally but can still be killed i think??) -> new lightseeker mc and xavier are meant to become guard and prince respectively but philos is dying -> to save mc from being sacrificed again and again xavier decides to go back in time to find another way where he after at least like 200 years meets current timeline mc

i know what you mean about not being able to see caleb as a love interest. the first time i saw him i genuinely thought they had no need to make my brother this hot what the fuck. and then i realized he was just her childhood friend and i went

and then he blew up 😭

i neeeeeed to see the love interests interact. i mean mc barely thinks about the others whenever she's with one but i really hope in the next arc we actually see them meeting each other. beefing or working together or whatever, i need to know (i may also have already started a fic about what's gonna happen next bc i'm mentally ill). xavier has a tracker on her so he should be able to find her and zayne kinda disappeared off the face of the earth but i want them all back. i want interaction. i want it so bad.

[fuckselfloveihatemyself]

I am mentally screaming constantly since last night. I've been on a binge recently to watch as many old queer movies as I can to discover more of my history. Some of it is bad, with outdated terms and ridiculously homophobic stereotypes, but some of it is so phenomenal and it's insane I haven't heard of it before.

To start I was telling my partner this on date night, and they're older than me, so they went on to talk about The Birdcage as a magnificent one, and I explained how I read up on To Wong Foo Thank You For Everything, Julia Newman and wanted to see it.

SPOILERS AHEAD!!!!

So last night we started with The Birdcage, which has Robin Williams, Armand, as one of the main love interests in a gay marriage with his husband/wife, Albert, who is a drag queen and goes mostly by she/her pronouns. It was very lighthearted and hilarious! I was pleasantly surprised and shocked, I couldn't stop laughing at some parts, and getting angry at other parts. As the plot is the gay couples son, Val, is getting married to his college sweetheart who comes from a conservative family. So they're trying to hide the fact that Val was raised by two queer men who own a drag club together. The majority of it is funny as the conservatives are made the buttend of the joke, and it has an amazing happy ending. I absolutely loved how Robin Williams played Armand as it wasn't offensive at all, just a very dedicated family man who loves his partner and child. Albert, Armand's wife/husband was so amazing, and I read up on the actor who at the time wasn't out but came out later in life and how Robin Williams helped him feel comfortable when it came to the part and ensuring he wasn't forced out of closet. The acting is so good as Albert definitely has mother hen instincts and clearly wants what's best for their son and Val acknowledges that that's his mom and dad. There is a scene where Albert is trying to act "straight" and it clearly goes all wrong, one scene comedic, but there's a second one where they're wearing a suite and you can see how much they're holding themselves back and trying so hard for their son and it honestly made me cry. There is a few scenes where you meet the sons bio mother, Katherine, but it's made abundantly clear that she does not really have any parental instincts and had no desire to raise her son, what I did love was how this wasn't framed in a negative light. It's clear the bio mother, Katherine, and Armand had a one night stand, accidently conceived, and Armand decided to raise his boy with his loving partner Albert. Towards the end of the movie there is a love confession from Robins character, Armand, that is so real to life and loving I had tears running down my eyes by the end of it. Honestly the movie is so feel good I could go back and watch it twenty times.

To Wong Foo Thank You For Everything, Julia Newman. Was also an amazing movie. It stars Patrick Swayze and Wesley Snipes who both play seasoned drag queens, but they also mostly identify as ladies, as throughout the film you only see them in drag, except for the beginning scene with Payrick Swayze coming out of the shower, and going solely by she/her pronouns. So I think with the time period it was made in they were considered drag queens, but had it been made today it would have been worded moreso as trans women who are also drag queens. As Vida, Patrick's character, only answers to her women name and pronouns, as does Noxeema, Wesley's character. It has guest star appearances from Robin Williams and Ru Paul. This movie, forewarning, has racists slurs, outdated queer terms, and homophobia. As the three drag queens break down in a small town in the country where people like them are not at all accepted. Despite all that though I still think it's definitely worth the watch, as it has a happy ending and an acknowledging by the town that they know that they're not typical ladies, but that they still think they're beautiful and amazing people.

I'll probably leave my thoughts on a few other films I've seen recently or before that I also loved or didn't. As I want to talk about But I'm a Cheerleader, and The Gay Decievers, but I'm still processing that one.

[mobius-m-mobius]

Bottle Rocket anon reporting in 🫡

First off I very much appreciate your note about Bob’s big brother in fact being Owen’s big brother—I did think Future Man had a curiously outsized role in the behind the scenes. Granted, that behind the scenes’ whole vibe was ‘we emailed everyone involved, professionally shot three who turned up, and stuck in the self-filmed rambles mailed in by a smattering of others’, so I sort thought maybe his screen time was a matter of ‘well, he did in fact show up’—although itbf his being Owen’s brother doesn’t strictly discount that theory 😆 (Also my other favorite bit of that video was the very opening clip where Wes is talking about how people tend to respond strongly to his films, whether positively or negatively, and the cameraman goes, ‘well, that tells you something!’ and Wes replies with such earnest befuddlement, and a tinge of hope like this cameraman just might reveal the secret of it all to him: “Yes, but what?”

I haven’t properly sat down for another film yet, but I’ve been putting on the Night at the Museum films in the background. I have seen them before when I was pretty young—in fact it’s about the only thing I’d seen Owen Wilson in for more than a cameo pre-Loki. Between having watched the NatM movies at an age when I only vaguely distinguished between actors and characters, and the association being reinforced by Owen’s habitual cowboy hat, for a long time Owen Wilson and that excitable little man were basically synonymous in my mind.

So going back to it now was, silly though it may be, the first time I watched it going ‘oh hey—that actor right there is acting! :D’ And sure it’s no Mobius or Dignan for complexity, but it’s good acting, too! Genuinely I think it’s one of the best performances in the series when it comes to capturing the sort of cartoon-y tone of all the museum-pieces while also giving the feeling that that’s a whole person right there. And he also, once again, a completely different physicality to Mobius or Dignan. I adore the choice to play his physicality in such a way that it sometimes feels like his body just isn’t big enough to contain or express the size of his emotions.

I also didn’t realize I’d never watched the third film until I started it, which was a nice surprise. And I knew about the whole handholding bit with Jedediah and Octavius, but not the context. It has such clearly defined beats of: Oct: “We should hold hands.” Jed: “For what reason 👀” Oct: "No reason! Unrelated, I am in fact gay.” Jed: “Hell yeah, hand holding time.” (With an added dash of sweetness in that it’s become a well-defined character trait that Jed is ready to deploy his dying speech at any time, but once it’s been established as on the table he goes, ‘I’d rather just be close to you, actually). Anyway, to me at any rate it plays as ‘close to canon as we could get away with in a big budget 2014 kids movie’, and I do appreciate it.

Hi again Bottle Rocket anon, always a pleasure!! 😊🚀💖

Oh I'm positive you're right about Andrew getting such a big role in the bts documentary just because he showed up regardless of being Owen's brother lmao, but they did luck out considering of everyone involved from an acting perspective he was the most likely one to actually give them decent talking points regarding the process leading up to filming, set vibes, and more insight on Owen and Wes than Owen and Wes themselves actually wanted to 😂

Definitely feel you too about not finding time to sit for another movie as I'm just the same and when I do manage enough free time to start one it's still not even enough to finish in a single sitting 😅 You're not the first who's mentioned NatM being the main association with Owen pre-Loki which is completely understandable, I hadn't seen any of the movies until after Loki S1 and would've been way happier having grown up with an excitable mini cowboy at the forefront of my mind, lol.

Love that you brought up his physicality and setting the vibe because one major thing that's constantly delighted me about Owen is how he naturally adjusts to not only the tone of a film but the other actors in a scene better than anyone I've seen before and I think people really underestimate how valuable that is?? It's easy to think "oh well that's just what acting is" but actually pulling it off across such a huge range of genres the way that he does is really rare and like you mentioned in NatM it's extremely noticeable that he makes Jed feel real in a very exaggerated premise which also stands out massively in his cameos where I always find myself wishing whatever movie took place during the ten minutes he showed up in is the full movie I was actually watching because he's such a breath of fresh air.

Also constantly get caught up in the way he carries himself because that's such a huge element to the personality of his characters! In comparison to how Dignan approaches people in a unexpectedly blunt way that leaves them wanting more and Mobius intrigues in such a genuine manner that catches everyone off guard, for all Jed's teasing he's direct enough that Octavius knows where he stands but not so much so that there isn't room for the big dramatic moments they both enjoy before settling right back at his side. It's not only nice to see they did get as close to canon as likely was possible in such a big budget kids movie but that we all at least have a lasting ship of Owen's with a happy ending to console ourselves with after the Loki finale! Small victories and all that, haha

[where-theres-smoak-2]

Have you noticed that Archie (actor of Mal) is very little / almost never with the cast in interviews? I don't even think I've seen him do a solo interview duet with Jessie. She's still with Ben. Based on this "promotional content", people are more likely to believe that the core of the series are Alina and the Darkling. Which is technically the case in fact. (By the way, my relatives who have just seen the show, clearly think that Darklina is the center of everything) But it always bothered me, Mal is supposed to be Alina's main love interest, but the actor is not almost never with the cast, let alone just Jessie. It's quite disturbing. Not that I'm complaining, I much prefer all the duets we have of Ben and Jessie to anything else. I love their friendship.

I mean I'll be honest I first came across Shadow and Bone when I was bored one day and looking for something to watch on Netflix, you know how on your homepage they've usually got that big banner at the top that promotes a particular show and when you hover over it it'll play a clip from it? Well on this particular day it was for season 1 of shadow and bone, I think it had been out for about a week at that point. My first reaction was omg that's prince caspian, then I hovered and watched the clip which was a darklina clip from 1x02 where he tells her about the cut in the field. From then on I believed that the main romance/characters of the show was darklina because they were the ones on the banner and they were the ones in the clip. Netflix does seem to promote darklina alot and I do think that's because they know its the most popular ship in the grisha trilogy books. I also remember seeing an article before shadow and bone season 2 dropped, about the soundtrack, where it said this: 'The full soundtrack for the Ben Barnes and Jessie Mei Li-led series comes out March 10.' Not going to lie but them stating that it was led by Ben and Jessie did make me raise my eyebrow a bit as seeing it is suppose to be Mal and Alina as the main romance of the show you would think it would be Archie and Jessie as the leads.

As for Archie not being part of the promotion in interviews etc I did see someone say that he missed the premiere because of scheduling with another project he is working on. So it really could be as simple as just a scheduling conflict, he also has a daughter at home so between filming for both projects, promotional work and making sure he gets time with his little girl they just might not have been able to fit in interviews for season 2 of shadow and bone into his schedule as well. Which is a shame because I like Archie and would have liked to see him do some interviews with the cast, I think I only saw one which was the cast read out fan theories and thirst tweets one.

That being said now that you've mentioned it I don't think I've seen an interview with just Jessie and Archie either, it usually either Ben, Jessie and Archie all together or them three with the six of crows actors or its just Jessie and Ben, which thinking about it is a bit odd if you are promoting mal and alina as the main romance. Hmm this is interesting I've never thought about this before. But I am with you with them promoting it this way I wouldn't be surprised if people did believe that it is darklina that is the centre of the show and the main romance.

[loganwritesprobably]

If you could recast your favourite movie with any actors from 3 shows that you're currently watching, what movie is it and who would play which characters?

(You don't have to do the full cast if that's too many, just the main 6 at least.)

I fuckin love questions like this

Rather than favourite movie, since I struggle picking favourites for that sort of thing (whoops sozzles) I'm gonna cast Monster High because I've done that before and it was SO much fun

Nicola Coughlan from Bridgerton would be so incredibly cute as Draculaura, and I love that G3 made Draculaura a curvier character, so I'd want to keep that, and yes here you lose the new heritage that they gave her in the reboot, but I'm not casting G3 in particular, I just like the body update they gave her

Now initially I thought of this actress for Abbey until I saw this particular image of her, at which point I present: Emily Rudd from OPLA as Lagoona Blue. I think she could do it, and I mean just look at her dude - yes she's a bit old, but she plays Nami quite well so I think we're okay

Next we have best they/them in the cast, Frankie Stein played by Ella Purnell from the Fallout TV show. I picked this image in particular because the outfit screams Frankie, but it's her character Lucy in Fallout that makes me think she'd body this role

Now I think anyone who's familiar with MH saw this coming from the start, but I have to cast the wonderful Simone Ashley as Cleo! The three shows I've picked have kind of restricted me, but they are in fact my three most recent watches, but miss Simone would excel in this role, I think. This met gala look also just screamed Cleo to me

Next up we have Queen Charlotte's Arséma Thomas as Clawdeen! (I know it's not technically Bridgerton but let me have this). I don't think it's a huge stretch for an actor to go from Lady Danbury to the fierce Clawdeen Wolf, and I mean look at her here - she's clearly a fashion icon

Rounding out our core Ghouls, we've got Hannah Dodd from Bridgerton as Ghoulia. I was determined to include Ghoulia but I was STRUGGLING, until my friend made a suggestion based on nothing but vibes - and she didn't do too bad

Given her appearance in OPLA, I can't get this idea out of my head - Celeste Loots as Spectra! There's also just a certain something about her that I cannot put my finger on that just tells me.. this is a good idea. Couldn't tell you what

Now let's cast some guys! One Piece's Morgan Davies as the beautiful Deuce, but in particular G3 Deuce. I like the deeper personality that they've given to Deuce more recently and I think Morgan would do a fantastic job in this role - though I think I'd still want him with Cleo..

Enter another of OPLA's wonderful actors - Jacob Gibson as Clawd! They've both (Usopp and Clawd) got that himbo energy about them, with a silliness that's so core to them. Clawd also dotes on Draculaura, with far less harsh edges than his sister, and I think Jacob would be perfect for that

And to round us out, our final boyfriend, Gil (who I never liked but hey ho) played by Dave Register from Fallout! These pictures are both low res, my apologies. I acc hadn't seen the Gil redesign for G3 and I love him? Much better than before anyhow. I do think, given his performance as Chet, that Dave would do a good job here. He's maybe a little older than I'd like but it's what I have!

