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#araya rasdjarmrearnsook
389 · 1 year
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Araya Rasdjarmrearnsook, Manet's Luncheon on the Grass and the Thai Villagers, video 16 min., 2008.
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silkvo1d · 1 month
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Araya Rasdjarmrearnsook
Reading for male and female corpses, 1998
The dinner with cancer and I, 1993
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kikue33333333 · 7 months
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hemanchong · 2 years
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I’m happy to be invited by Roger and Kenji to this! Singapore book launch with readings by Araya Rasdjarmrearnsook, Heman Chong, and Amanda Lee Koe: Saturday 15 October at 1pm at National Gallery Singapore; free. "To be an artist is ... just like shit in a clogged toilet, stubborn shit that can't decide whether it wants to be flushed or to stick around…. ." Composed as an irreverent dialogue between masculine and feminine narrators, this book of essays by Araya Rasdjarmrearnsook is an uncategorisable fusion of art criticism, feminist theory, art pedagogy, gossip and autofiction. The book is "I Am An Artist (He Said)" by Araya Rasdjarmrearnsook, superbly translated by the brilliant Kong Rithdee, and edited and with an essay by Kenji Chanon Praepipatmongkol and Roger Nelson. It was first published in Thai in 2005 as "Phom Pen Silapin." #ArayaRasdjarmrearnsook #RogerNelson #KenjiChanonPraepipatmongkol #HemanChong #AmandaLeeKoe #KongRithdee #PhomPenSilapin #IAmAnArtistHeSaid #ThaiArt #ThaiContemporaryArt #NationalGallerySingapore #Thailand #ChiangMai (at National Gallery Singapore) https://www.instagram.com/p/Ci-EyrALMPn/?igshid=NGJjMDIxMWI=
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angkritgallery · 2 years
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"art is over” (come to grow rice with us) 2007 by #angkritajchariyasophon #privatecollection … นิทรรศการ >> พบพักตร์ พิศภาพ: ความทรงจำผ่านใบหน้าในชุดผลงานสะสมของพิพิธภัณฑ์ศิลปะร่วมสมัยใหม่เอี่ยม พบพักตร์ พิศภาพ | Face to Face จัดแสดงระหว่างวันที่ ๑๘ มิถุนายน - ๓๐ กันยายน พ.ศ. ๒๕๖๕ ณ พิพิธภัณฑ์ศิลปะร่วมสมัยใหม่เอี่ยม เชียงใหม่ ศิลปิน คามิน เลิศชัยประเสริฐ, เจะอับดุลเลาะ เจ๊ะสอเหาะ, ชาติชาย ปุยเปีย, เชน บุนนาค, เต้ ภาวิต, ถวัลย์ ดัชนี, นที อุตฤทธิ์, นาวิน ลาวัลย์ชัยกุล, นิติ วัตุยา, บู้ซือ อาจอ, ประสงค์ ลือเมือง, มานิต ศรีวานิชภูมิ, ไมเคิล เชาวนาศัย, วสันต์ สิทธิเขตต์, วัลลภ หาญสันเทียะ, อังกฤษ อัจฉริยโสภณ, อารยา ราษฎร์จำเริญสุข, อำพรรณี สะเตาะ Face to Face: A Recollection Through Portraits from MAIIAM Contemporary Art Museum >>Exhibition period:18th June - 30th September, 2022 At MAIIAM Contemporary Art Museum, Chiang Mai, Thailand Artists: Ampannee Satoh, Angkrit ajchariyasophon, Araya Rasdjarmrearnsook, Busui Ajaw, Chatchai Puipia, Jehabdulloh Jehsorhoh, Kamin Lertchaiprasert, Manit Sriwanichpoom, Michael Shaowanasai, Natee Utarit, Navin Rawanchaikul, Niti Wattuya, Prasong Luemuang, Tae Parvit, Thawan Duchanee, Shane Bunnag, Vasan Sitthiket, Wanlop Hansunthai 🙏🏻📸 by @han_sun_thai #artisover #angkritarchive #cometogrowricewithus (at MAIIAM Contemporary Art Museum) https://www.instagram.com/p/Ce-xSE8PIA_/?igshid=NGJjMDIxMWI=
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Busan Biennale 2020
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kadistcollections · 9 years
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Araya Rasdjarmrearnsook, The Class, 2005
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Araya Rasdjarmrearnsook, b. 1957 The Class II Thailand (2005) [Source]
In "The Class, Death Seminar", lifeless bodies obtained from a morgue are the students. The teacher is artist Araya Rasdjarmrearnsook who stands in front of a blackboard, at times lecturing on the topic of death, and at times engaging a conversation with these students. Together teacher and students re-examine attitudes towards death and puzzle over the life-after-death conundrum.
