#anything as long as you know it’s appropriate

[marigoos]

Hello this a long shot call, am a citizen of Palestine. I am here to request for your support to help get my insulin (Humalog), just an injection for today to save my life please I beg.I was diagnosized with type 1 diabetes and due to current situation in Gaza I'm unable to get my insulin injection as a result I'm here begging for little financial support to help me purchase insulin for this week, am having a balance of$168. Am sorry if am sending you again this request, kindly donate any amount please. My donation link is in my pinned post🇵🇸. Thank you and be blessed ❤️

THIS IS A KNOWN SCAM (SEE LINK HERE)

Funny seeing you here just two days after I warned a mutual about you :) I thought you recurring scammers had me pre-blocked after the last time I tagged every single soul I saw reblogging one of y'all's pinned posts. And you know what? I'll do it again. I don't care that it's 300+ people. You deigned to show your ass in my inbox, it would be rude not to answer appropriately!

IF YOU'VE BEEN TAGGED IN THIS POST:

1) don't be ashamed, it happens. I just ask that you kindly delete your reblog or edit it, and warn your followers

2) this is a known scam, they keep trying with new usernames. In general, the red flags here are: generated username (3 english words in a row), very low end goal (they're usually several thousands USD), Paypal (less protections), Humalog/insulin, they say they're vetted but not who vetted them, very recent blog with lots of reblogs of popular posts but unrelated to the topic.

Singularly they're not that weird, but if you see any of those elements you should be more wary and do some research before reblogging!

3) try to follow a scam buster, I follow @/kyra45 (or at least take note. She has some resources that can be useful to check every once in a while)

4) don't feel obligated to come and thank me or apologize for falling for it, that's a lot of you and only one of my inbox °v° it's ok, really, I get it. I've fallen for scams before, it's not your fault I swear

5) if you were tagged but never had anything to do with this scammer: I typed everything manually because it was faster, I may have made a mistake. Do contact me so I can mention the right person ^^"

Next day edit: got blocked, they graciously left another ask in my inbox so I'm adding some more people to my mentions list :3 please notice how they went overnight from magnificentdraginengineer - paypal name lavender namisi, to vallarysblog - paypal name vallary wanjala. They'll keep doing this so get familiar with the text of the ask instead of the name, it's going to serve you in the future

'Nother edit: changed url to loudduckcrown but paypal is still vallary wanjala

@judaswail @nothingventurednothinggained123 @sintribos @igothurtdoingsafetydance @freetobezii

[a-writing-otter]

WIP Wednesday

“I can’t believe you fucked that old man.”

Bill’s head snaps up so quickly from where it was inside of the air duct that he smacks it on the metal internals. When he reappears cursing and rubbing at his head, there’s dust bunnies in his hair and clinging to his eyelashes.

“You can’t believe I what?”

“You fucked that old man,” Red repeats, feet up on the counter as she lazily reads something called “Lumberjack Layabouts Weekly.”

“I—“ And Bill lets out a grunt as he comes down from the ladder to slam his hands on the counter and lean into her space. The action does little to phase her other than make her look up.

“Neither of those things are right!”

Red takes a second to turn the page of her magazine, but doesn’t look away from Bill.

“That’s not what I heard.”

Bill’s eyes roll back into his skull for a second. He thinks of what he was told to do both by the therapium and Question Mark’s fiancée: deep breaths in and deep breaths out, count to ten, don’t visualize throttling them no matter how fucking annoying these fleshbags are.

“First of all, I’m older than him,” he begins, like that’s the important part.

“You don’t look it.”

“That’s because I take good care of myself.” Which is only partially true.

When the Axolotl and the entire therapism decided Bill’s methods of rehabilitation weren’t working, they’d sent him here. To hell.

…to earth.

Stripped of his powers, they’d shoved him into a meat suit that was an “appropriate approximation of his natural form” (Bill resents that statement entirely, but the appearance has grow on him). The dark skin and golden eyes are quite a contrast coupled with the golden hair offset by strays strands of grey or white hair. Melody has helped him figure out how to wash and maintain it, which is far more maintenance than he was expecting after watching Ford for years barely do anything more than occasionally wash it and wake up. Bill’s currently picking dust bunnies out of an individual lock, throwing them into the trashcan by the counter (like hell is he sweeping up in this damned place more than he has to).

He has it on good authority that this is a desirable fleshbag form, both from the open way that people compliment him and the way people stared. …he’s getting used to the staring and has stopped threatening to flay people alive who let their eyes linger too long.

Question Mark calls it progress; Bill calls it not wanting to see that haunted, barely contained disappointment on Melody’s face again. She is simultaneously the kindest and cruelest person he’s met on this plane. In spite of literally everyone’s reservations about Bill being on the same plane as the rest of these humans, she’d been willing to hear him out, offer him accommodations here at the Mystery Shack, and even provide a job if he could behave.

She also detailed to him with a sunshiney smile and no insignificant amount of knife waving that if Bill started anything, anything looking like world domination under her roof, not even the Axolotl would be able to save him.

If nothing else, she’s done more than a little to earn his respect and compliance than anyone else in this entire reality.

So, he’d gotten used to people staring and it doesn’t bother him.

At least, until one particular person started staring.

“Second of all, I didn’t—“ And he looks around, makes sure no hide or hair of thirteen year-old menace can be seen before he continues, “—fuck Sixer.”

Red closes the magazine entirely and shifts to take her feet off the counter and lean on it with her arms folded—this is what she’d wanted to hear.

“I heard Stan caught you two in the bathroom.”

Bill clears his throat and starts back up the ladder to avoid having to look at Red even as he feels something warm in his face.

“Stan doesn’t know what he saw.”

Red lets out a raucous laugh that makes Bill wince and wrinkle his nose as he sticks his head back in the vent to continue clearing it out.