That makes 4/10 Bridgerton, 4/10 OPLA, and 2/10 Fallout. I love doing this sort of thing, so I was more than happy to spend upward of an hour of my afternoon having fun with this

[project1939]

100+ Films of 1952

Film number 147: The Miracle of Our Lady of Fatima

Release date: August 20th, 1952

Studio: Warner Brothers 

Genre: drama 

Director: John Brahm 

Producer: Brian Foy 

Actors: Susan Whitney, Sherry Jackson, Sammy Ogg, Gilbert Roland 

Plot Summary: In 1917 three Portuguese children of shepherds see an apparition of the Virgin Mary. She brings warnings of upcoming war and strife if people do not worship the Christian god. The anti-religious government fears what could happen when thousands of people begin arriving to see Mary for themselves. 

My Rating (out of five stars): *** 

Full disclosure, I am neither a Christian nor religious, so I am not the intended audience for this. I wasn’t sure if I would even watch it because it’s so overtly Catholic, but I decided to give it a try because it was a major release by Warner Brothers in 1952. In my heathen opinion, this could actually unintentionally be atheist propaganda! Do you want to worship a god that delivers a “positive message” by making children suffer? Over and over again, this god refuses to intervene and stop the suffering of children! I could not find anything beautiful in it, but horses for courses, I guess. (some spoilers)

The Good: 

Susan Whitney as Lucia, the main girl. She was only about 12 here, and for a child actor in this era, she was quite good. Her face gave off a genuine seeming innocence and earnestness. 

I liked the character of Hugo just because he was the only skeptical one who wasn’t judged harshly for it. He was clearly written to be likeable despite his lack of piety. Of course, he had to have a tacked on “come to Jesus moment” at the end, but I was expecting that. 

The cast overall was pretty good. Both of the other children were capable and cute, despite the fact that the poor girl playing Jacinta had to cry more than speak. The adults were also effective performers. 

The crowd scenes at the sacred spot were impressive. I appreciated that the extras all looked like real people. 

The score was lush and pleasing, even if the non-diegetic choir got a little tedious at times.  

The WarnerColor looked nice. It’s not as beautiful as Technicolor, but it's not bad, either. 

The Bad: 

Mary appears to be cool with the suffering of children! One of her first messages is that two of the three children will soon die, which she says right to their faces! Then she stands back and lets them all endure trauma after trauma. Another time, a boy on crutches asks to be healed, and Mary basically says, “OK, chill- you'll be cured in about a year.” How can a loving god do nothing about, and even glorify, the agony and pain of children??

At one point Mary tells the suffering Lucia, “You are enduring these hardships for the conversion of sinners, as atonement for sins committed against God.” WTF?! I thought Jesus already did that?? Isn’t that the whole point of Christianity? Why does an innocent little girl need to atone for other people’s sins? I wanted to scream. 

Mary hates Commies, I guess?  

The spot where the miracles occurred was obviously a set. I understand that to make it otherwise would require a lot of location shooting, but the set felt stagey and lifeless. 

The ending “miracle” was highly disappointing! 

There was some absolutely hilarious rear projection where a road sign appeared to be a cartoon! 

The film was completely unskeptical of the events. No real inquiry was given to the story, because everyone who questioned it was either a villain or malevolent in at least some way. 

“Secular Governments are bad, I say, bad!” Because the theocratic monarchy that preceded it was so freedom-lovin' good?

In one scene an innocent little girl was scapegoated and handed over to the police to protect Lucia. We see her terrified face and hear her desperate cries... and that’s the end of the scene. The movie only cared about the “good outcome” of Lucia getting away. What about that little girl? Again with the suffering of children! 

Lucia’s mother was horrible in the first two thirds of the film. She screamed at her, slapped her, and grounded her, telling her to stop lying and admit the visions were fake. When she had a change of heart at the end, I didn’t exactly want to forgive her. 

[theconstantsidekick]

What about Adam Milligan for the character breakdown?

Oh OH. 1. Thanks for asking. 2. WE LOVE ADAM MILLIGAN IN THIS HOUSEHOLD.

Okay so.

How I feel about this character

I freaking love him. I mean, he was just a kid. He was literally just a young man. Barely a whole adult and he was fucking yeeted into the conflict that had nothing to do with him. The only fault he ever had was being related to the Winchester Clan. The poor boy didn't even get to rest in peace. He died and then was forcefully PULLED out of his perfect little heaven, all for a pissing contest between two grown ass Archangels who could not accept that God just didn't give a fuck.

And despite all of that? Sam and Dean pulled him right back into another apocalyptic conflict with God, and he decided to side with them. He convinces Michael, like "hey man, yeah, they left me to rot in hell, they completely forgot about me while bringing each other back time and time again, but they aren't bad guys."

If I were Adam, I would've asked Michael to smite the fuckers, but like let me sit in the drivers seat as it happened.

The fact that, that kindness is present in him even though he was so young when he went into hell, and stayed there for probably like over a century, is a testament to the fact that you should stan Adam Milligan for clear skin.

I will always say, "Our Father, Who Aren't in Heaven" is a masterpiece in character writing. I fucking fell in love with Adam in a matter of 40 mins, and that's some good fucking writing if I've ever seen it.

All the people I ship romantically with this character

No one as such. I don't mind the idea of him being romantically involved with Michael but... the same body thing kinda throws me off. So does the Young John!Michael thing so... idk? Jo Harvel? Cause I read a fic where he had a thing for her? Or Alex maybe? She's cute.

My non-romantic OTP for this character

Michael. Obviously Michael.

To me, Michael is a fucking tragedy. He's one of the saddest characters in Supernatural, in the sense that his tragedy isn't even acknowledged completely.

He genuinely believes in his mission. He believes in his Father, his Creator, only to find out he isn't just unimportant to his dad... nah. His dad made like multiple versions of him. Fuck that. His dad doesn't even cast him as one of the protagonist of the story. Michael is villager B. God took his love and devotion and care and cast him as VILLAGER B!!

So for him to find solace in a friendship with a scrawny little kid who also is rejected, forgotten by his family? Pure gold. Absolutely brilliant. They have a sense of trust. A bond. Michael, a being so powerful he led armies of angels in heaven, now listens to advice from this kid who has nothing more to offer than the kindness in his heart.

Come on man, the first place they go when they escape is a diner. Adam doesn't NEED to eat. He just misses the taste of it all. And Michael, happily, with a smile even, indulges him. How fucking amazing is that?

Like I said "Our Father, Who Aren't In Heaven" is an absolute masterclass in character writing which later gets absolutely butchered by Inhereit the Earth because Michael, as loyal as he was, would never go back to Chuck. He had way too much pride for that shit, and I will not stop gushing about it.

One thing I wish would happen/had happened with this character in canon

I wish they hadn't forgotten him. I like his return in season 15. But man. I think it's Winchester trademark to obsessively try to resurrect family. And like man, by the end, going to hell, opening the cage, it was like just another tuesday for those boys. I don't understand why if they could've opened it for Lucifer, they couldn't have at least tried to bring Adam back.

I think Dean and Sam did give a shit about Adam. I think they wanted to protect him. Dean does mention him when making his deal with Death in season 7, to help Sam but then it gets dropped? Dean is a stubborn bastard. I don't believe he or even Sam would've just given up. But yeah, season 6 & 7 do have a tendancy of fucking up well established character traits. You're telling me Sam Winchester of all people abandoned Kevin? For a dog? Fuck off.

Having said all that, I think it would have been fun to have Adam back and pop in sometimes and just add to the found family thing the Winchesters had going on (before the god awful finale). He could've lived a normal life, but helped on the side? Like Alex does? That would have been so fun.

Man. I miss Adam. What a cutie.

Anyway, yeah. So there you go. My thoughts on one Adam Milligan.

Edit: I couldn't find a place to mention it but I need to.

My man. :)

[insomniactalks]

Okay. Can we just start by saying HOLY CRAP THEY ALL LOOK SO GOOD?! 😍 Ricky looks adorable in his hoodie. EJ looks so handsome in a more laidback look/hairstyle. Gina is, of course, the fashion QUEEN. Ughhhhh. I love them. ❤Their summer looks are gonna kill me. 😩 Even more excited for S3! (I have no idea where this pic is originally from so can't credit it 😅)

That being said, I know ppl are already freaking out (for good and bad reasons) because that's just the life of a fandom LOL 🤦🏽‍♀️ I figured I'd attempt to shed some light on the matter because why not? 🤷🏽‍♀️

Let's take a look at the previous Core Four posters for the show (S1, S1, and S2) found on Google:

It doesn't matter if each actor had separate pics taken and photoshopped together later on, the point is the above pics are group shots of the mains. That's how the show released these pics and that's how the viewers are to take them (as group pics of the Core4). The latest behind the scenes group shot of the now Core 3 (since Nini is recurring) is definitely just one of probably dozens maybe hundred of shots taken during the photoshoot. I have no idea if they’ll even use this particular shot for official release, we’ll just have to wait and see. BUT if they do use the first pic as one of the official images of S3′s leads, I’ve got a few thoughts.🤔

Whether you ship Portwell or Rina, we have to objectively agree that another love triangle involving Ricky and EJ is repetitive and bad writing. They’ve already played the love triangle angle in S1 (placing Nini in between EJ and Ricky in above posters) and S2 (placing Ricky in b/t Nini and Gina b/c he was central to both girls’ storylines in that season). While S2 wasn’t as obvious of a love triangle as S1′s EJ/Nini/Ricky, Gina’s feelings for Ricky and dealing with the aftermath of her confession to him was an important part of her story in S2 (so it was love triangle-ish 😅). After all the character growth and acts of redemption EJ has had (he’s quickly become a fan favorite in S2 with general audiences), I doubt the writers are aiming to throw these three into another love triangle. We’ve seen that love triangles on this show usually get Gina and EJ the short end of the stick b/c they’ve been picked over (since Ricky chose Nini and Nini chose Ricky). 😔 What stands out to me from these 4 pics is something else entirely. 

IF, that’s a big IF, they do end up using the first shot for S3 promo, I wanna point out the fact that Ricky’s holding a guitar. He’s never done that in any Core pic before. He’s standing on his own and seems comfortable with a guitar in front of him, indicating music will play an important part of his arc in S3 (since romantic relationships were at the core of his arc in S1-S2). Would it be such a bad thing for Ricky to spend at least one season just focusing on himself and not being/wanting to be in a relationship? Couldn't he just spend S3 realizing the depth of his love for music (and how therapeutic it could be for him)? I don’t think Ricky’s played any of his own music in front of the group before, so maybe S3 could have a scene like that (he’s played Nini’s song for him (1.01) and music from the musical in front of the group (1.07/1.09/1.10/2.01 etc), but never his own original song in front of all the Wildcats). Not that I can recall, anyway.   🤷🏽‍♀️

In the second S1 poster, you can clearly tell EJ and Gina are up to no good. There’s trouble brewing because their scheming days are still ahead of them (which indicates how we meet their characters at the start of S1, as the show’s antagonists). I’m assuming the official posters for the show are released prior to the season’s premier, so the show wants you to know that while Ricky and Nini (who’s hands are holding EJ) are warmly looking at each other, Gina and EJ are scheming behind their backs (literally LOL. 😂 Rini’s backs are to PW in that shot! 🤣) 

In the latest BTS pic, you can see Portwell posing as a power couple, with Gina (the only one fully on the step) leaning on EJ’s shoulder, while EJ has his arm around her. It’s a classic pose for a couple who’s dating (which, let’s face it, is where PW will start the season. They are maybe one convo away from making their relationship official. S2 ends with their first kiss but they aren’t dating...yet). 😁However, since they are posing like a couple, it’s safe to say S3 will be PW dating. There’s no way around that considering they were the cliffhanger of last season. The audience is expecting some payoff to the the buildup of their relationship, which is why the show left us with PW’s first kiss as the cliffhanger. 🥰

There’s a strong possibility that this pic could just be a group shot of the leads (since their schedules allowed them to shoot together). So maybe we aren’t supposed to take it any other way until the official posters are released. Who knows? 😅 Just wanted to share my thoughts cus I’m used to the fandom freakouts. LOL Just enjoy the new content, y’all! I know I am. 😚        

[hopefullystillatheatrestudent]

i'm so excited about you taking asks again ahhhh okay so. if you'd absolutely had to choose. what would be your top 5 cockles moments, and why? thank you ily <3

here’s the thing: there are so many routes i could go down with this, because cockles moments come in all shapes and sizes and formats. these include moments from their panels, their bloopers, the footage we get when they don’t even know they’re being recorded, stories being passed down from photo ops & autographs(one of my personal favorite ways to get cockles, tbh, because they’re all insane), and social media(tweets to each other, instagram posts & comments, etc.). 

SO! since many a list like this has already been made, and i want to stand out from the crowd, what i’m gonna do is definitively give the number one spot to each of these five categories.(i might even throw in honourable mentions because they’re so despicably in love that they warrant that. i really put my whole pussy into this, guys, i hope you’re happy.) 

disclaimer: these are my own personal opinions. but that also means i’m right. so. enjoy. 

number one: top cockles panel moment

so we’re starting off with a bang, because how do you even BEGIN to rank what atrocities jensen and misha commit at jibcon. every single one they’ve had is damning in it’s own right, for different reasons.

however, considering just how much unabashed fuckery they’ve given us to sift through, it’s a good thing i do have a personal favorite despite it all. it’s heartwarming, the sweetest thing i’ve ever seen, AND it’s jarringly cinematic - mainly because it has a whole ass arc to it that was years in the making. it might even be surprising to some people, but my favorite cockles panel moment, and what i consider the one that encompasses their entire gut-wrenching journey from 2008-2013 in the most sweepingly romantic gesture possible, is this one.

i want this burned into my retinas. i am not even joking. when i'm through with my explanation, let me convince you why this is thee most romantic cockles moment of all time.

first, some history: people call this the resume off, but many seem to forget the botched attempt at a resume off a year prior. and yes, you guessed it: it's during their break up. it's a juicy time period for a reason, guys. it came across as exceedingly one-sided and VERY awkward. let me refresh your memory as to just how bad it was, and just how hard jensen was trying and ultimately failing at winning misha over: the funniest part of the whole resume off in 2013??? every joke/bit had literally already been made/done. they were just going through the motions again, but the difference THIS time...is that misha reciprocated jensen's energy. it. is. fascinating. i want to get into it more detail in another post, and i'll link it here when i'm done, but the main takeaway, i think, and the main difference that showcases how much they've grown in a year, is that in jib 3, misha flat out refused to do an accent, and this time around, he indulges jensen for literal minutes. when i tell you they're crazy, they're crazy. i can't wait to actually dive into it later.

