#back into fire emblem hell I go

[kokoibean]

I love risotto Rosado

[sleepinglionhearts]

You bring me so much joy

And then you bring me more joy

You bring me so much joy

And then you bring me more joy

[clouvu]

Cant Stand Them

[caiusthecat]

Linhardt with new Three Hopes design!!

[crownconstellation]

babyrealms literally top 5 funniest video game mechanics ever. they wanted to reuse kids SOOO bad bc that mechanic was REALLY well received w awakening’s audience but didn’t want to actually write a plot justifying the existence of a second gen the way genealogy & awakening did.

so thus, going through an entire pregnancy offscreen and hurling your infant through a portal where they grew to anywhere between like 10-19 years old within the span of Months was the next logical step

[skully-bones]

it might just be the contrarian in me talking, but after seeing the majority of people get pissed over fire emblem engage (particularly alear) i kinda just wanna hype it up

me defending pepsiman von colgate

[uncleardyn]

you ever make a crossover that appeals to you and you alone. well-

(bonus stupid crossover related joke under the cut for ur viewing pleasure)

[moe-broey]

Me whenever I have to write Lif: I am going to write a guy who is sooooo out of character that he's essentially a new guy now. Sorry. Anyway I think he's infinitely funnier now and I literally have no idea how the fuck to work with "There is no future for us..... the dead....." bc babygirl I don't know if you know this but. You may be dead, but you are very much still here. Everyday you are here day after day experiencing emotions, my guy. You might as well be alive, dorkass.

[butchwink]

okay tumblr heres the deal. im a real dipshit. a real idiot. i really didnt do this on purpose. i lost my keys to the bottom of my purse for about a week and got them replaced so i have a backup set now but i ended up in the psych ward the second time this ramadan and its so hard to observe ramadan in a goddamn psych ward they want you fasting when the suns down its absolutely insane how christian this "laique" private military hospital is. the fort i have to volunteer at again. monfort. they think im a doctor or something but i have a bs degree in philosphy is what i keep telling them

either way i lost my wallet on the bus going to cash a cheque that was a refund for fucking hockey equipment. i bought a helmet, a bunch of tape, and other gear in time to get to play this winter. the sticks i bought out of pocket i had to buy sticks again lol cause i got rid of them during a move at some point along with my mothers walking stick. i cant keep all your bullshit alive mom and dad. sorry.

so basically donations from the internet are no good and i need a brave asshole in or around ottawa to offer me tissues toilet paper and a pack of smokes. i have weed and idc im the queen of france and everyone is too scared to try anything against me. its the middle of the night and id rather bug tumblr than keep texting my best friend.

sorry im like this i swear i didnt lose the wallet on purpose. theres no money on the card theres small change and the guitar pick i used to make my only lp in high school. it sucks cause i had to rush it and produce it all on my own but its lost media now afaik. idk where my hard drive in is this mess.

i dont wanna put my shit out on bandcamp because i hate the culture of asking ten bucks to download ones music. i get it its only ten bucks but this money is quite precarious around my ass and i dont care about getting tied to a wage. sorry my time is worth more than a wage or a salary and im a communist. i dont want to be the bitch asking a toonie for more eps and lps if i ever go back to the god damn studio. i dont want to be the bitch screaming about labor conditions and space jam bullshit in ottawa. this place is cursed and im like the devil or something. the aliens dont want to tie us up to our own bullshit labor contracts. im sorry the $12 million contract from the aliens is just as bullshit dont take it lmao dont offer it either bozos.

the french owe friendship and solidarity to the anishinaabe and im deeply ashamed no ones been brave eough to play the devil king or queen of france at the end times and end the occupation in palestine already. jesus fucking christ youre all assholes here stop playing jesus all of you little martyrs everywhere anyday we couldve had this.

my problem is im friends with joan of arc and anne frank and my mom is journaling my life because she thinks shes doing me and anne franks crowd a favor by being a zionist. forreal my moms a canadian idiot and i kind of hope she killed herself in shame 15 years ago because oh my god i dont want to talk to her for a couple months again fuck off mom the old regent queen of france needs to go back to bed it isnt even six in the morning the birds are singing but its dark af outside i should eat something

zior park made me cave to kpop again go check out christian and ghost sound of the summer. i miss kpop sorry i had to avoid kpop forever hi christian idiots over on the south side stop playing jesus omg youre such communists anyway wake up bozos.

im like the devil or something. im gonna play fma to get my mom back on october 3rd because i didnt forget, tumblr. i didnt forget you guys. idc if i lose an arm or a leg at this point. my brothers safe in his shell already dont go bugging alexandre. "dont call my name alejandro" means dont blast alex too and lady gaga failed that one so im blasting her. my family couldnt shut up about being work acquaintances and sharing family stories with her? sorry i have to blast my family like this theyre all assholes who wanna find out what happened to my mom anyway. and whoever else died.

and idcc lemme live my life holy shit its so structurally impossible to be myself as an autistic trans woman and the funniest bitch on the planet year after year whats my problem? im an ottawa citizen and i have to live a human life as lucifer. lucina. whatever its lucy now. i liberated hell as a child. they taught me ego death as a fucking toddler. amos daragon escaping hell as a teenager and being anxious? thats really cute that was my last airbender shit before nickelodeon caught on to something really special.

go check out amos daragon and berskerk already. and awakening. i wanna bring back pokemon. the real shadow games. fuck yugioh lol

ive got the madoka wish to end suffering in my pocket and ive had it for a long time. i cant believe we lost lauren. she was my homura. im so sorry lauren. rest in peace. please dont try to stop me its okay. ily. no shit i thought i was sayaka all along im like that. ill throw my soul gem into traffic watch me. i hate saying that line so much especially in this town its worse than inshallah. thats trudeaus dad saying hell put security on every mp during the october crisis. enjoy 2024. i hope the leafs win the cup in four years so hell can freeze over already i miss my odrs!! bring back the canal for more than a few days at a time! please?? anyone!? wake up!

[most-datable-datable-bracket]

ROUND 4 MATCH 7

Chrom propaganda:

“Chrobin (Chrom x player character) is so many tropes in one oml. You have friends-to-lovers (Chrom and Robin are canonically best friends according to Nintendo), enemies-to-lovers (Robin is heir to the Grimleal cult, the enemy of the Halidom of Ylisse which Chrom is the prince, and later king, of), there's amnesia, time travel, official next-gen AUs, changed dialogue to lore important events in the game if you marry Chrom, and Nintendo keeps teasing us with the ship. Cheery prince who knows when to be serious, very strategically smart but very bad at communicating, a guy that can comfort you when you're down, make a fool of himself when you're not around, and he's just generally a very sweet guy. Also please consider the fact that you get to watch a cutscene of him dying in the prologue and despite the horrors he's just so supportive of the protagonist. Chrom doesn't care about where you came from or who you're related to, he cares for YOU. He gets KILLED by the protag and he reassures them that they did nothing wrong and pleads with them to get out, to a safe place. I lost my soul to Chrom, I physically can't play this game without romancing him.”

