#and then vol.2 just. did THAT and was even more insane

[dinitride-art]

Will really said, “and us?”

And Mike really said, “we’re friends, we’re friends.”

And what Will, the canonically gay character who’s in love with Mike said next was, “we used to be best friends!”

Like Will is concerned about his and Mike’s friendship. And Mike’s spiralling. And then the two of them are like this for the rest of season four.

Love this timeline, guys.

[volfoss]

also its very funny bc choosing a misdeeds mission will have mistos going up to you and being like 😒 do you REALLY wanna do this one. like the one im doing rn is about this sibling who was like hey. i dont want my sister to date. kill the guy shes dating. and mistos was like this is mushy relationship stuff and i dont wanna get involved :///// and when i get there, shalvas starts the battle with smth along the lines of i really dont want to do this but here we go. literally what is his deal

[shizunitis]

Luo Binghe: Original Drafts Edition! Who and why?

“[…] in fact, in his original outline, Bing-gē hadn’t even had a romance plotline; he had been doomed to fade away, alone and unaging forever.” — The Scum Villain’s Self-Saving System, Vol. 4 (Mo Xiang Tong Xiu)

The drafts version of Binghe! Not Bing-gē, nor Bing-mei, but a secret, third thing! (I’m partial to Bing-xióng (兄) myself, just for thematic cohesion. Bing-mei remains as he is: Shizun’s special glass-heart maiden.)

So! Who is this elusive, mythical Binghe we never got the chance to meet? What is he? How do I get to pick this one’s brains?

Why is he haunting me! What does he want! So much to think about.

Listen: I love my trash sons, both the racoon and wet dog variations, but I am curious about this handsome demon lord who did not bed thousands, and did not steal his shizun to lovingly coax him into a loving and respectful marriage. Alas, Airplane-bro, as is custom, has left me hanging.

The solitary quote above has been floating around my brainspace for months. Intermittently, I would look up at the sky and sigh a big sad dog sigh, and think of this lonely demon-man emperor who seems to be both perfectly representative of No-Shizunitis Suffering Binghe, and on the exact opposite end of the line. I have spent many a night trying to rearrange the blocks of both SVSSS and PIDW like a sad toddler with no plan but plenty of amorphous longing.

Thus, Bing-xiong. My beloved new toy.

We know he is left alone and unaging. This means that:

He does not marry even once. (Sorry, Other Bing Variants. This one came broken.)

He is not defeated, killed, or left to suffer his not-father’s fate of sulking under a mountain.

From 1) we can assume two more things! Xin Mo either gets fixed/doesn’t influence this Binghe the same way, or: Xin Mo is completely written off à la Airplane Retconning, making Binghe potentially even more individually powerful than his younger counterparts.

(Or he just. Takes people’s cultivation ad-infinitum. Interesting thought, but too straight-forward for my tastes. Airplane’s thoughts? Unknowable.)

From 2) we can also assume Binghe cannot die, is under the influence of the Protagonist Halo unto infinity, and will only be put out of his misery once the heat death of the universe deems it a worthwhile endeavour. Either that or the story ends, but. It tickles a miserable part of my brain pink to think Binghe will not be let off even then.

Anyway. Bing-xiong, of course, has the same source material to work off of. Up until the Abyss, and including it, the plotline should be if not the same, adjacent enough to be indistinguishable.

However. This means:

Bing-xiong never got coerced into sex by Qin Wanyue, thus not starting him on the path of sex-dependency/addiction, avoiding Bing-gē’s fate by virtue of the Butterfly Effect. (Read this post because it explains Bing-ge's whole thing better than a lot of things I've seen.)

Again, Xin Mo implications.

Alternate Universe Shenanigans make an appearance. (Shen Jiu’s fever and death was actually meant to happen, Bing-ge just got very, very unlucky and his Universe’s Yue Qingyuan very, very lucky. For a few years. Either that or there is a Shen Yuan for every Binghe! Again: sorry, Bing-ge. You need to find your own. Middle child issues…)

Once the drafts/original outline got lost, all bets are off and now the characters become real people, without narrative influence. This also has the very fucked up implication that Bing-ge is actually a result of exclusively external forces and would have never gone down that path if not forced onto it by Airplane’s unwitting hands. I do and do not love this version. Very Mo Ran-esque, if looked at from afar and squinting.

Other options I’m either too not-high to think, or too high to put together. (Cold medicine is insane?)

I am fascinated by this… Schrödinger’s Binghe. A jaded, lonely emperor left in the ashes of his world, gazing upon his own history and finding fucking nothing and no one. Metaphorically and, like, practically, if I’m understanding Airplane’s musings correctly. Isolated, cursed by his own blood in a completely new and fucked up way!

I need Airplane to speak with me for like, half an hour. This is paramount to my mental health, I’m losing my braincells by the hour.

What happened to this impervious, cocky, badass demon bastard lord to become so alone? How did it happen? Why did it not happen to the other two, or at least Bing-ge, who has had every horrible and shitty thing possible and impossible piled onto his head? What the fuck is up with Xin Mo? Why isn’t it eating away at Big Bro Luo? Or, worse: why is it eating away at him in such a way that instead of turning into a violent yet charismatic, horror-creature of a man, it turns him into the existential terror-fate I’ve contemplated and abhorred since I was seven?

Tianlang-jun as the final boss. Discovering Huan Hua Palace Master’s crimes, deceit and… stuff. Perhaps even uncovering Shen Jiu’s backstory.

Ooh! Worse! Or better? What if he finds out everything, after having followed Bing-gē’s path, and simply… gives up? A grown up Bing-ge, minus the marriage and surrogate-lover part(s).

(More unlikely than other options, but still there, I guess.)

Fucking insane of MXTX to do this to me, personally and specifically.

I can only speculate forever, I guess! Left… alone and pondering forever.

So. Not a Bing-ge, and not a Bing-mei. A Bing-xiong, if you will.

[embarrassinglastwords]

the results are in!

with 314 votes these were the top 10 stsg moments people can’t believe are canon (top 10 based off of the ones i listed lmao) this will be long but i did say i was gonna make a post of the results so -

10: in last place with only 1.9% - their names complimenting each other + Geto’s robes being called “gojo-gesa robes”

i included these together cause they are similar imo. both being based around the other.

9: “the only one i have”

the iconic quote with 3.2% that is so misquoted cause of that translation that i’m pretty sure people ignore that that’s actually what he says rather than “my one and only”💀 (myself included but for the sake of the poll i did the accurate translation)

8: the light novel in general

maybe i’m biased cause of my user but only getting 3.8% of votes surprised me lmao.

i mean i just think about “Even if everything was different now, there was still one thing- from that very moment it all started- that had never changed” as well as “Geto Suguru It was a name that the Jujutsu tech organization feared…but to Gojo Satoru, he was—“ all the time

i posted more quotes from it here

7: with 7.3% (nanami surprise appearance) we have their official songs stated by Gege.

Shame On Me being Gojo’s

and Come Back Home being Geto’s.

6: 8.9% of votes for this insane moment from the newer chapters after Gojo’s resurrection lmao

him and Kenny are fighting and Gojo offers to fight on Dec. 24th (Geto’s death anniversary) with Kenny replying “How romantic”

this legit made me scream when the chapter came out… anyways

5: i almost didn’t include this moment because i was sure it was gonna win because of how often it’s brought up but i’m glad to see i was wrong💀

but still in the top 5 with 9.6% is Gojo recognizing Geto by smell in JJK0… i have nothing to add to that cause like. what.

4: with 10.5% we have Gojo’s last words to Geto being “3 words” as stated by Gojo’s english va! (which i also mentioned in the post linked above)

(that being paired with the light quotes above and “such embarrassing words” and it being words they had “never said to each other before” … we all know what he said…🙄)

3: with 12.4%, the one that made me spiral and realize Gojo is probably done for, Gege himself saying “one cannot exist without the other” about Gojo and Geto…

so either Geto is miraculously gonna come back or they are sharing a death anniversary lmao

2: at 18.8%!

the infamous vol 0 quotes that are 100% parallels because the entire movie is.

Gojo, to Yuta in reference to Rika: “Love is the most twisted curse of them all” (idk why i said 'worst curse' in the poll lmao)

Geto as he dies: “At least curse me a little at the very end.”

bangs my head into a wall… okay and number 1!!

1: at 23.6% is the stsg moment. “My six eyes tell me you’re Suguru Geto but my soul knows otherwise! Hurry up and answer, who the hell are you?!”

not only was seeing Geto the reason for him getting sealed but he went against his own power, his own technique which makes him the strongest, to listen to his soul. and to quote Song of Achilles (which i made a joke the other day about stsg being modern day achilles and patroclus) “He is half of my soul, as the poets say.”

okay this was the first poll i’ve done like this besides some random funny ones on my other blog and i can’t believe it got 300+ votes. maybe i’ll do more in the future if i can think of some topics.

[positivelybeastly]

If I may, what's your opinion on Hank from Earth-41001/X-Men: The End and GeNext: United?

So, I had to brush up on my X-Men history for this one, because Chris Claremont's post-2000 work often tends to slip my mind, especially his The End series, which has as many insane and weird choices as it does good ones.

The man really did lose a step after he got taken off the books in the 90s, and while I think that he's written some good stuff after that (his 2000s Excalibur runs are honestly better than I remembered them being), there's a reason he doesn't get asked back to do much more than the occasional story here and there, like the recent Uncanny #700 feature on Mystique, Nightcrawler, Destiny and Rogue.

Compare and contrast that to Louise Simonson, who got asked back to do a whole Jean Grey mini-series during Fall of X, and it's pretty clear that he's just not considered frontline talent anymore.

That being said, I think this Hank, and Claremont's work on GeNext, definitely skews more towards the good side of the scale.

This version of Hank is, of course, best known for his relationship with Cecilia Reyes, which, in this universe, blossomed into a fully fledged marriage with multiple kids - and that's a good choice, honestly! Of all his romantic partners, Cecilia has always struck me as the most level headed, the most stable, and the most likely to want to settle down, which Hank has, on some level, always wanted to do, and has perhaps the best ability to out of a lot of the X-Men.

Despite his physical mutation seeming like the biggest obstacle to him living a normal life, Hank's work with the Avengers and Defenders has resulted in a massive boost to his popularity in-universe, he's equivalent to a real life celebrity, and it's made it easy for him to settle down and stop doing superhero work if he so chooses.

It doesn't hurt that his public persona, of a well spoken, charming, and funny blue little guy, is an effective one, and one that's easy for him to maintain because, well, it's pretty damn close to what he's actually like.

But, back to The End and GeNext. It's a clear sequel to X-Treme X-Men in a lot of ways, something Claremont establishes pretty clearly by bringing up Hank's trauma regarding the death of Psylocke in Valencia, which I appreciate, because I feel like it really gives a lot of important emotional context to Hank's state of mind in New X-Men, and it weighs heavily on him. I don't think Hank is a person who takes death easily, and Claremont gets that.

I also have to include this, because it is hilarious.

I also really appreciate this moment, because . . . yeah, Hank is the guy you want to leave behind, because Hank is a fundamentally nurturing, bridge-building, educational force. There was a period of time, from roughly 2001-2005, where the X-Men became a lot more like the school focused book that people always kind of think of it as, where hundreds of mutants were running through the halls and the X-Men were teachers.

And, to be frank, a lot of those X-Men didn't really feel fit to be teachers? A lot of them have very good practical experience to teach certain applied subjects, but Hank, Emma, and a few select others have always felt like the most suited to actual higher education for the students, which is why Hank's recurring role in New X-Men vol. 2/Academy X always felt like such a natural fit.

Like, this man was born to be the cool teacher.

And born to be a dad, too.

