#and there will be more in the near future

[justatypicalwizard]

Katsuki doesn't believe in love at first sight

Katsuki never believed in love at first sight. How could someone meet eyes and feel as if a thunder ruptured down from the skies and struck them? To love someone means to accept every part of them and to be able to incorporate them into your everyday life. It means building a brand new everyday with that person.

In order to do so you need to know a lot about them. Who they are, what are their plans for the future, what is their character and so on. Then you need to see if you are compatible in many spheres. You need to invite them to your friends group to see if it’ll hit off, you should try living together, they need to get to know your parents.

There are simply so many things to check off the list in order to be able to say you love someone. Otherwise it’s just empty words. I love you here and there. I love you for a week. I love you when you do as I please. Bullshit.

Mina constantly pestered Katsuki that his definition of love feels more like a chore or a job interview than like something a human would be able to accomplish. It wasn’t his fault he had some standards everyone else seemed to lack.

So even now Katsuki doesn’t like to admit that he fell in love at first sight, because it wasn’t the first time when he looked at you.

A quiet ping of his phone tore him out of his work. A new message from someone he didn’t recognise. Without much thought he opened the text.

[Hi, you may not know me but we go to the same lecture on Wednesday at 1 PM. I heard you have neat notes and wanted to ask if it wouldn’t be a problem if you send me today’s ones. I  got sick and couldn’t come and I wouldn’t want to fall behind with the material. Thanks!]

Geez, was there a longer way to type it? Couldn’t you just write: can you give me notes? On the other hand he always complained about people being douchebags.

Clicking onto your profile Katsuki saw a cheesy photo and a few posts from your daily life and vacations. Nothing much to be honest. Yet, he could vaguely remember your face around the people who entered the lecture hall. It won’t hurt to help.

[Sure]

[File attached]

Pushing his phone to the far end of his desk he went back to work. A few minutes later there was another quiet ding and this time Katsuki felt irritation bubbling inside him. It was you once again.

[Thank you so much!]

[I owe you]

[If you ever need anything feel free to write]

Whatever.

It only took a week for Katsuki to be indeed looking for help from someone. Once in a while, during his hero training, he was forced to pair up with someone in order to work on his rescue skills. Usually they’d use dummies but some fucktard in the course planning team decided that it would be most helpful if the students could train with a real human.

Normally Katsuki would ask Mina. He’d swallow his pride and force himself to listen to her babbling for two hours. Just to get it done. Unfortunately, Mina dumped him today, leaving only a [sorry, not feeling well, find someone else]. Damned flu season.

Who was he supposed to ask now, Denki?

As he scrolled down his chats, your profile pic flew by making Katsuki halt.

If you ever need anything feel free to write.

Screw it, you said it yourself, might as well find a person already and move on with his day. He typed a quick explanation and pushed the send button. The day was nearing the afternoon when you responded.

[Sure, if it’s two hours I can make it. Send me when and where I should be]

He shrugged and gave you the address for today's training.

In the early evening Katsuki found himself trotting towards his usual fighting ground absentmindedly. He was thinking about something related to work at Miruko’s when the idea flew out of his head. You were there, he could see you from afar, walking in circles in front of the main door.

Were you an idiot? It was the middle of winter and the early evening cold tore through layers of warm coats to sink into your bones. Why weren’t you entering the building to warm up a bit.

That’s why Katsuki is so stubborn about the whole love at first sight thing. It certainly wasn’t that exact moment when his heart skipped a beat because of you. You were shivering, hiding your chin and red tinted cheeks deeper into the collar of your winter coat. When you spotted him you reached out a gloved hand and waved.

“What the fuck are you doing outside, get in there or you’ll catch another cold.” He persisted, ushering you towards the entrance.

“Wow, good evening to you too.” You looked at him from under your woollen hat, surprised to get yelled at first thing you see him. Though, you did hear the upcoming pro-hero Dynamite, who went to the same lecture as you, was rather intense. “I don’t know, this place just looks fancy. Didn’t want to stand inside like a dumbass not knowing where to go.”

“So you stood outside like a dumbass not knowing where to go.”

“Exactly.”

He let you in and showed you around. After leaving your coat and getting a warm tea (his idea), you were ready to help with his training. The support students and university staff running around asked you to take off any unnecessary piece of clothing such as jewellery or sweaters that could get in the way. You gladly went through with their instructions.

You b-lined another student, a senior support course, who showed you the place where you’d be waiting to be rescued. The spacious arena was moulded into the shape of a city. Some buildings were fine, others rundown as if a villain attack rolled over them. There were paveways and roads, streetlamps and plastic trees. You even spotted a car, though it didn’t look like it could take off anytime soon. 

“It will look the same over and over. You sit or lie down in the place where I leave you and wait for your hero.” Your guide briefed the rules. “And every time pick out a different scenario and tie the band in the place that is put on it.” He handed you a dozen of ribbons with small notes attached to them. The first one you grabbed read: broken arm (tie around elbow).

“Sure.” You nodded your head and he left you on the second floor of a wannabe office building. There were a few chairs scattered around and a table that had a weird bite mark on it. You obediently wrapped the band around your arm and sat down on the floor, waiting.

You wondered how it’ll be, to get fake rescued. You were never in such a situation, always watching the villains from the comfort of your TV rather than first hand. What was Dynamite’s quirk? Suddenly you felt stupid for not knowing. On the other hand, you were never up to date with new heroes and all the popularity polls or colourful magazines. Guess you’d just have to wait and see.

Katsuki didn’t leave you for long. You were counting the pieces of shattered glass beneath your feet when a series of explosions passed beside the building. The small pieces you were meticulously adding shook and you let out a squeak when something heavy hit the wall behind you.

“Shut up, it's me.” Craning your neck, you saw Dynamite’s face, upside down, looking at you. He was halfway through the window. “What have you got?”

“God, you scared me.” You chuckled but quickly shut your mouth. The guide asked you to play the best victim you can. Victims shouldn’t laugh.

Dynamite hopped in front of you and crouched to read the note attached to your elbow. He mumbled something in the lines of fucking scenario and looked you straight in the eye.

“I’m gonna get you out of here.”

There wasn’t anything dramatic going on, it was even quiet outside save for a few shouts here and there. Yet, there was just something in a bulked man looking at you and promising you protection, one secured by his own arms. You felt like the guy from the firefighters video.

You couldn’t stop the giggle at the thought.

“What the fuck are you laughing at?” Dynamite spat.

“Nothing, nothing.” You shook your hands in front of your still laughing face. “Oh shit, this one’s supposed to be broken. Okay, just save me already.” You really fought with the snicker but the cheesiness and awkwardness of the whole situation had you in a chokehold.

“Whatever.” The hero sighed, visibly annoyed, and scooped you into his hands like a sack of potatoes. “I’ll need you to wrap your legs around me. Push the broken arm into my chest and use your healthy one to hold onto me.”

You did as instructed and glued yourself to him as tight as you could. He still held you with one of his arms and just when you started to wonder how the two of you would get down from the second floor he jumped out of the window.

A scream escaped your lips but it was muffled by a loud explosion.

For the next two hours you flew through the air in Dynamite’s hands over and over again. He held you in different ways, depending on your supposed injury, but every time you landed into the safe zone, you realised you were the first or nearly the first. That guy was quick like hell.

The last scenario rolled over and it was a panic attack. You were supposed to be physically fine but otherwise unresponsive and difficult to work with due to your shock. Dynamite tried to take extra steps to calm you down, speaking about how he’ll take you to safety and how it will all be over in a second. It looked like he was having a hard time.

“I need to touch you to take you somewhere safe.” He said, wrapping one of his hands around you.

When you were both at the safe zone, with cardboard paramedics to take care of you, Dynamite did something different. Instead of leaving you in the place where the group of injured would grow, he carried you straight to the ambulance.

“She has a panic attack.” He said to the empty fake vehicle and you just couldn’t take any more of it. You erupted in a fit of laughter. Your body shook in his hands and you gripped the X on his uniform to steady yourself. “What the fuck?”

“I’m sorry, I’m sorry!” You tried to explain but the laughter squeezed your throat. “I’m a shitty actor.”

“I see that.” Dynamite grumbled.

“Do you really need to talk to cardboard people and empty vehicles for two hours every week?” You asked, wiping a tear from your cheek.

“Is it really that fucking funny?”

“No, no! I get it.” You finally calmed down, letting go of the front of his costume. “It’s not that funny, maybe a bit but not that much. I think I’m just in a good mood.” You shrug your shoulders. “It was fun, flying with you, like a free rollercoaster ride.” You gave him a big, big smile. A big genuine smile. A big, genuine, lovely smile, with your eyes closed and teeth out and cheeks tinted pink.

People are stupid. That’s what Katsuki thinks. It’s not love at first sight. It’s love because of a single sight.

Even though Katsuki came to some fundamental conclusions in the topic of love he would get all defensive and intense when he was asked about how the two of you met. It would sound way better if he could say the two of you met, then started to talk more, then went on a date and agreed to meet each other and so on. He just felt so stupid, so awkward and silly when he had to admit that all it took for you was a single smile to make his heart skip a beat.

The worst part? It felt a little pathetic honestly, as if people never smiled at him, but truthly they didn’t, not like that. Not like you.

Katsuki still doesn’t believe in love at first sight. Yet, every other piece of his meticulously calculated equation of love was torn down and rewritten, all of which he gladly took.

[psychicwavementality]

🚨 🚨 ‼️ 🇨🇳🇭🇰 HK/CHINESE SUOPOST V2 PART 1 HAS LANDED!!

I never thought it would see the light of day because this draft got deleted like, 2 times and running. But it's here. It's finally here.

Below the cut is another long and lengthy Suopost V2 about his inherent Chineseness and, may I now congratulate, even further Hong Kongness! Not only that, but now we have Endo Yamato also starting to show signs of diagnosable Chineseness, and because my CN friend and I are ridiculously tweaky when it comes to overanalyzing characters who show even a smidge of Chinese in their eyes—this post was born! Sadly, because I am slow as hell when it comes to writing, this post only contains 11,000 words discussing Suo Hayato. You'll need to wait for Part 2 if you want to see me Hallelujahpost and Chinkpost Endo Yamato... blame my stupid baka life.

Now feast your eyes upon me having to correct my own errors in analysis that turns out to reveal even more Chinese connotations 😭😭😭💪!! This is VERY VERY long and has genuine deep analysis regarding a lot of China/HK culture/like 8 seconds of politics and 15 minutes of history + the weight behind some symbolism in Suo's name + theories regarding Suo's arc + Suo's absolutely yappable connection to 儒家思想/Confucianism.

Later in Part 2, we'll talk about Endo Yamato's biblical symbolism + alchemical influence + his connections to Suo, and how I can jokingly chinkpost him lol. I'll also be uploading a Reddit version of this post onto r/WindBreakerManga either tomorrow or the day after because I have to re-format a lot of things.

So strap in for a long and potentially mind-exploding ride because this is what happened to me while researching/writing all this. BTW, feel free to spam live commentary at me using Tumblr's comment function or something because I'd love to hear your thoughts while reading this whole gigantanorstus assfuck of a post... I'm not okay. I think I went insane. Niisato needs to pay me USD 1,664,800 for a new heart because I think mine stopped beating multiple times during research.

Before we begin, I'd like to tell everyone who has read my previous Suo chinkpost (v1) to DISREGARD EVERYTHING I SAID ABOUT SUO'S FLOWER BEING PLUM BLOSSOMS. You'd think I'd be devastated to find out I have to retcon an entire analysis because I picked out the wrong flower. You'd be expecting Suo to lose Chinese aurapoints. I shit you not: he auramaxxed HARDER. It's like opening a Pandora's Box; you learn about the real flower and then 5 trillion more connotations are thrown at you at Mach 20. It is more over than I thought possible when I wrote the traditionally symbolic Chinese boypreggers marriage room part. And one connection caused me to spiral into another, thus stretching this post's wordcount into unholy numbers 😭

Anyway.

In Suopost v1, I thought these fuckass flowers [IMG 1] next to Suo were plum blossoms [IMG 2] and, ngl! They look plenty like them. But after I read this mind-blowing char analysis + theory document made by u/Snowy-kitten, my jaw fell as:

Oops, Suo's name means Chinese redbud [IMG 3], and if Sakura's flowers are sakura, then Suo's flowers should be redbuds. Damn, I got it wrong, time to rewrite my Suopost. Sorry for spreading misinformation gu—

...What are these flowers called in Chinese anyway?

why do i hear boss musicHOLY SHIT OH MY GOD THEY'RE CALLED 紫荊花. OH MY GOD OH MY GOD OH M

Taken directly from the wonderful and super informative document which I highly advise you to read to fully understand this post, especially if you have time:

Su (蘇) – sappanwood, a wood that can be made into medicine used to improve blood circulation, treat wounds, and alleviate pain. It also symbolizes revival, resurrection

O (枋) – sappanwood or a tough wooden plank that can be used for crafting, maybe symbolizing the bridge of communication between other characters?

Suo (蘇枋) – Sappanwood, a deciduous shrub of the legume family (ie a small shrub that loses all its leaves in winter), or Chinese redbud, symbolizing family harmony, can be used as treatment for fever (No wonder why Sakura recovered after Suo visited him)

Haya (隼) – Falcon, a symbol of nobility (high status + wealth) in Japan, also symbolizes bravery, power and vision, is an icon of pursuit and movement, heading toward success (Falcon in other cultures also symbolizes freedom, which might have something to do with Suo’s dream – the liberation of slaves)

To (飛) – Fly or Flight

Hayato (隼飛) – Flying Falcon

Analysis: Most likely the key to the success of Sakura or Bofurin’s rebirth, if Sakura became the leader of Bofurin, Suo would most likely be his right-hand, just like Hiiragi and Umemiya

- Although Chinese redbud symbolizes family harmony in Chinese culture, it also symbolizes betrayal/death due to betrayal in the Bible

- Unlike other characters, Suo’s name contains more than one species of tree, would this be a hint of him having more than one identity, hence the traitor theory?*

*I'll elaborate with my own understanding on the traitor theory expanded from the information I've gotten from u/Snowy-kitten's document. Please please pleaser read their theories and their analyses!! It's super super good and deserves so much credit and a lot of this post is built from it.

-

1. Suo and the 'Chinese Redbud'

Suo's name is extremely fucking insane if viewed from a cultural lens — specifically the symbolism of the 'Chinese redbud' as well as some themes of the 'sappanwood'.

If you're from HK you might already be freaking out with me when you saw those three Chinese characters: 紫荊花, AKA the Chinese name of Suo's second plant after the sappanwood. You might be thinking, User Psychiwavementality, is it truly joever as it is? Is there no coming barack from the HK suoposting? Have we found salvation? Is Suo from Hong Kong, better yet, the Wind Breaker version of Sun Yee On or 14K???

Unfortunately, I have to inform you: no. 🥲 Suo's flower is NOT the bauhinia, known as the '洋紫荊' yang zijing/bauhinia x blakeana/羊蹄甲屬 (yang ti jia shu) which happens to be the official flower of Hong Kong.

Suo's flower is the '紫荊花', or the zijing hua/cercis chinensis, which, in China, can be found in southwest Guangdong, southern Guangxi, and southeastern Yunnan the most. <- These could be places Suo hails from!

However, the Chinese redbud/ZJH and the Bauhinia/YZJ are often used interchangeably (and also incorrectly), causing confusion and mix-ups between both flowers, as HK's 'yang zijing' is sometimes shortened directly to 'zijing'.

Outside of WBK, this shortening is a topic of political discussion. For reference, there is debate around the could-be or could-not-be intentional omission of the 洋 (yang) character in Mainland China when referring to the yang zijing (making it simply zijing (hua) and not the YZJ) as well as how it affects HK.

There was discussion when the HK's Gov. omitted the 'yang' and referred to the YZJ as the 'zijing hua' in our Basic Law. If you want to get a gist of the discussion it feel free to Google Translate this image because mobile Tumblr only lets me embed 10 images and I need to use it sparingly lol.

From Wikipedia:

洋紫荊作為香港法定代表花卉，在《香港特別行政區基本法》第一章第十條提述香港區旗及區徽時被稱作「紫荊花」，英文版則使用泛指羊蹄甲屬的「bauhinia」。然而「紫荊花」一名除在中國南方多泛指羊蹄甲屬外，也可以泛指紫荊亞科的其他花卉，甚至特指紫荊屬物種紫荊（Cercis chinensis）的花。紫荊與洋紫荊兩個物種的花朵外觀有顯著分別，但因中國大陸媒體多依照「紫荊花」一名來宣傳香港市花[註 3]，引致部分中國大陸民眾誤以為香港市花為紫荊的花。

(Edited MTL):

As the legal representative flower of Hong Kong, Bauhinia is called "紫荊花 (ZJH)" when referring to the Hong Kong regional flag and regional emblem in Article 10 of Chapter 1 of the Basic Law of the Hong Kong Special Administrative Region.

The English version uses "bauhinia" which generally refers to the genus Bauhinia. However, the name "紫荊花 (ZJH)", in addition to generally referring to the genus Cercis chinensis in southern China, can also generally refer to other flowers of the subfamily Bauhinia, and even specifically refers to the flowers of the genus Cercis chinensis.

There are significant differences in the appearance of the flowers of the two species, Cercis chinensis and Bauhinia x blakeana. However, because the mainland Chinese media mostly uses the name "紫荊花 (ZJH)" to promote the municipal flower of Hong Kong, some people in mainland China mistakenly believe that the municipal flower of Hong Kong is the 紫荊花 (ZJH).

(I'm not shitting you when I tell you even Google Translate didn't pick up on the nuances between yang zijing and zijing hua 😭😭 also the scientific names have me tripping so the MTL might be wrong yet I'm too blurry to correct it properly... if any native Chinese speaker wants to write a proper TL in the comments I allow you to help me!!)

2. What does this mean for Suo?

The Lack of '洋 (yang)':

(This part touches a little on HK/China/UK history and politics.)

Now that you know the difference between the 'yang zijing' and the 'zijing hua', let me explain some possible symbolism that Suo might carry by having the ZJH as his other plant and not the YZJ.

In Chinese, '洋' means 'foreign'. And yes, Suo likes foreign tea and cakes. Anyway, some people think that the omission of '洋’ is a way to be politically accurate as it may carry connotations of HK being colonized by the UK, and the Mainland Gov. is known to be against the colonization of Hong Kong, often being reluctant to admit that HK belonged to the UK in a brief period of history after signing an unequal treaty. The Mainland Gov. commonly asserts that HK has always been a part of China even during the colonial period, claiming that HK was rightfully returned to its roots on the 1st of July, 1997.

Hence, there is the omittance of 'yang/foreign' from 'yang zijing', whether unintentional or not, when referring to HK's flower, resulting in many current-gen Mainlanders referring to it as the ZJH, which if intentional, could be used as a way to linguistically minimize the alienation between HK and China.

Theories/Speculation as to why it was omitted:

There are multitudes of reasons why Nii Satoru could have chosen to use the ZJH instead of the YZJ in Suo's name.

On a practical level, one reason may be because Suo's name is intended to have double meanings—sappanwood and the Chinese redbud—to show that he has two sides to him, most likely being connections to Chinese culture. Nii Satoru might have been unable to use this two-sided symbolism if he used the YZJ instead, hence why he used the ZJH instead of the YZJ; furthermore, there is a cultural story that comes with the ZJH that could very well coincide and foreshadow Suo's arc which I will explain soon. I personally think this is the most likely reason.

Another practical reason is that Nii Satoru genuinely had no idea there was a difference between the YZJ and the ZJH and, if he ends up revealing that Suo is a born-and-raised in HK lad, he made an honest mistake while trying to hint at Suo being from Hong Kong.

Nii Satoru could also not want to be too 'on-the-nose' when hinting at Suo having correlations to HK, OR he wanted to imply that Suo was originally from China and immigrated to HK at a young age — or it could be hinting at his ancestors moving from China to HK, which was common back in the 'golden era of HK' spurred forward by its advancement in the film industry as well as budding business opportunities for being an international trading hub. Either way, it could have meant to be a nod towards Suo being from China and not Japan/HK etc.

On a theory/canon level, Suo could have intentionally chose this Japanese name for himself and intentionally omitted the '洋 (yang)'/'foreign' character. He could've done it because he dislikes its implications, that he's a stranger in a foreign land (Japan). Or he could be touchy about his identity as a 'foreigner' — what differentiates him from the Japanese? Hence why he dresses and expresses himself so Chinese-ly — or he could've done it to show that he's freeing himself of his roots — people who leave their OG culture behind often become walking time capsules of That Particular Period, and the loss of '洋 (yang)' could also imply he's losing his connections to Hong Kong/the triad. The latter ties in with my tiny theory that Suo's hair is short because he cut it as a way to symbolize him breaking away from his shixiong/shidi, yet his past still haunts him in the way his tassel earrings resemble long hair at times. (The flower meaning of ZJH is also very very in line with this latter theory. I will elaborate more in my next part about the meaning of the Chinese redbud/ZJH.)