“He eats oranges with the peel still on, he's an absolute himbo. Also the writers accidentally made his daughter canonically trans so he definitely supports trans rights. And technically you can only marry him if you play as female Robin but their dynamic is still just as romantic if you play as male Robin (they literally call each other their other half and m!Robin and Chrom have a valentine's day duo unit in the gatcha, and in the anthology manga m!Robin asks Chrom to make polygamy legal so he can also marry Chrom's wife and they can be a family) so most people play the game with the gay mod so they can still marry him as a guy. He's incredibly stupid ("yeah, let's set all our ships on fire then walk through a volcano, you're so smart, Robin" "I know you've had prophetic visions about killing me and our daughter came from the future to warn us it would happen but I'm sure THIS TIME it won't because of the power of our bonds") but also really sweet. In the summer DLC they're fighting on a beach and when he sees Robin get excited over a weird creature they found he immediately forgets about the battle and starts trying to make a bunch of crafts (and failing) and cooking food (and failing again) and writing "Chrom and Robin were here" in the sand so that Robin could have some nice beach memories. I'm obsessed with this man”

Asra propaganda:

“He GIVES AWAY HALF HIS HEART TO REVIVE YOU okay but like. He's the MCs roommate and they were together for a few years before the MC caught a plague and died and he obsesses over a way to bring them back before succeeding by making a deal with a god to trade half his heart for MC and betraying the emperor. And then when MC comes back but without any of their memories, he takes care of them and teaches them how to live all over again and he never asks for anything in return. On all the routes where you don't choose him he's really supportive and helps you out despite your history and overall he's just really nice and supportive of the MC and is their rock no matter what route you go down. Also he has a pet snake named Faust and I love her she's so <33 

Idk I just appreciate him so much”

"He gave you half his HEART!! He would literally go to hell and back for you!! He wants to take you on adventures all around the world—doesn’t matter where, as long as he’s by your side!! AND he’s nonbinary!!!"

[gamequoteshowdown]

Thank you everyone for making this happen! Now, without further ado, the match-ups for Round 1!!!

Round 1

"I've been waiting for this!" - Akihiko Sanada, Persona 3 / "You're just a corpse who doesn't know he's dead" - Valter, Fire Emblem: Sacred Stones

"Are you going to be our goddess of victory… or our angel of death? Doesn't sound too bad to bet my life on that." - Keiji Shinogi, Your Turn To Die: Death Game by Majority / "Don't fuck with a witch!" - Bayonetta, Bayonetta

"Teammates!? Friends!? To hell with that! Why am I inferior to you!? I was extremely particular about my life, my grades, my public image! So someone would want me around! I am an ace detective! A celebrity! But you… You're just some criminal trash living in an attic!? So how!? How does someone like you have things I don't!? How can such a worthless piece of trash be more special than me!?" - Goro Akechi, Persona 5 / "I was just gunna ask you to sell a gun to this child." - Starlo, Undertale Yellow

"I want you to live." - Charlotte Wiltshire, Hello Charlotte Series / "Your hair… sunset colored. I like it." - Queequeg, Limbus Company

"The hope to end pointless conflict… The hope to tell your daughter how much you care… It is our mission as apothecaries to ensure that everyone lives long enough for their hopes to become reality. Even if it costs us our own lives." - Castti Florenz, Octopath Traveler II / "Game is clear when 2 zombies hold hands!!" - "How to Play" Narrator, Loving Deads: The House of the Dead EX

"Thanks to you, I am saddled with unnecessary… feelings" - Miles Edgeworth, Phoenix Wright: Ace Attorney / "I am so fucking normal right now" - Harry du Bois, Disco Elysium

“SOMETHING BEAUTIFUL IS GOING TO HAPPEN” - Harry du Bois (in the form as a potential mural painting), Disco Elysium / "You pull out your cellphone and access your old Tumblr. You have ten, but you specifically access the Garfield one." - Narrator, Monster Prom

"… Nice meeting you again, you FUCKING WHALE!" - Ishmael, Limbus Company / "My guess is no one's ever loved you before" - Woody, Kingdom Hearts 3

"Take care, [player]. I was lucky to have known you. Though the parting hurts... the rest is in your hands!" - Grovyle, Pokemon Mystery Dungeon: Explorers of Sky / "Far out, man." - Netzach, Limbus Company

"I'll be back once I eliminate that devil called poverty from the world!" - Partitio Yellowil, Octopath Traveler II / "Elder gods from the whole cosmos have awoken to taste your cookies." - Narrator, Cookie Clicker

"Hello! This is the part where I kill you!" - Wheatley, Portal 2 / "Now we come to the question : Do I kill you? Do I tear you apart to my heart's delight? The choices of the beautiful are unbearable. How's a girl to choose?" - Alice Angel, Bendy and the Ink Machine

"I am Ferdinand von Aegir" - Ferdinand von Aegir, Fire Emblem: Three Houses / "Her metabolic processes are of interest only to historians." - Miles Edgeworth, Ace Attorney: Trials and Tribulations

"It ain't a matter of guys or chicks... I'm just scared shitless of being rejected" - Kanji Tatsumi, Persona 4 / "...also Stanley is addicted to drugs and hookers" - Narrator, The Stanley Parable

“You’ve met with a terrible fate, haven’t you?” - Happy Mask Salesman, Legend of Zelda: Majora's Mask / "I have no idea what to do with my life, but that's okay! Because I'm still working hard! Even if it's on nothing at all!" - Papyrus, Undertale

"Despite everything, its still you." - Narrator/Chara/Frisk???, Undertale / "In this world, it's kill or be killed." - Flowey, Undertale

“Heart. Lungs. Liver. Nerves. Heart. Lungs. Liver. Nerves…” - Voices of the Paranoid, Slay the Princess / "In the quiet glade, across old bark. In the ancient glade, it's always dark." - Gabbro, Outer Wilds

"You take away all their sins, and people aren't people anymore!" - Rokurou Rangetsu, Tales of Berseria / "Do you even get how it feels to have nightmares about doing tango with raw chickens? Eh?" - Heathcliff, Limbus Company

"Life is worth living, even if it hurts you, even if you hurt in it." - Solid Snake, Metal Gear Solid / "I often think about the god who blessed us with this cryptic puzzle... and wonder if we'll ever get the chance to kill him." - 2B, Nier: Automata

“Oh? Is that how it is? Yeah, okay, I like you too. Neat! Still going to kill you, but now we can both enjoy a mutual romantic subtext to the murder.” - The Razor, Slay the Princess / "Now it’s Reyn Time!" - Reyn, Xenoblade Chronicles

"You lost the coin toss. We both did." - Catherine Chun, SOMA / "I like to drink blood. . . and smoke the weed!" - Dracula, Space Funeral

"Pick a god and pray!" - Frederick, Fire Emblem: Awakening / "Can you believe it? Dragons! In your own homeland! What are you going to do?" - Florentia Candidius, Elder Scrolls Online

""Did you get the Broom Closet Ending?! The Broom Closet Ending was my favourite!" ...I hope your friends find this concerning." - Narrator, The Stanley Parable / "It’s dangerous to go alone, take this!" - Old Man, Legend of Zelda

“Close your eyes for a sec, will you Chigasaki?” “You mean physically? Or to the criminal acts I’m pretty sure you’re about to commit?” “Both.” - Chikage Utsuki & Itaru Chigasaki, A3! Act! Addict! Actors! / "You are all about to perish, do as you please. I'm sorry." - Meta Knight, Kirby Super Star