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earnestimus · 3 years
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Two Planets: Van Gogh’s The Midday Sleep and the Thai Villagers (2008) - Araya Rasdjarmrearnsook
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sunday-12-25 · 4 years
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an assignment i’m currently handling is a presentation of an artwork/exhibition/artist and it’s mythology. feels broad and time is limited and frankly i’ll have to go through some literature before i can say what Exactly my work would be about, but! i started with picking a piece and currently settled on Araya Rasdjarmrearnsook’s The Class
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i’m sharing now bcs i’m happy to finally start getting somewhere but mainly because... and i’ll word it separately one day, perhaps, but... when i was recently presenting my bleach fanart for a curatorial project (yeah...) my groupmate, the only one that recognized bleach tbh, brought to my attention that it... well she was asked what the show was about and she thought and said that it was about death. essentially souls and soul reapers. i kind of fell out for a moment.
she didn’t even know of my previous work, never heard of my necrorealism project... i took bleach as something semi-stupid to indulge in no matter my approach and she just said that. gosh okay this isnt meant to be a clean statement here so ill just: i kind of did a doubletake at my entire artistic practice. is it.... is... is it really so that necrorealism and bleach are coming from the same vein... why is it so...me... i.... why is ...is everything literally about death? ..
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tom-isaacs · 4 years
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I’m Living - Araya Rasdjarmrearnsook
From above, you see a girl’s corpse lying face up, with arms slightly outstretched, legs slightly apart and head turned toward the right; she wears a light pink nightgown. Kneeling, Rasdjarmrearnsook gently arranges different colorful dresses atop the corpse. She’s like a child dressing a cherished doll, but with an air of solemnity and ritual. Death and life, absolute stillness and purposeful activity converge in this enthralling, yet profoundly unsettling, communion between a live woman and a female corpse.
(source)
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wonderlandrabbit · 5 years
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By Araya Rasdjarmrearnsook
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through-nics-eyes · 4 years
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Corinne Day
Mini-Research Paper by Nicole Giuliano
Bodies of work:  Fifteen (2006) and Face of Fashion (2007)
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[Photos: 15-year-old Kate Moss on a beach in London]
        At the age of 16, Corinne Day escaped a bleak and unpleasant life in search of a better one filled with more excitement. With no money, she was quickly forced to get a job, which at first was at a bank. However, she quickly switched jobs and was flying everywhere as a courier until she met a photographer and became inspired by her friends to try modeling as a career. She found that she could only get catalogue jobs, told by many that she wasn’t “built” for high fashion or runway modeling. Now travelling all over the world once again, she began to learn how to use a camera for herself and felt compelled to try her own hand at being a photographer. So, she finessed her way into getting a job as one for a fashion magazine. She had no model clients, however, so she set up appointments for models specifically without any experience. It was at one of those appointments that she came across a polaroid photo of 15-year-old Kate Moss.
        The photo was blurry, but she saw promise where others were telling her that Moss was a bit too short for modeling and maybe not the best pick. Regardless, Day met her in person and felt an instant connection. This small, young and unknown girl reminded her of herself in a way, and she decided that this was the model that she wanted to photograph. She took these photos in black and white, because she wasn’t experienced enough with color, and submitted the images to her magazine. However, they didn’t pick the photos that she loved the most to post. Her favorites were the ones that were more realistic, not just a posed photo of a perfect girl. In her Fifteen exhibition (photos above), she wanted to show that Kate was still just an awkward teen, and not as perfect as a magazine would try to sell to their audience. She emphasized the parts that Kate was most self-conscious about; her smile, her laugh, her freckles, her wobbly legs. Her style is very minimalistic and simple, which makes the photos even more impactful. She managed to perfectly immortalize Kate in her imperfect youth, revealing the humanity behind this model-to-be with bright lighting and close up shots.
