#anyway i ADORE this game

[thatnununguy]

you can't begin to imagine what money I would pay to kiss yomiel ghost trick straight on the mouth

[hawberries]

emilie cultivars

[rendevok]

Act II ~ The Challenge

A tapestry for chapter 2 of Let No One Sleep by @azalawa-scroggs on ao3

[albaharu]

they are frenemies ...they like disliking one another....frenemies ... they're like my less favorite brother

[justanotherignot]

Letter from Isobel (AND AYLIN!)

[egophiliac]

Do yoy like their silly little dance

the inside of my brain at any given moment:

[julijbee]

girlbossing too close to the sun.

[turtleblogatlast]

Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.

For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.

And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.

I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.

[wikoymi]

freak of nature

[halebobgr]

Rise of P

[katabay]

ALAN WAKE

god GOD what a fucking game. easily game of the century. to me. its so much better than I ever could have imagined it being, and I have been thinking about Alan Wake daily for thirteen years. so so so many thoughts turning around in my head about it, but I wanted to get a drawing of Alan down first because I Cannot Contain My Enthusiasm for this game. holy shit. what an experience.

bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost

[mhin-t]

what is up with me and fictional guys who are generally well liked in universe, no matter how much of a red flag they actually are, with their goddamn tits and flamboyance

[nebuladreamz]

The voices are loud and I am WEAK

[jemmo]

Making sense of love for love's sake: the game

Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:

'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'

And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".

When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.

And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.

And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:

"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."

Then a bit later in ep 1 we go back and its expanded.

"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."

And then all the way on in ep 6, we get this new dialogue.

"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."

And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.

And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.

And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.

The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.

[l-in-the-light]

The most embarrassing series of posts about Lawlu you will ever read: edition post-Punk Hazard (part 4)

This one will definitely live up to it's title. The "love is a hurricane" tale continues~

Luffy again showing interest in what Torao is doing. This is already like third time he shows his unusual interest in him (and it will happen a couple more times in this post as well). He really wants to know more about him. Despite the fact he's usually sleeping through backstories of his own crewmates, like Nami. His unusual interest isn't because he doubts Law, we already know he deeply believes him to be a good person. No, this scene exists purely to show us how big and special interest Luffy has for Law. Luffy is also a bit concerned here, we saw the switch happen in Punk Hazard, from now on Luffy will also worry back for Law.

Someone's trolling Luffy here and it's not Usopp, lol. I wonder if this is how Law was as an older brother to Lammy, telling her fake tales just for amusement. He's a teasing older brother type, isn't he? And now all of that is directed towards Luffy. That's so sweet.

Luffy, you were supposed to tell them before, why are you telling them only now?! Take things a bit more seriously!

Law though is so displeased. Not only a hand was slammed into his arm (he secretly liked it despite everything), he was told to get along (he doesn't want to!), and Luffy disappointed him for not sharing about the alliance before.

But let's stop at the "get along" complaint for a bit. Luffy, you goofhead, you didn't introduce Law to your crew?? (and please, don't you know Luffy, ofc Luffy didn't do it "offscreen", this is Luffy we're talking about! He doesn't do introductions! At all!) Poor Law doesn't know their names! How is he supposed to get along with them?? You think Law would ask them about their names? Definitely not! Can you even imagine Law asking about anyone's name?? (yeah, I can't either lol) So to save up his face, he would have to utilize all that info he gathered beforehand (he already knew who they were all the way back at Sabaody after all!).

So he recognized Robin, Nami, Zoro, Sanji, Chopper (and so is able to call them by their names, tho it's worth noting Sanji being a special case and referred to by his title), but he didn't apparently know about Brook, Franky or Usopp (because they got called Bone-ya, Robo-ya and Nose-ya instead of their names+ya). Brook got recruited in Thriller Bark so there wasn't any wanted poster for him back then in Sabaody, so that's understandable. There was one for Franky already, but before timeskip Franky looked completely different so Law didn't recognize him. And...

wait for it...

