#art summery 2019

[jasminem18]

Goodbye 2022 i guess

Can't believe I started drawing again after quitting for good because of a mod of a demon rat

Gif version

[darthbloodorange]

When the dust settled and all the fighting was done, they met each other in the middle of all the destruction, coming together after all those years.

✦ My gift for the Cap-Ironman Community for the Cap-Iron Man Holiday Exchange 2019. Prompt: Saved The Day First Kisses (Any Canon)

Word count: N/a - Art Title: We Did It Rating: Gen Universe: Marvel Cinematic Universe Pairings: Steve Rogers/Tony Stark Characters: Steve Rogers, Tony Stark Warnings: None Major Tags: First Kiss, Post-Battle, Getting Together, Canon Divergence AU ~ Summery: When the dust settled and all the fighting was done, they met each other in the middle of all the destruction, coming together after all those years.

⛄ [Link to My Masterpost for works I created in this event] ⛄ 🎁 [Link to the Main Masterpost for ALL works in this event] 🎁

Link to a reblog of the old post which I accidently deleted instead of editing => Here

[glassgears]

The Pride is back on Kickstarter and coming back to comics!

With a special one-off Summer Special, featuring your fave LGBTQ+ superheroes sporting their hottest swimsuits and enjoying sun, sea and joyful vibes!

As well as the thottiest superhero pinups around, the book will contain the first new stories in The Pride Universe since 2019! Including some teases at the future of the series as it makes it's triumphant return to comic stores!

So if you like sexy, fun, summery superhero art and great, positive and energetic stories, back The Pride Summer Special today!

[dogsliampaynedoesntinstagram]

Hi Ralph! I was reading your reply to the anon asking about what would make you think they have broken up and I know it’s a tough topic to talk about but for me the “not being there for each other” sort of happened when Fizzy died. I remember clearly seeing those photos of Harry at a pub with Rob Stringer only few days after. To me being in public having the sort of work meeting that could have totally happened in private instead, at such a time for Louis, that sort of rang a bell and put some doubt in me. I genuinely don’t know where they stand today or where they stood back then, but I remember when it happened and we saw those pics of Harry at the pub it did make me wonder. If you don’t want to share your opinion on it it’s totally fine, but I’d love to hear your thoughts about it in case that’s something you noticed too?

I think we see things very differently anon, but I'll try and answer.

I talked about there not being space for them to be there for each other. There was absolutely space for Harry to be there for Louis in the aftermath of Fizzy's death. He did do other things in those days and weeks, but there is space around what he did.

You seem to be putting a lot of emphasis on them meeting in public and I've no idea why. Why would meeting in a pub rather than any other venue be incompatible with Harry supporting his grieving partner?

**********

For me it's almost the opposite - I think what we saw is very compatible with Harry supporting Louis in the aftermath of Fizzy's death - I'd go further and say suggestive.

At the beginning of March 2015, Harry was working really hard to try and finish his album. He was spotted at a shop near a studio a few times and so on. Later he'd tell stories and talk about songs being written in this period.

He had a couple of high profile gigs set out in April, which would work really well for a single release, and then a May album release (same as HS1 and HS3). We don't know it yet, but the album sounds like a summer album.

After Fizzy died there isn't the same evidence that he's in the studio - instead he's in some random places (art galleries, fish shops). And Rob Stringer comes to where Harry is to meet with him.

When he talked to Zane Lowe he talked about writing Adore You, TPWK and Lights Up in the last week of making the album. He worked with Amy Allen, one of the cowriters on Adore You, in May 2019. (There are no signs or stories of him doing writing in April 2019).

Through the northern hemisphere summer and autumn there's a lot of uncertainty about when it's going to be released - until the very summery album is finally released in the dead of winter.

The story I tell about this (which may not be true) is that Harry was trying to finish his album when Fizzy died. It was probably already tight, but he was hoping to be able to make the deadline. After her death he realised that he was not going to be able to release this album when he wanted to. That's what the meeting with Rob Stringer was about. After he'd taken time off, then he finished the album and they had to develop a new release plan (a challenge given the summery nature of the album).

[anosci]

(151-165 albums etc that I’ve listened to this year, copied from twitter) (now with art. [1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [12])

names and thoughts below cut

151/ John Tejada Presents Future Stars, Vol. 4 (2023) feels kinda retrofuture??? also, all over the place. yet just ok. hilights? Drew_and_ Pranav - Landing (massive cool! earthbound vibes my beloved) !nspector - Dead of Night (apt title)

---

152/ PrismCorp Virtual Enterprises - ClearSkies™ (2013) midi miasma. it does have a nostalgic summery feel though. neat.