ANYWAY, the resume off culminates in this moment here. and, like, a million things happen in this gifset. actually, more like a million and one. the music starts playingneediremindyouthatthesongissingingintherain(h e l p), misha starts dancing, jensen 'perpetually fake grumpy' ackles lets misha think he's not going to join, misha sits down defeated, but no!!! that was jensen's plan all along(look at his stupid fucking smirk) and he offers his arm to his dance partner who immediately grins like a fool, jensen then leads misha into their kick step, they perfectly synchronise and let loose, and are then very clearly having the time of their lives, hanging off of each other with joy and ease. from their expressions alone i can tell that this moment is so. so. so. so! much more than what initially meets the eye. i mean-misha is fighting back the biggest smile i've ever seen. to me, it reads like jensen is offering something to misha, something that misha kind of gave up on expecting, and him offering his arm like that is like, a surprise to him in the best possible way(and it's so not platonic, let me just say that.) as soon as jensen did that, it ushered in a new era of cockles. this panel is jensen and misha's favourite for a reason, and i think this moment is the biggest clue as to why.

whew!!! ok. that took a lot out of me and that was only point one. moving on,

number two: top cockles blooper moment

cockles bloopers hold an extremely special place in my heart, because it shows just how fucking disastrous jensen and misha are. they are so goddamn infatuated with each other that they HOLD UP PRODUCTION ALL THE TIME TO FLIRT WITH EACH OTHER(???). let me repeat. let it sink in. jensen ackles; arguably one of the most professional actors on that show who puts everything he has into each scene, with mountains and mountains of notes to prove it: would rather hold up production to flirt with misha collins. this sounds fake. it's not. he does it. all. the. time. and here's the thing guys!!! i'm gonna let you in on a secret!!! misha loves it. he loveesssss it. on top of that-misha collins: overlooked because he's pranked and people assume he's unprofessional as well, but his only pranks are in retaliation/off-set, and he rarely if EVER causes problems if he can help it....lets himself get carried away when it comes to jensen making kissy faces at him!!! are you actually kidding me!!! i mean. misha. it's just a face. you've seen it a million times. i don't buy that it triggers something in you that strongly....you like it, and you like jensen's reaction. you can't fool me!!! lisa berry's face in that one gifset shows just how fed up the crew is with their gross, coupley boyfriend antics.

i could pull up so many examples. sooooooo many. but my favourite was sealed since the moment i saw it.

i actually already wrote an analysis on it but i can't find it :(((( which SUCKS because i really unpacked the whole thing. i'll try to summarise.

basically, a backstory is part of this too!!! jensen and misha both had a really really hard time with this scene(because it's explicitly romantic there i said it), they sat down for hours and poured over their scripts together, they were super super nervous going into filming, both of them, jensen especially, were super hard on themselves for their performances not being true to their characters but they both complimented the other's work(boyfriend moments fr). so, yeah. they weren't confident going into shooting. and how do they get themselves to feel better???? by cuddling each other, apparently.

a lot. a LOT. happens in this specific blooper. to the point that i saw it years before i knew about cockles and it raised all sorts of flags for me.

1) stop pulling my face towards your crotch(as a thinly veiled request that misha would, in fact, move jensen's face towards his crotch, considering it was jensen moving himself there in the first place. also, why so comfy down there guys???) 2) you're my baby daddy i know(in the most intimate voice i've ever heard please) 3) i know, i know, i love you too i didn't say i love you i know but you wanted to say it etc. misha's right, of course. that's what jensen meant.

it just reeks of comfort, familiarity and intimacy between the two, and it's a moment that is extremely sweet and silly at the same time. they're so <3

number three: top cockles found footage moment

WONDERFUL category. truly the culmination of the cockles experience. many people have said that shipping cockles doesn't work because 'they're just onstage you dummies!! they're playing it up for the audience!!!' here's the thing, love. i could not disagree with you more. once you climb your way up the cockles ladder, you soon learn that they are, in fact, playing their dynamic DOWN, not up. they really are just Like That™, and they could not care less about the paying audience, if we're being honest, considering how much time they take to giggle with each other and refuse to let the audience in on the joke. and i love them for it <3

anyway, my point is that this category is for all you naysayers out there, all you 'jensen and misha's relationship is just for show and is real life queerbaiting'(?????lordhelp???) oh yeah? ok, explain this.

he. he. he calls jensen sweetheart. literally enough said. there's nothing to really add here, except, misha and jared then immediately engage in damage control. jared's method is distraction and misha's is retconning('get out of the car, dude') this was what got me to buy into the cockles dumpster for GOOD good. you don't call your buddy sweetheart accidentally and sound so completely earnest while doing it! especially not when that buddy is jensen ackles!!! you think he would let any of his friends call him that? do you?

one more thing; if it was a slip of the tongue, little mouth thing or whatever, you think jared wouldn't have jumped on it immediately??? i can hear it now. 'did you just call him SWEETHEART???' yeah. that's what i thought. you know why he didn't? because it was too revealing.

number four: top cockles autograph moment

i mean, i think we all know what it's gonna be, and if you don't, well, do i have the piece de cockles resistance that is gonna send you over the edge.

if you haven't heard of this story by now, as a cockles, truther, i'm gonna go ahead and get you to read it, because there is no possible heterosexual explanation for any of it, and you're fooling yourself if you think otherwise.

spoiler alert: it's the story where phones weren't allowed in an auto session, jensen nuzzles himself in misha's hair, leans his full body weight onto him, holds his hand, etc. etc. i'm imploding just repeating this back, actually. also, just, the sheer amount of stories from photo ops where they tackle hug each other or slap each other's asses or sing romantic songs to each other or almost kiss is, frankly, a lot. if i could wish for anything, it would be to witness them in person.

and finally,

number five: top cockles social media moment

this one is super difficult, because there's obviously a lot to choose from. but you know what? full send, i'm going with this one:

i just. what to say about this. how often do misha and jensen watch sunsets together for it to qualify as ‘always’ ??? why are sunsets synonymous with their relationship??? that’s like??? a very romantic thing????? ‘this guy’??? the fact that it’s a CANDID??? i don’t know guys.

that could have been better but i am TIRED so. there you go rose ily

[missymurphy1985]

The Lesson

After breaking up with your long-term boyfriend, you finally found the courage to enrol at university, studying Modern Theatre. Your life now taking an unexpected detour to its original plan of marriage, babies, settling down. This is going to be an interesting year.

Tag List (message me to be added): @queenshelby @peakyscillian @ntmynouis @margoo0 @cloudofdisney

Warnings - smut / teacher.student relationship

Main Characters - Cillian Murphy (he's 35 and single for the purpose of this fic, no children)

"Hey!!! Over here!!" You heard Sarah, your best friend, shouting from the other side of the hall and made your way over.

"Thank god, I was starting to think I'd gone to the wrong place! This place is huge!!" You laughed as you hugged each other. Your bag slung over your shoulder, you linked arms with Sarah with your other arm as you made your way down to the Lecture Theatre.

"So how are you feeling?" Sarah asked.

"Nervous! I never, in a million years, thought I'd be doing this! I feel so old!" You laughed. At 26, you were easily the oldest student here, but Sarah laughed your worries away.

"Trust me, you're not. Once they revealed who the teacher was going to be this semester, a fair few extra people signed up to do that course y/n!" You looked at her confused.

"What, Mr Allen?? He's about 75 isn't he?" Sarah laughed again and left you at the door to your classroom, making her way to her own Design Studio at the bottom of the corridor to teach her own class.

"You'll see when you get inside!" She called behind her, smiling.

You took your seats near the front of the room, looking behind you you could see a gaggle of ladies in the back corner, all of them easily over the age of 40 with no clear interest at all in the subject at hand. They were all giggling like children.. this was going to be fun, you thought, rolling your eyes. Turning back round, you caught a glimpse of a dark haired man making his way through the door at the back of the room. As he made his way to the desk in the centre of the stage area in front of the students, you couldn't help but gasp a little. Jesus he was cute....

The ladies at the back squealed in delight and the man rolled his eyes.

"Right then, let's make a few things clear from the off shall we folks?" He spoke, his Irish accent booming through the auditorium. Everyone fell silent.

"I have a passion for the arts - I've been involved with them since I was 19. I'm here to teach you all I've learned over the last 16years and I plan on teaching it to like minded, dedicated people. People who want to make a career out of the beauty that is theatre. Those of you here simply to catch a glimpse of anything OTHER than a teacher doing his job, the doors at the back of the room." He stood still, leaning against the desk. The gasp at the back of the room was so loud, you couldn't help but giggle a little. Busted ladies. They all whispered to each other, a few of them glaring in the man's direction as they made their way to the back of the room. Slowly but surely, a few others also left sheepishly, men included, and you couldn't help but notice the man smiling a little underneath his floppy brown hair and round glasses. Who was this man??

"Now that's taken care of, I'm hoping I'm left with students that are here to learn the theatre and nothing else..." He paused, looking round the room. His eyes met yours and he paused for a second, raising his eyebrow slightly. You were now the oldest in the room, and you felt even more out of place. You kept a straight face, and maintained the eye contact with him. He wasn't bullying YOU out of here, you didn't care who he THOUGHT he was.

"Right... Well we'd better get going then!" His demeanour changed, he smiled broadly clapping his hands together. "My name's Cillian Murphy - please for the love of God call me Cillian... Mr Murphy is my Dad and I'm not quite ready for that level of old yet." A few chuckles in the room - that tension was gone. "This isn't the first time I've done a class like this, and I've had to evict people part way through for.. ah.. shall we say inappropriate behaviour. Wanted to nip that in the bud from the offset, so I apologise to you all now for the way the class started. Now, do you all have the textbooks the school sent out last month? Let's start on page 35 shall we?" The class, including you, opened the books in unison to find the chapter on Lighting and Sound. Cillian glanced back over at you, a look of uncertainty on his face. You could feel him staring, but refused to look up at him.

"So how are your classes going y/n?" Your mum walked into your apartment to find you studying, book one side, laptop the other and you making notes in the middle of your desk in the corner of the room. You'd given her a key a month prior so she could let your dog, Juno, out during the day while you were at uni.

"It's hard work! I had no idea there was so much to learn about the theatre, they make it look so easy!!"

Your mum laughed and went to the kitchen to put the kettle on for you both. Kicking back, you allowed yourself a break after 3 hours studying and met your mum at the small breakfast bar.

"I hear you have a new teacher too? Cillian Murphy?"

"Yeah, he's amazing! He's been there and done it all mum, the stories he tells are fascinating!"

"You know who he is, right?" You did know. You'd googled him when you got home after that first lesson. Pretty big hot shot actor, but you weren't bothered. He seemed pretty down to earth and normal to you.

"Yep I know - you'd never think it though, he's so... Normal I guess?"

"Cute too."

"Mother! Behave!" You both giggled. You couldn't deny he was very attractive though - but you could tell he was a professional. No way had he even looked at you that way - in fact you were convinced he thought you were there purely for him, rather than the course, so you were even more determined to pass this semester with flying colours to prove a point.

The following weeks were filled with more information than you could get your head around. You hated to admit it, but you were struggling to keep up. You hated admitting defeat, but you were really starting to wonder if you could carry on at this pace. Your work was starting to slip, and Cillian had noticed it too, much to your dismay. He'd called a 1-2-1 with you this afternoon, and you were convinced he was going to pull you from the course. You knocked on the door of his office, the defeat written all over your face.

"Come in y/n.."

"Hi.." you tried to smile as you sat across from him. He had your latest piece of coursework in front of him on the desk and he was leaning back in the chair, eyeing you through the rims of his round glasses. Standing up, he made his was over to the drinks cabinet in the corner of the room and pulled out a bottle of Irish Whiskey. You watched him, silently, as he put two glasses on the desk.

"Shouldn't be drinking this during the day, but felt the need. Want one?" You smiled, nodding your head.

"Conversation is clearly not going to be a fun one, no?"

"What makes you say that? I'm just lightening the mood y/n, you walked in here looking like you were going to either cry or knock me out!" He laughed, and offered you the glass. You took it, and sat it in your hands. Your fingers connected and you forced down a gasp at the contact. You'd refused to show him any kind of attraction but it was difficult while he was sat so close to you.

"Listen, I know I'm falling behind Cillian, I'll make it up I promise -"

"Stop. It's okay. Yes, your marks are dropping slightly, but not by much, okay? I'm seeing real potential in you. I invited you here to talk to you about some extra classes to help bump you back to where you need to be. What do you say?" He took a sip of the whiskey and so did you. Relief washing through you as the warm liquid fell down your throat. Hopefully it hid the blush in your cheeks.

"Um.. wow... Okay.. yeah! That'd be great, thank you!" He smiled again. God that smile... Stop it y/n.. he's your teacher, stop.. he sat back down at his desk and handed you a book.

"Great! I've put my phone number on the inside cover. Have a read of this, and call me when you're done. I think you'll like it." You took the book and smiled. A history of Modern Theatre. You agreed, definitely an interesting read.

"Is it classed as 'appropriate' for a teacher to give a student his phone number, Cillian?" You smirked, referring to his opening outburst on that first day. He chuckled.

"Maybe not, but I'm not a teacher, I'm an actor helping out the local university for a semester while the actual teacher takes a leave of absence." You'd heard Mr Allen had fallen ill, Cillian was just a temporary stand in for three months. Nothing permanent. "I have a new job starting in January, I'll be done here by Christmas." You couldn't help but feel a bit sad at the thought of him not being around anymore. Without admitting it, you'd looked forward to seeing him every day in class. He stood again, and raised his glass in a toast. You raised yours.

"What are we drinking to?"

"You. We're drinking to you y/n. I'm telling you, I'm seeing some real potential with you - you're going far, just need to focus more on the content, that's all." You blushed again.. was that the reason you were distracted? Him? Maybe. "Meet me back here tonight, around 4:30? Should be done with marking by then, we can make a start?" You agreed, a nervous knot forming in your stomach.