Suo could also be omitting this character on purpose to reconnect with his Chinese side after immigrating to HK and then Japan, I suppose? This might be EXTREMELY controversial to show in HK/China if he shows bias towards one side's culture by stepping away from the other, and I don't see a way this can be written without stomping on one side's good graces + provoking political disgruntlement amongst HK/CN readers, so this is probably not going to be an option up for consideration (hopefully).

Furthermore, if Suo also shows favor of JP culture/claiming that he's JP over being HK/CN as his arc and that he's abandoning his past identity as a Chinese/HK person, I promise you that some CN readers might become unhappy as there are long-standing grudges between the Chinese and the Japanese from WW2 that are too long to elaborate here. If you're curious to learn about it, search up 'Nanjing Massacre' and 'Unit 731' to see for yourself — please heed a TW for extreme brutality and inhumane torture.

OK, this is the last of all things political, but I promise the historical part will still continue. Let's move on.

3. The Meaning and Stories Behind the Zijing Hua/Chinese Redbud and The Yang Zijing/Bauhinia x blakeana

In Chinese culture, the Chinese redbud/zijing hua has a well-known cultural story behind it. It is deeply tied to the flower meaning of the Chinese redbud -- which has core symbolisms of familial reunion/love (親情) and brotherly harmony (兄弟和睦). And to any SuoSaku enjoyer's delight, they also symbolize steadfast love, passion, and affection; it is known to be a well-received gift for husbands and wives; it can even symbolize a strong and loyal friendship (if you're into that). The growth structure of a Chinese redbud, as said by a user in an online Chinese forum to whom I will graciously quote:

3、倔强坚强

紫荆花的花语为倔强坚强，紫荆花的花朵生长的十分紧凑，就算在阴雨天气，叶片被大风所吹动，不断摇慎态摆，也不会掉落，好似一位倔强的人，永远不会向困难低头，努力拼搏，最终收获成功。

(Edited MTL):

3. Stubborn and strong

The flower language of the zijing hua is stubbornness and strength. The flowers of the zijing hua grow very compactly. Even in rainy weather, the leaves are blown by strong winds and keep swaying cautiously, but they will not fall off. Just like a stubborn person, they will never bow their head to difficulties, work hard and exert oneself to the utmost, and ultimately achieve success.

It can also symbolize new beginnings, just like Sakura's sakura:

紫荊花的象徵意義 紫荊花象徵著愛情、美麗和純潔。 在中國傳統文化中，紫荊花還被視為春天的使者，寓意著新生命和新的希望。

(Edited MTL)

The symbolic meaning of zijing hua symbolises love, beauty and purity. In traditional Chinese culture, the zijing hua is also regarded as the messenger of spring, implying new life and new hope.

Moving on to English sources, I've basically learned that the Chinese redbud:

Is not resistant to winter frost, but is generally able to survive the cold. Suo's favorite season may be winter, but both the sappanwood and the Chinese redbud are not resistant to either the cold or frost, with the first losing all its leaves in winter and the second potentially dying to snow/frost (like most plants lol.) Despite being resistant to the rain and heat of spring and summer and being able to tolerate degrees under 38°C (remember Suo not breaking a sweat when training in the summer with Furin?), Chinese redbuds fall short when it comes to braving brutal winters, thriving best when the temperature is above 10°C.

They bloom during spring, around March-April. Could this be a parallel as to why Suo idolizes Ume, the 'plum blossom' that can bloom in the cold of winter? For being able to stay resilient and stand proudly/beautifully even amidst harsh and stressful conditions?

Has many parts can be utilized for traditional Chinese medicine, cooking, and decoration. The wood and the bark have been used to treat abscesses, bladder ailments, and head troubles. Treats bladder diseases, post-partum discharges, bleeding piles, and internal parasites; its flowers are used for relieving rheumatic muscles and joint pain. Even the flowers can be eaten raw or pickled, containing vitamin C with a fresh and acidic taste. The bark of young shoots can be used to weave baskets, as the wood of Cercis species is generally of good quality. -> Suo's plants can both weave baskets and act as good wood...

Is also known for its ornamental purposes, and has a neighboring family tree—the Cercis siliquastrum, known as the 'Judas Tree', which is a symbol of betrayal. Judas Iscariot betrayed Jesus and committed suicide by hanging himself from a redbud tree. Additionally, I was told by my friend that u/Snowy-kitten realized the kanji for Suo's name is is 蘇枋（すおう), but the tree he represents is Chinese redbud (花蘇芳/ハナズオウ/hanazuou in Japanese). 蘇枋 and 蘇芳 are pronounced the same and one of the hanakotoba (flower language) of 花蘇芳 is apparently death by betrayal.

While the Chinese redbud/ZJH is known for these traits, the YZJ is a little bit different; it was difficult to find meanings and symbolism for the Bauhinia x blakeana due to it being a lesser-known flower + a sterile hybrid flower.

Locally, the leaves of the YZJ are considered "clever leaves" and a symbol of wisdom; sometimes harvested to be dried into bookmarks to bring good luck in studies.

The Bauhinia x blakeana is a hybrid between the Bauhinia purpurea and then Bauhinia variegata. But I could not find anything about the symbolism of the Bauhinia purpurea... I looked at some other ones in the Bauhinia genus, though.

From what I found, the genus has flowers that typically represent new beginnings (is he twinning Sakura?), feminine beauty (he's still ♂ fertile ♂ like that), grace, elegance, and nobility.

Bauhinia kappleri:

Historically, it has been seen as a symbol of unity due to its bilobed leaves resembling joined hands. This symbolism was especially prominent in cultures that valued harmony and cohesiveness. [...] Pink Bauhinia represents grace, unity, and resilience. Its delicate yet sturdy appearance communicates a balance of beauty and strength. [...] In Chinese culture, for instance, it symbolizes renewal and new beginnings [...] Meanwhile, in Western contexts, it often represents appreciation and noble elegance.

Bauhinia acuminata:

The Bauhinia acuminata's striking appearance symbolizes beauty, elegance, and grace. It is often associated with the ideals of feminine beauty and charm. In some cultures, these blossoms are seen as symbols of new beginnings and growth, making them popular choices for weddings and other celebrations.

Bauhinia variegata:

1. [...] the white orchid has held reverence throughout Chinese culture and stands as a symbol of nobility, beauty, and innocence.

2. The Orchid Tree holds symbolic meaning in several cultures. In India, it is associated with love, fertility, and prosperity, often featured in weddings and religious ceremonies. In Chinese culture, Bauhinia variegata is a symbol of beauty, grace, and the fleeting nature of life.

Bauhinia x blakeana in Chinese Sources:

在中國文化中，紫色常代表高貴與權力，而洋紫荊則代表了優雅和力量。 此外，洋紫荊還象徵著團結和繁榮，這也使它成為許多盛大活動的首選花卉。

(Edited MTL)

In Chinese culture, the color purple often represents nobility and power, while the yang zijing represents elegance and strength. In addition, the yang zijing symbolizes unity and prosperity, which makes it the flower of choice for many grand events.

I have a headache. 🤕 Am I just yapping or was this all preordained by Nii Satoru?

Do you still remember that Suo's earrings are made of coral? The very coral that symbolizes a lofty status, auspiciousness, nobility, power, and eternity? 🤕

It's all coming together...

The Story of Three Brothers and the Zijing Hua Tree/田真兄弟：

This story could very well be a direct hint towards Suo's future martial siblings + how his arc will end. I vaguely remember(?) studying this passage for DSE unseen 文言文s so I managed to find it again. I'll cross-reference and do a direct word-to-word translation. If you understand Chinese I recommend just reading the 文言文 because it has more of the OG meaning 💪

原文/Original:

京兆田真兄弟三人，共议分财。生资皆平均，唯堂前一株紫荆树，共议欲破三片。翌日就截之，其树即枯死，状如火然。真往见之，大愕，谓诸弟曰：“树本同株，闻将分斫，固憔悴，是人不如木也。” 因悲不自胜，不复解树。树应声荣茂，兄弟相感，遂和睦如初。

註釋/Glossary

（1）京兆：京城地區。

（2）生資：生活資料。

（3）皆：都。

（4）唯：只有。

（5）破：使之破為。

（6）就：開始。

（7）即：立即；立刻。

（8）狀：形狀；狀態。

（9）然：通假字，同“燃”，燃燒。

（10）翌日：第二天

（11）愕：驚訝。

（12）諸：眾；

（13）斫（zhuó）：砍。

（14）勝：承受；控制。

（15）憔悴：枯死。

（16）故：所以。

（17）解：分解。

（18）其：他家的。

（19） 堂：門。

（20）株：棵。

（21）遂：於是。

句子翻譯/Sentence TLs:

1、翌日就截之：第二天就準備截斷它。

2、狀如火然：形狀像被火燃燒過一樣。

3、樹木同株，聞將分斫，故憔悴，是人不如木也：樹本來是同根的，聽到要砍斷分開，所以枯死了，我們人都不如樹木。

4、樹應聲榮茂：紫荊樹聽到（田真的）話後（立刻）枝葉繁茂（了起來）。

My attempt at an English TL:

In the capital city [Beijing], the three Tianzhen brothers divided their property. All other assets [means of living] had already been evenly divided; all except the Chinese redbud tree/zijing tree in front of the door. They discussed and agreed to split the tree into three pieces each. The next day, they prepared to cut the tree down, but the tree immediately withered to death, as if it had been torched by a flame. The oldest brother looked at the sight and was extremely stunned, saying to his younger brothers: "This tree is originally from the same root. It heard it was going to be separated after it was felled, and thus, it withered. We, as humans, were no match for/couldn't live up to even a tree."

Because they were unable to bear with/contain their remorse, the brothers decided not to cut the tree. When the Chinese redbud/zijing tree heard the eldest brother's words, it immediately sprouted flowers once more. The Tianzhen brothers were astonished and emotional and thus returned to their harmonious relationship from the beginning.

From this, I'm heavily inclined to believe that:

Suo is one of three brothers/martial siblings.

Suo left/they left Suo due to family issues or family inheritance trials.

Suo's arc will end well, with all brothers reaching an understanding and becoming friendly again.

OR, Suo is the Chinese redbuds/zijing tree in this scenario.

Suo might end up facing Endo because the passage mentions 'as if it had been torched by a flame [状如火然]'. Endo's name is '棪堂' -> this also means something else which u/Snowy-kitten mentioned, it being 'a tree that bears edible red fruit' in Chinese, which contributes to Endo's biblestuff. But let's analyze it later in Endo's part.

Chinese can somewhat be considered playing Pictionary—if you separate the words from 「棪堂」 into three: 「木」、「炎」、「堂」， you could literally interpret this as, in 文言文/Classical Chinese, 「Tree/Wood」、「Flames Rising」、「Courtyard/Doorfront」

This coincides with the "Chinese redbud tree/ZJH" looking as if it "had been torched aflame" in front of the house/the courtyard/the door.

In conclusion, this might allude to Suo having to fight Endo, or Endo having to fight Suo to get him back due to a family feud—and Suo might get heavily injured. His martial brothers might realize the impact of their actions and finally retreat and make up.

Suo and Sappanwood:

Sappanwood can make a type of valuable red dye named brazilin.

The character of 'Su' (蘇) in JP also means resurrection, reviving, resuscitation, and rehabilitation.

The red pigment found in the sappanwood tree (brazilin) has also been used to treat wounds and ward off infections, encouraging faster healing.

Sappanwood isn’t as favoured for extracting dyes as brazilwood, though—the discovery of brazilwood led to a boom in red pigments due to its greater concentration, whereas sappanwood was much less saturated in comparison.

This is pure yappanese but maybe Suo sees himself as inferior compared to his brothers...

That's the color of the dye sappanwood creates and that is the color of Suo's eye and his coral earring. I don't need to say anything more, right?

4. FALCON KICK 𓅃𓅃 FALCON PUNCH 𓅃𓅃

Rejoice!! We have made it to the next section of Suo's name at last!! I never thought I'd get here!!!! LET'S MAKE THIS QUICK (it's not quick).

Again, from the document that u/Snowy-kitten wrote, "隼" means 'falcon' and "飛" means 'fly/flight', spelling out "隼飛" lit. 'flying falcon'.

Reviewing the Symbolism Blargh Off This Page: (OG text has been slightly edited)

"The falcon represents vision, freedom, and victory. Hence, it also connotes salvation to those who are in bondage whether moral, emotional, or spiritual." <- I find it very interesting that many of Suo's symbolisms tie back to things relating to a new beginning/healing: salvation, revitalization, resurrection, a new hope, etc., which falls in line with his dream: the liberation of slaves. And look, I know this possibly means Suo breaking free of whatever chains down his heart, but ACTUALLY Suo will be stuck in 𝓯𝓻𝓮𝓪𝓴𝔂 bondage and then be saved by EndoSaku. Trust me y'all I'm Nii Satoru's right-hand man

"In Christian symbolism, the wild falcon represents the unconverted, materialistic soul and its sinful thoughts and deeds. The tamed bird symbolizes the Christian convert pursuing his lofty thoughts, hopes, and aspirations with courage." <- I don't think Suo is wild or tame or Christian in particular, but you could take it as current-Suo suppressing and masking his true identity/emotions. And that actually makes sense when you remember how Suo nearly went Insanity.PNG during KEEL Arc and Sakura had to stop him from continuing to pummel a guy when he was down; when Sakura admitted he was pissed at himself and turned away Suo thought 'I really am no match for you'. On one hand, this could be explained extremely well if we view it from a Confucian + Suo's theory of adulthood lens which will be talked about later in Part 6. However, this could also symbolize Suo being bound in emotional chains and having... wtf, 'sinful thoughts'? That he's suppressing?? Maybe that's why he doesn't use his phone around people coz there's a bunch of 料 (blackmail) in there 🤣. And when Suo gets his arc I suppose he gets 'tamed' and is finally free to pursue his aspirations with courage (being with Furin and supporting Sakura), which will effectively act as another new beginning/his healing—further tying into his whole shtick surrounding resurrection revitalization healing salvation blah blah blah. (POV: the 'Suo has no Christian allusions' part comes to bite me back in the ass via. Taiping Rebellion parallels where an ethnically Han Chinese mf in Suo's triad or Noroshi proclaims to be "Endo's brother-in-christ" slash the brother of the WBK Jesus Christ. And then I kill myself)

"In Egyptian hieroglyphs, the falcon glyph was used in words and phrases such as 'god', 'pharaoh', 'greatness', 'year', 'sovereign', 'star', 'hour', 'prayer', 'land', and 'world'. It was associated with the deity of the sky, of kingship, and of the sun, Horus [...] In early dynasties, the king’s ascension was known as the “Flight of the Falcon”." <- Aha! AHA! YEAH MORE NOBILITY HOURS AND A DIRECT REFERENCE TO THE DEFINITION OF HAYATO. Okay. So. This is highly unlikely to happen but imagine Suo becomes the head of his triad branch. Or maybe this means that Suo is the heir to something lofty... deadass the fated ascension to big bad boss which he skedaddled from or was denied from, who knows?

"The Eye of Horus, the Egyptian symbol for the Sun, depicts a stylized falcon's eye and face markings. It signified royal power and protection from danger, evil, and ill health." <- More nobility/higher status allusions and illness-warding shit, typical Suo Hayato behavior.

"A human-headed falcon served as a symbol of the human soul on its flight from this world to the afterlife. Similarly, the crossed arms of Egyptian mummies were intended to symbolize the folded wings of a falcon at rest." <- And here we have more Suoshit related to afterlife-isms resurrection-isms and new beginnings-isms. Chat can I stop talking about Suo Hayato ... he's just a never-ending Pandora's 24-hour unboxing video...

"The sport of hunting with falcons was associated with nobility in Europe, Japan, and China, where falcons symbolized keen vision, boldness, and power." <- 'Takagari (鷹狩) is Japanese falconry, a sport of the noble class, and a symbol of their nobility, their status, and their warrior spirit.' - Wikipedia.

To continue with Wikipedia: In the 13th century, hawking became popular among the rising samurai class as well as among court nobles (kuge). At that time, the practice of hawking was a means of resolving struggles over land ownership among lords. <- This feels a little similar to the splitting of property mentioned in the Tianzhen brothers!

What's more interesting about falconry is that falcons typically wear 'falcon hoods' that blind them, which forces them to be calm.

The bird wears a hood, which is used in the manning process (acclimatizing to humans and the human world) and to keep the raptor in a calm state, both in the early part of its training and throughout its falconry career. Out of all the falconer's aids, the hood is the most important piece of equipment. There are various styles and types of hoods for raptors within falconry. The hood is handmade, often from kip leather or suitable kangaroo leather. —Wikipedia

Suo's eyepatch is made from leather as mentioned in his character sheet even though nowadays, a lot of eyepatches and most medical eyepatches are made with cloth and/or other adhesive materials.

What's more, a majority of traditional falconry gloves/gauntlets have tassels extremely close if not similar designs to the earrings Suo wears:

Remember when Suo once mentioned that he had an 'ancient Chinese dragon spirit sealed away in his eye', hence the eyepatch? Maybe there's weight behind that joke because he might lose his composure if the eyepatch is taken away.

If Suo is a trained falcon belonging to his family—although he's 'flying' right now, either for a hunt or free roam—he's been educated in a way that eventually, he will always turn back and roost on the gloves of his master.

"The falcon was seen as the bird of Princes, the gyrfalcon the bird of Kings, and the eagle the bird of Emperors. [...] A falcon [would be released] at the funerals of Pharaohs. This illustrates the ancient view of raptors as intermediaries between the divine and eternal heavens and the mortal earth." <- The 'bird of Princes' part really makes me want to believe Suo is truly in a high-ranking and potentially triad-inheriting position of power; he could really be a 'prince' of sorts for his gang... The O (枋) in Suo can stand for a 'sturdy plank', and even 'raft/boat', which might symbolize him being a bridge of connection between the 'divine and eternal heavens' (his triad/family/whatever dude) and the 'mortal earth' (Furin).

"Furthermore, falcons are represented by the constellation Aquila [lit meaning eagle], as are all raptors. This constellation is said to confer the qualities of boldness, ambition, courage, liberty, generosity, penetrating vision, and a noble spirit, along with a gift for martial arts and the fabrication of weapons.

"This contrasts with a vulnerability to and enmity toward reptiles and their symbolic qualities of deceitfulness, underhandedness (venom), vindictiveness, and baseness of spirit.

[OP's Quick Interjection: from the source some mf added a little 'that aint falco' after the following part and I gotta agree. But also, falcons and eagles are both under raptors as birds of prey, and from what I've seen, Suo is the only known person in WBK so far to have a bird of prey in his name, so I'll still keep this here as food for thought—as well as a theory I have for later.]

"Reflecting this opposition, the battling eagle and serpent has been a motif from ancient times, common to Western, Eastern and New World civilizations. See classical Roman statuary, the ancient coat of arms of Mexico and the Garuda emblems of Indonesia, Thailand and Ulan Bator. The dichotomy can also be seen in the eagle and the rattlesnake competing to be symbols of the Revolutionary United States in the 18th century."

Right. So. I have a lot to say about this chunk. The first is the numerous stories of raptors, mainly eagles, and serpents/snakes, as well as my theory that the family Suo has been sworn into will feature new characters with birds of prey as their joining kanji.

I'll elaborate on the latter first because it's shorter: so far, out of all of the named and introduced people in WBK up till Rooftop Fight, not a single person except Suo contains the character of an animal capable of flight, much less a bird of prey.

The only person who comes remotely close to having birds as a symbol is Chika Takiishi and the full-page spread ft. his fight with Umemiya which u/Just_EveB theorized to be the karura, which originates from the Garuda in Hinduism (will also elaborate later). But even Chika doesn't have any bird radical in his name. Shishitoren isn't exempt from this; the gang known for people with animal radicals only contains land mammals and reptilians:

Tomoyama Choji (兎耳山 丁子) = rabbit

Togame Jo (十亀 条) = tortoise

Sako Kouta (佐狐 浩太) = fox

Arima Yukinari (有馬 雪成) = horse

Kanuma Minoru (鹿沼 稔) = ♫ Shikanokonokonokokoshitantan ♫

(There's also Inugami Teruomi who is a dog for "inu" but I CAN'T FIND HIS KANJI AND HE DOESN'T EVEN HAVE A WIKI PAGE??? FREE MY MAN!!!)

Even other characters who happen to have an animal in their name e.g. Hiiragi Toma (柊 登馬) (馬 -> horse) don't have an animal capable of flight, much less a bird of prey, and no one has the radical for bird (鳥).

Hence, I'm genuinely going to go out on a limb and say that the family Suo has sworn into—or his biological brothers or martial brothers or whatever fucked-up triad business he's in—will have characters containing '鳥' (bird) or one of the following in their names: 鷹、鵰、鳶、鵟、鷂、鴞、鵂鶹、魚鷹、鷲, which are respectively eagle, eagle but different*, kite, buteo, the birds that are under here, owl, collared owlet, osprey, and vulture. OR, if these family members have Chinese names instead of JP, it's plausible they have the same pinyin pronunciation as some of these.

*Btw, this is the difference between a 鷹 and a 鵰. Don't even ask me tbh

Next up, let's talk about the correlations between birds of prey and serpents. I did some scouring through the internet and dug up quite a lot of stuff.

