#angry at self for ‘allowing’ it to do this?

[comicaurora]

Do you think the main characters (in aurora)’s fatal flaws can be summed up in one word? If so, what are they?

Yes, but most of my answers only register as flaws if you squint. I think characters are most interesting if their admirable qualities are also what gets them in trouble, and anything becomes a flaw in the right circumstances.

Kendal is selfless. He barely registers himself as a person, so his acts of compassion frequently come at a severe personal cost. He has a massive blind spot for how much it hurts others when he hurts himself. He is kind and lacking in ego, but he has zero ability to advocate for himself. He defines himself by what he can do for others, and is only barely beginning to understand that he can do things for himself.

Alinua is paralyzed. She wants to heal and she does not want to hurt, and she's wrestling with a massive, terrifying power and responsibility that allows her to do both. She spent so long terrified of hurting anyone that she overthinks her actions unless she's running on pure adrenaline and impulsiveness can take over for her.

Erin is independent. He's quicker than everyone around him, and he has no patience for anyone who he sees as slowing him down. He is tremendously powerful and very intelligent, but he has absolutely no ability to work in a team, because that means trusting others to execute his ideas flawlessly, and from his angle, nobody can do that reliably except for him. It's not a logical conclusion, but he can always find a reason for why his plans were foiled by other people messing them up. Erin would love to be helped and rescued. He just knows nobody can, and nobody will.

Falst is loyal. Falst is also unbelievably lonely and, like Erin, has cultivated extreme self-reliance in the face of neglect. Falst loves being part of a team, but has absolutely no ability to trust that he is safe in it. He hasn't been wanted anywhere in a very long time. He's too proud to say that, and he's very angry at the part of himself that is hurt by that, which makes him very volatile in very specific contexts where that part of him is exposed to the air.

Dainix is insightful. He reads people too clearly, but has very little understanding of how much it's okay to plainly say about what other people are thinking and feeling. Where he's from, thanks to the magical influence of Fire, the seat of emotion, everyone can to a certain extent feel the vibes and temperature of the room and everyone is mostly on the same page about it. He is utterly unprepared for people like Falst who become extremely defensive at any insight that prods a sensitive spot, and he's pretty much hopeless at performing any deceit more complex than a half-truth.

Tess is free. She's the ideal of wanderlust, and living her truth is good for her, but it makes her fundamentally unreliable for everyone around her. She cannot be comfortable in stability, and she is ultimately following a selfish goal of pure self-determination that makes it impossible for her to stay anywhere long. She is disconnected from her surroundings and the people who love her. She doesn't like thinking of her loved ones as tethers holding her down, but if she stays anywhere too long, that's what they become.

[tedwardremus]

assuming sirius survived OOTP, how do you think he’d react to finding out remus threw harry against a wall? i can’t imagine him getting too angry at remus for anything but also he’d hex the shit out of anyone who dare touch a hair on harry’s head sooo

This is an intriguing question because, if Sirius had survived the events of Order of the Phoenix, the entire trajectory of Deathly Hallows would change dramatically. For instance, the scene where Remus throws Harry against the wall would likely never happen.

Remus distances himself from Tonks in Half-Blood Prince for several reasons—he despises himself, feels unworthy of love, and believes he’s too dangerous to be around others. But I also think grief played a significant role.

In the first war, Remus lost everything: all his friends, his emotional support system, and his financial stability. He was a man deeply suffering from PTSD. Then, miraculously, he gets one of his best friends back. We see how close Remus and Sirius are—they live together, buy Harry joint presents, and Remus confides in Sirius about the politics of the wizarding world and the mistreatment of werewolves.

When Sirius dies, Remus loses that vital emotional support again. He distances himself from Tonks because he can’t bear the thought of loving someone only to lose them again.

If Sirius had survived, I believe Remus would’ve had the emotional support he desperately needed. His relationship with Tonks would have played out differently—he might have been more open to the idea of a family and less paralyzed by the fear of loss.