I'll be real, I'm not . . . 100% on the clothing? I'm not an expert, but I don't know that a WASP man, even if he's blue, should be wearing this kind of clothing, even if he does rock it. Someone who's more of an expert on American cultures and African clothing would need to weigh in here, but it's not a choice I personally would have made? It feels a little bit 'older hippie accidentally strays onto the landmine that is cultural appreciation because he has a non-white girlfriend.' But, then again, this series was written in 2006, and Claremont is an older generation writer, so I can't judge it too harshly.

So, now we move on to GeNext, which, as the first issue states, deals with the premise that the X-Men's ages progressed in real time, rather than being stuck in the sliding timescale, which means that Hank is nearing 50. I've long since headcanoned that his healing factor, even if it isn't up to Wolverine or Sabretooth's levels, means that he should be just as agile and spry age 50 as if he were 20, and this series generally tends to hold to that?

I do appreciate that this series leverages the differences in Hank and Cecilia's outlook on the X-Men. Hank's always bought into Xavier's dream, always regarded the work the X-Men do as necessary, and while Cecilia holds to that, she reflects another aspect of Hank's take, which is that it's a worthy job, sure, but not everyone with an X-gene is suited to be an X-Man, and it's a worthwhile thing to consider.

Sometimes, people just want enough training that they can control their powers, and then they just want to bounce, and that's an outlook that should be respected, even if it doesn't always pan out.

This is a particularly interesting development, given where Scott would fall on the axis of letting kids be kids, versus making kids into X-Men, later on in the 616 continuity.

But it makes sense. In this universe, the Decimation never happened, and the arc of these two characters changed as a result - hell, Hank never turned feline, either, which I always regarded as a massive learning process and maturation for him, a furthering of his arc in New Defenders where he was learning what it meant to be a responsible adult.

It feels, in this universe at least, like he never quite lost the devil-may-care spirit that feline Hank's brushes with mortality beat into him. Maybe that's a good thing, maybe that's a bad thing, but it's hard not to see his point - if good kids have the power to effect change, then they're going to do it, with or without your say so. Denying that fact only leads to a New Mutants/Magneto situation, where they kind of end up resenting you for holding them back, even if your intentions are only to keep them safe.

His tune does change a little bit in United, though it's a very different situation here - rather than pushing the boundaries as an Xavier sanctioned X-team, seemingly with some training wheels on, as Hank seemed to be suggesting, here, Cooper is hinting at a more formal, more high stakes, more original flavour X-Men solution, which. Hank has thoughts about. Though, it wouldn't be Hank if he weren't capable of holding two contradictory viewpoints at the exact same time about the exact same thing.

It does always make me laugh when people say that Hank always turns evil in alternate futures. What about this one? He's like the coolest old guy ever. He's solid. He's reliable. He's flexible. He's understanding. There's not a goddamn evil bone in his body. He counts just as much as Dark Beast does, is all I'm saying . . .

Soft. Sweet. Gentle. This is Hank McCoy at his purest.

Hank McCoy. Everyone's friend.

That being said, I'm a sucker for moments like these.

Oh, shit, yeah, Hank IS strong enough to bench press ten tons, and he IS a raging beast with uncanny speed, reflexes, and brutality. Maybe fucking with him and removing the thing that tempers and controls and keeps him reasonable - his soul - isn't a good idea??? Oops.

There's not a ton more left to comment on, Hank is very much a supporting character in United, but it does remind me of something that I've always felt in my heart of hearts - that even though Chris Claremont didn't get to write Beast very much, he had a very strong appreciation for the character, and enjoyed writing him when he had a chance.

There's an alternate universe out there where Hank stayed with the X-Men rather than joining the Avengers and Defenders, and though I don't think I'd want to live in that universe - I enjoy New Defenders entirely too much to give it up for anything - I definitely think it'd make for an interesting What If, where Hank's present for much more of Claremont's defining 16 year run on the X-Men. I definitely think he would have done him justice.

[maukiki1-but-cringefail]

okay i probably would've asked more abt your bsb thoughts sooner except i got shy. but i'm going insane rn so i gotta ask.... your thoughts on zeo. bc when i watched v-force nearly 2 years ago the robot twist took me out for like an entire day and now i'm still insane about them. like it's ridiculous but also really fucked up when you think abt it. and if/when you get to the manga. well i haven't read most of it EXCEPT for volumes 7-9 and vol 9..... ough. manga zeo my also beloved. i think abt this kid and their fucked up ass dad so much

omg im gonna lose my mind i just spent so much time typing the anwser to this and tumblr just DELETED IT ARE YOU KIDDING ME😭 sigh okay ill do it again ig...

i read the manga+rising but the manga version of zeo didnt really stand out to me so im gonna talk about the anime version of him only.

The season hes in, v force, is notoriously fucking boring (i knew this before watching v force even though i stayed out of any info abt bsb to avoid spoilers AND i still knew, imagine that) its like an entire season of filler but the character who stands out the most is Zeo obviously. ozuma/ozma is there too but eh. standing out in v force isnt saying much considering its not really intresting but that doesnt mean i hate him. hes .. neat but i dont think about him a lot.

in the anime when they first started hinting at something being off with zeo (and learning who his father is) my IMMIDIATE guess was oh this guys some kind of lab experiment, ailen or a robot and i was right lol. i mean considering his fathers job it isnt hard to predict but it is a kids show🤷

what i thought the most in the finale fight was okay, so he wants to be human, my boy yearns for the flesh, but like.. why? i know he has zagarts dead sons memories inside of him but if hes human enough to live and not notice he was a robot whats so bad about being a machine??? (robot propoganda lmfao) . he talks like a human feels like a human walks like a human feels like a human.. the gang™️ points this out too. i think there shouldve been more physical indicators to this guy straight up being a machine.. so many cool shit u can do with a ROBOT BLADER HELLOOOO ... ??? like do u have any problem in ur system or did u just not notice?? also how long has he been a robot? i feel like i needed more explanation on the dead son thing. yall couldnt take all those pointless boring episodes of those npc dudes trying to steal the sacred beasts and give it to zeo's backstory? what happened to this child? how long has he been a robot? when how which who which colour how many??2?2? was the original child also mint haired lmao? -also his hair colour is rll nice ^^

but yeah i think hes neat and probably the best character in his season.. i think his design is decent too, atleast the one w the white-ish outfit

oh and also this shit was raw as FUCK

[drifting-pieces-blog-blog]

Breaking down the comics: BEMIS. Part 2

READING THINGS SO YOU DON'T HAVE TO! 

Part one is here. Thanks Tumblr.  (please go read it)

Two issues left of this trash heap volume. Any time you think it can’t get worse you look at the next panel. 

NEXT ISSUE. We’re almost through this collection. This bread is not what I ordered. Send it back. 

ISSUE #192. 

(Spoilers: There are no sharks in this episode. For those of you waiting for the dolphins, that’s in vol 2)

Alright. In this issue. We open with Marc, Diatrice, and Frenchie sitting at the table having coffee. ANd Frenchie looks very dead and is in scrubs. 

I’MMA PAUSE FOR A SECOND. 

I will cover the Lemire run later. It’s inevitable and something I’m deeply looking forward to. 

The thing about the Lemire run is that it takes place at a time when ALL of Moon Knight’s original friends had left him. Gena, the kids, Crawley, Frenchie, Marlene… They had all been driven away. They were all in pain and either hated him, were disenchanted by him, or just pushed away. 

The Lemire run takes place with the Moon Knight system, Marc in particular, having a severe mental health crisis. 

DID is caused by extreme repeated trauma at a young age. It leads to dissociative episodes, and it is not uncommon for other issues to crop up (thanks trauma!). A lot of systems, if they have the health care, end up in and out of hospitals when they reach crisis points. 

In this run, a LOT of things happen that seem spectacular and fantastical and a lot of things that are grounded in reality. It’s hard to say if the whole thing happened or was really all just in Marc’s head. There is evidence for the latter. I’ll discuss that at a different time. But in this run, he witnesses his friends all leave him again. It’s a way for his mind to make sense of it and to let them go. To let go of the past and the pain associated with his friends departing him. In this world, Frenchie sacrificed himself to save them and died. 

So… Bemis is assuming that the audience took in the Lemire run at face value. He feels he has to explain away the events. He isn’t trusting the reader at all. In fact, he’s even going to try to explain it to the reader.  This is bad writing. This is just… Where is the editorial team? Why are they not explaining things to him? Did they even read his script? Or were they so desperate to feed off of the success of Lemire and get Moon Knight up and going again that they just shoved whatever they could at the fans and waited for the money? 

UNPAUSE. 

So this is why Frenchie is a zombie. He’s trying to explain away Frenchie’s ‘death’.

"Undead?" Frenchie asks Marc. 

"Well, no. Not really undead. Just dead. It's all I can visualize. Like when you seen an old person and think of them naked and then can't stop picturing it." 

"That's disturbing. But I'd be equally haunted if I had seen YOU get murdered in a waking nightmare of insane asylums and Egyptian Gods. You saw it. You felt it. It was real enough." 

(Also he has his legs.) 

There's one of those comic editorial notes in the corner: To find out what Marc's talking about, read the mind-bending Lemire/Smallwood Run! - ED

#^%#$$@ YOU ED. DO YOUR JOB AND ACTUALLY KEEP THE CONTINUITY AND EDIT THIS PILE OF-

deep breaths. deep breaths... We're going to get through this. 

So Zombie Frenchie talks to Marc about what Marc saw in the asylum. 

"Losing you was some kind of fantasy. You can chalk it up to me accepting my dissociative identity disorder, or me facing my demons...But I think I needed to see you die in order to make sense of your worth to me. That's not fair to you. You're my best friend." 

So close. He's SO close to getting the run. And I get the feeling it's spouting off what he was cliff noted about the run without either reading it himself or perhaps he did read it, didn't understand it, and someone had to explain it to him. 

It wasn't about him accepting his dissociative identity disorder or facing down his demons. It was so much more than that. 

At this point Frenchie pulls off his zombie look (literally) and is back to being a normal looking man. 

And we get what Bemis REALLY thinks is going on. 

"You think too much, Spector. You can picture whatever you want in that malfunctioning cranium of yours if it helps you make sense of the hand you've been dealt." 

"...Okay." 

"Now, Marc, are you actually hearing me, or are you still picturing some grotesque fantasy?" 

He’s just using things as an excuse to paint Marc with whatever mental illness he fancies at the time. Hallucinations are apparently now in the mix. What does Bemis actually think is mentally wrong with Marc? Did he do ANY research at all? Is he just pointing at the DSM randomly and picking out things that make the comic edgy or ‘funny’??

As Marc prepares to go, a brick smashes through their window. 

He climbs out the window, dramatic style, and finds Bushman and Truth and some other guys with guns waiting on the street below. 

Bushman has the landlord (a little old lady) at knife point. 

They tell Marc to meet them in the lobby or the old lady gets it. 

Oh look. Another jab at underlined villainous homosexuality. 

Just before Moon Knight can start trashing them all, and Bushman knows he would, Raoul tells him that Marlene is on the boat. 

Oh good. Khonshu's narration is back. I'd missed it. 

Honestly, any time Khonshu narrates it's just a lot of random metaphors, over explanation, or depictions on what's going on that aren't needed. 

He describes Marc being tied to a boat surrounded by his enemies with his fate unknown. ....as the comic shows him tied to a boat surrounded by his enemies with his fate unknown. 

Let the reader read the damn comic! 

Bushman goes against orders of the Sun King and decides to go toy with Marc. 

Never a good idea and everyone there knows it. 

He holds a knife to Marc's face. Well... Honestly, it’s in his style to do just this… Props for that I suppose. 

And Moon Knight makes his way around the top deck of the boat and takes out all the bad guys,circling back around to Bushman. 

"You don't scare me, Spector!" 

"I didn't want to have to do this to you again." 