**************************************

You'd been having your 1-2-1 meetings with Cillian for more than a month now, and your marks were certainly improving. You had finished the book he gave you, but you hadn't plucked up the courage to text him yet. Watching TV alone in your apartment one evening, you downed your third glass of wine and picked up your phone. He wouldn't have given you the number if he didn't expect you to use it, come on y/n...

"Hey Cillian? Just letting you know I finished the book. Really good read, thank you! I'll have it back with you in the morning. And thank you for spending time with me helping to improve my marks too, it's really helped. Y/n x" pressing send, you cursed yourself, why the hell did you put a X at the end!!! You cursed again when it was delivered... Then again when its status changed to 'read'... Oh crap... A reply.

"Glad you liked it! It's been a pleasure, you're doing a great job! Cx." He put one on his text too... Come on y/n, you're not a teenager anymore, get a grip of yourself!!! Your phone pinged again.

"Looking forward to seeing you tomorrow xx" 2 kisses? Ping.. "Maybe we can finish more than your coursework.x" What did that mean? Was he flirting with you?

"What did you have in mind? X"

"There's still half a bottle of whiskey in the cupboard, shame to let it go to waste X"

"I don't think you'd be able to keep up with me Cillian 😉" you typed, feeling a bit braver.

"Challenge accepted y/n. I'll see you tomorrow afternoon X" you knew his stint at the university was coming to a close, was he flirting with you?

****************************************

You knocked Cillian's office door at 4:30 sharp, knowing how much of a stickler he was for punctuality. You felt nervous, after your texts last night you didn't know what to expect - was he flirting or were you just overthinking it? The door opened, and he stood aside to welcome you in, a smile on his face as he greeted you.

"Good to see you y/n, come on in!" He walked to the cabinet in the corner. "I never turn down a challenge, you in?" You smiled, nodding, as he poured two glasses.

"Good job I left the car at home this morning," you chuckled as he brought his glass to meet yours. Both of you sinking it down in one, you grimaced as the liquid slipped down your throat and he took the glass from you to pour another.

"We'll take this one a bit slower y/n, what do you say?" His eyes darkened slightly, the alcohol clearly having an effect. You couldn't help the warm feeling running through your groin as he licked his lips to clear them of the whiskey remnants that sat on them.

"Whatever you say sir.." he glanced up at you as you said 'sir', and leaned against the desk.

"Sir? Since when did you call me sir?" He tilted his head back slightly, glass swirling in his hand. You sipped your drink and stood to face him, confidence growing. You could see his attraction towards you, and you decided to go with it.

"Since you decided to try and seduce your student... Sir." He swallowed hard, the game clearly up, watching you take a step towards him. Your bodies inches apart, he brought his hand up to rest on your hip, pulling you that little bit closer.

"Probably shouldn't have put kisses on a text to your teacher, then, should you.."

"Probably shouldn't have given me your phone number then, should you.." the air was hot now, your bodies touching gently, your breathing becoming deeper. You brought your hands to his chest, over his shoulders, and he quickly spun you round so you were now sat on his desk. His lips found yours and he ground his hips against your core, your legs parted allowing him access, skirt hitched up to your waist.

"I've wanted you since that first day... Fuck y/n you're beautiful... Sexy... Smart..." He kissed your neck between each word, breathing becoming hot and heavy. Suddenly stopping, he kissed your lips before making his way to the door, turning the key in the lock, before coming back to finish what you started. Unbuttoning your blouse and opening it, his hand snaked around your breasts, underneath the black lace bra. Groaning slightly, he moved his hands lower, down your abdomen.

"Leave as much on as possible... I'm taking you on this desk, right now.. you okay with that?"

"Like I said sir, I don't know if you'll be able to keep up with me.." your leg pushed him away slightly as you stood up, pushing him against the wall. You sank to your knees, taking his trousers and boxer shorts down with them, his cock springing up, twitching, begging for attention. Gasping, he watched you lick a circle around the swollen head, down the shaft, before taking one of his balls into your mouth and sucking lightly. His hand in your hair now, pulling it gently as he groaned. You continued teasing him with your tongue, before taking the tip of his cock into your mouth, giving it a hard suck, releasing it with a pop, sending his head back against the wall.

"Fuck... Take it y/n.. take it down..." You smiled, before sinking your mouth over his cock, all the way down the back of your throat, groaning into it sending shockwaves through him.

"Lets see how much you can take..." You sucked harder, not giving him time to react. Moving your head quickly up and down his shaft, you felt your core begin to leak, you'd never felt as turned on in your life as you did right now. You felt his legs start to shake...

"Yes.. fuck yes... Feels so good baby... Suck it... Harder.. god fuck yes..." His balls tightened, you could feel him trying to pull back but you held him firm with your hands on his hips, willing him to empty into you. "I'm gonna... You might... Jesus.... Fuck...." He came hard, gripping your hair for support as he came hard, you felt his cum shoot in the back of your throat and swallowed as much as you could, some of it spilling down your chin. You pulled your mouth away, holding your mouth slightly open so he could see his cum on your tongue before swallowing it back down.

"That was... My god... Fuck y/n..."

"Oh you will sir, you definitely will. I'm not done with you yet.." you stood up and sat back on the desk, legs parted again to reveal your core to him, completely bare. He didn't see you remove your underwear while you were sucking him, but he wasn't complaining. Gathering himself, he moved to stand between your legs and pulled your lips to his, kissing you passionately, tasting a little of himself in the process and feeling surprisingly aroused from it. He moved his mouth down to your core, running his tongue along your open slot painfully slowly.

"Cillian... Please... Need to cum...."

"You will, baby, oh you will..." You moved your hands to his soft, floppy hair and pulled his face where you needed it. He loved you taking control and took your clit with his tongue, pressing it, rolling it around his tongue as he felt you begin to shake. You lifted a leg onto the desk to give him better access, and he inserted two fingers inside you, tipping them up to meet your g spot deep inside, emitting a sharp cry from you as you three your head back.

"Yes!!! Oh god yes... Right there... Fuck!!" Your hips were involuntarily rolling against his face now, riding his tongue as he brought you more pleasure than you thought was possible. Within minutes, your orgasm was building, and sensing it, he pumped his fingers harder against that one spot that was making you see stars. Three pumps and you came hard against his face, liquid flowing from you like a waterfall, hitting the floor underneath you as you screamed Cillians name. He leaned back on his ankles, watching you coming undone, smiling. Once you'd caught your breath, your eyes fell onto his his.

"Feeling proud of yourself there Mr Murphy?" You smiled. He stood between your thighs again.

"Extremely. But I'm not done with you yet. Turn around y/n." His blue eyes darker now. Your core throbbed, knowing what was coming. Standing up, turning round, you bent over his desk, his hands parting your legs. Taking a condom from his bag behind him, you heard the packet rip open and you rotated your hips, teasing him. He groaned deeply as he started to push his length into you, inch by inch.

"Ohh... Oh god..." You weren't ready for his size, you legs parting as much as possible. Inch by inch he pushed, allowing you to adjust, before bottoming out, his balls resting near your still throbbing clit.

"I'm gonna fuck you hard against this desk, y/n... You're gonna take every thrust like the good girl you are..." You bucked your hips up and he responded by pulling his cock nearly out, and thrusting back in powerfully enough to make you scream his name. Picking up the pace, he leaned over to grab your hair in his hand, giving it a sharp tug as he thrust into you from behind over and over, relentlessly.

"Harder... Cillian harder!!! Fucking... Oh god yes!!!" Loving the sound of your cries and the feel of your pussy contracting around his cock, he knew you were close to another orgasm.

"Rub yourself... Rub your clit baby, make yourself cum for me..." You reached a hand round to your core and found that bundle of nerves. Circling it hard, your orgasm built up again and you swore you saw stars.

"Good girl.... That's it baby... Let it go, I've got you... Let it go...." That was all you needed to hear. You came hard, and he couldn't hold back once he felt your walls contracting round him. "I'm... Oh y/n yes... Yes!" He stilled, you felt his cock pulsate, filling the condom. Both of you breathless, he fell forwards resting against your back.

He pulled out gently, pulling the condom off and disposing of it in the bin, he chuckled slightly.

"Remind me to empty the bin before we leave... I don't think the cleaner will expect to see that in there in the morning!" You laughed too, standing up to face him.

"That was incredible... Just amazing..." You rested your head against his shoulder as he wrapped his arms around your waist, kissing your hair gently.

"I enjoyed that too y/n.. and I'd really like to see you again, if you'll let me?"

"I'd like that..." You smiled. You'd convinced yourself if anything happened it would probably be a one time thing, I mean he was a famous actor, what would he want with you? You had no illusions going into this.

"My teaching finishes here in 2 weeks - what do you say I take you out for dinner when it's done?"

"Sounds like a plan Cillian. But am I supposed to stay away until then?"

"Definitely not, y/n, we've still got a few 1-2-1 sessions to squeeze in before I leave..." He leaned down to kiss you, pushing you back against the desk again. His erection pressing against your core again. "It would appear I'm able to keep up after all y/n..."

[gra-sonas]

What was it like to do the time jump this season and see what that time has done for your character? Tyler Blackburn: Yeah, well, it’s definitely been an interesting time lapse. Last time, before the lapse, you see his father being killed, which probably brought about a lot of complex thoughts and emotions for him. So, to have that time jump, he probably had a lot of therapy during that time. I feel like he comes into season three with like a little bit of a lighter energy, he’s probably had to the process a lot of that stuff. He has just a little bit more freedom within himself to be himself and I think that that’s probably one of the most evident things. He and Guerin have sort of stepped away from each other, but I think that’s probably for the best at this point. So, he’s kind of just exploring himself in a really new light.

I don’t have to tell you that your character is a fan favorite on the show, I’m sure you’re very aware of that. So, what has that been like to see the fan response, how much they respond to this character, love this character, and root for him? Tyler Blackburn: Yeah, I mean, that I can talk about for a while, because it’s pretty amazing, in a nutshell. I feel like to live in a day and age now where a gay character can be celebrated so much, just in the masses is so important, which is one of the main reasons I really wanted to take on the role, because there is such a shift in narrative. I just think the fact that it’s so supported as a storyline and he’s so supported as a character, it’s really inspiring to me. So, it feels gratifying and as an actor, to be able to express love towards another man on camera, it’s pretty liberating because it’s been a taboo thing for so long. So, it’s really empowering as an actor.

The show has already been renewed for another season, so huge congrats on that. What was that moment like when you found out the news? I believe you were still filming, so it must have been nice to know like this wouldn’t be the last time playing this character. Tyler Blackburn: Yeah, I mean, everything has been a whirlwind in 2020 and 2021 now. We were shooting season three during the pandemic, which was equally intense and comforting at the same time just knowing we had a job and things like that. So, it was a crazy time. Then hearing about season four definitely felt like a whirlwind, but also great because it just solidified multiple things: that the cast and crew would have work and also, that the fans clearly are stoked. So, that’s great.

Again, I’m sure I don’t have to tell you that you are also part of a fan favorite ship. So, what can you tease about them? Tyler Blackburn: Yeah, well, I’m not gonna say too much because I definitely think that this season has some interesting moments in it that I think should be left to surprise, but I think that at the base of everything no matter what their actual relationship status is, to quote the show, there’s something cosmic about them. That kind of love just never goes away completely. So, they are taking time apart, they don’t have a relationship outside of just kind of friends at this point, but I think that they’re building a foundation that could potentially lead to something else. I think that their history was like so wrought with just chaos and a little bit of trauma, I’d say. So, I think this is an opportunity for them to sort of reimagine themselves and potentially their relationship, so you’ll have to see how that unfolds. It’s not like just overnight they’re gonna wake up and be in the same bed together, you know? So, there’s a progression.

Obviously, this is not your first hit show, you were also on Pretty Little Liars. So, if you could bring any of the PLL characters to Roswell, New Mexico for an episode, which would you pick? Caleb, can be included as a choice too. Tyler Blackburn: Oh, that would be interesting. Man, I might bring Caleb, but I also might bring Spencer, because Caleb and Spencer, they both are extremely intelligent and well versed in computers and things of that nature that could be advantageous to have around in Roswell. So, I’ll say Spencer, I think that would be interesting. I also feel like she would probably really believe everything that’s going on pretty easily. I can’t imagine the other girls being like extremely on board with everything.

For the next episode, we got some promo pictures and fans were beyond excited to see that Alex will be having a scene with Liz. What can you tease about that? Tyler Blackburn: Yeah, it’s definitely fun to have scenes with Jeanine. They are friends, they’ve been friends for so long. So, we don’t really see them interact too much. The scene, basically, I’m doing Liz a favor and I think that ultimately it just shows their dynamic and it shows that everything aside, they’re just always going to be there for each other, to help and kind of talk each other down a bit. So, that’s kind of what you see as evidence in that scene. Yeah, I think it’s gonna be good. Jeanine is just such a delight. She’s always in a good mood, which it’s like, “How can I have some of that? Please give it to me.” She’s so made for this role, not even just as Liz, but as the female lead of a show. She’s just so empowering and so empowered. I really actually look up to her a lot. I call her for advice, it’s funny how sometimes art imitates life in that way. Jeanine is incredible, she’s so deserving of what she is experiencing in life right now. Suddenly, this is like an interview about Jeanine– no, but I just love her so much. So, it’s fun to work with her.

If you could create a tagline to describe what is to come for Alex in the rest of the season, what would you pick? Tyler Blackburn: I’m trying to remember every detail of what does come, because we shoot it and then it’s like, “Wait, what did we shoot,” because I want to give a good answer. I keep thinking of those Housewives shows, where they have taglines that are– I haven’t watched one of those in years– but they’re like, “I love money and dogs,” that’s like their tagline. What is Alex’s? I think that there is a really interesting turn for him where he starts to question what he knows to be true. So like, ‘All is not what it seems,’ maybe? Something like that. I mean, that’s kind of applicable to those Housewives, because I’m sure what you see on screen is not the truth.

[lubdubsworld]

Better Man. ( Taehyung x OC)

Chapter 1    Chapter 2

Rated 18 +

Post Divorce, Getting Back Together, Second chances, Angst.

Chapter 3 ~ The problem with marriage is this  : it isn’t worth the pain of divorce. 

Denial isn’t healthy.

