#and the only conclusion i can think of is

[comicaurora]

Do you think the main characters (in aurora)’s fatal flaws can be summed up in one word? If so, what are they?

Yes, but most of my answers only register as flaws if you squint. I think characters are most interesting if their admirable qualities are also what gets them in trouble, and anything becomes a flaw in the right circumstances.

Kendal is selfless. He barely registers himself as a person, so his acts of compassion frequently come at a severe personal cost. He has a massive blind spot for how much it hurts others when he hurts himself. He is kind and lacking in ego, but he has zero ability to advocate for himself. He defines himself by what he can do for others, and is only barely beginning to understand that he can do things for himself.

Alinua is paralyzed. She wants to heal and she does not want to hurt, and she's wrestling with a massive, terrifying power and responsibility that allows her to do both. She spent so long terrified of hurting anyone that she overthinks her actions unless she's running on pure adrenaline and impulsiveness can take over for her.

Erin is independent. He's quicker than everyone around him, and he has no patience for anyone who he sees as slowing him down. He is tremendously powerful and very intelligent, but he has absolutely no ability to work in a team, because that means trusting others to execute his ideas flawlessly, and from his angle, nobody can do that reliably except for him. It's not a logical conclusion, but he can always find a reason for why his plans were foiled by other people messing them up. Erin would love to be helped and rescued. He just knows nobody can, and nobody will.

Falst is loyal. Falst is also unbelievably lonely and, like Erin, has cultivated extreme self-reliance in the face of neglect. Falst loves being part of a team, but has absolutely no ability to trust that he is safe in it. He hasn't been wanted anywhere in a very long time. He's too proud to say that, and he's very angry at the part of himself that is hurt by that, which makes him very volatile in very specific contexts where that part of him is exposed to the air.

Dainix is insightful. He reads people too clearly, but has very little understanding of how much it's okay to plainly say about what other people are thinking and feeling. Where he's from, thanks to the magical influence of Fire, the seat of emotion, everyone can to a certain extent feel the vibes and temperature of the room and everyone is mostly on the same page about it. He is utterly unprepared for people like Falst who become extremely defensive at any insight that prods a sensitive spot, and he's pretty much hopeless at performing any deceit more complex than a half-truth.

Tess is free. She's the ideal of wanderlust, and living her truth is good for her, but it makes her fundamentally unreliable for everyone around her. She cannot be comfortable in stability, and she is ultimately following a selfish goal of pure self-determination that makes it impossible for her to stay anywhere long. She is disconnected from her surroundings and the people who love her. She doesn't like thinking of her loved ones as tethers holding her down, but if she stays anywhere too long, that's what they become.

[miukki960]

I'm gonna make this post before I go in the tag and see ANY God or Diew slander, because for me the conflict this episode not only made sense, but was necessary for their relationship to move forward.

The seed was planted long ago when God first found the picture of Diew and Dr. Asshole, and at first God handled it rationally (as expected of our Green Flag King). But the longer the situation went unresolved, the more doubt and insecurity began to creep in until it all came to a head in this episode, because all God needed was honesty and openness from Diew, but Diew has learned from past conditioning to lock those parts of himself away and only show a surface level of his personality and self.

I found that God's argument with Diew, while definitely escalated by emotion and insecurity, was justified at its core. We've learned throughout this story that God's main love language is Quality Time, and that most often is fulfilled by God genuinely enjoying doing anything and everything with the people he loves, so long as they are having a good time. But his conversation with Dr. Asshole put the idea in his mind that Diew has simply been going with the flow and doing whatever God suggested in order to make him feel good, that he hasn't actually enjoyed their time together. And while we as an audience know that's false, the idea is one of God's worst fears and most devastating nightmares.

But he loves Diew and doesn't want to believe it's true, so he gives him multiple chances to prove him wrong. And when Diew continues to reply with lies and deflection, it unfortunately proves him right. Because while the context is a bit off and there is definitely a misunderstanding at play, at the end of the day Diew isn't being honest and isn't trusting God enough to open up and show him the deeper, more emotional parts of himself. So God comes to the only conclusion he can see, that even if Diew is no longer in love with Dr. Asshole, their love was deeper and more meaningful than what he has with God now.

But don't get me wrong! Even though Diew was choosing the wrong dialog options during his argument with God, he was also justified in choosing to keep his secrets and emotions hidden. What God doesn't know is that Diew HAS opened up before, bared his heart and soul to someone he thought he loved and trusted, and what was he rewarded with? Disinterest, deflection, shame. As someone with major anxieties related to human interaction, you only have to burn him once to teach him to never play with fire again. And Dr. Asshole burned him deeply on multiple occasions.

No amount of kindness and sweetness and love from God was gonna convince him to play with fire again. In fact, it was reaffirming. Much like what we have been seeing with Wan towards Beer, I'm sure Diew sees how good and wonderful God is and is absolutely terrified to fuck it up. But just like Wan, his defense became his biggest downfall.

At the end of the day, rather than focusing on what happened, we should instead focus on why it happened and how the characters are going to grow from it. And we can see that how through the characters actions during the last few minutes of the episode. We see Diew, who's defense is to isolate, actively reaching out to God multiple times in multiple ways, ready to explain and open up and heal. And we see God going through the more nasty, volatile parts of his emotions alone, so he doesn't hurt Diew while he's in the wrong headspace, but also doesn't bottle the bad things to explode later.

I think what gets me the most is that in their very last conversation before the end of the episode, Diew was asking for togetherness and God was asking for space, and they were both upset on many levels, but they were still speaking to each other with love in their tone and words.

[365granitegirlx]

♡⟡˙⋆It takes us a little higher⋆˙⟡♡

Summary: You've never been fond of your roommate Vessel, but a mortifying shared experience brings you closer than you ever thought possible.

a/n: MDNI - smut under the cut. Alternate, affectionate title is "Close the Fucking Door. Holy Shit."

roommate!vessel x fem!reader, enemies to lovers, some angst, porn with plot, accidental voyeurism, laundry day tension, vessel's favorite color seems to be emerald, reader and vessel are mean to each other, very brief slut shaming (the word "whore" is used twice derogatorily), “you���re the closest and hottest thing right now” type shit, rough sex but it’s comfort sex

No, roommates don’t have to be friends. There is no bylaw saying if you share a dwelling and the bills therein you have to be the best of friends with your housemate…but if there was, you and Vessel would be faced with a hefty fine. Where you saw the opportunity to be lighthearted, he would claim you never took anything seriously; yet when he attempted to be playful with you, you accused him of mocking you. Is this brownstone in town worth the strife? Actually, yes. Everyone has their own comfortable spaces, it’s close to everyone’s workplace, the rent is reasonable. And yet. This afternoon you’re in the little laundry room sorting things to go into the washer when you hear the heaviest sigh. “Just going to start laundry, then? No worries if anyone else needs it.” Oh, he’s grumpy today.

Vessel has his barely filled laundry basket in his long arms and impatiently drums his fingers on it. 

“Doesn’t seem like you were going to ask me. Now does it?” You nod at his laundry basket as he stammers a bit. “Just put it in with mine.”

“No, it’s fine.”

“Vessel, seriously,” you snap, “you have barely anything in there. We’d be wasting water if I didn’t…”

“This is how I always do my laundry! Saying I’m the reason the water bill i–”

“JUST… put your laundry in the washer. Jesus.”

Vessel huffs and drops his laundry in like you said (or as you demanded as he would have put it). You two can hardly look at each other. He doesn’t even acknowledge you as you thank him. He shows his gratitude by switching the laundry and then sorting it once it’s dry. He does this in the living room with an inconsequential movie on. You join him for what you call “a folding paaarrttyyyyy.” This actually gets a little laugh from him. Humorless laugh, but it’s a sign of life. 

It had been a month or so of just existing in the same space since an “incident” had occurred. Neither of you brought it up but it lingered heavily between you.