“I heard that you two also got into a fistfight at dinner before that. Weird foreplay, but I can respect it.”

Everyone, mostly Question Mark and Shooting Star, have insisted on family dinners since both sets of Pines twins returned to Gravity Falls. And, somehow, Bill gets lumped into that because he sleeps in the Shack (specifically, the sofa in the living room because everywhere else is off-limits). It’s been three weeks and most everything has been simpatico, Shooting Star was the fastest to warm up after her initial talk too of “unspeakable horrors” she’ll unleash on him if he steps a toe out of line. The fact that he’s powerless seems to make her willing to humor him.

…also something about him looking like a wet rat? And it was a good thing? Bill didn’t ask. Or, rather, he had asked and she brushed him off and because he knew Stanley will flay him alive if he lays a finger on either niece or nephew, he let it go.

Pine Tree has been a lot more hesitant in his behavior, sure, but he’s recently started being in the same room with Bill and musing aloud in ways that Bill knows are directed at him without talking to him. Pine Tree will state something stupid about the state of the town and when Bill corrects him, he’ll scribble it down, go silent, then rinse and repeat.

Stan has been… well, they were avoiding each other without problem. The closest they get to a conversation is when they’re both sitting in the living room after everyone else has gone to bed and before Stan goes to his bed and Bill passes out on the sofa. Their talk is a roundabout back and forth about complaining about what’s on the television and saying there’s “never anything good on”. Occasionally Bill will liken something on the screen to something he’s seen on television in other dimensions, Stan will grunted, and then they go back to silence.

They’ve also worked out a system where they’re allies in their silent agreement to watch The Duchess Approves as long as no one else finds out about it.

…and then there’s Ford.

They haven’t been in the same room as each other outside of dinner even remotely. Bill doesn’t look at him, Ford doesn’t acknowledge him, and it’s fine.

It’s fine.

It doesn’t bother him even a little that Ford won’t even look at him, won’t talk to him. Doesn’t bother him that when Bill does talk, he rolls his eyes. It doesn’t bother him either that Ford gets up every time Bill enters the room even for a moment. It’s not like he cares about the asshole or wants to see him. It’s fine for Bill.

Fine, fine, fine, fine, fine.

And because it is so fine, he’s not sure what exactly caused him to get mouthy with Sixer the night before.

Ford had made some inane comment and Bill couldn’t help but correct him. Over a trillion years in the multiverse, he knows when he’s right about something.

Ford bit back.

And Bill argued against.

It’d devolved into a petty back-and-forth, both of them digging their claws in places it shouldn’t go without caring for the carnage it spread.

It ended when Bill called Ford “my shining star” like this was just a philosophical disagreement thirty-one years prior.

He shouldn’t have done that.

The next thing Bill knew, he and Ford were rolling on the ground, fists flying and snarling at one another. Ford caught him in the nose, Bill punched him in the mouth, both of them scratching and pulling hair like a pair of animals.

It took Stanley and Soos both to pull them apart, both of them still swinging until they were forced to calm down.

After that, Bill had left his unfinished dinner to sit on the roof and wait out everyone else’s dinner. It was only because the blood wouldn’t stop flowing from his nose while the blood on his knuckles had dried uncomfortably to the point he kept accidentally ripping it when he flexed his hand that convinced him to go downstairs.

He’s still figuring out this whole human thing and, yeah, he was fumbling with the tape and his nose was dripping all over everything and he was fighting not to get it on the stupid sweater he got from Shooting Star and—

That’s how Ford found him.

There were no words as he crowded into the small bathroom with him, took off his gloves, and started to doctor Bill.

Neither of them say that there’s something familiar about this, them being together while cleaning up blood and puss and setting bones, usually injuries inflicted on Ford by Bill. There’s probably something funny about the idea of it being the other way around now.

They’re both too tired or embarrassed to say anything for awhile, but then Ford makes an innocuous statement that raises Bill’s hackles and there goes the peace. Then they’re shoving and pushing into a wall, Bill effectively having Ford cornered against it, chest-to-chest, spitting in each other’s faces, and then—

Then they were decidedly not fighting.

“Yeah, well, Fordsy is a know-it-all prick who doesn’t actually know everything,” Bill defends. “He started the fight.”

“That’s not what I heard,” Red replies in a singsong voice.

“And who’s telling you this?!”

“Don’t worry about it.” Red goes quiet for a moment, but he knows she’s still staring at him. “Did you two really make out though?”

Bill is quiet, can’t quite find the words he wants to say about this. Was his tongue in Ford’s mouth? Yes. Were Ford’s hands in his hair? Also yes. Did Stan walk in while Bill’s hand was halfway down the front of Ford’s pants? Regrettably.

“It was a… heat of the moment thing.”

“Wow. I mean, I knew you two were something back then, but I figured you two had, you know, moved past that.”

Bill doesn’t respond for awhile, leaning back to sweep the dust into the garbage bag he’s holding.

“So did I.”