And Marc cuts off two of Bushman's fingers then tosses them overboard. 

"You can replace those, but they'll never be yours again. And next time, I won't be satisfied with a piece of you. I'm not one of those super heroes who won't straight-up kill you, Bushman." 

It's fitting for what Moon Knight did from the 90s through early 2000s. As much as I disagree with it, it does fit for those times. 

He goes below deck and finds a bunch of sad looking people sitting around like refugees. 

Marc asks what's going on and he's told that they signed up for this. 

He talks to one of the kids who tells him they are going to an island to form a new city for only them. 

Back on deck, he finds Truth. 

"Unlike Raoul, I think I may have learned my lesson in trying to defeat you personally. Besides, I was tasked with your delivery to the Sun King. I just want to help you see what I see, Spector." 

For once, Truth is pretty reasonable. 

True uses his powers on Marc and it's just... 

"I have a vision every waking day. Lovers and dreamers piled waist-deep in the streets. I wade through piles of their slack, twisted bodies. Utterly powerless. Nauseated. It's my fear of this moment that motivates me, not the desire to save lives. The Fear that I've built my sanity on a lie. My hope for a better world is my most tragic form of dissociation." 

You know... I'm not even sure Bemis knows what dissociation really is at this point. 

Truth tells him that he's ready to face the Sun King now. 

They arrive on the island where the 'refugees' get off and go to make camp in the village that they found. 

OKAY. Okay. okay... here we go. 

So... I'm going to point out something here that someone probably should have mentioned to Bemis while editing this crap. 

The bad guy henchmen are all disabled people. People missing arms, legs, hands, eyes, on crutches, or fake legs and things. 

They follow around a man that looks like white Jesus that calls himself "Ra the God '' and "Sun King". They head to a place that Bushman called an "Undiscovered tribe of underdeveloped backwards people". They take over the island for themselves and he brings in other people to populate it....

He's literally colonizing it. 

The other bad guy is an overweight drug dealing black man with possible repressed homosexual desires for the good guy. The other bad guy is a large menacing tattooed white guy that makes people spout nonsense and calls it deep truth like characters in a Chuck Palahniuk novel! 

Is anyone else as fed up with this as I am? Am I reading too much into this? Is this really not as bad as I think it is? Because…this looks pretty bad. 

Moon Knight finds Sun King on the beach who welcomes him to "Isla Ra". 

"Soon this island will burgeon with those willing to light up this shadowy world. They're like us, Marc! The sickly, the fragile, the INSANE. Society's regrettable by-product, but to me...To us... They are everything!" 

He tells Moon Knight to relax. He knows that as long as Marlene is his prisoner, Marc won't do anything to risk her. 

"Take a catnap, Marc. We fight to the death tomorrow, but tonight we indulge in a ritual." 

"A ritual you probably just made up." 

"Ra feeds my mind what it needs to know." 

"You're going to drug me, aren't you?" 

"Sleep, Marc. Tonight we become enlightened." 

So... We see nightfall and Sun King and Marc sit before a camp fire. 

So of course we get an instant jab of homophobia. 

"Why did we have to do this half naked?" 

"Shhhh Let your mind unravel, Spector." 

"I don't do well with psychedelics, Sun King." 

"It was only tea." 

"It smelled like woodstock." 

I have a problem with this. Marc is telling him flat out that he doesn't do well with psychedelics. 

Studies have shown that certain drugs can actually trigger mental illnesses that are linked to chemical imbalances. Not to mention that if he happens to be on any drugs meant to help him, they could negate their effects, interact with them poorly, or make him very ill. 

We know Marc has been in and out of mental hospitals. We know he's been drugged before in these hospitals. Forcing him to take a psychoactive trip is not a cool thing to do for the dramatic storytelling. What’s going to happen is that we’re going to get a really trippy scene of them going into Marc’s ‘messed up’ mind and he’s going to learn things, find peace or some bullshit, and then be healed. 

This gives the wrong message that doing these potentially harmful drugs will fix all your problems! Especially if you have dissociative issues or other similar issues. 

ALSO. People with DID? Not all the alters respond the same way to inebriation. Some will get drunk if they look at a beer. Others can do a LOT of pot and not feel a thing. The brain is a fascinating and complex place. Marc could do psychedelics and Jake could just be having a nice time while Steven has the worst trip of his life. 

Sun King goes on. 

"We share what they label 'insanity'. That gives me a gateway into your beautiful, tortured mind. Let me in, Marc. Let US in." 

NOT ALL MENTAL ILLNESSES ARE THE SAME. ONE CRAZY DOES NOT ALL CRAZY MAKE. 

And Marc starts tripping. 

In Marc's mind, we find Marc, Jake, Steven, Khonshu, Sun King, and Ra. 

Ra calls Khonshu a "bad boy" and Khonshu calls Ra a "loathsome fascist." 

Marc tries to tell himself that this isn't real. Jake demands to know how Ra can be there if it's "all just made up by Marc's mind". 

"Steven is distressed and theorizes that "I think we've entered the world of metaphor, Jake. ANd it's scaring the hell out of me." 

Bemis must really dislike Steven Grant. He writes him as weak, cowardly, clingy, and narcissistic. Not a fan. 

So now, Ra takes hold of Khonshu and tells him to show him the truth. 

He spouts a lot of garbage here and it just... It's fanatical. It's... It's dangerous. 

What do I mean by that? He's talking about things like righteousness. About prophets and saviors and gives images of a world under idealistic circumstances where everyone gets along because he rules it. 

Marc snaps out of his trans by the fire to declare "No... Ra is....RIGHT?!" 

There was nothing right about that crap. It makes no sense. It’s just propaganda crap. There is no just and right and perfect in this vision. It’s a problem. A big problem. 

END ISSUE. 

One more to go. I can’t wait to put the Sun King behind us. 

After all? How much worse can it get? (spoilers so much worse. Sooooooo much worse). 

ISSUE # 193

I like how the past two covers have had NOTHING to do with the actual story inside. It’s like they are trying to make it look cooler and more dramatic than things are. 

Moon Knight in the jungle? I’d read that. Marc spent a lot of time in South America. Although, standing on his cape like that means he can't stand up without falling out of the tree. Just saying. 

Alright so... Marc went on a drug trp and came to the realization that Ra and Sun King were right for some reason? 

And this broke him and made him some passive weakling for some reason? 

We see him wake up the next day and being kicked around and dragged around because "the moon can't save me now." 

Then he's taken to a tent with some old lady outside knitting and she uses her flaming hot knitting needles to burn a sun into his back? 

Back with Frenchie and Diatrice, we see her praying to "Dear Mister Khonshu" and she asks that he not let "the bad men kill my daddy." 

She asks him to let Marc save her mom so they can be a family. 

Marc is pretty broken now and he's taken to see Marlene. 

He tells her that "this time is different"

"I know. He's different. I know because I'm actually scared." 

And Marc begs Marlene not to let Diatrice forget him because he's going to die. 

Why are they acting like Sun King is some super huge bad guy unlike any they have ever faced before? They have faced WORSE. 

He's fought ghosts. He's fought vampires. He's fought werewolves. He's faced aliens and apocalyptic events! 

Some hippy looking man with flames is NOTHING. 

HE'S FOUGHT SO MANY ANIMALS (I need to make a list). 

Marc is taken to a ring of fire and tossed inside to face the Sun King in a battle to the death. 

He tells Marc to fight like he means it or he'll hunt down his daughter and burn her to death. 

They fight and he takes a beating because suddenly Sun King knows how to fight? 

He sets fire to Marc more than a few times. 

Back in the head space, Jake tells Khonshu that they have to do something. 

I have real issue with the assessment here. 

Khonshu tells him: 

"Look around us. We're just faint firings of his synapses now. His defense against the darkness. As we have been since his childhood, and...Our connection is nearly severed. He is alone now, save for death itself." 

This is the belief that Marc is "the original" and that he created the others to deal with things and gave them all parts of himself. 

This is old thinking that people with DID were just shattered and broken bits of themselves that needed to be put back together. It's outdated. It's insulting. 

Why does everything Khonshu says just sound like absolute drivel? 

Like he was TRYING to be deep and just spouting off things that sounded metaphorical. It's just bad writing. He's clearly trying to copy Lemire. 

So he asks if Jake has ever believed in anything. 

And Jake remembers Diatrice. 

And they all take a moment to bask in the glow of their daughter’s memory. 

Then we get Steven’s version of what Khonshu said. 

Yeah. This is where that saying comes from. 

Somehow this gives them the ability to punch harder? 

And he starts beating on Sun King. 

He gets the Sun King to admit that he fears him now for some reason. 

And this makes everyone happy like some sort of 1980s movie.

And the Sun King can no longer use his fire. Because 

"I convinced you. Now Bow before me you horrible bastard." 

I'm not sure it works like that, Marc. But sure. You convinced him. 

And the Sun King bows down before him. 

"Thus ends the reign of the Sun King." 

And the people in the croud are cheering? Despite being there to support the Sun King and because they hate Moon Knight. 

Later we find Marlene bandaging up Marc's burns. 

The Truth stands by watching for the boat to return to get them off the island. 

"The man's cause is dead to me. Proven false by his impotence. I would undo any affiliation I had with him. I've found the facts of life to be more...Malleable than I realized. Maybe with some time in a room by myself...I might reassess my purpose." 

Yeah sure. A man is impotent because he lost a fight with another man and now no one believes in him. 

This is some fucked up masculine toxicity. 

Marc turns to address the other people on the island. 

"All of you just got stuck on a desert island because you let yourself get convinced of a bunch of crap by a completely mad super villain."

Uh huh. So the notion of him raising his own group of followers and warriors out of normal people. Cause that isn’t an issue. Obviously these people are easily swayed and maybe a bit fanatical. So telling them that you are now the new leader is not problematic at ALL. 

Also? That “I believe” in the back? 

We get a zoom in. I’m not going to show you the image. 

It’s Dr. Emmett! 

She's in her Moon Knight cloak thing (why would she bring that to the island with her if she was there following Sun King?). 

She's covered in burn scars and missing an eye. It's drawn to look like a rotten hole. 

Does no one believe in medical care here? Open eye holes are a problem. They run a risk of infection! Also they don't just stay open eye holes. The eyelids will collapse downward a bit. 

Anyways. She's back there going "I believe... I believe! Your doctor believes, Marc!" 

And the comic ends there. 

That was something alright. UGH. 

Give me a second to gather my thoughts up from this burning dump of ableism and poorly depicted mental health peppered with racism and anti-semitism. 

Volume one of Bemis is like a love letter to the kinds of people that think it’s fun and funny to show mentally ill people as dangerous, wild, unpredictable, and overall pathetic. 

The continuous use of language like ‘Insane’ and ‘Crazy’ is more than poor taste. It’s a constant reminder that we aren’t supposed to see Moon Knight as normal at all or even sympathies or identify with him. 

You see, there is a difference between “We have the power of crazy” and “You were the only superpower I ever had.” 

A big difference. 

In the former, it’s played up for laughs. Much like the old gags of seeing a man in a dress. It doesn’t age well but it persists. It persists because it still garners laughs. And the people that are still laughing are the people like Bemis. And he draws in more people who are like minded and he tells them it’s okay to keep laughing. 

The latter is a beautiful way to show that having DID was a powerful and wonderful way to be strong enough to survive when everything didn’t want you to. 

How did he get away with this? He is Bipolar. I’m not going to argue if he is or isn’t. I don’t know him and that’s his own personal history. I’m going to argue that being Bipolar does not give you the right to assume you understand ALL mental illnesses or that you can write for all of them. Or even lump crazy with crazy. 

Marvel is the sort to say “Ah yes, this person had a drink with a black person once so they should be able to write for Luke Cage.” Or “I took high school spanish so I can write for Miles Morales.” 