Sirius’s survival would also have a massive impact on the Horcrux hunt. In my mind, Sirius would have taken charge, never allowing Harry, Ron, and Hermione to go off on their own. The trio would likely remain hidden at Grimmauld Place, while Sirius, Remus, and Tonks worked together to track down the Horcruxes. With Sirius alive, so many ripple effects would occur that Remus would never end up in that confrontation with Harry.

Now, let's imagine that nothing else changes—Sirius just happens to be alive. Remus still comes to Grimmauld Place and tells Sirius and Harry he wants to join them, insisting James would have wanted him to help.

Sirius, ever perceptive, immediately becomes suspicious. He knows Remus too well.

When Remus and Harry argue about parents abandoning their children, Sirius intervenes. He stops Remus from leaving and grabs him by the back of his worn-out cloak and hauls him into another room, telling Harry to stay put.

Once they're alone, Sirius gives Remus the blunt talk only a close friend could deliver. He tells Remus to get a grip. Stop dwelling on James, because James is gone, and to stop wallowing in self-hatred. He insists Remus apologize to Harry, return home to Tonks, and start acting like a father.

Sirius refuses to watch another friend die and leave a child to grow up without their parent.

Also, just one more thing about this scene that I don't see many people talk about but it is a real turning point for Remus and Hrry's relationship because it is a moment when Remus stops being a mentor to Harry and they are equals. Remus isn't throwing his student or his friend's son agaisnt the wall, it a fellow resistance fighter. This is another instance that show Harry is no longer a child but an adult.

The power dynamic of the realtionship in this scene gets reverse. Remus is not the one giving out advice and helping Harry. It is Harry, leader of the Horcrux hunt, that is teaching a lesson to Remus, his former teacher.

[meraki-yao]

Dropping in to say your crying at the vows Payneland was SUPERB! Is it too late for 🤬 Payneland? If so no stress at all! Your writing is awesome!

Hi! Oh my God, thank you so much! I'm glad you liked the last one! Thank you for the prompt and sorry for this being late!

🤬Argument with a family member

This is a human/alive AU by the way!

TW: Paul Rowland being a homophobic, abusive asshole, homophobic slurs

Charles freezes, his fiancé’s hand tightening on his arm. Standing in front of their wedding venue entrance, arguing with the security, is his father who he hasn’t seen in years. After struggling through university on his own and meeting Edwin Payne, he took off and ran far away from home, cutting all contact with his parents while building a new home with the love of his life. A few years down the line, he and Edwin created a cipher to communicate with his mother. But throughout all of this, they have deliberately steered clear of his father. His father, who beat him senseless; his father, who locked his lanky teenage self in the basement that he lived in since he was five; his father, who nearly ripped his pierce off his ear, calling him homophobic slur years before he came to terms with his bisexuality. After Charles confessed his trauma after a particularly violent nightmare, Edwin had held him and promised that he would never let Paul Rowland near him ever again. Charles had gripped his boyfriend’s waist and promised the same: he cannot ever let his father lay a hand on sweet, gentle, loving Edwin. But he’s here now, at their rehearsal dinner, and he can’t help but freeze at the sight. Why? How? What is he doing here? How did he find him out after so long? What do I do now? Charles’ eyes meet his dad’s and the next thing he knows, Paul Rowland is pushing the security guard to the ground and comes marching their way, the rage on his face horrifyingly familiar. He has to move, he has to leave, he has to protect Edwin— But he can’t move. He’s frozen in place, legs turned to jelly. He wants to scream and cry but only quick puffs of breaths come out. Just before his dad can shout a curse at them, Edwin suddenly steps forward, pushing Charles behind him. “Excuse me, sir.” He says eerily calmly, which is a sign that he’s actually angry. “I don’t believe you’re invite to this function. You are trespassing right now, please kindly leave the premise before we have to call the authorities.” “Move out of the way, you fag. I’m here to talk to my son.” Paul Rowland growls, and Charles flinches, he wants to grab Edwin’s hand and run. “As you can clearly see, Charles does not want to talk to you. Now, leave.” Edwin continue, not phased by the slur. “CHARLES! YOU FUCKING USELESS PIECE OF SHIT, HIDING BEHIND A FAIRY?” The familiar roar rings in Charles’ ear. He can’t fucking breathe oh God oh fuck— BAM! Edwin, his sweet Edwin who has always gravitated to words, who he has tried to get into boxing without much success, punches his dad square in the jaw. Both Rowlands stare at him in shock. “YOU FUCKER! HOW DARE YOU—” “No, you listen here.” Edwin states, a dangerous edge in his voice. “We have given you multiple warnings. I will not allow you to come here, ruin our joyous occasion and do any harm to my fiancé, physical or otherwise. The police can deal with you now, we’re done here.” He lays a hand on Charles’ back, gentle despite the situation, and leads him away as the police who have finally arrived come and pull his dad away for questioning. They’ll need to provide their recount too, but Edwin insisted that they’ll deal with that later. They enter the dressing room of the venue where Charles collapses onto a chair. Edwin kneels before him, hand cupping his cheek, thumb swiping under his eyes. “Charles, please tell me what’s going on.” “No, it’s nothing, I’ll be fine I— Holy shit, Edwin, you punched my dad!” “Yes well, I very well couldn’t stand there and let him cause you even more distress, and he was clearly not going to listen to a word I say, sometimes actions do speak louder than words.” Charles pulls Edwin into his lap and wraps his arm around his waist, nose buried in his neck, breathing the familiar scent. Edwin’s hand goes to his curls as he presses kisses on to the top of his head. God, how lucky is he, to have such a wonderful person to call his? “We’ll be alright, my love,” Edwin whispers. “I promise, we’ll be alright.” Charles has never doubted him.