He didn't recognize Sniperking as Usopp that's why he became "Nose-ya". Yes, the joke lives on! LOL.

Oh Luffy, you really don't make Law's life easier for him, do you? And this way Law got exposed that he did research a bit about the Strawhats before, enough to memorize them. (I mean not like Bartolomeo, but... but! It kinda looks a bit like that here, doesn't it).

Law will get back at Luffy in Zou for that, no worries. Now you will never see the "Law didn't introduce his crew" in any other light from now on, haha. It was a payback. Luffy didn't care tho lol.

You don't have to believe me on that one, but you can't really deny it does sound suspiciously consistent, doesn't it? :3

Law: Why is everyone telling me that?

Also Sanji, we appreciate it, but you're a little bit late with that warning there lol.

To be honest, I think Law is actually perfectly aware of that, but at the same time he wouldn't mind to be called a friend anyway. He only minds it now because he wants to keep his distance and not form any attachments on his way. And doing poor job at it too.

Luffy looks so happy sitting there next to Law, he looks like he's having the best time in his life. He's probably having a lot of ideas of what to do together with Law now that they're friends in alliance. (many of which would not be met with Law's enthusiasm probably lol).

Luffy: Did you just say dinner will happen 5 times a day from now on??

Luffy's level of excitement here is absolutely stunning. And one more thing very important to note: remember how Luffy usually acts when someone yaps a lot? He might for example ask Nami about something difficult, but quickly loses interest with the answer. He often sleeps through explanations. But here? Law's got his full attention! The one who is actually napping through this is Brook, not Luffy. Luffy thinks Torao is cool and he *wants* to listen to him.

Law, where are you looking? Clearly at your favourite Mugiwara-ya grinning over there. His eyes are always tracking Luffy.

A moment later Luffy turns to see Kin and Zoro fight. Do you all think he noticed Law staring at him right there? You two need to stop being so cute. I can't even believe Oda actually drew a scene like that in shonen, even if he didn't make it obvious. I mean, look at it, Luffy's eyes are shining, I bet their eyes met. I told you all that One Piece is a story about love. Omg I'm disgusted with how this scene tugs on my heart right now. To be fair, I'm not even the first person to notice that Law is staring at Luffy there, I saw people pointing it out before.

Luffy: Hey look Law, we're famous!!

Law: But ofc we are, what do you mean?

Luffy is again trying to get any sort of reaction out of Law directed just for him (did he feel encouraged after he noticed Law staring at him the day before?). Luffy, please, stop, this is getting more and more embarrassing to watch you craving for Law's attention like this.

Law though always gives him that attention, curiously enough. There's not even one frame of Luffy calling out to him and Law just ignoring him. Which shouldn't be surprising, Law always seeks out Luffy as well, rarely with words, but at least with his stares.

In this regard, they're a really good match. Luffy wants to be pampered, and Law wants to pamper. I would usually say it's gross, but it's actually really heartwarming. They both get something out of it that they were both craving.

Law: Hey, am I not providing you with enough entertainment? Forget those boring fellas!

Someone's a bit jelly...

And Brook is again watching over them. God, I swear, it feels like he just *knows*.

Again, Luffy listening to Law talking. He would listen to him no matter what Law is saying, wouldn't he? Luffy is known for his terribly short attention span, but for Law he is capable of unusual feats.

(Also notice Law is always grabbing Caesar by his clothes, never in direct contact)

Time for the ransom call. I know that everyone is screaming there, but Law is suspiciously quiet, this is when he should be firm and confident, but instead he's just standing there. I think it means he was actually pretty anxious about this call, kinda taken aback (and it's not because of people screaming around, he had enough time to get used to that with the Strawhats, also usually it doesn't actually faze him). Luffy on the other hand is excited and thinks this is all super fun lol.

