#anyway excuse me while I go back and watch the Zanzibar job again bc damn if that's not one of the three hottest things on tv in this show

[firebirdsdaughter]

The more I watch it…

… I definitely think the reason the Nate and Eliot relationship gets overlooked is that it’s very tacit and unspoken. These are two guys who do not discuss feelings, at least not directly, instead they just steadily… Fall into a pattern, they develop a system. The trust and loyalty between them isn’t spelled out in long speeches or discussions; it’s in the way Eliot starts to look to Nate for a cue if he should engage; Eliot allowing Nate to pull him back; it’s Nate never trying to force details of Eliot’s past from him; the way Nate only ever doubts Eliot once and then never again; the way Nate looks at Eliot after being forced to take a drink in the Bottle Job, or any other time; their conversation about the bank robbery in the Bank Shot job; Eliot being willing to kill for Nate; no matter how far on a bent he is, it’s in Nate never asking him to; it’s in Eliot and Sophie worrying about Nate’s destructive behaviour and his drinking; Nate telling Eliot ‘get them to the chopper’ rather than ‘get to the chopper’; it’s every time Eliot speaks out about a play or choice he doesn’t agree w/ and calling Nate out; it’s them sitting in silence in the bar; it’s the way Eliot falls in at Nate’s shoulder, or shifts in front of him in case of threat; it’s Eliot doing things Nate asks even when he complains; it’s Nate honestly responding when Eliot confronts him; it’s the Zanzibar Job; Eliot being mad Nate (and the others) left the baseball game early; Nate trying to protect Eliot from being forced to do the fixed fight; his panic at thinking Eliot’s been shot for a moment; Nate sounding for all the world like a proud dad during the country music ep; the exchange at the end of the cheerleading ep; them both harping on Hardison to tip the messenger; Nate trying to curb Eliot’s flirting; watching sports together; it’s the tiny glances they exchange or they way they sometimes move in sync.

Leverage Inc has no hierarchy, not really, not in the usual sense, but they fill their own roles based on their strengths and personalities. There’s no outright decision, no official acknowledgement, but they don’t need that. Nate and Eliot settle seamlessly into not just the roles of a mastermind and his loyal, trusted, and competent lieutenant and enforcer, but also something reminiscent of a father and an eldest son. They are actually one of the closest bonds in the whole crew (which is comprised of very close bonds, to be fair, but hopefully you get the point), they just do it so naturally and almost in the periphery that it can go unnoticed/understood very easily.

[wickedpact]

A ranking of all the TTT stories in order of how much I liked them.

(Oh god this is so long)

1 My Mother's Axe

BABY ANDYYYYYYYYYYYY. Honestly this one had the trifecta of developing a character's motivations, developing a character's backstory, & developing their personality. The story starting out with Andy teaching Nile to use the axe was so charming and fun, and you could feel that chemistry they had in Opening Fire, the way they teased and bickered with each other so naturally. I loved the wedge between them on the subject of the axe, how Nile was perhaps a little too young to understand Andy's feelings about whether or not its the 'same' axe. I also love how the axe is obviously the symbol of the franchise and hugely important, but you never get a sense of exactly how important it is to Andy until you read the story.

I love the entire Ship of Theseus theme, and how it feels so natural that for Andy she has to get attached to the idea of things rather than the things themselves because she'll always outlive the things themselves-- the axe is symbolically her mom's axe, even if physically it isn't. And I love how she clearly clings to that concept so tightly. "This is the labrys she held in her hands...." IT GETS ME.

And the fact that this sense of BELONGING, of FAMILY, of CULTURE is so important to Andy that she clings to it (figuratively and literally) with both hands. And of course it's important to her, she spent so long alone that the woman doesn't even remember her birth name. That axe (or the idea of that axe) is all she has left of her mother and that family/culture she was born into.

PLUS on that note I love how Andy doesn't remember if her mom was her actual biological mother, but it doesn't matter to her. This woman was her mother in all the ways that counted. And how her mom BETRAYED AND KILLED Andy but Andy loved her so much that she avenged her and carried her axe for thousands of years. THOUSANDS OF YEARS!!!!!!

I also loved how the story transcends the timeline of the whole franchise and seeing Andy through the years. Loved seeing her with the varying squads and with varying axes. Also baby Andy was so cute. It was cool seeing her so young. like holy fuck. Andromache The Scythian, Immortal Warrior (but smol). Love that.