[priest-iuput]

Sick with anticipation. Just when you think it’s four blocks behind you… it sneaks through the shady lane and chokes you, still from behind

And so very pathetic is the reason

Hey now

[hajihiko]

💕

[gailynovelry]

Thinking a little bit about that one "I'm an English major and a professional as opposed to you amateurs" anon. Gonna roast 'em a little bit, but with the intention of addressing a thing we've had in mind for a while.

Real talk, coming from someone who WAS an English major; majoring in English is not necessarily a guarantee that someone is a good writer. For one, you can be bad at your major, full stop. For another, it's not even a guarantee that someone identifies as a writer to begin with. English as a major is pretty broad, and it covers reading too, among other things. There's library science, analytical academia, historical preservation & interpretation (MEDIEVAL MANUSCRIPTS HELL YES), editing, nonfiction trades (often crosses over with STEM majors), marketing (crosses over with business majors), and also book design and typography (<3 <3 <3 our favorite, crosses over with art majors).

Someone can major in English and take a specific minor with the goal of falling into a trade that is not writing literary fiction. In fact, we would argue that most people who get something useful out of their major are the ones that do that.

It's also worth noting that it's possible to be an English major focused on "lowbrow" fiction. There are people who major in English and use the experience towards the end of writing erotica. There are people who major in English with the intent to write genre fiction. There are people who major in English to study the history and social context of fanfiction.

These things are, in fact, worthy fields of study! The realm of the "amateur" is the realm where a lot of cultural conversations and innovations happen!

Expecting English as a major to be a tract specifically for producing acclaimed literary fictionists is not realistic, not how the discipline typically works, and it's certainly not a thing you can use to hold over other writers' heads. It is perfectly possible for people to write good things (professional-grade things even) without ever touching a college course.

I sat through so much bad writing in college. Technically bad, thematically bad, gramatically bad. And I routinely bump into non-graduate authors who write texts, formal and informal alike, that blow my own writing clean out of the water with their quality.

In short, dismissing other people in your general field as "amateurs" who are beneath you is an incredibly unprofessional thing to do.