"Boy" - Kratos, God of War / "Take care of yourself, kid, cause someone really cares about you." - Sans, Undertale

"Almost Christmas means it wasn't Christmas!" - Phoenix Wright, Phoenix Wright: Ace Attorney / "Dios mío!” (Draw a cross.) “A LIBERAL!" - Harry du Bois, Disco Elysium

"That's it. I'm not paying one cent of my taxes!" - Ema Skye, Phoenix Wright: Ace Attorney / ""Trust your partner"... And I do. I can't forgive you, but I trust you." - Neku Sakuraba, The World Ends With You/Subarashiki Kono Sekai

"Hey, you. You’re finally awake. You were trying to cross the border, right? Walked right into that Imperial ambush, same as us, and that thief over there." - Ralof, Skyrim / *clap ... clap ... clap ... * "Oh good, my slow clap processor made it into this thing, so at least we have that" - GLaDOS, Portal 2

"hallOO. chikkEN. OKs?" - BOb, Slime Rancher / "Pretty good plan. You could say it was the greatest—" - Charles Calvin, The Henry Stickmin Collection

"Blood comes in four types: A, B, O, and AB. However! No blood test can determine whether a murder was committed… in cold blood!" - Phoenix Wright, Phoenix Wright: Ace Attorney / "You ain't my partner anymore, man. You're my friend! So trus' that, yo!" - Beat (Daisukenojo "Beat" Bito), The World Ends With You/Subarashiki Kono Sekai

"I always come back." - William Afton, FNaF Pizzeria Simulator / "So -- as you can see, I'm a *pretty okay* detective -- and an absolutely GIANT COMMUNIST." - Harry du Bois, Disco Elysium

"Ears have a nice mouth feel, very chewy!" - Briar, League of Legends / "This is like taking candy from a baby, which is fine by me." - Shadow the Hedgehog, Shadow the Hedgehog (2005)

"It's a beautiful day outside. Birds are singing, flowers are blooming... On days like this, kids like you... Should be burning in hell." - Sans, Undertale / "In the dark times, should the stars also go out?" - Steban, the Student Communist, Disco Elysium

“We are a path in the woods. We have no beginning, and we have no end, but something cold and unnatural sits watching us from just beyond our edge.” - The Wild, Slay the Princess / "Strong Pokémon. Weak Pokémon. That is only the selfish perception of people. Truly skilled Trainers should try to win with the Pokémon they love best." - Karen (Elite Four), Pokemon HeartGold / SoulSilver

[rescuehumans-runtotherescue]

Close up Inspection Of Cody’s Belongings In The Pizza Pi Episode

There are some duplicates that make sense and others that don’t.

Downstairs:

1. Comic books

2. Binoculars

3. Teddy bear, possibly in a police shirt.

4. Dinosaur stuffy

5. Rubber Ducky #1

6. Action figure

7. Books with a picture of a fire on the front, probably lad pioneer books.

8. Books with the Griffin Rock emblem.

9. Water tank (?) #1 & #2

10. Just books in general.

11. Tuba

12. Lantern. I thought there was a duplicate in the upstairs scene, but there is not.

13. Duck tape

14. Big Dice

15. Phone (?)

16. A couple newspapers

17. Soccer ball #1

18. Magician hat #1 (call back to the Bots and Robbers episode when he was the villain in his school play).

19. Baseball bat #1

20. Trumpet

21. Boombox #1

22. Robot and Dinosaur toys

23. Life vest and possible water safety books with it.

24. Basketball #1

This is the zoom in, some stuff is moved around but the only things here that weren’t seeable in the wide shot are

25. Notebook #1?

26. What looks like an iPhone?

Upstairs:

27. Cardboard Optimus Head

28. Med kit #1

29. Jacks

30. Fire Extinguisher #1

31. Magician hat #2

32. Rubber ducky #2. I realize now it autocorrected to runny in this pic, but I’m not changing it now.

33. Teddy bear, possibly in a police shirt #2

34. Moose Hat

35. Cup

36. Various Stuffies

37. Notebook #2?

38. Baseball #1

39. Baseball bat #2

40. Rocket toy #1

41. Rocket toy #2

42. Board game

43. Basketball #2

44. More books

45. Clothes

46. Rubber ducky #3

47. Pringles can? Back side of water bottle?

48. Baseball #2

49. Plant

50. Soccer ball #2

51. Duffel Bag

52. Foam Finger

There was a zoom in shot with Graham on the ground but there was no new stuff so I’ve left it out.

53. Rackets

54. Cleats

55. More clothes. Clothes everywhere. He’s a teenage boy though, c’mon.

56. More books

57. CD?

58. Soccer ball #3

49. Boombox #2

50. Med kit #2

51. Fire extinguisher #2

52. Another book

53. Rubber ducky #4

Spitting thoughts out:

Lmao notice how there is stuff all over the downstairs and the upstairs hallways and staircases but he left the kitchen mostly clean? Same. Getting to food = important.

So it makes sense that they have multiple med kits and fire extinguishers because they’re a rescue family.

Cody seems to have a lot of dinosaur related little kid stuff so Dino kid confirmed.

He seems to be a big reader but Cody’s a smart kid so yeah we could’ve figured that. Also I bet Charlie has preached the need to get off the internet and do other things.

Makes sense that he has a lot of soccer balls because apparently it’s the family sport. Kade, Dani, and Graham have lots of soccer trophies. There was a whole episode about how Cody is bad at soccer.

Makes sense he has a lot of basket balls and baseballs. We see the family play basketball all the time and at the end of the soccer episode, Kade insists Cody try out for baseball.

You would think they’d have a shed or something to put all their sports stuff in??? Why have them inside????

Why the boomboxes?? I could see if one of them used to be Charlie’s and he gave it to Cody, but why two?

The magician hat and the trumpet are both call backs from previous episodes. I don’t remember exactly the trumpet one, but it was when he was trying new things for a lad pioneer badge or extra credit in school or something. Heatwave recommended martial arts but it didn’t go well???

The duplicate of the Teddy bear with the police shirt and the duplicate of the magician hat are clear accidents.

The moose hat is because the moose is the mascot of the team Kade was on.

Why the tuba? What’s with the water tanks? Cody has his own plant? When’d he make the Optimus head? That would’ve been cute to see!

Why the hell does he have so many rubber ducky’s?!?!?!???

//Don’t take this post too seriously. I know there’s going to be animation errors. I find it amusing.

Bonus:

54. Lucky soccer shorts from first grade

55. Mr. Macaroni from preschool

[imustbenuts]

Seadall, localization, food, EABS culture, and discussion of Eating Disorder. Trigger Warning.

tl;dr: Seadall is pandering to an East Asian Beauty Standard, technically does not have eating disorder, but is bordering on Disordered Eating, and both the writers and localizers know it.

Our first official male dancer of FE has a bit of a obsession over controlling his diet to a concerning degree. But is it actually an Eating Disorder? No, I don't think so. From my pov, this has everything to do with his job, a Dancer and the dreaded East Asian Beauty Standard (EABS).

