#and yet he made such a sacrifice

[poorly-drawn-mdzs]

Parallel Lines and Brothers.

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[fourteenthz]

assemble of "this feels emet-selch to me"

from seat of sacrifice dungeon (ffxiv) // by edgar allan poe, alone // by cai__ro (twitter) // by ryan o'connell // by heavensghost (tumblr) // by daniel horowitz // by madeline miller, the song of achilles // by asoftwrongness (tumblr) // by lemony snicket, the beatrice letters // by asofterworld (tumblr) // by heavensghost // by mary shelley, frankenstein // by snezhana denis // from ere our curtain falls (ffxiv)

[lvstharmony]

​beyond grateful for the people that are surrounding me in my life, just as i am grateful for the people i’ve parted ways with, for without them, i would not be the person i am today.

[palismet]

the alt. thanks to them opening boards are going to emotionally scar me for life. look at his face. luz is terrified but desperate with a hope she feels is unfounded, needing that optimism to imagine a way out of this that doesn't hurt; that doesn't end in more tragedy?

she thinks they're on the same level of bad but sad. that she did as much as hunter in the name of helping belos, without knowing the whole truth of who belos was, who he is. she's traumatized by it.

she needs to not be alone in it.

the i'll keep your secret if you keep mine is a knife to the heart. we are in this together, she is saying. whether we like it or not, at least we have each other. at least i'm not alone.

but what do you say to that? how do you make a witch's oath without magic? you take it to heart. you hold it closer to anything. there aren't words for a devotion like that, the kind of devotion hunter has led with his entire life, and now, here, it's for luz. it's for everyone, for protecting them, to be able for them to get home again.

it's reminiscent of that good old golden guard loyalty, but remade in the light of this new world, new life. it's a cause to live by, a goal, a dream; and as the story goes, we can see - there isn't much he isn't willing to sacrifice for it, especially if the cost is only himself.

(he has nothing to return for, after all. he has a graveyard, filled to the brim with bones and masks and a future he only narrowly escaped.)

sacrifice - that is something he's been waiting for his whole life. so of course he's willing to risk everything for them. what better ending is there, where at the very least, his friends can go home to where they are loved? where no one has to be afraid, anymore?

[notmoreflippingelves]

Hi! I just read your post about Mateo recently. If I may, can you give me any specific instances in the narrative of the show where Mateo isn’t called out as heavily as they should have? I’m just curious?

During the Shuriki returns arc in particular, Mateo makes some pretty glaring mistakes that I feel like he should've gotten much more flack for (and based on what we see elsewhere in canon, I feel pretty confident that if Gabe, Naomi, Isa, or Esteban at least --and possibly even Elena-- had made these mistakes, they wouldn't have been swept under the rug nearly as quickly as they were for Mateo).

While it's unfair to completely blame Mateo for Carla's manipulating him during the "Rita" arc, I feel like it's reasonable to hold him a *bit* accountable. He did after all blab highly confidential information (on more than one occasion) to try and impress a pretty girl with how clever and important he was. (Something tells me that if any of the others had done likewise, they would've been called out for it. But because it's "beloved" Mateo, we don't even get "wait, you told Rita how to get into your workshop? And you've known her for only a few weeks? What were you thinking, Mateo?") Moreover, he never even apologizes for this or promises to do better/be more careful with such important, sensitive information in the future.

Even more aggravating is his behavior in "The Scepter of Night." Mateo is so eager to play the hero and claim all the glory for himself that he twice (!) disobeys a direct order/abandons the plan and goes looking for the scepter piece on his own. This directly leads to Fiero and Victor finding the scepter piece and (temporarily) stealing it. And it's really only due to luck and very conveniently-timed infighting amongst Shuriki's allies that Elena and co. are able to get the scepter piece back. While Mateo does receive some (brief) criticism, it's nowhere near the level that it should be.

Also noteworthy Elena doesn't really get particularly "mad" at him (especially considering how angry we see her get at other characters even for more minor things) . She's not truly, actually angry at Mateo (and Gabe and Naomi are only a bit angrier); she's just a little frustrated and disappointed at him in the moment. And apart from a (very short) little "do better next time" speech, Mateo doesn't face any real consequences or lingering resentment unlike other characters who do.

When Isa obeys direct orders in "Sister of Invention," she has to face consequences (Elena grounding her). Similarly, Elena holds a grudge against Esteban for days (if not weeks) after he interfered with the Feast of Friendship (a much lower stakes mistake than Mateo's imo). Moreover, it's possible to interpret Esteban's staying behind in Avalor when the others go to see the Norberg Lights as a punishment (either self-inflicted or imposed by Elena) for his actions in the previous episode.