Also I think this one is one of the few ttt stories that doesn't suffer from length problems.

tldr: goddammit greg you've done it again.

2 Zanzibar and Other Harbors

Zanzibar my beloved. I've said before, but it's downright comedic how little regard there was for Joe and Nicky's character designs in this story. The same person who does the colors for the regular comic did the colors for this one too, and you can tell, every panel of this story was Beautiful.

Ik there was A Lot of criticism of this one (lmao @ how the fandom had no idea what was to come) but I thought a lot of The Discourse was a bit dramatic. I did think Nicky came off as a little oblivious to Joe's feelings in this story, but I've said before, I honestly think that was a 'tone not translating' thing. It felt like Nicky was nagging Joe for [checks notes] saving innocent people, but Joe was so amused by Nicky's complaints I really do think it was supposed to come off as teasing.

Plus I know the 'Joe running off into danger and Nicky reluctantly following' dynamic wasn't popular (I'm a pretty meh on it meself) but I did love how Joe's impulsiveness (if you want to call it that) was interpreted as heroism and not hot-hotheadedness. All of the examples Nicky and Joe talked about included Joe explicitly saving people. (and it also took A Lot for the nazi to actually provoke Joe).

I also feel like their characterization here was closest to the movie canon-- the bit where they hear the woman scream and Joe goes running in to save her while Nicky swoops in on Joe's heels to comfort her while Joe and the nazi were fighting reminds me of the train car scene. Joe had suggested First that they go find Nile because she needed to be protected, and Nicky later added that Nile probably also needed emotional support. Similar reactions.

But it was So Good, the themes of queer community and the enduring nature of queer culture are Not themes you see in media that often and it was such a delight how it was done. Also it's one of the few more modern TTT stories that has a completely valid excuse for taking place when it did. Chef's kiss.

3 Passchendaele

I love the Duality between seeing baby Andy and then seeing Mama Andy in the very next issue. This story doesn't have a ton of meat to it, but the entire concept of Andy adopting a war orphan straight off the battlefield PLUCKS MY TENDER LITTLE HEARTSTRINGS, and I think it's especially poignant for comic!Andy. I think most people wouldn't think twice about movie!Andy doing something like that but comic Andy is so hardened and almost cruel sometimes, and seeing that even for her the world hasn't beaten all of the compassion from her yet is SO!!!!!!! this woman contains MULTITUDES okay, she's violent and angry and tired and Done but she's also so kind and compassionate and THE STRENGTH OF HER!!!!! Also the idea of her and Yitzhak co-raising a kid together is so damn cute. It was #mysterious pre-Yitzhak-story but now it's cute. holy fuck. It's cute.

& the headbonk panel of her and Zeus lives in my heart. anyways.

4 Many Happy Returns

I Know people weren't thrilled about Booker being in this one, but I've developed a pet-peeve about that: this story was *not* booker-centric. Booker only exists in this story to the extent required to explain the importance of the gesture Nile makes towards him. If there was a story about Booker making some grand gesture of kindness to Nile no one would be saying it was Nile-centric. bc it wouldn't be! Booker exists in this story to explore Nile's kindness, its not about him. I saw that a couple times and it bothered me. anyways.

AAAAAAAAAA I loved this one, the art was beautiful, I loved how Andy Nile and Booker were drawn (like their comic selves but.. more looking like actual people). I loved Andy and Nile's Bants, how Andy wanted to jump right in and Do Violence but Nile was basically telling her to hold her horses.

I feel like I'm just repeating the post I made on this story a few days ago, but I LOVED how Nile's plan revolves not around violence or Cool Mercenary Skills but on Nile's own life skills (as she canonly did a lot of minimum wage job-hopping before the marines in comics canon). Her plan used her skills, not the skills of an immortal warrior, and HER SKILLS were in fact more useful for the situation! lov to see Nile's resourcefulness and planning skills.

AND HOW NILE WAS PROBABLY WATCHING BOOKER??? it's so Much bc 1.) nile knew booker A SINGLE DAY and yet he made such an impression on her emotionally that she had to keep an eye on him and 2.) she said in the movie she wanted Booker to get off free with an apology. Yes she's a member of the team but that doesn't mean she's necessarily going to follow orders like a good little soldier. I also love how she convinced Andy to go along with it. her HEART, her KINDNESS, her THOUGHTFULNESS, UGH.