Let's first establish that the only person so far who has been shown with serpent/snake imagery is none other than Endo Yamato himself.

(And yes, I switched to desktop just to embed more images, I'm crying. Anyway, these panels are all taken from Chapters 144 and 145.)

The tattoo on Endo's neck, an infinity symbol, is derived from the ouroboros, a snake/serpent/dragon biting its own tail.

It symbolizes 'eternal cyclic renewal' or 'a cycle of life, death and rebirth'. Wow, so Suocore.

(BTW, in some religions... the ouroboros is also a fertility symbol. This just in: Suo, Sakura, and Endo are all ♂fertile♂)

I have so much more to say about Endo's tattoos but that's reserved for when I'm done with Suo Hayato... so let's go back to the topic of serpents and eagles and their tales.

Here's some prominent stuff I found:

Aesop's fable: This is the first example I managed to find. It's a story about how kindness will always be repaid. I honestly can't seem to think of a way this coincides with Suo/Suo's family/Endo etc. You can click on it to read the story yourself. Like, I think Endo's on a path to pseudo-redemption or at least 'potential future allies', and I can't see a reason why? He'd want to poison? Somebody?? Even 'figuratively'. Like, let's pretend my theory of Suo's family having birds of prey in their names is correct. Why would one of Suo's martial bros, or better yet the head honcho or something, swoop in to save this Countryman from Endoshittalk? But well, if anyone can think of anything, feel free to comment on it!!

Thus Spoke Zarathustra:

An eagle soared through the sky in wide circles, and on him there hung a serpent, not like prey but like a friend: for she kept herself wound around his neck. “These are my animals,” said Zarathustra and was happy in his heart. “The proudest animal under the sun and the wisest animal under the sun” […]

“That I might be wiser! That I might be wise through and through like my serpent! But there I ask the impossible: so I ask my pride that it always go along with my wisdom. And when my wisdom leaves me one day—alas, it loves to fly away—let my pride then fly with my folly.”

Friedrich Nietzsche, Thus Spoke Zarathustra, “Zarathustra's Prologue,” translated by Walter Kaufmann.

This is something that also came up, yet this is a more different example compared to the beginning—instead of feuding, the eagle and snake are in harmony, representing the mind and body becoming one, as well as taken from u/__Can__ from the linked Reddit post detailing what they symbolize:

It represents the highest strivings/capacities in man (eagle) and the lowest and more earthly/instinctive faculties (serpent). They are not opposed to one another but are rather one. Just like the other metaphor Nietzsche used, the tree (thought as the self-actualizing man) that if it wants to grow towards heaven (the highest in man) has to have its roots deep beneath the earth in the dark and evil layers of the psyche so to speak. You have to integrate your obscure and evil side in order to become whole.

There's a lot of tree imagery that I'm not really familiar with but know exists in WBK... such as that time Sakura's branch was nearly snapped off by Endo. To me this feels more like a general 'concept' that can be written into the story rather than an important foreshadowing towards future arcs ... plus I haven't read the book so I can't commentate on the philosophies of Nietzsche, so far the only thing I know about him is that he is one of the philosophers outspoken on overcoming Nihilism... taken from a deleted Reddit user:

People who haven’t read or understood Nietzsche think he is a nihilist, which is a bit understandable as his thought is complex, and he was a devastating critic of both dominant and trendy movements/institutions and their values. I believe he once described himself as a maggot that goes into a wound to eat away at the decaying flesh to clean it out. He also described himself as philosophizing with a hammer. In many ways, he is one of the intellectual fathers of postmodern deconstructionism. Which can often border on the nihilistic, but Nietzsche wasn’t simply trying to tear everything we believed in down for its own sake, his intention was to make things better.

From a site (really good read about Nietzsche and Buddhism):

Nietzsche aimed to overcome nihilism by affirming the unconditional embrace of existence. For him, life was not to be denied but rather created by one’s own value system, and built on the foundation of understanding that there is no inherent meaning in the universe. Nishianti describes this process as “dying the great death in the abyss of nihility and coming back to life again” (1983, 233). In doing so, active nihilism becomes a transitional stage rather than an end in itself. It is the abyss into which we must descend, “the darkest night before the dawn” (Nietzsche, 1968, 12). It is through the experiential stages of active nihilism that an individual strives for the heights of the ideal being, the übersmench. He asserted that living by one’s own ‘noble morality’ is characterized as a vigorous, free, and joyful existence, ruled by an innate “will to overpower, and will to rule” (1968, 16). From his works, it is evident that Nietzsche detested the weak and humble man who sought to escape the realities of life.

I can somewhat link Nietzsche's theories on nihilism with the process of creating the Philosopher's Stone (nigredo, albedo, citrinitas, rubedo), which is suuuuper interesting because Endo has vaguely alchemic symbols tattooed onto him. But again I'm digressing.

Norse Mythology [1] and [2]: According to ancient Norse mythology, the World Tree Yggdrasil has an unnamed eagle at the top and a serpent/dragon named Nidhogg at the bottom, and beneath the eagle there is a hawk named Vedrfolnir, standing for '"storm pale", "wind bleached", or "wind-witherer". Between them, there is also a squirrel named Ratatoskr who carries messages between the eagle and Nidhogg.

From Wikipedia: In historical Viking society, 'níð'(nid) was a term for a social stigma, implying the loss of honor and the status of a villain. Thus, its name might refer to its role as a horrific monster in its action of chewing the corpses of the inhabitants of Náströnd: those guilty of murder, adultery, and oath-breaking.

It's faster to just attach images of me and my friend tweaking:

I might one day do a separate post about Norsestuff and Furin because this is really interesting.

This entire Reddit comment section: Talks about the historical significance of the eagle and the snake in tales, depictions, etc. From u/Wayrin:

This symbol goes way way way back. There are depictions of eagles with snakes going back to Babylon and Elam around 3000 BCE. Of course the image was borrowed by everyone and the Egyptians saw it as Horus defeating Seth. Similarly Ahura Mazda was depicted as an eagle and Ahriman as a dragon. The Greeks borrowed the idea of the eagle as a symbol of resurrection from later Egyptian tradition and then it starts popping up everywhere. India, Indonesia, Rome and all over the Mediterranean. Most of these traditions use the Eagle to represent some great good. Usually a god related to the sun combating the forces of evil the snake. We believe the symbol to be borrowed and expanded (except for Mesoamerica) since they have so many commonalities. A lot of the stories have the Serpent winning over the Eagle before the Eagle triumphs. If you can access it, this is my source "Eagle and Serpent. A study in the Migration of Symbols." It was written in 1939 though so take it with a grain of salt.

And from u/tonycmyk, about ancient Mesopotamia:

[...] The snake/serpent has always represented the giving of knowledge to humans and the connection to earth. The eagle has always represented power over the earth and war. And this symbolism can be traced back through every ancient culture we know of and probably the ones we don’t. Powerful stuff.

Something not related to Suo: So about the Karura... the theorized demon JoJo stand that Chika has in the spread originated under 'Garuda' in Hinduism. You can read more about Garudas VS. Nagas here and the common point between Karuras and Garudas is that they're both depicted as people who feud constantly with dragons/serpents/snakes. In Hinduism, though, Nagas aren't depicted as evil like in Christianity. (And they're also a symbol of fertility... Endo's more ♂fertile♂ than Suo confirmed...)

5. Final Closing Notes on Suo

So, in summary, what do I think about Suo?

... What do I think about Suo... (crushing the chopsticks in my hand) I have multiple proposals as to what Suo is doing in Furin and what's going on with his family. And other Suostuff in general.

Falcon flying away: - To me, I see this as Suo leaving the family for a brief period, similar to how falconers can train their falcons to hunt but inevitably return to their owner. - If Suo's arc involves him cutting ties with his family, then this part could also symbolize Suo's desire to leave his original background behind in favor of Furin. - If the falcon symbolizes Suo's family as a whole, then this could represent the downfall of Suo's triad/noble family too, or that they're conducting some of their business elsewhere from their place of origin (*suspiciously Chinese ringtone starts to echo from my phone holder*)

u/Snowy-kitten's traitor Suo theory: Suo could be a spy in Furin. He could be scoping out the area for his own triad/gang/whatever. But what's most curious is the already-existing relevance between Endo and Suo that u/Snowy-kitten pointed out: Suo’s given name and Endo’s given name, Hayato and Yamato respectively are the names of two ancient Japanese tribes. [...] The Hayato is a tribe of ancient Japanese people that existed during the Nara period. The Yamato is another tribe of ancient Japanese people that existed alongside the Hayato. The Hayato frequently resisted the Yamato rule until the year 720 when the Hayato rebellion broke out. It was a rebellion of the Hayato against the Yamato. The rebellion ended in the year 721 with the Yamato being victorious. The interesting thing about the name 'Yamato' as u/Snowy-kitten also mentions is that its kanji (哉真斗) holds almost no meaning in JP. In Chinese, though, this can more or less translate to an expression, 'Ah, a real fight!' as '哉' in classical Chinese can be translated into an exclamation of sorts (「哉」可表示感嘆、疑問及反問語氣，相等於「啊」、「呢」、「嗎」), the '真' translates to 'real/true', and the '斗' (or 鬥 in trad) translates to 'fight'. So in the end, the Serpent VS. Eagle thing might happen in the form of Endo fighting Suo himself or Endo fighting one of Suo's family members.

Tsuge-chan and Suo: Remember this part?

Yeah, so, wtf was that? Fun facts on Tsuge's name from u/Snowy-kitten again (thank you bro you're saving my life):

I feel like Tsuge is going to be interlinked with Suo's backstory, that maybe he knows something more about Suo's 'family' than anyone in Furin should. Whether or not the XL river in Tsuge's name can be crossed with a bridge from another character's name or not... IDK we'll see if said bridge can be crossed when we get to it or burnt in favor of Suo lol... because Suo mentions bridge building in his character song gg

My final hard read on Suo's arc (take this with 2 mouthfuls of salt): - Suo will be called away briefly and leaves Furin either without notice or on short notice. He might leave behind enough clues to let Furin know why or where he's going. Or he might leave none at all, and Tsuge has to guess and explain what's most likely going on. - Endo might have to fight Suo in some way. Or he ends up fighting Suo's older martial siblings (the 'eagle') and triumphs over them. - If the oldest is truly the 'eagle', then there will be a younger one, the second-in-command, the 'hawk', like in Norse mythology. - I might come up with more stuff and I'll edit this into here as time comes.

6. I Lied

Suo isn't over. We still have to talk about how well he fulfills the shit we learnt in the HKDSE about our goat Johnny Hung's virtues/morals/principles.

So anyway, this is Johnny Hung our fucking GOAT!!!!!:

AKA Confucius lmao. Sorry it's an inside joke

This man is the reason I had to memorize so much classical Chinese sayings and literature that eventually culminated into Knowledge for the Suopost. It was all built towards this moment :( Let's start with an explanation of 論仁、論孝、論君子 as well as 五倫/四端！

...User Pyschicwavementality, wtf is this?

(Stares at you with the most depressed, sick, and haunted eyes) Chinese lore.

I will sadly not be sane if I explained every single one of these sayings to you guys. (Mutters) I mean I did have to memorize all of them back in the day but I'd kms elaborating on all of them so. I'm just going to take the relevant ones that could tie into Suo's character.

Let me first establish: the core of Confucianism revolves around "仁、義、禮、智、信、恕、忠、孝、悌". The arguably quote unquote """""important""""" ones (to today's discussion and in What I Learnt in general anyway) would be 仁義禮智信 and also 孝, of which I will now try? My best? To explain?? Please forgive me I learned everything in Chinese and it's really hard to do an accurate translation/analysis without going deep into culture and history 😭

CLASSICAL CHINESE 101

仁：This is read as rén. It is like... altruism, betterment, and love, I guess? Rén is how you interact with people, it is the innate connection and bond and interaction between human beings. (人與人之間互相關懷，尤其以關愛自己的親人最為重要。) It is respect and love and doing good deeds and Kind deeds out of our inner Goodness in our hearts. It is born from our inner individual and it affects our actions and what we do. We aim to always be a 'jūnzǐ' （君子）in Confucianism, someone who embodies all of Confucianism as the "self-improving and good-hearted" individual. To be empathetic and the kindest/most altruistic and loving person to one and all; to treat everyone equally from our innate Goodness—that is more or less rén. In the ideal society of Confucianism, everyone practices rén. This would mean society would always be harmonious.

義：this is read is yì. It is morality, justice, and helping others when in need. It is doing what is right and according to rén.

禮：this is lǐ. It is respect, treating people with manners, following social rules under rén, showing filial piety to your parents and elders, etc.

智：this is zhì. It is the pursuit of knowledge, creation, innovation, and improvement. It is having the intelligence to separate right/wrong and good/evil.

信：this is read as xìn. It is to have faith and belief in our beliefs and pursuits and our governing body. It is also integrity, honesty, and truthfulness. Whether it be a person, an organization, a business, or a government, they must have integrity as their core value.

(Additional) 孝：this is read as xiào and is essentially filial piety. Confucius believed that respect and love towards our parents should not be seen as an 'obligation', but rather something inner from the heart. There are four 'levels' of xiào: 孝順、孝敬、孝養、孝承 (xiàoshùn, xiàojìng, xiàoyǎng, xiàochéng). This is super complicated to go through so if you're bored and have tons of free time on your hands, feel free to run this PDF through a translator to get a better idea on what xiào is.

To get an idea on xiào, Confucius said that, if our parents became old and we only send them food and money, this is no different from raising a dog or a horse (孝養). He says, "Without respect (敬), where is there a difference?". When his disciples asked what we must do to respect (敬) our parents, he answered "We must not turn our backs on them [or more specifically, do not turn our backs on lǐ (etiquette)]. We serve them according to etiquette while alive; bury and commemorate according to etiquette after death."

But anyway, in turn, parents must also treat their children with all the above-mentioned virtues and said parents need to respect their parents with the same attitude as well. In theory, this goes both ways.

There's also Mencius' beliefs branched from Confucius' teachings (still part of Confucianism):

惻隱之心：read as 'cèyǐn zhī xīn'. This is your innate ability to feel compassion and empathy. Some people always see the "evil" around them and fail to see the goodness inside people and thus choose to be "evil" in turn. Mencius, one of Confucius' disciples, believed everyone was born kind and carried compassion. For those who are unfortunate, people will sympathize with them out of their own kindness; for those who are weak, people will have compassion for them and reach out to help them. He believed that people should never abandon their inner kindness, as kind people will always be rewarded by the kindness of others.

是非之心：read as 'shìfēi zhī xīn'. This is the innate ability to differentiate right and wrong actions as well as morally incorrect/correct decisions others make and reflect on them to judge why it is wrong and what not to do.

羞惡之心：read as 'xiūwù zhī xīn'. This is the innate ability to feel shame and guilt for making mistakes or doing things that are not following lǐyí (禮儀). It is also feeling scorn/disgust for others who do not follow lǐyí (禮儀).

辭讓之心：read as 'círàng zhī xīn'. This is the innate ability to feel thankful when others do something kind towards you, and you will feel like you need to pay it forward. It is giving others opportunities in exchange of your own and taking a step back to put others in mind first.

There's also the concept of inter-relationship hierarchy from the foundations of filial piety, which stipulates the order of respect should go from 君臣、父子、夫婦、兄弟、朋友 -> Lord/Emperor & Gov., Father-Son, Husband-Wife, Brothers, and Friends

Additional aid via. translations of my super helpful diagrams I made ages and ages ago about how to differentiate 仁義禮智:

(2) Analogy: POV you are in Ancient China and you see an elderly man killing a random guy

(3) Because you have 惻隱之心 (cèyǐn), you feel pitiful for the guy being killed. Because you have 是非之心 (shìfēi), you can judge and realize why the elderly man killing the guy is wrong. Because you have 羞惡之心 (xiūwù), you feel angry that the elderly man is killing the guy.

(4) Because in Ancient China, the lǐ [social rules] is to respect your elders [filial piety], but because the elderly man is doing something not in accordance with lǐ and yì (禮儀) [social rules and justice], you will do what is right (the lǐ action) and stop the elderly man from getting killed.

(5) Think: your choice to act and do correctly and the correct act itself is yì; your heart's inner compassion is rén; your ability to tell if the situation is in accordance with lǐyí (禮儀) or not is zhì; and the environmental/social rules = lǐ, e.g. respecting your elders. When you do actions that are not fulfilling yì, you feel guilty because you have 羞惡之心 (xiūwù). Rén is inner moral/virtue requirements [to be a 君子 jūnzǐ)，whereas yì is your outward action.

(6) Oh, and don't forget: 羞惡之心 (xiūwù) is feeling disgusted/hateful when you see others do something not in accordance with 禮儀 (lǐyì). If you do non-lǐyì things yourself, you will feel ashamed.

(7) Adding on to the last sentence in (5), 'rén' is not a requirement; it is inner 'love' exuded from the heart. If you are forced or required to do so, that is not 'rén', that is 'duty'.

So how does this all tie into Suo Hayato?

(Shakes my fist full of documents) so this is where I start CRAZYMAXXING.

If you also lovehate this man you might have already made some connections between Suo and the above few values I've described. Otherwise let me elaborate: when dear old Niisato made Suo to be the most stereotypically Chinese lad ever, he also managed to include a shitton upstanding moral traits that a jūnzǐ (君子) would have, essentially making Suo an amazing representation of core Confucian beliefs (so far as of writing this post in my theory state of mind).

When Suo talks about 'growing up' or taking the steps to adulthood, he mentions one of the most important core values being able to make your imagination reality as well as empathy.

You could actually simplify rén into putting yourself in another person's shoes to see/think/feel from their perspective, and one famous saying from Confucius is to wish no harm to come upon others that you do not wish to come upon you, which ties in with Kanuma mocking the fallen Shishitoren member and only starting to feel panicked once he realizes the same harm was going to happen to him. ("己所不欲,勿施於人。")

Suo also insinuates the ability to chase your goals and turn them from dreams into reality is another part of 'attaining adulthood'. You can boil this down to being able to fulfill what you say/living up to your claims/fulfilling your beliefs. Honesty and integrity also play a major role in Confucian beliefs. There are a few sayings under xìn '信‘ that Confucius said about this:

5.1 A jūnzǐ (君子) must be mindful of what they say and do things swiftly/efficiently/quickly. 5.2 A jūnzǐ (君子) does not endorse a person just because he speaks favorably, nor does he reduce a man's worth just because he has a bad impression of him. 5.3 A jūnzǐ (君子) will feel shameful if he cannot go through with what he said he will do. 5.4 [Text Before Image] If one's name/renown is not righteous, his speech will not be reasonable; if one's speech is not reasonable, he will not be able to accomplish anything. If things are not accomplished, the law will not be able to reach into one's heart; if the law cannot reach people, the punishment will not be fair; if the punishment is unfair, the common people will be at a loss. [Text In Image] Therefore, leaders must be steadfast and reasonable in both what they do and what they say. When leaders speak, they must not be careless (read: 'whatever' energy) or rash.

^^ When you translate this, doesn't this essentially reflect Umemiya as a leader? Which also falls in line with Suo seeing Ume as his ideal 'picture' for adulthood and further aligning w/Suo's statement of 'making your imagination reality'?

It doesn't end here though...!!!

KEEL ARC! When Suo got PISSED as hell seeing his friends around him hurt, Sakura had to step in to stop Suo from losing composure in Chapter 50 | Extreme Emotions. Remember when I talked about explaining how this could be understood SO WELL from a Confucian lens in Part 4?

What Sakura said: 'I'm pissed as all hell at myself. I was talking big [I can 'em all on my own], and look what's happened. But getting pissed off isn't gonna help. We need to focus on what we have to do.'

(Pokes my finger at statement 5.3 and 5.4)

This ABSOLUTELY makes Suo's reaction called for ("I really am no match for you") because right now Sakura is embodying the core values of Confucianism better than Suo was moments prior. In that moment, Sakura was the one closer to being a jūnzǐ (君子). At that moment, Suo was the one who should've been learning and modeling after him.

Remember 羞惡之心 (xiūwù)? It is feeling disgusted/hateful when you see others do something not in accordance with 禮儀 (lǐyì). If you do non-lǐyì things yourself, you will feel ashamed.

Suo was disgusted/hateful at the KEEL member for hurting his friends. He may have reflected and felt shame when Sakura came up to stop him.

It's still not over though!

Suo has consistently shown contempt for those who are older than him yet do not practice the same values of 仁義禮智信! Another one of the major Suo moments:

"Goodness... How self-centered. Even to the very end. To teach others, you need to engage with their feelings and support them to stand on their own two feet for the first time." — Suo Hayato on the most Confucian thing he could say at the moment

How self-centered:

顏淵問仁。子曰：「克己復禮為仁。一日克己復禮，天下歸仁焉。為仁由己，而由人乎哉？」 [1] 顏淵曰：「請問其目。」子曰：「非禮勿視，非禮勿聽，非禮勿言，非禮勿動。」 [2] 顏淵曰：「回雖不敏，請事斯語矣。」（《顏淵》第十二）

(HIGHLIGHTED = TRANSLATED BELOW; EDITED MTL)

[1] "Rén is to restrain one's selfish desires and to conduct oneself in an honorable manner. Once you have done this, all the people of the world will submit to your benevolence and virtue. The fulfillment of rén depends entirely on oneself. How could it depend on others?"