We can’t put up with this anymore. We can’t let them do this. We can’t let Marvel keep perpetuating things that hurt us. That hurt others. That keeps ripping the power away from those with so very little to begin with. 

So this is Vol 1 of Bemis. 

“But Drifting Pieces” you might say “How can it get worse than this? This was pretty bad.” 

My friend… You are in for a ride. 

PART THREE: HERE

[longitudinalwaveme]

Best and Worst Comic Appearances of the Rogues

Note: Keep in mind that some of these choices are very subjective and based on personal taste. In particular, it's difficult for me to know if the storylines I list as the "best" for a given character are actually the best, or if they're just the ones that appeal the most to me personally. I feel like the "worst" choices are more objective (or at least more likely to be shared by a majority of the fanbase).

I'm also only judging stories that I've actually read for this list.

Captain Cold

Best Pre-Crisis Appearance: While I like his debut story from Showcase #8 a lot, I think my favorite Pre-Crisis Len story is Flash vol. 1 #150, "Captain Cold's Polar Perils". Ayesha, Len's stalkee-girlfriend du jour, is a fun character, and Len's powers are at peak Silver Age insanity, which is always fun. It's really the perfect encapsulation of what Pre-Crisis Captain Cold is like.

Best Post-Crisis Appearance: Flash vol. 2 #182. This is the famous Rogue Profile issue for Len, and it is legitimately really, really good (even if its treatment of Lisa is frustrating at times). It's a very solid examination of the character and the backstory provides a lot of depth that Len really needed. Basically, if you want to understand modern Captain Cold, this is one of the best issues you can read.

Worst Appearance: Flash: The Fastest Man Alive #10-13. Every character in F: TFMA is poorly written, and Len is no exception. From having a murder retconned into one of the periods where he was supposed to be reformed to letting a teenage speedster take over the Rogues for no good reason, this story just does not understand Cold.

I will also note here that I generally don't like Joshua Williamson's take on Len. I have trouble putting my finger on exactly why, but if I had to take a stab at explaining it, I think I would say that Williamson's Len is too ambitious and too hands-off. Having him take over first Central City's underworld, and then Central City, seems out-of-character for Len, who's usually smart enough to understand that escalating crimes to that level is a great way to attract a horde of superheroes, and having him sit back and organize crimes without going out into the field himself, which Williamson did more than once, likewise seems out-of-character for Cold. Johns' Len wasn't always the best leader in the world, but at least he was always in the field with the other Rogues. Williamson's Len seems a lot more willing to sit back and let other people do the work for him, and he comes across as a worse leader because of it. Effectively, then, I think my problem with Williamson's Len is that his Len seems younger, less experienced, less practical, and less likely to inspire loyalty than any previous version of the character (except the one that was being written around the time of F: TFMA.)

Captain Boomerang Sr.

Best Pre-Crisis Appearance: Flash vol. 1 #310-311, or Batman #322. The first story has Captain Boomerang getting double-crossed by Colonel Computron and sent back in time (on a giant time-traveling boomerang!), whereupon he has to team up with the Flash to fight pirates. It's delightful, and is made even more so by Digger's determination to save his ex-employer, W. W. Wiggins, from the vengeance of Colonel Computron. The second story features Captain Boomerang fighting---and nearly defeating!---Batman, who narrowly escapes death on Digger's "doomerang". Batman really needs to take Flash's villains more seriously....

Best Post-Crisis Appearance: Suicide Squad #44. This gives us Digger's modern backstory, establishes that he's actually W. W. Wiggins' biological son, and generally serves as an interesting character study of a generally unpleasant character. Flash vol. 3 #7 is a very similar retelling of the same basic backstory, this time by Geoff Johns, and would have been tied with Suicide Squad #44 if not for the gratuitous scene of Digger killing his assumed father (for my money, Geoff Johns is a bit too fond of gruesome deaths).

Worst Appearance: I don't read a lot of Suicide Squad, so I'm not familiar with the terrible Digger appearances that may have happened in the various Suicide Squad runs. Because of that, my nomination for the worst Digger story is Identity Crisis #2-5, the story that killed him (and poor Jack Drake and Sue Dibney) for the sake of earning grimdark edgelord points. What makes it even worse is that the story's scenes of him interacting with Owen are actually pretty good, so we got teased with a really interesting plot for him right before he was pointlessly axed.

Heat Wave

Best Pre-Crisis Story: Flash vol. 1 #266-267, or Flash vol. 1 #312. The first story gave us the first version of Heat Wave's backstory (specifically, it established his cryophobia due to having been locked in a meat freezer as a child), presented him as the main villain of a story basically for the first time (all his previous appearances had him teamed up with another villain), and was full of delightful Pre-Crisis pseudo-science, like heat-seeking fire. It also featured a panel of Mick totally freaking out at the sight of ice cubes. The second story was Mick's first reform, and it was a solid, if slightly goofy, tale of Mick proving that his parole officer was framing him for crimes. It also led to him and Barry becoming friends (and temporary roommates) a few issues later!

Best Post-Crisis Story: Flash vol. 2 #218. It's one of the few Post-Crisis issues that uses him as a lead character, and it establishes his now-iconic tragic backstory and pyromania. Even though it's a bit excessively grimdark (did he really need to burn down the circus where he worked as a fire-eater?), it's a solid story nevertheless.

Worst Story: The Flash: The Fastest Man Alive #11-13, or the "Three of a Kind" crossover (Green Arrow #96, Green Lantern #130, and Flash #135). Everyone was terribly written in F: TFMA, and Mick was no exception, as he was portrayed as an idiot and then killed Bart Allen.

In the crossover, Mick teamed up with two random villains that he had no prior connection to, for some reason decided to try to revive Dr. Polaris with them via hijacking a cruise ship, and ended up killing a bunch of people. It really felt like he just got shoved into the story because they needed a Flash villain in it, and they didn't think about which one would actually make sense in the plot. It makes even less sense when you remember that Mick would go back to being reformed directly after this.

Also, the New 52 introduced us to the Hothead McAngryman version of Mick, and it unfortunately took over five years for him to finally get back to normal. Having the character with fire powers be hot-headed and aggressive is probably the most boring choice they could have made, and it hurt Mick's overall character for quite some time.

Mirror Master I (Sam Scudder)

Best Appearance: Flash vol. 1 #126, or Flash vol. 1 #146, or Flash vol. 1 #306, or Batman #388 and Detective Comics v1. #555.

The first two stories are delightful Silver Age nonsense. Flash #126 features Sam traveling to a mirror world where the inhabitants essentially make him their king, but he quickly gets fed up with the fact that he's given whatever he wants means that he has no opportunities for dramatic theft, and he summons the Flash to help him escape from his boring life as king. Flash #146 is the story where the Mirror Master switches his legs with the Flash's legs. It also features Barry and Sam attending the same self-help class without knowing it!

Flash #306 has disco-dancing Sam, and, more importantly, it's one of the very few stories to try to give Sam an interesting motivation: specifically, he's fallen in love with a woman who's trapped in a mirror and is desperately trying to free her. The ending of the story is a sad one for Sam, but it's also surprisingly touching.

Finally, the Batman two-parter features Sam at his overconfident, flashy, hilarious best as he tries to prove that he's a better criminal than Captain Boomerang (incidentally, this is also a great Captain Boomerang story). It features such highlights as Sam freaking out at the sight of Batman, Sam getting freaked out by Gotham muggers, and Sam deciding to rob a bank because it's across the street and he doesn't have any better ideas. The first part of the story also features some of the best facial expressions he's ever made.

Worst Appearance: For a single story, it's either Flash Rebirth #2 or that issue from Joshua Williamson's run where Sam wore his socks and underwear in the hot tub. Weirdly, Flash Rebirth #2 featured Sam only briefly, and in a flashback, but it retconned a murder into his early past in a way that would darken all of his fun Silver and Bronze Age adventures. It's one thing to have the Rogues become more dangerous in the present, and another to retroactively make all of their early, light-hearted stories grim like this. (Geoff Johns was responsible for this retcon, and far too many others like it. I really wish he didn't like grimdark retcons so much.)

The Williamson issue had Sam who was Evan-in-all-but-name-and-accent. At that point, he might as well have not been Sam at all! That being said, this was basically just the culmination of all the problems Sam has had since he was brought back to life in the New 52. I don't know how you make a character as fun and dynamic as Pre-Crisis Sam was boring and confusing, but somehow they managed!

Weather Wizard

Best Pre-Crisis Appearance: Either Detective Comics vol. 1 #353, or Adventure Comics #466.

Watching Mark fight---and actually briefly outsmart!---Batman in Detective Comics #353 is a lot of fun, and this story is full of delightful Silver Age zaniness, including, but not limited to, Mark saving Gotham City from a drought by filling all of its reservoirs just so that he can make a big announcement in the sky about how he did it in thanks for getting to steal three priceless valuables, and in turn use that message to determine what in town is worth stealing.

Adventure Comics #466 is an entirely different brand of delightful insanity, and features the Weather Wizard briefly turning good, stopping a horde of locusts from destroying crops, and saving Blue Valley from a flood because sun spots were messing with his wand, which he somehow managed to telepathically link to his brain. No, really. Sunspots briefly make the Weather Wizard turn good. Reading this is worth it just to see Barry's reaction to friendly happy Weather Wizard.

Best Post-Crisis Appearance: Rogues Revenge #1-3. By far the most in-depth look we've ever gotten at Mark's past, his relationship with his brother Clyde, and his boatload of issues. Despite being one of the more frequently-used Rogues in the Geoff Johns era, it was rare for Mark to get a lot of attention outside of his role as a big threat, and this miniseries was a nice change of pace for him. I just wish it hadn't ended with the pointless death of his baby son, Josh, because seeing Mark develop a relationship with Josh would have been far more interesting (and less grimdark).

Worst Appearance: The Flash: The Fastest Man Alive #11-13. The story where the writers replaced the Rogues' brains with rocks, and hoped we wouldn't notice. We did.

Trickster I (James Jesse)

Best Pre-Crisis Appearance: Flash vol. 1 #142. In which the Trickster steals a little kid's toy detective set, and proceeds to screw around with the entire city, and the Flash, just because he can. It's a great display of the Trickster's inventiveness and creativity, and the story goes out of its way to state that Trickster is more interested in attention and having fun than in getting money.

Best Post-Crisis Appearance: Catwoman vol. 2 #69-71, or New Year's Evil : The Rogues.

The Catwoman story features some of the funniest James moments ever, and it's so much fun watching the two con artists try to outsmart and outplay one another. Catwoman and James have a great dynamic, and it's a shame they've never really teamed up again.

New Year's Evil: The Rogues features James at his most heroic, teaming up with the Pied Piper (and, thanks to some manipulation on his part, some of the other Rogues as well) to save his ex-girlfriend Mindy's son, Billy, from a group of mercenaries who are attempting to overthrow the government of Zhutan. The story also eventually reveals that Billy is James' son, which sadly never went anywhere since for some reason no one wanted to follow up on this awesome plot point.

Worst Appearance: Countdown! Not only does he forget all of his Post-Crisis character development, but he also acts really stupidly for no reason, is a humongous jerk to the Pied Piper (his close friend!) for no reason, and then is pointlessly killed for no reason.

It's also worth noting that his most recent big appearance, the one written by Joshua Williamson, was very frustrating to me. It's not as objectively bad as Countdown, or James' appearances in F: TFMA, but it takes James in an unpleasant, dark direction, and I didn't care for it at all.

Pied Piper

Best Pre-Crisis Appearance: Flash vol. 1 #307. This story is very important for the Pied Piper, because it not only gave him his full backstory but also gave him an actual name after over twenty years of him not having one! It's also just a fun read in general, full of delightful Pre-Crisis "science" and featuring some great character work for both Hartley and his parents, who are so desperate to preserve their family name that they have a reporter who uncovered the secret kidnapped so they can bribe her to keep quiet!