[topaziraphale]

"Stop saying Crowley won't help Aziraphale in S3 he'd go back to him in a HEARTBEAT and nothing would stop him" I get it no one likes the idea of Crowley being bitter after what happened for a long period of time but like can we at least acknowledge that he's currently going through probably the most emotional pain in his life since falling? Can we agree that he's opened his heart entirely - something you couldn't pay him to do unless the world is literally ending and he's desperate - to Aziraphale, and got shot down? Can we understand that he did it AGAIN only to lose Aziraphale again? Not that what Aziraphale did isn't without Crowley's own shortcomings (hiding the truth of Heaven's cruelty from him) but like,,,,

The appeal here isn't Scorned Crowley Doesn't Love Aziraphale Anymore, or Never Wants To Help Him Again, the appeal here is Crowley learning enough self respect to not just walk back right to Aziraphale like nothing happened after Aziraphale has had a pattern of consistently refusing him. Going years ping-ponging between "We're not friends I don't even know him" to "That's what friends are for right?" and "We're friends, why would you even say anything?" and "Friends? We're not friends. We are an angel and a demon!"

Like I get it, Crowley is a heartbreakingly forgiving person. Of course he's gonna forgive Aziraphale, I'll be surprised if he didn't forgive him by the time he walked out the bookshop door, but gdi he could at least grant himself the luxury of being at least a little irritated for longer than however long it takes to make a globe and some books float and angrily cry out to God in his flat. But due to the change of pace and dynamic that is establishing part of the conflict for Season 3, I just really like the idea of him for ONCE prioritizing himself and being like "Okay, fine. We'll get back at it when you're ready, then," instead of just taking Aziraphale back like his words and actions meant nothing to him, when clearly they have an effect on him.

What is Aziraphale going to learn if Crowley just accepts what he did so quickly, like he always has the entire time they've been friends? Idk maybe I'm just projecting too much darkness on their dynamic but I mean, if the pattern of Aziraphale pushing Crowley away/disrespecting him one day and then being fine with his friendship the next + Crowley never stopping to be like "Hey, that's not cool, at least give me a little credit" or smth was fine all along and will continue to be fine in the future, then why, after 6,000 years of being friends and loving this demon, can Aziraphale still not accept that Crowley is just fine the way he is, and instead got excited to promote him to an angel in a heartbeat once the opportunity presented itself? You can't blame all of it on Heaven when Aziraphale has demonstrated his free will/defiance to Heaven so many times. Or, I don't know, I guess maybe we can? Maybe I'm just craving too much angst to the point where I'm letting it cloud my analysis of canon. Idk.

[the-busy-ghost]

Me normally: Let people love what they love

Me, after a Test Match Special commentator expresses their belief that the new All Creatures Great and Small is somehow "better" than the 1978 version: This is pure insanity and TMS can no longer be trusted on anything, how can they even be trusted to know about cricket, do they have no TASTE

[zedif-y]

people older than you when the challenge is to not give unsolicited advice: 💀💀💀

[sincerely-sofie]

Ruby anon again! I’m glad that I haven’t been interrupting your creative process or intervening at all. I can’t wait to see what you do with Ruby and her siblings!

The siblings, btw, were a piece of work for me to write and develop until I decided to peace out on really doing anything with them. The only two things I remember about them really are:

• They’re bounty hunters and their parents did the same thing to them that they’re doing with Ruby. They’re repeating behavior taught to them and they legitimately think they’re helping Ruby. I scrapped that idea quickly because I felt like that could push out the problematic “the abused become abusers” message and that it could possibly make the siblings sympathetic, and I did not want to make them sympathetic in even the slightest way. Anything I had involving the backstory of Ruby’s siblings and/or what happened to their parents was just tossed out after that.

• I thought about the siblings having opposite personalities and looks: one is more loud and aggressive and the other is more quiet and passive aggressive. One is shiny while the other is not. One is the physical abuser while the other is the emotional abuser. Despite their personalities contrasting, they get along well with each other. I wanted it to symbolize that abuse can look different, but it’s still abuse and can often come with other forms of it. I was still on the fence about that idea because I wasn’t sure if I liked it.