EABS idealizes the fair skinned (asian colorism rAAAAGH), the lean and thin. Any level of fats or flaps are no good and is considered undesirable, or worse, a sign of one's gluttonous and even slothful character. IRL, that sentiment has become less pervasive, less judgemental and less awful than 10 years ago, but it's still around. Hell, it's in our Fire Emblems! Average out the body shapes of all dancers or even characters in FE and you'll see what I mean.

(are you in hell yet.)

This EABS is especially prevalent in 1 genre of media that comes pouring out of Japan and Korea... The Pop Idol scene. In Japan, the idol industry can be traced back to the 1960s, and though it has propped up the EABS, this standard's roots goes FURTHER back to even pre-colonialism era, to China and the Tang Dynasty where willowy female bodies were ideal. (That's 618-907AD.)

And when I say EABS, I will include the surrounding countries outside of Japan too. Similarities in culture and all that. Hence East Asian. (Don't be mistaken though. South East and South Asia also has to deal with this shit.)

But hey. I'm still talking about female EABS, right? Where does Seadall fall into this?

Uhhhh. Jumpscare. Surprise K-pop.

(ps i dont know k-pop as well so idk who these ppl are im sorry waaaaug)

Dancers and the Idol Industry

It's easier to see on the female side, but uh, that specific body shape is often achieved through extreme dieting. The body fat % is so low that the dancer's lower ribcage can be seen. Before shooting the dance or a performance, these idol's agencies will notify them to slim down to a certain goal, like say drop 2kg (4.4 lbs) or 4kg (8.8 lbs) in x time, and this is typical. Guys here are no exception.

Weight is manufactured. Looks to some extent (plastic... surgery....). The clothes too, are intentionally picked. Exposing the belly is common since it's the quickest indicator of skinniness.

But hey, I actually lied about the dieting part. It's not really dieting as it's actually straight up starvation, tbh. To lose that weight, the dancers/idols will often eat as little as some protein shake, a few fruits and maybe potato for fiber. Yes, it's as hellish as it sounds, and no, these people are unable to fully function with a calorie intake like this. Source for this claim will be in a video at the bottom of the post by youtuber chaebin n out, titled "How K-POP Destroys Your Body". So.

W̵͓͍̏͝e̴͉̾ḽ̷͈͐ĉ̶̠̝͋ö̶̤́m̷̲̒ê̶̬ ̶̧̅ṭ̷̘͑͑ö̵͇́ ̸̛͖̑h̵̳̿͝ė̶͕͉l̵̜͖̇͗ḻ̶̑!̴̪͊̉

Ok, but that's K-pop. What about J-pop?

Japan, where FE rolls out from, have J-pop, which is slightly different. J-pop idols also suffer from EABS but afaik it's not as extreme. Many contemporary J-pop idol groups like Atarashii Gakko!(left) and Babymetal(right) also Do Not make thinness a major selling point with their costuming. This is usually done through hiding the midriff, where belly fat most easily forms. (EABS is still in effect though, don't be mistaken! There could be just as extreme cases out there I'm not aware of ;_;)

So it seems like people kind of agree that obsessing about weight and developing body image issue is messed up.

Hopefully now I've established what is going on irl for Seadall's influences, and what is considered normal or extreme. Relatively anyway. (I hate EABS so much hhggr)

Let's detour to...

Food! Staples! What's normal?

An average meal in Japan consists of a variety of veggies, tofu and a serving of protein, which results in lower fat intake. Also, RICE is a major staple in these meals, so assuming the writers are approaching it with the best intentions, and how Engage's normal might appear to native Japanese audiences, JP Seadall's worry only seems to be on oily food intake and is not overly concerning to me.

In fact, here is an example of a staple set meal (teishoku) I ate over there last December. Yum yum:

Overall a very lean meal. So it's likely Seadall eats something similar-ish and not just greens.

Another important point is that in (East) Asia/Japan, oily food is seen as unhealthy and contributes greatly to cholesterol. This aversion to oily food is driven somewhat by EABS and... Health. I also promise most people are actually chill about this. ...Most people! Meat is yummy! Gyukaku and Ikinari Steak is popular and popping! That's why Seadall likes it after all.

So this is where Seadall's writing starts to contrast. For the most part in the EN version, he only worries about meat. In JP, it's technically oily food, which meat falls under, and he's worried about putting on weight.

Why the extreme worry tho...?

The logic for why all these matters so much to him is this: if a dancer is surrounded by other dancers who are reinforcing this EABS (mirroring the standards of the real world), then their only choice to stay relevant and keep their job is to commit to the same dietary choice and uphold the same EABS, or even have a EABS outperforming the standard.

Because a Dancer's job, or rather, Seadall's job is to pander to people's ideals of beauty. Hence his supports where hair and skin and food becomes a topic.

If he fails the standard, according to the J-pop and K-pop industry, he kind of fails at his job. Is it fair? Fuck no, but no matter what opinion we may think of the standard as outsiders, it remains that there is a LOT of social conditioning and manufacturing going on leading to... all of that. I scream too. I scream a lot, internally.

So what does Seadall look like to someone in this East Asian sphere...?

To the writers credit, they do push for Seadall to indulge more food that makes him happy for at least his mental well-being through the other characters.

This also happens to fall in line with Engage's low key theme of cherishing the moment.

With all I've explained, Seadall might come across as warning to those who over-worry about oily food consumption and trying to pander to an EABS to... chill the fuck out. That it's ok to just go eat some delicious yakiniku if you want to! Go off! If a female character who is concerned with this comes across as too vain, then let's have a guy do it and hope the point lands for the (potentially female) players.

And with all these missing context, it's very easy for one who isn't clued into this sphere assume that Seadall has some eating disorder or that the writers are advocating it. I don't think that's happening here at all. The localizers likely are aware of this missing context and have toned it down several levels for EN release. Wise move, tbh.

(progressiveness can be relative btw. something to keep in mind @_@)

So, is Seadall coming close to some kind of Disordered Eating? Possible. From what I see I think the writers are trying to push Seadall away from it, and trying to stop it from becoming a full blown Eating Disorder. Personally, again, I don't think he has an Eating Disorder.

However! Your Mileage May Vary. I only hope for my opinion and understanding to help inform others, not override it. What's normal for me isn't for everyone, and vice versa, but it's important to remember where Fire Emblem originates from.

And here's the last thing I promised: the video essay if you really want to dive into it:

And that's about it.

Hope this was interesting! Thanks for reading. 😄

EDIT: the Chinese net sphere is the exception to all of this, EABS is especially bad there

[emblemxeno]

Definitive “Feelings On 3H” Post

So I’m making one big post on my feelings on major things worth discussing about 3H and how I feel about it. Don’t feel obligated to really interact with this one much, it’s mostly just for my sake, as something I can just link to and say “go to section X about how I feel about Y”.

The reason behind this is I just don’t really want to actively engage in 3H discourse anymore. I feel as if I’m a broken record at this point. If I have new things to say about it somehow, I’ll say it, but for the most part, I’ll refer people to this if they wanna know how I feel about general 3H talk. 

Story

Story Section 1- General narrative feelings on each route.