Best Post-Crisis Appearance: Flash vol. 2 #19, or Flash vol. 2 #32.

William Messner-Loebs' run on the Flash is underrated, and his work on Piper is a stand-out example of why more people should read it. Even though Hartley doesn't appear a lot in Flash #19 (his first ever Post-Crisis Flash appearance, by the way), but when he does show up, it pretty much single-handedly establishes what he's going to be like going forward; establishing him as an at least mostly reformed Rogue who cares about protecting the homeless and disadvantaged. It's just really sweet.

Flash vol. 2 #32 features Hartley teaming up with Wally to save his parents and his adorable little sister Geraldine from the henchmen of the Turtle and the Turtle Man. It's adorable seeing Hartley interact with his little sister, and it's also nice to see him finally make peace with his parents, even if they'll never be close. I really wish Geraldine had gotten to show up again, because I want to see more of Hartley's little sister. Also, this story features a line that I've always found hilarious for some inexplicable reason:

Thug (in response to Joan Garrick showing up at the Rathaways' mansion): An old woman? Seize her!

A close runner-up is Flash vol. 2 #190, which is a retelling of the origin story from Flash vol. 1 #307, but with more details and from Hartley's POV (the original tale had his parents telling the story).

Worst Appearance: F: TFMA and Countdown (since one led into the other, I kind of count them as one story). In which Hartley totally forgets that he reformed, is involved in the death of Bart Allen, loses about 100 IQ points, gets chased all around the DCU, gets insulted almost non-stop by the Trickster in spite of the fact that they're supposed to be friends, watches Trickster get shot in front of him, and almost goes crazy and dies.

The fact that he gets to blow up Apocalypse with Queen music is awesome, but not nearly enough to salvage this otherwise terrible storyline.

The Top

Best Pre-Crisis Appearance: Flash vol. 1 #297-303. Roscoe comes back from the dead, possesses Barry's father, spends what appears to be several months living with Barry and pretending to be Henry Allen (while slipping off to visit Lisa on the side), and then attempts to kill Barry Allen and steal his body for his own. It's weird and creepy and unique and perfect for Roscoe, and it features lots of top puns, as all good Roscoe stories should. Also, even though he's generally a huge jerk in this story, his relationship with Lisa is adorable, affectionate, and shockingly healthy.

The most hilarious thing about this story is the fact that at one point in it, Barry thinks to himself that his relationship with his father is the best it's ever been....in response to the interactions he's had with Roscoe posing as his dad. That's right, Barry apparently gets along better with Roscoe-pretending-to-be-his-dad than he does with his actual dad.

Best Post-Crisis Appearance: This is hard. Most of Roscoe's Post-Crisis appearances are pretty bad. The writers of Hawk and Dove didn't do an especially good job with him, Mark Waid's one story with him was a decent Pied Piper story but a terrible Roscoe story, and Geoff Johns seemed to hate the character, so that always affected his Roscoe stories. If I had to pick one, I guess I'd go with @gorogues' suggestion and pick Flash vol. 2 #215-216, since he's really intimidating and cool in those issues. Unfortunately, even those issues are not immune from the curse of bad post-crisis Roscoe stories, as they include the stupid Identity Crisis tie-in retcons that negated a whole bunch of the Rogues' character development.

I seriously don't know what the problem is with the Top's post-crisis stories. All of his Pre-Crisis stories were good, solid fun, and his best story shows that he can be really effective and creepy as a main villain. Why is it so hard for modern writers to write good Top stories? He isn't inherently any weirder or goofier than the Trickster.

Worst Story: Hawk and Dove vol. 3 annual #1, or Flash vol. 2 #120-121. The Hawk and Dove annual features some truly hideous art (I'm sure @gorogues has some scans to prove just how bad it is), and features a badly out-of-character Roscoe, who just seems out-of-place fighting Hawk and Dove.

Flash vol. 2 #120-121 takes the solid idea of Roscoe trying to become president by possessing the body of a senator, and then kind of ruins it by having 99% of the cast treat Roscoe as a total joke (the same Roscoe who once tried to blow up half the world with an atomic grenade!) and by having Roscoe act like an unparalleled jerkwad towards the Pied Piper for no real reason. Before his death, Roscoe generally got along pretty well with the other Rogues, so there was no reason for him to act so nastily here. Worse, I think this depiction went on to influence Geoff Johns' portrayal of Roscoe as the most unfriendly and cruel of the Rogues, which is kind of frustrating as he wasn't always like that.

Golden Glider

Best Pre-Crisis Appearance: Flash vol. 1 #257. Golden Glider is terrifying and awesome, and this story shows you exactly why. Within this issue alone, she discovers Barry's secret identity (making her the first Rogue to pull off this hat trick), almost kills both of Barry's parents and Iris (as revenge for Roscoe's death, which she blames on Barry), puts up a very solid fight against the Flash, doesn't even flinch when the Flash threatens to kill her as a bluff (saying that she has nothing left to live for now that Roscoe is dead), and, although Barry manages to save Iris and his parents, she escapes without being captured. Pre-Crisis Golden Glider is the best, and it's a shame she never gets written like this anymore.

Best Post-Crisis Appearance: Flash vol. 2 #19. Her interactions with Wally in this story are great fun, and I like seeing her be chummy with her older brother and her fellow Rogues at the party they're throwing. Her interactions with Connie Noleski (Wally's one-time girlfriend) are also pretty funny. This issue is also notable for being one of the last stories that doesn't portray Lisa as a total lunatic, as for some reason, her character got shifted into that direction not long after COIE.

Worst Appearance: As I thankfully haven't read Teen Titans vol. 6 #22, I'm nominating Flash vol. 2 Annual 5. It's a great story for Captain Boomerang, Weather Wizard, and Trickster, but it's a pretty bad story for Lisa, as it portrays her as being completely insane and serves as Exhibit A of how Mark Waid didn't know how to write the character. Golden Glider was scary because she was smart, calculating, and surprisingly composed (given how full of rage she was). Making her violently comic-book crazy undercuts how scary she was back in the Bronze Age.

You know, it really says something that Carey Bates, Lisa's creator, is probably still the best writer she's ever had. And he was writing in the late 70s and early 80s!

Mirror Master II (Evan McCulloch)

Best Story: Animal Man #8, 17, and 21, or Flash vol. 2 #133.

Nobody writes Evan McCulloch better than his creator, Grant Morrison, and these issues put that on full display.

The Animal Man stories introduce McCulloch, establish his weird personality, his freaky powerset, and his strict refusal to kill women or children, and are generally a delight to read. McCulloch has a very distinct voice throughout and is the funniest part of all three stories. Basically, everything you need to know about the character was established in these three issues.

Flash #133 is McCulloch's best appearance in an issue of Flash. He maintains his weirdness, his distinctive voice, and his insane powerset, and he takes the Flash and the reader on a trippy, colorful adventure around the world and through the looking glass. He maintains his generally cheerful and friendly attitude towards superheroes, and he is, once again, the funniest character in the story. Grant Morrison's Evan is a delight.

A close runner-up was Flash vol. 2 #212, the story that gave Evan his backstory (grimdark though it is, it somehow kind of works for him) and established what has become arguably his second-most famous characteristic (after his Scottish accent): his addiction to cocaine. It is a very good story, and I like that we get to learn more about Evan's history, but I will say that Geoff Johns' Evan isn't nearly as cheerful and weird as Morrison's, and I think that the story would have been even better with Morrison's cheerful nutty Evan than with Johns' creepy, sullen version.

Worst Appearance: Flash: TFMA. You know the drill by this point. Stupid Rogues. Pointless death of Bart. Bad writing all around.

Trickster II (Axel Walker)

Best Appearance: Flash vol. 2 #183. There are actually surprisingly few issues that focus on Axel as a lead character, but I've always enjoyed his introductory issue. It establishes some backstory for him and effectively tells you who he is (an annoying brat who might be in over his head) and what he can do (use a lot of crazy trick gadgets and work computers better than the older Rogues). I also like the bit towards the end of the issue where Mark is thoroughly unimpressed by Axel and asks if he's supposed to be their mascot. It always gets a giggle out of me.

I also thought the arc in Joshua Williamson's run where Axel briefly got super-strength was a pretty good story for Axel. It's one of the few times he's been played sympathetically and I thought that it worked really well.

Worst Appearance: Helmet of Fate: Detective Chimp. Okay, I haven't actually read this one, but I know enough about it to know that Axel murders 4 teenagers for no real reason, and that's enough for me to list it as his worst appearance.

Also, I can't really think of any Axel issue that I have read where Axel is portrayed really terribly. Writers usually seem to have a decent grasp on his character.

Captain Boomerang Jr.

Best Appearance: The best appearance of his that I've read is in Flash vol. 2 #220-225 (the Rogue War storyline). It's one of the few stories to feature him with the Rogues, and his grief over the death of his father and his relationship with Captain Cold are both very interesting. The story also finally tells us who his mother is (Meloni Thawne) and how she had a kid with Digger (well, sort of. We know time travel shenanigans were involved, at least). That being said, @gorogues says that his appearance in Manhunter v. 3 were really good, and I've heard that the story where he teamed up with Tim Drake was a good one as well.

Worst Appearance: Blackest Night: Flash #3. The story where he was turned into a idiotic child murderer and then was pointlessly killed off!

A close runner up was the Rebirth (I think) issue of Suicide Squad where he suddenly showed up and was inexplicably a snobby criminal mastermind who really hated Digger.

[flower-of-the-desert]

Guardian vol 2

Putting some of my thoughts of the second volume here. I'm very excited to continue reading the last part too, this story is definitely one of my new favourites. Under the cut for spoilers.

I had a lot of fun with the backstories and reveals in this volume. Like even tho I know some of what was coming mainly with Shen Wei and Zhao Yunlan's backstories, I was still surprised by the details and the actual sequence of events in the past. Also the image of Zhao Yunlan as an old god who's slowly lost all hope and faith in humanity and the heavens to the point that he's willing to destroy everything and start anew is sooooo interesting and like, so much to chew there!

Speaking of that, so far Zhao Yunlan is topping my list of sexiest characters ever along with my faves wenzhou. He's so cocky and competent and sexy and clever and seductive AND SEXY DID I MENTION THAT jdsbskjd some of the lines he says to Shen Wei are so swoon-worthy I'm dead on the floor. I love how much he doesnt give a fuck about pissing off anyone as long as he can take care of what he deems /his/.

I didn't feel as strongly connected to Shen Wei probably because he doesn't really get much focus or at least not as much as Zhao Yunlan. I really liked whenever we got little glimpses into what's going on in his head and obviously really REALLY liked when the flashbacks started introducing how he used to be at the very beginning when Kunlun first met him (that first meeting scene was HILARIOUS AND I LOVED IT). I hope there is more of his pov in the last volume.

Also speaking of the flashbacks, ok I'm wondering something - I feel like the flashback we got at the end wasn't the full extend of what happened? Because that scene goes from their first meeting to then a couple of weeks later? when everything ends and Kunlun dies. And we don't really see what happens bw Kunlan seeing this demon boy for the first time and deciding he's trustworthy enough to make him the sole guardian of the seal. Also the way present day Shen Wei talks about Kunlun makes it seem they spent A LOT more time together, not just dealing with the floods and other disasters.

BTW THE SEXIEST SCENE FOR ME WHEN ZHAO YUNLAN GOES ALL CRAZY AND POSSESSIVE AT THE THOUGHT OF SHEN WEI DYING??? Feeling insane about it tbh

Another subplot and subsequent reveal I really liked was the whole thing with Chu Shuzhi. That I definitely didn't see coming lmao

Also is it me or are there some ✨ vibes ✨between him and Guo Changcheng?? Pls tell me I'm not imagining it.