[mal3vol3nt]

https://www.tumblr.com/longing-for-rain/755847912227028992/here-we-observe-the-aang-boymom-in-its-natural?source=share

Hi! I'm curious on your thoughts of this meta.

hi anon! so sorry for keeping you waiting with this response, i know it’s been months. unfortunately this probably isn’t gonna be the response you wanted to hear—me breaking down this zk brainrot rant and subverting their claims with canon content. please allow me to explain though (this is gonna be long sorry):

the reasons i’ve been slow to answer this ask and others that have sent me zk rants are:

since joining atla twitter (@arrsapphics if you’re cool) i’ve been exposed to a lot more zk coke-fueled rants and just do not have the energy to torture myself by willingly reading their shit

a lot of these zutara stans on tumblr are a lot more deranged and genuinely horrible people now that i’ve been exposed to the twitter zks. of course, zks are stupid and ship-obsessed on every platform and some of them (one in particular comes to mind—if you’re on twitter then you know) are genuinely just as bad, but i feel the ones on here have a special type of hatred considering they can tag their posts to ensure their hate stays within the echo chamber

CONTENT WARNING: RAP3

the second reason is the biggest part of why i will no longer entertain posts from longing-for-rain. i have recently found out via twitter that they write rape fanfiction of katara. being a chronically online shipper is one thing but to write fanfic of katara being raped so that zuko can save her is truly where i have to disengage. they have also posted rants of them analyzing katara’s body in the show, measuring the size of her breasts and hips to support the delusions in their head about this 14 year old girl. i truly cannot engage with this person’s rants as if they’re just regular shipping war bullshit. this person is a sick individual who not only projects onto a 14 year old brown indigenous character but also sexualizes and adultifies her

for these reasons, i refuse to read a rant posted by her and other big zk blogs on this app. people who take their obvious fetishes and racism and project them onto underaged asian and indigenous characters have gained too much attention from me on this blog. i can’t continue reading rants from these people and analyzing them because i know these people are not treating this show and its characters under an appropriate lens and arguing with their points will do absolutely nothing but enrage me, other people in the ka fandom, and fuel their delusions with our anger as “proof” their arguments hold any weight. on twitter, i’ll continue interacting with what comes up on my tl from my atla moots and if that includes shitting on a deranged zk then fine. but on tumblr i refuse to engage, especially since this app has a tagging system that i use religiously

and i would like to encourage anyone who reads this to also refuse to take this person’s rants seriously and look at them as nothing more than cope-hatred by a sick individual with sick fantasies and thoughts about these minor characters. of course, if you choose to still engage then i won’t stop you and will probably like and reblog your posts 😭

i will just no longer willingly click on links to their rants and subject myself to their bullshit. however, if you’d like for me to argue against zk claims then you are more than welcome to send me a summary of what they’ve said and i’ll do my best to organize a response! i absolutely do not want to discourage anyone from sending me asks because i truly do enjoy answering yalls questions and i love knowing that people like hearing what i have to say on these things lol. please, send me asks about anything and everything! just please understand that i won’t be clicking any links to their posts and blogs or be entertaining anything that comes from the three main delusional zk blogs 🙏

i hope this has made sense and again, i’m sorry anon for taking so long to answer this ask and for not giving the expected response 🫶

[rtfics]

Seeing BJ2 the 3rd time.

LONG & FILLED WITH SPOILERS

SO much to think about, and my memory is shit.

I rapidly scribbled notes during the film. But when I got home and tried to read them:

So here's an overview. I'll post other details if I ever translate my notes.

First, the casting was perfection. I'd never seen Jenny Ortega, Justin Theroux, and Monica Bellucci before, so for me they were the characters.

It was interesting that the film opens with the Warner Brothers Studio lot in black & white. Why B&W? It sort of sets the tone.

Donna Summer singing lines from "MacArthur's Park" was a foreshadowing. This film was made by a guy who was a teen in the 70s, and it's for others his age (he's only 2 years older than me). BJ2 is packed with 70s nostalgia that only those who were alive then would get.

This sequel was also made for die-hard fans of the original Beetlejuice. Burton took special care to give us the Winter River we love, but updated it to show the story and its characters aren't stuck in the past. The covered bridge is there, the church, cemetery, Miss Shannon's, and fire station are there, and so is the Maitland's building, but it's a coffee shop now.

Seeing Lydia as shell-shocked and pill-popping threw me, but the plot gave it sense (I'll go into detail in a separate post).

Rory, OMFG, I've known Rory. Anyone who's had anything to do with the entertainment/media biz, even peripherally, knows Rory. His "enabler" bullshit was so spot-on; faking that he's going to get Lydia off her dependency on drugs while keeping her hooked by making it seem that he's doing it because she's begging him. Classic user methodology. You just know he's the one who got her on "coping" pills in the first place; all the better to manipulate her. I loathed him immediately.

I adore what they did with Delia. It completely fucking made sense, and followed what's happened in the modern NYC Arts scene. I love how she and Lydia now get along, I mean, shit, Lydia's in her 50s and Delia's in her 70s, they're both middle-aged women, and, bless their hearts, the screenwriters and Burton made them act like grown women.

Astrid seemed older than 16 to me, but hey, I'm not around teenagers these days. I appreciated that she wasn't a brat. Her resentment and having her back up were appropriate for her family situation; a beloved father whose body was never found (I think); a mom always working or promoting because of Rory, doped on pills and famous for being a ghost-seeing nutjob, who can't see Astrid's father. That's a lot to deal with.

The way they handled Charles was perfect, especially his claymation demise. His afterlife body was comically gross, and an ingenious way of including Charles in the film without having to recast another actor, except for his voice. Charles being in the Netherworld provides a great thread to Delia's later death. His headstone being the shape of a shark's fin was a humorously grim touch.

The Sylvia Young Theatre School Choir sang at Charles' funeral, and their voices were beautiful.

Arthur Conti was fantastic as Jeremy (70s teens remember his grandfather, Scottish actor Tom Conti). His American accent was flawless. He was the perfect balance of cute and mature, and his niceness made his being evil all the worse; while Astrid says the incantation you can see him slightly out of focus behind her, smiling in a chilling way. I love that there isn't the slightest hint that he's a multiple murderer, and of his own parents! When he's about to get his passport stamped he shows absolutely no remorse toward Astrid, which makes his damnation all the sweeter.