5 The Bear

Honestly I have like no negative things to say about this one other than a.) character design issues which is less about the story itself and is more of a 'tog comic in general' criticism and b.) too short, but it was supposed to be a tease, so.

But I loved Yitzhak, I wasn't expecting to really like him at all but like I said in my other post, he tickled me. I love characters who are Kind™, especially if they have little reason to be so given their backgrounds. Chef's kiss. Lov him.

6 Bonsai Shokunin

I know this one was a little controversial bc of the outsider POV but whenever I see people upset about that they never point out that the Outsider Guy (the samurai) existed as a reflection on Noriko. His ideas are explained in the text to develop hers. The whole story follows how she gave mercy to a scared young man and in response he murdered Noriko, repeatedly! Who gave him the right to inflict such pain and suffering on the world? In his opinion, the lack of response from the gods was his permission. And for Noriko-- over and over again she dies and suffers because she gave mercy, which lines up with her ideas in FM about how it's their fate to rule mortals and if they don't align with that plan/fate/whatever then they suffer. It shows some background to those ideas and how they developed in her mind outside of Ocean Madness™. Additionally, his idea of 'the Gods have done nothing to strike me down so it's fine if I do these things' kind of explains how Noriko may justify her own morally corrupt actions-- she's died so many times and it's never stuck. Maybe if she did die any of those times, or while she was in the water, maybe that would've been a sign she was doing something right, or at least doing something normal. But she hasn't died. Fate isn't done with Noriko yet. And maybe there's a reason for that. In her mind, it's just not a very pleasant reason, is all.

There were things I was kind of meh about tho. I did kind of wish we saw something of Noriko and the team, or smth explaining the way she was before her dip in the pool-- personality, likes dislikes, etc. but it wasn't bad or anything. It was super vague tho, I had to read it a few times before I got what it was going for. Liked the art. Liked the bonsai metaphor. And of course I Respect the decision to use the 1300s (1200s? I don't remember off the top of my head) rather than using the last 200 years.

7 Strong Medicine

Honestly looking back, this one made me kind of sad because both this one and Bonsai Shokunin explored character's ideas on Fate and The Divine and how that intersects with immortality and I totally thought that theme would be continued, especially with Love Letters. But Then It Wasn't™.

Admittedly.... I had to re-read this one to remember most of it. I liked Booker's ideas on God, 'The conductor of the symphony just may not be very good at his trade' but the plot itself was kind of forgettable. Some fuckin cowboys try to kill a doctor (their second) because he couldn't save their sickly brother. Book tries to stop them, gets killed, and then comes back and kills them all before they get the doctor. Alright. I liked the artstyle because the characters were ugly in a similar way that leandro's are, but way more bearable.

I love the Irony of Booker concluding that there is no such thing as fate or destiny and nothing has meaning, AS HE UNKNOWINGLY SAVES MERRICK'S GRANDFATHER FROM BEING KILLED. Booker getting fucked over by life/god/destiny yet again. It also kind of explains about where the fuck hell Merrick's interest in immortal mercenaries even came from.

I originally had this one a lot higher and then I thought about it and moved it down like two spots.

8 Never Gets Old

I liked seeing Booker interact with his kid. And we got a name for the kid! Philippe was a little bitch though, he was a little obnoxious. I liked how Booker was so thrilled to experience a restaurant with his kid (and since we know he was there before, it can be assumed he went with all of his kids and yet he was so charmed each time). It fits with his line to Nicky in the moon landing story about how you don't appreciate beautiful things 'unless you have someone to share them with'. It was charming to see Booker interact with his kid, and to see him so happy. Also lmao @ Booker's big fat Ye Olde Crush on Andy.

However at the same time it was like.. of all the things to write about,,, I guess? Booker's Night Out...... alright. Especially since Book had so many stories.

I don't know, it was alright. The old man killing him really came out of nowhere, (but the 'Salut, asshole!' panel was funny tho).

9 How To Make a Ghost Town

I've hit a point where talking about these stories has gotten less fun. I liked this one but I felt like Achilles getting lynched was not really necessary for a story that was already tragic (a story that already involved Achilles doing a lot of suffering at the hand of bigots). When we first got the blurb for this story I thought it would be about Andy returning to the squad and making friends with Booker after losing Achilles and them butting heads on the idea of family and when to cut off ties. So a little bit of my underwhelmedness about this one might be just my expectations being different.