Shen Wei's utter devotion to Zhao Yunlan is so heart-clutchingly intense and I just looove when a character is so down bad. Which is also true about Zhao Yunlan who is SO ready and willing for the whole marriage/house/picket fence life. It's really lovely to read how badly he wants that with Shen Wei.

I said in my other post that I really do think they're like obsessed with each other on a cosmic level that transcends all their lives and years and that's so delicious tbh. Most reincarnation stories I've read make that a source of conflict for the couple and I'm really interested to see how this plays out with weilan. Zhao Yunlan doesnt seem bothered that he's had previous lives or that Shen Wei first fell in love with his past self but more like he and Kunlun were/are the same person, just reincarnated through time?

Last thing I want to mention, it took me a while to get it but I am a BIG fan of the way Shen Wei's darker violent urges pop up here and there concerning Zhao Yunlan and then he doesnt act on them because he literally can't bear the thought and is not physically capable of doing anything that might harm his beloved.

PRIEST REALLY KNOWS HOW TO WRITE SEXY MALE CHARACTERS AND ROMANCE ✨✨✨ and I am so seated.

[bungoubongoboys]

Thoughts after BSD Season 5

(spoilers ahead)

1. Fyodor is alive

Fyodor has been one of the driving villains and I don’t believe that even his defeat at Meursault is the end of him, especially since all we see is his arm. Further, Sigma was able to touch him and live.

While Sigma is currently unconscious, due to having taken all of the knowledge in Fyodor’s mind into his own, there are several possible ways for him to return. This includes him being able to process through all of the information due to having so little life experience (only three years of memories), and possibly receiving help from Ango and/or Chief Taneda with their own information based abilities.

Back to Fyodor. We still, after all this time, do not know his ability. But now Sigma does—assuming he can wake up. Which means the moment is perfect for a big reveal of Fyodor’s true ability. Would it truly make sense to set up such a big reveal for an already-dead character?

Lastly, Asagiri very rarely kills off significant characters (at least not permanently). So I really doubt we’ve seen the last of Fyodor.

2. New Agency Members and Allies

Ok, so this is exciting! I think there are gonna be a looootttt of new Agency members very very soon (in the aftermath of…the aftermath?). Namely Lucy (officially) and Sigma, but tangentially Aya and Bram (they may or may not be “official” ADA members, but will be closely related). Fitzgerald probably won’t ever officially join the ADA, but he will have established himself more closely as an ally for them. Similarly, the remaining Hunting Dogs will remain distinct from the agency, but I doubt they’ll just disappear after their significance in this last arc.

3. Unresolved aspects

Most things were (seemingly) wrapped up really well with season five/vol 24. And yet…

- Fyodor’s body wasn’t seen (I won’t accept he’s dead until it’s cut into pieces and ritually slated and burned)

- The immediate aftermath of Fukuchi’s death and Bram’s restoration is fully unknown (before the ‘2 hours later’ bit); what happens to the vampires? To the page? To the One Order?

- Fukuzawa’s grief and the aftermath of it, both for him personally and for the agency

- The page—was it fully used? If so, is it powerless now? What happened to it?

- Full “resolution” of the arc, bringing everyone back together

- Did Chuuya get the vampire teeth off?

…

- What the fUCK was that “2 hours later” scene?????????

4. The “two hours later” and other personal theories

**Disclaimer that everything after this point is my own personal theories

- The two hours later scene was absolutely wild, and I don’t have too many theories yet, but it seems most likely that the page (or a page of the book) was used to alter reality yet again, potentially creating an AU? Idk but those outfits are insane and I love them

- The time between Dazai’s “death” and his appearance to Fyodor—Chuuya absolutely was concerned about Dazai and helped (at least partially) carry him to the landing for Fyodor; the idiot insisted on walking by himself to not appear weak in front of Fyodor, but before that? He absolutely was leaning hard on Chuuya (and after too)

- Sigma and Atsushi—so, it’s easy to lose track of in the many twists of Bungou, but the overall story is still moving towards finding the book, in its entirety, rather than just a singular page.

Back in Season 2, Fitzgerald was told by Fyodor that Atsushi was key in finding the book. This still hasn’t been fully explained. Now, many have noticed the similarities between Sigma and Atsushi. In particular—their unique, two-toned eyes. Additionally, Atsushi lacks much background in the same way as Sigma—we know very little about him before the orphanage, or even how he came to the orphanage.

The only pre-orphanage event we know of is from Dead Apple, where Atsushi is shown to have been experimented on by Fyodor and Shibusawa (before killing Shibusawa). But where was he before that? How did they get him? Well…if Fyodor had one page…

I think Atsushi himself, like Sigma, was written out of the Book. Created to play a role he had no idea about from the start. And why is he key to finding the book? Because Atsushi himself is a product of it. He is fundamentally connected to it in a way no one else is (until Sigma).

This also contributes to my theory that Fyodor is not truly dead. He has his own motives, apart from the Decay of Angels, and would use the book for his own purposes (to effectively become unstoppable, though he’d enjoy any attempts to fight against him). He’s nowhere near finished yet.

Anyways this was way too long but AHHHHH waiting till February for the next Manga chapter is going to kill me

[vampirewillows]

was tagged by the ever lovely @zhalar to share 9 albums i've been listening to, thank you for the opportunity <3 i've included my self-indulgent commentary on each, and i tried to mostly pick ones that i've specifically been listening to recently! (ps. thank you for songs you shared in the previous tag game we had, several ended up on my playlists)

lazily tagging anyone who sees this and wants to do it! just say i tagged you. i love hearing ppl talk about music

my album commentary under the read more cut bcs i ended up elaborating a lot

i. chappel roan, "the rise and fall of a midwest princess" — ALBUM of the YEAR. to me. i know it came out last year but still. no skips, love her and this album so so dearly. i need it on vinyl stat. inject that shit into my veins etc. current faves: guilty pleasure and super graphic ultra modern girl, but i did also recently listen to california for like a week non-stop

ii. ethel cain, "preacher's daughter" — again i'm LATE to this one, but as far as concept albums go, this is. the peak. like just. screaming crying throwing up, even. i made a powerpoint presentation abt this just so i could share its story with a friend. INSANITY. faves: american teenager, ptolemaea, sun bleached flies (i forgive it all as it comes back to me............. kill me)

iii. taylor swift, "tortured poets department" — i went to the eras tour earlier this month. speechless! wow. i still haven't recovered OR finished listening to all of anthology but i sure have been blasting who's afraid of little old me and but daddy i love him

iv. metteson, "look to a star" — actual album of the year for me. saw him live this spring and he was so so sweet (was manning his own merch booth afterwards and complimented my make up <3 also signed my vinyl) ANYWAY insane voice? like simply unbelievably beautiful. and this is just the debut album??? future records might simply eviscerate me i'm afraid. faves are second heart (!!!), naturally (but nothing comes natural to me / nothing comes naturally...... augh) and heavier than a heart

v. pet shop boys, "nonetheless" — breaking news my favourite old gay men are still releasing bops and bangers and heartbreaking melodies. this released close-ish to my birthday so i've claimed it as a birthday present. what more can i say, they're my favourite band of all time <3 faves rn: new london boy (skinheads will mock you, call you a fag / last laugh is yours, there's a brick in your bag!!) and bullet for narcissus

vi. orville peck, "stampede: vol. 1" — i adore this cowboy beyond measure. as i think i said in a different post, i don't usually care for features and duets, but this does indeed fucking slap. insane vocals as per usual. love the concept. can't wait for vol 2, and also, mr. peck PLEASE come to europe. faves: miénteme and cowboys are frequently secretly fond of each other <3

vii. sea power, "disco elysium" — this is FINALLY on spotify!!! the game of all time, and the soundtrack is equally heartbreaking and hardcore (to the mega). i was going Through It at some point this spring and replayed DE and then just listened to burn baby burn outside whilst smoking. european depression core. faves rn: burn baby burn, saint-brune 1147 (small pinewood church) and precinct 41 major crime unit

viii. jan valta + adam sporka, "kingdom come: deliverance (OST)" — finally bought this recently when it was on sale and my god i'm so glad i did. an immensely entertaining game that you can tell was made with much love. henry of skalitz my SON. been listening to the soundtrack on/off, currently absolutely obsessed with the song poverty and famine (and särmä if you're reading i think you might vibe with this one?)

ix. alkemie, "pentiment (original soundtrack)" — rounding up with another video game soundtrack because i'll simply never get over pentiment. stole my heart in a major way. this soundtrack is STUNNING. can't do it justice with words. my faves rn: sic arsit historia kiersis and rüdeger's rehearsal

[kitkat-the-muffin]

OH BOY I need some AIR after playing Cloutchase Vol 2!!!!

Time for the customary screenshot dump! Spoilers under the cut!

But first, some spoiler-free teases to further encourage you to play the game yourself first!

Aight here we go

Hrrrrrrrrrrrrgh I started with Amino and then had to wash it down with Discord cause oof the cringe flashbacks to middle school

They really went all out on the accuracy didn't they. It just like me fr (derogatory) (inaccurate)

We need to talk about this split second of dialogue btw- I caught it just in time oh my god WHAT- they should kiss I think

I played this with a friend actually and she gave Kik a Beetlejuice voice and it was amazing. My friend did all the voices actually and I did the narration and she was great and accurate it was a real fun experience. I've never even heard of Kik before this but she HAD and knew what to do XD

THE FREAKIN WARRIOR CATS ROLEPLAY. I know EXACTLY how it feels to be dragged into a WCRP when you've never read the books or know anything about the series, more middle school trauma for you there

Amino's route was positively perfect I have no notes I am going insane I am going feral I need therapy I need a monkey onesie-

Moving on, Muffy was in Discord's route! That was so neat to see! Also the crypto ending was so funny look at this:

We also need to talk about Twitter X. Just look at him

Amazing. Perfection. He is disgusted with us, as he should be

Ok in regards to actual Discord, I freakin love him. Again, I was playing this game with a friend, and she said his trans experience was so relatable to her. Then I spoke with another friend and he said the same thing. We all agree he's very gender looking, even tho two of us are femme XD

When we finished the Good Ending my friend said that Discord's feminine persona looked a lot more fake than initially thought now that we knew the truth, and that's honestly great character building. The maze was such an interesting way to get to know Discord better too, even if all the mythology reference were askew lol

I think both versions of Discord are incredibly cute and adorable but Masc Discord is my favorite cause he just looks so much more comfortable in his own skin if you know what I mean? Or maybe I'm just projecting idk

I've actually hit 12 photos already so idk why Tumblr wont stop me from adding more. Maybe it's different on desktop than mobile idk

Anyway I loved both routes and I wish I could gush about them more but I have a certain social experiment session in an hour (shoutout to the two people who actually read through my experiment tag) so I'll just leave it here

But gosh I loved these two they were amazing I want to play them again aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa

LAST NOTE BUT THERE ARE ACTUALLY A PAIR OF CREEPY TWINS AT THE END OF THE SHINING HALLWAY BTW

Calling it now it's Thesaurus.com and Dictionary.com (two of MY ocs that I haven't even DESIGNED yet ffffffffffff now that Webtoon's done I guess that's my next project)

[deludedfantasy]

Trimax Vol 10 Ch 1-4

Hey guys, how are we doing with volume 10? I had to go lie down on my bed face down multiple times while reading this so....that's how we're doing over here. A good chunk of this is me screaming incoherently. Apologies for the overuse of exclamation points and all caps. I'm deeply unwell about all of this.

Ch 1

Wolfwood's never ending belief in Vash just!!! Wolfwood is a man without faith. But not anymore; now he has faith in Vash.

