no clue if you're into Les Misérables at all but i just need to yell about something for a second. and that something has to do with the english musical and the french concept album, specifically how gavroche seems So Fucking Angry in the french version compared to the english one.
DISCLAIMER: THIS IS ALL OPINION AND I'M PRETTY SURE I'M TALKING OUT OF MY ASS FOR HALF OF THIS ANYWAY. THE ENGLISH MUSICAL IS GOOD I JUST LOVE FABRICE BERNARD'S GAVROCHE.
like, first off, the french version of Little People is... honestly depressing if you really think about it. like, little people is great! it's a fun song about how children are more than people think they are!
it's a lot happier than anything a french gavroche could sing.
the french counterpart is called La Faute à Voltaire [1], and i'm not even gonna try to explain that reference here because it's honestly just a Lot, but in between the chorus when it's not satirizing about Voltaire and Rousseau you get these lines:
I can't really translate these because there's lots of lines that can't be translated [2], but each of them speak about the fact that gavroche lives in a constant state of poverty with no garauntee of food and safety. gavroche literally calls himself a va-nu-pied, which is a degrading term for someone who is extremely poor (literally "go barefoot", before they don't have money for shoes.)
(fun fact, when i was trying to translate this before i gave up, i used GT to double check the basic meaning of my tl of "joyeux drilles en guenilles" and it gave me "merry ragged bitches". do with that what you will.)
needless to say, it's not exactly the same as simply being looked down upon for being a child.
Also, just listen to the difference in tone in the english and french version. (ian tucker and fabrice bernard respectively). maybe it's just me, but gavroche in the french version sounds constantly at least a little angry (mostly because this is an angry song in french!)
the other song that particularly strikes me is the french counterpart to Look Down, which is called Donnez, Donnez. (If i'm wrong about this, someone please correct me though!)
Now, Look Down is incredibly powerful and i fucking love it, and honestly I think I honestly love both versions equally. but something strikes me about fabrice bernard's gavroche, and i think that something is just how much cruder he is than english gavroche, and how much more alone he seems.
on the first note (crudeness), english gavroche does say hell, which some people consider a swear, but french gavroche uses the words "j'me démerde", which essentially means "i manage/get by", but uses 1. shortenings/skipping sounds with j'me (very much not Proper) and 2. the word "démerde", which literally has "shit" in it (merde.) So, essentially, deshit or deal with shit.
He also uses "V'la" instead of "voilà", which is another shortening and even worse, because he pronounces it not very similar to the original word. It also denotes a certain amount of uncaringness towards his family due to the nature of type of speech, whereas english gavroche says "these are my people", which is much nicer.
english gavroche also says "not much to look at, nothing posh / nothing that you'd call up to scratch" while french gavroche says "nothing in my hands, nothing in my pockets / everything in the heart of my song", which to me reads more of an emphasis on the fact that he has nothing, rather than what he does have being subpar.
back to the deshitting stuff, though, the line "this is my school, my high society", which is once again denoting a sense of at least somewhat belonging or claiming this place, is turned into "j'ai pas de sous, et pourtant j'me démerde," which literally means "i have no money, but i manage" (but in the rudest phrasing they could get away with), which is fascinating, since it's once again highlighting a lack of something!
finally, "think you're poor? think you're free? follow me!" is changed to "les timides, les caïds, suivez l'guide!" which.... i don't really know if i can translate caïds? but once again, it's much more degrading language.
Oh, and once again: good angry voice. My god. (kicks in at 1:13)
From beyond that, there's differences in the english version i can listen to and the english lyrics i can actually find, so i don't really want to get back into compairisions here, but i just want to note that gavroche basically yells "vive moi, pas le roi, ça ira, ça ira [3]", meaning "long live me, not the king", which is an interesting thing to have when the original english (as far as i can tell) actually had the words "long live us" instead!
Oh, oh, and the phrase "parce qu'à Paname, y a plus d'oseille" (when he sings about thénardier) is entirely reliant on slang, which is super cool! (specifically, paname is an old name for paris, and oseille means money, so basically "cuz in paris there's more money")
oh. and his death in both versions. good lord. SO.
in the english version, as far as i can tell, gavroche sings Little People until the end. he quite literally never gives up. it's heartbreaking and it makes me bawl my eyes out.
but french gavroche.... to an extent, he does this too, as he dies on the second line of La Faute à Voltaire, but i want to point to a specific line:
"c'est comme ça, on gagne pas, à chaque fois..."