[2] "How do you practice rén?" "Do not look; listen; speak; or do things not in accordance with lǐ."

Already, gymnast-guy has violated the above.

To teach others [...]:

"與人交,推其長者,讳其短者,故能久也。"

"When interacting with people, you should pay attention to discovering and promoting others' strengths, rather than always pointing out other people's shortcomings." [MTL]

Confucius was known to be a very open and benevolent teacher. He did not require students to pay fees; he simply wanted your desire to learn. Suo's really open with teaching Nirei and he matches the teaching style of Johnny Hung really well <3 He's very positive and uplifting when it comes to Nirei. Personally, I also like to believe Suo also sees a younger or past version of himself in Nirei which adds more layers to his intrigue...

Scroll back up to the part where I had three Instagram stories explaining how 仁義禮智 linked with Mencius' additions if you forgot about it. You can re-read what I said regarding the example of seeing an old man killing someone.

Then the gymnast guy talks about 'discipline', and Suo has a vision of his master, which he adds with: "'Discipline', 'training and passing down your teachings'... Okay! I've got a question, sensei! How are you supposed to act when you go barging into another person's home?"

(He's pissed.)

Rewording [2] from my Instagram Story Explanation: Because you have 惻隱之心 (cèyǐn), you feel pitiful for Furin getting invaded and fighters/friends getting hurt. Because you have 是非之心 (shìfēi), you can judge and realize why the Noroshi invading Furin is wrong. Because you have 羞惡之心 (xiūwù), you feel angry that Noroshi is invading Furin.

And once again, just like from KEEL: 羞惡之心 (xiūwù) is feeling disgusted/hateful when you see others do something not in accordance with 禮儀 (lǐyì).

For someone older to be breaking 禮儀 (lǐyì) and speaking on how Suo's 'similar to him' and how he's having 'fun', this was The singularly most awful thing gymnast-guy could've done at the moment as someone Suo is meant to respect according to the age/skill hierarchy in Chinese culture. Not to mention the gymnast guy establishes himself indirectly as a 'teacher' in this scenario by using the phrase 'discipline'. It's even crazier when you realize that Confucianism explicitly believes that anyone can be a teacher to you because you do not know everything. There's literally a story about Confucius speaking with a 7-year-old who spoke so much facts that Confucius himself recognized the kid as a teacher. Suo taunting the guy asking what he could learn from the gymnast is NUTS.

Some other quotes that I think really match Suo's character:

子曰：「君子病無能焉，不病人之不己知也。」（《衞靈公》第十五）

“A jūnzǐ (君子) worries that he himself is incapable, and not that others do not understand him.”

子曰：「君子不重則不威；學則不固。主忠信。無友不如己者。過則勿憚改 。」（《學而》第一）

"If a jūnzǐ (君子) is not steadfast/solemn/decisive, he will not be dignified; and what he learns will not be stable. Maintain loyalty and integrity as your main principles. Do not make friends with people who have lower moral standing than you/who are not as good as you are, and do not be afraid to correct your mistakes."

Final Theory Pitch: "Death By Betrayal"

"Death By Betrayal" in Suo Hayato's name based on the symbolism of the Chinese redbud might make one immediately think of his master and his family. Perhaps Suo's teacher passed and Suo's embodying his master's teachings, or his family has backstabbed/been backstabbed. If we go down the route of Suo still being an active triad member, then this may talk about his triad being betrayed and Suo having to briefly live/train with his master under a new identity. If Suo's former martial siblings (whom he respects, by the way, literally so xiào) want to reform the group, Suo might force them to align with his current set of values (which are extremely similar to Furin too—to protect the common people) and avoid harming innocents.

From another point of view this can also symbolize the "death" of Suo Hayato's former character, where instead he was the one who turned his backs on his clan/family first. Either to learn from his master who may or may not be dead, or to escape his supposed triad ties.

There is another piece of classical literature that I can yap about: 《魚我所欲也》. Here's a quickest translation of it possible:

“魚，我所欲也，熊掌，亦我所欲也;二者不可得兼， 舍魚而取熊掌者也。生亦我所欲也，義亦我所欲也;二者不可得兼， 舍生而取義者也。

"Fish, I desire it; bear paw [rare and believed to have medicinal properties], I also desire it. If I cannot obtain both at once, then I will sacrifice the fish for the bear paw. Life, I desire it; yì [to do morally correct/upstanding/good things], I also desire it; if I cannot obtain two at once, then I will sacrifice my life for yì.

生亦我所欲，所欲有甚於生者，故不為苟得也; 死亦我所惡，所惡有甚於死者， 故患有所不辟也。 如使人之所欲莫甚於生，則凡可以得生者，何不用也 ? 使人之所惡莫甚於死者，則凡可以辟患者，何不為也 ?由是則生而有不用也，由是則可以辟患而有不為 也，是故所欲有甚於生者，所惡有甚於死者。非獨賢者有是心也，人皆有之，賢者能勿喪耳。

Life is something that I want, but there is something I want more than life [yì]! so I will not be greedy for immediate survival. Death is something I hate, but there is something I hate more than death [not fulfilling yì], so I will not avoid the evil that comes my way. If there is nothing that men love more than life, why do they not use whatever means they have to live? If there is nothing that men hate more than death, why do they not use any means of avoiding evil? By these means may we live, but some do not use them; and by these means may we avoid evil, but some are unwilling to do so.

Thus (it can be proved) that there are things that people want more than life, and there are things that people hate more than death. It is not only the 賢者 (virtuous man) that has this nature—all men have this innate nature, but the virtuous man can preserve and maintain it.

一簞食，一豆羹，得之則生，弗得則死 。

A serving of food, a bowl of soup; if you obtain it, you will live. If you do not obtain it, you will die.

嘑爾而與之，行道之人 弗受;蹴爾而與之，乞人不屑也;萬鍾則不辯禮義而受之。

Giving this to someone while mocking and hollering at them, normal people (people on the road) will not accept it because they feel disrespected; stepping on it before giving it to someone, a beggar would not accept it because it is unclean. The temptation (t/n: 萬鐘 is similar to 'bad temptations' or 'great benefits') for benefits: one will not differentiate whether or not it is aligned according to yì [etiquette/moral ethics] before obtaining it.

萬鍾於我何加焉?為宮室之美、妻妾之奉、所識窮乏者得我與?鄉為身死而不 受，今為宮室之美為之;鄉為身死而不受，今為妻妾��奉為之;鄉為 身死而不受，今為所識窮乏者得我而為之，是亦不可以已乎?此之謂 失其本心。"

What do these benefits have that can help me? For a beautiful house, many wives, and for the recognition and thanks from poor people? In the past, one would sacrifice their life before accepting these benefits; but now, for a beautiful house, many wives, and the recognition and thanks from poor people, they will accept temptation. Can we not stop this? This is the act of losing one’s trait [of sacrificing your life for the greater good]."

A summary of this thinking would be to "捨生取義", lit. 'sacrifice your life to obtain yì/the greater good'.

It is completely possible that Suo, when raised or sworn into the triad, was taught by his master (either in secret or after he briefly leaves) about the importance of 'upholding the ultimate good', which may have caused him to realize his triad—which may or may not prey on the weak—does not align with his moral worldviews any more.

To escape, Suo could've decided to fake his death or leave behind his old self and turn his back as betrayal, which ties into his 'noble' symbolism and 'flying falcon' name in Hayato.

But tbh, I'm inclined to believe Suo's master was on okay terms with the triad because he/she had long hair. Suo's hair, as I've stated elsewhere, could be short due to hair being used as a major symbolism device in WBK as a way to say he's tried to leave his past.

Yet some things may be unable to be broken away from so easily, and Suo, a trained falcon, might be unable to leave behind everything. He was likely loyal since a young age and unconsciously finds himself lingering on old sentiments. Maybe his earrings are gifts from his master. Maybe his eyepatch is from his triad/family.

Still, Suo being from a criminal family and having distaste for Noroshi/KEEL is really interesting because we can see that he doesn't enjoy it when people lack empathy or cause pain to others. You’d expect him to react more to Choji’s gang because of their “violence for violence’s sake” going against his whole empathy tangent, but Suo seems to hate it more when someone finds interest in violence for meaning’s sake or violence for profit’s sake. I think Suo understands Shishitoren is built off violence to become stronger (<- literally the WBK OST), and everyone in SSTR seems to mutually be okay with this in-fighting. There's also a big difference between Suo clashing with SSTR and the other: he hasn't forged as deep of a bond with Furin compared to vs. KEEL and vs. Noroshi, and the latter two have made active attempts at hurting Furin through morally corrupt means (beating Nagato up and taking over Furin for personal gain).

Suo could've developed this sort of morality to distance himself from his family, who may have gotten infamous/profited off similar methods. (<- and this is really funny because Confucius has ALSO said that a jūnzǐ (君子) should not accept wealth or escape poverty if it wasn't achieved through morally correct means. A jūnzǐ (君子) cannot turn his back on rén in the span of a meal, and this remains true even during hasty and urgent times + when one is poor/wandering/living in tough conditions.)

A possible timeline:

-Suo is born to a rich family, possibly wealthy through a criminal empire.

-Suo dislikes his family because of his morals (may not have happened), and his family may dislike him back because he is considered “weak” (could explain why he’s the one who offers to help Nirei or why empathy as an adult is so important to him). Or, he's a super loyal lapdog and hella admires his brothers. Maybe they're the only good guys in the triad. Maybe they're really bad and Suo's also really bad. Suo might have two wolves inside him... the Confucian morals vs. Organized crime persona

-Suo studies Chinese fighting techniques and philosophy with someone (possibly a figure outside his family)

-Suo's family and/or mentor is betrayed/Suo betrays them

-Suo has to escape and create a new identity fully based off of his Confucian learnings.

...

And with that, I've said almost everything I need to say on the topic of Suo Hayato.

It totally didn't take 10,000 words or anything.

What's up next in Part 2?

I'll be writing Endo's version of this post and include some Suo-Endo joint theories and/or notes. Things to look forward to include Endo, Christianity, and alchemy... And maybe I'll even start yapping about the 0.2472983% potential Daoist/Taoist influence Sakura has.

I'll be back in 1 business century!

(Bonus) out of context convos and quotes my friend and I have said during the process of writing this that may foreshadow Part 2 or something:

Me: Picture Endo being Chinese too but it's Mainlander vs HK [Suo] beef

Me: WHO'S THE TAIWANESE 😭😭😭 IS IT UME??? HE HAS PLUM BLOSSOMS

Nakama: Okay so (crackposting) it's choji because of TW's association with the sun

Me: What if it's Chiitan [Chika Takiishi] and we get the Mainland x TWnese "forbidden" romance...

Me: But anyway I find it devastating choji would say cao ni ma wo che ne and its not even ooc

Me: ...Shit now I can imagine endo with a strong beijinger accent

Nakama: ...yamato儿(er) endo儿(er)

Nakama: ....chiika儿(er) takiishi儿(er)

Nakama: ...sakuraur harukaur

Me: endo going BEJINGRR WELCOMES YOU

"You not only ate, you devourered that like you were unaccountably peckish." —Nakama-kun 2024

Nakama: Waiting very politely for ur suopost to show up

Me: It might tonight, I'm typing like a keyboard warrior rn

Me: When u wake up it might be posted 😎

—A lie quoted from the 17th Aug 2024 at 3：57 PM GMT+8, a whopping one month and seven days ago.

"Y'know maybe suo's from oklahoma" —Me, delirious, 2024

The Suo Post's TLDR:

"WE NEED TO KILL HIM FOR BEING TOO CHINESE"

—User psychicwavementality after 1 month of crying in voice messages about Suo Hayato.

(Total word count: 11,781 words. Part One, scene!)

[deadboyagency]

DEAD BOY DETECTIVES BILLBOARD PROJECT 🔍 We are excited to announce that we have started raising funds for a billboard in Los Angeles near Netflix Headquarters to show how much we love Dead Boy Detectives! 💜 Our goal is to raise $10,000 with anything extra being donated to an LGBTQIA+ charity! If you can’t donate just share and keep posting about the show! Keep streaming, shouting and fighting. All support is helpful! If successful we can continue to run more campaigns like this in the future! Let’s make sure Netflix can’t ignore us! Donate.

[holdmytesseract]

hi friend! 👋

I have a cute and fluffy request for the Baby Fever AU! 💕Narfi's first steps, Loki and Ella are out on a daddy-daughter date (you can choose where they're going) while Narfi and reader are at home together.

While reader has her attention on other tasks, little Narfi takes his first steps towards reader. When Loki and Ella returns home, reader surprises them with Narfi walking towards them 🥹💚

Growing Up

☆ The Baby Fever AU ☆

Loki x Y/N feat. Narfi & Ella

Summary: Narfi takes his first steps, causing you and Loki to realise that he's not so tiny anymore...

Warnings: fluff, fluff and even more fluff!

Word Count: 1,7k

a/n: I know it took me quite some time, friend, and I'm truly sorry for it. 🥺 Also, I really hope that you like it and that I did your request justice. Thank you again for the amazing moodboards you made for me, @chennqingg ! 💖

Baby Fever Masterlist °☆• Loki Masterlist °☆• Masterlist

divider by @fictive-sl0th <3

Today felt like a pretty normal Thursday to you. Getting up at seven in the morning, making sure Ella got ready for school, while Loki prepared breakfast - bless him - and of course actually dropping your daughter off at school. Since you had 'Ella duty' this week, your husband tended to little Narfi and got the very young man dressed, fed and ready for the day. Sometimes, it was pretty chaotic and quite hectic. Especially on the days you were working as well - not full-time, though. You were still in maternity leave, but Nick allowed you to work two or even three days a week, if you needed a change of scenery or just a break. Just like today. Sure, Loki had to return to being an Avenger as well, but you always made it work. Besides, the others were happy to jump in as a babysitter as well.

After dropping Ella off at school, you drove straight to the SHIELD headquarters for work, leaving Narfi with Loki, who'd leave your son with auntie Nat for the rest of the morning, because Steve hated it, when Loki missed out the important briefings which concerned his 'development' as a resident of planet earth. Or in other words: Making sure he still behaved, didn't relapse and was a 'hero' and not a threat to humanity. In your eyes, it was ridiculous that he still had to 'prove himself' after all those years... After getting married and starting a family... After everything he had done for the Avengers, America and the whole world. But well... Who were you to speak up and change things? It was how it was.

Seven hours of going through reports and sorting files, you clocked out of work. Yes, it wasn't much you were doing, but it was something. Better than just staying at home. You loved being a mom, but sometimes you needed to see something different - and you were more than happy to rejoin your friends in hopefully near future and slip back inside your Avenger combat suit.

Instead of driving to school to pick up Ella, you drove back home. Loki had already done that; taking his princess out for a daddy-daughter date to the indoor swimming pool.

Arrived at the Avengers compound, you didn't even bother to drop your stuff first; instead heading immediately for Natasha's. Your motherly instincts were literally screaming at you by now to go see your baby son. So, you did.

Your best friend opened the door to her apartment for you with a huge smile and little Narfi on her arms; dressed in his white sweatpants and matching jumper. He looked like a baby smurf - which was probably one of the cutest things you had ever seen and would get certainly never tired of seeing again. "Mama!" Narfi squeaked happily from behind his pacifier as soon as his beautiful ruby eyes registered you; impatiently squirming in his auntie's arms. "Hiii, baby boy!" You smiled brightly and immediately took him into your arms. His adorable giggle urged to your ears; causing you to smooch his little cheek with kisses, and once you had thoroughly greeted your son, you turned your attention to the Black Widow leaning now against the door frame still with that smile on her lips.

"Hey, Nat." You shuffled closer to hug her, what the Russian beauty instantly reciprocated. "Hey, babes." "Thank you for looking after this little guy here," you said; pulling back from the hug and gently bouncing Narfi on your arm. Natasha shook her head. "No need to thank me. I love playing the cool auntie part." "I'll keep that in mind," you winked, causing your fellow Avenger to giggle.

"Alright. We'll be going then. Gotta do some chores... See you around, Nat." "Sure thing, babes."

You looked down at Narfi, who had snuggled against you; head buried in your neck. "Say bye bye to auntie Nat, Narfi." "Bye bye," babbled the little boy in a sweet, quiet voice; clearly on the verge of dozing off. Natasha smiled and waved at Narfi, "Bye bye, маленький смурф." who instantly lifted a small hand to wave back. Smiling and bidding your goodbye to the Black Widow as well, you pressed a kiss against your son's forehead and ran a hand through his black locks.

Back in the apartment, you put the toddler down for a nap on his beloved floor cushion - which he mostly preferred for a nap, instead of his bed. Now that your son was sleeping peacefully across the living room, you had the time to do some chores. On today's programme: folding laundry. So, you spread out on the sofa, switched on the TV - but kept the volume down, of course, and got to work.

From your position, you had the perfect view on Narfi as well; having an eye on him from time time. Unfortunately, that didn't always keep him from escaping your watchful gaze. Just like Ella, was he his father's child... Sneaky and definitely a tiny mischief maker. Not quite as much as his big sister, but nevertheless...

You could swear that you only didn't look at him for five minutes - and suddenly was the floor pillow empty.

Shit.

"Narfi?" You called through the living room; letting your eyes wander and already moved to stand up. He wasn't in this room anymore. You sighed and shook your head with a small smile. "Little rascal..." You mumbled under your breath and crossed the living room; aiming for the hallway.

The good thing was, that Narfi couldn't get far; not having learned how to walk just yet. The emphasis was on the word 'yet'.

You rounded the corner into the hallway, "Narfi?" and found your son standing - hands free - beside the clothes basket, which he had clearly used to pull himself on his feet. At the sound of his mama's voice, the toddler turned his head - which caused him to immediately lose balance and land on his small bum.

Your eyes widened. Was he about to take his first steps and you 'interrupted' him? "Baby, were you about to take your first step?" Narfi was already pulling himself up again; using the clothes basket as a help like before. A sweet huff left his small lips once he made it on his small feet; causing you to stifle a giggle.

"Try again, baby smurf, come on." Narfi turned on slightly wobbly legs towards you; hand gripping the basket for dear life. "Mama!" You smiled and walked quite a few steps closer, before you squatted down and opened your arms. "Yes, c'mere! Come to mama!" You tried to encourage Narfi; a bright smile on your lips.

The smile got even wider, when your son suddenly let go of his support - and took a very wobbly, unsteady step towards you. With you mouth agape, you giggled. "Yes! You did it, baby! C'mon! One more?" Your happiness infected Narfi and he smiled a bright, toothy smile. Giggling, he made another two fast and wobbly steps, before he lost his balance and more or less stumbled into your arms. You reached out and caught him, before he could hit the floor; sweeping him up in a hug.

"Yay!" You cheered and peppered his cerulean, chubby cheeks with kisses. "Mama is sooo proud of you, Narfi." The little boy just cooed and gurgled happily.

An idea crossed your mind.

"Let's surprise daddy and your big sister when they come home, huh? They'll be so happy to see you walk." Your toddler's eyes widened at your suggestion. "Supise dada lala?" Narfi couldn't say Ella yet, so he settled on 'Lala' - it was the cutest thing ever. You giggled; nodding. "Yes, baby smurf. Come on."

The laundry was long forgotten; deciding to play with Narfi instead and helping him practising to walk.

After a very successful daddy-daughter date at the indoor swimming pool, Loki and Ella returned back home in the evening to the Avengers compound. The little girl's hand was neatly tucked into her father's bigger one as they exited the elevator. Ella was definitely tired and worn out - just like it should be after such a day. That was most probably the reason why Loki was carrying not just his duffle bag in his free hand, but also Ella's pink Disney princesses rucksack on his back.

Together, they stepped down the hallway and into your family's apartment. "Darling?" Loki called out; taking off his shoes and helping his tired daughter to get out of her jacket. "Mommy? We're back!"

The pair heard a small voice along some shuffling, before you rounded the corner into the entrance area with Narfi walking in front of you; yet gripping tightly onto your pointer fingers. "Hey, you two," you greeted them happily. "The baby smurf and I have to show you something." Proudly, you let go of your son's small hands - and let him walk a few small, still wobbly step. Before he could topple over, you grabbed him quickly around his middle; holding him steady.

Both, Loki's and Ella's jaws were on the floor; not having anticipated this. Sure, Narfi had tried to walk now for days - probably weeks, but it looked like he needed some more time to learn... Apparently not.

"He is walking now!" A not-so tired anymore Ella squeaked and crawled forwards and clumsily, but lovingly hugged her little brother - who didn't quite understand why everyone was making such a big fuss. He just squeaked along happily.