As he reaffirms his beliefs, he remembers Vash telling him that he gives up hope too easily. Suddenly, now that I know a whole lot more about Wolfwood, that line hits differently. People have said it before but until now I didn’t get how cruel of a thing that was for Vash to say to Wolfwood. He couldn’t know the thing Wolfwood did out of a desperate hope to protect the orphanage. And look at him now, not sure if Vash can defeat Knives, but he has enough hope that he might be able to that he won’t stop fighting. 

Wolfwood won’t give up because Vash has never given up!!! He’s taken on so many of Vash’s ideals, I can’t deal with this. 

Razlo tries to stop Chapel from killing Wolfwood because of how Livio cares about him and I think it’s an interesting moment. It shows us that for all of Razlo’s insatiable bloodlust, he’s concerned with what Livio thinks. He’s certainly not eager to kill Wolfwood and that’s an interesting chink in his armor, since he’s never hesitated to kill anyone before, even if it’s just because he’s suggesting they drag out Wolfwood’s final moments longer. 

Sidenote: oh my fucking god, I’m an idiot. I’ve been making jokes about Wolfwood’s magically appearing handguns for volumes. He’s not pulling them out of his tits, he just has a shoulder holster, like a proper gunman. 

I wanna kill Chapel with my bare hands!!! He’s taking way too much pleasure from shooting Wolfwood over and over again. 

So, Wolfwood hasn’t used his vials because he doesn’t think he’s going to die yet. That’s…yeah, that’s making me feel some things alright. First of all, I’ll say it again, Wolfwood is an incredibly smart fighter. He knows how to fight even while injured and in immense amounts of pain. He couldn’t stand up against Razlo at first, but he took it as an opportunity to learn how Razlo fights and find his weakness, so he could use it against him later. Chapel tells Razlo to stop underestimating him, but I think up until now, Chapel has been doing the same damn thing. 

Second of all, I know where this is going and I :) don’t :) like :) it :) 

Ch 2

Sworn friend? I sure hope that’s Vash because that cover image is going to kill me. Wolfwood’s been STABBED. By a GUN. 

Oh, cool, so Razlo confirms that Chapel is unhealthily obsessed with his students and making them into the perfect weapons for the Eye—morally and physically. He’s truly the abusive father figure of this story.

Well, that explains why Razlo’s been kicked out of the Eye. Killing nine other members in a murder spree will do that.

You know what? Chapel begging for Razlo’s life to be spared might honestly be the kindest thing anyone has ever done for him. It’s no wonder he’s so devoted to Chapel. When everyone else treats you like shit, the guy who shoots himself and begs the council to take mercy on you becomes someone incredibly special, even if he is absolutely insane otherwise.

Huh? When did Ms. Melanie and the kids get outside? I thought they were locked in a cellar. Did some of the other mercenaries bring them up on Chapel’s signal so he could torment Wolfwood more.

Awww, the kids don’t want to leave Ms. Melanie by herself! They care about her and each other so much. This is where Wolfwood gets all his love and caring from. 

Chapel is an evil, evil motherfucker. We know that already, but this moment? Oh, the rage I’m experiencing. He’s playing on Wolfwood's worst nightmare, going all the way back to that dream he had where he tried to hold the kids but couldn’t because there was so much blood on his hands. Chapel went and made that real. He shows Wolfwood’s face to Ms. Melanie, while he’s covered in blood, and lets them know all the terrible things he’s done. Ms. Melanie doesn’t need to say anything. The guilt Wolfwood carries will be enough to bring him low. Chapel knows his student and his weakness so well, and he twists until it hurts. 

ARGH MS. MELANIE DON’T MAKE ME CRY. 

This is Wolfwood’s worst nightmare, but she’s not reacting with disgust or hatred! She isn’t looking away from him! The way she says, “You foolish boy, you tried doing everything on your own again.” It’s so sad, but it’s so fond. She still loves him! She wishes he’d come home earlier! It’s still a painful realization for Wolfwood to have, that he would’ve been welcomed back, but it’s also, maybe, a shock and a relief. 

Also, “You’ve always had so many stubborn ideals and were never one to compromise.” NICHOLAS D. WOLFWOOD THESIS STATEMENT RIGHT HERE. It’s what got him into this mess after all! 

Oh my god Wolfwood! No!!!! Don’t look down on yourself now!!! Ms. Melanie’s right! You  came when you were needed!

AND HE’S THINKING ABOUT VASH AGAIN.

When he’s losing hope, he always thinks of Vash. And he realizes that maybe he should’ve asked him here. Because they work so well together, they could’ve taken out Chapel and Livio and saved everyone! IF ONLY HE HADN’T INSISTED ON DOING EVERYTHING ON HIS OWN. 

“I made a friend. He ain’t as dumb as I am.” Wolfwood, I appreciate your whole-hearted belief in Vash but that man is just as stupid as you are and probably would’ve also run straight into danger without asking for help. You two are just peas in a pod. 

“We could’ve done this as a team.” Yes!!!! Because everything’s different when you’re back to back with him!!! Vash and Wolfwood are a battle couple and when they are together, they’re unstoppable. Wish you’d realized this sooner!!!!

Hey, did Wolfwood just grab all of Chapel’s vials with his mouth? Wolfwood is the king of making batshit insane moves in the span of like three seconds because that was a small opening he had before Chapel shot him or the kids.

A mysterious shuttle appears at the eleventh hour?

IT’S VASH!!! VASH CAME TO HELP HIM!!!

And look at Vash, using his powers to protect people! Not only that, to protect the people Wolfwood cares about!

Ch 3

Wolfwood, come on. You were just thinking about how you and Vash could’ve easily handled this as a team. 

Wolfwood’s self-hatred is blinding him so much he can’t even figure out why Vash would come. Just as Wolfwood considers Vash his friend, Vash thinks the same of him. He’s shown time and time again that he’ll help people in a tough spot. Why not you, Wolfwood? Why don’t you deserve that same kind of care? 

This battle is important to Wolfwood and that’s why it matters to Vash. But of course, the tragedy of it all is that Wolfwood can’t see how much Vash cares about him and admires him because he hates himself too much to even allow love in from someone else. 

And with that thought, it’s time to break out the tissues. 

Razlo’s like, “Ooooh, a worthy opponent? Time to absolutely lose my shit!” 

So, on my first read, I somehow didn’t catch that Wolfwood drank two vials at once when he stole Chapel’s pouch and I was VERY confused for the rest of this volume. Now, however, I’m rolling on the floor sobbing. 

He knows how dangerous this is and how it’ll probably end. But he does it because he thinks he’s going to die anyway. He’s come to the point where he’s not scared of death, and he’d rather go down protecting what he loves than live to see it ruined. 

“If we survive this, drinks are on me.” This line is some horrible foreshadowing, okay. I’m just…I think I need to go take some deep breaths. 

Did Wolfwood just toss Chapel like a log? That’s WILD. Razlo actually gets distracted by it! Then again, he’s so devoted to Chapel that the idea of him dying or being defeated must be pretty tough to deal with.

Wolfwood grabs Punisher again but also, he stops just long enough in the middle of battle to put his glasses back on. He’s hiding. From himself, from everyone at the orphanage, maybe even a little from Vash. He doesn’t want anyone to see what he’s about to become, what he’s about to do. 

There’s been a couple times where I’ve wondered if Vash could read Wolfwood’s mind a little with his telepathic Plant powers and this is another moment. But I actually like to read this as Vash knows him so well that he realizes this himself, because that just hits harder. 

OH. I missed that. Wolfwood killed Chapel. Snapped him like a twig even. 

Razlo is actually so…lonely. The only person who’s ever been kind to him was an equally unhinged cult leader and now he’s dead. And all Razlo knows is violence, so that’s how he responds. As always, Nightow makes me feel so much sympathy for what should be the most villainous of characters. (Except Chapel, that’s the exception that proves the rule here)

Vash and Wolfwood executing insane maneuvers when they fight together because they’re so synced up!!! Certified battle couple. 

Wolfwood lighting a cigarette in the middle of a fight after performing some insane moves is so on brand for him. 

This last interaction is so funny and so them. They don’t know how to use their words! They slap at each other like five year olds and Vash can’t even tell Wolfwood he’s here because he cares about him and wants to help. WHY ARE THEY SO STUPID.

Ch 4

Wolfwood is starting to talk like Vash. The reminiscing about times past, pushing away the help people are offering him—it reminds me of Vash right before he got on the Ark. 

It’s so not like him that it even scares Vash, who tries to remind him that has to live. He’s always wanted to live, right?

Well, except, Wolfwood has finally found what he’s willing to die for. He’s already made the decision. Vash just doesn’t know that yet, and that makes what would usually be a light, bantery scene between them incredibly heavy and so hard to read. 

And Vash, goddammit, he still thinks this is Wolfwood giving up! It’s not, at least not in the way he thinks. Wolfwood is more determined than ever. He hasn’t given up hope. He’s taken all his hope and placed it on Vash, and left none of it for himself. 

“What is important? What are you willing to do to protect it?” → Trigun thesis statement. That’s what the story is all about! The worst part is Vash realizing too late what he would do to protect Wolfwood. 

When Vash really, truly fears that he might lose Wolfwood, that’s the first time he realizes how much he needs and wants him. How badly he wants to survive and see a tomorrow with him. Except, it’s heart-wrenching, because it’s already too late by the time he finally realizes this. Vash has finally found something worth living for and Wolfwood has finally found something worth dying for. How ironic that it’s each other. They’re like ships passing in the night, their lives and wants intersecting for only the briefest of moments before being torn apart.

Just as Vash thinks all of this, he catches Wolfwood. Look how tightly he holds on to him, his fingers pressing into Wolfwood’s skin. He uses his body to shield him, barely noticing the blades in his shoulder. He’s so overcome by what he’s realized, but also that he’s about to lose it all.

Look at the reluctance when he lets go of him. He doesn’t want to, he wants to hold on to him. But Vash would never disrespect Wolfwood’s choices. He knows how much it means to him to be able to do this on his own terms. So no matter how much it hurts him, he lets go. But there is rage in his eyes, an expression that is so alien on Vash, who has always been so in control of his anger. He hates that he has to do this and he hates that it’s this that’s causing it, and he won’t hold back anymore. 

Not the bird symbolism. Because Wolfwood has finally found his freedom in his willingness to accept death.

And Vash beneath it, with his face obscured looking up into the sky, but hunched over beneath the weight of his grief and anguish as he walks away from Wolfwood. God, this image is so powerful. 

[aiura-stan]

Onto the first volume proper: volume 0, of course!!

First of all, Aso sensei’s note is so cute. I love how he says he’s been expressionless the entire time, but he really is happy. Relatable.

Aaaaaand the cover image of Saiki sure is interesting. what’s with the pipe?? I seem to remember it being a reference to another work of his somehow.

Also, volume zero announcement Saiki is very cute. His expression reminds me of a cat.

Even from the first oneshot to volume zero, you can see how much Aso sensei’s artistic abilities have improved.

That said, baby Saiki still looks very strange… I can’t overemphasize how much he improved as an artist over the course of Saiki k in drawing human characters looking natural, in pose and their clothing, expressions, etc.

I like that volume 0 Saiki’s father actually kind of looks like him. Ah… well maybe it would all be a little too real if Saiki’s family resembled him a little more. It would certainly be less whimsical. Imagine Kuniharu having black hair. Imagine Kuusuke *not* being a blonde. That would be more uncomfortable somehow. I’m glad Asou sensei made up the thing about anime hair being a result of Saiki’s powers.

More examples of why Kusuo thinks people are terribly insincere… using the most extreme of unsavory unstated thoughts.

And here we get a slightly more liberal estimate of how much time it would take for a normal person to go insane… three days instead of three hours. I think Asou sensei likes the number three, since later on he mentions that it would take Saiki three days to destroy the world if he really wanted to.

