#atelier willinger

[fragrantblossoms]

Atelier Willinger, Wien. Richard Teschner/ Der Basilisk und der Bäckergeselle, 1937.

[abwwia]

Atelier Willinger - Dancer Gertrud Bodenwieser, 1930

Via Kasbah Salome FB

[hauntedbystorytelling]

Atelier Willinger :: Porträtfoto von Margo Lion, signiert (Seitenprofil). | src Akademie der Künste

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[driftward]

Title: FFXIV Write 2022 - 7. Pawn Characters: Y'shtola Rhul, Zoissette Vauban, Crystal Exarch Rating: Teen Summary: Y'shtola Rhul recognizes no authority in her life save her own Notes: I may turn many of these snippets into fuller stories later

Y'shtola held her wand in her hand in front of her, glaring across the distance to the Hyuran male who stood opposite of her. She was peripherally aware of her sister standing next to her, and looked over to spare her a reassuring smile. Little Y'mhitra, so young yet, did not look up at her, but instead glared at the same man, her hands balled at her sides into small fists, and Y'shtola allowed herself the faintest smile. She was proud of her.

Turning her attention back to the man, she spoke. "So you thought to come to my master's atelier to steal my research, and for - what, exactly? If 'twas only curiosity that compelled you, you need only have asked. And certainly, I can see no need for you to have involved my sister in whatever scheme you are dreaming."

The man clasped his hands behind his back and stood straight and tall, and when he spoke, Y'shtola could hear the haughtiness in his voice. "Your sister was a willing enough participant up until you chose to interfere. As for your research, yes, I must admit, I wished to see it and its effects for myself. If they were well, then good. And if not, well then," he said, and he ducked his chin down just a hair to smile at her, "then it may have been necessary to censure your master. For the good of Sharlayan, of course."

Y'shtola's frown deepened. "You meant to use my sister and myself as tools in your crude scheme," she said.

"But of course," the man responded. "What else are apprentices for? You are taught, and in return, you are expected to help your elders achieve their goals."

Y'shtola inclined her head and looked at the man cooly. She saw only one clear way out of this, but if he thought she would let him get away with what he was doing, well.

She began to channel aether to her wand. "I believe you shall find yourself gravely mistaken as to my willingness to play along with this charade of yours."

The man laughed, pulling his own wand free. "It will be much easier to convince the Forum of my innocence when there will be no witnesses remaining."

Y'shtola's ears went flat, and her spells flew free.

-*-

She had been investigating the Key of Seal Rock, a horn of unusual origins. She had been working alongside a most useful adventurer, and had even managed to make a few deals with the local pirates, and she thought for sure that she would be able to acquire the powerful artifact.

However, the pirate had other ideas, and though she had bested him, he was not the only one with designs on the horn.

Ascians.

"Power as this does not belong in the hands of your kind," the Ascian said, as the Seal Rock Key, the horn, floated towards him. He grasped it out of the air.

Y'shtola yelled, frustrated, her fists at her side, before she ran at him in a dead sprint, but before she could get to the man, he vanished into thin aether.

She snarled as he vanished. Behind her, she was aware of the adventurer that had been with her slowly coming up behind her, and putting a hand on her shoulder. She pulled away, irritated not at him, but at herself.

That she was used by the Ascians like this! It was galling, down to her very core.

She would not let it happen again, she swore.

-*-

"You had best get your woman under control," sneered the man, looking at the Elezen assessor-turned-adventurer that was helping with her investigation.

Y'shtola flattened her ears as she fixed the man with a glare. "I am no one's to control," she said.

Assessor Fauxbin barely had time to stiffen, and even before Y'shtola had made it to her second word, she could see in her peripheral vision that the woman had already taken one large step back.

"If you mislike my words, then that is your business. But if you think I am able to be silenced by you or anyone else, you will find you are sorely mistaken," and here Y'shtola could feel her expression managing to darken even further, "And I am not above making sure it is the final mistake you ever make."

Zoe had, by this time, regained her composure, and had quietly walked behind Y'shtola, coming to stand at her right side. She fixed the man with a stony expression, closing her assessor's book.

"I think we're done here," she said.