Beetlejuice . . . . What can I say? Michael Keaton created Beetlejuice as we know him, and he fit right back in character as easily as drawing breath. His body language, his weird way of walking, his expressions, everything is just as you'd expect Beej to be. But then we get to see more! I can't express how happy I was to see Beej's origin story, which turned the throw-away line about having a pretty good time during the Black Death into something more substantial. Seeing Keaton as human Beej was a delight.

An important detail was that, even though Beej says his heart had long since withered, he fell for Delores. He says he was "bewitched." Perhaps not love, but lust certainly. It's quite clear that Delores was much higher in social station than Beetlejuice, so he must have thought he'd won the lottery with her choosing him. My god, his ego had no problem with his drunken ass being hauled to bed by his new wife, and his enthusiasm was huge. I love that they gave him the gut in his human form (Keaton doesn't have one).

Richard was the nice guy I hoped he would be. But it was telling that, when he says goodbye to Lydia at the ladder in the mausoleum, they don't hug. They don't even shake hands. It shows the truth of Lydia's previous statement to Astrid that she and Richard's relationship had ended long before his death.

Wolf is every 70s crime drama/movie distilled. Hammy, over the top, constantly spouting his Catch Phrase.

Why are there so many shrunken head guys? And why did Beej hire people who can't talk to answer his phones? It's loony and fits the Netherworld random login. They're Beej's Minions.

I've seen a lot of people on tumblr, as well as professional movie critics, say there were "too many villains" and that the plot was "too hard to follow."

For those who agree with this, I recommend you never attempt to read anything by Charles Dickens, Alexandre Dumas, Victor Hugo, Edgar Allan Poe's detective stories, or Agatha Christie. Because your brains would fry.

Look, there are two villains. Just two.

Delores poisoned Beetlejuice, he killed her with an axe in revenge, in the Afterlife she reassembles and hunts him down, killing others in her wake, which sets Wolf Jackson and the Ghoul Squad after her, until she's defeated with a sandworm.

Rory has been manipulating Lydia, keeping her doped, gas-lighting her, until under the Truth Serum injected by Beej he spills the beans and Lydia rejects him, until he's eaten at the same time as Delores by the sandworm.

As for "Delores and Rory weren't given enough story," what more do you want? How Delores joined a soul-sucking cult? How Rory became a user, seeking out vulnerable, grieving women to exploit? We learn as much as we need to. Anything more would have stuffed the film with unnecessary crap.

The only shit I didn't care for was the baby.

The whole Counseling scene was a big gross-out, and I'm sure Tim Burton intended it that way. The original couldn't have been more gross than it was or it would have earned an R Rating, keeping out everyone under the age of 18 (21 in some states; this was the 80s). But now, Burton could be a lot more graphic. I was stunned that he had Lydia go through the "pregnancy," but it obviously didn't hurt her. For me Babyjuice has no point. It doesn't advance the plot, and its reappearance only drives home the weirdness of the ending.

What the ever fuck was the ending??

Especially Astrid giving birth to the Beetlebaby. It would suggest Beetlejuice is its father, which means he and Astrid had sex. Which we can be pretty sure they didn't . . ? In the counseling scene Beej refers to the baby as his "inner child." So its not his literal child? Even so, why would Astrid give birth to it the same way her mother did?

I've read all the theories about the ending, and at this point one's as good as the other. Perhaps that's the point: To keep us all guessing. Because I'm sure, all along, there's been a plan for Beetlejuice 3, IF this movie was a hit. If it wasn't, if it bombed (since 2010 all of Burton's films have bombed), the ending would lead to speculation forever, to people writing fucking dissertations about its symbology and metaphors, etc.

But if it was a hit, which it is, the seeds are there for a third and final film. But so fucking murky no one can guess what it'll be like.

The only part of the ending I liked was Beej shaking awake and saying, as he glances at Lydia, "I just had the weirdest dream." And Lydia looking over. Not terrified. Not screaming or leaping out of bed. Not seeing the indentation in the pillow and yelling in protest. Just staring.

Do I want a third film?

I love Beetlejuice Beetlejuice. I love it more every time I watch it. I accept everything in it as canon, even the baby, resentfully.

But Burton might fuck up the last one. He might do things I never wanted to be canon. When a sequel is made of a hit film, the creators sometimes become self-conscious. BJ2 wasn't, because it'd been 36 years since the original. They had no idea whether this version would fly. Since it has, massively, I'm afraid the screenwriters and Burton may become too aware of the audience and try to cater to it. OR they'll go the opposite direction and try to come up with a plot they think fans would never imagine.

So I'm pretty much stuck in the same place I was before I saw Beetlejuice Beetlejuice.

[adrift-in-thyme]

Anyone wanna send me asks? I’m still bored XD

[willowser]

the storm has picked up, by the time you see him.

early summer is torn by lightning, thunder that rattles the bones in your chest until you're wide awake with dread settling in your belly. you know the feeling intimately, can place it as soon as your eyes open; you're not sure what you're afraid of or why it's made you clammy — but it has.

through the slats of your wooden blinds, you watch the sky as it brightens and dies: in the dark, it's an open void, big and menacing and spitting out a downpour that seems unending, and then you're granted a flash of light, thin and tall and painful to witness.

you think you'll never understand gojo satoru. maybe once you thought you did, but he's always been five steps out of reach. on a separate plane entirely. if anyone could explain the mystery of him, it would be—

lightning strikes; out in the courtyard, contrasted against the night. the silence left behind is overwhelming.

you don't bother with shoes, because you don't want to train with damp socks in the morning and you're sure they'll still be soaked, after a storm like this. instead, you hurry out in a robe too expensive for this occasion; maybe that will elevate you somehow, you think, enough to be worthy of whatever he hides behind that blindfold.

you suspect he can hear you coming, especially after you nearly slip on the wet stone and then again on the slick grass, but he's without a teasing remark, this time. the dread returns, given a weight that matches your grief and his.