Azure Moon is, in my opinion, the most solidly constructed route in terms of writing, character development, and storytelling. It knows what it wants to accomplish and, aside from a few gripes, I will always applaud it for that. Verdant Wind and Silver Snow meanwhile, aren’t bad and I certainly didn’t have a terrible time playing through them. However, the unique story bits in each route don’t justify the gameplay experience you have to work through in order to get to them. Still, the big reveals in each route were nice to hear for the first time, and specifically for VW I enjoy Claude very much. Crimson Flower I don’t enjoy that much at all. Its story is what I can only describe as a static, eye-roll inducing victory march, which makes up for its lack of length with its seemingly intentional negative character development; everyone is ignorant, an asshole, or sad as fuck aside from the CF exlcusive cast. I would give the route props had the game bothered to stand in its foundation rather than flounder and make numerous attempts to depict every perspective as absolutely equally valid and righteous. 

Story Section 2- In trying to appeal to every perspective, the game lacks focus, foundation, and respect for itself.

It should be expected that a game with multiple routes tackle different specific subjects. However, in Fire Emblem, there always, always manages to be a unifying theme or foundational story philosophy-an Aesopian type moral if you will-no matter the route. Alm and Celica learn that their one individual philosophies can’t exist on their own, and that leadership requires strength and compassion of equal measure. Eirika and Ephraim learn that personal wishes must take a backseat for the good of Renais and Magvel as a whole, as their routes in FE8 use their own weaknesses to develop them as leaders and royalty. Corrin’s one constant in the Fates games is that conflict is inherently meaningless and does nothing but perpetuate a brutal cycle of hatred, vengeance, and violence. 

Even in games like FE7 and FE10, where the technical ‘route splits’ are more unconventional, there’s still unifying themes that manage to wrap back around at the end (7′s ‘single-minded pursuit of justice and strength/power to protect can actively hurt you and those around you, especially if you are ignorant to the pain others are going through’ and 10′s ‘people have as much capacity to be good as they have to be evil, they will hurt each other due to petty misunderstandings and bigoted views, however, they are worthy of living as they are because of the ability to grow, change, and aspire to something better’).

3H, to put it simply, does not have any grand unifying theme unique to itself. The closest examples I can think of is ‘It’s worth it to reach out to those around you to share your pain so you don’t become engulfed in it’ and ‘no matter what side you fight for, war makes everyday life a living hell for everyone’.

But to me, both of those things are just... basic truths and story elements present in every dialogue heavy FE game. War has been showcased as being terrible since FE1, where characters were held hostage, threatened to fight for a cause they didn’t believe in, innocent villages were destroyed, there was a literal child slave market, etc. And sharing your pain with those close to you in order to bear life’s challenges has been a constant trope with many FE characters, story significant or otherwise, since at least FE6 with Guninivere (probably earlier if I’m missing something from FE4 or 5). The only difference is that 3H has a fun little song to go with it.

That leaves the specific themes of each route and perspective, but because each leading character is so different from the other, and the writers didn’t want to overtly favor one over the rest, every dialogue regarding these things feels compromised; half baked, or lacking a point. 

‘Crests are symbolic of a harmful power structure but also are a symbol of justice used to ward away threats but also are a tool used to gain social and political capital in order to change the world but also are an ancient power obtained through destruction that must be used with wisdom.’ Four different perspectives from four different routes that the game attempts to depict in a balance in almost every single dialogue regarding them. And this same process is applicable to the game’s attempts at discussing race/ethnicity, xenophobia, classism, religious views, mental health, etc. There always has to be two, three, four, or five sides to every story in 3H, and that results in an exhuasting and stretched thin narrative that, in its attempts to appeal to everyone, ends up lacking substance in every point it tries to make.

Now, that itself would make for a fascinating and meta theme for the game to uphold, where ‘attempts at trying to balance and accept every perspective leads to an ineffective world that desperately needs unwavering, unconditional, and compassionate leadership’ but 1) that would require the game to play up the need for ‘seeing every side’ as something to be deconstructed, and the game doesn’t do that, it’s played painfully straight, and 2) when it’s one major power (Edelgard) vs. three major powers (Dimitri, Claude, and Rhea), the attempt at balance fails no matter what you do. This lack of focus reads to me that there was lack of respect for the game’s story itself.

Story Section 3- “It insists upon itself, Lois.”

Every time I think about the finer details of story bits in 3H I don’t care for, my brain always comes back to that Family Guy scene where Peter talks about not caring for The Godfather and saying that it’s because the movie insists upon itself. Now, that was done for comedy, but for 3H I must say that it’s a perfect sentence to use. 3H insists upon itself. This is in spite of the fact that there’s no one unifying point that it’s trying to convey to the player, beyond what any other FE games was able to do. So to make up for that, each small instance reads like the game beating the player over the head with whatever minute moral or lesson it’s trying to convey.

Crests are bad? Roll out the Edelgard, Sylvain, or Lysithea dialogue saying so. Church is sus? Get Edelgard or occasionally Claude. Nobles are pretentious? Get the sad NPCs or the few actual commoner characters to imply it. War is bad and cruel? Fire the next “Sad Dorothea” dialogue at the player’s face. Interactions feel artificial, ostentatious even. Part of that is because there’s no other way to get these points across due to Byleth being a silent avatar, the other part though? Feels as if the writers were overtly proud of themselves. “Wow, the war means Bernadetta leaves her room more often, isn’t that a sign that it really changes people?” Yeah, no shit. 

Perhaps the most egregious example is the endless instances of the game pushing the idea that there’s “no good side” in war or that “war is a battle of ideals and no one is fully correct” or other moments that want the player to know how deep and Morally Gray the narrative is. It’s cheap and inauthentic, especially when you have a faction like the Slithers. You can’t prop up Gray Morality and have an inarguably evil underground terrorist group. 

To be crude, this game explains things to you like you’re five despite being rated T for teens in a series catered mostly to young adults. I get the point you’re trying to make, you did it poorly, now stop repeating yourself, your final grade is a D+.

Story Section 4- 3H likes spectacle over substance.

3H revels in being showy over being constructive. There’s great moments, but there’s not a great plot. 

For example, Byleth has many flashy moments that show how awesome they are! They’re connected to a goddess, they can wind back time, they have a super cool historical sword, they’re a top tier mercenary, they’re a great teacher, they’re next in line for Archbishop or the throne for all of Fodlan, their Crest is the game’s version of the Fire Emblem!

Cool! What’s the significance behind all these choices in the writing room? Seemingly next to nothing other than it sounded cool. That’s how it feels anyway.

The SotC doesn’t do anything in the story beyond be Sothis’ bones, likewise the Crest of Flames is nothing other than symbolic since it lacks gameplay or story significance beyond “main characters have it”, Divine Pulse has weak narrative justification for what should be a simple gameplay exclusive rewind, the goddess in question is an underutilized character who checks out before part 1 ends, there’s no gameplay basis showcasing that they’re any better at fighting than their students, and every high level position Byleth is granted makes no sense for them to have given what little established character we get.