In contrast, Mateo just gets a brief "I expected better from you" speech from Elena and Gabe jokingly assigning him push-ups as punishment (which he immediately takes back when Mateo tries to do them). I'll give Mateo a little bit of credit for actually apologizing this time (which he doesn't always do). But it's still frustrating that everyone is so ready to forgive and forget Mateo's missteps immediately while this same courtesy is seldom shown to others.

I think it's worth directly comparing a few Mateo-centric episodes with a few more similar ones that focus on other characters so that we can see how there does seem to be a noted narrative bias in his favor compared to the others.

Let's start with two "feeling kind of insecure" episodes: "Spellbound" for Mateo vs. "Naomi Knows Best" for Naomi. In the former, Mateo expresses doubt that he's capable of rising to the occasion as royal wizard. No one (except Gabe and he gets over it by the end of the episode) blames him for not having reached his full level of confidence and potential right away and not being able to immediately solve the problem. And Elena in particular (and by extension the narrative) gives him so much validation and support. Whereas in "Naomi Knows Best" (and to a lesser extent "Finders Leapers" and the "Carla-as-Rita" arc as well) the narrative "punishes" Naomi for her feelings of self-doubt. We're told that *if only* Naomi had trusted her gut instincts and stood her ground right away, Elena and co would not fallen right into the trap and that Naomi needs to screw her head back on straight and embrace confidence ASAP to fix her mistake.

When Mateo feels insecure, the narrative gives him every reassurance about how capable and special he is, that he can learn at his own pace, and his insecurity isn't really such a problem after all. When Naomi feels insecure, the narrative encourages her to get over her doubts as quickly as possible because unlike with Mateo, there's "no time" for her to wallow in self-doubt and actually the fact that she even had said doubt in the first place is what "caused" the disaster.

On a slightly different note, Naomi is also called out for taking a little free, fun time for herself in "The Last Laugh" when the group needs her, and yet somehow I have a feeling that Mateo would've been allowed to take a day off if he wanted without any protest. He complains about long hours in "Movin' on Up" and Elena gives him the big royal wizard's chambers for him to relax and unwind in. Naomi asks for one (1) day off to spend with her childhood friend for her birthday , and suddenly it's big drama. (And at the time, Naomi asked for said day off, all Elena needed from her was help doing paperwork. The Team Ash stuff came up unexpectedly.)

Similarly whenever Gabe and Mateo get their little rivalry on ("Spellbound," "Party of a Lifetime," "Captain Mateo" and a few other examples) , the narrative either presents them as equally at fault or Mateo as the only one in the right.

When Gabe brings in Bronzino to train the Royal Guards in magic, it's specifically because Mateo failed to explain how and why he was training the guards in the way he was. If he'd just explained how they were going apply the seemingly basic exercise they were doing to real magic, Gabe likely would've allowed Mateo to continue the training at his own pace.

(Also like. it's super hypocritical imo for Mateo to get annoyed at Gabe feeling impatient/impulsive about their apparent-lack-of progress when Mateo himself is easily the second most impulsive character in the show after Elena.) Mateo feels entitled to keep important information to himself (or blab it to a cute girl he barely knows) even when its no one else's best interest. He's only okay with being "cautious and patient" when he specifically is the one setting the pace. And yet, Gabe is the only one who is called out for his behavior in this episode--even though he might not have acted as he did if only Mateo had trusted him and the guards with an explanation in the first place.

And then there's just a few other "dude not cool" little moments that never really get acknowledged/Mateo never apologizes for. For instance, there a two low-key terrifying Mateo moments in "Captain Mateo" that are not only not acknowledged but are also framed in context as Mateo being just "so funny and quirky". Near the end of "Should be in Charge," Mateo magically gags Gabe so he can't protest anymore about Mateo taking over as leader of the mission. And this is after having already enchanted one of the stationary suits of armor to come to life and fight Gabe. (Gabe admittedly does lightly shove Mateo out of the way during his parts of the song, but that's still a far cry from literally drawing a sword on Mateo as Mateo does via magic to Gabe.)

It's played for laughs (The Grand Council is just smiling happily in the background throughout the scene which is so yikes), so it's easy to overlook what's actually happening. Frankly, it's pretty horrifying that Mateo's natural instinct upon his experience/authority being questioned is to literally attack and then silence. (And attack and silence someone who is supposed to be one of his best friends and closest allies at that!)