"We are," confirmed Y'shtola, spinning on her heel and walking out. She could hear Zoe following quickly behind her, and a quick glance showed the man sneering at the both of them before returning to his cups. Well. No matter. They would solve the problem of these missing persons, with or without his help. Y'shtola resolved to find answers elsewhere.

-*-

It seemed a lifetime ago that she had lost the horn, and now it had appeared in a most unexpected place.

She crossed her arms as she looked down into the deep valley of the Tipped Ewer, and the massive construct that existed in the bubble there.

Alexander.

When she had last seen the horn, it had been after a long investigation and research, in which she had worked alongside one of the Warriors of Light, ultimately having a pirate retrieve it for her, and then lost it to an Ascian.

History had a wicked sense of humor she found herself misliking.

The Ascian had turned from one pawn to another, and the result was the giant hulking primal taking up the better part of the waterways.

She heard the Warrior of Light come up behind her, and she felt a familiar ache. She resolved to ignore them, frowning to herself.

A sense of humor, indeed.

-*-

The Cabinet of Curiosity was a fine name for a fine institution. It was one of the few places thus far in this strange new realm that Y'shtola had taken a liking to, and it was here that she had spent her days, reading through tomes and learning about this world, so close to her own in many regards, but so distant in others.

She had collected several promising leads to follow up on, and was about to return her current book to its shelf and retire for the evening when she heard now familiar footsteps behind her. The sound of heavy living stone muffled by thin leather, and the almost crinkly-like rustling of robes that had a thin crystal lattice as part of their fabric.

The mysterious so-called Crystal Exarch had come to pay her a visit.

She resisted the urge to frown at him as she turned at his approach. He was a vexing man, and she misliked how he hid himself, but he had been unfailingly polite thus far, and had given her little reason to mistrust him.

He had also given her precious little reason to trust, and so she had chosen to keep her consul tight to her chest.

"Mistress Y'shtola," he said.

"Crystal Exarch," she replied.

"I had hoped to find you here, despite the late hour. I hope the evening finds you well?"

"Well enough," she said, "And that is about my patience for pleasantries, I believe."

Zoissette would be annoyed to know how much like her old master she was becoming, and she suppressed a sigh. Zoissette was not here, and she was, and so was this man, and she was found him vexing and was letting that get to her. She resolved to be better.

"What do you want?" she asked, forcing herself into a kinder tone.

"Ah. Well, you see, it concerns the matter of my teleportation work..."

"How many more of my comrades will you be pulling across the rift until your aim proves itself true? Perhaps you can conjure up Alphinaud or Alisaie this time. Bring forth enough of us, and all our work in the Source shall come to a standstill."

Well, maybe not much better or all that kinder.

The Crystal Exarch looked to the side. "Well, perhaps with your help, I can refine my technique, and spare them the trouble," he said evenly. Politely.

Always so politely.

Y'shtola looked at him for a long moment, and then held out her hand. "Very well. Show me your work."

The Crystal Exarch reached into his robes, and dug around for a long moment, before presenting Y'shtola with a tomestone. She took it from him and used her fingers to navigate its interface. Much of it was locked out, but the figures he claimed to want her interest in were available, and she looked them over, making small adjustments.

"It is a matter of energy and time, as we have oft spoke of before," she said evenly, now controlling her temper. "That the Warrior of Light has an impressive aether reserve is a matter of no little concern, but her Blessing should be enough to hold her together through the rift, assuming you can refine your spell enough to carry her free of the liminal barrier..."

Y'shtola trailed off as she found something new in the tomestone. She frowned, and looked at it. "...or in lieu of refinement, you could use the rather puissant amount of power apparently available to you."

The Crystal Exarch's hood bounced as he suddenly snapped his head to look at her, and he quickly took back his tomestone, his fingers dancing over it.

"Ah - my apologies. You were not meant to see that - it need not be part of your calculations. I am afraid that the power you see is not available to me, as such."

"If it is not available to you, then why do you mark it so?" asked Y'shtola, leaning back and crossing her arms.

The Crystal Exarch was still for a moment before he answered. "It will be necessary upon the Warrior of Light's arrival, in order that we might use its power to help save our realm."

"So you say. How, then, is it to do that?" she asked.

"I cannot say yet, at this juncture." he replied, his voice soft and quiet, and cold like a gentle winter drift.

