I don't know who needs to hear this, but as a creator -
I am fine with "the audience" -
downloading my fics
printing my fics
copy/pasting or screenshotting my fics
sharing your saved copy of my fics with anyone else who might want them in the unlikely but never impossible case that my fics are no longer available on ao3
making a book of my fic(s) and running your fingers across the pages while lovingly whispering my precioussss
doing these things with anything I create for fandom, such as meta, headcanons, au nonsense like 'texts from the brodinsons,' etc
I am not fine with "the audience"
doing any of the above with the purpose/intent of plagiarizing my work or passing it off as their own in any capacity
feeding my work into ai for any reason whatsoever
Save the fandom things. Preserve the fandom things. Respect the fandom things.
Enjoy the fandom things.
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something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
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street photographer ghost who has mastered taking the perfect candid photos without ever getting caught. he just has an eye for subjects, both mundane and unique in style, and he enjoys his work. it's just that simple.
soap is one of those subjects. there's something naturally captivating about him, the way he carries himself and seemingly bends the world to his will all around him, and ghost wastes no second doing what he does best—candids that frame their subject like they're the centre of the universe even when any other passerby might blink and miss those singular moments.
except—as ghost snaps a few more photos and briefly glances at the raw images, he sees that the man he'd been taking pictures of is looking directly down the barrel of the lens by the end of the set of photos, a grin on his face, hand blurred in a wave in the frozen frames ghost had captured.
when he puts the camera down, he sees the man still waving at him from across the street before he's quickly glancing both ways and jogging across to meet ghost.
"almost didn't see you," he breathes.
ghost bites back a that's the point, instead focusing on carefully tucking his camera back into its bag.
"i'm sorry," ghost eventually apologizes. "i'll delete them if—"
"the opposite, actually," the man cuts in. "i wanted to see them."
ghost tenses. the rare times he's been caught out usually don't... result in this. "really?"
"mhm." another bright grin. "i'm soap, by the way. or—john, if you're lookin' to be all formal like."
pulling his camera back out, ghost cocks an eyebrow. "soap?"
soap shakes his head. "don't worry about it." he winks. "unless we meet again."
ghost snorts. captivating had certainly been the right word to describe soap.
"why don't we see if you even like the photos first, yeah?"
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listen i don't think edward little was actually a bad first lieutenant. when we see him in the first episode he's calm and confident. he does not say much but he's amiable enough. crozier likes him, and i don't think crozier would like anyone he doesn't think capable in some way. generally he's dependable and knows what he's doing. however unfortunately for edward he has these qualities because he has a major case of eldest daughter syndrome, which means he both wants to please his mum (crozier) and has an overdeveloped sense of responsibility for his younger siblings (crew), so when they get stuck in the ice and crozier starts going (more) alcoholic, he enables his mum bc he doesn't want to disappoint her even if he doesn't agree with her, and he has to pick up the tasks and care for his siblings she's not doing, but he can't let his siblings know about their mum's situation because they'll get worried and restless. and like a true eldest daughter he has to bear the brunt of mummy's anger for being a disappointment but he also doesn't want to seek refuge with the man she divorced (fitzjames) because that feels like a betrayal. also while this is going on there is a giant bear who hunts his siblings for sport so they're dying left and right and also a changeling master manipulator who's making his siblings mad at their mum and who wants to fuck said mum before eating her like some sort of praying mantis. anyway i think i would start being miserable and anxious too.
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The wedding, when it came, had a fairy-tale quality, in this very remote church, with no electricity, and it happened after dark. It felt quite otherworldly, very dreamlike. - John Perry Barlow
Carolyn was stunning and very stark — as if the few lights were just for her, with the rest of us in darkness and her betrothed's face leaning into her halo. When John fumbled with the ring, Carolyn gently put her hand on his shoulder and laughed. The moment that she put her hand on his shoulder to reassure him that everything was okay, that was quite a loving subtlety. But that was her. - Billy Noonan
It was an incredibly magical moment. I saw it as it was unfolding, almost in silhouette. It was virtually dark outside. John reached for the hand of Carolyn; she was caught off guard. I'm walking backwards in the light rain at dusk, and John does this amazing gesture, taking her hand and bringing it to his lips. It was lovely, the spontaneity of that gesture. - Denis Reggie
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