𓍯𓂃

The morning of the incident you two had a civil, even thoughtful, conversation. You told Ves you’d be out that evening, maybe even all night. This delighted him. He could do some audio mixing without fear of interruption. Spread out in the living room. Oh the possibilities! He even asked who the guy was. Anything to encourage you to leave him alone for the night. Get you talking and excited about whoever the hell this poor man is so that maybe you’d get yourself all giddy and blushy and convince yourself to stay out all night. You deserve it…no wait…no. Vessel deserved it. He had to keep reminding himself he didn’t actually care. 

Except he did. The evening was actually boring. You’d only been gone an hour, and he was already thinking about going to bed. He idly wondered what you and the guy were doing. That emerald green dress you had on made it seem like you were dead set on seducing on him. The way it hugged your hips and didn’t even graze your knees. How your sheer black stockings made your legs glimmer just a bit. Vessel came to the conclusion that you actually could seduce this man without even trying…you’d just have to show up. Fuck. These weird, clouded, thoughts that flirted with being both positive and lustful rubbed Vessel the wrong way. That’s his roommate he’s thinking about. Maybe he’s just lonely.

Yes, that’s it. He’s desperate. And that feeling churns and grows to the point where he can’t ignore it anymore. He’s home alone, after all. Why not make a little “to do” about it? He dimmed his lights and slipped out of his clothes, splaying out on his bed with a little bottle of lube close by. This was something he missed. Indulging in a little fantasy and playing with himself, all while not having to wonder if someone would hear him or walk in or just make some goddamn annoying noise that would distract him. All he could hear was his ragged, raspy breaths and soft moans…and the slick pornographic sounds of his fist pumping his cock. God it was so nice to just edge a little…he really did deserve this. He tries to think of something to calm him down and dull the feeling. Your most recent argument about where the reusable grocery bags were was very helpful in this instance…except for when he remembered your little dress. How soft you looked piled in the satin. What kind of panties did you have on under that? No panty line was visible so maybe…no don’t go there. But he has to. He has to imagine what it would be like to let his fingers trail up your inner thigh to then lift your dress and see those fucking tights hugging your plush ass and maybe even how your soft thighs would expand as you sit back on your heels, your pretty eyes gazing up at him…

“Oh…fuck!”

But it wasn’t Vessel exclaiming. Why were you home? “CLOSE THE FUCKING DOOR. HOLY SHIT.”

You had scurried into your room. Your cheeks hurt from your nervous grin and the blush dusting your cheeks; you feel like a little girl running from her crush. But this wasn’t innocent. You had just watched your roommate cum. The little whimpers and groans piqued your attention the second you entered the hall. You actually thought he had been crying but…good god. If there had been tears, they’d have been ones of ecstasy. The look on his face…you’ll never forget that. The way his jaw fell and his eyebrows knitted together…how his bobbing throat signaled yet another desperate moan. You had left your date way early for…reasons you’d rather not think about at the moment. You had a new problem. The image of arrogant, quiet Vessel truly enjoying himself…looking absolutely delicious…vulnerable…that wasn't leaving your mind anytime soon. And you couldn’t stop thinking about the way his abs flexed as he came…what would they feel like under your hand if you were riding him? Or against your own soft tummy while you’re on your back? Or even against your back as he spooned and fucked you while whispering filth in your ear. You stared up at the ceiling by the low light of your bedside lamp after taking care of yourself. The thrill from your momentary distraction from your bad date turns into guilt and settles in your tummy where your arousal once was.

Your mind won’t shut up. Berating you for being such a perv. And that’s when you hear Ves. Pacing. He does that sometimes. Of all the sounds you hear from sharing a wall with him, that’s the sound you’ve come to anticipate the most. How his mind reels at night. You start to ruminate, imagining that he regrets this. But it seems you finally have something in common tonight. You’re embarrassed. You’re awake. And you’re alone. Instead of nodding off, you take a chance. You reach up and knock softly on your shared wall. Just a little, “I’m right  there with you.” And as you drift off to sleep you hear two soft, timid knocks above your head.

𓍯𓂃

With the laundry folded in complete and utter silence, you sigh heavily and take your folded laundry into your room. Your phone vibrates in your pocket and you grin at the text…completely ignoring the visitor in your doorway. You don’t even look up but you speak. “I’m going out tonight.”

“Oh? Uhm. Cool.” Vessel tries to act as if he isn’t the one encroaching on your space. Too aloof to care. He certainly wasn’t feeling touch and attention starved. Not at all. That had nothing to do with why he was standing in your doorway, watching you poke at your phone. “Another date?”

“Yep. Been too long since the last one.”

Ves looks at you thoughtfully and weighs his options. Does he risk perhaps having to talk about the “close the fucking door. Holy shit” incident? Or does he continue to push you away? Continue to make you the villain in his inner monologue? He takes a deep breath, holds it, and bites the bullet. “Why did you come home so early that night?”

A long sigh escapes you. “I…got to the restaurant and, well, basically he told me I looked easy and that he liked that. So the whole evening was just…” you pause and look away. 

“He didn’t try to…like…”

“No.” You don’t mean to snap, but you did. Vessel nods, nonplussed by your tone. “No, I didn't give him a chance. Turns out I’m a whore for dressing like that and for not putting out. Such is life, yeah?” 

“Waste of an outfit, if you ask me.” You stare at Vessel for a bit. He seems angry. Tense. His legs jitter a bit and he wipes his face with a long exhale. “You should be taken out in that dress whenever you want…wherever you want.” 

You go to your closet and pull out a few dresses like your emerald and hold them up to yourself in the mirror. “Well, he’s getting a second chance tonight.”

He scoffs and crosses his arms. His height allows him to take up most of your doorframe; he secretly hopes that might keep you from leaving. From seeing that degenerate. If you just wanted to get fucked he wishes you’d just ask him. But he has to remind himself that some people need a bit more than that. He wouldn’t know the first thing about what you needed. He pleaded with himself nightly to not worry about it. It won’t work. It shouldn’t work. But damnit…you’re right there. The single hottest and closest thing. Vessel doesn't realize he’s just been staring, shaking his head with disappointment.

“Care to share or are you just being weird?” You say without looking away from the mirror.

“Why are you putting yourself through this? Hm? Do you like being treated like that?”

He purses his lips when your eyes pierce through him, getting ready to strike. “Well, not that present company can understand this but people can change and redeem themselves. Besides, what do you care?”

You’ve got him. Vessel looks down, sniffs, and shrugs. “Maybe you are a whore.” He immediately winces. That was mean…and stupid. He pushes himself off the doorframe and sulks back to his room. But you’re on his heels.

“Tell me why you care, Vessel,” you demand to his back. He won’t turn and face you. “Fucking look at me.”

With a heavy sigh, he turns, shoulders slumped…and hard as a rock. His arousal can easily be attributed to the blood rush and emotions from being angry but truth be told it’s from imaging you in those dresses you were considering. And imagining you in that green dress, letting him take you out and then have his way with you.Your eyes are boring into him with a look he’s never seen before. “Want some help?” 

He nods softly. 

“Can I get verbal consent? Jesus Christ,” you huff. 

“Yeah…yes, I’d like help.” He watches as you slip off your hoodie and kneel like you’ve done this before with him. What a sight. 

“Take your shirt off, Ves. Please.” It all feels like a dream. Vessel is standing before you, rock hard and willing. Your hands rub up his thighs… to his hips…his abs…and he actually caresses your arms when they stretch up to gently play with his nipples. After moving your hands down to remove his pants, you place soft kisses on stomach and around his happy trail. Fuck. This is living. Your arms wrap around to his back as you hold him place, making him whine softly with each kiss. It’s impossible to keep from kissing and caressing your face right below his belly button. It’s unfair how good he feels against your lips and how lovely he smells from his body wash and just…him. As toned as he is, you find a soft spot and gently bite it. You look up expecting him to have his eyes closed but he’s actually staring down at you, biting his lip. It’s too much to bear. It feels like second nature to take his cock in your mouth. You’re lost in the feeling of taking him deeper until you gag softly. When you do, he caresses your hair, asking if you’re ok. His touch is so gentle, but you’re confused when he slowly pries you off his cock and stands you up. You’re about to take off your bralette when he shakes his head and tsks. 

“I need something to hold onto, don’t I?”