"You ask for my help in one breath, and then deny me the answers I need to provide it in the next," said Y'shtola, feeling her temper rising, and for the first time with this man, deciding to feed it. "When first I arrived, you called yourself friend, and said that you needed the help of the Warrior of Light to spare your realm." She would not say the warrior's name to this man. He no longer deserved to hear it. "That your realm is in dire need of assistance is no mystery. That in sparing your realm we may very well save our own is no secret. But you are a mystery and position yourself as an enigma, held together with secrets. I know not your name nor your face, and you will not share your methods. How can I be certain that you wish us well, and not ill? You ask me to trust you, but will not trust me in turn.

"Tell me, Crystal Exarch. What exactly are you planning with my friend?" and she let the last come out as nearly a snarl.

The Crystal Exarch stood a little straighter, adjusting his grip on his staff as he did so. "Once we have brought the Warrior of Light unto the first, we shall avail ourselves of her blessing of Hydaelyn, that she may be used to defeat the Light Warde-"

"Yes, yes, as you have often said, and how practiced your speech is," said Y'shtola. "And the tower? What use of it? The apparently impressive amount of power at your disposal? And what of us? What use do you have of us, that you hold to us so dearly instead of trying to return even one of us, that we may draw upon our resources from home and speak with the Warrior of Light of your plan directly?"

"...I cannot answer many of those questions. However, for the one, if I release the spells on you or your compatriots, there is no guarantee it will return you home, and very well may set back my progress on learning to retrieve the Warrior of Light," said the Crystal Exarch. "And energy and time spent on undoing your conundrum will delay this realm's salvation even further. Please, you must understand, what I do, I do for both our realms."

"So you say," said Y'shtola. She turned away from him, then, and picked up her book. "Well. I have made my annotations to your work. Good evening," she said, and without waiting for a response, she went to return the book to its place among the shelves. Behind her, the Crystal Exarch remained silent.

Wise of him, for it was all she could do to not castigate him further.

She did not trust him, and she misliked feeling that she was being used as part of some greater plot that she had no insight into and little control over. As she returned the book to its spot, she resolved to herself that she would soon be leaving the hospitality of the Crystarium. She had gotten as many answers as she was like to from here, and if the Crystal Exarch was resolved, then so was she. She would find her own answers, her own way, from here on out.

-*-

Y'shtola glanced up from her book at Zoissette as they slid in to the chair across the table from her.

"Uhm..." she said, and Y'shtola closed her book gently and set it aside.

"I've a favour to ask," they said, and Y'shtola simply sat back and listened as the Warrior explained a plan they had been working on. It involved investigation, and no small amount of danger, and leaned heavily upon Y'shtola's skills. Y'shtola asked questions, and the warrior was only too forward with answers.

"I know it seems a bit like I'm taking advantage-" they began.

"Nonsense," replied Y'shtola, and she smiled at them warmly as she got up to go fetch her things. "It is a sound enough plan, and I rather trust your judgement."

"Oh, I kind of think you shouldn't," said Zoissette, grimacing.

"Then I shall trust you more than enough for the both of us," stated Y'shtola simply.

Zoissette's expression turned sheepish at that, and Y'shtola just rolled her eyes while shaking her head a bit with a smile.

After all, if Y'shtola didn't want to do it, then she wouldn't, and for her, it was that simple.

[chronivore]

Atelier Willinger :: Dancer Hilde Holger in ‘Grotesk Charleston’, 1920s | src Theatermuseum Wien

[wutheringmights]

YES WITCH HAT ATELIER IS SO GOOD!! I highly reccomend at least trying it out bc I feel like u’d enjoy how in depth the author goes with its magic system!!

[image id: a second ask on anon that says: "Also I think by "guy with the beard" I think u mean Olruggio? He's p cool, shows up in... I'd say like at LEAST 5 chapters" END ID]

Intense world building can either be hit or miss for me, depending on my willingness to sit down and actually LEARN something lol

But yes. I this is the man:

I don't know what about him that makes me want to turn him in my head, but I NEED to

It's definitely the facial hair

[paleparearchive]

The First Experience of the First Calligraphy

Van Gogh's New Year gacha 4★ story (2/3) ( 1 - 2 - 3 )

Location: atelier (morning & night) ; dormitory hallway (night) | Characters: Van Gogh, Gauguin, Kuroda, Aoi/MC

Van Gogh: …

Kuroda: … Oh, Van Gogh is doing calligraphy again.