it's hard to blink up at him, into the rain. he's so blinding, even now: a flash across the sky, piercing through the night. gojo is without his mask and his hair is sopping, stuck to his forehead and down to his cheeks, and even his eyelashes are heavy from the storm. this is clearest you've ever seen him, with his sharp, smooth face, his defined brows and the straight line of his usually wide and open mouth.

you don't recognize him, like this. but how could you?

there's a cigarette between his lips, unlit and folding against the rain. plastic crinkles between you, and you see it there, crushed beneath the expanse of his big hand: a half-empty carton, the brand shoko smokes. the ones she shared with—

"satoru?" you ask, though the robe doesn't help. you feel like a beggar, then, as he keeps his monsoon eyes on the bare night ahead of him. "you're going to get sick, you should come inside."

it's a pathetic thing to say, to the immortal. he's too smart for this, to fall for your feeble bait; in response, you get nothing but another rattle beneath your skull. your teeth chatter and your cheeks grow wet, hot with tears you thought you'd drained dry.

stupidly, you think, if only suguru were here. you could ask how to ascend to the level they're both on, how to slip past the defenses of a god. you are still five steps behind, but now satoru stands ahead, facing the void. alone.

you squeeze your eyes shut against a tidal wave of sorrow, salty with guilt at the very feeling. suguru was your friend, you think, drowning, he was your friend and you loved him, too. whatever you're mourning isn't him anymore and you know that, you do, but—

"satoru, please," you rest your forehead gently against his arm, as if you could soak up his own storm. "please come inside before—"

"if you wanted me in your room so badly," when he turns to look down at you, he is softened, rasping; striking in silence, in the distance, clouds receding. "all you had to do was ask."

the cigarette is gone and both his hands are in his pockets. his eyes are hollow and clear, the curve of his smile a realm away from them. when you say nothing, only gape up at him in surprise, he turns out of your reach, and it's the absence of him that draws attention to the sudden breeze against your forehead. no longer warm, from the heat of his skin beneath his drenched shirt.

"c'mon," he calls over his shoulder, grinning in a way that has only ever infuriated you, though now it turns your stomach. rattles your bones. stutters the beat of your heart. "before you get all sick and full of snot, gross."

behind you, the rain slows, the sky darkening, uninterrupted. quiet, finally.

and gojo is still five steps out of reach.

[shalom-iamcominghome]

hiii, im a conservative convert who wears tzitzit! it's definitely not the community norm, and you'll probably get some ppl reacting weirdly or telling you you're getting "too frum" (or maybe that's just my shul...), but that's their problem — what matters is whether you find it meaningful, and how it enhances your connection to Hashem. it's always a positive thing to take on a new mitzvah. personally i have found it to be deeply meaningful. and if you're worried about people's reactions, you can always wear them tucked in! i will add that if you're wearing out, it's my opinion that you should not do things publicly that violate halacha such as eating at a non kosher restaurant, but i also recognize that im very stringent in general for myself so of course, you should speak to your rabbi and use your judgement in making those decisions. all this to say — honestly yes, you will probably be the odd one out at a conservative shul if youre wearing tzitzit, but as long as it's something you find joy and meaning in, then it won't matter!

sorry this was a very rambly paragraph lol, but i really do encourage anyone who feels intrigued by this mitzvah to start wearing tzitzit without worrying too much about what people think. i think it's a beautiful way to remind yourself every day of your dedication to Hashem and to Torah <3

Absolutely! I don't really see anything jewish as being "too frum" to observe - because frum people are amazing people and because the things we call frum are just... part of judaism? I've found so much meaning in the things I have been able to do, and I've found... it's not just as simple as "I do this because I'm told to," these mitzvot are meaningful because of how grounded I've felt doing them, how they remind me I'm part of a bigger world that's not just "me," that I represent part of the human condition and I should act like it. I think a lot of people almost... oversimplify these mitzvot to the point where they can't understand why it's meaningful - which isn't really a bad thing, because I get it! We don't find the same meaning in the same things! But I just love celebrating all of these mitzvot because I think they're deep and personal and bigger than just "do this arbitrary thing lol"

[aeolianblues]

pop stars aren't born in the 70s anymore like they used to be. These days they're born in a year uncomfortably close to my own which makes me clutch my chest and cry out

[allisonreader]

My heart hurts. Not physically, but emotionally. I don't like the news, I tend to avoid actively searching it out, for that exact reason. I ache because as people we just can't seem to get along. Learn to compromise and fully try to understand the other side. It's exhausting to understand why people are against certain things, even when it's the opposite of what I personally believe in.

[david-watts]

sitting here overheating because my room really does get super fucking hot in the late afternoon and takes fucking forever to cool down. but it got me thinking about how damn I used to never get dressed during the day during the summer even though I really wanted to. and it was because my m*ther never bought me clothes that were wearable when it's twenty degrees plus, sunny, and as humid as it gets here. and if she did it wasn't for wearing everyday. like poverty is one factor in that but seriously I straight up didn't have enough regular clothing to last a week, especially since I wasn't allowed to wear a shirt more than once and trousers/skirts thrice without washing. that and I was rarely able to choose outfits out for myself either.

[todayisafridaynight]

Firstly, thanks so much for your patience with my ramblings haha, it's always an absolute pleasure to read your responses even if I get more unhinged with each one of mine! Of course, I'll continue to do my best with the wiki! (Actually, I think it's because of you that I noticed Daigo's age(s) were a year off haha, so thank you for that as well.)

I think you hit the nail on the head, and I adore how his relationships were executed in Y7 as well! I was initially a little bit apprehensive when trailers for 7 were coming out since RGGJo (and Mine, of course) were my favorite antagonists, and Jo is by far the character who's changed the most between games, but I can safely say both… Joes… are right up there for me.