That’s 3H in a nutshell. Crests don’t matter other than to be a story device. Being noble or commoner doesn’t matter. The hidden technology doesn’t matter. Abyss is a joke. And on and on and on. 3H profits off of being enticing and cool looking for the sake of it, without actually utilizing or explaining any of this flashy stuff that matters for a video game medium. It makes for underwhelming gameplay and artificial characters. Example, for as much as I love Yuri, take a few minutes to read his backstory; it’s batshit and nigh unbelievable. And it’s indicative of the fact that 3H cares more about including things that sound cool than it does about making sense of anything. We see the impact, but never any material significance, which is the opposite of what you want in a detail oriented narrative like this.

Story Section 5- 3H has very gross tropes.

During 3H’s first year of being out, I desperately wanted to stay true to a view that “hey now, just because it’s depicted like this, doesn’t mean we should blast it, it’s just a video game” but, y’know. I grew up. And part of growing up is recognizing the nuanced parts of these kinds of things. 

I won’t accuse the writers of being actively ignorant or bigoted, cuz I don’t know anything about them. But fuck. Fuck, does this game read worse and worse over the years in terms of how utterly terribly it handles sensitive issues.

Multiple brown characters treated like trash by the white/pale majority, with countries said brown characters hail from described as savage and animalistic. Rampant misogynistic tropes, most notably selling women off to be married. Strange, and incessant sympathy for the character starting a war that upends the lives of common people, said character also allowing human experimentation to occur. The offensive and archaic handling of mental illnesses, specifically anxiety disorders, personality disorders, and PTSD in certain instances (IMO only Dimitri and Marianne are done with any sort of grace). And that’s just the explicit stuff! Just the other day I was talking about how there’s incredibly disturbing anti-Semitic undertones regarding the Empire (confirmed to be based on Germany btw) and the Nabateans, something that’s, at times, uncritically repeated by people in this game’s community. This game is mired in terrible allegories and metaphors, which make me cringe the more I think about the real world implications that these lines of thought can have on people in volatile corners of the Internet.

And the kicker is that the writers are so committed to making these things relate to Crests or nobility, as if either of those things are strictly the reason why oppression or discrimination occurs.

The game employs drastic harmful stereotypes, and undercuts all of them by foisting its half-baked unique gameplay/lore toy onto the conversations. It fumbles the ball and didn’t even clean up the mess well.

Characters

I have a tier list of how much I enjoy the characters right here. 

Long story short, when the characters are good, they’re good. Like, holy fuck, love them. But when they’re bad? Throw them away. Can’t stand them. And sometimes characters fall in the middle where I see the good but they’re at times written in ways that piss me off.

Worldbuilding/Setting - More is not always better

First off, when you make a character tell the player “Go read in the library for lore”, you’ve lost me. There’s nothing fun and interesting in 3H as a game for you to read in the library.

Fire Emblem’s gameplay cycle doesn’t mesh too well with the typical JRPG standard of storytelling, so the common solutions to building the world and crafting the stories was 1) make as much use as possible of cutscenes, art/cgs, and narrations to communicate the important details before and after battles and/or 2) make an intuitive inclusion to ‘break the pace’ between maps, such as a home base, in order to supplement what’s already present. Alongside this, support conversations were an ingenious tool to develop the characters and the world at the same time, as your varied and quirky cast can help you infer what their place of origin is like. Plus, the game actively rewards the player for seeking this auxiliary information out, granting extra stat bonuses when you purposefully put characters next to each other.

3H, on paper, understands this well. However, the game has too many minute details for a typical FE game structure to handle. The devs themselves even said the game became a “living creature on its own” and claimed no one on the team knows everything about 3H’s story or world. Ignoring how that’s a serious flaw for a video game narrative, what this ultimately means is that since cutscnes and a standard base can’t cut it, we need more and more and more. Libraries, side quests, tea time, ally notes, gifts, NPCs that exposit at you, etc. The DLC even added another damn library for you to sift through, as if the first one wasn’t a pain already.

And though these little flavor texts, landmarks, and set pieces are fun to read about... that’s it. The game hardly uses any of it. It’s flavor without substance, once again. It’s why half the fucking fandom is confused every other day when you bring up these tertiary details as evidence to prove a point, since the active story is too busy trying to weave the other 600 plot threads together to use any of it. That means, for all of this supposed great details regarding each nation and the important territories, we hardly see a damn thing that’s actually different. More is not always better, and in this case, it’s actively worse for both the game experience and the community experience. Not a good look for a game that the devs explicitly wanted people to talk to each other about.

As a fan of FE ever since 2013, who has gone back to play several of the games to see how they tick, 3H’s methods of describing its setting are just so antithetical to what makes the series enjoyable, and for so little reward. It sounds hypocritical given that I love Fates and Engage, but those games actively set up their glorified bases to be as unintrusive as you want them to be. 3H, however, has its gameplay built around a boring and unintuitive cycle.

Gameplay- Fire Emblem but half the time you’re not playing Fire Emblem

Gameplay Section 1-Monastery

The monastery is the most debated gameplay aspect of 3H, and IMO, for good reason.

It sucks.

Worldbuilding wise, while it makes sense that an important location is the hub for the game, that doesn’t account for how dull it is. 12 months and 4 seasons pass and does the place ever look different? No. A shame, since an improved aesthetic would drastically help ignoring the fact that the place is a bitch to traverse. For as fast as Byleth can run, they can’t outspeed the load times. Quick travel only makes the issue more apparent, as well. From door to door, and from week to week, you’ll endure more load times in one in-game month than an entire playthrough of a GBA FE game.

The other aspects of the monastery gameplay, such as teaching, activities, professor level, and motivation, while freshly fun in a first playthrough, become a repetitive slog in subsequent playthroughs. Giving gifts and lost items, eating meals, planting the right things for the garden, optimizing support point gains, using the sauna, taking care of the statues, etc. This cycle is not something I enjoy in an FE game, and unlike Fates or Engage, I can’t actively ignore it without huge penalty. 

You can skip right to each main mission, but you’d be giving yourself a huge handicap by doing so; not actively teaching students at max motivation in order to maximize skill point gain is a huge detriment in the long term. It means longer wait for better weapons, longer wait for better spells, longer wait for class change, and longer wait for better skills and battalions. Now on Normal you can get away with this, not as much on Hard, and sure the fuck not on Maddening. To me, it feels like sloppy balancing on top of an already exhausting and dull game cycle. Why let the player skip months if you didn’t bother to carefully balance the game so that the players who do skip months could have even a small chance to clear the game? Honestly, it just feels as if they thought “people might find it annoying so let’s just tack on a skip feature”, and that’s disappointing and lazy.

Overall, I hope nothing similar to the monastery’s implementation is included in any future Fire Emblem game. It’s too antithetical to FE’s main gameplay structure, IMO.

Gameplay Section 2-Battles

To be honest, Fire Emblem has never been the pinnacle of balanced gameplay, and frankly I don’t want it to be. It’s a single player game with fun anime sword guys, magic powers, and dragons. So long as it’s not dreadfully easy or overly complicated, I have no qualms about certain classes or characters being better or worse than others.

3H though is a mess. A fun mess, but still a mess. Movement decrease to foot units means you want a mount cuz the game’s maps are big, and the speed penalty for cav classes means you want a wyvern or a pegasus. Physical units do just that (or maybe War Master for Quick Riposte), you get your dancer, have a Stride unit, have your Magic units and warpers where you need them, and congrats! You solved the 3H meta. 