Loki met your gaze; his beautiful blues shining with a few tears. "Darling, he... Our son is walking..." He whispered; visibly touched, but you heard him anyways. Ella was already helping Narfi back on his little feet; his hands in hers tightly as she helped him walk down the hallway. It gave you the opportunity to step over to your husband. With a smile, you slung your arms around his middle; invading his space. "I know, babe, I know." Loki laughed softly and tried to blink back the tears as he wrapped you up in a hug; strong arms keeping you locked against his tall, defined body.

"We have to watch out now, babe. Soon, he'll start to run," you stated with a giggle, causing Loki to shake his head. "By the Norns, please not. He's already growing up too fast..." You sighed; knew exactly how he felt - and he was right. You rested your head against his chest, giving your husband the opportunity to press a kiss on top of your head. "Mhm... Growing up too fast, just like Ella." You felt the god's chest vibrate with a hum. "Just like Ella..."

маленький смурф - little smurf

Baby Fever Crew: @muddyorbsblr @mochie85 @asgards-princess-of-mischief @jaidenhawke @multifandom-worlds @ijuststareatstuffhereok89 @jennyggggrrr @mishkatelwarriorgoddess @huntedmusicgardenn @fictive-sl0th @herdetectivetheorist @hisredheadedgoddess28 @chennqingg @princess-ofthe-pages @km-ffluv @brokenpoetliz @lokiforever @stupidthoughtsinwriting @loz-3 @jaguarthecat @icytrickster17 @eleniblue @yourfriendlyslytherinhc @mypainischronicbutmyassisiconic @kimanne723 @lou12346789 @smolvenger @isaidoop @lokisgoodgirl @cakesandtom (Continuing in the comments)

[ckret2]

I honestly think that Ford is the only character in Gravity Falls that don't have moments of cruelty and unkindness... He's my favorite character because he's the one who is most near to perfection, in contrast to Stanley, who is the character most near to imperfection.

I think you can make some cases for a couple of moments—like, you could easily make a case for "standing by doing nothing while Stan was kicked out" being pretty damn cruel—but you could also just as easily make a counter argument that it wasn't really because it was Filbrick doing the kicking out and it's possible Ford was too scared to speak up and maybe he thought Stan would be fine since he'd already made globe-traveling plans and maybe at that moment he really believed that if Stan stayed at home he'd keep trying to sabotage Ford's future etc etc—like, everything he does that's Not Nice, how Not Nice it is depends on which literary analysis lens you choose to peer at the event through.

Part of this could well be due to the fact that he only got five and a half episodes; but I think the truest thing you can say about his character is that we don't see him act out of spite the way other characters do. Like, if Gideon had stolen Ford's perfect pool chair, he absolutely would have shown up at the pool in the middle of the night to claim the chair for the next morning, but he wouldn't have tried to blind Gideon with his wristwatch. If his nemesis had challenged him to mini-golf, I doubt he'd have conspired with the Liliputtians to cheat. If he was stuck in the house with an annoying pig he'd PROMISED not to put outside, he'd be more likely to storm outside in a huff and leave the pig in the house than he would be to break his promise and put the pig outside.

When Stan or Dipper want to be king of the hill, they're quick to turn to dragging their competition down; but when Ford wants to be king of the hill he tries to climb twice as fast as his competition. I feel like playing dirty to drag his competition down wouldn't even occur to Ford unless it's an "if I lose, somebody dies" situation. Winning by cheating would make him feel like he hasn't really won.

[shrimpybbq]

Blessing in Disguise (2)

Abstract: A war-torn Gwayne is presented with an opportunity when the dragon of a Targaryen Princess is shot down near his camp. A once devout follower of his Knight's oath, Gwayne no longer sees much point when Criston Cole gifts him Princess, his only requirement being to keep her alive. The Hightower Knight has suppressed his own urges for so long, but now, he no longer wishes to, not when he's been given a sweet Princess just for himself.

Warnings: abuse of power, prisoner/captor dynamics, gross men, restraints, Gwayne is growing more delulu, future dubcon/noncon (not proof read)

Author’s Note: this chapter is seriously diving into just how much Gwayne is loosing it, and building up his motives and morals. He thinks of himself as a saviour and all his actions are rooted in this need to keep protecting the Princess.

Tag List: @torchbearerkyle @beautifultacodragon

______________________________________________

Two days had passed since the Princess was captured, and two days had passed since Gwayne had been given the responsibility of keeping her alive. For the first day, he’d faced little trouble as the still unconscious girl slumbered in his tent, her frame draped across his own makeshift bed. The turmoil was rife within the knight however; for he knew little of what to do with the girl. To keep her hidden away in his tent for the rest of the campaign seemed cruel, but letting the Princess roam around the camp was a risk that could bring doom to the army. While he didn’t know for certain of her likely reaction upon waking, Gwayne felt that the Princess would not take kindly to her newfound position as captive.

The second day helped the knight make up his mind, for the Princess began to rouse herself from her state. He’d been eating the claggy paste they called oatmeal when movement caught his eye from across the tent. With sluggish movements, the girl pushed her weak and frail body up to a somewhat seated position as her eyes took in her surroundings. Gwayne found the confused expression on her face amusing, but sighed deeply as her eyes widened in alarm upon laying her sights on the Hightower Green of his doublet and the red of his hair. He watches as she begins to sputter and gasp as she tries to speak, but despite her best efforts, her brain fails to deliver a coherent question to the knight.

“You are in no position to run, or much less even argue, so I suggest you still yourself whilst I explain the predicament you’ve found yourself in,” Gwayne’s lilting voice cutting across the tent, his words stilling any movement from the Princess. Though he’s attempted to make his tone lighter, it’s clear that his tone carries a subtle warning.

The Princess nods softly before speaking, her voice hoarse and croaky due to disuse, “Wh-who are you?”

She fears she knows and yet some part of her hopes that perhaps it has been a case of mistaken identity - that this man across from her, whose tent she lays in, is not the brother to the Queen Dowager.

“Ser Gwayne Hightower, Princess.” It’s all he says. Gwayne notices the crestfallen expression on her face deepen, her fingers beginning to play with the threads of the blanket. “Your dragon was slain after it flew above our territory, the scorpion striking it down with great accuracy. It was not expected that Rhaenyra would have sent her only daughter on dragonback and yet, there you were.”

“M-my drag-”

Gwayne doesn’t let her speak and instead continues his recounting. “Criston Cole made the decision that your life should be spared. He wishes to use you as tool to garner your mother’s surrender, and in turn, has granted you the most esteemed opportunity of a true camp experience.”

The sweet Princess can only listen silently and a small twinge strikes at Gwayne’s heart as tears begin to fall down her cheeks. He lets her process his words, scraping the last remnants of his oatmeal from the wooden bowl. When she says no more, the knight moves to leave the tent when a timid voice stops him in his tracks.

“What will you do with me?”

The Princess watches the man freeze, his broad back tense and rigid. He stays near the entrance, arms clutching the fabric of the tent as he seems to ponder his answer. She had heard stories of the honourable Ser Gwayne Hightower and yet, chills crash over her at his next words.

“Whatever I so wish, I suppose, as long as your heart still beats in your chest.”

______________________________________________

That night the princess remains in his bed, her hands bound and tied to the wooden post holding up the tents fabric. He’s given her some tether, at least allowing her to relax her arms and continue to rest. The Princess had almost drifted into an unpeaceful slumber when a rustling sound echoed around the tent, and a disheveled Hightower strode through the entrance. She had little time to process his intentions as the knight flung off his boots and undid his doublet, leaving him only in his trousers and tunic, watching wide-eyed as he stalked over to the makeshift bed.

“What are you doing?!” The princess shrieked as Gwayne lowered his body next to hers, the flimsy material dipping with his body weight.

“I am sleeping, or at least I hope to be.”

“Get away from me! How dare you,” the girl cried, her body tense as she flung her body out of the bed.

“You may struggle to recall this, but this is my tent. You have been sleeping in my bed and as much as it pleases me to see you enjoying it so, I too wish to rest,” Gwayne bites out, his tone laced with sarcasm and thinly veiled contempt. She could’ve been sleeping on the dirt floor and here she still complains.

Gwayne hears her muttering “no, no” and finds little inside of himself to care, instead tugging on the restraints binding her hands. The squeal as she falls back into the bed makes him smirk, pushing the girl into the fabric and covering her with a blanket.

“Sleep. And keep any foolish ideas you may have of escaping to yourself, for you have no dragon or the faintest idea of your location.”

Gwayne rolls away from the Princess, feeling smug with himself at the lack of response he receives, though the rigid frame of the girl seems to be conveying enough to him. She knows her hopes of escape will not come to fruition tonight, not with the Hightower sleeping by her side. She can’t even retaliate when his heavy frame drapes over her own during the night, arms slung across her stomach as he clings to her body heat. Restless, she lies there listening to his languid breaths, her own heart pounding with anxiety.

______________________________________________

The Princess had been in the camp for what felt like months, though her stay had only totalled five days. It seemed that her and her captor had fallen into a somewhat amicable routine: Gwyane would venture down with the Princess to the nearby lake to allow bathe, and the pair would break their fast with the rest of the soldiers. He would then return her to his tent while he talked strategy with Criston, leaving the girl alone, but not unsupervised. He’d given up use of the rope that had attached to her ankle after the first night in the bed, but the knight was still wary of the Princess trying to escape. In the evenings the two would sit by a small fire in the common area of the camp and eat their meager meals, Gwayne even allowing the girl her own cup of mead to wash the bread down. Gwayne couldn’t deny that it felt comforting to have another’s presence as a constant, especially after such long periods of loneliness and isolation. He even begins to warm to his captive, small chuckles leaving his lips more often as they conversed.

And yet their moments of ambivalence seemed to come crashing down as Gwayne left to fetch more mead, only to return and see a common soldier leering over the Princess. His stout body crowded into her space, his hands clutching at her shoulders, the fabric ripping in his harsh grip. From a distance it was difficult for Gwayne to hear the man’s words, though he held strong suspicions of their nature, however as he covered ground his ears picked up more and more.

“Mmm… do you think you could handle the cock of a real man, Princess?” the man muttered sleazily, “I don’t think you could. All you Royal cunts act like you’re above us, but maybe you just need a little demonstration.”

The Princess’s discomfort was plain for all to see, no more so than Gwayne. Her shaking frame and teary eyes look around broadly, pleading for an intervention as her bottom lip trembles in fear. It only takes him a moment to unsheath his sword, raising it to the neck of the soldier.

“Remove your vile hands before I do so for you,” he demands, his tone firm and gaze locked on the scum in front of him. Gwayne revels in the shock that crosses the soldier’s face and his disappearance from his sight shortly after. Common-born folk always aim far above their station, coveting what should never be sullied by them, Gwayne thinks.

The Hightower is caught up in his thoughts as he brings the Princess back to his tent. His chest feels as if it’s filling up with anger, breathing growing heavy at the feeling of the Princess trembling under his grip. Many soldiers had been invited to fight with a great army in the name of the King, and yet here they stood leering and preying on the King’s own niece. Such depravity should be expected of commoners but to dare even suggest of defiling a Princess of the Realm would ordinarily be treason.

It’s only the wide, teary eyes that finally snap Gwayne out of his thoughts. The Princess is clutching his arm, her body pressed into his side as she looks up, lower lip still trembling. The girl had been scared out of her mind, too weak and powerless to stop any advances, and now here she stood a wreck because of it. To see the Princess looking up at him in such a way sends a new series of thoughts running through Gwayne’s mind, tightening his breeches and quickening his breathing.

The men in the camp were only acting in such a depraved way due to a misguided conception that the Princess was not spoken for. They believed that she was free for the taking, for any common man to use and keep. She was his captive though no man seemed to acknowledge his stake of claim over her. She slept in his tent each night, in his bed, by his side. If that would not convince these vile men to back away, then only one thing would. Gwayne was a flawed man, he himself could acknowledge that, but he would protect the Princess as was asked of him, in any way he could. And if that meant he would need to make his position clearer to the camp then he would.

The Princess would understand the actions he needed to take, he thinks, as his hand begins to brush at the exposed skin on her shoulder where her dress had torn. As her breath hitches at the contact, Gwayne can’t help his growing smirk - she’s so responsive to him, not even aware of how she’s pushing her body closer to him unconscionably. He can feel her plush breasts press against his chest and her hips against his own, though she seems unaware of the growing hardness pressing against her stomach.

The Hightower knight assures himself that he won’t enjoy his next actions, for it is only his duty to keep the Princess safe and protected from those who wish to do her harm. He assures himself that the Seven will grant him forgiveness, for he is only acting as any nobleman would. Finally, Gwayne assures himself that the Princess would forgive him for what he was about to do - soon she would understand that becoming his own spoil of war would keep her safe from other men of less valiant intentions. She would thank him sooner or later - she would, he reassures himself over and over again as he begins to lead the Princess over to his makeshift bed. He ignores the thought in the back of his mind telling him that even if she withheld her forgiveness, he wouldn’t mind too much - he would care much less than he should.

[cluelessteam]

Whispers Through Time: {~Revealing the Truth~}

Summary: After being mysteriously transported into the world of House of the Dragon, a modern-day woman poses as a seer to gain entry into the Targaryen court. Armed with knowledge of the future, she secretly warns Rhaenyra and Daemon of looming dangers while hiding her true identity. As she grows closer to both, romantic tension builds, but so do the risks of her deception. With Daemon's suspicions rising and Rhaenyra’s trust deepening, the reader must navigate her lies while trying to alter their tragic fate—before everything unravels.

Characters: Rhaenyra & Daemon

Pairing: Rhaenyra x Fem!Reader x Daemon

Word Count: 1106

Tag List: @snowtargaryen

Chapter 7 ---

The candlelight flickered over the faces of the trio, casting long shadows that danced across the cold stone walls. The weight of the moment settled thickly in the room, silence punctuated only by the soft crackle of the fire and the distant clatter of footsteps outside. The air between them felt charged, every breath heavy with anticipation.

Rhaenyra stood near the hearth, her hands clasped in front of her as she studied the reader with careful eyes. There was warmth in her gaze, but it was edged with something harder—uncertainty, perhaps even suspicion. Daemon lingered closer to the door, his presence as commanding as ever, though his expression was more relaxed. The subtle tilt of his lips suggested he found the situation amusing, though beneath the surface, he was every bit as alert.

The reader, caught between them both, felt the gravity of the moment. She had been careful, incredibly so, but now, the game was up. They had found her notes, pieced together the warnings and advice that had seemed to appear from nowhere. Rhaenyra had demanded this meeting, and Daemon, loyal to his wife, had come with her. Now, they wanted answers.

“You've been leaving us... these,” Rhaenyra started, holding out the parchment that contained the most recent warning, her voice calm but edged with steel. “Your words have proven to be true so far, but you’ve been hiding your intentions.”

The reader swallowed, her heart hammering in her chest. She had expected this moment to come eventually, but not like this—so sudden, with both of them confronting her. She tried to keep her face neutral, though she could feel her pulse quicken under Rhaenyra’s sharp gaze.

“I had to be cautious,” the reader said quietly, her voice steady despite the turmoil inside her. “You would not have believed me otherwise.”

Daemon moved closer, his eyes narrowing as he studied her, though his tone was teasing. “Oh, we’re well past the point of disbelief. You’ve proven yourself far too knowledgeable for a simple midwife.” He tilted his head slightly. “What exactly are you?”

Rhaenyra’s gaze flickered to Daemon briefly before settling back on the reader. “You claim to be a seer,” she said, her tone careful. “But your warnings, they seem almost too precise. Almost as if…” She trailed off, leaving the implication hanging in the air.

The reader took a deep breath, feeling the weight of the moment. She had to choose her words carefully. “I never said I was a seer,” she corrected gently. “That is what you assumed.”

Rhaenyra’s lips tightened. “Then what are you? How do you know what’s coming?”

There was no easy answer. The reader had thought long and hard about this moment, about what she could say if they ever confronted her. She couldn’t reveal the truth—that she was from a world far beyond theirs, that she knew their history because it had already been written in her own world. It would make her sound mad. So, she offered them the best version of the truth she could manage.

“I have dreams,” the reader said softly, her eyes locking with Rhaenyra’s. “Dreams of things that have not yet come to pass. They are vague, fragmented, but I see enough to understand that some events... can be prevented.”

Rhaenyra seemed to consider this for a moment, her brows furrowing. “So you dream of the future,” she said slowly. “And you’ve used that knowledge to warn us?”

The reader nodded, feeling the tension between them ease slightly. “Yes,” she said, keeping her voice calm and measured. “I’ve only ever wanted to help.”

Daemon’s eyes flickered with something unreadable as he crossed his arms, leaning against the table. “And why help us? What do you gain from this?”

The reader hesitated. She couldn’t tell them the real reason—that she was trying to survive in a world that wasn’t her own, that she had no choice but to align herself with them because they were her best chance at safety. Instead, she chose the safest explanation.

“Because I believe in your cause,” she said finally, her voice soft but resolute. “I believe that you are the rightful rulers of Westeros. And I believe that the Seven Kingdoms will suffer if your enemies succeed.”

Rhaenyra’s eyes softened slightly, though there was still wariness in her gaze. “You could have come to me,” she said quietly. “You could have told me the truth from the beginning.”

The reader dropped her gaze to the floor, guilt gnawing at her. “I didn’t know if you would trust me,” she admitted. “I thought... if I could prove my knowledge first, if I could show you I was telling the truth...”

Daemon let out a low chuckle, though there was no malice in it. “You’ve certainly made an impression.”

The reader’s heart ached with the weight of her lies. She had never meant to deceive them, not really. She had only wanted to protect them from the terrible fates that awaited them if they followed the path history had laid out. But now, standing here in front of them, she realized how tangled things had become.

Rhaenyra moved closer, her expression softening as she placed a hand on the reader’s arm. “I understand,” she said quietly. “But if we are to trust you, there can be no more secrets between us.”

The reader nodded, meeting her gaze. “No more secrets.”

Daemon, who had been watching the exchange with amusement, finally pushed off the table and moved to stand beside Rhaenyra. “You’ve earned our trust,” he said, his voice low. “But make no mistake—we will be watching you closely.”

The reader felt a shiver run down her spine at the weight of his words. She had gained their trust, but it was fragile, precarious. One misstep, and it could all come crumbling down.

Rhaenyra’s hand lingered on her arm for a moment longer before she stepped back, her gaze still intent. “You will stay by my side,” she said firmly. “I want to know more about these dreams of yours.”

“And I,” Daemon added, his eyes gleaming with curiosity. “We will unravel your mystery, one way or another.”

The reader nodded, knowing that the path ahead was fraught with danger. But for now, she had bought herself time. Time to figure out what to do next. Time to find a way to prevent the future from unraveling before her very eyes.

As she left the room with them, she couldn’t help but feel the weight of their trust—and the danger that came with it—pressing down on her like a cloak of iron. There was no turning back now.

[certifiedsexed]

Hi! Kinda embarrassed to be asking this, but I also kinda need the answer in the near future and google's being royally unhelpful.

How much should a gynecological exam hurt?

I'm ace and never had sex or really masturbated as a result, so idk how much of the pain is not used to penetration and how much is possible vaginismus. I've had a few pap smears and two vaginal ultrasounds over the years, and every time, it's felt like someone is tearing me in half. I will have a death grip on the bed trying to keep silent and not cry out in pain... which might not be normal despite every obgyn I've ever seen behaving like it is??? Like, I've even asked multiple obgyns (I rarely see the same one twice at this point, which is frustrating but beside the point) if it's out of the ordinary, and it's always been dismissed as if it'll get better, but it never has. A friend of mine recently implied this isn't normal, so now I'm wondering if I've just always been stuck with shitty gynecologists.

Hi! No worries, google is universally unhelpful, I get it.

So here's the thing: you shouldn't be experiencing that amount of pain even if you're unused to penetration. Tests like the pap smear can cause discomfort and small amounts of pain [specifically when they collect the sample], but the penetration itself isn't supposed to be causing pain, specifically not at that level.

Also, vaginal ultrasounds are supposed to be very mild.[Sometimes they hurt a little but they're mostly just supposed to be a little uncomfortable.]

There's always the possibility you have trash doctors/nurses [which is unfortunately a common issue] and they're not doing it properly. Sometimes there's pain during procedures like that if someone is especially tense too but it shouldn't be that extreme and if you're having that regularly, something is definitely wrong.

[Which is something you can check if you want, being gentle, using some lube and seeing if general penetration hurts!]

An issue here is that procedures like this are often under-researched and people frequently don't listen about things like vaginal pain. Which is shitty as fuck and inappropriate but it's common.

Vaginismus is definitely a very possible cause. Your best bet might actually be going to an OBG/YN who specifically works with people who experience vaginismus and/or general vulvodynia/dyspareunia and talking to them about what you're experiencing.

Because it sounds like you're probably not experiencing doctors constantly doing the procedures wrong [since you're going to so many different ones], but doctors that are still shitty because they don't care about the pain you're experiencing so maybe talking to a doctor who specializes in what you're experiencing would be more helpful.

(Also, like I said, maybe trying to see yourself if general penetration hurts might give you some clarity on the issue.)