Aoi: Yes. He’s been doing that all day, every day… Lately he’s been writing all the time, cutting down on meals and sleep.

Kuroda: … Dear lord. That monkey is irredeemable if he gets into it. However… If a student wants to learn, it is the teacher's responsibility to lend a hand.

–Van Gogh.

Van Gogh: …

Kuroda: When did you become such a monkey that you can't even understand my language?

Van Gogh: Woah!?

Kuroda: I see, so this is what you wrote. No no, that's terrible. If we display something like this, we won't get any visitors to our museum. Rather, it's at the level where you have to pay a fee.

Van Gogh: …

Kuroda-san, how should I write it? I was taught, but I couldn't learn…

Kuroda: It's no surprise. That was something Hiroshige spent years mastering. You can't make it happen in just a few days.

Van Gogh: Even so... My work…I want to show my first calligraphy too…!

Kuroda: Don't get all heated up every time. That kind of thing shows up on paper.

Van Gogh: Uh…?

Kuroda: See, this part here. You'd be putting down the brush with vigor. It stalls out in the second half, and it's a very dull character.

Van Gogh: Ah…

Kuroda: Listen, here’s the thing–

Aoi: (Kuroda-san, Hiroshige-san and even Hokusai-san came to see him from time to time. I'm glad Van Gogh-kun is willing to learn and I appreciate his willingness to exhibit… But I'm worried if he’ll be stuck in the atelier for days like this.)

—

Aoi: Van Gogh-kun, perhaps it's time for you to take a break…?

Van Gogh: …

Aoi: Van Gogh-kuuun…?

Van Gogh: …! Sorry, Miss Curator! Did you say something just now?

Aoi: Well… I said that's enough for today, maybe you can do it again tomorrow…

Van Gogh: Mmmh… I’m almost there to grab it! So, just a little bit more.

Aoi: But…

Van Gogh: Ah, if you prefer to turn off the lights, you can do that! I can write in the moonlight too!

Aoi: I'm not worried about the lights, I'm worried about you, Van Gogh-kun. I'm afraid you’re going to get sick if I don't do something about it…

Van Gogh: I’m fine, I’m fine! Don't worry! This isn't even one of the hardest things I've ever done. More… I have to do more and more…!

Aoi: Van Gogh-kun…

Van Gogh: I'm really close to getting this done, so go ahead and go to sleep, Miss Curator!

Aoi: … Understood. Just a little bit more, okay?

Van Gogh: Yes, thank you!

Aoi: …

—

Aoi: (I'm pretty sure I'm not going to finish this in a little bit more. What should I do…)

(Ah…!)

Gauguin: Deputy director, have you seen Van Gogh?

Aoi: If you’re looking for Van Gogh, he’s in the atelier–

(Maybe Gauguin-kun can stop Van Gogh-kun.)

Gauguin-kun. I need to talk to you about something–

[bodidarma]

Atelier Willinger, Wien. Richard Teschner 1937.

[boundinparchment]

🍒📙 🌠 for Karina and Rhiannon

🍐⭐ For Gabrielle

💤 For Sebastien (was he always as asshole?)

🍒📙 🌠 for Karina and Rhiannon

🍒 What kind of things do they expect from their relationships? Does this differ between platonic relationships and romantic ones? Is your OC “demanding” or a door mat? What kinds of things do people expect from them in a relationship?

Karina: Expects respect for her and her accomplishments and experiences. She prefers to be met at least halfway, and challenged in a way that doesn’t involve power over her/ a power imbalance.

This does differ between platonic and romantic entanglements; she expects far more understanding and a desire to improve oneself from a romantic interest, while friendship tends to involve a boundary/a little distance. Was a doormat; has learned from that experience and others and communicates (when she’s…not emotionally reeling), questions, etc. Her romantic partners can expect a lot of acts of service or handmade food or gifts, unwavering will and loyalty, and a willingness to empathize.