 But sometimes it helps you stay sane , at least long enough to get your act together. When you’re in denial, you kind of keep yourself together a bit. You process things a bit more slowly. Take your time examining the facts. 

It helps you make a delayed but possibly more informed decision.

 Impulsive decisions never end well.

 So it’s good to stew in denial for a while ( a short while) and then slowly begin processing what happened, think about it, think how its gonna affect you and then make a choice. 

Unfortunately for Taehyung and I... I wasn’t in denial. 

Maybe I should have been.

 The time between Taehyung turning up drunk and the me leaving the house was less than twelve hours. Taehyung showed up drunk and I just told him I was leaving. That we needed a break and I didn’t know when I’d be back. 

Terrible choice.

 In the first twelve hours, the hurt is so potent and strong , the wound so raw and fresh that you can’t think beyond the pain . Your instinct is to repay the pain, to retaliate and make the other party feel exactly what you’re feeling. So you think of the thing that would hurt them the most and you go ahead and do it. 

Like move out of your shared home of eight years, take away the son he adored and possibly rip the ground right out from under his feet. 

And then after the first twelve hours, reason begins to catch up. 

I had wanted to go back. 

I had wanted to go back to him but I was scared. 

Scared that I was being weak.

 That if I didn’t stick to the choice I made, Taehyung would forever see me as a pushover. That he would take it as some sick permission to do it all over again. That he’d just think I was too weak to walk out on him. 

And i couldn’t have that. I couldn’t have him hurting me and not facing the consequences of it. I just couldn’t.

So I stayed away. 

~~~~~~~~~~~~~~~~~

I worked on the seventh floor of a high rise in Gangnam, probably a twenty minute drive from Taehyung’s agency. It was an electronic/ tech company that dealt with everything from mobile phones to home fittings . As the  assistant director of Marketing I dealt with branding and keeping up the image of the company. Annual budgets, endorsements, campaigns and what not. 

I was good at it and i enjoyed it . everyone agreed that i did a good job because the numbers spoke for themselves. But I think the main reason I got the job was because I was married to the biggest brand ambassador in the country. 

“ I need the reports on consumer trends for this month and I want to meet with Social media team before lunch. There’s a drop in our web traffic and that needs to be fixed.” I told my assistant, accepting the hot coffee and muffin that he held in his hand before moving to the corner office, my strides faltering just a bit when i noticed that  someone  was already inside. The figure had his back to me but I could vaguely recognize the broad shoulders and muscular arms. 

“Mr. Jeon’s been waiting for about ten minutes now.” Mingyu said with a smile and I nodded. 

“That’s fine , I’ll handle him.” I waved my assistant off and moved to the  door, unlocking it and stepping in. 

“Morning, Jang Mi.” He smiled, eyes flashing with ill concealed delight and I inhaled to calm myself down. . 

I could already feel a headache coming on. 

“Jungkook.” I said curtly. “ To what do I owe this very early visit?”  I glanced at my table finally taking the bottle of champagne in the small ice bucket. 

“Thought we’d celebrate you finally being free.” He grinned. 

Jeon Jungkook was handsome, intelligent , and annoyingly good at everything he did.

At 34,  He was one of the youngest CFO’s in the industry, and everything he touched turned to gold. I didn’t report to him and he had zero reasons to be in my office at any given time. But , unfortunately he had never gotten that particular memo. 

“I’m not in the mood, Jungkook.” I sighed, moving to the back of my desk and dropping my bag on the small ottoman on the side and my keys in the desk. I plugged my phone into the cable on the side and then went to open the blinds. 

“Come on... You know how sick I’ve been of two years of  hearing ‘ I’m sorry, I’m married.’ .... you’re gonna have to come up with  a better excuse the next time i ask you out.” 

“No. No is a whole entire sentence that you should be able to accept.” I said evenly, fixing the cushions on the couch only to have him plop down on them immediately after. 

“One date. Dinner anywhere you like. i can fly you to Paris if you want.... Macua? Jeju Do? Tell me what you want and I’ll get it done. ?” 

i stared at him. 

“I want you to fire Kang Yeseul from the Social Media team.” I said with a shrug. 

He frowned. 

“The new girl? Why?” 

“She’s been posting nudes that she took in my office when I was on leave last week. My name plate is literally visible.”

“Jesus fuck...these bitches get dumber by the minute.”

I couldn’t even deny it.

“I’ll take care of it.” He said swiftly. “ Anything else?”

“Web traffics gone down and I’m gonna find out why. It’s probably time for us to work out the budget for the Christmas Carnival. I think we should go for something new this time. If you can set up a meeting with all the department heads we can brainstorm a few ideas...” 

“I can’t forget about that night.” 

I froze. 

God. 

i turned around to stare at him as he lounged on the couch. If Kim Taehyung was the most handsome man I’d ever seen, Jungkook was definitely the second.

 He was disconcertingly good looking and where Taehyung’s image was always the clean cut gentleman with the perfect character, Jungkook had a reputation as a bit of a delinquent. Simply because he had a penchant for leather jackets and liked to ride around Seoul on his motorbike on days off. 

Which was ironical because in truth, Taehyung was far from a saint and Jungkook was relatively more put together 

He was also a divorcee and a single parent. His daughter Jennie was easily the cutest two year old on the planet.

His wife and him had fifty fifty custody but she had cheated on him with his best friend. Jungkook had no patience for her. They had a very volatile relationship but he was fighting for full custody and rumor was that he would most certainly be granted it, soon. 

A marathon runner ,  he didn’t drink or smoke.  

Jungkook liked to paint and volunteered at an animal shelter once or twice a month because he loved dogs but couldn’t keep one because of his busy schedule. 

So all in all , a pretty solid candidate if I was looking for a guy. 

Honestly, if it weren’t for the fact that I was completely and utterly done with relationships for the rest of my life, I would actually give the guy a chance. 

But , it is what it is. 

“That sounds like a  you  problem. “ I shrugged. “ It was supposed to be  one  night  with no strings attached. And by string I meant awkward conversations three months later .” 

Jungkook groaned and sat up straighter, legs spread and shirt sleeves riding up to show a very sparkly watch. Rich men and their vices. I smirked a little. 

“Come on... its just dinner. I want to get to know you, that’s it.” he held his hands up. 

“There’s nothing to know Jungkook. I’m actually more boring than i appear, which is saying something. I’m not going to be the girl in the leather jacket clinging to your waist when you’re joyriding that motorbike of yours through Seoul. That’s not me. I would hate something that” 

He chuckled. 

“Are you sure? You ever tried it?”

I stared at him in disbelief.

“That’s not the point.”

“I’ll buy you a jacket. Join me this weekend. We’ll go a ride. Then you can make a decision.” 

I opened my mouth to argue when the phone rang. I grabbed it quickly.

“Hello?” 

“This is Lee Taemin from the Advertising Department.”

“Yes?”

“We have a Mr. Jung from HYBE on the phone. They want to talk to us about a possible candidate for our Christmas Campaign.... “

I blinked, surprised. 

“We haven’t even decided on a theme yet. “

Choosing the right actors to endorse stuff was usually the last step. 

“I know but he’s saying they want to talk about Mr. Kim Taehyung as a possible candidate?”

I felt my entire jaw come unhinged. 

I turned to Jungkook stunned. His eyes widened at the look on my face and he mouthed a ‘ What’ 

“Please tell him I’ll call him back in fifteen minutes.” I said quickly.

“What’s wrong?” Jungkook demanded. 

“Taehyung’s manager...he... he wants to make him the face of the Christmas Campaign.” I said dully, mind ringing. I was utterly stupefied. 

Taehyung was the face of Gucci and Versace . He was so far out of our company’s league it wasn’t even funny. 

Jungkook stared at me in disbelief.

“No.” He said quickly.

I gaped at him.

“What?” 

“No... we can’t have that. He’s.. he’s obviously doing this to get back with you...”

I shook my head.

“that can’t be it. He’s the one who gave me a divorce. He’s the one who wanted to end it. “ 

It was the shock of what I’d heard. There was no other explanation for why I said that to Jeon Jungkook. 

Jungkook gave me a look.

“Really? But you wanted one too right?”

“Of course I did.” I lied easily, waving him off. “Anyway that doesn’t matter. We can’t say no to him, Jungkook. Our sales would skyrocket if we get him onboard.” 

Jungkook swore.

“Fuck, you’re right. The Ceo will probably piss himself in excitement. You sure you’ll be okay with it?”

Jungkook looked worried. 

“You forget that Taehyung and I are actually quite good friends.” I said gently. 

He grimaced.

“That's just unnatural. If you can stay friends with an ex it clearly means that either you’re still in love with each other or....”He shrugged. 

“Or what?” 

“Or you never loved each other in the first place.” 

I swallowed the remark hitting a little too close to home for comfort. 

“Schedule that meeting Jungkook. We’ll come up with a campaign theme that would fit Taehyung’s image. I’ll take to Hoseok and Taehyung.” 

“You’re going to call Taehyung?” Jungkook asked casually.

“Hoshi’s with him today. I’ll probably go over to his place after work and talk to him in person.” 

“Lucky bastard. He gets to hurt you and yet  still have you.” Jungkook said bitterly. 

I rolled my eyes.

“He doesn’t have me.”

“Doesn’t he? Why else would you turn down dates with anyone who asks? its one date.. a dinner... If you’re not still hung up on your ex husband why wouldn’t     you just go on one date with-”

I’d really had quite enough of it. I threw my hands up in sheer exasperation. 

“Alright fine.” I yelled, “  I’ll go to dinner with you...can you just stop psycho analyzing my relationship with my husband?” 

Jungkook’s smile told me that I’d been played like a fiddle. 

“excellent. Go see your husband after work and I’ll come pick you up at eight.” 

“What...no wait...”

“I know where he lives. Don’t worry about it. I’ll schedule that meeting and maybe after lunch we can go over the kind of budget you’ll want. Okay?”

I felt a little like I’d stepped into quagmire. 

~~~~~~~~~~~~~~~~~~~~

I didn’t go see Taehyung after work. 

I didn’t have to. 

An hour before I was due to finish my daily report, he turned up at the office with my son. My assistant let him in and I could only gape at him.

“What are you guys doing here?” I asked , completely thrown. 

“Mama I had ice cream with strawberries and sprinkles in a hundred colors.” Hoshi looked excited, eyes shining the way they usually did when he was with Taehyung. 

“That sound incredibly exciting....”

“We missed you mama....can we go again?” He said excitedly.

“I’m sorry honey, Mama’s a little caught up with work...”

“Why don’t we wait?” Taehyung said cheerfully, “ Mama likes blueberry scones so we can get those for her...” 

I stared at him.

“Okay...” I sad carefully, staring him down. What was he doing really?

“Okay... Can I go see the fishies....” Hoshi waved at the large fish tank built into the wall in my office and Taehyung laughed, letting him down.

“Sure bud.. go see how many of the fish you can identify...” He said brightly. 

“ Since when do you pick me up for blueberry scones after work?” I asked briskly and he shrugged.

“Let the kid be happy , Mia. I heard Hobi hyung already spoke to you.”

“What is that all about, Tae?” I said tiredly. 

“All the other offers i got are out of Korea. I want to stay with Hoshi during the Holidays so i thought this way , we could spend some time together..”

“By we, I hope you mean you and Hoshi.” I said drily.

“Of course. I could’ve picked another mall or something but i thought it could be a good thing if we worked at the same place... we can keep Hoshi with us and there wont be all the commuting back and forth nonsense....” 

I nodded. 

“I suppose you’re right. “ I sighed. “But be warned, you’re probably not going to have a very exciting time. 

“I’ll enjoy it nonetheless.” 

I nodded. 

“I won’t tell you how to live your life And I most certainly won’t look a gift horse in the mouth. My Ceo might just give me a huge pay raise for this. He’s been waiting for it since the time he hired me.”

Taehyung gave me a smile.

“I would have done it the minute you asked. You never asked.” 

I shrugged. 

“Like I said, I won’t tell you how to live your life.” 

“Jang Mi?” The knock on the door made us both look up.

Jungkook stood framed in the doorway, jacket off and slung over his arms . He looked bigger than usual, muscles straining against his button down and hair mussed. 

He stepped in casually, holding a hand out to Taehyung.

“The golden boy of Korea. in the flesh. A pleasure to meet you Mr. Kim. I’m Jungkook. Jeon Jungkook” 

The pair of them shook hands and I felt that I would rather be anywhere in the world than there. 

“ Nice to meet you Mr. Jeon.” Taehyung smiled politely. 

“We still on for tonight?” Jungkook asked casually, turning to me with a bright smile. 

This is why i hated men. 

Taehyung’s eyes snapped to me so fast that i was sure he must’ve got whiplash. 

“Sure. I’ll call you.” I said shortly. 

“What’s tonight?” Taehyung smiled, face neutral and smile still in place but his eyes flashed and his voice carried a knife edge to it. 

“Business dinner. We’re going over the budget for the Christmas campaign.” 

“Oh... where?” Taehyung asked with the same smile and I frowned.

“We’ve not decid-”

“I thought I could cook for you. i make a mean steak dinner and I thought I could pick up a bottle of your favorite wine on the way. You have my address right? ” Jungkook smiled. 

Taehyung went still next to me, his entire body taut . 

“A little inappropriate for a business dinner, don’t you think?” he snapped.

Jungkook glared back at him, eyes narrowed. 

“Well, you know what they say about all work and no play-” he began but I’d had enough. 

“I think this conversation needs to end now.” I said loudly. 

They  both shut up but glared at each other.

“I’m gonna make a reservation at the Hyatt for tonight. I’ll meet you there at seven thirty. “ I said, glaring at Jungkook. 

He nodded.

“Pleasure meeting you Kim Taehyung.” He nodded curtly at my ex husband before moving away. 

The silence he left behind was pretty awkward. 

“Bit too much of a douchebag than your usual type.” Taehyung said casually. 

I groaned.

“Don’t start.” 

“ I won’t if you don’t date him.” 

I opened my mouth to argue but then stopped. 

“Lets just get that ice cream ? “ I said tiredly. Hoshi reappeared from the inside room, looking excited and happy and I smiled despite my weariness. 