I think a strong early subversion/conversion/something is that RGGJo really does just go and shoot up a rival office for attacking Arakawa (even though Arakawa was fine?). With Y7Jo, even though he's covering for Masato, the fact that's still the story Ichi gets told and he doesn't question it sort of speaks to Y7Jo having a similarly "protective" streak even if it's not actually what happened in that instance. That's also demonstrated in The Eye Scene as you mention later.

Like, I think that story is fairly clearly something he and Arakawa discussed. Masato got in contact with Jo first, and the mess Ichi tries to clear up when he comes in the morning after is indicative of a very long, stressful conversation between two people. Given Masato absolutely should not be smoking, process of elimination would suggest it's Jo. And it's a story they would've aimed to make as believable as possible, so the fact it is believable (Ichi being a bit gullible notwithstanding) says something to me.

For two characters who hardly even speak to each other onscreen (criminal btw), there's a lot to dig into when it comes to Arakawa and Sawashiro's relationship. That aside, I'm super excited to see you analyse Jo's psyche, and I can't wait to read it! I've been reading Japanese psychology texts myself and noticing a number of concepts that apply to Mine, but may apply to the Arakawas as well. There's a great deal I want to share once I get my thoughts in order.

I totally agree Mine's influence on RGGJo was the strongest of the three! I mean, y'know, that's why I acquired brainworms for RGGJo/Mine specifically. (Still 1000% going to commission you by the way when I've got my refs together + am not in danger of being unable to afford Gaiden and 8 lol). Sort of like with Masato and Daigo, I think characters who are clearly based on each other work quite well together even if it's seen as crack. You can come up with pretty compelling ideas trying to rationalize those similarities from a Watsonian perspective.

The devotion is absolutely the strongest point (having the exact same relationship tag for Arakawa and Daigo respectively + similar wording for it in the 15th anniversary book is a nice touch), but for me it's also what's done with it in terms of presentation. For both Mine and RGGJo you're supposed to believe they're actively working against Daigo and Arakawa's interests for most of the story.

And they probably kind of are, but they're convinced the pros outweigh the cons (as with the resort gambit, which you're remembering correctly!) Though it may not have the same effect nowadays for various reasons (spoilers, plot points becoming predictable on account of other games, etc), the devotion was originally supposed to be a twist.

There are other things, of course; they're both the "treasurers" of their respective organizations, they're both third-in-command of the Tojo and Omi, they're both talented people who possess overwhelming strength and influence and are regarded as geniuses (despite scenes to the contrary). If I wanted to reach design-wise, they've got mirrored ahoges, and Mine's "Legend" costume is probably based on characters like RGGJo and Nishiki. Their first cards were even officially stated to have synergy on account of their very similar skillset.

You end up noticing a lot of things like that if you're clinically insane like I am, but the one thing that's really stuck with me is that the render used for RGGJo's office is specifically a new render the Hakuho Clan office. It's missing the stuff that's supposed to be missing, the stuff Kanda broke, but only that. Mine's art collection, which is very personal to him as is also revealed in RGGO, is preserved in full.

There are a number of newly-rendered locations in RGGO and they could've just done that, or they could've picked any location that's not (imo) one of the most iconic, but I don't know why they didn't. And I don't know whether it was just convenience, whether it's simply meant to be reflective of them having similar tastes without being the same office, or whether it's just honest to God the same office. I mean, it's not like there's any reason to acknowledge it in-game.

But I think, in a weird way, that this is one of the things that carried over to Y7Jo alongside the devotion and The Eye Scene. A lot of people don't notice because there's so much going on in Y7's finale, but the Arakawa Family office the finale takes place in is specifically Y7Jo's office. And if you examine the Hakuho Clan office and the Arakawa Family office as spaces Mine and Y7Jo have created for themselves, there are very few aesthetic similarities other than being pretty tasteful two-storey offices, but both are, in their own ways, designed for companionship.

There is the obvious fully-stocked bar and main seating area in both, but that's sort of whatever, that's entertainment and hospitality. What really catches my eye, at least on the first floor, is that every piece of gym equipment in Mine's office comes in pairs; similarly, there's the pair of armchairs that are just by themselves behind Y7Jo's desk.

The second floor of Mine's office basically consists of only a TV, a table, and a set of couches, but I think the second floor of of 7Jo's is the more telling of the two. You walk upstairs from this very snazzy, richly decorated first floor (btw, like Mine's gym equipment and art, I would like to think the fact it's decked from top to bottom with books isn't just for show) to a second floor that consists of… absolutely nothing.

Nothing except another pair of armchairs, echoing those on the first floor, facing out into this gorgeous (RGGJou would--and has--said "romantic") view of Kamurocho. Maybe it's just to have this dramatic, spacious arena for the very last fight, but I just think that visual is potentially such a strong bit of storytelling via set dressing.

I also think with RGGJo being split into Y7Jo and Masato, some of the Mine influence kind of ended up with Masato too, specifically as Aoki. At least insofar as all the catastrophizing about not truly being cared-for despite evidence to the contrary, and I kind of felt like the moment where he shoots at and narrowly misses Ichi's head, then throws his gun away for a good ol' fistfight was Something.

Completely agree on your assessment of the link to Nishiki as well! There's the surface level design similarities with young RGGJo back when he had long hair and accessorized less, but yeah, no notes. I definitely think Y7Arakawa's line applies perfectly to the dynamic they were going for, too.

I thought the implication was that Masato wouldn't have survived at all in RGGO on account of Arakawa being unable to open the locker, but it's super interesting to think about how things might've turned out otherwise! A Masato who's Just A Guy and treated sort of like RGGO Mitsu's offscreen wife and kid is such a concept.