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[First Photo; Erica 2002, Second Photo; Georgina Home 2 1995, Third Photo; Theater Story 2003, Fourth Photo; Georgina Home 3 1995]
            Day was no stranger to hardships. Leaving home at such a young age has never been without its sacrifices and problems. Jumping from smalls jobs, she struggled with money, but she was free. When she began modeling as a young girl who was entirely unknown in the industry, she came face to face with the reality behind the glamour of it all. Low pay, unstable workflow, and people waiting to jump at the opportunity to take advantage of starry-eyed young girls. This was rarely ever spoken about by anyone and those outside of the industry would just see these smiling models in magazines and on billboards, the illusion of perfection and happiness fooling them entirely. When Day turned her talents to photography, she was drawn to showing the real women behind their perfect facades.
        In her work, “Face of Fashion,” we see models in poorer living conditions, with their guards seemingly down. Their surroundings are dark and grimy, while they lounge around in their underwear or prepare for a shoot. Day’s intentions shine through here, the pictures a stark contrast to the bright, meticulously decorated and sunny photos where models reside in magazines. The colors in the photos are muted and almost dreary in a way but they also come across as incredibly intimate. It’s almost as if the viewer stumbled into the wrong apartment in a questionably older apartment building or hotel. Most of the models aren’t looking at the camera, seeming to either be in deep thought or mid-conversation. Overall, these photos can be seen as borderline uncomfortable by some, partly due to their private nature. Its evident, however, that Day took these photos for that exact purpose, and felt that it was important that this side of modeling to be shown because of those feelings.
       These two bodies of work showcase many similarities in Day’s photography style and artistic intentions. The photos are, overall, simple in composition, with the main focus being the models within them. There are some stark differences though. In Fifteen, Day had photographed one singular model in black and white because of her inexperience with color, using bright light and nearly white minimalist backgrounds to keep the viewers eyes on Kate. These photos have a light-hearted feeling to them, a sense of youth and innocence shining through. As opposed to the photos in Face of Fashion, which is photographed in color and the backgrounds are dull and dirty, with the models having more neutral expressions. Although the colors are muted, they are still powerful and give a stifling, sadder feeling to the viewer. Both of these works have the same goal in mind, regardless of their differences. They show vulnerabilities in these young women, the sides that people prefer not to focus on when they view models. Day’s dedication to showing the real people in her photos, as opposed to an edited “perfect” version of them, was groundbreaking in her time. She utilized her close relationship with these girls to give their true personalities a voice.
        I personally love Day’s work. She experimented with styles that others wouldn’t dare and she truly wanted to bring to light that these women were real people with lives and feelings and not just objects on a page. She was able to build a name for herself and was mostly self-taught as a photographer, which is truly admirable. I love her simplistic style and the fact that utilizes lighting and facial expressions to tell an entire story in one photo. You can tell that she was passionate about her cause, and that she cared about these models that she photographed. She had a unique gift of being able to catch the perfect off-moments of these women and bring to light their “imperfections,” as deemed by society. Her work will remain iconic in the world of photography and I hope that young girls can view some of her work, and find strength in these women.
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Bibliography
Font, Laia. “Corinne Day: Rawness and Beauty.” Herdes Magazine, 18 Mar. 2020, www.herdesmagazine.com/corinne-day-rawness-and-beauty/.
“Gimpel Fils: Corinne Day: 15/ Araya Rasdjarmrearnsook: The Class.” Gimpel Fils | Corinne Day: 15/ Araya Rasdjarmrearnsook: The Class, www.gimpelfils.com/pages/exhibitions/exhibition.php?exhid=45&subsec=1.
Mrnmoren. “Kate Moss x Corinne Day.” Schön, 12 June 2013, guinverevanse.wordpress.com/2013/06/12/kate-moss-x-corinne-day/.
“Website Of Corinne Day.” Corinne Day, Photographer, www.corinneday.co.uk/home/.