I could use a little sweetness in my life after a bitterly exhausting day. 

~~~~~~~~~~~~~~

Author’s note : Feedback is welcome . Probably going to be a long , terribly angsty fic with a lot of pain for everyone involved. I still haven’t decided who ocs going to end up with so we’ll see... what do you guys think? 

[number5theboy]

Please elaborate on how Five could've turned into the most insufferable character to watch

Thanks for asking me to elaborate on this text post:

@tessapercygranger​, @waywardd1​ and @margarita-umbrella​ also wanted to see a more detailed version of it, and I ended up writing an essay that’s longer than some of my actual academic essays. So buckle up.

WHY NUMBER FIVE SHOULD BE THE MOST OBNOXIOUS CHARACTER IN TV HISTORY, AND HOW HE MANAGES NOT TO BE

Number Five: The Concept That Could Go Horribly Wrong

Alright, let’s first look at Five in theory in an overarching way, without taking into account the execution of the show. The basic set-up of the character, of course, is being a 58-year-old consciousness in a teenager’s body, due to a miscalculation in time travel. Right off the bat, Five is bar none the most overpowered of the siblings; by the end of Season 2, no one has yet been able to defeat him in a fight. He is a master assassin – and not just any master assassin, but the best one there is – and a survival expert, able to do complex maths and physics without the aid of a calculator, shown to have knowledge of half a dozen languages, has very developed observational skills and, to top that all off, he can manipulate time and space to the point where he can literally erase events that happened and change the course of history. And Five knows how skilled he is; he is arrogant, self-assured and sarcastic, and his streak of goodness is buried deep inside. David Castañeda once described Five in an interview as 90% chocolate with a cherry in the middle, meaning that you have to get through a lot of darkness and bitterness before knowing there is a good core, and I think it’s an excellent metaphor. However, Five is also incredibly, fundamentally terrible at communicating with anyone, and, because he is the only one with time travel abilities, the character a lot of the actual plot - and the moving forward of it - centres around. Also he’s earnestly in love with a mannequin, who is pretty much a projection of his own consciousness that functions as a coping mechanism for all the trauma he has endured. All in all, this gives you a character who looks like a teenager, but with the smug superiority of a fifty-something, who a) is extremely skilled in many different things, b) has a superiority complex, is arrogant and vocal about it, and most of the superiority is expressed through cutting sarcasm, c) has one very hidden ounce of goodness that he is literally the worst at communicating to other human beings, d) is what moves the plot along but is also bad at talking to anyone else, meaning that the plot largely remains with him, and e) his love interest is essentially a projection of himself. Tell me that’s not a character who is destined to be just…obnoxious, annoying, egocentric, a necessary evil that one has to put up with to get through this show. There are so many elements of this characterisation that can and should easily make Five beyond insufferable, but the show manages to avoid it, and I’m putting this down to three aspects.

That Trick of Age and Appearance

Bluntly put, Five as a character would not work if he was anything else than an old man in a 13-year-old body. Imagine this character and all his skills and knowledge, but actually just…a teenager. Immediately insufferable. Same goes for him being around 30, like his siblings, all of which are stunted and traumatised by their father’s abuse. If Five, being comparatively unscathed by Reginald to the point where he explicitly does not want to be defined by his association with his father, were 30 like his siblings, it would just take the bite out of that plot point and also give him a lot less time in the apocalypse, reducing the impact it had on him as a person. And making Five his actual 58-year-old self would make him very similar to Reginald, at least on surface level, with the appearance and attitude. Five and Reginald are two fundamentally different people, but having one of the siblings being a senior citizen that’s dressed to the nines and bosses his siblings around in a relatively self-centred way does open up that parallel, and would take away from Five’s charm as a character. Because pairing the life experience of a 58-year-old with the appearance of a teenager gives you the best of both worlds. You get the other siblings (and a lot of the audience, from a glance in the tags of my gifsets) feeling protective and paternal about Five, but his age and experience also give the justifications for his many skills, his arrogance, in a way, and his ability to decimate a room full of people. It’s the very interesting and not new concept of someone dangerous with the appearance of something harmless, a child. This is also where Five’s singular outfit comes in. I know we like to clown on Five to get a new outfit, but I think what gets forgotten often is how effective this outfit is at making the viewer take him seriously. The preppy school uniform is the perfect encapsulation of the tension between old man in spirit and young teenager in appearance. The blazer, vest and especially the shirt and tie are quite formal, relatively grown up. They’re not something we, the audience, usually associate with a teenage boy wearing; it makes Five just a little bit more grown up. But there is also a reason characters in this show keep bringing up Five’s shorts and his socks, because those are not things that we associate with grown men wearing; they’re the unmistakably childish part of his school uniform. Take a moment and imagine Five wearing a hoodie or a t-shirt, jeans, and sneakers; would that outfit work for him as well as the uniform does? Would he be able to command the same kind of respect or seriousness as a character? I don’t think so; the outfit is a lot more pivotal in making Five believable than a lot of people give it credit for.

Writing Nuance

The other big building block in not making Five incredibly insufferable is the writing. Objectively speaking, I think Five is the most well-written, and, more importantly, most coherently written character on the show (which does have to do with the fact that the show’s events are all sequential for him), and his arc and personality remain relatively intact over the course of the two seasons. More to the point, a giant part of what makes Five bearable as a character is that he is allowed to fail. He is written to have high highs and low lows, big victories through his skills and his intelligence, but also catastrophic failures and the freedom to be wrong. His superior intellect and skillset are not the be-all end-all of the plot or his character, just something that influences both. His inability for communication has not (yet) been used to fabricate a contrived misunderstanding that derails the plot and left all of us seething; instead, it’s a characteristic that makes him fail to reconnect with the people he loves. This is a bit simplified, as he does find common ground with Luther, for example, but in general, a lot of the rift between Five and his siblings is that they can’t relate to his traumas and he does not understand the depth of Reginald’s abuse, which is an interesting conflict worth exploring. Another thing that really works in Five’s favour is that he is definitely written to be mean and sarcastic, but it is never driven to the point of complete unlikability, and a lot of the time, the context makes it understandable why he reacts the way he does. Most of the sarcastic lines he gets are actually funny, that certainly helps, but in general, Five is a good example of a bearable character whose default personality is sharp and relatively cold, because it is balanced out with many moments of vulnerability. Delores is incredibly important for this in the first season, she is the main focus of Five’s humanising moments, and well-written as she totes the line between clearly being a coping mechanism for an extremely traumatised man and still coming across to the viewer as the human contact Five needs her to be. In the second season, the vulnerability is about his guilt for his siblings, it’s about Five connecting a little bit better to them. There’s also his relationship with the Commission and the Handler specifically – which honestly could be an essay on its own – that deserves a mention, because the Handler is why Five became the man he is, and this dynamic between creator and creation is explored in a very interesting way – their scenes are some of the most well-written in the entire show. And TUA never falls into the trap of making Five a hero, he is always morally ambiguous at best, and it just makes for an interesting, multi-faceted character, well-written character, and none of the characteristics that should make him unlikeable are allowed to take centre-stage for long enough to be defining on their own. I know a lot of people especially champion the scenes where Five goes apeshit, but without his more nuanced characterisation, if he was like that all the time, those scenes would not hit as hard.

Aidan Gallagher’s Performance is Underrated

But honestly, none of the above would matter that much if the Umbrella Academy didn’t luck out hard with the casting of Aidan Gallagher. I think what he achieves as an actor in this show is genuinely underappreciated. Like, the first season set out to cast six adults having to deal with various ramifications of childhood trauma, and a literal child that had to be able to act smart and wise beyond his years, seamlessly integrate into a family of adults while seeming like an adult, traumatised by the literal end of the world, AND had to be able to create the romantic chemistry of a thirty-year-long marriage with a lifeless department store doll. The only role I could think of to compare is Kirsten Dunst in Interview with a Vampire, where she plays a vampire child who, because she is undead, doesn’t age physically, but does mentally, so she’s 400 in a child’s body. And Kirsten Dunst had to do that for a two-hour movie. Five is a main character in a show that spans 20 episodes now. That’s insane, and it’s a risk. Five is a character that can’t be allowed to go wrong; if you don’t buy Five as a character, the entire first season loses believability. And they found someone who could do that not only convincingly, but also likeably. As I said, he is incredibly helped by the costuming department and the script, but Aidan Gallager’s Five has so much personality, he’s threatening and funny and charming and arrogant and heartbreaking. He has the range to be convincing in the quiet moments where Five’s humanity comes to show and in the moments where Five goes completely off the rails. Most child actors act with other children, but he is the only child in the main cast, and holds his own in scenes with adults not as a child, but as an adult on equal footing with the other adult characters. That’s not something to be taken for granted. But even apart from the fact that it’s a child actor who carries a lot of the plot and the drama of a series for adults, Aidan Gallagher’s portrayal of Five is also just so much fun. The comedic timing is on point, he has the dramatic chops for the serious scenes, the mannerisms and visual ticks add to the character rather than distract from him, and his line deliveries, paired with his physical acting, make Five arrogant and smug but never outright malicious and unlikeable. It’s just some terrific acting that really does justice to the character as he is written, but the writing would not be as strong if it wasn’t delivered and acted out the way Aidan Gallagher does. He is an incredible asset for this show.

Alright, onto concluding this rambling. If you made it this far, I commend you, and thank you for it. The point of all of this is that Five, as a character, could have been an unmitigated disaster of a TV character. He is overpowered, arrogant, uncommunicative and could so easily have been either unconvincing or completely unlikeable, but he turned out to be neither. It’s a combination of choices in the costume department, decisions in the writing room, and Aidan Gallagher’s acting skills that make the things that should make him obnoxious and annoying incredibly entertaining, and I hope you liked my long-winded exploration of these. Some nuance was lost along the way, but if I had not stopped myself, this would’ve become a full-blown thesis.

[riathedreamer]

Zero is Null

A discussion of Zero’s love-hate-relationship with RvB and struggling independence; including a hotdog too big for the bun, tragic backstories, a single bow-chicka-bow-wow, and a cookie at the very end.

Welcome to what will be a lot of text. Basically, it will explore why Zero fails as an RvB (with emphasis on RvB) season. I will not be the first one to bring forth some of the points, and I promise to be fair and civil and fun. This isn’t supposed to be a piece of hate – in fact, I’m writing this because I love Red vs. Blue.

Okay, first of all, to increase your fun – take a guess on just how much of Zero is spent on fight scenes. You see, I’ve calculated the exact amount, and I will reveal it later, but for now, take a guess and remember the number. Maybe you are the winner!

Alright, time to share my thoughts. Wait! Since I suffer from anxiety and have this one annoying voice pretending to be all those critical statements my opinion could be met with, let’s give it an actual voice and address the points throughout this review.

“Why would I care about your opinion, Ria?” – I don’t know, you’re the one who clicked Read More.

“Your opinion doesn’t matter!” – Of course, it doesn’t! Geez. Do you think your opinion matters, though? Listen, we’re on Tumblr, the actual equivalent of screaming into the void. And it’s fun, too!

“If you don’t like it, don’t watch!” - *activates Uno Reverse Card* “You can’t talk about something you haven’t watched!”

“You’re just a Hater” – Actually, this is a point I’ll come back to. Like a cliffhanger. Also, at the end of this, there’ll be a cookie. But this will also include me talking about the stuff I like, because, surprise, Zero is not without talent!

“You just don’t like it because the Reds and Blues aren’t in it!” – Actually, that’s a good point, so instead, this review will start with a sole focus on Zero and discuss the problem that lies within that story. Then we can address why the lack of OG cast is understandable and problematic and weird.

But first! Backstory.

When the first 5 second teaser dropped back in spring (you know, when we were young and innocent and the world didn’t feel like an apocalyptic movie yet), I held onto that one image of what I thought (hoped) to be Grif and Simmons in the sunset, hopefully addressing Grif’s hateglue arc, but boy was I wrong because a) that’s not Simmons, that’s Sarge, and b) the image was from a PSA since the Reds are not in Zero.

Actual face-reveal of me below:

Admittedly, when I heard that the Reds and Blues were not going to be the main characters (or even show up), it felt like a gut punch. However, I actually found myself getting excited due to the creators’ hype. I want to praise them for this. It’s been a while since an RvB season was talked so much ABOUT before its release; it had advertisements, it had creators and voice-actors talking about it. Please. More of that in the future. Their passion rubbed off on me, and that deserves recognition. So it pains me that this was clearly a passion-project, and then when I gave it a try, I didn’t want to touch it again for weeks.

Here’s the thing. I cannot whole-heartedly say that Zero is bad. It’s not gonna melt your eyes. It’s not even so-bad-it’s-good. For me, it’s meh. It’s a Saturday-morning-cartoon aimed for a younger audience with a rushed plot and clichéd characters. The problem is that it calls itself RvB, and with that title comes something to live up to – but more importantly, something to continue.

My main issue is that Zero forces its story into existence by ignoring established content rather than adjusting to it. Let’s call this for the hotdog-too-big-for-the-bun syndrome solely for the sake of the bow-chicka-bow-wow that’s coming now. Bow-chicka-bow-wow. Many of the separate issues I will dive into all add to this hotdog-issue, so I will scream “Hotdog!” whenever this is the case so we can all keep track of my argument.

You can continue the story of Red vs. Blue without the Reds and Blues. While that would personally crush my heart, it can be done. There’s a story of Red vs. Blue that can be continued. The world can be expanded, the previous actions of the Reds and Blues can be explored from another angle.

So.

How does Zero do this? It doesn’t.

I just want to make it clear that new elements can definitely be added when it comes to worldbuilding. That’s literally the point of sequels. But Zero’s settings are presented with so little grace and with no connection to previously established worldbuilding. We get Alliance of Defense and GLASS thrown in our face as very big important organizations – yet we’ve never heard of them before. A big central plot point of RvB is the UNSC and Project Freelancers, and those were introduced naturally with the plot. We already have big established intergalactic organizations. What is AOD’s connection with those? We aren’t told. We are just told they exist and expected to accept it, no questions asked. If this was a whole new world and story – fine. But when you need to build on an already established worldbuilding, you need more grace than this. Chorus was a whole new setting, but it was explained, and it was connected to the previous plot. Same with Iris. Same with Desert Gulch. In Zero, it feels lazy. It feels forced. These organizations are just there because the story is built around them (HOTDOG).