I really do hope there's a continuation to the story; as it stands, it literally ends with Jo in a coma lol. But I'm grateful RGGO is still accessible and actively updated, in comparison to the previous mobile titles, which also had original stories that are all gone now.

Jo was actually in a very recent event, even. The event spent its whole runtime talking about how cats are sensitive to smell, and evidently, according to the ending, Jo is incredibly sensitive to smell himself. I'm not sure which Jo it was even supposed to be since he was offscreen, but uh, catboy confirmed? Nyawashiro…? It's fun trivia.

Mentioning Arakawa's "sons" line in such close proximity to talking about Tsutsumi reminds me! There was this Y7 interview with all three actors (that has since been privated and that I kick myself every day for archiving) where Nakai and Tsutsumi were talking about how they usually play father and son.

So there's this very, very long history of them co-starring (as I'm sure you're aware lol), like from way back when Tsutsumi's voice was actually higher. And I think the casting choices absolutely are informed by the history and context there, both as individuals and as co-stars, both in terms of filmography as you say and not.

One particular anecdote that just Gets Me is that this was Tsutsumi's first time voice-acting, and he honestly wasn't even sure he'd take the role, but he accepted once he heard Nakai was on board. And he went on to actually enjoy it so much he read the rest of the (gargantuan) script, far beyond his own dialogue, and ended up forgetting the lines to the play he was doing at the time.

He also went on to voice-act a second time in The Deer King, where he plays… another iintimidating man with a violent reputation and a "soft"/deeper side (who is of course a reluctant father), actually. I actually have seen most of his other roles, and Jo really is almost one-of-a-kind. Though it's hard to find any one character he's "like," I can absolutely see what you mean with regard to Oda Nobunaga and Kanda.

I think that actually really works with regard to audiences having an idea of what to expect from his character and to an extent from Y7 if you look Jo as more of a culmination of Tsutsumi's career up to that point. In addition to what you've mentioned already, I also detect a lot of Koda (Good Luck!!) and Ogata (SP)'s themes with regret and making amends and vengeance in particular.

There's a little bit of Appare (Kagerou Touge) and Shibata (Keiho) too, I think, in terms of presenting yourself as worse than you actually are. And I think Tsutsumi's own struggles with mental health lend a lot of gravitas to characters like Ishigami (Suspect X) and Jo, who you can't really argue Isn't Depressed, especially at present.

And of course, y'know, he's played yakuza (to great effect), he's played dads (to great effect; btw, I would say the worst fathers/father figures he's played are probably in Fable II and My Blood & Bones in a Flowing Galaxy, Jo somehow doesn't even compare lol). Also, pretty much every Tsutsumi character either ends up dead or in jail, being a villain in an RGG game notwithstanding. There are often very strong critiques of police and politics present in his work as well, Y7 being no exception.

It's similar with Nakai, maybe to an even greater extent than with Tsutsumi, since Y7 borrows more heavily from his works and his personal life aligns surprisingly well with Arakawa's. They're both actors who are sons of actors, lost their fathers at a young age, were raised by abusive mothers, and ended up with a sort of unlikely father figure in adulthood. So I think it's sweet that Nakai ended up enjoying Arakawa as much as Tsutsumi did Jo. It's kind of funny being more or less typecast as a dad without actually having any children (unlike Tsutsumi), though.

I touched on it a tiny bit before but that's a really insightful take on RGGJo's splintering, as well! And you're most welcome. I've always found it fascinating just how closely their backgrounds tie in to who they end up being. I completely agree having his dad around did a lot for Arakawa in terms of having the confidence to stick to his guns.

But yeah, you know, it's just tragic. I think it's also one of the less talked-about ways abuse can perpetuate itself. Because Jo treating Ichi the way his father may have treated him is sort of the tip of the iceberg when it comes to the topic, but Jo's learned avoidance also goes on to make Arakawa a scapegoat for Aoki's abuse.

I'm always a fan of your takes and insights, so I don't mind the wait: thank you so much for writing as much as you have, it's really wonderful being able to discuss Jo and RGGO v. Y7 as a whole! (I have to be embarrassed about the Daigo's-Age bit though: I'm glad I was able to help point it out, but I remember being so sassy and rude in the post where I mentioned it 😭)

It's great that despite their differences, both Jo's are still incredibly enjoyable; the roles each Jo fulfills, although different, are still executed in ways that keep the character in a close beat with each other, but of course effectively fill out their new purposes in new interesting ways!

As a bit of an aside, I've always been curious and nosy about the full details about New Years Day, 2001 and what happened after that. Anything I can say about the night tiptoes more into theory territory than anything solid, but if we're to go off the notion Masato really did head straight home afterwards, then it is fair to assume Jo had to have met with Arakawa that same night not long after the call in order for Arakawa to be ready to talk to Ichi the same morning (it must have been the biggest shock afterwards for Masato to hear he's gotta run to America if the three of them didn't talk about it together- which I'm assuming is what happened since, as you said, Masato shouldn't be anywhere near cigarettes, and the ash tray is definitely indicative of a stressful discussion). BUT Jo's preexisting devotion to Arakawa (plus the nod to/rework of RGGJo actually attacking a rival gang) nonetheless definitely helped in making their story digestible to the people they had to tell.

The fact Jo and Arakawa interact so little on screen really is unfortunate, even if it's understandable as to why. At the very least, I'm grateful there's so many bits of context clues through the game/s that can at least offer a peak into their dynamic! Segwaying away from that though, I can't lie I was already thinking of some bullet points regarding Jo's brain as I was falling asleep, so it's definitely something I want to put to paper when I get to: I'm glad to hear I have your interest on it when I write it! In that same vein, I'd be more than happy as well to hear about these notes you've seen that can apply not only to Mine, but to the Arakawa family. As you note later on, Mine and Aoki share similar philosophies, so I'd love to see your full take on that if you get to it!