And then Luffy goes and takes over the call. Of course we all think he did it just because he's Luffy and that Law is displeased/angry here, but let's do uno reverse. I might turn your worldview upside down from this point on.

What if Luffy actually sensed Law's anxiety and decided he will help him? Luffy is after all really good at reading people's emotions, right? And of course he would want to help his beloved Torao.

Law looks displeased, but that's because of a sudden closeness. Those of you that followed my series on Law's fear of touch and closeness know what I mean. He can stand Luffy when he's close to him, but not out of a blue like that - he needs to brace himself first. That's why his first instinct here is to try to move away. Sure enough, right in the next moment we see Luffy holding the transponder, which means Law lets him do that actually. If he truly was so displeased and angry, he would have reacted faster to take it back or shouted at him.

Luffy's fuming here for no reason whatsover, Doflamingo didn't actually say anything bad to him yet (or at all really). Sure, Luffy got mad over Caesar, but the conversation already changed to something else, and Luffy is still showing an attitude. He's doing it for Law, isn't he.

Law meanwhile is just standing there, still not attempting to take the transponder back. He's not even trying or talking at all. This really doesn't support the idea of "he's so mad at Luffy for doing this", it actually seems to be the exact opposite: he's kinda overwhelmed here and was ever since Doflamingo picked up his call. Ofc he's also more and more distressed now, bracing himself mentally, because he knows he needs to do something and can't leave it all up to Luffy.

Law realized he needs to stop it, because Doflamingo is trying to bait Luffy, and everyone knows Luffy is weak to baits. In a way, stepping up just to prevent Luffy from getting into dangerous scenario, helped him overcome his own helplessness and anxiety. Luffy meanwhile indeed is losing it lol.

Let's look more closely to Law and Doflamingo's conversation here. Law is trying to make the talk very short, down to business and finish it off quickly. Doffy though stays confident and even tries to mock Law a little bit. It's almost like he's saying "Law, kid, you forgot to show me that my subordinate is fine, you need to step up your kidnapping game a little", he's kinda having this patronizing vibe here. "First step of a ransom call, remember? I taught you that myself".

Putting it all together can explain why Law is so anxious, he expected to hear Doflamingo all devastated, angry even after giving up warlord's title, instead Doflamingo is relaxed, mocking and confident, generally acting like he has the upper hand here. Law is worried, did he miss something, because this is not how it should look like, and he is right. Also he can't stand Doflamingo's confident tone, it's most likely making him feel weak, remembering the past. In their fight in Dressrosa Law will try his best to overcome this feeling by mocking Doflamingo back, but right here he was surprised and unprepared. He probably felt again like a kid, still part of Doflamingo's family, and Doffy's mocking tone like a mentor/parental figure scolding his clumsy subordinate truly added salt to the wound.

Law grits his teeth and continues, attempting to finish the call as soon as possible, full of bad feelings. And this is when Luffy snaps back to reality, gasping and reminding himself "I need to help Torao!" and so he does, by doing actually the best thing possible: cutting off the call.

This seems not-canon to you I bet, but I truly think Luffy tried to actually support Law here and it DID work in the end.

Of course Strawhats don't catch up to it and think Luffy just straightup ruined everything, but look at Law's reaction here. He's suddenly calm and does not blame Luffy for anything, in fact, he goes as far as to declare this is all fine. Would he really say something like that if he was truly angry? No, of course not, we have seen him angry everytime he truly believes his plan was just kicked out of the window by a Strawhat Luffy. This is simply not the case here.

Law is still looking pretty anxious there, probably thinking over multiple scenarios in his head. What did he miss? Why is Doflamingo so confident? This is crucial, after all it's not only about his own safety, but safety of Luffy and his crew.

Luffy meanwhile shows his interest in Law again, wanting to know about Law's adventures. He's probably trying to make Law think of something else instead of overworrying, put his mind off of it. Luffy really sticks with his resolve here of taking care of Law as well.