---

153/ PrismCorp Virtual Enterprises - Home™ (2013) maybe its cheap but sometimes, midi musak is quick to fly into my heart. it's kind of hit and miss overall but also: finally, some respect for the XG classics!

---

154/ Packed Rich - Warp Field (2023) there's a softness to each element, yet the percussion often sways a bit frenetic. a warm energy to contrast (and yet compliment) the cold timbres. "Fluid State" standout i think

---

155/ Atom TM - HD (2013) man. i love this flavor of atomtm. the blindingly electric raw electropeppy whatever this is. kraftwerk 2. idk. exception: "My Generation". that's a really cool punk vibe but not my cup of tea. emphasis: still a really good tune.

---

156/ Aleksi Perälä - Mental Union 3 (2013) maybe an odd place to start AP's catalogue, but im pulling from my 2013 list so: it's a really cool oldschool throwback vibe with a coat of shiny microtonal paint. apparently it dual released on rephlex? it's a perfect fit for the label.

---

157/ Blawan - Dismantled Into Juice (2023) oh holy shit that is a SOUND. id be more verbose but idk what to add lol. fun to get excited by wild textures

---

158/ Overmono - Good Lies (2023) summer party sound in a… hazy… 2step i think its called? it's neat but overall it doesn't seem to stick with me. vibes resonating at a different frequency ykno?

---

159/ The Black Dog - The Grey Album (2023) broadly, a good album with some bleepy soundscapes. kinda chill. but… nothing really stood out for me? EXCEPT "Empire Statement Humanoid", which hits me just right …but that was on an earlier single, so hm.

---

160/ Hiroki Kikuta - Indivisible OST (2019) i saw someone say this was kikuta's best work yet. that's a high mark to reach, but ill say: it's a solid ost all around. he rly flexes his action music here but I prefer his more chill swings (f.ex "Perpetual Heartbeat")

---

161/ TOWA TEI - Lucky (2013) weird structure here. the start is filled with style that i dont care for, but cant deny its flavor. then it chills out into its own thing, which i enjoy more. however i think track 2 is cool and fascinating as it sounds ahead of its time to my ears

---

162/ Machine Girl - GRLPWR EP (2013) cool chicago vibes… core? mixed bag imo. Howl and Krystle get it tho

---

163/ VesperTown - Kaleidoscope (2014) very of the era, very bright and shiny. "Colour Wheel" is revealing to me that this is another sound i am nostalgic for

---

164/ Sobria Ebrietas & Iliaque - Chemtrails (2023) opens full blast MASSIVE, perfect headphone material …then it kinda chills out and is ok overall. that opening track tho!!!!

---

165/ Hudson Mohawke & Nikki Nair - Set The Roof (2023) hudmo always slappy. a bright and shiny gleam with just a touch of silliness. good vibes. its p short but slaps enough that im including it here lol

---

next page

[cronchlord]

this year’s art summery!!  older ones all the way to 2019 under the read more!

[velka-art]

My art summery of 2022. I think I did pretty good! 💕

And the previous year before that!

2021, 2020, 2019, 2018

[yoshiintheweb]

Hello, look! Thats my Summery of Art 2022 edition! I always wanted to do such a thing and ta-da(!) I finally had enough art that I am still proud of to do so! And since I actually post my art online now I have someone to show it off to, pfff. ENJOY!

Never posted versions of previous years under the cut:

I dig out all the 2020 arts to do so, cuz i didn't make one that year. In theory i could do such a thing for 2016, 2017, 2018 and 2019 but GODS i would be forced to dig out a LOT of old drawings and expose myself as a fan of some cringe shits Het*lia

[thelensofyashunews]

Samuel Shabazz and Babyface Ray Make It Look Easy on “Life Gets Hard”

Continuing to rise week after week, Samuel Shabazz is proving why he’s one of the Detroit music scene’s hidden gems. Getting ready to release his new album PLANEBOY this Friday, he shares “LIFE GETS HARD” ft. Babyface Ray, a single from the project. The track finds Sam and Ray reflecting on how far they’ve come in life, appreciating their journey to the top and ability to make the climb look easy. Babyface Ray delivers a standout verse with his powerful vocals, singing “Was in last place, now we the ones who hold the trophy,” over ethereal synths. Sam also shines on the track, rapping over summery production: “Life gets hard, make it look easy / I been speedin.’”