About Mine though, it was really hard for me not to joke about the two being similar whenever the chance arose: I mean, two men who lose their fathers (admittedly, Jo chose to leave his dad but Dad Lost is still a bullet point on the venn diagram... that now I actually feel like taking the time to make later...) turn out to become their respective clan's most trusted asset (and handler of assets) who are volatile when it comes to the ones they care about (I don't have to clarify Mine, but as for Jo, aside from The Eye Scene and even the book wording, he definitely overreacts to Ichi having Masato's money. Of course, part of his anger could be due to his belief in the honor of being a yakuza, but I wouldn't say it's a reach to also assume that the idea of Ichi pestering Masato- if not assuming the worst for whatever reason from Ichiban of all people- might have irked him) and ironically act out in ways that would go against what the ones they care about want (more so strictly about RGGJo, of course)- it's hard not to see the notes borrowed from Mine to make Jo. In that, I do really enjoy their devotions being twists; even if that twist might not work nowadays as efficiently, I'll still enjoy it for what it's able to provide and how it can deepen a character.

To continue on to visual similarities, I actually did notice RGGJo's office being the same as Mine's (I stopped reading for a bit just to make a mini thread about it on my private Twitter)! Whether it was intentional or a simple reuse of assets, it's a great nod to Mine's influence on his character.

As for Y7Jo's office in comparison to Mine's- if I may accidentally go on a bit of an analytical rant- it's a little funny how different they are despite being tangential in wanting a space for companionship (like you mentioned for Jo's case, it might have been for dramatic purposes, but it wouldn't hurt to try and examine the room at face value for a second).

Mine's office is comparatively brighter and more apparently inviting, and it's not just due to the nighttime setting of Jo's office as his office's walls are painted black- but at the same time, the contrast almost feels intentional. Mine's apartment, even if spacious, has the social pieces close to each other, especially in relation to his personal desk. On the flip side, Jo's desk is considerably isolated away from the grand table in the side of the room. In these differences, I think it does lead to a great representation of their relationships with people and what they wanted out of life: with Mine, despite wanting people to be close to him and in his proximity, he's ultimately alone and by himself. On the contrary, Jo appears satisfied with- at least- only having Masato in his life, the second chair undoubtedly being honorary to Arakawa in a similar vein. He isn't too concerned with getting close to anyone else, thus no need for his table set to be so nearby. I could just be talking about nothing though- yet I think these differences is a great way to show how despite inspiration from Mine, they divide off into different characters still (honestly I might steal from this ask and make a separate post about this because now I've gotten myself invested in set design- it can go in the same post as my venn diagram I guess lmao).

Nevertheless, RGGJo and Mine borrowing from each other design wise is also another fun bit- it's as if Yokoyama's grabbing people by the shoulders and practically begging us to realize Jo's influenced by him (don't worry Mr. Yokoyama, I see you). Ergo, Y7Jo and Masato being split from RGGJo is such an interesting take of the two characters: it not only helps highlight Jo's traits it really also heightens Mine's extended influence on Masato (their inability to shoot people standing still is probably going to be a new favorite comparison I hadn't noticed before LMAO).

Moving on though, that lost interview with Nakai and Tsutsumi's going to haunt me now: I'd love to be able to see it, I love actor interviews, especially when the actors featured are already so familiar with each other! It's so sweet how connected the two are- it's what makes it a little more unfortunate that we didn't get to see Jo and Arakawa on screen together more. On that note though, I actually had a similar conclusion that Jo was a solid representation of Tsutsumi's career thus far: his ability to play deep and sentimental characters that have a rough exterior while also possessing some action to the role that he initially sought after in his career really encapsulates his ability as an actor! All in all, I'm glad that Nakai and Tsutsumi were able to have strong connections to their characters in Y7- and I can't really argue against Nakai's dad-typecast: there's just something about him that screams 'father' to me even if, ironically as you said, he isn't a father to any kids.

[tardis--dreams]

The worst part is not that i procrastinated my term paper to the last minute. I always do that. The worst part is having to send my lecturer the topic proposal a week before the deadline which will undoubtedly be met with some extreme judgment of my time management and i am not in the mood for that

[thotsfortherapy]

hmmmm... ran into my ex today

[mantisgodsdomain]

The greatest curse of Us, without a doubt, is the... us-centrism of the fact that we are Us and no one else. Our view on the world is limited and we are frequently subject to the logical fallacy of The Curse Of Knowledge and we're even more frequently beset upon by the fact that some people, like, are Genuinely Averse to depictions of things they've Dealt With themselves.

Like, what do you mean you're talking about this thing as a reason that this media sucks? What do you mean you actively avoid media that depicts things you went through? Do you not gain that feeling of connection from watching people go through something similar to what you did? Do you lack the feelings that are so easy to conjure up in a strong way from seeing a character dealing with the Same Damn Shit? Do you not look at art to feel things?

[punkalope]

Ugh I've felt like total garbage all week and it's frustrating.

Got sudden chest pains around like... Monday I think. And it hasn't exactly gone away. It's a lot better now, and is more "dull pain with sharp pain coming and going" kind now, but along w a few other symptoms I am not confident this is a minor thing...!

My parents are convinced I "pulled a muscle" tho ugh. I mean it could be something minor but it's also consistently worse when I lie down and it's a Literal Pain. My parents won't stop telling me it's 1) just a cold or chest infection (I am not even coughing) 2) allergies or 3) a pulled muscle. I think I am starting to imagine it all at this point.

I want to draw! But I can't concentrate! I feel so out of it! Aaargh!!!!

[and-i-said-fewer]

all rooms cable a/c free coffee by the extra glenns is jaskier and yennefer To Me. maybe no else but to me it is