#and very very incredible!!

[irlpretear]

100 trans/genderqueer musicians

Bands

Against Me! (rock, folk punk) (x)

The Oozes (punk) (x)

The Hirs Collective (metal, grindcore) (x)

GEL (hardcore punk) (x)

Urn (hardcore punk) (x)

The Black Dresses (noise pop, hardcore hyperpop) (x)

Party Ghost (rock) (x)

Lagrimas (hardcore punk, scream punk) (x)

Doll Skin (rock) (x)

Dazey and the Scouts (rock, indie) (x)

G.L.O.S.S. (hardcore punk) (x)

Dog Park Dissidents (punk rock) (x)

She/Her/hers (rock) (x)

Deli Girls (hardcore electronic) (x)

Dream Nails (punk rock) (x)

Sarah and the Safe Word (rock, dark cabaret) (x)

Pinkie Promise (punk rock) (x)

B. Fraser (emo) (x)

Newgrounds Death Rugby (emo) (x)

Scowl (hardcore punk) (x)

Feminazgul (black metal) (x)

Sports Bra (dream pop, light rock) (x)

Club Sofa (indie pop) (x)

The Cost ov Living (grindcore, harsh noise) (x)

Kuromy (punk) (x)

The Sonder Bombs (indie, pop) (x)

Lidocaine (rock) (x)

I'm letting unseen forces take the wheel (cybergrind) (x)

Gum Disease (punk) (x)

Cam Girl (rock, trash rock) (x)

Gully Boys (grunge pop) (x)

Arcadia Grey (sparkle punk) (x)

Schmekel (folk punk) (x)

Destructo Disk (punk rock) (x)

User Unauthorized (hardcore punk) (x)

The Spook School (indie pop) (x)

Pinkshift (emo) (x)

Glass Beach (emo) (x)

Butch Baby (light rock) (x)

VIAL (indie punk) (x)

Sister Wife Sex Strike (folk punk) (x)

homewrecker. (metal, hardcore punk) (x)

Mega Mango (indie rock) (x)

Keep For Cheap (prarie rock) (x)

Steam Powered Giraffe (cabaret, steampunk) (x)

Thotcrime (grindcore, cybergrind) (x)

Whirlybird (indie pop) (x)

Kampsport (hardcore punk) (x)

Um Jennifer? (alt-rock, punk) (x)

Scarlet Demore (alt-rock) (x)

HappyHappy (folk, folk-punk) (x)

Queen Zee (punk) (x)

Grumpy Plum (slop pop) (x)

Cheap Perfume (punk) (x)

Pollyanna (power-pop, rock) (x)

Ballista (metalcore) (x)

Faetooth (fairy doom, metal) (x)

Lacerated (death metal) (x)

Fortuna Malvada (hardcore punk) (x)

Peach Rings (bedroom power-pop) (x)

Solo Artists

Laura Jane Grace (rock, folk punk) (x)

Left at London (pop) (x)

ZAND (pop, ugly pop) (x)

Ada Rook (hardcore electronic) (x)

Ms. White (pop) (x)

Rett Madison (indie, folk) (x)

Murder Person for Hire (folk) (x)

Backxwash (rap, industrial hip hop) (x)

LustSickPuppy (electronic, rap) (x)

Babylungs (electronic, rap) (x)

Human Kitten (folk punk) (x)

Harley Poe (folk punk) (x)

Ewy (emo, folk punk) (x)

Averstaskta (instrumental) (x)

Andie Schoen (indie) (x)

Elliot Lee (dark pop, electronic rock) (x)

Urias (hip hop, ballroom) (x)

Twink Obliterator* (cybergrind) (x)

Rio Romeo (cabaret punk, indie) (x)

Knife Girl (art pop, indie) (x)

Alexander James Adams (folk) (x)

Starmaxx (pop) (x)

Sofya Wang (pop, alt-R&B) (x)

Boy Jr (indie/alt pop) (x)

Medusa (revenge pop, hip-hop) (x)

Mal Blum (singer-songwriter, folk) (x)

Gina Young (riot grrrl) (x)

Petra Fiyd (indie pop) (x)

awfultune (bedroom pop) (x)

Quinn Hills (alternative pop) (x)

Femtanyl (electronic) (x)

Vivivivivi (electronic, glitchcore) (x)

Lilac Boy (glitchcore) (x)

Rosie Tucker (indie rock) (x)

Ryan Cassata (singer-songwriter) (x)

Pain Chain (noise, synth) (x)

In Love With A Ghost (electronic, lo-fi) (x)

Alice Longyu Gao (hyperpop) (x)

Prophetic Nightmares (ambient synthwave) (x)

Saint Wellesley (indie folk) (x)

[littlemizzlinguistics]

Studying linguistics is actually so wonderful because when you explain youth slang to older professors, instead of complaining about how "your generation can't speak right/ you're butchering the language" they light up and go “really? That’s so wonderful! What an innovative construction! Isn't language wonderful?"

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[eternallovers65]

Fred Prinze Jr's Fred walked so Ryan Gosling's Ken could run

[ssalballoon]

Mystra showed him the secrets beneath the veils. The gossamer veils first, draped across the Weave. The delicate veils next, draped across her body. 'Chosen One' she whispered, as she slipped them off completely.

poor gale :'(

- the dialogue is from ea gale's explanation about his folly

- i kinda like that she ended up looking like a mother-of-pearl inlay lacquerware!