"LIFE GETS HARD" arrives ahead of Samuel Shabazz’s upcoming album PLANEBOY, coming this Friday June 21st via Wavy Gang/EMPIRE. In preparation for the album, Sam has been sharing singles, including the lovestruck anthem “FOR YOU,” the flex-filled “1800 CALL SAM," and the Detroit-inspired "PULL ME BACK." The project's features include Sam's Wavy Gang boss Babyface Ray and other rising Detroit artists Talibando, Moxie Knox, and Dre Butterz.

PLANEBOY will be Samuel Shabazz’s latest step in journey to the top of Detroit’s rap game. Growing up in Detroit’s Westside, he was introduced to music by his father, Uncle Sam, an R&B artist signed to Boyz II Men’s label during the 1990s. Starting to rap, write, and produce amidst a restlessly creative childhood, filled with trips to the studio with his dad, he later began recording during stints in Atlanta and California, while earning a Bachelor's degree in Recording Arts. In 2014, while returning to Deroit, Samuel met Babyface Ray through a mutual friend. The two artists bonded as brothers and began collaborating on music.

Their chemistry is evident in Product Of My Environment, their 2019 collab album, which includes the hit track "Hall Of Fame” ft. Veeze (9M YT views). The track pushed Samuel onto new radars and made him a sought-out Detroit collaborator. He began to break beyond the city with 2021's From Me To You and 2022's Not A Fan. Last year, he released the introspective I Changed My Mind, which marks a shift in direction and Samuel's reframed attitude about his career. The project earned Samuel’s most buzz yet in Detroit, and includes Samuel’s most streamed song to date “Dotted Line” ft. Veeze (1.5M YT views).

Now with PLANEBOY on the way, the Detroit hero is ready to soar to new heights.

[youngshiney]

how i would run sm: Red Velvet edition

back to the series with the next logical group, Red Velvet. sm's first group after Exo and my ult girl group, similarly under a cut as per last post

triple debut (2014-2015): so to start, i actually dont mind Happiness as RV's debut and that its ot4. Yeri was really young, so i wouldnt really change those first two eras (Be Natural is my beloved but its a single and a remake so it doesnt count as their first cb in my eyes). what i would change is the schedules and some promo.

firstly, like Exo i think RV would have benefited from some sort of webtoon or lore comic starting at the second debut for ICC bc thats when we start to get hints that something in Cake Land isnt right. i have a lot of thoughts on RV lore/storyline which we will cover in the upcoming kwangya post (after nct and aespa posts bc they are integral to my version of kwangya).

second, Seulgi should have solo debuted in 2015 between Dumb Dumb and the lesbian christmas song (Wish Tree was iconic and we love Lee Jooyoung). shes been RV's ace since pre-debut, everyone knew and loved her and acknowledged her talents, and she was in multiple mvs of her sunbaes (Henry's Fantastic was the best). Seulgi being the first solo RV member feels right in every way, and while it would be very different than what we got for 28 Reasons, i think that might be partially a good thing.

the start of the success era (2016-2017): Russian Roulette was perfect and i have nothing to say about it. The only thing I would have done differently for them in 2016 was pushed for more solo/unit content, like station songs, vlogs, arts and crafts vids? like just stuff where theyre having fun and hanging out with no pressure. the main 2017 change tho is Joy solo debut. sm is so fucking stupid for NOT capitalizing on the attention Joy got from The Liar and His Lover, a show all about how perfect and amazing she is as a singer! like have her prepare and record between Red Flavor and Peek a Boo and have Peek a Boo pushed back a week or two. the concerts were a good idea, but they really should have capitalized on Joy's performance more. im still annoyed she hasnt properly debuted especially bc clips of her singing from TLAHL was what made me look into RV in the first place and why Joy is my girl ult of ults

Bad Boy (2018): id push Bad Boy back a little bc the time between PaB and BB feels too short, especially going by my plan. other than that, no major notes since the eras were pretty good and the concerts were a good idea. maybe a bit more of a rest after RBB bc of the short turn around time between that and the Japan cb + NA tour