Also it's ultimately cute how Law is mechanically correcting Luffy on the name of the island (helpfully pointing out only the part he got wrong so it's a shorter word to remember for Luffy, awww), but he does it without even an exclamation mark there. He's not angry or irritated about it. In fact, it just shows he understands Luffy has problem with long and complicated words. He probably knows that's the reason he became "Torao" as well. He gets it, he accepts it, in fact he has no problem with it whatsoever.

Even when distressed and lost in his thoughts Law makes sure to still respond to Luffy when he asks something from him, and Luffy this time uses it to bring him out of his thoughts instead of just seeking attention.

Luffy: Yay, so if Torao has never before been to that island, it means we will have an adventure together! And not just one, there's no way I will let you leave me right afterwards. We're so gonna do more adventures! Dressrosa and Wano! Two adventures with Torao!

Law: This isn't an adventure, be serious!! Our lives are on the line!!

Luffy: Breakfast time!

Law: Breakfast time! *gasp* fuck!

Someone got caught up in someone else's pace. 1:0 for Luffy, he did manage to make Trafalgar Law take a break from his worrying.

Now to understand Law's exaggerated reaction here as something more than just a comedy moment we need to first elaborate a bit on the chapter's title that sets the tone between Doflamingo-Luffy-Law interactions and honestly spans through the whole of Dressrosa arc. This is chapter 700 titled "his pace", the next round chapter is 800 which wraps up Dressrosa. Chapters with round numbers tend to have a huge impact on the whole storyline happening (because Oda really loves his number games).

"Pace" from the title means someone dictating how fast the events are going or swaying things to move in their preferred fashion. Doflamingo does it in this snail talk by playing confident and trying to bait Luffy and undermine Law's confidence. Later he also showers his subordinates with compliments so they will do what he asks them to do - that's also setting pace by keeping everyone in line.

Law's pace in this chapter (and in whole of post-punk hazard transition) was him spiraling the things to move where he wants them, his first snail talk with Doffy was just Law having an overwhelming victory over him. Then through the span of one night things move very fast exactly towards the result Law wanted (Doflamingo resigning from warlord's position). Law usually doesn't use his power of controlling pace to make people do what he wants (unlike Doffy), that's not his style, they're just forced to stick for the ride, but he always leaves liberty in their own hands. For example, when he told Luffy to kidnap Caesar or assemble back Kinemon, he didn't tell them exactly step by step how they should do it: instead he left it to their judgement. In other words, he tells them what to do but not *how* to do stuff, he instead trusts in their ability to figure it out on their own.

And then we have Luffy, who selfishly chooses islands they visit and what enemies they're fighting, so he's also "setting the pace" for others. He controls it to a minimum as well like Law, he just makes sure to take care of the biggest danger himself and trusts the others to do whatever they want, he gives them freedom. His crew do their best out of their own free will to deserve Luffy's trust, every chess piece on the board moves according to what they believe is right, so Luffy's board isn't actually a game of one vs one, but instead of one versus many, because every player has as much liberty as Luffy has.

In this chapter Law lost to Doflamingo's pace, but restored himself, and lost to Luffy's pace and this time declared defeat. Doflamingo won against Law, almost won against Luffy, but then Luffy defeated him in one neat swipe. And why? Because Luffy actually wasn't playing alone, Law and Luffy supported each other there. So in the end Doflamingo lost to both of them.

You think Law didn't take a defeat against Luffy here? Then let's rewind back:

Remember this scene? Law was amused that Smoker would even think that Law can overpace Luffy (after all Luffy punched Caesar instead of kidnapping him and did a feast instead of leaving immediately), but he wasn't going to always allow Luffy to do that. Here he declares he's gonna set the pace and make Luffy follow his plan. He does it because it's neccessary or he won't be able to protect him, but also because of his petty pride or "saving up face", if you prefer that term here. He's not gonna just sit there and let Luffy do everything he wants and wait for him to finish off enemies. Law is throwing a challenge, he's gonna compete with Luffy in that regard.