You’re unable to answer as he presses a hot, messy kiss against your mouth. He’s quite literally taking your breath away as he wraps his long arms around your body and his tongue prods at your lips. He needs to taste you. He meant to not just enjoy you…but to know you. To know how you like…no…how you need to be kissed. And where you like to be kissed. It’s not enough to kiss you where “everyone wants to be kissed” like your neck and collarbone…he needs to map it out. No one will ever know this body like he does. It’s like his brain has shut down. He doesn’t remember pushing you to the bed and  lowering himself to the floor on his knees as he took off your sweats and panties. But he’s fully lucid when he, without preamble, delicately presses his tongue against your heat for the first time. The sound that comes out of you…my god. He wonders to himself if you’d ever record yourself cumming for him or even let him make a little video sometime. Better yet…he’d just have you every night. 

But that takes time and that’s what he’s doing right now. His tongue is tracing slow circles around your clit as he commits this moment to memory. The feeling of your fingers playing with his hair excites him, makes him feel giddy. He moans softly against your little sweet as he brings it into his mouth. It becomes very clear after a while that he’s chasing your orgasms along with you. 

When he pulls away, he’s  all starry eyed and a little giggly. “Oh…you are divine. Can I do more?”

All you can let out is a pathetic whimper as you catch your breath. He looms over you, wiping you off his mouth. “Can I get your verbal consent, angel?” 

“Please. Yes…please…” you get out as your core aches to feel anything from him again. 

“Look at you. You’ve got a little pulse down there, good girl.” He lets his fingers trace your throbbing clit, but there’s no relief. You whine against his touch. “Made you feel good, huh? Tell me something…how badly do you want to get fucked?”

You whimper softly and roll over onto your tummy for him. No words from you are required when Vessel whispers soft encouragements and makes sure you’re comfy before teasing your cunt one last time with his fingers. “Just put it in, Ves, please.” 

Vessel gently pops your bralette strap against your back and chuckles at your impatience. “No warm up? I didn’t think you’d be this much fun.” Your front lifts from the bed as you moan into the bed, but Vessel smooths his hand down your back.“I know….I know. Just breathe, baby. Open your legs for me a bit more.” He runs his hands along your thighs and presses them into his bed. Like he said he would, he grasps the band of your bralette with one hand as he starts to fuck you. The stretch and feeling of him stroking you from the inside makes you cry out. You realize momentarily who’s fucking you…who’s making you cum. The forbidden idea that the energy between you two could spark both anger and the most palpable lust you’ve ever felt makes you press back against him harder. “Oh there she is,” Vessel grunts out as he lands a sharp spank on your ass. And another.

“Ffffuck. Ag…again. Please.”

“You like that?” Spank. “Such a sweetheart for me.” Spank. “You feel so fucking good…” 

Your head feels fuzzy as his hands melt into your soft skin and his moans become higher pitched. More desperate. He’s saying your name. He’s cumming for you. 

𓍯𓂃

You’re getting in late from a girls night out. It’s unsurprising that the house is dark, but you can hear whatever video game Vessel is playing…and sounding like he’s about to rage quit. His back is to you as he’s hunched over on the couch.

“Ves….” A beat. “VES! Turn that down…or off, preferably,” you huff.

“Tsk yes, mum,” he says smartly, turning the game off and tossing the controller. He wants to be grumpy…but there you were, settling in his lap…in that fucking…emerald…dress. He puts his forehead to your chest and presses sweet little kisses onto it. “Welcome home, angel.”  No, roommates don’t have to be friends.

[intimidating-fettuccine]

Can I get yandere toby, jeff and ej separately coming home and seeing their s/o hurt? They got hurt bc of someone else or they had an accident it's up to you!

I do think it's a lil amusing to me that the three creeps you chose are the three in my Yan AU that intentionally hurt their Darlings the most :p

CW for direct mentions of previous physical abuse from the boys.

Toby:

You're surprised, really, at how upset he is that you got hurt. The same man who has broken your ankles more times than you can count, who takes intimate pleasure in biting you, forcing you to bleed and scream from the force of his teeth, the man who thrives on bringing you pain because, at the very least, if you're in pain it means you're feeling something because of him, even if it's not love. Despite that, he stands before you, choked up on sobs as you stare at him in confusion, your hand on your head where blood seeps freely. You'd fallen, as it's hard to navigate on damaged ankles, and slammed your head onto the corner of the counter. You luckily didn't suffer a concussion, and were just unable to get to the bathroom to clean up, before Toby stumbled in and started screaming and sobbing, falling to his knees in front of you with his hands constantly wiping his tears. He pulls you into his arms with a gentleness you're not used to, and lifts you, carrying you to the bathroom. He never stops crying, not when he's cleaning the wound, not when he's bandaging you, not when he's locking you back inside the very room he'd just finally permitted you some freedom from. He yells at you it's for your protection, that he can't allow you to get hurt anymore, that he could have lost you. It's hard to take him seriously with the dramatics of his tears and his history of pain, but the sight of you being harmed by something natural, something unintentional, is one of the scariest things he can feel. He'll just have to keep you chained up again, that way he knows you'll be kept completely safe for him, so he can take even better care of you. He cuddles you close to his chest as you lay there, staring off into space, peace, and serenity finding him as you are overwhelmed by the fear that one day, if you fall again, he might get the idea to permanently take away your ability to walk, so it can never happen again.

Jeff:

For once, Jeff doesn't know what to feel. He's always feeling something around you, whether it be from his anger issues, his obsessive "love" for you, or his desire to claim you and make you only his, but as he stands before you, taking deep breaths, staring down at you where you sit before him, new bruises all over one side of your body. Bruises he doesn't recall leaving, as he always remembers the ones he gives you, bruises that are clearly fresh. You can't even look at him, terrified of him either screaming at you and giving you a few more of those bruises, or waiting for him to just simply leave you there and walk away, but he doesn't. He just stands, his twisted mind unsure of what conclusion to come to. He eventually asks you, in a gruffly choked up voice, what the hell happened. Your body is always so weak, so tired in this home, and you'd slipped going down the stairs, your body slamming into it and leaving a trail of bruises from your face to your legs. They were raw and sore, and he could tell that from just looking at them. His eyebrows quirked in pity instead of rage, and you swallowed to yourself, willing to barter if you could take advantage of that, and so you weakly held up your arms with less energy than you actually have, and begged him to hold you, to comfort you. Tugging at his heartstrings, pressing the button in his mind that softened him, could often work in your favor in this hell you live in, and today it worked. He picked you up gently, laying on the couch and holding you close, pressing kisses to your face as he apologized, and promised to take care of you. You didn't know how long this would last until the next bruises that would come from him would end up on your body, so you planned to take advantage of this while it lasted, curling up on top of him and finally getting some sleep. He holds you gently, affectionately nuzzling into you, content in his delusion that you must finally be falling for and trusting in him.

EJ:

The second he enters the house where he keeps you, the first thing he notices is the overwhelming smell of blood, blood he's quite familiar with tasting, and should be the only one causing. He tracks you down easily in the house, finding you huddled in one of the bathrooms as you attempt to clean yourself up. The second you hear him coming, the scent of blood becomes mingled with the smell of fear, fear from you that he's going to be angry, that he's going to be extremely upset with you. Contrary to that belief, he bends down and gently grasps your hand that's still bleeding, where you were attempting fast and shoddy work at bandaging it. Your hand trembles in his grasp and he sighs, only asking you what happened, and he warns that you should tell the truth, and so you do. You were simply trying to put up the dishes, and you'd dropped a glass plate, shattering it and cutting your hand quite badly on it trying to clean up. He sighs again, pinching the bridge of his nose and shaking his head, and he tells you to be more careful next time and use a broom instead of your hands. He's eerily calm, usually getting more fired up when you hurt yourself, but as he disinfects and bandages your cuts (in the same methodical way he does after causing bites and cuts to you himself) he's completely quiet. He just doesn't want you to know his calmness is because he's so panicked on the inside, scared that you had been so injured he might have lost you. One might find that sentiment romantic, but it's not as romantic when someone is just scared they've lost their dinner. His dinner and his eternal prisoner to what he claims is his "affection" and "love", the twisted, painful affection he forces on you by biting into your flesh, by devouring your body and soul with every day you were made to spend trapped in here with him. You barely noticed when he lifted you into his arms, carrying you to bed and tucking you in, your mind wondering just what it was that made you deserve this eternal hell.