I hope you can write the siblings better than I ever could. I can’t wait to see more of your work! It’s amazing! I hope you have a good night. ^^

OHHHHH MY WORD I CAN’T BEGIN TO TELL YOU HOW AMAZING THESE NOTES ARE AND HOW EXCITED I AM TO INCORPORATE THEM

I love the idea of the siblings embodying different forms of abuse and the significance of how their differences ultimately play off each other in a way that they get along swimmingly. That’s a brilliantly layered piece of storytelling, you’re a genius! And thank you for the compliment, you’re super sweet :>

Real quick, an important thing to note about the possible problematic message that “the abused become abusers”— it’s a heartbreaking fact that many cases of abuse are generational in origin. The documented fact that domestic abusers are frequently victims of corporal punishment is one of the most devastating examples of this. To write a couple of characters who reflect this fact doesn’t automatically push out the idea that the abused become abusers— heck, it could be written as an important insight into the devastating effects of abuse and how it impacts its victims, and how breaking the chain of abuse is even more significant than its already seen.

Just because you write a reason for a character to be a horrible person doesn’t mean they’re automatically sympathetic, or even that they’re sympathetic in a bad way. Villains people can relate to are very powerful from a writing perspective because they make the reader stop, stare into the abyss, and see it staring back at them. A sympathetic or “understandable” villain who is still clearly villainous is terrifying compared to one that’s cartoonish pure evil. I can’t think of anyone who wants to blow up the universe, but I can think of a good few people who are xenophobic to the point of dehumanizing even themselves through their hatred. An origin story isn’t always an excuse. Sometimes it’s nothing more than an explanation— a cautionary tale that says “this could be you, so watch yourself.”

The fact that this is a possible backstory for Ruby and her older siblings is very relevant to Twig’s character in particular. I haven’t talked about Twig’s aunt Rue or mother Rowan’s backstories very much, but Rue was very similar to Twig while growing up— and Twig resembles Rue as a child more than she does her own mother. In a piece I haven’t finished yet, there’s a flashback that reveals the lighter that featured so heavily in the abuse Twig suffered is printed with her grandfather’s initials. Ruby and Twig could talk for hours, I think, about the torrential emotions that come from knowing your tormentor was a victim as well.

[natsmagi]

FOR REAL I GET SO MAD WHEN I SEE POSTS LIKE "eww why are ntsmg fans such weirdos!! They dont deserve to have natsume/tsumugi as their favs!!" Like first of all we're not hurting anybody pls let us LIVE, second of all Have You Seen the Characters in Question. Like if we're freaks then what does that make THEM!??!? If they were real theyd be the freaks ur complaining abt!!! TL;DR natsumugi loser weirdo freaks canon and im here for it. Also that alice natsume is so CUUUUTE

ITS KIND OF ODD TBH ?? like obviously i get that not everyones going to like the same stuff but like. if you dont like characters being weird, why do You then also like ntmg.......? if its someone who doesnt ship them thats complaining then fine whatever but its so weird to me when people who claim to ship them make these complaints bc its like?? then why do you ship them???? do you Only like the bits where the two of them are being sweet to each other? do you only like their angsty backstory? do you only like the comedic relief? i have a hard time grasping the idea of dedicating yourself to a pair or character without loving (or at the very least tolerating) every aspect of them........ have these people read the stories? or are they being deliberately oblivious? i have no idea

it makes me really sad how people are so afraid of being seen as "weird" though. too often that word comes with negative connotations when that doesnt need to be the case at all, and i wish these people would stop living in fear and surrounding themselves with those who judge people based off how Socially Normal (according to a christian society) they are

also i just get annoyed seeing ntmg get watered down to some idealized couple completely stripped from their complexities to better fit what we're taught is Morally Correct (according to puritanical beliefs) or reduced to a comedic duo SHDKJFHD

[pinkfey]

I like following you but can you go back to reblogging vg gifs soon, its why I’m here

the genocide of the palestinian people is being broadcast online across every social media platform and they are begging us not to look away and turn a blind eye to their suffering doctors and mass graves and murdered children and final words and you want me to post baldur’s gate or whatever. unfollow me and get the fuck out.