I hope this helps! Lemme know, especially if you want more specific info on all of this. <3

[thanaticas]

hi i've recently moved in w some friends and don't know when i'll be able to find employment, i have some savings to lean on for a while so things aren't really dire yet or anything but i'd like to keep making as much money as i can in the meantime. getting back into the swing of things w some really small/simple things first, i'll probably open back up to paintings/more illustrative work sometime within the near-ish future as well :-)

humans/humanoid ocs only, some fanart OK. prefer ttrpg & video game related ocs especially! (designs featuring body horror etc fine as well 👍)

$25 to $40 or so depending on design complexity, payment through paypal invoice, dm me here on tumblr or shoot an email to thanaticacommissions@hotmail.com (or discord friends can message me there too)

example posts here and here

[bethanysmiled]

Thank you for following me and for all the things you’ve shared with me. I did not expect to receive so many thoughtful messages over the years. So many of you have expressed how my art has helped you, resonated with you, and connected to you. I’ve always created for myself, yes, and my art is very special to me. Hearing that my art has been special to many of YOU has brought with it a sense of fulfillment that I never set out to achieve, that feels like a gift.

I’m sorry I don’t post anymore. I’m happy to say I’ll at least have a few more stickers and maybe a charm released in the near future. (The stickers will be of much higher quality, which I’m happy about!)

Thank you again for sticking around, and for sharing yourself with me.

[letsatomicbanana]

List (that i did for fun) of TV tropes that fits Ink as a character (only some have an explanation to them)

- ''Attention Deficit... Ooh, Shiny! - They are unable to maintain focus on anything for more than a few minutes before getting distracted by a shiny object, hence the trope title.''

(https://tvtropes.org/pmwiki/pmwiki.php/Main/AttentionDeficitOohShiny)

- "Forgetful Jones - A character whose defining characteristic is being ridiculously forgetful"

(https://tvtropes.org/pmwiki/pmwiki.php/Main/ForgetfulJones)

- "No Listening Skills - This character never listens"

(https://tvtropes.org/pmwiki/pmwiki.php/Main/NoListeningSkills)

- "Disability Immunity - A characters' disabilty makes them immune to some sort of attack, trap or ploy that would otherwise be effective"

Explanation: Ink can't have his soul controled/destroyed in fights due to a lack of it. (he also canonically can't get hypnotized and certainly sees that as an advantage)

(https://tvtropes.org/pmwiki/pmwiki.php/Main/DisabilityImmunity)

- "Your Days Are Numbered - A character is doomed to die in a near future"

Explanation: The adherence to his vials makes them dependent on the fandom's productivity for survival, which will certainly have it's prodution ceased in a near reality.

(https://tvtropes.org/pmwiki/pmwiki.php/Main/YourDaysAreNumbered)

- "Fictional Disability - Characters who have some sort of disability that doesn't exist in the real world"

Explanation: ''Lack of Soul/Soullessness'' is a categorie of a disorder that do not exist or is cataloged in any type of current diagnostic manual. Even though it reflects several existing disorders/disabilities.

(https://tvtropes.org/pmwiki/pmwiki.php/Main/FictionalDisability)

- "No Social Skills - A character is mostly ignorant of and often confused by common social conventions and behaviors.".

Explanation: "With him hardly having a proper social understanding [...]"

(https://tvtropes.org/pmwiki/pmwiki.php/Main/NoSocialSkills)

- "Brutal Honesty - Sometimes this can separate a polite person from an impolite person, since a brutally honest character may say exactly what's on their mind"

Explanation: "[...] he's blunt in his teasing and mocking..."

(https://tvtropes.org/pmwiki/pmwiki.php/Main/BrutalHonesty)

- "Fish out of Water - A character is placed in a situation completely unfamiliar to them"

Explanation: Ink was completly isolated from social connection for most of his early developmental period. Seemingly not even being aware of the concepts of 'rain and snow' after he left his doodlesphere, which showed a severe lack of understanding of the world's functions and rules.

(https://tvtropes.org/pmwiki/pmwiki.php/Main/FishOutOfWater)

- "Driven to Suicide - For whatever the reason, a character may be driven to take their own life"

- Explanation: Ink ripped his soul, that's about it.

https://tvtropes.org/pmwiki/pmwiki.php/Main/DrivenToSuicide

[fazedlight]

Plummet (Cat's perspective on Falling)

Cat had started so optimistic. Kiera, finally dressing as an adult? It was a promising development for her executive-assistant-slash-vigilante, one that suggested the kryptonian could possibly grow a backbone in the near future. Goodness knows Kiera desperately needed to come out of her shell. 

Cat had ignored the… well, cattiness emanating from the blonde. A bit of cynicism would’ve been icing on the proverbial cake, had it not heralded something darker.

But when Siobhan marched proudly into Cat’s office, showing her the security footage of Supergirl letting a dangerous criminal go, Cat knew something more was going on. And this morning she used my personal elevator. Perhaps she’s truly lost her mind, Cat thought. “It could be another Bizarro,” Cat said to a disapproving Siobhan, “Put this under your hat until we figure out what’s going on.”

---

Kiera seemed to only get more haughty over time. “You’ve branded me in the media as a girl scout,” the kryptonian said bitterly. “Everyone knows real people have a dark side.”

Where is this coming from?, Cat thought. Psychotic break, brainwashing? Carter loved that old TV show with the star treks, and once spent an entire month talking about mirror universes. Was this an evil Kiera with an invisible goatee? “I fear that you're having some sort of mental breakdown,” Cat said, “Don't worry, it happens to the best of us-”

But Kiera snapped back. “You are the most arrogant, self-serving, mean-spirited person I know.” Tell me how you really feel, Cat thought to herself, but she had to admit that those words struck a little close.

But that hurt was very rapidly replaced by a more primal fear as the kryptonian approached her. “You want to see what powerful really looks like?” Kiera said, “Watch.”

---

They say your life flashes before your eyes. That’s not what Cat saw. Nor did she have a single coherent thought, other than Carter’s face and endless screaming.

Luckily for her, her assailant didn’t kill her. Cat collapsed inelegantly to the ground, turning back up in a panic as the scornful kryptonian stared down at her. “True power, Cat,” Kara scoffed, “Is in deciding who will live, and who will die.”

Somewhere in the back of Cat’s mind - a stray thought as she tried to calm her pounding heart - she understood. She has all this power, but she couldn’t save her planet. Kiera was just as frustrated at her own powerlessness; her history would be enough to cause anyone to have a psychotic break.

Unfortunately, it didn’t change what Cat had to do next.

---

“People are in danger,” she said to James and Winn, as she shared her plan for a televised broadcast on the kryptonian’s erratic and terrifying behavior, “The public needs to be warned.”

“Miss Grant,” James started, “Look, I am sure that Supergirl is going to be fine soon-”

“Can you guarantee me that the public is safe?”

James and Winn shifted guiltily. I know this isn’t her, Cat wanted to say, I know this isn’t who she is. But Cat couldn’t carry a death on her shoulders of someone who trusted Supergirl because of her words. And Cat suspected that Kara - if the girl ever recovered - couldn’t bear that guilt either.

But she hated every moment.

---

Is there any recovery from this?

Kiera had been a wreck at work that day, scurrying around the office with slumped shoulders and stressed eyes, avoiding Cat entirely. Cat supposed she was breathing easier now that Kiera was back to normal, but it still evoked the same question - What happens with Supergirl next?

As Cat walked into her office that evening - intent to pour herself a stiff drink - she was surprised to find a metal tube set on her desk, with a folded piece of paper propped up against it. “I’m sorry,” the letter read, in familiar loopy, feminine writing. “I wasn’t myself.”

Cat opened the tube, noting a strange green glow inside. Kryptonite, she realized, sighing internally at the thought of Kara entrusting her with this sort of protection. “I don’t want you to feel unsafe. If you want me to stop interacting with you, I will,” the letter read. Cat closed the tube, mulling again over her assistant’s state of mind. Sighing, she placed the tube in a drawer, pouring herself a drink as she had planned, before making her way to her balcony.

She shouldn’t have been surprised to see the super when she stepped out, but somehow she was. Kiera sat far from the door, quiet as she looked out onto the city lights. Cat knew the super must’ve heard her, but she didn’t face her - perhaps waiting for the sendoff she thought she deserved.

Cat stepped forward quietly, reaching the railing of the balcony. And that’s what gave Kiera the courage to speak. “I love this city,” she said solemnly.

Cat stood silently, listening to the kryptonian’s words - weighing the tender passion with the agonizing remorse. “What I did to you, Miss Grant-”

“Oh please,” Cat said, shrugging off. “I’ve base jumped Kilimanjaro, do you really think you scared me?”

Well, that was a lie, and they both knew it. “Okay, yes, you did scare me.”

“I scared the whole city,” Kara lamented.

“It’s not going to be easy,” Cat said. “But if anyone can win this city back, it’s you.”

Kara nodded gratefully, biting back unshed tears. “Can I just… stay here for a while?”

“Of course,” Cat said softly. 

In the soft breeze and the quiet night, the two looked back over the city, and wondered what was to come.

----------------------------------------------------

I found it a really weird writing choice that Kara never apologized to Cat - or didn't seem to understand the fear she must've instilled in her, after throwing her off a building - so I tried to fix it here. (I have thoughts on Kara's relationship with kryptonite, but I will spare this post of that ramble.)

[thisapplepielife]

Written for the @steddieholidaydrabbles pop-up Anniversary challenge.

Out of Sight, Out of Mind

Prompt: Anniversary | Word Count: 1000 | Rating: T | CW: Language | Tags: Future Fic, Eddie Munson Lives, Or Did He?, He Definitely Did Right?, A Glitch in the Matrix, Shifted Timelines, Parallel Universes, Sliding Doors

"What are you doing?" Eddie asks sleepily. Out of the corner of his eye, he caught the familiar shape of Steve crossing along the foot of bed, heading towards the window. 

That isn't unusual. If Steve hears a siren, or a dog barking, anything, he crawls out of bed and heads to the window to look. But tonight, Eddie hadn't heard anything. 

"Huh?" Steve responds, from bed, next to Eddie.

Eddie looks again, expecting to see Steve bent over at the waist, looking out the window, but there's nothing there. Instead, Steve's in bed, and has clearly been asleep.

Eddie swallows. Maybe he was dreaming, "Sorry. I think I was dreaming," he says, hoping he can convince himself of that. He looks at the alarm clock on the nightstand, and it's just after three.

Steve chuckles, voice rough with sleep, and pulls the comforter up over his shoulder.

Eddie thinks, weird. 

But then it continues happening. 

All day, he's felt like there's someone just out of his line of sight, and that person seems a whole lot like Steve. Eddie isn't scared, per se. He's unnerved, for sure, but it feels like Steve. Not a ghost or a demon, or anything sinister. 

It's just like a second version of Steve is moving around the house, dancing along his peripheral vision, and Eddie is forced to only observe. 

It's not until later that he realizes the date: March 27th, 2006. 

It's the anniversary of his near death in the Upside Down. That can't be a coincidence. That's the day he was sure he was dying, if not already dead, and then he suddenly wasn't. The bites weren't that bad. All superficial. He barely even needed any medical attention at all.

Dustin had overreacted.

And, yeah, it felt hazy at first, but they all just blamed it on the stress and adrenaline he'd been pumped full of. Blamed it on the near death experience that wasn't actually that near death at all.

And now, he's seeing an echo, a ghost, of someone very much alive. 

There's a glitch in the matrix. 

Like when you see two people, strangers, on public transportation wearing the exact same shirt, sitting one row in front of the other. Only, Eddie's seeing Steve. A different version of Steve.

Eddie does a deep dive on the internet. Decides it's not a glitch in the matrix at all. Instead, he's pretty damn sure he's shifted timelines from the one where he died, to this new one where he didn't, and now they're bleeding together. All these years later.

Steve listens, patiently, and then kisses him on the top of the head, "Honey, I was there. You lived. I promise. 'Twas barely a scratch."

Eddie nods. 

Of course. Of course that's true. 

But he thinks maybe the other outcome was true, too.

Shadow Steve is getting more vibrant, and now Eddie can follow him around the house. Not really able to look at him straight on, but if he keeps the corner of his eye trained in his direction, he can see him for longer stretches.

He's the same, but different. 

Quieter, sadder. More alone. 

And there's no Eddie there. Eddie is 100% sure of that. 

He's gotta do something about this.

Eddie's sitting outside of Nancy's office when she comes out of the door.

"Eddie!" she says, surprised, but happy to see him. He's about to rain all over her parade.

"I'm dead. I'm in the wrong timeline," he says, and her face falls. She reaches out, and puts her hand on his forearm.

"C'mon," she says, and he gets in her car, and looks down at his hands.

"What's going on?" she finally asks.

"I'm seeing Steve, in the house," he explains, and she raises an eyebrow, and he laughs, "Not that Steve. Not my Steve. But he's there, too. He's good," he promises. Because he knows she'll worry.

"Start from the beginning," she urges, and he does. Telling her everything.

"It's just a glitch in the matrix," she assesses, and he shakes his head.

"It's not. It's too frequent. It wasn't a one and done deal. It wasn't a trick of the light, or a shadow. He's there. Just outta my sight. Like he's in a parallel universe."

"And you're sure it's Steve? Not something Upside Down-related?"

"It's Steve. I'm not scared of him. Because it's Steve."

Nancy follows him all the way back to Hawkins, then sits on the bed beside him. 

"Eddie," she says, and he shushes her. Taking her cheeks, forcing her to look in the direction he wants. It doesn't take long.

"There!" Eddie says, and Nancy gasps. 

Fuck. He was kinda hoping he was just losing his mind.

"You can see him?" he asks.

"I can see him. Barely. Out of the corner of my eye. It's definitely Steve."

Eddie sighs, "Told you. What the fuck do I do now?"

Steve can't see him. Eddie can. Nancy can. Robin can. Dustin can.

But, Steve? He just can't.

Nancy thinks it's because it is Steve. The same Steve. Just minding his own business in another timeline, that's now somehow bleeding into theirs. 

"Do you think this is lingering weirdness from the Upside Down?" Eddie asks.

"If it is, we should get El," Dustin suggests, and they all agree.

El takes one look at him, "That is Steve."

"Yes, we're aware," Eddie says, "how do we merge the two?"

"You cannot."

"Can we at least close the damn curtains?" Eddie doesn't want to keep seeing this Steve.

El thinks about that, "Maybe."

She forces Steve to hold her hands, and while reluctant, he's willing. For Eddie.

It's quiet, then Steve says, "Oh, whoa. That's me." Then, "Tingly."

And Shadow Steve fades away. Disappearing, like he'd never been there.

"Is he okay?" Eddie asks. He doesn't want any version of Steve to disappear. 

"Yes. Now you cannot see him. Not gone, just invisible again."

"Out of sight, out of mind?" Eddie asks. 

She nods, "Exactly."

If you want to write your own, or see more entries for this challenge, pop on over to @steddieholidaydrabbles and follow along with the fun!

[sitp-recs]

Between the Power Lines by @tackytigerfic (M, 3k)

For Harry Potter, all roads eventually lead to Draco Malfoy. Or: this is not an AU! It's just Harry and Draco meeting by chance in an imported food shop in Connecticut and going on a road trip together. Featuring motels, cacti, Americana, and a hefty dose of pining.

In New Orleans, they got drunk on Bourbon Street, and Malfoy danced on his own (arms bare, laughing; Harry could have watched him all night) and later on, so late it was almost morning, they let themselves into the St Louis Cemetery—Malfoy unpicking the lock so sweetly—and walked around until the sky was pink-edged with the promise of another day’s heat. Then they sat on the steps of a crypt, watched over by sightless eyes of the statue of an angel. She looked exhausted rather than sad, Harry thought, and that made a lot of sense when he thought about his own longstanding, dull-edged grief.

It’s been ages (or 2 years) since I last wrote a rec for Tacky (I usually write for other readers, except when I’m reccing friends - then I write for them) and their birthday was the perfect excuse to put my reccing muscles back to work. I almost bailed out because I know this is one of T’s own faves and “what if I don’t do it justice?” but that tired angel banner has been sitting in my drafts for 3 long years and it deserves a proper rec!

Where to even begin? Anyone who knows Tacky is aware of their superb prose - rich and nuanced, compassionate, effortlessly funny, with a strong sense of place and a soft spot for suds scenes and filthy m-rated sex I mean devastating romance. Their writing breathes heart and personality, very much like Tacky themself. So knowing that this fic came out exactly as they intended it to should be enough to make you go read this right now, but in case you need further incentive, see below all the reasons why this oneshot is so special to me:

1. The *vibes*: if you thought that 3k is nowhere near enough to build the sexiest, most intriguing Americana atmosphere you’ve seen, think again. The aesthetics are impeccable here, decorating the beautiful and strange landscape - cacti and cheap motels included - into something peaceful and desolate, an overarching melancholy making it even more compelling. The dialogue is brilliant but the silences are just as loud and meaningful, with a quiet intimacy and a dreamlike quality that make you feel as if you're intruding a memory.

2. The romance: at this point everyone and their dog know that pining!Harry is Tacky's jam - they luxuriate in making us all suffer with him until the realization that Draco has been loving him back all along slaps us in the face. Harry is so stupid and desperate and wanton, I love it. And the way Tacky reinvents this delicious trope to make it work in new angsty ways blows my mind. Imo the slow burn is particularly effective here, a feat in any 3k story, because the narrative gives us so much character insight. We learn all the little things that make these two lonely boys tick as we watch their ever-changing perception of each other evolve from a tentative truce to reluctant confidants to a comfortable, easy love that comes naturally and earned. We often get those bits of information from imagery and emotions alone, no dialogue needed, and a road trip is the best way to explore those dynamics in a smooth, unhurried pace.

3. The journey: this is truly an immersive journey, not only physical as we keep jumping from one destination to the next, but also emotional, as we learn more about their vulnerabilities and desires the more they gravitate towards each other. This story shows that being far away from home can be both freeing and grounding, when you’re stuck with your hot enemy someone who knows about your darkest hour. It gives you the chance to heal and visualize a different future without forgetting your past or letting go of that which has shaped who you are. I love their chance encounter and how this poignant 30k love story is told in such impressive economy of words.

TL;DR: if you’re a short form fan and prone to melancholy like me believe me when I say it doesn’t get any better than this. The whole road trip shebang mixing grief, romance and nostalgia wrapped in Tacky’s lush writing is a gift to any reader and an elegant work of art. Enjoy!!!

[damn-stark]

Chapter 22 Hanging tree medley

Chapter 22 of Moonlight

A/N- ;) Closer and closer to our boy Cregan

Warning- VIOLENCE, GRUESOME DEATH, swearing, talks of pregnancy, and blood, angst!!, fluff, SPOILERS FOR FUTURE EVENTS OF HOTD, USING FIRE AND BLOOD, long chapter.

Pairing- Aemond Targaryen x Velaryon!fem-reader, Cregan Stark x Velaryon!fem-reader

Episode/Pages- 462-463

(If you want to be tagged let me know)

————

*3 DAYS LATER*

Dull blackened walls. Leaking roof. Rain, rain, and more stupid rain for 3 days!

Besides, seeing Alys for breakfast, lunch, and dinner all that you have is stupid dull walls, a leaking roof, and rain! All because of Aemond! All because he’s under some stupid mind trip! You don’t know how much longer you can take it, you don’t want to stay trapped in the same stupid four walls or you’ll go mad! You need to get out, you desire it with every fiber of your being, but there’s no way out besides the front door and that’s heavily guarded.

All that you have as an alternative instead is staying busy inside your chamber while it’s day. Yet when you’re awake you think of what Aemond did and tears escape your eyes, so you sleep. Sleep and dream apparently.

Of what? You don’t know, but it’s clear though. You’re in some unknown house with the sun casting through a window, looking out at a cobbled street, and a clean and beautiful white house. You want to feel the sun on your skin after being stuck under gloomy skies for so long, but ‘tis a dream. You can only see the sun dancing on your fingertips.

“Laenor.”

You freeze with your hand reaching for the beam of light and hold your breath as if any slight movement that you make will make this dream disappear.

“Stop! What are you doing?! You know you can’t go!”

The voice is familiar, but no matter how hard you try to connect it to a memory of someone, you’re unable to find it in your mess of a mind.

Footsteps quickly approach soon thereafter though, but you remain frozen. Even more so as you wonder if what you’re dreaming of isn’t some dream at all, but something made by Alys. A vision of the past foretold in a dream.

“You can’t stop me Qarl,” a different voice counters in a faltering sharp voice. And this voice, unlike the other one, is easy to connect to a person. This voice…belongs to your father. You can’t forget it no matter how much you have tried—“I need to go. I am going to see her,” you hear your father add before you see his figure in the corner of your eyes as he approaches the front door.

You want to look, you want to see him, and you know you will because this dream is too clear, too vivid for it to be a figment of the inner workings of your mind, but the best you can do is lower your hand back to your side and let out a shaky breath.

You can’t look, not even as another pair of footsteps quickly make their way over before slamming the door shut.

“What if you are caught, huh?” Qarl, the man with the voice you can now identify, argues. “Do you think that 5 years is enough for people to forget how you look?”