[audzss]

Thin Line ~4~ Finale.

Summary: After waking up to an empty bed, Y/n has had enough. If Rafe wants to act like nothing had ever happened, two can play that game.

Thin Line Masterlist

Word Count: 1,727

Warnings: explicit nsfw, p in v, oral (fem receiving), technically dacryphilia?? idk, use of mama (non-sexual).

Thin Line

When Y/n wakes up to an empty bed, she feels more confused than hurt. The last few nights Rafe had been staying until she had woken up, or even waking her up before he left. It was odd, but she brushed it off, getting out of bed to get ready for the school day.

-

When she walked through the halls after her third period, she had finally spotted him. He was leaning against a wall, his friends gathered around him. Her smile widened as she let out a breath of relief, almost thinking that he hadn't gone to school today.

She approached him happily, ignoring the nervousness she felt from being around his friends. "Hi Raf-"

"Why are you talking to me?"

Her smile drops immediately, eyes widening as she stared into his eyes. He was just smirking at her, his eyebrows furrowed, almost looking confused. Y/n took a few moments to gather herself enough to speak, "Are you fucking serious?" She spat out, watching his eyes widen.

He was scared, she noticed, scared that she would blurt out what had been going on in front of his friends. Was he embarrassed of her? Y/n's heart panged, her eyes glossing over with tears.

"Don't worry, I won't tell anyone." She mumbles, finally ripping her gaze off of him. She walked away slowly, tears streaming down her red cheeks. She didn't know how to feel, embarrassed? Used? Heartbroken? She came to the conclusion that she felt all three.

She walked past her fourth period to the exit of the school, she couldn't stand being in the same building as him for another moment.

-

It took her hours to finally stop crying, to finally decide that she just needed to get over him. It was over, there was nothing she could do about it, and there was no use to cry over it.

She didn't bother making herself look good this night, putting on a hoodie and some sweatpants instead of her satin pajamas, leaving her hair in a messy bun. She didn't expect him to show up, after all that.

But when she heard that knock on her window, her heart started to race. She snapped her head over at the glass, seeing his hair that was so unmistakably him. She got out of her bed, slamming her pint of ice-cream down onto her bedside table.

Marching over to the window, she ripped it open, not even bothering being quiet tonight.

He had the audacity to smile at her.

She snarled at him, "What the fuck are you doing here?"

And he looked confused! She could almost laugh at him, watching the gears turn in his head. "What are you talking about, Y/n?" She scoffed, smiling but without the usual softness that she once carried. "You have to be joking, Rafe, you cannot be serious." She scoffed, watching him put his fingers on the windowsill.

In that moment, the only thing she could think about was slamming the window back down onto his fingers.

"Is this about what happened at school? It's really not that big of a deal-" She couldn't believe the words coming out of his mouth, not that big of a deal?

"We fucked Rafe! What do you mean not that big of a deal?!" She yelled, watching his face turn red, his face softening. "I'm sorry.. I didn't know it meant that much too you.." He mumbled, his hand coming up to scratch the back of his neck.

"Are you kidding me? You said you liked me, how could it not mean that much too me." Tears started to flood her eyes again, she really didn't want to start crying again, but Rafe just had to go and ruin everything she had going for her.

He stayed silent, looking everywhere but at her, nervously biting at his nails all at the same time. Y/n just scoffed, watching him. "Yeah, that's what I thought." She mumbled, moving the window down to close it.

"Wait!" Rafe yelled, catching the bottom of the glass before she could fully shut it. "Please I.. I'm sorry.. look, let's just talk and-" Y/n rolled her eyes, quickly interrupting him.

"You've done enough talking Rafe, just leave." She mumbles, hurt etching her voice. She watches Rafe's eyes widen, almost looking like he was about go into a full blown panic.

"No- No, please.." He hushes out, his gorgeous blue eyes beginning to water, he reaches through the window to grab Y/n's hand, only for her to yank it out of his grasp. "Go home Rafe." She says quietly.

"Please- Please Mama, I'll do anything.." He says, his voice cracking as tears flow freely down his cheeks, his hands clasp together at the back of his head as he paces, but Y/n doesn't say anything, just watching him break down.

He lets out a choked sob, before setting his head down onto the hard concrete of the windowsill, hiding his face from watching eyes. Y/n can feel her resolve cracking by the minute.

"I swear.. I'll do anything- I- I'll tell everyone everything if I have to I just.. I can't lose you.. I'm s-sorry.." He mumbles with his head down in between choked out sobs. Y/n doesn't know if she'll regret this or not.

"Just.. come in.." She mumbles, moving out of the way to allow room for Rafe to climb in. He snaps his head up, his cheeks wet with tears. He nods, sniffling as he climbs his way up through the window.

Once he gets his feet on the carpeted ground, Y/n shuts the window behind him, not daring to look at him. He's still crying, just watching her, trying to get a read on what he could do to make things better instead of fucking everything up again.

He wipes his face with his jacket sleeve, before taking a step closer to her. He places his hand under her chin, gently guiding her head up to look at him. She complies, but still keeps her eyes off of him, looking at the wall to her side.

"Look at me.. please.." He asks shyly. Y/n sighs, closing her eyes, before decidedly giving in, looking deeply into his eyes. He swallows, bringing his free hand up to wipe the tears off of her cheek.

"I'm sorry Mama.." He mumbles, noticing the way her face softens. He gently smiles, before leaning down and pressing his lips against hers in a soft kiss. He holds it there before a second, before parting them, relishing the way her lips stay parted.

He leans down once again, but this time to press a kiss to her cheek, then her jawline, then her neck. "Lemme make it up too you.." He whispers into her ear.

-

Y/n doesn't really know how she ended up with the man who she was trying to get over just a few hours ago in between her legs, eating her out like a man starved.

She whined softly, bucking her hips up into his face. "Faster.." She whispered, relishing in the way he immediately complied, his thumb rubbing circles into her clit picking up its pace, his tongue inside her following suit.

She moaned a little louder, her hand that was in his hair tightening and pulling, the groan he lets out just increasing her pleasure. His one free hand is entangled with hers, squeezing her tightly.

"M' sorry.." He mumbles into her pussy, making her moan a little louder. He's grinding his hips into the mattress, aching in his sweatpants, but he couldn't be bothered by his own pleasure right now, his focus was on her, he wanted her to see stars.

"Rafe- C'mere.." She panted out, and Rafe was immediately hovering above her, his chin dripping with her arousal as he licked his lips, acting as if she was the best tasting desert in the world.

"What do you want, Mama?" He mumbles, his thumb still rubbing circles into her clit, making it hard for her to get the words out. "Want you- Want you to fuck me.." She says in between pants, looking at him with wanting eyes.

"Course'.." He says, sitting up to pull his sweatpants and boxers down. She whines at the loss of contact, but continues to watch him. He spits in his hand, stroking himself a few times before lining himself up, looking back at her.

She nods, both of them gasping as he pushes into her. "Fuck.. y'feel so good.." He all but whines, his eyes fluttering shut as he bottoms out. Once he starts to move, neither of them can find it in themselves to keep quiet, Y/n's nails drawing angry red lines on Rafe's back.

Rafe whimpers, dropping his head into the crook of her neck as she moans into his ear, "M' so sorry Mama.." He whispers, his eyes shutting as he continues his rough thrusts. She takes one of her hands off of his back to roughly grab at his hair, listening to him hiss and whine at the pain.

He finally picks up his head to look at her, tears flowing down his cheeks in either pleasure or guilt, Y/n doesn't know, but what she does know, is that he looks so fucking good when he cry's, his tears only driving her closer to her climax.

"M'close.. are you..?" He mumbles out between low groans and moans. She nods her head, causing him to lower a hand down in between them, pressing two fingers against her clit, moving them in circles to help her along.

His thrusts start to get sloppier, her moans getting louder, until they both reach their finish. Rafe letting out a low, drawn out groan, Y/n letting out a gasp, then going silent for a second, before a loud Moan that Rafe has to cover her mouth for.