Rhiannon: Similar to her sister, she expects all around respect; she’s a little more demanding, however, and insecure enough to be prone to jealousy. Expects to be the sole focus of her partner’s attention (platonic or romantic); this is non-negotiable for a romantic partner. Her schedule and her art are unforgiving and she has no time to waste on those who have none for her. Her partners can expect someone who comforts, often through physical touch, and who cooks better than she bakes.

📙 What kind of subjects (of conversation, of discussion, in school or whatever) does your OC find interesting or engaging or that they can talk for hours about? What kind of stuff do they just find fun? What things bore your OC to tears and they couldn’t care less about? Why?

Karina: Swordsmanship, the differences between multiple fighting styles and various weaponry, as well as most topics relating to clothing ateliers and the industry as a whole. Will debate different topics related to the divine and visions for funsies because she’s still confused lol

Bored af: Political non-speak where people talk in circles and say nothing meaningful, anything involving traditional gender conformity, and anything that involves praise for the bare minimum.

Rhiannon: Political intrigue is what she lives and it’s actually what she enjoys; it adds new context for her purpose in the Fatui. Fashion and other related topics are fun in that she’s seen a lot come and go growing up in a popular atelier shop and she loves to correct people about trends and faux paus. Has a weak spot for composers and musicians who provide challenging works for singers and will talk any ear off about her favorites (hint: one of them is Dottore).

Bored af: Small talk. She’ll do it with a smile but you better hope she doesn’t subtly draw your breath from you to get you to stop if it becomes unnerving.

🌠 Who was your OC’s first friend? Do they remember them or are they still friends now? Talk about some of the people your OC has lost contact with over the years. Do they have any regrets about losing these people and would they revist them if they could?

Each other. They’re only a few years apart and they were their first friend, respectively. They’re not friends at present; Karina only recently discovered Rhiannon survived after all. Karina: has lost comrades that she will never be able to bring back, and regret is the only thing she can feel for that period of her life. She and Sebastien used to be friends > commander/officer > lovers. Karina only thinks about how foolish she was, how blind, and regrets the consequences but not the lessons. Rhiannon: she had other friends growing up but her life now, under a pseudonym, is far different. She misses her family, wishes things had been different, but no longer seeks comfort in others outside of the Fatui, finding life to be too fleeting.

🍐⭐ For Gabrielle

🍐 What is your OC’s mentality? Are they overall positive? Negative? A bit of both? Describe their thought patterns and reasoning behind their choice making!

She’s probably the most negative, aside from Karina in Spillways/The Heretic and the Forsaken. She’ll see the silver lining but her expectations are often negative after her forgery skills have been taken advantage of. She is rational about decisions pertaining to her well-being, surprisingly calm for the most part, but emotional about anything with her artwork, both in its creation and subsequent destruction.

⭐ What is your OC afraid of? Any crippling phobias or some such? How do they act when scared and what helps them calm down? Does anyone ever find your OC scary? Why?

No phobias but she does hate the smell of blood and the texture of roughly carved wood. Usually she’ll pull a perfumed handkerchief over her face until she can handle the blood; with the wood, she’ll barely touch it unless she has gloves on. She’s picky about the wood she uses for canvas stretchers.

💤 For Sebastien (was he always as asshole?)

💤 What was your OC like as a baby, a child and as a teen? (if your OC is a teen or a child, what will they be like as an adult?). How have they changed since then? What lessons have they learned and what things about their youth do they miss the most? Do they have any general regrets?

He wasn’t always an asshole but he is a noble and grew up entitled and spoiled. Most of the lessons he learned were more about emotional manipulation and how to get what he wants; he misses the hope and naivety of youth, when he thought he might receive a Vision. The power he never received must be obtained through other means. His regrets include Karina but not in the ways you might expect.