- oh this was a subconscious choice, but Gale is sitting in seiza which is a posture for showing respect especially to elders. it's also known to be a painful position to sit in for extended periods of time, which is why it was sometimes used as a method of (morally dubious) punishment. however, experienced people can maintain this posture for much longer. food for thought :-)

- (edit: deleted this point bcs it didn't really make sense + detracted from the art a little;;)

[sailor-moon-moon]

Happy Amok Time Day, friendly reminder that Theodore Sturgeon, the writer of the episode, is credited with the first positive portrayal of homosexuality in science fiction with his short story The World Well Lost (1953), 14 years before Amok Time aired. Which could mean nothing.

[razzafrazzle]

I think that I've only drawn Ford like. 3 times in my entire life. so here's some Fordsy (and some Fiddsy. and a Bill I guess)

[image description: a page of drawings of ford, mcgucket, and bill cipher from gravity falls. near the top are two portraits of ford, one in the gravity falls style and the other in a more realistic style. next to that is a simple doodle of ford and mcgucket smiling and embracing with the caption "old man yaoi!" beneath them. in the bottom left is a simple drawing of a younger ford, and next to that is a drawing of bill with a speech bubble saying "i'm here too! also i'm hatless for spacing reasons". next to that is bill's hat, as well as mcgucket in an orange and brown 70s-style outfit and a braided beard, and he is sitting on the ground, lost in thought. end id]

[taffywabbit]

reminding myself there are no truly "bad days", because every single day, someone somewhere in the world has taken a photo of an extremely tiny animal and shown it to someone else, and that's very good actually

[ribbittrobbit]

these kids are incredibly stressed out

[heyitsphoenixx]

of course brennan’s vip ep was an art house film about the metaphor of the self through the lens of false dream logic and time loops delivered by a wild man from the woods who is also a physicist from Newfoundland who carries around rocks in a briefcase that he has to hatch and doesn’t know the word alligator but does know the words centrifugal force and is afraid of bowls. of course.

[crushedsweets]

Bros haunting meeeeeeeeee

[wardingshout]

Zelda goes mushroom girl

[natjennie]

"he asked me to prom, did you know that?" "CAN WE GO TO THE FARM MOM?!" riz gukgak absolute dorkass loser you are so special to me. same exact energy as the bad kids going over to gorgug's for the first time and digby and wilma's "we have pictures!"

[homkamiro]

*heavys voice* entire team is BABIES!!!!!

[kaidatheghostdragon]

Good reveal au, where after learning phantom's identity and realizing the atrocities that the GIW have committed (or alternatively, ethical science au, where they find out the GIW plagarized them), the fenton parents decided to create the 'ultimate ghost-ending weapon' and sell it to the agents.

They go absolutely overboard, describing to the agents in meticulous detail how it evaporates any ghost it hits near-instantly and describing it quite ruthlessly in the blueprints, and soon the GIW have raplaced all their main weapons with the new gun.

Except it doesn't actually kill ghosts. It's the Fenton Bazooka. You know, the one that creates a portable portal to suck the ghost back into the ghost zone? What they actually did was retool it slightly to make it look more grusome than it actually is. They even added a beacon in Phantom's Keep, which all Fenton Bazookas will target when they open a portal, so the ghosts are always delivered to the keep.

From there, Phantom stationed an emergency medical team at the keep to treat the many injured and ragged ghosts that the GIW 'destroyed,' and to explain what just happened.

What they didn't anticipate was that now that the GIW have a mass-produced weapon that they believed would effectively eradicate ghosts, they would go on the offensive. They have a number of cities they've been monitoring but didn't want to get involved in without better tools.

One of those cities is Gotham.

And the Bats are ectocontaminated enough to register as ghosts.

Batman witnessed several of his children get evaporated by green energy weapons within mere moments of each other. He's absolutely gutted. Devastated. They didn’t even stand a chance.

He'll get his revenge, and it's frighteningly easy to track the weapon to private subcontractors. The Doctors Fenton, in Illinois. Their research calls for the genocide of all ghost kind, and apparently, that war started by killing his own children.

His children will not die in vain.

He gets to Amity Park and finds the Engineer's Nightmare of a building that is Fentonworks, but that night, before he can hack through the security and break in, one of the windows opens.

It's one of his kids that he had watched evaporate before his very eyes. They give him a silent signal of one of their identifying security codes and gesture for him to come inside.

Is it a trap? A prank in poor taste? Utterly genuine?

He goes through the window.

All of his dead kids are there, wearing borrowed pajamas and only their dominoes to conceal their identities. Daniel Fenton (son of the Fentons, this is his bedroom, has voiced a few arguments against his parent's views, but still an unknown) is among the crowd of teens and young adults, twirling on an office chair and obnoxiously sipping a capri sun.

"First thing you need to know, Bats," Daniel says after finishing his drink, "is that my parents are absolutely NOT genocidal ectophobic scumbags, and that is the reason why your kids are still alive."

[its-kinda-snowy]

Gotta be a part of your soul and of your heart all the time Nothing in the world that I do Means a thing, without you I'm just half alive in my struggle to survive without you