Half-joking, honestly. The game is extremely easy to break, the hardest part is getting to that point (after all, slugging through the monastery is a bigger test of your patience than anything else). Maddening mode, of course, you have be extra careful in the beginning (cuz they probably didn’t play test it cough cough) and utilize your combat arts and gambits effectively, and being extremely conscious of positioning. But, much like Awakening before it, 3H is very easy to snowball. Especially on NG+. That doesn’t mean it’s not fun, but it can get mindless. I don’t personally play that way, but even still, tools such as weapons mostly not being class restricted, Crests, combat arts, gambits, and accessories make the game incredibly simple. It’s a breeze, and only gets harder when certain things are stripped away from you or your debilitated somehow. Again, it’s still fun, because FE is always fun, but challenging? No. Not in a way that I find meaningful, anyway.

The maps themselves? Meh. They look pretty! Lots of small missable details that you wouldn’t see if not for the zoomed in view, that was a neat feature. Not at all useable for actually playing the game, of course, but fun to mess with and to sight see. It does make me resentful, cuz again, we could’ve potentially seen lots of rich, detailed, and varied locations bustling with townsfolk and entering villages to really feel each location. But alas, this is as good as we get.

Anyway, the maps are...fine-ish? Part 1′s maps are seared into my brain, for better and for worse (mostly worse) cuz you have to play them at least 3 different times for all the routes. Prologue through Chapter 5 are either boring, terrible, or both. Chapter 6 is the first map on my most recent playthrough that I say I had fun with in Part 1, then it continues for 7 and 8, then nosedives for 9 and 10, before picking back up for 11 and 12. In short, more than half the story maps for part 1 I find are either unexceptional or plain bad.

Now Part 2? Hunting By Daybreak is atrocious, Garreg Mach defense is pretty fun, Ailell is boring as fuck, Myrddin Bridge and Deirdru are good, Gronder Part 2 ebbs and flows between being awesome and awful, Merceus, Enbarr, and Fhirdiad are okay but tend to drag, Tailtean is alright, Shambhala is hot garbage, CF endgame is pretty fun, AM endgame is okay, VW endgame is awesome, Snow endgame is terrible. I think all routes’ part 2 is better than part 1, but not by much.

All of Cindered Shadows is peak, every map was good IMO.

Paralogue maps I have no opinions on, they are recycled maps with nothing meaningfully interesting about them that I remember aside from Dedue’s, Ashe’s, and Petra’s. 

In short, the battle maps in 3H are okay for FE standards. It’s just pretty fucking insane how many times they get reused, so I got tired of them very quickly.

Fandom

Last but not least, just a shoutout to a very unpleasant community experience. Though it might be the best selling FE game as of now, it comes with the price of having some incredibly disrespectful, vicious, and ignorant fans.

Never have I been witness to or been the target of as much harassment on the internet as I have with certain 3H fans. Entire discord servers made to make fun of groups of people with differing opinions, taking over old blog domains to mock people, deliberately seeking out people who want nothing to do with you just so you can defend your favs, etc. And that’s just on this site! There’s editing wars on TV tropes and the wikis, mods on various sites having to do deleting sprees of 3H discourse, artists being harassed on Twitter, and in general just... inserting yourselves into places and spaces where you were not invited nor encouraged to comment. Some of these people lack basic human deceny, respect, and boundaries, and it’s not cool.

Part of the reason why I’m breaking away from 3H now is because this behavior is something I got wrapped up in too, and I’m deeply ashamed of it. It’s toxic, and not at all something I want associated with one of my favorite video game series anymore. I got real life things to worry about and other games to play.

-

Anyway, that’s pretty much it. All of my general thoughts on 3H, localized on one post. Sayonara, Fodlan Discourse, you won’t be missed. 🤗

[tmntkiseki]

Diary of an Idiot Trying to Learn to Draw Teenage Mutant Ninja Turtles (Part 1: Escaping the Comfort Zone)

Before we talk turtles and the early steps of my art journey with them, let's talk about me for a little bit.

Hello, most people know me by my online nickname, Star. I'm a perpetually tired gremlin in her late 20s from New England who still lives with her parents and two brothers. (I'm the middle child!) I love my two dogs to bits, I have a weird fascination with shipwrecks and maritime disasters, and I am a known art enjoyer to point of attempting to draw her own pictures. Sometimes it goes well, other times... ah, we'll get to that.

When I think about my history in terms of drawing, it all starts with anime. My first exposure anime was through a fairly obscure one called Sky Girls; I encountered it through Dance Dance Revolution: Super Nova 2 on the PS2, as the opening to the original OVA was one of the songs available in the game. I ended up watching most of the television series and I was quick to discover that, hey, there's an entire genre of animated television series that originate from Japan; subsequently, I ended up watching several anime that were popular during the late 2000s with Lucky Star, Haruhi Suzumiya, Clannad, and Higurashi no Naku Koro Ni all being shows that I watched during this period. It's difficult to say what entranced me so much about the art style quirks we so heavily associate with anime, but it's definitely had the biggest influences on my art; not just anime itself, but video games with anime art styles as well. If I had to name which pieces of Japanese media have affected me most in terms of art development, it would be Odin Sphere, KyoAni's works (especially Violet Evergarden), and Hidari (the character designer for three of the Atelier games and Fire Emblem Echoes: Shadows of Valentia.)

"Okay, but what about when you actually began to do your own art?" WELL, I can definitely say throughout elementary school I absolutely LOVED being in art class, but I didn't start seriously practicing until I was around 13; this was when my depression first reared its ugly head, but it was also about when I first got into fandom online. Now, the first fandom I actually made "content" for was Pokemon, but that wasn't drawing; that was fanfiction. The first fandom I actually drew for?

Call of Duty: Zombies. Yeah, I think we all have that one fandom we're embarrassed to mention that we were ever involved in. Regardless of the cringe factor, it was still important for me because that was when I first started interacting with other fanartists online and if I hadn't spent so much time drawing fanart of a bunch of WWII stereotypes while I was in high school, I wouldn't have laid the groundwork for what came afterwards.

In terms of overall skill, I'm definitely way better than I was back when I first started out, but there is still so much I have to learn; I do often look at other artists who are around my age or, hell, are even YOUNGER than me and think to myself "Why am I not that good?" and, ya know, art is an acquired skill that requires a lot of practice and due to my mental illness and lack of confidence/self-worth, there were periods where I would go for MONTHS without drawing anything, so the fact I'm not where I feel like I should be skill-wise is ultimately circumstantial (there are other personal shortcomings that have also been holding me back, but we'll get to those later). I have managed to learn to stop being so hard on myself and not be as perfectionistic, and I find myself drawing more and more for the fun of it and learning new techniques that'll result in better pieces rather than anything else. These are some of the Rune Factory 4 pieces I drew last year (all Arthur/Frey ship art, oops) and at this point I can look at them and think "Yeah, they're not perfect, but I also did a pretty good job."

All right, this is the part of the post where we finally get to talking about my experiences learning how to draw the Teenage Mutant Ninja Turtles--specifically, the 2003 versions. It's been about a month since I started studying the show's art and even if I'm not the best artist on the block, I still have a decent amount of experience under my belt that learning how to draw them shouldn't be too hard, right? Right? I mean how hard can it be to draw four humanoid turtles?