And as they both sit there, soaking up the after shocks, Rafe only has one last question to ask her.

"D'you forgive me?"

Y/n lets out a deep sigh, her hand coming up to play with his hair.

"I don't know, you might have to prove to me that your sorry a few more times."

They both burst out laughing, hands wrapping around each other in a loving embrace.

End Note: Anddd thats it, hope you guys enjoyed it, im working on a few more projects atm :) also some man called me mama the other day now i cant stop thinking about rafe saying it so thats where that came from, anyways hopefully my try at actual nsfw wasn't too bad, also sorry for any typos or grammar mistakes!! again, was super late when i wrote this and again, i don't feel like really reading it over

[gloriousmonsters]

it's not something I've written but it is fascinating to think about if Val and Alastor were hanging out with Vox at the same time before things went bad with Alastor in the past. Mostly because Val is like, 95% exactly Alastor's (friend) type. Pulling traits from both Rosie and Mimzy, he likes people who are very Loud and a Lot and very confident in themselves and their personality/appearance, who he can have fun nights out and bitchy gossip sessions with, plus he and Val have a decent amount of experience overlap re: being nonwhite and very likely from disadvantaged backgrounds, but affecting upper-class mannerisms, being deeply entertained by Vox (and if I can include headcanon, they were both mama's boys).

Really the only obstacles are:

val being the Sex Guy who does certain crimes Alastor is stated to really not like, but who knows how common that was back when/if Alastor would necessarily know about it

more a reason to break it off, but Val actually being into Vox and becoming his official partner/Val's Stand By My Man loyalty requiring him to dislike Alastor by default

val not being a woman (but then again, Alastor WAS hanging out with at least one guy back then!)

anyway my conclusion is just i can't wait to see them actually interact at some point, bc with how they've acted so far (Val seeming weirdly unbothered about the Alastor feud despite acknowledging he's sorta part of it, Alastor paying him a compliment along with Velvette by calling them the source of Vox's power) I feel like it's weirdly possible for them to be amicably indifferent to each other, even if they weren't technically friends in the past.

[corviiids]

oh would love to see ur breakdown of whether or not miles could do it tho. if not him then do u think polly could do it

verdict: miles edgeworth could beat kira but not without help and significant damage to his psyche. as a player character he could do it with support. as an npc he would support phoenix to figure it out but would argue the entire time

could miles edgeworth intuit the mechanics of the death note

not at first instance. probably not at all. i think if miles edgeworth received the right combination of clues and/or (but preferably and) was forced to eliminate literally every other option, he would accept the mechanics of the death note as factual. however i don't think 'magic notebook that kills people' would ever enter miles edgeworth's mental realm of things that are possible without someone/something very firmly pointing him towards that fact. he would not arrive at this conclusion on his own. also, phoenix meekly bringing up the possibility in court would give him a migraine.

could miles edgeworth identify light yagami

yes. i think edgeworth would ultimately be able to kira even without intuiting the death note's mechanics. i think figuring out how the book works is the very last stage in this inquisition. but i think he would be able to ID light as a person of interest even without solid information on means and i also think he would really enjoy his verbal battle with light yagami and by enjoy i mean miles edgeworth enjoys talking to people that make him want to tear his hair out. can we all take a second to imagine mind chess/logic chess light yagami edition? can we please think about that

could miles edgeworth survive

yes - see my post about shi long lang:

yes i think he survives owing to the rules of the ace attorney universe which he brought with him, namely that a culprit in ace attorney will politely sit and cooperate while you argue with them and will admit when you've defeated them in argument, which is the least realistic thing about ace attorney. so i think light wouldn't make a move to try and kill lang until his Culprit Breakdown, at which point lang could simply kick him in the shins and pluck the notebook out of his hands because light is three toothpicks taped together.

(miles wouldnt kick light in the shins but if lang, franziska, kay, or gumshoe is there they would do it for him while miles does that arms crossed eyes closed pose about it.)

also noteworthy is that miles would give a speech about how he would gladly risk his own life to kira if it means uncovering the truth

(i put apollo under the cut because this post is too long)

verdict: apollo justice could beat light yagami but i think he would need trucy for help and motivation

could apollo intuit the mechanics of the death note

not organically but i think in true trained by phoenix wright tradition he'd kind of arrive there in a moment of panic by pure accident. trucy would say something nuts and apollo would be like

APOLLO The only thing the witness has on him is a notebook!

TRUCY

Hey, anything can be a murder weapon if you try your best and believe in yourself!

APOLLO What's he going to do with a notebook, write me to death?

APOLLO .........

TRUCY Uh, Polly? You've got a weird face on.

APOLLO I just had a really bad idea.

could apollo justice identify light yagami

i think apollo would be taken in by light for the most part like, kind of kristoph style... listen the bracelet is a weird mechanic. people literally lie all day long forever and apollo only catches specific, gameplay convenient things, just like phoenix with the magatama. (we're back at 'why dont you just question your client with your truth telling powers from the beginning' and the answer is because it is a video game with a narrative that needs gameplay and stakes.) so i think apollo catches light in a couple of white lies and then dismisses it for the most part as like, light's just one of those weird guys with a fakey persona but who is mostly harmless, and light generally tries not to lie directly in favour of speaking vaguely around the truth, so it doesn't really ping apollo as particularly strange until near the end of the case where apollo is like. ive been getting weird vibes from this guy from the start what if that like. means something

anyway i think he'd figure out that it's light in like a tense moment where he feels like trucy or himself or someone else is in danger

could apollo justice survive

yes for the same reasons as above but i think it's a close thing. like i think light gets "Apollo Justic" written in the book before trucy throws a knife at him and nails the death note to the wall and then apollo is like (Y-y-yikes!!! That was close!)

[nolongeronlyhereforthewhispangle]

Here we are, folks. After 5 years, Madness Combat 12 is finally out. Now, let’s deconstruct it.

Spoilers for MadCom 12 below (duh)

The opening. Now, there are some things I would like to highlight.

ONE: Nevada is labelled as “The Occurant”. This will be important later.

TWO: The text on the side.

“THE PLACE THAT WAS NEVER MEANT TO BE” “THE INFINITE ENTROPY AT ALL BORDERS TAX THE HIGHER POWERS THAT GOVERN IT”

Entropy means “lack of order or predictability”. The sheer amount of chaos is literally tearing reality apart.

I just like this shot. The depth in it, vast, but empty. Eerily beautiful.

“TRACKER DATA ACTIVE” “HANK.” “DISSONANT;” “0.01%”

On Doc’s computer. Why is 2BDamned doing this? We’ll find out soon enough. It should be noted that the “Dissonance Triggers” almost look like X, Y, and Z coordinates.

“HANK’S CHARTER HAS BEEN REVOKED” “Fix Nevada.” “DO NOT WAIVER”

A charter is defined as “a written grant by a country's legislative or sovereign power, by which a body such as a company, college, or city is founded and its rights and privileges defined.”

Perhaps the “charter” here is Hank’s soul? His being? We don’t know for sure.

Waiver means “refrain from applying or enforcing”.

The Auditor, in this scene, is basically saying “Hank is not active, and I need to make sure it stays that way.”

This graffiti probably means nothing, but I think it might be describing Sanford. So far, he has not died once in the entire series.

Agony. The text to the right mentions the Auditor, “recovery”, and “suppliment”. I have no idea what this could mean, maybe our red-and-black boy is trying to copy what 2BD does, but in the opposite direction?

Auditor, but without the fiery parts.

Mind fuckery. Note that he tries a “CONVERT”, as well as doing multipe return commands. It also points out, again, how Sanford is NOT DEAD, NOR HAS HE DIED BEFORE.

No hope for those trapped, I suppose.

This looks like the tree from MadCom 1. Nice callback.

I’ll let this speak for itself (refer back to TRACKER DATA ACTIVE).

The text says:

“KILL THEM”

And this is where we see Sanford lose his eyes, although he can still apparently see somehow.

A better look at Sanford overall. He still has that iconic lip, but he is missing parts of his body and his eyes to a mysterious black spot that also functions like a hole in some cases.