Honestly I was pretty interested in Andy and Achilles' relationship and I would've liked to see more of them-- like, what was their dynamic like? What did they love about each other?

But anyways Andy leaving and Achilles getting killed anyways feels so pointlessly tragic (which I suppose is the point..... I don't like tragedies) she left to save him and yet people killed him anyway. Meh.

I did love the bits about Andy wanting to have a domestic life (Andy and her multitudes again) and the little detail about how she buried her axe near the road but he buried his guns under his bed-- he was an escaped slave, he never had the luxury of assuredness like Andy did. It was a sad story.

10 Lacus Solitudinis

'You put this one above love letters crim??? how could you???' easy, lmao.

There was stuff in this one I liked. But to talk about stuff I didn't like: (I'll keep it brief, I know ragging on this story has been done time and time again)

UH, setting aside the 6 year cold shoulder between Joe and Nicky, I thought their chosen method of conflict resolution was... bad at best. Nicky's inability to talk about his feelings was also annoying, especially since the entire point of this story is a fight Joe and Nicky had, and yet we don't get both sides to the story, which is...... important? That fact is especially annoying bc in the absence of Nicky explaining his side of the story, it's absolutely a possible (and admittedly probably unintentional) interpretation of the text that we do get that Joe routinely resolves conflict between him and Nicky by simply cutting Nicky out of his life entirely until Nicky just. caves? Even if it takes years?

WHICH i could get into that interpretation and how fucked up i find it. but im not going to. out of restraint.

I don't know, I think there are a lot of interesting ways to go about this conflict but 'Nicky wants to kill a guy and Joe refuses to acknowledge his existence until he stops because he thinks Nicky is too much of a Good Boy to get his hands dirty like that' ('I wont watch as the world turns his (...) compassion into something ugly'. ) wasn't.. how I would've done it. (I mean you know Joe doesn't give a shit about what Nicky is doing in a moral way, because Joe doesn't even care or mention that Booker is killing those cops too. Joe only cares because he doesn't like the idea of Nicky changing in a way he finds undesirable.)

admittedly I've said before, I do like the emphasis Joe's reaction puts on Nicky's kindness. Joe has a complete inability to cope with Nicky simply Not Being Kind. It speaks to the steadiness of Nicky's compassion all those years. but still that fact doesn't make it the conflict feel worth it

hm. I said I would be brief and I wasn't.

oh well. basically I thought there was interesting conflict potential there but it wasn't done the way I would've liked, and the way it was done leaves a lot of disturbing (and again probably unintended) interpretations to lie.

What I did like? Andy and Joe having that pessimist/optimist dynamic. Joe nerding out about science. Andy not being impressed by The Achievements Of Man. I loved Booker needling at Nicky about his outdated slang and also trying to give him Older Brother advice practically in the same breath. I loved Booker giving The Worst relationship advice ever and Nicky being like 'I Will Not Do That, Ever, Thanks.' the family vibes were so good. The Joenicky vibes left a lot to be desired tho.

11 Love Letters

I talked about my problems with Nicky in this story (and Lacus Solitudinis). I don't know, the story isn't bad but I do hold a little bit of a grudge towards it because its very existence begs the existence of a solo Joe story and we didn't get one. If we never got this story, then we could happily count Lacus Solitudinis and Zanzibar as The Joenicky Stories™ and move on with our lives. sigh.

I remember when we first got the blurb for this story I was really curious about why Nicky specifically + the setting, and the answer kind of feels like 'the author had an idea for a story like this and saw ttt as a good enough place to utilize that idea'. Plus I was really underwhelmed by the Romantic Sentiment in the letter. If you look at it line-by-line, the majority of the letter is actually Nicky talking about how lonely and disturbed he is, rather than actual,, yknow,,, Romantic Sentiment. I mean, compare the van speech and this letter and this letter is just kind of meh in comparison. I liked nicky calling joe wise! and I liked the brief sun/moon metaphor! and otherwise it was eh. It didn't even have cute squad banter, which is why Lacus Solitudinis is above this one.

12 An Old Soul

Nun orgy. Nun orgy?????? Nun orgy.......

The whole story felt like a setup to have a nun orgy. Why did Booker have abs? Why did they do that to Andy's nose? ?????? the art was good at least.

nun orgy.