“I don’t…” your father trails off and you hear his feet shift against the wooden panels. You think that he’s going to follow up with something quickly, but the silence lingers, making you grow insatiably curious to the point you slowly turn and finally see him; it’s the side of his face, but it’s him and he’s so much thinner, he has eye bags, and sunken in cheeks. He almost looks sickly. Is he?

“I don’t need to make some big public announcement,” your father's voice quivers. “Qarl, I just need to see her. It’s been five years, she should have returned from Winterfell already, meaning she’s in King’s Landing, which leaves me the perfect opportunity to see her without getting caught.”

“That’s if you can even get near, it’s been five years, Laenor. She’s changed, the girl you knew is gone. What if it’s not possible to see her?” He queries and lifts his brows to press him to answer, but your father just scoffs and lets a faint smile appear on his face.

“I do not care if she’s changed,” he retorts and lets his bag slip from his arm. “I welcome it. I just need to see her, Qarl. I’m dying and all that occupies my mind is her. I…dream of her. She fills my every thought. Her. My daughter. My little girl.”

His words are simple. They’re so simple, but oh do they have a way to puncture your chest and make it ache. No matter how upset you want to be over the choices he made, at this very moment as you hear him, as you see him desperately pleading, you can’t stay upset. Not even a bit.

“I made her,” he says shakily with a wobbly smile to match his shaky words. “Me. She's the best part of me and I left her behind. You don’t know what that feels like, the guilt that torments me so, because she’s not your daughter. You’re not a father, but I am and I left her,” he cries as he touches his chest.

“I left them, and now I’m dying so all I need is just to see her,” he continues softly. “I don’t need her to see me even though I wish it. I don’t need to embrace her even though I dream it. I just need to see her from afar, I just need to make sure she’s okay and happy. If I die there in the stinking city then at least I would have gotten to see her one last time, so no Qarl you cannot stop me. I’m going so you can either stay or come with me.”

He was coming to see you. After you had all this doubt about his love for you, he was going to come see you before he died.

He still left you behind and made you believe he was dead, but he still thought of you, he still loved you after all that time, how can you stay mad at that? How can you forsake him when he has never forsaken you?

Albeit does that really aid your agonized soul? No, it still aches, perhaps even more so now that you know this truth. But past that agony that you feel, a part of you doesn’t hurt as much as it used to when you thought he forgot about you. A part of you feels at ease and healed, and it’s thanks to Alys.

For whatever reason, whether from the kindness of her own heart or a tactic used to motivate you out of your depressed state, you’re thankful and motivated. You can say that you will actually fight to get out now.

However, no matter how much you do wish to escape this past vision given to you through your dream, you can’t. You can’t leave yet. Instead, your surroundings slowly change. Where there were once walls from a house, now there’s an endless horizon, sand beneath your feet, and crashing waves against the shore.

Confusion is quick to take over you, polluting your every thought until you hear violent hacking from behind you. After that curiosity slowly creeps through, making you turn and freeze in horror when you see the vast ocean scene polluted by the remnants of a wrecked ship. Which means the hacking you heard…

You don’t want to see who’s lying on the sandy ground. You don’t want to, but you must, so you turn around slowly, and there on the ground lies your father, bleeding out from a puncture wound in his stomach.

“Father!” You cry out and before you know your feet carry you to him and you fall by his side. “Papa,” you whisper and reach over to grab his face and tilt it over.

When his eyes find you before him, face to face, his gaze begins to narrow as he seems to try and work out if you’re real.

“It’s me,” your whisper quivers. “It’s me. Your little Siren. Papa. You must know it’s me.”

His eyes slowly soften, making his pupils dilate, whilst his lips tug to a relieved smile. “It’s you. My little Siren.”

“Papa,” you mewl.

He chuckles out of joy and doesn’t hesitate cupping your face. “Look at you,” he coos. “You’ve grown into a beautiful young lady.”

You break into a smile and stroke his cheek. “Papa…I thought…I thought you didn’t love me. I thought you left me behind because you didn’t like me.”

He scoffs and shakes his head. “No, no. How could I ever hate you? I love you. That’s why I left, you must know.”

You nod. “Yes, I know,” you assure him and keep stroking his cheek. “I know. I have so much to tell you, like—like you’re a grandfather. Aerion is my boy's name. He’s so beautiful.”

His smile softens, and he pulls your face towards him so you can press your foreheads against each other. “Will you…sing me a song? One last…time,” he whispers.

You nod as tears crawl out of your eyes. Yet before you can even think of a song to sing, his grip slips from your cheeks, and his head falls back limply as he takes his last breath.

“Father!” You weep. “Father, please don’t leave me again. Papa!” You cry out and slide your hands down to shake his shoulders. “Papa! Please, please.”

No amount of pleas will bring him back, you know that. It’s just a vision of the past, you know that, but you still try your hardest. “Please, papa. Please you must live. You must stay. You have so much to see, like Aerion. You have to meet Aerion and the twins. Please papa. Please.”

It’s no use though. His heart isn’t beating and no breaths escape past his lips. He’s gone, and all you can do with what little time remains is bury your face in the crook of his neck.

When he slips away and the scenery follows, you wake up to the dull and blackened walls, you wake up with your cheeks pampered in tears, but a fury lit within you that makes you want to fight your way out. After all, you’ve proven that you can. Even if you’re pregnant you can do it because you can’t stay here a moment longer. You need to leave, you need to see Aerion, and most importantly not be here when Aemond returns.

Thus after you take a deep and shaky breath, and wipe the tears off your cheeks, you slip off the bed. And since you have no weapons you simply walk to the doors with the intent to lure inside one of the guards standing outside the doors.

However, when your hand hovers over the knob a thud hits the door making your shoulders jump and a breath to escape past your lips.

What are they doing out there you wonder. And to satisfy your curiosity you lean forward with your breath held to peek through the crack between the doors, noticing your guards dead on the ground and two strange men standing over them with different colored outfits that don’t match the guards left to protect you. These men also have a more rugged appearance and don’t use armor like your men do. Are they Rivermen?

They must be, and you can’t take it for chance. If they’re here killing your men after Aemond and the army left then they’re not here on good terms, and it’s doubtful that whoever is leading them will let you have your freedom.

If it was you leading these men here then you would take yourself as a prisoner; you’re valuable on both sides, and unless they’re stupid then they’ll take you captive and cut some deal with your Mother or Aemond.

Which means you have to go to Astraea and leave at last, so with that in mind you quickly search your chambers and when you find a dark corner to hide in to get a jump on them, you start to move to it.

Yet just as you make it past the door, they swing open and the men make themselves in, ruining your chance to hide.

“Your Grace,” one of the men greets you mockingly and bows their head.

You’re at a standstill so you just pierce a glare into them and try to find something to use against them as they immediately become combative, proving they’re not stupid.

“We saw the purple dragon fly out and assumed you were gone,” the second man says, telling you at that moment Astraea must have gone hunting, she wouldn’t leave otherwise. Not while you’re here against your will—“We came into the castle, saw the guards, and thought nothing of it until there were two at the door. Must be our lucky day that the Kinslayer didn’t take his wife with him.”

You can’t find something to use against them, not while they both have swords, so you start to inch toward the doors.

“If you’re going to take me captive do it,” you try to end your torture. “At your own risk, you are Rivermen, you serve under the Queen, and she won’t be happy to hear you took her only daughter captive.”

The men look at each other unaffected by your threat and one of them proves that. “Aye, she won’t. Neither will the Kinslayer find joy in hearing his wife got taken, but Lady Frey wants Harrenhal, I imagine either of them will grant us the keep and the lands for you. Whoever does it first gets you back and gets our support.”

Lady Frey? As in Lady Sabitha Frey?

Of course, the Frey’s are up to no good.

Regardless, you don’t want to let Aemond respond to their deal first. He is closer so he will arrive here faster. And if he does he’ll only leave you in the same predicament someplace he will deem safer, which will be probably someplace like Oldtown or somewhere your mother nor anyone else would dare attack, and even thinking of being kept locked away in some isolated place terrifies you more than what these men could do, so you have to reach Astraea. But first, you have to escape these men.

You are close to the door so you can slip away when there’s an opening. You just need one more step. And you take it while not looking at the door to avoid giving them the idea that you are planning to escape. You just lift your foot up and put it back to get ready to quickly slip away.

Yet just at that precise moment, one of the men catches what you were plotting and immediately pulls his sword out to lunge forward, pointing the tip of the blade at your belly, the only place that will guarantee you to come to a complete stop.

“Not so fast,” he taunts and clicks his tongue.

Your breath falters but you don’t show your fear through your expression, you instead lift your nose in the air and clench your jaw to show frustration.

“Easy Angelo,” the second man warns the man as he sees where his friend points the blade. “We need her unharmed.”

The first man, Angelo scoffs and side-eyes the second man. “I’m no idiot. She just won’t try anything now, will you?” He directs at you as he starts walking around you without letting his threatening aim falter. However, you don’t respond, you just follow him with your eyes until he gets behind you with the tip of the blade now pointed at your back.

There’s room for threats, you could tell them that Aemond has Vhagar, the biggest dragon in the world, who can easily burn them to nothing but ash, but they know that. They know the firepower both sides carry, just like they know that you have a dragon of your own, so it means that they don’t care because they have you. They have the advantage, that’s what they know. But what about what you know?

No matter what has spread about you, they still doubt you. They don’t believe in your wrath, they’re ignorant to the picture others have painted of you because you’re a woman, a Princess who can’t have the capability of spreading such destruction.

That’s where they’re wrong though and you’re glad for it. You can thank their ignorance and their misogynistic views for that. And it’s because of the way they think that you easily find an escape. It is a bit more gruesome than you anticipated, but without a weapon of your own, you have no other choice but to be violent. They left you with no other choice but to fling your fist back just as he puts his sword away in an attempt to tie your hands together, and hit him right in the throat, making him stumble back as he starts to choke. You then swiftly spin around before he can recover, catching him reaching for his sword with one hand, so you hastily run at him and suddenly jump on him.

Once you’re clinging onto him the other guy shouts, whilst Angelo grabs a fistful of your hair to try and yank your head away, but since he’s still choking you manage to throw your head forward and sink your teeth on the side of his neck.

At first, your mind forbids you from sinking your teeth any deeper than you’re supposed to, but adrenaline and fear take control, so before you know it you bite through his flesh, causing blood to immediately flood out in your mouth and spill down your chin. You then yank your head back and rip a piece of flesh from his neck, rendering him nothing more than deadweight at that very moment.

No more taunting, and no more doubting. There’s just his blood as it squirts all over your chest and face until you let go of Angelo, and let him fall limply to the ground with a loud thud as you spit out the piece of him you ripped out.

“Angelo!” The other man shrieks, reminding you he’s there after feeling the rush of the moment cloud your mind.

“<That's right,>” you murmur in High Valyrian as you turn around and see how horrified the man is, to the point he stands there paralyzed with his widened eyes on his dead friend. He doesn’t seem to notice that you’re there anymore, not until you snatch the sword from the man’s corpse. Even then he fails to counter, it just seems like his eyes are almost going to pop out of his skull when he sees the bottom part of your face, and your chest covered in his friend's blood.

Yet it’s his inability to react that makes him an easy but also disappointing target. You want him to put up a fight, but he returns his gaze to his friend and with his last breath utters the name, “Angelo.” You then lunge the blade through his stomach so hard that the blade comes out of the other end.

After both men are nothing but corpses spilling blood over the ground you drop the blade and lift your nose in the air as you take in heavy breaths and think of what to do next. There’s no doubt more Frey men are here, Lady Frey wouldn’t be stupid enough to come with just a couple. She should have come with a handful of men, and a handful of men is just enough to overwhelm you and lead you back to the same problem you were just in, but worse because you wouldn’t be able to escape more of them.

It’s why you need to take your chance now that you have it. There’s no more men coming. They don’t all know you’re here, not besides the two that you just killed going by what they said, so you can make your escape.

Alys is here too, but you don’t need to worry about her, she can take care of herself. And Ser Jason? Aemond had him locked away so he wouldn’t get you out, there’s no way you can reach him without getting caught, so…you have to make the hardest choice and leave him behind. You can’t get caught or you’ll just be locked away again, you’ll fall into the same trap that put you in danger in the first place, so you have to leave before they see you. Ser Jason will understand that.

“Sorry, Ser,” you murmur to yourself as you drop the blade and don’t hesitate a moment longer before you leave the room.

Once you're in the hallway though you come to a stop to try and hear if more men are approaching. When you hear nothing, you stick to the shadows and sneakily make your escape. Luckily the castle is large, with a lot of area to cover, so none of the men or Lady Frey have reached the corridors you stride down. They don’t occupy the courtyard you run down, but you do hear voices in the distance once you’re outside, they sound close, but they’re not on top of you yet, so you just quicken your pace.

When you make it out of the walls you stand against one and glance at the woods and open area. If Astraea is hunting she’ll hunt for deer or some bear or something since you’re not close to the sea for her to hunt her fish. The woods don’t offer her the space for her to catch her meals so she’d be roaming over the tree line, over the open fields where she has space and more visibility. That’s where you’ll find her, so going off instinct, you continue to run.

Running while pregnant is not easy though. Especially not with twins, not when you're six months along; they weigh you down and make you slower, but you don’t let that stop you. Not at this moment, you push yourself as much as your body lets you. Your heart quickly begins to race, your rushing blood thumps in your ears, and beads of sweat form on your forehead, but you don’t care, you keep running and running.

The need to keep straining yourself in order to find your dragon only grows tenfold when you hear men in the background shouting to catch you and return you to the castle before you can reunite with your dragon somewhere in the distance. And since they’re not carrying twins they’re faster than you. Since their legs aren’t throbbing with the additional weight or out of growing exhaustion, they’re faster.

They get closer and closer, making you keep pushing yourself, making you try to run faster because you can feel her nearby. She’s close, you can feel it. You just need to run faster. She’ll scare them off.

However, your efforts are proven useless when one of them manages to get the lead out of the others he’s with and throws his arms around you to yank you back, pulling you to a harsh stop, and preventing you from reaching your dragon.

“Let go of me!” You bellow and try to throw your elbow back, but two more men catch up and take ahold of your arms, making your efforts to escape fruitless. “I’m your princess!” You throw out and kick your feet as they start pulling you back, but they don’t care. They see the blood staining you and don’t care. And since a lot of men are returning you to the castle they don’t care about you kicking or squirming.

Your fight is nothing to them, which makes returning to the castle an easy effort and once you're inside you're taken to the Godswood right away where you're pushed to your knees in front of none other than Lady Serena Frey, an old shrewd who was recently widowed, and who apparently has nothing better to do.

“Princess,” the old woman greets you and curtsies which means nothing when you’re on your knees with your hands tied behind your back. “It’s an honor meeting you. I will say you look nothing like your brother.”

You clench your jaw and narrow your glare on her at the mere mention of your brother.

“I expected to come to a weakly defended castle, but alas you’re here,” she continues to talk confidently with her chin up in the air, relishing in a confidence she can only gain because there’s no dragon nearby, you’re on your knees, and she knows Aemond and your own mother are far to do her any harm. “You truly are a sight for sore eyes, Princess.”

You tilt your head slightly and finally break the silence you had kept since you were put before her “You would be rewarded handsomely if you deliver me to my mother without strings, don’t you know?”

Lady Frey steps forward and lets out a deep breath as she seems to weigh on what you say before she sighs and nods stiffly. “Perhaps I would be rewarded, but what’s better than the jewel to the Riverlands? I was promised to be its Castallen but alas the one who made the promise is dead. Killed by arrows I heard.”

Your breath falters, and you drop your eyes to the ground as you make the connection that it was Jacaerys that she was referring to this entire time. It was your sweet and now deceased brother. You realize that and the memory of him only stomps on the ashes of your heart, making you ache.

“And with you as my prisoner, the Prince Regent and The Queen would both willingly give me what I want without the need of waiting until the war has ended,” she adds as her eyes burn into your downcasted attention. “The only question is who will offer it to me first with good benefits.”

“You have dominion over the twins, what more do you need? Surely this castle can’t be worth more than that?” You spat as you slowly roll your eyes up to meet her gaze without that ache reflecting in your eyes. You make sure not to demonstrate your sorrow when meeting eye to eye.

“With your brother dead you will most likely be heir now, if not you will rule over somewhere important, and if not you will always be a spoiled princess pampered until your death, so you will never know our struggles,” she rebuttals spitefully. “You don’t know what it's like having to fight to live. Holding Harrenhal is a promise for a better life, and respect. So yes, Your Grace this castle is worth far more than the Twins.”

Alright…

You remain speechless and just hold her gaze fueled with determination for a moment, and actually feel a speck of admiration for her need to fight for better, but you know now nothing will get her to let you go. You know Aemond will answer first and you know where he will leave you. He’s leaving you no choice…

You didn’t want to fight back with fire or blood. Whatever the case the Frey’s are allied with your mother, they let the Northmen cross and some have fought alongside them for your mother, so they have been allies, but if you let them take you you know where you’ll end up. And the fear of being locked away, of being useless when you can be the key to something great, or even something small that can give someone an advantage, is consuming.

It’s why you can’t stand the idea of being locked away. It’s why you won’t stand being locked away a moment longer, or for a far longer time, even if it’s what Aemond thinks is for the best. Which is funny to think about as you're currently on your knees with your hands tied behind your back because this need to keep you here where he thought your safety was guaranteed is what put you in your current situation. And it was only 3 days after he left. Not months, days! So it’s kind of funny, no?

He surely wouldn’t think so, but it sure as hell is funny to you. You could almost laugh at the irony of it, and all for what?

If only he could see you now. If only he could see the situation HE put you in. Him. Not anyone else, him, him, him, and only him. And all because of what?! A fear you don’t understand after he’s witnessed your ability to fight, and to survive fire. And maybe yes he’s just looking out for you, for your unborn children, but the paranoia that held him by his throat put you in one of the very situations he was trying to avoid. His paranoia put you in this situation, him, and only him! And now he will see what he forced you to do to escape. You will make sure of it.

“Take her inside,” Lady Frey orders the men. “Being under the open sky is too dangerous.”

Smart, but alas not quick enough. You feel her nearby like a magnetizing connection pulled apart and aching to reconnect and become one again. Yet she’s not on top of you yet, close, but if they take you inside now she won’t be able to help you. Thus as the man grabs ahold of your arm and starts to pull you up, you snap your head around and throw your face forward to chomp down on the man's crotch.

The man screams out, of course, but does what you wanted him to do; he lets you go, letting you slowly push yourself to your feet with your eyes cast on the ground all while meeting no fight back. They know after all that hurting you would guarantee no offer to be met, so they don’t retaliate even if the other men itch too. They stand there in confusion watching you draw in and draw heavy breaths out while your eyes stay focused on the ground, unknown to the fact that your mind is thinking about what you’re being forced to do, and what you’re about to do.

They see you there at a standstill and see an opening to recapture you. However, they quickly come to a stop before they can try anything when they catch you slowly lifting your head and slowly painting a different expression on your features.

Rather than expressing disappointment and guilt, your eyebrows start to pinch together, the corner of your lips begin to curl, your nose flares, and in your eyes, a fury is lit within that was not burning there before. One so threatening and furious that Lady Frey starts to realize something is looming nearby; something big, and something far more dangerous than any human, than you, or anything here. Something that is finally heard in the cloud bank above. Something they know to escape right away, but alas they’re far too late.

“Dracarys,” you utter one single word just above a whisper. And without the need to repeat yourself or even be heard by the creature hidden in the cloud back, a great fire rains down from above, ridding the sky of every cloud that hid her, and bathing you and every single soul around you except for one, in a life-consuming fire that leaves only you standing there with your nose in the air, heavy breaths escaping past your lips, and tears of anger welling in your eyes. All while the sole survivor runs away without looking back. All he knows is you came out unscathed, that’s all he cares to acknowledge after his escape because he fears you’ll go after him.

Albeit how can you when your mind is stuck on the fact of that matter that you didn’t want to kill them? You didn’t want to burn them and leave yourself naked in the middle of the Godswood, but Aemond pushed you to. Aemond left you here…and it’s because he left that you had to do it.

Why? Why did he have to leave? Why did he leave you behind?

You were going to leave after he accidentally pushed you, but if he had asked you to accompany him on his wrath around the Riverlands you would have accepted. And why wouldn’t you? But he left and he put your life in danger. He left and you had to burn them, you had to use fire. You had to kill the other two and leave your face covered in blood. You had to because of him. Him. Him!

Well, now he will see what he forced you to do. He will see what his actions led to. He will return expecting to see you still locked away in those chambers, but you’ll be long gone, all that will be left of you is the remnants of what you did, what he caused, and what his fear pushed you to do.

Aemond will return and see burnt bodies on the ground, and Lady Frey and a few others hanging from the Weirwood tree. He will see that he was wrong. He will face his mistake and your wrath.

He will see and you make sure of it all by yourself. It is taxing, only because you had to fling the bodies over the branches, but you did it. You left a gruesome scene and even though you have done bad things before, usually you’re basked with pride and confidence since you’re proving that you’re so much more, that you are strong, but this time as you look up at the bodies from the ground all you can do is cry as you’re hit with a wave of guilt for the first time.