ReVe Fest pt.1 (2019): the Ellie Goulding collab was amazing. ReVe Fest day 1 was a mess, and i say that as a Zimzalabim supporter. the styling was horrific and it all needs to go, the mv should have been more circusy and less performance vid imo, and the song is fine but maybe a less chanty chorus? ReVe Fest day 2 was good and idk why people hate Umpah Umpah bc it was cute and summery like it should have been. and then the Finale, Psycho was one of the best eras taken from us too quickly. i mean the only thing to change is to stop wendy from falling bc that killed the whole momentum and their careers for a hot minute.

the hiatus (2020): now to be clear, i am not blaming wendy for her injury or suggesting she should have come back early. its good she rested and healed properly and came back slowly to make sure everything was okay. every idol should do that. that being said, we should have gotten an ot4 album even if it was just a mini. the girls basically did nothing for a whole year waiting for her and it really did hurt them/their momentum. they should have had more solo content through the year alongside the like two group things, then Seulrene debut in june like originally planned, and then and ot4 album in fall or winter.

back on track? (2021): ot5 being at smtown was great and got everyone hyped to see the group after a full year of hiatus and they teased a cb at the performance. and then wendy killed the hype by doing her solo debut 4 months later with a ballady slow song. and she had the audacity to be like "omg i feel so bad for making everyone wait and then doing a solo" like girl wtf?? anyway gripes about her aside. Queendom was cute, but it felt lackluster after the long wait and felt more like a b-side than a title. also the mv/concepts teased all this magic and powers and a whole universe only to give us literally nothing after the first minute. why were they in a post office when the teasers were about the antique shop?? i would have changed the mv a lot to either expand on the magic or fit the teasers better.

ReVe Fest pt.2 (2022): sm cancelled the concert (rightly) bc the girls got covid but then never rescheduled bc there were "no venues open" even tho the same thing happened to dream and they got rescheduled in like two weeks so what the fuck is that about? um anyway they should have done a concert after Feel My Rhythm but also not named it ReVe Fest bc theres no point and they arent connected. ALSO FMR was beautiful and all but what happened to the ballet concept which wasnt in the mv and why did they not expand on the weird half story with Dark Queen Seulgi and the garden etc? also also FMR felt like a b-side too which was disappointing especially after queendom. and im skipping ahead to birthday bc that was actually the biggest let down of the year. the concept/teaser photos had literally nothing to do with the mv or song, the song itself was easily their worst title and did not sound good in any way, the mv styling wasnt great for pretty much everyone, the cake ver selling out before preorders even ended and before they showed us what it was/what was in it was super annoying. birthday is the biggest let down era imo and ESPECIALLY after the beauty of Wildside. Wildside was the only release in 2022 for RV that i actually 100% enjoyed from the style to the mv to the song to the plot in the mv. like it was perfect and exactly what we should have gotten as a Korean title and era. i would have absolutely done something similar for birthday, especially with the grunge outfits/concept

future plans/ideas: Yeri and Irene solo debuts, Seulrene cb, Joy actual debut this time, more solo schedules especially for the actresses, more Yeri vlogs, Seulgi cb with a better song, my highly indulgent KaiJoyYuta trio, an even more indulgent trio of Seulgi/BoA/Yunho, i think thats all i have off the top of my head.

next week nct u and the way nct overall would function before we get into the actual units

[maxkennedy24]

Finally I’ve made summary for the last year : D

[smallpandi]

✨My 2019 Art Summary ✨

Thank u so much! I really appreciate all the love and support! I love you guys

[skimmeh]

Oh boi ... Here we are with another art summary 4 years running hah

Houstly I'm happy I got out of the purple phase hah .... I kinda hate the colour purple ...even back then ... But I kept using red and blue overlay and shit ... Cos I love those colours

BUT SUPRISE how I was blending then made everything purple hah

But I've improved heh ... Yay ... I colour better hhhhh

Also lineart hah .... I used to like ... Not like the style with bold outlines and stuff ... Because my style is kinda very messy and sketchy

But then I started using the pixel pen and haven't stopped since hah

Extra: thing

[erobuggy]

What a great year this was :D And I was able to survive it Thanks to you all. I would love to thank everyone by name but that might take a while. Anyway here's my fav art for each month of the year, courtesy of my good pal @FuryLvL3 Cause he knows I'm bad at this

[xxfaylinnxx]

2019 Art Summary

Woah I’m late again. Still, this is my first time throwing some of my art pieces together to see the result at the end of the year. 

Also, my comic TTHK was born in March! 

Art summary template from here by ChequeredTee

Sorry for being inactive here lately, hopefully more active in a few days!

Also, Happy New Year everyone!

[yee-art]

2019 Art summary!