This is one of the defining moments of the episode (to me, at least). Sanford, seemingly overtaken by rage, randomly gains the strength to tear a half-MAG agent’s head off their body.

This might be just there for the cool factor, or maybe some other power acted on Sanford in that moment. With the info we have, we can’t really tell.

Here we see an anchor, like the one used on Dedmos in the Dedmos mini-series.

“Employic”, according to my research, is not a word in the English language.

Substrata is “an underlying layer or substance, in particular a layer of rock or soil beneath the surface of the ground.”

This purgatory is apparently underground, which would make sense given that we only see passages to it connected to walls or floors.

The Auditor looking shocked as he is trapped in a capsule of rock. With context clues, we could make a conclusion that this is the same type of “purgatory rock” that now makes up Deimos’s lower jaw.

Hank is connected to a machine.

Sanford has somehow been resurrected, even though he still HAS NOT BEEN KILLED.

The Auditor specifically calls out 2BD. He’s onto Doc’s shit.

Another picture of the tablet screen, shortly after Deimos drops it. We can be certain that “AUD” is referring to the Auditor.

Love wins. What else can I really mention if even Krinkels said it himself.

Deimos was “compensated”. Surprised anything still even has value around Nevada anymore. Maybe bullets do, actually.

Sanford has to return as soon as possible for a “deathless resurrection evaluation”. Wonder what that would even look like.

Hank’s icon, showing up for quite a short period of time before the screen fills with “ERROR” messages. He looks distressed.

Whatever could “OCCURANT LINES ARE CONVERGING” mean?

Well, we know that Nevada was labelled as “The Occurant” earlier.

(You might not be able to read this text in this screenshot with Tumblr image compression, I don’t know.)

————————————————————————

Finally, I have some info that isn’t necessarily what happened in the animation, but could help with understanding it. As this is already getting long enough, I’ll leave it with a short blurb.

The definition of the title word.

The description of the episode on the Newgrounds site.

————————————————————————

Even without looking at it in-depth, Madness Combat: Contravention was a masterpiece of animation. It was fluid, the characters were expressive, and the visuals were stunning. Big props to Krinkels, Cheshyre, Cturix (did the sound effects), and Tarkade (made the backgrounds) for creating the most entertaining 8 minutes of my life.

————————————————————————

Thoughts? Theories? Something I missed? Share it in the reblogs! After all, what is this fandom without the community we’ve formed!

[thepersonperson]

Seeing your latest post. Do you think there is a connection with JJK 0 ending theme? It's title is "Sakayume". It's by King Gnu too.

Believe it or not, someone else in 2022 was intrigued by the JJK 0 ending theme being called Sakayume. Quoting this poster directly:

"逆夢 sakayume Is a dream that contradicts reality. It’s unrealistic meaning that it can’t or won’t happen in real life."

This song is then compared to the anime's ED 2, Cö shu Nie's give it back.

"I feel this song is about 逆夢 sakayume in a sense. The song speaks about “giving back the dream” It’s called “Give it back” and it’s like “give me back the dream” “what happened to rest of the dream and why did I have to wake to reality”  basically it’s longing. It’s longing to go back to the dream and not a reality that contradicts that dream. So when I hear this ED I also think of the movie’s theme song for them which is Sakayume!"

Keep this in the back your mind. It only gets worse from here.

Yuji and Megumi's Character Songs

Recently, I got this in my replies from @mizzi14-blog.

(Here's a link to all the character songs with corresponding videos for listening.)

A translation for Megumi's character song Uchujin's Hakujitsumu (Daydream). From the last stanza:

This is not a song to just forget about the painful past This is a song that confronts the sadness The moon in the night sky waxes and wanes There are no stars in sight. But even in the darkness, tomorrow shines brightly And this is a song I share with you.

In summary, this song is about someone trying to confront their trauma but getting swept up in a daydream with their beloved.

A translation for Yuji's character song Kuchiroro's Itsuka dokoka de (Sometime, Somewhere). From the last stanza:

Nobody knows… Ah. The heart of my real self is so cowardly. I try to scream until I lose my voice. I don’t need anything… I bear a fate I still cannot accept. If I can share my feelings somewhere then I might speak about how my dream continues…

In summary, this song is about someone who feels lonely and isolated dreaming of their ideal world through the pain.

Y'all this diabolical. What the hell.

But wait there's more!

Sukuna mocked Yuji and Megumi's doomed love when he made the Enchain Binding Vow with Yuji using some ridiculous wordplay way back in JJK 11.

Enchain doubles as Megumi Activities. But let's break that down some more. (Unfortunately the Twitter account of the person I referenced may or may not be nuked so here's this screenshot I've doctored.)

So we have the translation of Enchain from 契闊 (Keikatsu), which might be better localized as Separation.

This term comes from a Chinese poem about lovers who are husband and wife in The Book of Odes, Section I (Lessons from the States), Chapter 3 (The Odes of Bei), Poem 31 (Banging the Drum). (Here's a link to the full poem and context of it.)

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)

Keikatsu specifically comes from this passage:

“Our vow is beyond death and life”, I and you are together I always remembered. I will hold your hand, And together we grow old.

Too pitiful we are faraway apart, The distance separates us to meet again! Too miserable this takes forever, And it does not let us fulfill our vow!

Keikatsu is used to exemplify how the physical distance between the husband and wife prevents them from fulfilling their wedding vows. And that's just what Keikatsu/Enchain does to Yuji and Megumi, it causes painful separation neither of them wanted.

In Conclusion?

GEGE GREGORY AKUTAMI IS THIS JUST DOOMED YAOI ALL THE WAY DOWN?????? GEGE!!!! ANSWER ME!!!!

[pleasantspark]

Dissecting the Inconsistencies in Poison (Commentary)

For some fucking reason despite this song intending to be Anti-Rape and Blake trying to be the next Michael Kovich with him trying so hard to sound like him, the song makes me think it's Pro-Rape.

I'm not above a love to cash in Another lover underneath those flashin' lights Another one of those ruthless nights Yeah, yeah, yeah

In this verse, Angel Dust is talking about his work as being a Porn Star, and how he spends time under the spotlight recording with strangers "Another lover" implies there's more than one each night.

I shoulda' guessed that this would happen I shoulda' known it when I looked in your red-hot eyes Spewin' all your red-hot lies Yeah, yeah, yeah

In this verse, he laments on how he should have guessed what had happened, and how he should have known it by telling from a red flag via Valentino. Red hot lies are also referring to manipulation.

What's the worst part of this hell? I can only blame myself

He blames himself for ending up in this Hell.

'Cause I know you're poison You're feedin' me poison Addicted to this feelin', I can't help but swallow Up your poison I made my choice, and Every night I'm livin' like there's no tomorrow

This verse conflicts me, on one hand, he's accepting of the poison and refusing the much needed help, and I am pretty sure Val isn't actively trying to isolate him from anyone else, which makes him less of a threat and all of his threats have to do with something related to making Angel Dust fuck other people. And most of the threats sound so goofy that it makes me wanna fucking cringe.

He's talking about how he has no choice but to accept the poison I get it, he's a victim but the thing is about Angel Dust as a whole is, that the song is not even representive of the fact this guy is a victim of SA, rather he's depicted as enjoying it and doing all this.

Oh-oh, oh-oh Any way you want me, baby That's the way you got me, I'll be yours My story's gonna end with me dead from your poison

Most of the time, I believe he finds himself in a place where he is trapped, although there's tons of people who he cares about. The best part of a character arc for him would technically be Angel Dust being led to believe most of the people in the Hotel were "using him" and that he is forced to stay with Val until he is showed that people care about him.

I got so good at bein' untrue I got so good at tellin' you what you wanna hear I disassociate, disappear Yeah, yeah, yeah So far beyond difficult to resist another gulp

In this verse, he is completely talking about losing himself, and falling into the gulp of Val's poison. Which we don't see any of.