You try to wipe the tears off your face, but hot streaks keep rolling down your cheeks, breaking through the dry blood that pampers your face, and only making your emotions clear to anyone with eyes. And when it comes to Alys and Ser Jason finally coming out to meet you in the Godswood that confidence that you usually carry like some mask after you fight is even more impossible to be bothered to be put on.

You try to paint yourself as unfazed. You try hard, after all, they were just stupid people who threatened your life. Yet when you turn to face Alys and give your back to the Weirwood tree carrying those burnt bodies, your bottom lip starts to tremble, your pinched eyebrows falter from their hardened hold, and your eyes, oh, your eyes, they scream your agony in such a way that Ser Jason thinks your pain is ethereal, and that the gruesome scene behind you is like a part of some beautifully tragic embroidered art piece on a tapestry.

“I have to go home,” is what you can muster through it all. “Will you come with me?” You direct at Alys, and she first approaches you to block your exposed body from your sworn protector and then gives you a response that comes easily to her.

“No. My place is here,” she says and only makes more tears run down your face, reminding her how young you really are in the grand scheme of things. You might’ve recently had a name day, but as she sees you before her with your face screaming the agony you’re under, she remembers that you shouldn’t be put through these trials and tribulations. You’re too young, but you’re forced just like many before you.

“But don’t fret my friend, will see each other again,” she uses a soft voice she had forgotten she was able to use. “Soon.”

You believe her, no doubt about it, so you nod gently.

“You send me a raven if you find yourself in trouble, and if Aemond—”

“I know how to avoid him,” she cuts you off to assure you. “Don’t worry. You just go back home to your boy and your mother. I will be fine. I always have.”

You nod again and just before you can go change, you take in a breath to say something else. “Thank you, for letting me find peace with my father,” you say shakily. “And for…letting me find myself. I know who I am, and what my place is in this story now because of you Alys, so…thank you. I will never ever forget what you did for me here, and I know you said it already, but if you want we can be lifelong friends. I don’t want to lose our friendship.”

Alys blinks repeatedly and her own lips tremble but she musters a confident but sweet smile. “Of course. I would…really love that.”

You swallow thickly and nod in comprehension before you wrap your arms around her to pull her in for an embrace. “Thank you,” you whisper and hold onto her tighter, feeling her carefully return your embrace.

After a moment of lingering in each other's arms, you pull back and look at Ser Jason past Alys’ shoulder. “Get ready, Ser. We’re going home.”

———

*SOMETIME LATER*

The last time you returned to King’s Landing was after leaving Dragonstone, and you were met with an arrow that barely missed your dragon. There was hostility where there shouldn’t have been any, and this time around it’s not all so different. Sure, an arrow isn’t shot at Astraea this time, so your life isn’t put in danger, but you are met with perhaps a more dangerous threat; two dragons roaming the skies they never lose sight of you as they approach you the closer you get to the city, fearing that the monster of Aemond’s dragon would descend at any moment.

Alas, their fear is misplaced, you don’t come as a threat. You could be one, the two people upon their dragons know that, but you’ve come home in peace. And perhaps now you look like some dog running back with its tail between its legs. And in some form, you are running back home, but it’s not out of cowardice. More so realization that your mother’s side is where you always belonged.

Hopefully, she gets to understand that and hasn’t given up on you even though she’s had every right to, and has most likely had snakes whispering in her ear telling her to stop putting a candle out for your return—and yes, you may still have some sort of hateful bias toward the snake called Daemon, that he doesn’t deserve any more. It’s been proven that he’s just an asshole and nothing more, but still! He’s most likely told her to view you as an enemy because it would make fighting her war easier.

And perhaps she should kill you. The whispers that have spread about the realm are not cruel rumors, you supported Aemond in taking Harrenhal, and you took part in the massacre of House Strong, so yes you were a devoted Green. You are a traitor to your mother’s side!

But you’ve seen your wrongs, you’re not tormented anymore. She needs to see that. You keep pleading to yourself that she does, that she forgives your wrongs and doesn’t truly cast you aside like you’ve feared she would so many times before.

She needs to see it. Please, please don’t let her forsake you.

“Give me your hand,” Ser Jason offers his help, but you jump off the ladders hanging down Astraea and land perfectly on the ground—“o-kay.”

The flapping of dragon wings claps in the sky louder and louder way before a long shadow starts to cast over you.

Yet even as the dragon is approaching you you avoid giving them your attention, you direct it to Astraea instead as you approach her head and lift your hand to gently stroke her face.

However, after a moment passes you can't help yourself from drifting your attention to the sky where you see Seasmoke.

You see him and your mind immediately goes to your father, what you just found out not so long ago in the form of dreams, and in some way, in some form a part of you expects him to be on that dragon. You wish for him to be on that dragon, but the truth breaks through your delusion just as quickly as it built up and you come out disappointed that you know it’s just Addam.

“And so the prodigal daughter returns,” his taunting voice hits your ears, making you press your hand firmly against your dragon whilst you slowly drag your attention to Daemon now on the ground departing from his dragon. “Which begs the question, friend or foe? Should I expect your Kinslayer of a husband to surprise attack us?”

You see him now, and not just a glimpse of him, you see all of him and he has his hand resting on Dark Sister with a not-so-lax hold as if anticipating a fight. Which is smart on his behalf.

“No,” you deadpan with no effort to sound kind or warm. “I have escaped his clutches while he’s away. I have returned to fight for The Queen…if she’ll have me.”

Daemon's gaze roams your body, noticing how tense your shoulders are, but not seeing any part of you twitch in a form to give away that you’re lying. Your voice is harsh and serious, no taunting or cockiness clings onto it, it just gives away your distaste for him but not anything else that should worry him. It’s why he chooses to trust you, and well, your mother had already told him that she wanted to see you when your dragon was first sighted in the sky.

“Of course, she’ll have you,” Daemon mutters, making your breath falter. “But your sworn protector needs to give me his sword, and Astraea needs to go to the Dragonpit.”

You snap your eyes to Astraea, and her own gaze turns to you which only makes your turmoil that much worse.

“It’s for safety measures,” Daemon adds as he takes note of your hesitance “Just hours ago you were the enemy. And even now when you enter the Red Keep and I follow you in who knows what can happen, do you understand?”

You swallow back nervously, and as you keep looking at Astraea as if your actions will physically wound her, you nod gently in agreement.

“Good.”

You can’t say it hurt you more to chain your dragon in the dragon pit because she’s been spoiled most of her life, so now she’s restless when it comes to being in chains and unable to sleep under the endless sky, so she’s hurt and when she’s hurt you feel it too.

Yet that pain doesn’t compare to the agony that you’re hit with when you step inside the Red Keep and forget Jacaerys is gone. You were so used to having him greet you whether it be with a furrowed brow or warm smile that you wait for him to come meet you and Daemon when you’re walking to the throne room. You expect him to walk around a corridor in a very heavy and quick stride. You anticipate seeing him—no, desire seeing him meet you halfway, but just as you turn the corner to reach the throne room, it hits you, he’s gone. Not temporarily, he’s not off handling something for your mother, he’s gone forever. He’s never going to come meet you ever again with either a smile or a bothered look.

You remember that and it shakes what little confidence you had mustered to talk to your mother. Now when those doors open and you’re greeted with the great image of her on that throne tears accompany your eyes, the corners of your lips are downturned, and sorrow and anxiety make themselves evident. There’s no holding them back anymore, it’s clear to Rhaena and Baela standing at the foot of the Iron Throne, and your grandfather, The Hand, standing below the steps that lead to the Iron Throne. And most importantly your emotions are loud and clear to your mother. Not the Queen, your mother.

Yes, she looks at you like she can’t believe you’re walking down the great hall. She couldn’t believe you were returning when she saw Astraea, nor could she believe she was hearing your title and name be announced the moment the doors opened, but alas here you are, striding to her with no pep in your step, no air of cockiness and arrogance around you. All she sees is her wounded daughter. Her weakness that crumbles her own mask and softens her heart hardened after Jacaerys death.

“Your Grace,” you greet and immediately go down on one knee, causing Ser Jason to do the same behind you.

Like before when you came to greet Aegon as King for the first time you keep your eyes downcasted. This time though it’s not to fake innocence, this time you can’t lift your eyes out of fear of what you’ll see, especially as you hear her get off the throne and hear her footsteps descend the stairs.

“I have come to swear my fealty to ward the Queen,” you proclaim with an attempt at confidence. “I know my word means nothing. Word has spread about what I was a part of at Harrenhal, and I will not say it happened against my will because I would be lying. I did it. I took part in killing House Strong, and I don’t regret it. I had my reasons. Just like I had my reasons to leave your side…” you trail off as you avoid giving those reasons so no problems would arise.

“But,” you add with a hint of softness. “I see my wrongdoings. I was wrong, I see it now. My place is here, by your side, My Queen. My place has always been at your side.” You nod in agreement to your words and still don’t look at her even if she now stops before you.

“I’m sorry I fell astray. I hope you can find it in yourself to forgive me. I wouldn’t have to take part in fighting, or any royal matters. I just want your forgiveness and for you to let me return to my place by your side…please,” your voice quivers on that last word. Not to make yourself sound more convincing, you just couldn’t control your emotions.

And either way, no matter how you would’ve sounded, or what word you used at the end, your mother still presses two fingers under your chin and tilts your head up to make you meet her gaze, and let you see tears that well in her eyes and the softness that reflects back at you.

“Rise,” she orders, and you slowly stand to your feet, letting her eyes fall to your belly that sticks out now before her gaze finds yours again.

“Your Grace,” you say breathily with the need to say so much more. You’re on the verge of a breakdown, but as you’re on your feet you can see the other people in the hall, you feel their eyes on you, so those two words are all you utter.

“Should we expect an attack from Vhagar now that you have left?” Daemon interrupts the moment, causing you and your mother to snap your gaze to him at the same time—“It’s said Cole has taken his army away from Harrenhal, where does he march?”

“He aims to join the Hightower,” you don’t fret to share. “But alas they’re taking the most obvious route so it’s a waiting game now to see if they can win against the Northmen and the Rivermen.”

Daemon scoffs and you continue more hesitantly now.

“And Aemond…is smart, once he finds out I’m gone he’ll be upset, but he wouldn’t dare come when he knows he’s at a disadvantage, besides, he wants you to go out to meet him.”

A teasing smile flashes on Daemon’s face that he hides by looking down.

“He left me at Harrenhal, locked me in our quarters to be protected, but Lady Serena Frey invaded Harrenhal with the intention of taking me captive to give me to the highest bidder,” you share and look back at your mother. “She said she was promised Harrenhal and wanted to take it by force. She's dead now,” you announce coldly. “They all are. That’s how I escaped.”

Your mother looks at you, not with fear at what she heard, but with a curiosity that she doesn’t express. It just gleams in her eyes.

“Good,” Daemon praises you.

“My sword is yours now,” you reassure your mother. “I will bleed for you, and I will use fire on your enemies now and until the day I die.”

Your mother draws in a deep breath and blinks repeatedly as she very lightly shakes her head before she grabs your shoulder with one hand and then cups your cheek with the other, making you draw in a deep shaky breath.

“Don't turn your back on me again,” she says, but not threateningly. There’s not even a hint of it, it’s more like she was pleading you not to more than anything.

“I swear,” you immediately respond, making her lips twitch up but not to form a smile just yet.

“<Welcome back home,>” she whispers and presses her forehead against yours, making tears slip out of your eyes, but not feel assured just yet. Not until you tell her everything you have trapped in your throat.

“<And thank you. For saving your brother, Aegon,>” she adds, making you pull your head back to offer her a smile and sweet words.

“<Of course.>”

You then step back and glance at your grandfather and offer him a stiff nod to acknowledge him, but that’s all, something venomous still churns inside at the thought of him.

When you look at the twins though, you can muster a short smile before you look back at your mother and finally get to what you’ve been itching to address. “Aerion?”

“Guarded by your dog,” Daemon chuckles, making you roll your eyes to him—“he’s as loyal as a hound that one. That’s the only reason why he still breathes.”

So Ser Cane has been protecting him this entire time? Good!

“May I go see him?” You ask your mother just in case she wants to touch on other matters and to let her take care of other trivial matters now that you’re back.

“Of course,” she doesn’t keep you waiting. She lets you go without anything else to add. Nothing to restrict you, after all, you’re her only biological daughter, you’re her child, and after losing three already, how could she even think of doing anything to hurt you in any way whether it be emotionally or physically?

If she could, she would lock you away like Aemond did, that would guarantee your safety, but she knows her limits, so she lets you go without any interjections.

Yet, close is all you get to Aerion. Before you can turn the corner that leads to his chambers you hesitate out of slight fear.

He’s a baby, nine months old to be exact, but it’s been four months since you last saw him. What if he cries when you try to hold him? What if he wants nothing to do with you? You would deserve his rejection, you haven’t been in his life for a short time, but it doesn’t mean that you want to mean nothing to your son.

But if you do mean nothing, if that fear becomes a reality then you have to face it, don’t you? You have no other option. Thus you draw out a deep breath before you turn the corner and get greeted with Ser Cane outside the door.

“Ser,” you announce your presence and gain his immediate attention.

“Princess,” he tries to sound serious but you hear the hint of surprise that matches the surprise in his eyes. “You've returned. Welcome back home.”

The corner of your lips tug to a gentle smile at the sound of his warm greeting. “It’s good to be home,” you say in return as you come to a brief stop before him. “I’m glad they have spared you, and I’m sorry that you had to go through that. I didn’t know it was going to happen.”

Ser Cane shakes his head. “Don’t worry about me, Princess. I have been through worse.”

You shake your head gently. “In any case I am sorry.”

Ser Cane shakes his head as well and speaks with determination clinging to every word. “I am your sworn protector and that of your son. My life and my sword are yours. To die protecting you and the little lord would be a good and honorable death. I would want it no other way regardless of which side you decide to fight on.”

Your breath hitches and you nod in comprehension. “Thank you, my good knight,” you whisper, making him bow his head before he opens the door for you.

“Go on, I’m sure he’s still awake.”

You swallow back nervously and take a peek inside first, but don’t see him, Vanessa, or any of his caretakers. You hoped they would be just across the door, but alas you have to step inside. And when you do, you do so with your eyes averted as if you’re ashamed of walking in.

“Princess?!” You hear Vanessa’s voice call out to you from across the room, bringing you to a stop but not making you raise your gaze just yet.

“You’re back? When did you arrive?” She continues asking so you answer.

“Not so long ago,” you speak quietly with shame clinging onto every word as if high-born ladies didn’t leave their children for long periods of time, as if being gone was such a great sin when it isn’t. It’s common for high-born ladies to be away from their children, but that’s not the mother you wanted to be because that’s not the kind of mother that raised you.

“I’m sorry,” you can’t hold back anymore, striking Vanessa with surprise and bringing herself to a stop as she made her way to you.

“For what?” She queries.

You blink repeatedly and then slowly drag your eyes up, feeling your breath escape your lips when you see Aerion awake in her arms, looking right at you with his father's blue eyes.

“You don’t have to apologize,” Vanessa adds to try and reassure you. “He’s okay. We’re okay.”

You glance at her and nod in comprehension before you look back at Aerion as he’s unable to keep his eyes off you as if trying to figure you out.

“<Aerion,> You coo and whatever fear and hesitation you held falls completely when you see how big he’s gotten, and how big and healthy he looks

“<Hello, my little love,>” you continue as you slowly start to make your way toward him, hoping he won’t turn away from you.

“Look at you,” Vanessa interjects. “Six months along and you look so much bigger. I suppose twins do that though, huh? Are you feeling okay? Do you need anything to eat? Tea?”

You look at your handmaiden and shake your head. “No, no, I’m fine. Just…relieved to be back with Aerion. And you.”

She huffs and when you walk over and reach her you cup her cheek first, letting her mirror your action but then also start stroking your cheek gently.

“I’m happy you have returned,” she says sweetly, making you smile. “You must tell me everything, and I will give you something that came for you.”

You scoff at her cheeky smile but offer her an agreeing nod before you let her go and give your attention to your son, feeling your eyes soften right away, and feeling a spark where your heart once used to be.

“<Hello my boy, it’s me, your mama.>” You whisper in the most gentle voice so you don’t startle him, and he spares a glance at Vanessa before he meets your gaze and leans towards you to reach his hands out.

You gasp softly and feel your eyes sting with tears as you don’t hesitate to take him and carry him yourself, feeling how much heavier he is now. “<I have so much to tell you>,” your voice quivers as you stroke the side of his head whilst he reaches for the siren necklace Aemond gifted you. “<Like I missed you so much, and,” you laugh softly. “Guess what? I met your little brother in a vision. Not the twins, someone we have yet to meet.>”

With no care to what you’re saying Aerion lays his head on your shoulder as he clutches onto the Siren, making you let out a happy cry before you hug him tightly against you with the inability to stop pressing kisses on his head.

“I love you,” you whisper against his head and then nuzzle your nose in his head of white-silver hair, going unaware of the fact that your mother stood past the doors with the intention of walking in, but stopping the moment she catches you sharing such a sweet moment with your son and not being able to help her blissful smile.

It’s been a while since she’s smiled, since she’s felt bliss, but as she sees you with your own little one that’s all she feels, bliss.

.

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Tagged- @namelesslosers @stargaryenx @chainsawsangel @lauftivy @winxschester @cloudroomblog @llarue @padsdarlg @sofietargaryen @gracielikegrapes @dreaming-of-the-reality @itzelpeyton @patdsinner33 @mrsdominickstark @elaena-aerrin @todoroki-slut @snh96 @urmomsgirlfriend1 @nifujiswhore @sweethoneyblossom1 @kaetastic @lightdragonrayne @squidscottjeans @oh-you-mean-me @wallacewillow0773638 @icefrye19 @thescottpack @fiction-fanfic-reader @crazymusicgirl104 @r-3dlips @strangersunghoon @just-pure-trash @ethereal-athalia @missyviolet123 @callsignwidow @xunquish-blog @tabathastan @weepingfashionwritingplaid @answer-the-sirens

[dollishbabess]

someday my love, I will choose you always - dollish

A/n: yk what single ladies do? THEY WRITE SAD AND HEARTWARMING ROMANCE AND HAVE HIGH EXPECTATIONS BECAUSE OF IT, mentions of !love and death!

Second divider by @cafekitsune, first one by me

The moon hung high over Gotham, casting a silver glow across the skyline. You sat on the rooftop, the city below a world of chaos and vibrance, but up here, it felt peaceful. The only sound was the gentle rustle of the wind and the quiet hum of life in the streets below. You leaned against the cool brick, your thoughts lost in the beauty of the moment, night city’s were always beautiful.

Jason joined you, his presence both grounding and electrifying. He settled beside you, his arm draping casually around your shoulders. His warmth wrapped around you like a blanket, and you instinctively leaned closer, seeking comfort in his nearness.

“Penny for your thoughts?” you asked, noticing the distant look in his eyes you wondered what he thought about.

He glanced over at you, a flicker of something vulnerable crossing his features. “Just... thinking.”

“About?” you pressed gently, curiosity piqued.

For a moment, Jason was silent, his mind racing back through the memories of his past. Artemis had been fierce and independent, a breath of fresh air in a world filled with darkness. Then there was Rose—her strength and resilience were unmatched, yet their connection had always felt fraught with tension, the weight of unspoken words heavy between them it just wasn’t right… (🐻‍❄️)

But those memories paled in comparison to what he felt with you. With you, there was no tension, no chaos. Just a deep sense of love and understanding that made the world seem a little less harsh and violent.

As he opened his mouth to respond, the words vanished, and instead, he leaned in closer, capturing your lips with his in a soft, lingering kiss. Time seemed to stand still as the world around you faded, leaving only the two of you suspended in that moment.

When he finally pulled away, your eyes searched his, trying to read the thoughts swirling behind his gaze. “What were you thinking about?” you asked again, your voice soft, almost teasing.

“Nothing,” he murmured, brushing his thumb over your cheek, his touch gentle yet electrifying. But in his mind, thoughts raced like lightning—you. Forever you. He envisioned a life together, one where he would kneel before you and ask you to marry him, to make promises that would span a lifetime.

You, with your infectious laughter and unwavering support, had found a way to heal the wounds of his past. You were a beacon of light in his life, and the thought of losing you was unbearable.

He let out a breath he didn’t realize he was holding, his heart swelling with emotion. In this moment, he realized he would do anything to keep you, to build a future together. He didn’t need to speak those thoughts aloud; you already understood in the silence between you.

“Okay,” you replied, your smile warm and reassuring. “I just... I love you, you know.”

Jason’s heart raced at your words. “I love you too,” he said, sincerity lacing every syllable. “More than you know.”

You nestled against him, your head resting on his shoulder as you both stared out at the city, lost in the warmth of each other’s presence.

In that moment, everything felt right. Whatever ghosts of the past haunted him, they were just that—past. You were his present and his future, and he vowed silently that he would always fight for you, always choose you, and one day, he would make you his forever.

“I pronounce you now husband and wife” your memory faded away suddenly feeling nostalgic, you wish he was still here.

Please don’t steal! Or translate or put on other platforms