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telavivcity-blog · 5 years
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Subjective Histories of Sculpture: Araya Rasdjarmrearnsook
https://telavivcity.co.il/?p=6688&utm_source=SocialAutoPoster&utm_medium=Social&utm_campaign=Tumblr The City that never sleeps Subjective Histories of Sculpture: Araya Rasdjarmrearnsook https://telavivcity.co.il/?p=6688&utm_source=SocialAutoPoster&utm_medium=Social&utm_campaign=Tumblr SculptureCenter, in collaboration with the Vera List Center for Art and Politics, continues the artist-led lecture series Subjective Histories of Sculpture. This program, initiated in 2006, furthers the exploration by both institutions of how contemporary artists think about sculpture: its history, legacies, and potential for innovation. This year, SculptureCenter presents two artists to consider the thematic focus of alignment. Utilizing sculpture as a point of departure and source of inspiration, B. Wurtz and Araya Rasdjarmrearnsook consider tensions and translations between the animate and inanimate, and the empirical and the subjective. Engaging with a rich collection of social, cultural, and political associations, these artists explore the material conditions of our lives and ask how we can re-think official narratives and systems of knowledge. Citing specific works, texts, and personal anecdotes taken from inside and outside cultural production, these subjective, incomplete, partial, or otherwise eclectic histories question assumptions and propose alternative methods for understanding sculpture’s evolving strategies. Araya Rasdjarmrearnsook was born in 1957 in Trad, Thailand. She received an MFA from Silpakorn University in Bangkok, Thailand in 1986. In winter 2015, SculptureCenter will present Araya Rasdjarmrearnsook’s first comprehensive, large-scale solo exhibition in the United States. Past solo shows include the Bass Museum of Art, Miami Beach, FL; the Walters Art Museum, Baltimore, MD; and Tensta Konsthall, Tensta, Sweden. Group exhibitions have taken place at the Solomon R. Guggenheim Museum, New York; the Asia Society, New York; National Museum of Art, Osaka, Japan; the Musée de l’Objet, Blois, France; the Zentrum für Kunst, Karlsruhe, Germany; the Palazzo Fortuny, Venice, Italy; MDE11 (Encuentro Internacional de Medellin), Medellin, Colombia; the Changwon Asian Art Festival, Gyeongnam, South Korea; and the Singapore Art Museum. Araya represented Thailand at the Venice Biennale in 2005 and was a featured artist in dOCUMENTA (13), Kassel, Germany; the California Pacific Triennial; the Dojima River Biennial, Osaka, Japan; the Asian Art Biennial at the National Taiwan Museum of Fine Arts, Taiwan; Sydney Biennale, Australia; the Nanjing Biennale, China; the International Video Art Biennial in Tel Aviv, Israel; the Ural Industrial Biennale of Contemporary Art, Russia; the Incheon Women Artists Biennale, South Korea; and the Taipei Biennial, Taiwan. SculptureCenter at The New School is organized by the SculptureCenter in collaboration with the Vera List Center for Art and Politics. Likes: 4 Viewed: 147 source #Araya #Histories #Rasdjarmrearnsook #sculpture #Subjective #telavivbeach #telavivmap #telavivmuseum #telavivweather #tel-aviv TEL AVIV - THE CITY THAT NEVER SLEEPS #museum #Uncategorized