Yeah, I know it's poison You're feedin' me poison I'm chokin' from the taste and I can't help but swallow Up your poison I made my choice, and Every night I'm wasted like there's no tomorrow Oh-oh, oh-oh Any way you want me, baby That's the way you got me, I'll be yours My story's gonna end with me dead from your poison Poison, I'm drownin' in poison I'm fillin' up my glass but it's always hollow Full of poison, I'm sick of the poison Wish I had something to live for tomorrow…

And it ends with him having a (semi) realistic panic attack to distract us from the fact that Angel Dust deadass sang a Love Song about his abuser.

This is a Pop Song.

I feel like making a song about anti-rape SHOULDN'T be something like Pop, it's too cheerful and makes it insensitive. I feel like something on the level of Nirvana can actually work out.

In Conclusion, while Poison is catchy, it's NOT a good song at all, and gives me mixed signals. Compared to Addict its a complete downgrade of it, beyond the vocals and lyrics. No 8 year old should be listening to this, and no one should "Cum" to the visuals VivziePop.

[kclovesart]

So

I've been listening to Epic the musical again for the millionth time. But please tell me if I'm the only person who thinks this: The Underworld Saga should not be the end of Act 1.

Hear me out.

I read the original Odyssey once (but it's been awhile), and I've liked pretty much all the changes Jorge Rivera Herrans has made, and the story feels more alive than reading ever did.

In traditional theatre, in between Act 1 and 2 is intermission which pretty much acts like a bathroom break, stretch your legs, and unofficially discuss the play with others.

And after listening to the Thunder Saga, all I could think was that this should've been the mid point, the end of Act 1.

At the end of the Underworld Saga it shows Odysseus committing to be a 'monster', so I can understand the temptation to open the next part with the character change (especially with how powerful and emotional Monster is) . But imagine if we saw the consequences of this commitment directly afterwards, seeing him slaughter the sirens and sacrifice his crew. Only to be both betrayed by his crew and in an almost twisted way be punished by Zeus. Plus there are several points in Thunder Bringer that references and quotes other songs from this Act, so it acts almost as a mini summary/conclusion. Plus you'd end the Act on both a powerful song and on a cliffhanger since we don't know what's going to happen to Odysseus yet.

Now during intermission there is even more buzz and excitement about what's going to happen next.

Then Act 2 would open with the Wisdom Saga. Now I know this is technically where the Odyssey begins, but I love this change since it adds more emotional depth for the audience to Odysseus being gone. Especially when we realize it's a time skip of 7 years and Odysseus still hasn't made it home besides his actions.

Now we open to Telemachus situation, learning what's been going on in Odysseus'absence and setting the stage for future conflicts. Athena taking Telemachus under her wing in a similar/improved way to her relationship with Odysseus is also more emotional when we are told of her and Odysseus relationship beforehand.

Then we get a recap of Act 1 through Athena looking for him (Love in Paradise) and see how much she cares for him. Now we are starting the Act wondering how far Athena will go for Odysseus and Telemachus.

Anyways I can't wait to see what Jorge Rivera Herrans has planned next, and I think all his songs are incredible. I just think Act 1 closer should be slightly different. Does anyone else agree?

[ravensvirginity]

Titans #15 Review

Oh my god. Where do I even begin.

To start with my one and only positive: the art is gorgeous. Lucas Meyer is the best artist the Titans have had in ages, and his new Raven design really delivered. I'm so sad that it appears that the artist who'll be taking over for him in #16 is undoing his design changes, I think it's a massive shame. I did appreciate the detail of Raven's white cloak design having rings on her index fingers, but it feels a little pointless without the lore of Azar's rings to back it up.

Now, the negatives: literally everything else about this comic. This comic fails to deliver on an eight issue arc in any kind of satisfying way, has a bizarre and out of character tone, and severely misunderstands the lore of its main villain. They literally defeated Trigon with the power of friendship. Maybe that could work in Teen Titans Go, but in a main timeline DC comic? What?

First, the demon Raven stuff. Gar saying that demon Raven and regular Raven aren't two different people--yeah, obviously. The severe degree of separation between demon Raven and regular Raven has been one of the big issues of this arc, and this conclusion is as unsatisfying as the rest of it. Raven and her demon side being able to talk face to face isn't new, but them being two separate people with separate physical bodies who can operate completely independently of each other--while there is some precident for this, to me it's a very strange writing choice and misses the point of a demon Raven arc.

The original idea of Raven and her demon side was that her demon side is her. It's all the worst instincts she inherited from Trigon locked up and carefully controlled. When Trigon takes control of her and turns her into her demon form, everything she's repressed, both good and bad, is released. Raven still having a soft spot for the Titans in her demon form makes sense; she's still Raven, just corrupted by Trigon into something she isn't. Raven deciding to stop being evil (not that she even really was) and going back to normal from one brief conversation with her teammate does not, and is really anticlimactic.

It's just such a waste of the story's potential. If you don't want to commit to Raven being the villain of the story, don't do a demon Raven arc! It's possible to do a Trigon story without Raven being evil, I don't get why they didn't just do that. None of the drama with Raven being evil was particularly well executed, and all it seemed to do was drag the comic on longer and longer with nothing actually happening, because they were unwilling to make Raven actually do anything villanous.

All that pales in comparison to how they defeated Trigon. I don't think I've ever seen such blatant disregard for previous canon. As Raven, powered up by the other Titans, fights Trigon, Gar narrates as follows:

"I doubt Trigon has ever been in a fight. An actual fight. With someone his own size and power level. Never had to face someone like Nightwing one-on-one. Never tried to stand while being pinned by the power of Donna Troy's will. Never been blasted... with a giant-sized Apokoliptian blast from Cyborg. And never, ever... felt the full force of a Tamaranean hit powered by the stars."

WHAT?

This comic canonically takes place in the same timeline as the New Teen Titans. There are many homages to the New Teen Titans. It has been made very clear that the team started as the New Teen Titans, and then after many, many years of crazy comic book history the team reformed as the Titans of this run.

The first ever Trigon arc that introduces him and Raven as characters takes place in the first six issues of the New Teen Titans, and culminates in Trigon being defeated by the Titans and thrown into an interdimensional prison. I can't stress this enough: literally every single one of the things Gar said have never happened to Trigon happen in that fight. Donna uses her lasso to dampen Trigon's will, in combination with Raven and Arella's empathic abilities. Wally rips a hole through the fabric of reality to throw Trigon into, and Kory and Vic connect their powers to amplify their blasts to throw Trigon into the interdimensional rift. The whole thing is coordinated and managed by Dick Grayson (who was still Robin at the time).

Gar was there when all this happened. There is no reason for him to not know that this happened. The only explanation is Tom Taylor doesn't know, or he doesn't care. This would be disappointing for any comic book run, but it leaves an especially sour taste in my mouth for this to happen in a run that's so built on NTT homages. It's clear that the writing could not care less about the comic it was inspired by.

And then Garth causes Trigon to have a heart attack. Okay, that was just stupid. Admittedly, I did think the page of Raven stabbing Trigon was cool (again, the art is really the only saving grace here), but her saying "Fuck you, Dad"? Seriously? An ongoing problem in this run has been the dialog feeling janky and too much like lines from a generic superhero movie, and this line embodies that very well. I'm not opposed to swearing in comic books, but to me, this is not the right time for it. It doesn't fit the moment, and I think it's quite out of character for Raven, even if the sentiment behind it isn't.

And then Trigon isn't even dead? What does "Demons don't die. They just fade away." even mean?? Is he dead or not? Will he come back tomorrow or in a thousand years? It's such a strange, confusing letdown of an ending.

I didn't have high hopes for this issue, but it was somehow worse than I could ever have imagined. I'm so glad that this run is getting a new writer. Here's hoping that the coming issues will actually feel like a team book, and that the decades of lore and characterization of these beloved characters will actually be considered during writing.

[celticcrossanon]

BRF Reading - 26th of September, 2024

This is speculation only

Cards drawn on the 26th of September, 2024

Question: Is Meghan divorcing Harry?

This is a one card reading

Card: The Two of Swords in reverse.

The answer I am getting from this card is that she doesn't know. As a reversal, the card answers the question with a No, but the Two of Swords in reverse means you are dithering, you have to make a decision but you are hesitating about it, you are choosing between two situations and neither seems right. It can also mean the truth is being revealed or that someone else makes the decision for you.