But before they even reach Dressrosa Law already declares his defeat. Let me show you how: remember how he always loses his hat when he's losing?

Like here. Or in Dressrosa, or Winner Island.

Wait, where's his hat here? And this is the next frame after Law's big comical "gasp" moment, when he got dragged into Luffy's pace of "enough worrying, time for breakfast!". Yep, he knew he lost there, allowed himself to loosen up and took off his hat by himself as a sign of his defeat and Luffy's victory. But that's also because he's just a good mannered boy who knows you don't eat with your hat on.

It truly is a 1:0 for Luffy and Law is actually okay with that (losing to Luffy's pace is actually not a negative experience, because Luffy doesn't manipulate people with evil agenda in mind, like Doflamingo. He did it only because he wants Law to relax). And this sets up how the events went on in Dressrosa.

Also can I just point out that all it took for Luffy to sway him was to declare with a smile "Yay adventure with Law! Can't wait! And now breakfast!" and Law was already dragged into his pace? I mean... Law, Luffy didn't even do anything special. He was just basically himself there. Law's so smitten with him that it's all it took, honestly. Of course the support he got on that call from him also counted into that, but Law didn't declare defeat then yet, after all he also supported Luffy back in that call.

In later arcs Law will still attempt to be petty about this ongoing "competition", not wanting to leave it all up to Luffy, lol. He migth have lost once, but the war is ongoing! He's such a petty loser, I adore that flaw in him.

Luffy butting-in, making sure Kinemon doesn't just steal Law away for the Wano adventure. Hey, I'm gonna be part of that adventure as well!

Law's attempt to stop him there is really miserable. He can't bring himself up to deny Luffy when he sounds so happy, huh. My heart can't take it.

Law's already back to worrying again haha. His neverending journey of worrying when together with Luffy continues! Let it never end honestly.

He's also conflicted, because everytime Luffy acts so excited he thinks back to Lammy, as she was the exactly same energetic type of a person as Luffy haha.

i don't think Luffy gets it that this time around he's only making Law worry more and not less, awww.

That's all for now. Dressrosa will come up next (I might take a break from this series to answer some asks first :D). I hope you enjoyed seeing this chapter through different lens, it's fine if you still prefer it as just a comedy moment of Luffy acting like a complete menace and Law regretting his life choices. I think it's neat that the manga supports actually both interpretations, one on more casual level and the other more in-depth.

There is something I want to share about World Seeker Law's dlc, it's not really a spoiler, just one line that Law says that relates to the previous part of this series of posts (if you want to skip it then just don't read from now on! There's nothing more to this post afterwards).

This is what Law says in the game. I know that games are not considered 100% canon, but Oda DID work on both World Seeker and Odyssey, and honestly many lines and overall feeling of the game goes along with the canon. Law's complicated relation to closeness is definitely a part of this DLC, for example.

And here he says he doesn't mind what people actually call him! He never complained about "Torao" when Luffy called him this way, not even once. But he does make this one sour face when Nami does that as well. Makes one really think why is this such a special case for him, doesn't it? :D Again, he wants it to be a special name only from Luffy, doesn't he.

[payasita]

can we hear more about carlos if you'd be so generous (genuine)

OH GLADLY. so ive mentioned hes the protag of a thing im making, so i wanted the broad strokes of his premise to be simple: he's a reaper! made to go up and bring souls to wherever the hell they go after death, ect ect. he was pretty good at it!

but the setting im writing here is a pretty standard "death but its a bureaucracy" type thing. something something small business growth, higher demand, things get streamlined, job title changes, ect

so he was Less Good at the desk job angle. but he worked at it! once again, he's one of the best!

is it what he was originally created to do? no. is it what he thought he'd be doing for eternity when he decided he found the most personal fulfillment in being good at what he does? not really. is it so drastically different that it's actually atrophying some facets of his personality a little? maybe. is he happy?

the important thing is, he's good at it!