This vagueness when it comes to wordbuilding is also reflected in the settings - we have a desert, a training base, a lab, temples, Tucker’s workplace, and we do not know if all those are set place on the same planet. If that is the case, what is this planet’s relationship with Chorus? Is it Earth? And most importantly, what is the deal with the temples? Why are they connected to Tucker’s sword if it isn’t the same planet. Are they made by the same aliens? Are people okay with this? Why haven’t these temples been explored before? Chorus makes sure to establish this, while Zero doesn’t, adding to a growing amount of confusion.

Okay, so no connection with previous worldbuilding. What about characters? I mean, we got Wash and Carolina and Tucker! So we have RvB characters, it gotta be RvB! Technically – yeah. But it feels dirty. These three characters are not here to be characters. They are here to be props to the new cast. They are not given any development. Their presence isn’t even that important, and if this was a whole new show, they could easily have been replaced with an unknown face. Worst of all, they feel miswritten.

Carolina and Wash are working at a new military organization? Leaving the Reds and Blues behind? To help people? First of all, fucking bad idea, Carolina, the last time you left the Reds and Blues alone, they changed the timeline. But most importantly – Carolina and Wash just joined this new super elite military organization? After being mistreated and manipulated by such an organization in the past?

Carolina is there to introduce the characters. That’s it. We are force-fed their personality by having her literally read out loud their personality. There is no gentle introduction to the new cast. We are not allowed to get to know them naturally. Why show when you can tell, huh? That’s Carolina’s role. That’s why she is there. To introduce the cast and explain their story. That’s it. (HOTDOG).

How about Wash? He is there to get beat up and be a damsel in distress so that the new cast has a reason to explore the plot. Oh, and that brain damage that was the consequence of previous seasons – gone now. The guy who literally has trauma from having an AI explode inside his head is fine with having a computer inserted into it instead. Because that’s needed. To explore his brain damage wouldn’t work now when his role is to be a prop to lure the new cast for one episode and then be put onto the bench for the rest of the runtime (HOTDOG).

And Tucker – he is there to die for a second and have his sword taken from him. That’s literally it. And for the few moments he is there, he feels like old super flirty Tucker, which erases the character development he went through in previous seasons. Okay, so Tucker dies, and then not dies, and then he is put on the bench with Wash where they can sit and talk or whatever (‘cause holy shit, the new cast is not allowed to that), because he isn’t important. The sword is. Tucker is just a prop, even more than his sword is (HOTDOG).

Damn. Wash gets beat up. Tucker gets beat up. Dies. Gets his sword taken away. Almost seems like a Red’s wet dream. Sorry not sorry, Blues, you were done dirty.

So there are miswritten old characters. Even worse is the retconning. The plot needs a “normal” Wash, so, bam, magic computer solution. Never mind Wash’s trauma and character traits. Never mind the logic of the new worldbuilding which also includes a character suffering for years to heal an illness. But the brain damage that was such a big consequence that it became the main part of the plot of the last two seasons – gone. I mean, a gunshot to the head can be healed by CPR. That’s canon. But no one gave Wash CPR so it’s a big thing, okay. It was canonically a big thing, and Zero erased that. This is not me saying that a Cerebral Enhancer couldn’t work in the RvB universe. Imagine it being done right. Wash struggling with the choice of getting used to his disability or accepting the possibility of help - at the cost of reliving his trauma. The struggle between what to choose - what should he choose when he wants to help as many as possible, the sacrifices he thinks he has to make, the way it could have been used as a part of his character growth. But in Zero, the enhancer isn’t a part of Wash’s character. It’s there so the story can work without having to deal with the previous plot’s consequence (HOTDOG).

Same with the sword thing. They sorta explain it by having Tucker flatline, but it’s weak. Honestly, I find it sorta offensive. What about Locus’ sword as well? It’s twisting previous lore to make the new plot work (HOTDOG). (Also, are we not gonna talk about the ultimate power being Spencer Porkensenson’s helmet? Have the writers forgotten Spencer Porkensenson? Have we as a community forgotten Spencer Porkensenson?)

If you have Red vs. Blue in your title, you cannot ignore what you inherit from it. You need to respect the worldbuilding, the established characters, and the previous plot. Zero does not do this.

Let’s talk about the Triplets. No, really, let’s do it. I don’t think I’ve ever talked about them before, because season 14 was a mixed bag for me (that I have now learned to appreciate. Thank you, Zero.) because I have heart at the size of the Grinch and can only love a few characters at a time, and that did not include the Triplets. Can’t even remember their names. Well, I can, but I can’t for the love of me remember which state is which, and my tongue is twisted every time I try to say Ohio, Iowa, and Idaho, and I know it’s on purpose. I know it is. And it got me good. That being said, the fandom actually embraced them really, really well! Seriously, I’ve seen more content for the Triplets than for Zero as a whole.

Why talk about the Triplets? (Was Iowa the lesbian? Or was it Ohio? Fuck.) Because like Zero, they introduced new characters with a story of their own. The Reds and Blues didn’t play a role. But here’s what I feel like the Triplets got right. They didn’t change the settings to force their narrative. They used stuff already established (Project Freelancer), added their own story as a continuation of that. They even included old characters in the beginning (Wash and some other Freelancers) but it felt natural and it didn’t feel like it happened at the expense of the old characters. Wash’s writing felt natural, and his presence wasn’t needed to tell these new character’s stories. He wasn’t a prop to them. He was there to establish the setting and to establish the relationship with these new characters, and then he and the other familiar faces (helmets??) left, and we as the viewers were left with these new characters. And the new characters told their own story by themselves. It felt like, hey, here’s something you know – remember Mother of Invention, and remember Wash’ lower rank, but now, try to imagine being even lower rank than him, aren’t you curious about those fates? Now let’s hear their story! It was new, it was something else, but it didn’t wreck what came before it, and it stayed true to the classic vibes of RvB.

As I said before, the hotdog-issue is my biggest problem with Zero. It infuriates me. I will return to this. But there are more issues, even if we try to look past the title-related problems.

If we try to imagine Zero as its own story and universe (as it should be, in my opinion), it still earns the meh review from me.

These isolated issues include awkwardness, the writing, lack of self-awareness, and pacing. First of all, holy shit, this is a tell, don’t show. Nothing is subtle, nothing is allowed to develop. It’s like the show thinks you are six years old with an attention span of a goldfish. You are not just led by the hand – they have literally pulled off your arm by the end of the show. We are force-fed every bit of information, every bit of personality from these new characters.

The voice-acting is a mixed bag for me. Sometimes it’s pretty good, sometimes it’s not. Some of the problems can definitely be blamed on the dialogue that you can only do so much with. It’s not good. I can’t remember any good jokes (the one joke I really appreciate was the cast on armor, and that was freaking visual humor. That was so RvB. Kudos to that. It was fun. More of that, please.), and RvB is known for having memorably good lines. This is a show built on good, clever, funny dialogue. Zero does not deliver. You have to sit through clichéd lines – “You’re not my dad”, “I trusted you”, “Come with me”, “It can’t be!”, “She’s way too powerful”, and “We have to do this together” – performed unironically. I cringed more than I laughed. Worst thing is that Zero could be a good parody. Sometimes, it feels like it is. One-dimensional characters, a villain wanting ‘the ultimate power’, very overpowered characters, bad one-liners, etc. But Zero takes itself seriously, and I was one of the people rooting for Jax to show up at the end and yell “Cut”. That would have been a funny-as-fuck twist. A spin-off parody. If I can’t have “Sarge the Movie”, I would have taken that and loved it. I would have forgiven everything. “We put so much info into finding that power, but we had no idea what it was” is really a line in the finale, and I cannot believe this is real in a show that somehow still tries to present itself as serious. What a plot.

We have to talk about pacing. God, first of all it should be stated that RvB is a mess when it comes to pacing. I honestly get what they were going for. Sometimes, RvB has come across as a bit boring when you get three episodes stretched over three weeks without much going on. I know season 11 did not have the warmest welcome because it was seen as boring until the finale. But when you see season 11 as a whole, as a movie, as a part of a trilogy, it works so well. Zero is more focused on being episodic. They want something to happen all the time so we will stay tuned. The thing that will happen – a fight. Oh god. The fight scenes.

I have done the math. I have run the numbers. I deserve a freaking cookie for this. Are you ready?

If you put all the episodes together, you have a runtime of 106 minutes. HOWEVER, with the introduction of credits in every episode, you gotta account for this. Removing the credits, this gives us 94 minutes of actual runtime. Out of that, 45 minutes are dedicated to fight scenes. That means 48% of the show is fight scenes.

If I wanted that many fight scenes, I’d watch Death Battle. Except the actual RvB Death Battle episode has a runtime of 20 minutes, and out of that, 5 minutes is dedicated to the actual battle. For the people who hate math – that’s 25% of the actual runtime.

RvB Zero has more fight scenes than a show called Death Battle. Take that in.

The pace suffers from this. Where’s the time to explore the characters? Where’s the time for good dialogue? All I can think of is this:

I get that RvB is a show that’s literally making fun of itself by acknowledging all their characters do is stand around and talk. I get that you want characters to do more than that. But for the love of Church, would it kill the new characters to stand around and talk? For just a minute? Stop fighting, I am begging you, stop fighting! Am I a pacifist now? Am I purple? Have I joined Doc’s team? What has Zero done to me?!

The good thing though is that fight scenes are very good. They’re entertaining. However, they seem to deconstruct themselves when we need to get a fight scene in every episode. Usually, the few fight scenes in an RvB season were in some of the most climatic episodes. In Zero, I can hardly keep up with the pace because they won’t stop moving. Fight scenes aren’t plot. They aren’t character development. You need more than just fight scenes. They entertain, but there’s a limit to that.

Noël Wiggins, the co-writer, stated the inspiration was a Saturday-morning cartoon. They nailed that vibe. If that was their goal, hurray, they have accomplished something! Because of the poor plot and constant fight scenes, it feels like you could just switch on the TV and drop in at any moment and let yourself be entertained by the cool and colorful soldiers punching and kicking each other. I will admit that the fight scenes entertained me. But they don’t make it a good season.

If I were the six-year-old with the attention span of a goldfish that the show believes I am, I honestly would enjoy it. The stiff dialogue and the constant tell-don’t-show makes you feel like an audience that’s not supposed to do anything else but admire the flashy fight scenes. I miss the cleverness of RvB. I miss the characters I get to connect with as I see them grow.

I miss the tone of RvB. Because this isn’t RvB to me.

It’s not that RvB hasn’t changed its tone before. Holy shit, I sorta do want to experience the absolute shock the RvB fandom went through when s6 aired and they were given new characters and serious plot. I would have loved to experience that, but I was too busy being ten years old. The Freelancers seasons also introduced a new tone and more fight scenes with very talented fighters compared to the Blood Gulch gang, but a balance was kept by having half of the season still revolving around the Reds and Blues. But Zero – Zero is so much change. And it’s on purpose. At least this has been made very clear from the beginning.

They constantly seem to appeal to new fans, rather than be directed towards older fans of the show. If you want an entirely new audience with a season with a new cast, new worldbuilding, and new tone, I’m confused as to why they don’t just make a new show. The hotdog-problem begs for this solution. This story and environment and characters feel so out of touch with the original RvB, that with a few rewrites and lack of Halo-armor, it could just be a new show. Problem solved.

If not this, then present it as a spin-off. In all ways, it feels like a spin-off (again, see everything marked HOTDOG). But the creators refuse to do this, and I don’t understand why. I could forgive many of these issues, had they officially separated themselves from canon.

Ah, what’s the idiom? You can’t both swallow and blow? (You can hear the Bow-chicka-bow-wow in the distance). Something about eating cake and having it. Forgive me, English isn’t my native language. POINT IS why are you calling yourself RvB while actively fighting against the core essence of RvB? In my humble opinion, you can’t be both. Marketing it as a spin-off would have granted it some defense when changing, well, literally everything, and I just, would someone please properly describe why it isn’t a spin-off? Isn’t this season marked by its association with the plot of RvB rather than a continuation of it? Zero presenting itself as not a spinoff feels like a toddler clinging to the hem of its mother’s dress while forcefully running away from her, ripping the dress in the process.

When they do connect with the original RvB, it leaves a bitter taste in my mouth. When they let Carolina, Wash, and Tucker appear for a moment, it feels like luring viewers in with the RvB title. Look at me. Look at me! I’m not saying this is the case. I say that it gives me the annoying vibes of being lured, rather than letting the characters be a part of the show for their own development, rather than having RvB in the title to continue its story. I should not be getting these vibes at all. But I am.

If you want to use RvB in the title, something from the core of RvB needs to be embraced. Things can be changed. They should. Something new should be brought in. But there’s a limit to how much you can change and replace and twist until it would have been better with an original show. As a season of RvB, it should tell the story of Red vs. Blue.

From my perspective, Zero fails to do so.

It pains me that the old cast has been replaced, but as stated earlier, a season could have worked without them. However, I do not like the take that one should be excited about all the new characters. That it isn’t a big thing that the OG cast got replaced. That we should just deal with it. Just, try to imagine another show suddenly replacing the main characters with characters we’ve never met before. Imagine RWBY suddenly only focusing on a new team of huntresses with the previous main characters reduced to an Easter Egg presence, or Camp Camp suddenly being about a new team of campers, no warning given. Can you imagine the outcry? So maybe let’s agree that a replacement of the main cast is a big thing and should be addressed and it’s valid to be upset about this change.

Could Zero have worked? It’s hard to answer this. How can I accept something as RvB if the season actively pushes away the core of RvB aside for an isolated story that could have been told in any other media? As a spinoff, I could have ignored it. To enjoy Zero, I have to fully separate it from RvB in my mind, and then it’s alright. S’not good. But it’s not bad. It’s entertaining enough. I really ended up liking Raymond and Tiny, and there were a few good jokes, and the fight scenes were admirable (but too much) and I love the creators’ passion. But it’s not RvB. I also wish that the new characters had been attached to previous worldbuilding, for example soldiers on Chorus or agents from Project Freelancer. That way we could build on familiar lore which would have decreased the confusion and added a much needed connection with the previous seasons of RvB.

God, the anxious voice is back (by the way, it sounds like Tutter from “Bear in the Blue House”).