[certified-anakinfucker]

i miss mace windu. where is he. is he safe. is he alright.

[magentagalaxies]

i'm a woman but only in the way where sometimes a male musician from the late 90s/early 00s decides to write from a woman's perspective but that's not immediately clear until they say "i'm a woman" in the lyrics and you immediately google whether the musician is trans and the answer is no but you've already decided to relate to the song in a trans way anyway

[void-tiger]

Warning: Sandman Spoilers.

(I’d plop a Read More here except I can never remember how to do that in mobile, mobile is much friendlier in layout to how my brain functions than the full web-on-computer will ever be, and Readmores flatout break my ability to edit, say, tags after I hit that Post button.)

-

-

Right. Okay.

…I think what irritates me about the Endless Siblings?

Delirium Can Do No Wrong Because She Baby (which is true. We dunno what shit happened to her that forced her to shift from Delight to Delirium, but we know it was BAD) even when she torments mortals for her Games (just less maliciously than Desire and Despair; it’s debatable if she’s fully Aware of the consequence of what she’s doing), even when Delirium’s (understandable!) demand to have Destruction back actively kills people!

Or Destruction—who LEFT and almost demands the others to leave as well despite Not All Of Them CAN Leave (and to be frank? Him abandoning his post despite having Creation as his counter-domain is probably why, say, warfare became SO destructive SO rapidly followed by a technological boom)—and literally planted what might as well have been BOMBS in his closest friends if any of his siblings tried to find him.

Or Desire—who fucks around and NEVER has to find out. Who actively targets Dream and blames Dream for their bad relationship with their older brother…and never takes any accountability for their own part in it and continued active antagonism and actively trying to DESTROY Dream either by spilling family blood and igniting the Kindly Ones’ Wrath and using Dream’s Own Function against him…or by risking Dream shifting into something Not Dream Any Longer. (And the absolute Irony of Desire being the one (1) sibling to EVER help, then gets pissed off and antagonizes further. Gee, Desire. I wonder why Dream doesn’t ask and if he asks you he asks you last!)

Or Despair. Who plays games beyond her function, and this aspect of Despair seemingly ignoring her counter-function of Hope, and is a co-conspirator albeit passive co-conspirator in Desire’s torment of Dream in much the same way as a pair of school-aged Mean Girls

Or Destiny. Who so rarely shows that he cares, uses his Book as a Defense Mechanism Excuse in a similar way as Dream does his Pride (and being prickly by-nature but most of his standoffish-ness is honestly a defense against Holding ALL Of Subconscious + His Family’s A Bunch Of Assholes (Too)). And if he does anything “outside his Book” or “finally acts within the Book” …he denies it’s because he cares. It’s to berate for showing up in jeans or someone else leaving their stuff in his room (even when someone else left it)

Or Death. Who had her own Edgelord Phase that lasted for eons before her younger siblings even existed. Who never once actually came to help yet berates Dream for not asking her when he wound up in Serious Trouble…again. (And not by his own fault, unless you want to count fixing a past mistake seriously draining him to the point he could he snared by Desire’s (and Despair’s but mostly Desire’s) Trap.)

…They’re ALL Assholes, Jared!

But only ONE of them is held to a standard none of the rest of them even bother to live to and gets actively punished for it at every turn, even when he tries to reach out, do better. (And yes, Morpheus!Dream has some serious fuckups. But. So do the rest of them. And he’s kinda the only one held accountable for them + some things that really aren’t his fault or are actively traumatic and he doesn’t really have a way to safely recover from without, y’know, affecting the Dreaming and all the dreamers! And it’s not for a lack of trying or continuing to try, despite his natural stubbornness, prickliness, introversion, and avoidance!)

[hallwyeoo]

I am a regular normal person who totally doesn’t forget to mention Binghe being affectionate because I see it as a given… I totally don’t love him so much…. No way….