[domainnode74]

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[sweetscan71]

The Perfect Diamond Engagement Band Guide: 4 Treasures That Will Stay Inside Style Forever

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[donkeylead73]

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[parkweek19]

The Perfect Diamond Engagement Band Guide: 4 Gems Which will Stay Within Style Forever

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The value associated with diamond rings goes beyond their conventional objective as signs involving love in addition to relationship a product embedded along with energy too -- power which connected to be able to women which choose it. Usually, men controlled regardless of whether their very own wives were employed or not really, and even marriage had been constantly in line with the mans selection. The diamond ring is a relic of these occasions, when men manipulated whether their couples were engaged to be able to them, and marriage was usually established on the mans choice. Typically the wedding ring is visible as an extension involving male opportunity because it presents the dominance of men over females without having to resort to physical violence or force. The particular gemstone is also some sort of symbol of wealth and status. The woman wearing the ring signifies the woman willingness to end up being committed to another person, while the guy having access to it signifies his control over his / her wife or fiancee. It really is the mark which he could give away when he pleases and still have got exclusive privileges more than her physique.

[driftward]

Title: Sorceress' Apprentice - Chapter 16 Characters: Matoya, Louisoix Leveilleur, Y'thol Rhul Rating: Teen Summary: What holds us back Notes: None

Y'thol waved to Matoya and Louisoix as she ran by them, a trail of nixies trailing behind her, seven in all.

"I'm off to the waterways," she yelled out cheerfully as she went.

"Make sure you tend to the cauldron as well, girl! You've still got work to do, and I expect to see it done, what with all that vim you've got after you," said Matoya back, waving in Y'thols direction with her staff.

"Of course, Master Matoya," called back Y'thol cheerfully, stepping up to one of the portals and vanishing in a puff of purplish aetheric vapor.

Louisoix chuckled. "I am not generally in the habit of telling you I told you so, but..." he said.

"Oh, out with you, you insufferable miasma drifting through my halls," grumbled Matoya, and Louisoix laughed in response.

"I understand she is about ready to begin her thesis work to present to the studium," said Louisoix. "She tells me she wishes to go into aetheric studies, much like her master. She has come a rather long way rather quickly, it would seem."

"Yes, well, she's the first apprentice that was sent to me that was worth a damn," said Matoya.

"Or the first who could thrive under your demanding schedules, due to the fire of her spirit. You know, any of the other apprentices you have been assigned over the years may have thrived also, if you had only shown any willingness to meet them at their level instead of insisting on trying to drown them under an obstinate workload."

"Hmph. The girl had the same work as the others, they just weren't willing to work for it as hard as she has," said Matoya. "I was fair to each and every one of them, I'll have you know. The same opportunities to succeed! It's hardly my fault she was the only one up to the challenge."

Louisoix looked over at Matoya meaningfully. She stared back at him, challengingly.

"As you say, Archon Matoya," he said evenly.

She threw her hands up in the air. "Bah, fine! I may have driven them a touch too hard. But look at what I've managed to accomplish with her. She's learned fast, you've noted that yourself."

"And had you tried to reach out to her earlier, rather than trying to drown her out much as you have your other charges, how much faster would she have learned? The standard classrooms are standard for a reason, they allow everyone to reach some level of potential, but as such they're designed to also leave nobody behind. As you've now learned, there is no speed limit to learning - if both master and apprentice are willing and capable. There is a reason we try to pair our most gifted with our most accomplished, and she may have gone to Studium even earlier if you had not insisted upon your notably onerous schedule."

Matoya tapped the butt of her staff on the floor, and frowned at the ground.

"Maybe so," she conceded. "But I'll not change my ways, and I'll not be asking for another apprentice. I've discharged my duty, Archon Leveilleur, and I'll thank you to leave me at that. If it'll get you to leave me alone, I'll share what I've done with you, and maybe you can find some apprentices in the future that you can perhaps mollycoddle into your idea of excellence. Otherwise you can leave me and my methods alone. I am more than satisfied with the outcomes my work has achieved."

Louisoix sighed. "I should know better than to try to dissuade you from your ways, Archon Matoya. Very well, I'll speak on the past no further, but rather of your charge's future. When were you planning on enrolling her in the Studium, anyway?"

"When she is ready, and not a moment sooner."

"Ah. What is the hold up? I... hope it is not the project the Forum has tasked you with."

"It is not, and we shall speak of that no further here," said Matoya. She gestured a hand out to the caverns of the atelier. "She's been studying by herself here and does not need me to keep a continuous eye on her. I've done the work asked of me, but it's held her up not one iota."

Louisoix nodded thoughtfully. "I overstep, then, and you have my apologies. But as to your apprentice, might I ask, whatever is holding her back? I have seen lights half as bright as hers begin their work."