"it's how it is. you don't win every time."
this gavroche already knows he's lost. because he knows he's miserable, and poor, and never going to get better, not really. he's essentially already accepted his death. it's horrifying.
i don't really have any concluding thoughts other than "french gavroche good (english gavroche also good but not fav)", but i really do think it's fascinating that gavroche is a much more raw and beaten down kid in the french version. like i know why he's not in the english version (two words: oliver twist), but... this fits. this really fits les mis. and it's my favorite book, so.
oh shit. oh man i really wrote all that. um. whoops?
[1] the song directly lays blame at the feet of Voltaire and Rousseau for some kind of injustice, as it is a satirization of the fact that, due to Voltaire and Rousseau's influence on the revolution, lots of royalists blamed them directly for it.
[2] for example, "Je suis un va-nu-pieds / Mais, nu, le pied va quand même" is a play on words. Va-nu-pieds is a word for an incredible poor and/or homeless person (literally "go barefoot" because they can't by shoes). Gavroche calls himself this, but in the next line says "but, barefoot, the foot can still walk", which says a LOT about him tbh
[3] those "ça ira"s are a reference to a revolutionary song, literally called 'Ça ira'!
(2/2) IMPORTANT NOTE ABOUT THE LONG GAVROCHE ASK:
if i said "ça ira" translates to "it'll do", i was wrong (though not entirely)! it's could also translate to "it'll go/it'll pass"! <- in fact, i think that translation is the correct one lol.
Okay okay. This is a lot there's even footnotes, I'm going to do my best to have a cohesive response. I am not currently into Les Mis and I have no idea who Gavroche is, but glad to be yelled at over it!
I see what you're talking about--though undoubtedly not as clearly as you do as my French is little and very rusty--and it makes complete sense with what I know about you as a person that French Gavroche is more appealing. I agree as well, the...added depth? Not shying away from making it gritty and bare and plain to see his situation instead of softening it? is almost always more of a motivating and captivating character, even when the softer counterpart is endearing.
I do also hear the tone shift you're talking about between songs! Maybe I'm being subconsciously influenced by you because you said it first, but at the very least the English version is incredibly cheery. Which doesn't match the lyrics of the second, if I'm understanding right.
Also! The slang/shortening of words and the shit thing are very interesting, I love seeing language get played with like that, so I appreciate you explaining the meanings. The i have things but not a lot vs I don't have anything is a fascinating comparison of perspective!
Which also comes up in the variations of their deaths, and I think I can get what you're highlighting about it being horrifying but also compelling and fascinating. You don't always win! I can't compare it to Les Mis as I haven't read it, but it tracks that this would fit with the book based on the very little I do know.
I also don't have any concluding thoughts because this is a lot and it's difficult to convey *sits here eagerly listening nodding along focused* in words because I'm on the receiving end of all the words and info. But this is very fascinating to see and I appreciate learning all this! I now know significantly more about Gavroche and his portrayal! I don't, however, know who Gavroche is
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I'm rewatching RWBY and I just finished V3 and like. I'm having so many thoughts about Ruby
She was an eager student, yearning to follow in her mother's footsteps and help others, who got accepted into Beacon Academy two years early. But she felt worried that she'd be singled out; she wants to be normal among her peers, not anything special. "I just want to be a normal girl with normal knees," she says to Yang.
Then she's thrown into the position of leadership despite her young age and relative inexperience, and while she takes it in stride she's incredibly hard on herself in the process. "We need to put our teammates first, and ourselves second," she says to Jaune.
And just when she grows comfortable in her skills and her position as team leader, everything falls apart. Beacon falls. Penny and Pyrrha die horrifically right before her eyes and she's left behind to blame herself. Yang loses her arm — and a part of herself. Weiss is snatched away by her father, Blake runs away. Ozpin has vanished, his lieutenants left to pick up the pieces of the broken, ruined Vale. Most of the ppl that Ruby has come to count on, just... gone. And then immediately after she wakes up from all that, Qrow dumps on her that, congratulations kid, you have silver eyes which basically means you're destined to save the world, have fun! "Then what can I do? If I'm so special, I can help, right?" she says to Qrow.
It's no wonder she got such a martyr complex, no wonder she threw herself so heavily into the identity of a hero, no wonder she fell to pieces and grew consumed by guilt and grief and self-loathing later in the show. She just wanted to go to school and learn how to protect ppl. And then she couldn't even protect the ppl who mattered most to her, not out of some failing on her own part, but bcus she is a child, a child with way too much on her shoulders. And it's just gotten worse. Now she's expected to save the whole world, all bcus she inherited her mother's eyes.