Here we have the first frontal closeup of the Saiki Scowl, after he explains the hassle of telepathy. Really, I think it’s the most taxing power on him, mentally, for obvious reasons. It really is cool that Asou sensei was able to make a “surly” character like Saiki into such an interesting protagonist. (Mostly because he’s well written.) He’s definitely not a typical manga protagonist, but he functions very nicely in his (comedic) straight man role.

Also can I just say this is one of my favorite panels of Saiki in the entire manga, and it’s not even part of the series proper… Yes, why did he, Saiki? I also want to know… I can see why this was left out of volume one. It’s not funny exactly (maybe in a kind of dark way) but god. Baby Saiki saying this tugs at my heart strings.

Head always full of thoughts of the intelligence agency organization that kidnapped him at age four… that he erased, along with the unnamed nation…

good grief.

Kuusuke would have been six at this time; maybe old enough to help with the coverup so something like that didn’t become world news. Or maybe young Saiki just decided to use mind control, since he didn’t have any compunctions about that at the time.

I dislike a Nendou with readable thoughts, or a Nendou called a “violent, foul mouthed delinquent” instead of an idiot.

That said, I really like this Saiki side eye… it’s a thoroughly Saiki expression.

LOL. Nendou would be me in the situation though. If so many people accuse you of something that you didn’t do, it’s hard not to doubt yourself a little, right?

Yeah, we get a pretty good picture of Saiki’s pretty rational moral compass. Someone like Nendou definitely deserves it, but even so, he shouldn’t be punished for a crime he didn’t commit in Saiki’s eyes. Especially when the heinous perpetrator is right there all along.

Also, Takahashi’s (saiki-caused hallucination) angel counterpart looks just like him, but female. Interesting.

That Saiki can manipulate someone like this by altering their moral compass sure is something. Makes me think of this post.

Lastly and certainly not least, Saiki isn’t escaping the gay allegations even in volume zero… lol. That’s a priceless facial expression. “This power is useless except for getting idiots to like you” smh, so unappreciative of the new friend, Saiki. XD

That will do it for vol. 0-1!

I’ll be back tomorrow for 0-2.

[hikennosabo]

trimax vol 10 random thoughts (ch 5-8)

part 1 here.

okay, time for part 2. i don't want to do this, i have a pit in my stomach.

chapter 5:

destroying razlo's punishers... a good strategy!

getting leverage to jump by stepping on his leg, i love it

you could say he. he was. *wheeze*... i guess you could say he was... ...disarmed... [a comically large hook drags me off the stage]

wolfwood and razlo just met today (not technically but y'know), but he can read razlo so well already, taunting him like this.

THIS FIGHT...!!! it's reminding me of vash vs knives in the finale of the 98 anime! one black gun and one white gun, and them being on even ground, making the same moves...

they're an even match when they're just whaling on each other, but wolfwood has tactics that razlo doesn't. also this is an insanely cool move.

chapter 6:

^ how it feels to read trigun maximum (said again)

^ how it feels to read trigun maximum (said for a third time)

he knows wolfwood is dying. we know wolfwood is dying. he can't do anything to stop it. we can't do anything to stop it. (except for refusing to keep turning the pages, i guess)

THEY HAVE NAMES?

vash can't do anything to stop wolfwood from dying, but he can help wolfwood go out on his own terms...

PLEASE, HE'S ALREADY DYING, WE DON'T NEED YET ANOTHER DEATH FAKEOUT FOR THE BOOKS.

livio interfering... i'm not an expert but this is not how DID works. but sure. the drama carries it.

WHY AND HOW IS CHAPEL STILL ALIVE FUCK YOU FUCK YOU FUCK YOU FUCK YOU FUCK YOU

razlo realizes very fast that chapel never cared. despite his verbal denial, i think he was realizing way before this.

DESERVED!!! YES.... KILL!!!!!!

of course razlo can only attack. attack, like how he killed livio's parents. not that chapel doesn't deserve it, but this is the only thing razlo knows how to do.

ough. livio apologizing... "i'm okay now"...

so is razlo just gone now? like i said, i'm not a DID expert, i know re-integration(? not sure if that's the correct term sorry) is possible, but i don't know if this is how it works...

honestly, i feel bad for razlo. he only knew a life of violence, he was manipulated and indoctrinated by chapel, all he wanted was to be needed but his last experiences are finding out that chapel didn't care about him and then livio telling him he doesn't need him anymore. poor guy.

chapter 7:

oh, no, i don't want to read this chapter again. don't make me read this chapter again.

the difference between this and tristamp... stamp had the orphanage much more directly tied to EoM, and a bunch of guys in suits came to pick wolfwood up. this scene is a lot more "normal," a lot less obviously suspicious. idk if i'd go so far as to say stamp!melanie was in on the whole thing, but she doesn't look happy about wolfwood leaving... i do wonder how stampede will handle all this... ANYWAY!

"six years"... lmao. now i understand what people meant when they said the timeline is confusing. it's killing me and i hate it, actually?! nightow ALL you had to do was NOT specify a number!!!

the coins... i constantly forget about them and i find it funny whenever they're brought up... they were so clearly meant to set the ghg up as a shonen battle enemy-of-the-month type thing but then that got thrown off the rails when the magazine ceased publication and everything got turned upside down. yet the coins persist. what are they all for in the end.

also i'm sad. this is wolfwood's paltry attempt at pushing vash away. (also he's been carrying rai-dei's coin this whole time?! lol?! that's also sad... just waiting to give it to vash i guess...)

"this is the way you want it? are you sure?" i'm just fucking inconsolable at this point.

of course this attempt at sincere emotion is deflected. you boys are so, so, so, so, so stupid.

i can't do this man. i can't review the couch scene. i'm crying too much.

the prayer. this especially is getting to me. we've seen wolfwood pray a few times, but now it's vash's turn to pray. we've never seen him do that. and while vash was there to answer wolfwood's prayer... there is no one to answer vash.

what if i climbed into the microwave right fucking now.

ourgh. out of all the images in this chapter, this is the one that stuck with me the most. even more than the couch images. ugh, i can't even fucking write.

chapter 8:

i don't know where else to say this...? lol but livio's personality is different, he's cute now. is this because he broke out of the EoM brainwashing or because he integrated with(???) razlo? (once again: IS this how this works???) or is it both? either way he's a lot more expressive than he was before...

other people have already talked about how we didn't see the burial. i'm also thinking about everything else we didn't see. vash buried wolfwood, and he also cleaned up outside, brought livio in and laid him down, gathered ingredients and started cooking...

how long did he sit on that couch for before he moved. how much and how hard did he cry. we didn't see that either. we don't need to.

knives. he's smearing blood on his face again.

his laughter... i don't think he finds this funny like "haha funny" necessarily, i think he's just losing it.

vash defends the orphanage and knives doesn't even push it. he just moves on. hmm, i'm trying to articulate this... vash's display of power used up more of his life, which knives noticed obviously, and vash is willing to go that far to protect the orphanage... knives still doesn't want vash to die, and... he's laughing out of disbelief, or something like that. i don't know.

vash and livio sharing a meal together is... it's nice. but vash is still clearly very angry. with livio, with razlo, with himself too probably.

i don't know. i'm not angry with livio or razlo at all. they were both victims of chapel same as wolfwood. this is all chapel's fault in my mind, lol.

oh.

we're gonna see this in stampede too, aren't we. wolfwood will die for a third time and we're gonna see vash holding the punisher.

the fact that this volume doesn't even have the goofy author extra... we're just forced to sit with this. man. the book club wasn't kidding, it's so much worse the second time around. the first time i cried a little but i was mostly just taking it all in. the second time i was like actually heaving and sobbing. reading this volume twice within a few days was a BAD IDEA.

AND WE STILL HAVE FOUR VOLUMES LEFT. HOW AM I SUPPOSED TO GO ON AFTER THIS. four entire volumes without wolfwood...

[asoulwithadream]

guys i didn't even REALISE until NOW THAT CODE RAINBOW VANITY FAIR HAS RELEASED AN OFMD S2 FIRST LOOK!!!!!!!!

I'm actually insane, and of course my incoherent thoughts will now be discussed as sub-text to each picture. Because what else is my Tumblr good for if I'm not going to unhinged-ly ramble?????? (*edit, this post has been changed to fit my current thoughts and theories)

GUYS GUYS GUYS HE HAS A BOTTLE MESSAGE IN A BOTTLE GUYS MESSAGE IN A BOTTLE MESSAGE IN A BOTTLE- It's for Ed isn't it, OR IS IT FROM ED? Oh my god is it from LUCIUS? Or JIM? Or FRENCHIE?? This has so many possibilities oh my god MESSAGE IN A BOTTLE AAAA. PLUS WHY IS HE SLAYING SO HARD??? HIS HAIR IS ACTUALLY A LIFE GOAL AT THIS POINT IN TIME

He looks so PICKABLE oh my god why is he looking like that. AND WHERE DID HIS EMO MAKEUP GO????????? Why is it gone. What's going on, is this after or before Stede-Ed reunion. Why is he sad, what is he looking at. IS STEDE PRISONER??? I SAW A FIC ABOUT THAT- and also I just need to very calmly comment on the beautiful wonderful LACK OF STEDE'S CRAVAT AND WTF ARE PEARLS DOING THERE- He wears fine things so WELL UGH

THE GANG. And I think we've all SEEN STEDE'S RED CRAVAT. AND I THINK WE ALL KNOW WHAT IT IS. It must be it must be it must be it must be it must be it must be. Also, can I just comment AGAIN and say his fit is such a vibe??? He's slaying in the pirate wear for REAL. He looks so miserable omg just give him to Ed PLEASEEE

This picture gives me so much JOY. SPANISH JACKIE AND ED JUST GOSSIPING. But BUT BUT if you look closer, ED IS LOOKING AT SOMETHING. HE'S LOOKING AT SOMETHING FONDLY. He's looking at Stede right, he's just finished telling Jackie how much he loves his boyfriend because s1 finale never happened PLEASE WHAT'S GOING ONNNNNN

PLEASE DEAR HE LOOKS SO CONFUSED. What is he doing, what is he doing, he is up to something look at his little "don't be suspicious, don't be suspicious" face. HE IS UP TO SOMETHING, HE IS UP TO SOME SHENANIGAN. Stede stop STOP STOP

This is part of Fuckery vol.2 AND I KNOW IT. Please what are they doing in an eastern country, and please don't tell me Stede went looking for Ed in the very place he promised to follow him TO. OH MY GOD PLEASE DON'T DO THAT WHY DID I DO THAT TO MYSELF HELP ME HELPPPP BUT BUT BUT BUT LUCIUS IS ALIVE? THAT MUST BE IT RIGHT RIGHT RIGHT

AND OF COURSE THE BEST PART: THE WOMEN PIRATES OMG OMG OMG OMG OMG OMG I'm gay panicking for REAL THIS IS ACTUALLY MAKING ME NERVOUS SWEAT. Who is she who is she I must know and please make her a lesbian I need lesbian pirates BADLY. IS SHE MARY READ OR THE MERMAID. PLEASE TELL ME I'm GOING TO FAINT

I'm going feral over her. I'M ACTUALLY GOING INSANE. PLEASE THIS IS THE PERSON OF MY DREAMS WHERE CAN I FIND THIS?????????? ANNE BONNEEEYYEYEYEYYE. ALSO THEY'RE WEARING CONTRASTING COLOURS PLEASE. I NEED THIS TO HAPPEN LESBIAN PIRATES PLEAAASEEEEEEEEEEEEEEEEEEEE AAAAAAAAH

That concludes my frilly little rant. Expect more uncontrollable behaviour from my part in the next few weeks.

Oh, and of course more in October. I will be wrapped in my breakup-robe-blanket, in my pirate shirt, underneath my Queen Anne's Revenge flag, staring at my screen like a hermit.