Oh boy, of all the fandoms I've drawn fanart for, TMNT 2003 probably has one of the steepest learning curves that I have EVER experienced.

All right, what are some of the advantages do I have going in? There is my existing experience drawing, but I'd argue the fact that my brain is so hardwired to draw anime is an advantage in some ways. When I first looked at the show's art style (more specifically that of seasons 1 - 5), I was thinking to myself "How the everliving FUCK am I supposed to draw this?!" However, when I actually sat down and studied the model sheets, I was delighted to discover that a lot of the basic fundamentals that I already learned drawing anime bodies can be applied to the turtles; one of the only major adjustments I had to make was exaggerating the muscles of the arms and legs. Not only that, but one of the less human aspects of the turtles IE the plastron is actually incredibly useful as a makeshift guideline for the torsos; it quite literally divides them into chest, abdomen, and pelvis areas and I absolutely love it!

Unfortunately, that's about where my happiness with drawing the turtles ends and where my actual struggles start.

("Nekomata Mikey" from January 7th, which is probably my best and favorite turtle attempt thus far)

So, I suffer from a little something called "not liking to leave my comfort zone." It's not something that I'm incapable of doing, but getting me to break out of a repetitive routine and try something new or challenging is insanely difficult--no idea if it's a result of my autism spectrum disorder or not, but it definitely explains why I've hesitated to experiment more with my art and try new things... which is important if you want to further develop your style and improve. Oooooooh boy.

Now, I'm not necessarily looking to accurately replicate TMNT 2003's style, but I am hoping to maintain certain aspects when I draw the turtles. Stuff that is definitely contradicting what I'm comfortable with when it comes to drawing; the thick lines you see in a lot of the official art, the fact this show really likes using sharp angles to define physical features, the dark color palette of the first five seasons, the fact those seasons break the rule of "don't shade with black" that I've been taught from the beginning--a lot of stuff that I'm just not used to. It's hard not to become frustrated because half the time you have no idea what you're doing and have no idea whether it's going to look good or not.

Beyond that, there is the matter of the less human aspects of the turtles that are giving me a run for my money. I can somewhat handle the chunky three fingered hands and large two toed feet, but when I get to the heads and shells, that's where I start tearing my hair out. Even with multiple reference screenshots from the show and sassatello's tutorial on the head structure handy, I still find myself fumbling and making heads that are too angular and chunky (especially in the cheek area) or heads that are too round to the point of almost looking babyish. The shells are another matter entirely; it's weird because they are basically a dome-shaped backpack, but something about those things keeps throwing me for the loop no matter what angle or pose I'm drawing a turtle from.

*LOUD SIGH*

For all the struggles and frustrations I have, I'm still very happy to be studying and practicing how to draw the turtles. It's been about a month since I started pouring over the model sheets, taking screencaps from individual episodes to examine and annotate, and just drawing, and I've already learned so much. Not only that, but this whole experience of trying to figure out how to draw the main characters from an (almost) 21 year old cartoon has pushed me to look up... A LOT of tutorials for art skills I've admittedly been neglecting. Basic shapes used in the structure of the body, color theory and shading, all that good stuff. It is also a fact that studying the art of TMNT 2003 is exactly what inspired me to start posting all the model sheets and concept arts I have saved on my laptop. When you have a ton of art resources at your disposal, why not share them? Someone else might need them as much as you do.

I'm hoping to make another post like this in a couple months or so just to see how much I've improved, where I'm still kicking and screaming, and what areas I ought to focus on. Until then, take care and have a good day!

[darksaiyangoku]

RWBY x Garo: Into the Fire

Where there is light, shadows lurk and fear reigns. Yet by the blade of the knights, Mankind was given hope.

A crowd booed and jeered, pelting Jaune with stones, dirty clothes and rotten fruits and vegetables. He could do nothing but grit his teeth and bare the pain as he was dragged across the streets by the inquisitors of Vale. Small tears were forming in his eyes and his face tensed from trying to supress his sadness. He felt like a failure. It was only his second mission and he had already made a mess of things. His "trial", if you could even call it that, didn't allow for him to defend himself. Every lord and lady threw accusations of witchcraft against him, for which he could not rebuff thanks to the sways of the young priest, Cardin Winchester.

The inquisitors stopped in the middle of the city and dragged Jaune up to the pyre, bounding him up tight. Walking towards him with Cardin, dressed in a wine red robe and a a golden emblem of the cardinal bird on his back.

Cardin: *smiles sinisterly* Good people of Vale, we have gathered here today to witness justice! *points to Jaune* What we have here is a witch! A heretic servant of the Grimm sent here to uproot our peaceful lives and bring damnation upon us!

The boos of the crowd grew louder. Jaune hung his head, not wanting to face the humiliation.

Cardin: Thanks to our fine inquisitors, we have captured the witch and now, we shall send him back to the depths of hell where he belongs! *turns to Jaune* Do you have any last words to say before we cleanse you?

Jaune glared at Cardin, his eyes bloodshot with anger. Cardin simply smirked and lit the pyre with a torch. Jaune heard the cheers of the crowd as sweat began dripping from his skin and the heat was becoming intense. His lungs were filled with the toxic smoke and he coughed violently. It was pitiful. Jaune couldn't believe that he was dying like this. Suddenly, the cries of a horse alerted the crowd and a woman riding on horseback leapt into the town square. She quickly dismounted and, using only her fists, started to beat down the inquisitors one by one. Cardin drew his knife and tried to attack, only to be disarmed and knocked down. She turned to the pyre and raised her hands, splitting it so that it wouldn't crawl to Jaune. Walking up to him, she cut open the binds and caught him as he fell into her arms. With a sharp whistle, she called her stallion and jumped into him, riding off with Jaune in toe.

They rode for an hour until they stopped at the woods. The mysterious stranger dismounted again and let go of Jaune, who was still in shock at the whole ordeal.

Jaune: Um, thank you mademoiselle. Not many people would've raised their arms to save someone like me.

Stranger: Well unlike them, I actually have a heart. Watching an innocent die like that is sickening and the fact that they have the nerve to cheer about it. *clenches fist*

Jaune: I am truly grateful. *bows* May I ask your name?

The mysterious woman unhooded herself, revealing light tanned skin, luscious golden blonde hair and bright eyes that resembled the lilac flower. Jaune immediately stood back, in awe at her stunning beauty. She gave him a warm smile and reached out to touch his hand.

Yang: My name is Yang Xiao Long. You could say I'm a kindred spirit of sorts. *shows Jaune a necklace*

Jaune: *eyes wide* T-That's a necklace from the Makai Order. Y-You're a Makai Knight?

Yang: *nods head*That I am. From now on, your life is mine and my life is yours. *touches his hand*

Jaune felt a warm sensation course through his body. Not one of hatred and death like the fires from the t,ial. but a soft and gentle warmth that reminded him of his role as a protector of mankind. From her pockets, Yang handed him another necklace. It was a golden yellow pendant in the shape of a burning heart. Jaune smiled and held the pendant to his chest. His will to fight had returned.