The energy of this card is floundering, going this way and that without coming to a conclusion. I think that staying married to Harry and being single are both equally unappealing to Meghan, and with no other romantic prospect in the offering she is hard put to decide which way is the best for her. There is no clear cut, right choice for her to make; both decisions have pros and cans.

There is an energy here of the truth being revealed and Meghan being scared of this reveal, so she may cling to Harry if she thinks she will get more protection from that.

There is a sense that if Meghan waits too long, someone else will make the decision for her - not exactly Harry, but forces behind Harry - they will somehow move Harry into a position where he divorces her (I'm seeing figures being moved on a chessboard).

The main energy of this card is yes-no-yes-no-yes-no repeating over and over again. I think that Meghan genuinely does not know what to do as there is no clear benefit to herself to pull her down one path or the other (to stay with Harry or leave him). I can see her breaking up with Harry in a fit of anger and then panicking and love bombing him to get him back, while at the same time being repulsed by living with him on a daily basis. It is energy that can't make a clear decision and stick to it at this point in time.

Underlying Energy: The Ten of Pentacles

This is the card of financial security, secure social status and family legacy. It is one of the cards that can be used to represent the BRF. This is the main reason for Meghan's dithering - she does not want to let go of the connection to the BRF and everything that goes with it, and she needs the royal fairy dust to hold off her creditors, as otherwise she is broke. I get the feeling that she has been using 'Harry's big inheritance' PR to stop the debt collectors from knocking at her door.

Conclusion: I'm not getting a yes answer or a no answer. I'm getting an 'I don't know which way is best for me" answer, a 'maybe in the future when I am better off financially' answer, an 'I don't want to lose my status' answer, so the usual yes-no-yes-no energy. Meghan may start the process and then change her mind. She may want to be shot of Harry and not see a way of surviving without him. The only thing I can say with certainty is that she can not make up her mind and stick with it.

[conditioned-to-obey]

Can i ask how you knew you were a dom? Cuz sometimes i feel like it's all i know and i can't imagine myself being a sub for anyone, but then at times i know I'd willingly fall to my knees at times, and to be honest the dom feel is more for males and sub for femmes but not exactly always like it, if that makes sense?

You've already arrived at the wrong conclusion before you've even started.

First off, assigning gender roles to Dom and sub labels is outdated, narrow minded and incorrect. Putting others, and by extension yourself, into trad patriarchal boxes is the flawed mindset here, and probably why you are even confused in the first place. In order for kink to be kink, you'd have to not actually believe or harbour that skewed mentality in the first place.

Do yourself—and anyone you potentially think of engaging in kink with—a favor. Access your internal biases.

If you are only operating as a Dom because you feel as though submissive roles are for women and dominant roles are for men, or whatever convoluted reason deep down that can be assumed for your statement? Stop. Assess that. Fix that. These are questions you should be asking yourself before you even begin to attempt potentially affecting someone else's life. Before having any power over them. Before being given a sub's submission. Before making decisions or being given any control. Before even calling yourself a Dom.

Kink is subversive. Based in understanding ourselves, looking at concepts and communication on a deeper level, making conscious decisions. Not based in gender roles or identities. It is not kink if it's deep rooted in repackaged internalized misogyny. What you described was just simply garden variety misogyny.

[danthropologie]

Re the previous ask about blake holding camera = he knew

1. He has his camera in every race. I don’t know if Blake holding it meant anything.

2. He had his parents out in AD22. With SG being closer, his parents would have made it even if it was by flying private. His gf wasn’t there in AD22 either, so not making that comparison

3. Compare his pre-race interview (not even the media day one) during the parade. Complete change from the post race interview. Complete change in demeanour

Combining 2 & 3, if he knew earlier, the earliest could be right before the race. Then why would management do sth like that before the race? (Then again why does rbr do anything atp?) That man knew nothing concrete going into the weekend, just like he predicted nothing amiss before the summer break. That hell video wasn’t for nothing - no one can make me believe otherwise

Alternatively, he himself might have given rbr the ultimatum hoping to force their hand and when they didn’t get back, he finally realised he was done playing this game. He was finally disillusioned. ofc helping max was one part (i genuinely believe that played in his mind when he was asked for the FL) and sticking to mcl was another part, but at the end if the record breaking lap was what he could take away in what he believed was his last moment in the lap, he put his entire ricussy into getting it.

As much as I want to remain delulu, i think (with extreme sadness) this is it for him. Not because it’s over, but HOW it’s over. All because they decided to keep a bum like Checo. I’m ambivalent towards Yuki, but heck I am even angry on his behalf too. Genuinely gutted that rb did DR dirtier than mcl and that’s saying sth, considering all he had done for rbr and how CH and rbr paraded him around as their family member. Will never forgive them. Rbr’s downfall is gonna be something else altogether and you best believe that I will be there to witness and bask in it.

so what you're saying is that clip of helmut going over to daniel just before the race, he was actually inflicting psychological torture on him saying "you better fucking beat that guy or you're out of the sport. good luck! 😉"

no but seriously, i was with you right up until the end bit 😭😭😭 even the idea of giving them some sort of 'red bull or nothing' ultimatum that sent him spiraling i could get on board with. but i don't agree that it's over.

the crazy thing to me is that for as far as it ended up spiraling out, to ME it really just feels like a complex series of misunderstandings and miscalculations (not including the media's part in it cause i think they WERE malicious in their handling of it).

the daniel of it all is the worst part to me because obviously by the end of the weekend he HAD been convinced that it may in fact be the end. i don't believe that that was ever actually the case, but between the confidence in the way the media was reporting it, the lack of clarity from red bull, the trauma and insecurities left from 2022 mclaren and maybe even rbr over this past summer break, and the mental and emotional toll the race itself actually took on him, he was clearly worn down and left in a very vulnerable state where he drew the only real conclusions anyone in his position COULD draw.

meanwhile you have vcarb who apparently didn't know a single fucking thing, so they COULDN'T say anything because there's nothing TO say.

and then you have red bull. now clearly they DO hold some responsibility for the whole thing. they knew what the narratives were going into the weekend, and it should have been easy for them to just clarify that all drivers are going to see out the season, 2025 decision to come later. BUT that being said, i truly do not think they had any clue whatsoever just how big this thing was gonna get. i think they miscalculated in thinking a) it wasn't going to be that big and b) daniel would be able to handle it. he's done it so many times before! why wouldn't he be able to do it again! but then obviously by the time daniel's having his little menty b in the middle of the media pen, it's too late, there's not really anything they can do.

like jenna @accio-ricciardo brought up this idea the other day that it's almost like...have you ever been in a situation where someone in your life accidentally made you cry because they didn't realize you were at the end of your rope emotionally and some tiny little thing they didn't think was even a big deal sets you off and sends you sobbing? it kind of feels like perhaps that was red bull/christian/whoever with daniel. they figured he's a trooper, he'll let it wash off his back like he always does, he can handle it, not realize that he very much COULD NOT handle it because all these different factors were boiling up into the perfect shitstorm to make him absolutely lose his mind.

and if this is the case—it really was just a bunch of misunderstandings and miscalculations compounding and multiplying on each other—i've said it once, i'll say it a million times, i DO think there's a way back and way for things to continue on as they were meant to before all this shit happened. it's just a matter of apologies and reassurances and making things right, and hopefully everyone can set aside their pride enough for that to happen.

[marmastry]

Hi,

I heard you will stop mamking comics and moomers content.

Before you go can I say a thanks you, with a friend we followed your comics diligently and talk together about every entry and sass about it. Thanks to have bring that in the communauty.

If I can ask you a favor before you go on new adventure, can we have a conclusion for Maya Maya and Hasa Hasa ?

Thank you, have a nice day.

I think you misunderstood. I said in my announcement that I only have 2 major drafts , including the finale 😭 I'm not stopping until I finish those and compiled everything in a pdf and sold them lol.

It's also likely that I will make doodles in between if I'm being a little insane.

That said, I want to end it rather than drag the slow burn for who knows how long. I can't tell when yet, but I'm hoping I could wrap it up before this year ends.