The weight of the entire world upon the shoulders of a grieving teen girl.
How would that not be too much for anyone to bear?
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OHHKAY so I was reading the aa investigations Manga thing and I am eating up the Gumworth.
The whole second case is about a murder of a rockstar at a concert
Except the only reason Edgeworth and Gumshoe are there is because Gumshoe's a fan
Like, Edgeworth was just like, okay, I'll come with you for no reason to this place I definitely don't want to be
And Even though he wants to leave ASAP, he still stays when Gumshoe asks him to for the Encore
(He looking annoyed like bro nobody's forcing you to stay)
AND THEN!! When Gumshoe is genuinely distraught over the singers death, Edgeworth does still push him to do his job, but more gently tries to comfort him and give him advice in this situation.
(and he also says "them" about who cuts Gumshoe's salary. He can't be the only or even primary force responsible for Gumshoe's financial problems, and here seems a little concerned about it.)
(add this to the list of Edgeworth being bad at feelings, but he's trying)
And there are a bunch more moments too, like Edgeworth letting Gumshoe go up on stage and even sing a song with the band performing (For the case though definitely not because this is Gumshoe's favorite band and favorite song and it would be a dream come true for him, and despite the fact that there was no reason in particular for Gumshoe to do it specifically)
And at the end Edgeworth angstily goes off saying he doesn't even like rock
MY BROTHER IN CHRIST WHY DID YOU WANT TO ACCOMPANY GUMSHOE TO THE CONCERT THEN? HOW DID HE CONVINCE YOU TO GO??
Anyway this has more firmly cemented my belief that you can't have Gumshoe and Edgeworth directly interacting without implying they're, at the least, platonic soul mates or, what I like better, in love 💕
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okay its no secret i dont buy into marazhai being the persona he puts on. so as i've officially met him in game now, im making a list of all the in-game reasons i think he's a bit of an idiot [which i love btw. i find him far more compelling if he's a bit stupid/weird and he's trying so hard not to be but you just know nobody in commorragh is inviting him to parties]
the very first time you get a glance of him on a rooftop and. 'deal with this' "of course" proceeds to just walk off like 3 seconds after the other two
ambushes you. has you cornered. is in optimal position to kick your ass frankly, high ground and better weapons and utilising shock against you. ...he bitches at you for a while, gets insulted, then runs off into the forest with a maniacal cackle
heinrix fired a mild insult [considering what he's like to everyone else its barely an insult] and he took big enough issue with it to start saying how he'll break him and turn him into a pet. oh sure dude you're responding super well to this mild comment from the guy who accidentally insults everyone and their entire ancestral line at some point
i think it says something that he's learned to speak your language fluently too. that Has to be some kind of Yikes moment to admit publicly in drukhari culture. buried family secret great great grandfather drukhari-georg learned to speak mon keigh and now we claim he just spoke oddly because was shot in the head as a child to prevent the shame
he also knows the mon keigh lore that says youre a super special little guy as rogue trader and actually LISTENS to the fact you're the special little guy as rogue trader. and he does treat you as more equal/with more respect than the other characters. thats not just a drukhari culture yikes thats what gets you checked for a concussion or brain damage
literally socially atrocious enough its believed he's working with you [read: with you. not using you, not manipulating, cooperating. this is a big difference i feel] and only he himself doesnt believe it
ignore the fact he eventually DOES work with you which. is its own follow up statement
challenges you to fight him, to give chase then and there. i made him wait while i went through english government simulator where i queued for multiple days, did multiple day/week voidship trips back and forth, got distracted by accidentally starting jae's romance, pasqal telling me to servitorise her, getting blackout drunk with her, shipwide broadcast tm, giving her a voidship, her getting me a space cat, attacked by pirates, dealt with a plague, explored a few extra systems.......................
he destroys your palace. ...its rebuilt effectively within a week. most of the damage is in bodies which are just sent to the poor district to rot [almost feels worse than the damage done good job imperium]
the throne has claw marks. he could've blown it up or shot it or piled corpses on it but no he wanted to sit on the fancy chair and so turned into a common housecat mauling the sofa arm
how long was he just sitting there lounging on that chair? again see how long i kept him waiting. he was just sitting there trying to find a comfy position on this [for him] kinda small chair JUST so he could briefly taunt, break your window with his space motorbike, jump off the chair in a dramatic [but not gunna lie not that impressive] feat of gymnastics, then fly out. he doesnt even shoot at you as he leaves
i will continue my list as i see more that entertain me
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