"She's not ready yet," said Matoya with a frown.

Louisoix was quiet for a long moment.

"Is it because of the decision she has made regarding her true self? Alchemies are available, to say nothing of chirurgeons. She's hardly the first-"

"She has chosen her path in that matter," said Matoya. "She has settled on handling it herself, through aetheric transformation techniques."

Louisoix blinked, looking shocked. "That is... not without its risks."

"I am aware," said Matoya.

Louisoix looked thoughtful, frowning as he bowed his head, holding his chin in his hand.

"But with what I've observed... I think she could manage," he said slowly. "She is one of our best, now. All she needs is opportunity."

Matoya did not respond.

Louisoix looked up at Matoya, and his eyebrows rose in that way that meant he thought he'd stumbled across something.

"Is it perhaps that it is not that she is not ready... but that you are not?" he asked, gently.

Matoya did not argue back. She tightened her grip on her staff instead, and stared outward.

"...I shall push no further, and apologise again, Archon Matoya," he said, quietly.

"No," said Matoya. And she lifted her staff up, and slammed its butt onto the ground.

"You are correct," she said. "It is time. Thank you for your counsel, Archon Leveilleur. I ask your leave. It would appear that my apprentice and I have preparations to make."

Louisoix nodded, and gave her his customary deep bow before he left. Matoya sighed as he went. He didn't even have the good grace to be a poor sport, she thought, as she went to go find Y'thol.

[pockettray69]

The right Diamond Engagement Band Guide: 4 Gems Which will Stay Throughout Style Forever

Today's engagement rings are available in a good endless variety to fit every taste and even preference. The exclusive individuality of the band is easy to see, using so a lot of diverse designs, in addition to cuts offered. Jewelers frequently use gemological phrases to relate in order to different diamond slices. Presently there are physical dissimilarities between these types of cutter machine designs that suit many people? s i9000 tastes plus needs, along together with their own personal ideals. The best but elegant broadly utilized style of diamond engagement ring are solitaires. Volkov has been producing beautiful rings according to solitaires for even more than fifty yrs by now working together with both market professionals and skilled regional Danes in their Scandinavian ateliers. This provides outstanding jewelers-grade diamonds intended for reducing for a new wide-ranging range of mental customers around the world. Some sort of solitaire can be a single stone engagement ring. The particular central natural stone is often known to while the particular "grosgrain" or "banner". Volkov's Danish boutiques have already been producing one-of-a-kind bands for over 60 yrs for clients who would like a sophisticated and unique engagement diamond ring with a solid personality.

What? s therefore modern concerning this wedding ring? The great deal. It eliminates the regular diamonds for a great impressive alternative: a simplicity of, conflict-free diamond. This particular kind of materials has become used with regard to many years - the two by simply the military and even in industrial programs where temperatures are very warm regarding natural expensive diamonds in order to withstand. Nevertheless Canadian designer Suzy Hemp is one associated with the pioneers regarding using them in jewelry, thanks in order to 3D printing technologies that holds superior temperature characteristics plus will produce requirements involving unparalleled precision. Typically the results are gorgeous forever rings designed like good necklaces at inexpensive prices beginning with $250 UNITED STATES DOLLAR!

The value regarding wedding rings should go over and above their classic goal as emblems of love plus marriage a product embedded with strength as well : strength which goes to be able to women who select it. Customarily, men controlled whether their wives were involved or not necessarily, and even marriage has been always based on the people's selection. The engagement band is a relic of these times, when men handled whether their partners were engaged in order to them, and marriage was customarily established on typically the people's choice. Typically the diamond ring is seen because an extendable of male privilege because it represents the particular dominance involving adult men over ladies without needing to resort to physical violence or force. Modern Engagement Ring is also a new symbol of prosperity and status. The woman wearing typically the ring signifies her willingness to get committed to another man or woman, while the male having access to it signifies the control over their wife or fiancee. It truly is the image that he may offer away as he delights and carry on and include exclusive rights above her physique.

[hauntedbystorytelling]

Willinger & Schnapper, Wien :: Villanyi (Schattentanz | Shadow Dance), 1919. | src Theatermuseum, Wien

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