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angkritgallery · 2 years
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พบพักตร์ พิศภาพ: ความทรงจำผ่านใบหน้าในชุดผลงานสะสมของพิพิธภัณฑ์ศิลปะร่วมสมัยใหม่เอี่ยม พบพักตร์ พิศภาพ | Face to Face จัดแสดงระหว่างวันที่ ๑๘ มิถุนายน - ๓๐ กันยายน พ.ศ. ๒๕๖๕ พิธีเปิดนิทรรศการ วันที่ ๑๘ มิถุนายน พ.ศ. ๒๕๖๕ เวลา ๑๘.๓๐ - ๒๐.๐๐ น. ณ พิพิธภัณฑ์ศิลปะร่วมสมัยใหม่เอี่ยม จังหวัดเชียงใหม่ ศิลปิน คามิน เลิศชัยประเสริฐ, เจะอับดุลเลาะ เจ๊ะสอเหาะ, ชาติชาย ปุยเปีย, เชน บุนนาค, เต้ ภาวิต, ถวัลย์ ดัชนี, นที อุตฤทธิ์, นาวิน ลาวัลย์ชัยกุล, นิติ วัตุยา, บู้ซือ อาจอ, ประสงค์ ลือเมือง, มานิต ศรีวานิชภูมิ, ไมเคิล เชาวนาศัย, วสันต์ สิทธิเขตต์, วัลลภ หาญสันเทียะ, #อังกฤษอัจฉริยโสภณ , อารยา ราษฎร์จำเริญสุข, อำพรรณี สะเตาะ Face to Face: A Recollection Through Portraits from MAIIAM Contemporary Art Museum Exhibition Opening: 18th June, 2022 | 6:30 pm - 8:00 pm Exhibition period:18th June - 30th September, 2022 At MAIIAM Contemporary Art Museum, Chiang Mai, Thailand Artists: Ampannee Satoh, #angkritajchariyasophon , Araya Rasdjarmrearnsook, Busui Ajaw, Chatchai Puipia, Jehabdulloh Jehsorhoh, Kamin Lertchaiprasert, Manit Sriwanichpoom, Michael Shaowanasai, Natee Utarit, Navin Rawanchaikul, Niti Wattuya, Prasong Luemuang, Tae Parvit, Thawan Duchanee, Shane Bunnag, Vasan Sitthiket, Wanlop Hansunthai . #angkritarchive (at MAIIAM Contemporary Art Museum) https://www.instagram.com/p/Ce3u_jEPF4v/?igshid=NGJjMDIxMWI=
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psgartgallery · 6 years
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#เปิดให้เข้าชมแล้ววันนี้! “นัยแสง Luminous” นิทรรศการที่คัดสรรและจัดแสดงโดยหอศิลป์มหาวิทยาลัยศิลปากร เพื่อแสดงให้เห็นถึงพัฒนาการของผลงานศิลปะที่ให้สาระสำคัญต่อ “แสง” ผ่านผลงานของ 6 ศิลปิน ในคลังสะสมของมหาวิทยาลัยศิลปากร ได้แก่ จักรพันธุ์ โปษยกฤต ปรีชา เถาทอง สุวิชาญ เถาทอง ผ่อง เซ่งกิ่ง อารยา ราษฎร์จำเริญสุข และ อัศนีย์ ชูอรุณ ภายใต้โครงการนิทรรศการศิลปกรรมสะสมมหาวิทยาลัยศิลปากรครั้งที่ 3 จัดแสดง 4-27 มิถุนายน 2561 ณ ห้องนิทรรศการหลัก หอศิลป์มหาวิทยาลัยศิลปากร วังท่าพระ ** ชมนิทรรศการและทำความเข้าใจกับแสงรอบตัวเราที่มีผลต่อการสร้างสรรค์พร้อมเรียนรู้เส้นทางประวัติศาสตร์ศิลปะของไทยในห้องกิจกรรมการเรียนรู้ ** ภัณฑารักษ์ : กฤษฎา ดุษฎีวนิช . . . . . . . . . . . "Luminous" exhibition is curated by the Art Centre, Silpakorn University to illustrate the development of artworks that gives an importance upon “light”, showcasing works from 6 leading artists from Silpakorn University Art Collections, namely Chakrabhand Posayakrit, Preecha Thaothong, Suvichan Thaothong, Phong Sengking, Araya Rasdjarmrearnsook and Asanee Chooarun. This exhibition is part of the Art Collection from Silpakorn Unversity season 3. Visit the exhibition and understand about the light that affects art creation, together with learning about the timeline of Thai art history in Play + Learn rooms. Curator : Kritsada Duchsadeevanich 4-27 June 2018 at the Main Exhibition Hall of the Art Centre, Silpakorn University (Wangthapra) . #นัยแสง #หอศิลป์มหาวิทยาลัยศิลปากร #หอศิลป์ #ศิลปากร #มหาวิทยาลัยศิลปากร #มศก #วังท่าพระ #กทม #กรุงเทพ #luminous #artcentresilpakorn #silpakorn #silpakornuniversity #bkk #bangkok #artcentre #artexhibition (at มหาวิทยาลัยศิลปากร วังท่าพระ)
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