“You’re racist” – I hope not. Literally, I do not want to be. Tell me if I’ve ever crossed some lines, because I swear, that is not my intention, I will apologize and most of all, change and do better. I included this because I’ve seen this take thrown around in the big ugly mess that is the fandom clashes regarding Zero. And racism is problem within RT community (this includes AH and RvB, sorry, I just use RT as an umbrella term for the latter), and I’m not saying it hasn’t been a problem with this season. Writers should never be harassed, and never-fucking-ever because of their skin color, and voice actors shouldn’t be treated like they are responsible for the choices of the show. But I was legit nervous to post this review, and I hope it’s been factual without feeling like personal attacks on the creators because that has never been my intention. I was delighted to hear about the diversity behind this project, and Torrian’s passion legit blew me away because it’s been a while since I’ve seen that for an RvB project. I’d hoped for it to be good, and when I feel disappointed, it’s for the reasons stated in this analysis. That said, Zero is made by a diverse cast and it’s made with love, and both of those things are so, so great, but it does not mean that Zero cannot be criticized. It can, and it should. It’s a product, just like all the other seasons, and fans are allowed to discuss it – both what they loved, and both what they found troublesome. And to repeat previous points, and be respectful, always, fuck racists, and never-fucking-ever harass the staff behind a season, what the fuck is wrong with you if you do this.

“Don’t you get it, it’s different because it’s trying something new!” – Hey, remember the philosophical question: if you replace all the parts of a ship one-by-one, is it still the same ship when you’re done? If it doesn’t include the Reds and Blues, if it ignores previous plot, if the old characters feel miswritten, if it values animation over dialogue, if it values fight scenes over comedy, if it wants to be Fast and Furious instead of Red vs. Blue – is it still Red vs. Blue? Because it doesn’t feel like it to me.

“It's been 17 seasons, it’s time to let the Reds and Blues go so someone else can shine!” – I simply do not understand us having been with the Reds and Blues for 17 seasons should be an argument to let them go, rather than be an argument as to why their absence hurt like hell.

“The Reds and Blues ran out of things to do!” – Did- did they, though? I mean, if we were discussing pretty much any other show, I’d probably agree that they were running out of content. But for the Reds and Blues… I think the PSAs nailed it this year! I’m not kidding, I had more fun watching the Reds and Blues discuss how to do laundry than watching Zero. You could literally give me an hour of the Reds and Blues trying to bake a cake or clear a gutter or simply settling down with an ordinary life, and I would trust them to make it worth the watch.

“The flaws were due to the fact it’s only 8 episodes long!” – Look, I can only judge a product the way it’s presented to me. I cannot come up with excuses for it. If they had 8 episodes to work with, they need to come up with a plot that works with this runtime. Seriously, this excuse cannot work when 48% of the season is spent on fight scenes. They could have used more runtime, sure, but the show needs to be able to pace itself and be planned accordingly.

“The OG cast couldn’t be a part of this year, hence Zero!” – That might be true. But. Would one year without RvB kill it? Is Zero necessary? Again, I just can’t judge excuses for the show. But trouble with the cast has been an issue before. Season 15 solves Geoff’s sabbatical by actually making Grif’s absence a part of the plot. Zero’s lack of Reds and Blues just feels like this excuse to tell a story that needn’t be a part of RvB.

Am I a hater? I guess? I greatly dislike Zero for the critique stated above. I do, however, not harass the creators and no one should ever do that. However, I have to admit that I feel there’s been this weird rejection of any critique of Zero where everything’s been brushed off as haters gonna hate, including the critique stated above. And I think that’s a problem because critique, as hard as it can be to hear (and I know this. I’m an author of original works. Weird flex, I know), is valid and necessary and shouldn’t just be shrugged away. As always, both sides of the fandom should always be respectful, but my own opinion is that addressing the flaws of Zero should not be controversial.

Does this super long rant/critique/whatever mean you cannot enjoy Zero? Gods no! I almost envy you if you enjoy this season, but holy shit, feel free to love it and tell the creators that you love it! Me pointing out the issues I have with the season shouldn’t be stopping you. I loved (and still love) s15 when it came out, and it was majorly rejected by the fandom. There were many, many critical posts, people were going on about how RvB should have ended with s13, and it evolved into the writer receiving death threats (me, once again: never ever harass the creators, assholes). But I didn’t tell people to stop being negative. I actually agreed with many of the flaws that were pointed out, and I enjoyed the season despite this, because that is possible. We, as RvB fans, should agree that RvB, is... I mean, it’s not the greatest, most flawless of shows, but we love it nonetheless. So go ahead and love Zero. This is not a stop sign. This is my opinion that you chose to read.

Wait, I promised you a cookie, didn’t I? Well, you’re not getting one. Why? Because I’m a Red and this is my chance to piss off a Blue. As Caboose wisely said: “Well, at least I don't go around... knocking on people's non-doors... and promising them cookies... and then NOT. GIVING. THEM. COOKIES!”

Blue Team sucks.

End speech.

[skullsandwineglasses]

Arsenal Military Academy (2019) Full Review

My first impressions of episodes 1-13 can be found here. I think I was a little dubious at first, but now that I’ve finished the drama, I have to say that I really enjoyed it. This is going to be a short(ish) review because I just don’t have much to complain about. [SPOILERS AHEAD]

The Leads

Xu Kai shines as Gu Yanzhen. Much more than he did as Mo Qing in The Legends. Gu Yanzhen is just such a fun character. While yes, he is an overgrown and spoiled rich kid, he has a great character arc. He learns how to be responsible, caring, devoted, and considerate. Whether it’s love or serving his country, once he’s devoted to something, he’ll put his whole heart into it, which makes him a great friend and leader. And despite his maturation and all that he’s been through, he still stays cheeky and playful until the end. 

That’s what I really like about this drama. It’s consistent. Both in terms of plot and character. And for cdramas, consistency is something that’s often butchered. This drama is 48 episodes long, which was perfect for developing all the plot points in the story. At first I was worried about the length. But the plot is so well-paced. There was no filler, and if there was, then I didn’t even noticed because I enjoyed all of the scenes and interactions between the characters. 

Bai Lu was great at switching between cross-dressing as her brother, and being her “true” self. She carried off being both masculine and feminine, and I enjoyed seeing these two sides of her character. What I also appreciated about this drama is how even when she is revealed to be a girl, nothing really changes in terms of how she acts or how she’s treated by others. Her classmates still call her by her brother’s name. She wears the same clothes, talks the same, walks the same. Of course, by that point, most people have already found out, but for the characters who haven’t found out yet, they don’t dwell on this revelation. They don’t say sexist things about her appearance or mannerisms. They treat her the same as they always have. At first, I was worried that the drama would have a dramatic plot shift after her identity is officially revealed, but there wasn’t a shift. Her reveal was actually not that big of a plot point. (Yes, she was put in prison and accused of killing the chief, but this was resolved in like 2-3 episodes). It blended in seamless with the rest of the plot, and there were bigger issues in the story to address. 

In my First Impressions review, I complained that Xie Xiang was a bit of a flat character. I still think she’s a little underwhelming in comparison to some of the other characters in the drama, but she was watchable and relatable, and she definitely grew on me more as the drama went on. I also applaud her for recognizing her feelings for Gu Yanzhen (I was worried that the drama would make her be conflicted between them), but she did frustrate me a little with how she couldn’t be upfront with Shen Junshan and just strung him along. 

Again, I liked seeing the different sides of her character. Xie Xiang was never a tomboy growing up. She likes theatre and the arts. She likes acting, dancing, and singing. She likes dressing up and accessorizing (when appropriate). Her best friend, Tan Xiao Jun, acts as a foil and shows us what Xie Xiang is really like (or used to be before joining the academy). But her brother was a huge influence and inspiration for her. She learned how to fight from him. She learned what is means to be righteous and fight for justice from him. But she doesn’t want to become him; she just wants to fulfill his dreams. In the academy, she isn’t the best student, nor does she want to be. She doesn’t want to compete with the others, but she just wants to best the best cadet that she can be. It’s all about challenging herself and pushing her own limits, not comparing herself to everyone else in the class.  

Supporting Characters

All of the secondary characters are great. Side characters and villains all served a unique purpose. Villains, such as Jin Xin Rong and the bully in the academy, were sympathetic characters. They all had their own backstories and development arcs, but they didn’t detract from the focus on the leads. In fact, the drama never strayed from the leads, unlike some cdramas were sometimes the focus would move away from the protagonists as the drama dragged on. Importantly, all the subplots were interwoven, and each mission that they completed progressed the plot and developed character relationships. I had a lot of praise for Qu Manting in my First Impressions review, so I won’t go into it again here, but she was a great second female lead (even though I did wish that she had less scenes with Gu Yanzhen). I was also surprised that she’s my age (and also Xu Kai’s age). She’s such a mature and steady actor. 

Edit: Just found out that Toby Lee who played Shen Junshan was the guy in Soulmate?? Didn’t recognize him at all. 

Plot

I loved the humour in this drama. It was quick, witty, and smart. But the drama did take a serious turn in the last arc where there were deaths of 3 prominent supporting characters, which was really surprising. I thought the drama would be a light-hearted comedy all the way through. So when I saw that it was possible for a prominent supporting character to die, I realized that there could be some real and serious consequences for characters in the drama. 

Speaking of deaths, I was also surprised by the amount of violence and liberal killing in the drama. The cadets at the academy never hesitated to kill, and murdering people never affected them. The writers justified the deaths by dismissing the victims as being traitors to the country, whether they were just a driver or security guard for the Japanese or a Japanese nurse or doctor. If they were affiliated with the Japanese and got in the way of a mission, then the leads would kill them. At times it felt like a video game because the cadets would use so much gunpowder to just plow through anyone who was an inconvenience to the mission. The drama also really advocates revenge, which was also really shocking. Revenge can be engaging to watch when it’s fictional, but I don’t morally agree with revenge, so I was surprised that a drama with so much killing and a revenge fetish was allowed to get past censorship. 

Overall, the plot was really good. The drama rarely ever dragged, except for maybe episodes 22-26 where it felt like Gu Yanzhen didn’t really have anything to do with the main plot, but the drama recovers quickly after that. Episodes 16 and 31 are probably my favourite in terms of interactions between the ML and FL. 17-22 are when they’re separated and bond with the supporting leads instead. That was clearly a purposeful move by the writers. They gave us peak sweetness between the leads and then separated them immediately afterwards. Those episodes made me worry that they would be angst, but there wasn’t. Those episodes showed that even when the leads were separated and went through hardships with someone else, they still thought about each other. Again, another example of how every mission progresses the plot and develops character. 

In terms of the romantic plot, I would say that about three quarters of the drama is about characters liking people who don’t like them back, and what you get is a convoluted love rectangle that expands to a pentagon. What I like about Gu Yanzhen is that while he can be childish and obnoxious, he gives Xie Xiang a lot of space. There were some scenes when either Huang Song or Shen Junshan was trying to pursue her and I was like, why isn’t Gu Yanzhen here to intervene? But then I realize that it’s actually good that he isn’t constantly stalking her. Gu Yanzhen may seem possessive at the academy, but he doesn’t prevent her from doing things either on or off campus. On the other hand, when Shen Junshan figures out Xie Xiang’s true identity, he acts entitled to her to the point where it feels manipulative. He would tell Xie Liang Chen that he’s meeting Xie Xiang for lunch, knowing that this would prompt Xie Xiang to dress up and rush off campus to meet him. He changed her room without asking her first, saying it was for her own good. I might have to rewatch the earlier episodes, but I don’t think Gu Yanzhen ever used her secret to underhandedly leverage power against her like that. I don’t think he ever tried to “test” her. It was only after she found out that he knew when he started to teasingly blackmail her with her secret in order to get her to wash his clothes or be nice to him, but this was done upfront to her face, so she knows what she’s dealing with. And also despite being constantly annoyed by him, Xie Xiang feels very comfortable with him. She trusts him. She knows that no matter what, he would never share her secret, so she was able to be herself with him from the beginning. In contrast, there was always a distance and formality between Xie Xiang and Shen Junshan, even though they went through a lot together.

The bigger question is why Gu Yanzhen fell for Xie Xiang instead of Qu Manting. I think it has to do with how Gu Yanzhen likes who he is whenever he’s with Xie Xiang. Manting is too much like his playboy self, so it always feels like he’s putting on an act or playing a game when he’s with her. They clash too much and both have huge egos, even though Manting has done so much for him and has seen him at his most vulnerable. But Xie Xiang is someone whom he wants to unconditionally protect and support. He teases and flirts with her, knowing that he’ll get a scolding and a beating. He wants to expend energy with Xie Xiang, but is fatigued with Manting. Xie Xiang is simple, down-to-earth, and has a purpose. She’s everything he isn’t. She anchors him, while he gets her to open and loosen up in what is otherwise a threatening and uptight environment. A classic example of how opposites attract. 

The Ending

The main character of this drama is the academy. Go figure since that’s the drama’s name. So it made sense that the final shot would be of the academy. Gu Yanzhen and Xie Xiang are shown walking off into the sunset just before that. And while I was really curious to see what their life would be like beyond the academy (I mean, what skills do they even have besides military prowess? What are they even going to do in terms of careers?), it made sense that the last shot we see of them is them leaving the academy. Their future is left to the imagination, almost like a fairy tale. That’s because their story is only one of many that comes out the academy. Their future is uncertain, but the future of the academy is certain. The academy is like a beacon, and it will continue to be here even long after the leads are gone. 

The deaths of Huang Song and Instructor Guo were just tragic. Huang Song never got to find out Xie Xiang’s true identity despite being her closest friend, and he had such a bright future and so many goals. Instructor Guo, who spent the last 2 decades in depression, never got to have his happily ever after. Li Wen Zhong finally redeemed himself, and yet the writers had him sacrifice himself. I thought their deaths were needless, but I did see how their deaths had narrative purpose. It still really, really sucks though.

I think I’ll give this drama an 8.5/10 if not a 9/10. It’s been a while since I last watched a drama with consistent pacing. Wish I could watch this drama for the first time again. 

Going to end the review with some pictures. 

The worldbuilding was really immersive thanks to the costumes, colour grading, OST, and set designs. 

Look at the power stances of this ensemble cast. They’re unstoppable. 

I can’t get over these two. Such a different dynamic from The Legends, but still so much chemistry. 

And deleted scenes though!! I don’t remember this sit-up scene in the drama.