Rather than the narrative acknowledging that maybe it's a bad idea to immediately grant power to someone to someone who is so retaliatory against fairly minor criticism, the Grand Council just gives Mateo exactly what he wants and doesn't even offer a "maybe next time, let's not gag or attack our friends, okay?" alongside it. I mean sure Mateo does step down as captain at the end of the episode, but it's very specifically presented as his and Gabe's voluntary choice and not an order from Elena/the Council.

[lee-hakhyun]

thinking about ye hyunwoo again. chapter 621

[redonionlover]

this is cute to me...

(source)

[orchideae]

1) Opens up drafts with my head empty, ready to be flooded, not knowing where I'll go. 2) 30 seconds later: Okay but I will go feral any day of my life over Perilous Trail, and the fierce dichotomy of Xiao and Yelan. While they're far from being 'the same', they both view themselves as soldiers in one way or another (it's a very difficult word to use for Yelan, so I'm using it very liberally and very loosely), they have both suffered losses on the 'battlefield' and carry the burden thereof in their own ways. And yet they stand so firmly in opposition throughout the entirety of that questline up until the very end of the 'the end of the line' conclusion of the quest. Yes, I know that she offers him her gratitude in its aftermath and it is genuine, but she still never agrees with him and the decision that he made moments earlier. It simply 'worked out' because of Zhongli's interference, he's the only reason it worked out. And it's because of that, that she doesn't give him a hell of a hard time (obviously she can't go down there, but imagine the inner frustration of severe extents; when you condemn someone who you can't even see anymore). In the same way that she would do to anyone who would sacrifice themselves for others, but in this case, I think it's 'beautiful' that it's to Xiao; the one who seems most adamant to do so (which honestly, fits into the contract that the Yakshas chose to sign with Morax; 'the ultimate sacrifice' to protect for Liyue; 'for Liyue', and Liyue has always centered itself around its people), the one who everyone reveres (and so does she, as she notes in her voiceline, 'if I ever have the honor to fight alongside') and respects for good reason, she stands against him, because in that moment, regardless of his status, he makes a call that she considers wrong. And he doesn't even... fight her on it very fiercely, and that's what actually hurts me the most, it's as if the following line hit the nail directly on the head?

"Besides, if you were really so determined to end it all, you wouldn't have given us the opportunity to share our opinions."

[yuridovewing]

A while back, someone mentioned in the tags of my Darktail and Onestar post that swapping Sol's ShadowClan plotline with Darktail's WindClan one would have been interesting, and ngl. I actually sorta want to do that in my au... like Sol isn't Onestar's kid, but he goes to WindClan during Po3 where Onestar is probably near his lowest, hes deeply paranoid and resentful at what he was put through in Starlight and he's starting to lash out more, and Sol takes advantage of that and makes him become even more disillusioned with clan culture and StarClan. Sol coordinates the Eclipse Battle as a way to manipulate the clans into destroying one another, and WindClan is at the forefront. Maybe he even convinces Onestar that dismantling the clans is what's best for him. Idk though, throwing spaghetti at the wall here

[kaltacore]

some really juicy parallels between the warden-commander who set amaranthine on fire because this city was doomed and they had to save the people under their command in vigil's keep until it was too late and anders who once watched amaranthine burn unable to understand how commander could allow such a thing and now sets kirkwall on fire because he has to save his people until it's too late no matter what

[mauxanhduong]

okay i’ll say it i still don’t love the way they wrote the last episode but i’m like. okay. i see what they were going for. like i still think it wasn’t good but like i get the point ig

[akkivee]

someone on my feed has been talking about kuukou’s unwillingness?? i suppose is the word, to be in the spotlight, especially in regards to this fpmtr➕ chapter

like kuukou functions as if this isn’t his story, he’s not the protagonist of it; moving behind the scenes to ensure jyushi gets his chance to shine on stage and affirm himself, pushing hitoya out of the way to take an attack because he probably could sense hitoya needed to be on that stage facing jakurai, following ichiro’s lead and helping when he asks and it’s interesting to see it reinforced so often

[alexalbongf]

unfortunately the charles tragic hero character study analysis narrative theme motif enthusiast brainworms do eventually lead to ferrari mick . who knew

[devilishdelights]

why couldn’t satan have a different design

[anotheruntitledsong]

i did like the hidden palace but (SPOILER if anyone hasn't read it?) i'm genuinely so annoyed at how Arbeely is handled like... I wish i could be sad but i'm just fucking irritated. I was overly invested in him and that's def why but i just feel like they did him dirty

[thechaoticfanartist]

Grim being determined to change fate in TCWGANV to the point that she refuses to accept that she can't save everyone even when she fails vs Grim not trying to change the ending in ALATL but that doesn't mean she's not going to stop saving who she can, even if it isn't everyone