As a reminder that good exists out there, a coworker recently confessed to me that he found out his child is questioning their identity (kid's gender redacted for this post). The kid is keeping it from him, so he can't say anything to them or show that he knows, but he's doing his best to get mentally prepared and educated so that he'll be ready whenever his kid does feel comfortable enough come to him.
For context, this guy is a big, bulky middle aged dude who loves sports and typical outdoor "manly" activities. As his coworker and friend, I know he's a kind and sweet teddy bear of a person, but his kid probably views him as a stern, authoritarian figure, the way most teenagers view their parents. His family lives in a conservative area, so I'm sure between that, their dad's looks and interests, and the fact that their dad is a Figure of Authority, the kid is worried that they won't be accepted.
But you know what? When he found out about his kid, the first thing he did was reach out to his closest queer friend and ask for resources for parents of questioning children. His biggest fears are that his kid will be bullied or discriminated against and won't feel comfortable enough to be themself. His second action was to find himself a mentor in another parent who went the same situation (kid coming out in a conservative town). The other person is preparing him for some of the struggles his kid may face and the fights he may need to take on as a parent to make sure his kid is safe and treated well.
Something I want to emphasize for people focused on language as the primary method of allyship is that when we spoke, he used some outdated terms and thoughts about gender and sexuality. That does not make him bad. These were the terms and thinking used about questioning teenagers when he was growing up and he never needed to learn more current ones. But now that he does have that need, he's throwing himself in head first because that's his kid and he's darn well going to make sure that his kid feels welcomed and has a safe place to be themselves even if they never come out to him.
36K notes
·
View notes
Now that Ghibli's new movie is coming out soon, I've been thinking about anime films and wanna talk about my favorite animated movie ever, Tokyo Godfathers.
TG is a 2003 tragicomedy by Satoshi Kon, following three unhoused people––an alcoholic, a runaway girl, an a trans woman––who find a baby in a dumpster and set off across Tokyo to reunite her with her parents.
If you like the sound of that, go watch it because the rest of this post is spoilers and I have FEELINGS about this movie.
URGHH, the fact that only two moments of true kindness, generosity, and care given to the three protagonists without any expectation of reciprocity are given by a Latin-American immigrant couple and a drag show club full of trans women. The fact that, despite her loud and dramatic personality, Hana is the glue that holds the team together and the heart of the whole movie. The fact that this movie pulls no punches at showing the violence and inhumanity committed by "civilized Japanese society" against the unhoused. The fact that Miyuki craves to be loved by her parents and ends up seeing Hana as her true mother. The fact that Miyuki starts off accidentally using transphobic language against Hana, but slowly begins calling her "Miss Hana" out of respect. The fact that, according to Kon, Hana's role in the story is as a mythological trickster god and "disturb the morality and order of society, but also play a role in revitalizing culture." The fact that Hana so desperately wants to be part of a true family, yet is willing to sacrifice her found family so they can be with their own, and is rewarded for her good deeds in the end by becoming a godmother. The fact that, throughout the movie, wind and light have been used to signify the presence of god's hand/influence (this movie's about nondenominational faith––faith in yourself, faith in others, faith in a higher power. Lots of religious are referenced, such as Buddhism/Hinduism, Christianity, and Shintoism), and in the climax of the film, as Hana jumps off a building to save a baby that isn't hers, a gust of wind and a shower of light save her from death. The fact that god saves a trans woman's life because she proved herself a mother, and that shit makes me CRY.
3K notes
·
View notes
Killer Croc and Jack Fenton are brothers.
Killer Croc was the first born, just a about 5 years older than Jack. Their father was a large man, much larger than should be possible considering he never had a meta gene.
But oh boy would it have not surprised them if he did. Because that man was strong, 10 feet tall, and shrugged off things that would injure most people.
Like a brick to the head.
Anyways.
Croc was entranced with his younger brother; he was so small so much tinier than he had any right to be, and cuter than a button. He babbled like most babies do, but Croc wouldn't think twice before calling his baby brother the best baby of them all.
His dad could fit him in the palm of his hand easily! Which was just one of Jack's many great qualities in his opinion!
Croc and Jack's parents weren't really on the best of terms, Croc could tell. He didn't know why, really, but he didn't want his baby bro to feel unloved in any sort of way, and it's not like he really had friends to hang out with, plus his parents were busy with jobs.
So he mostly spent his time taking care of and playing with Jack. Changing diapers, feeding him, lifting him up and down with his tail, just the normal sibling stuff.
He feels kind of bad for his dad though, whatever kind of job he had didn't even let him come home most days, and when he did he could barely even walk upright without falling asleep and jolting awake. He still made time for them, however, when he got those rare few off days.
He's honestly surprised that man managed to drive a car properly in the state he was in.
Their mother was often out of the house, Crocc didn't know what she was doing but he just thought it was like his dad. Unlike his dad, however, she didn't really like him. He didn't really know why, nor did he really care either if he was to be honest.
Around a year later the tension between their parents got so thick it could be cut with a butter knife. Then it turned to arguments in the rare times they both were in the house, he didn't even know his parents could make such cutting remarks to each other, and then both of them being in the house less than before.
Then when he turned 10, and Jack 5. They got divorced. Croc was left with his mother and Jack got taken by his father. His mother didn't take the divorce well, really, probably because at the same time she got fired from whatever the hell she was doing and was left jobless.
Then she dropped the bomb on his that his dad wasn't even his actual dad and Jack is only his half-sibling and then promptly abandoned him in the sewers with the rats and what was most likely very poisoned water due to it being the sewers and Gotham.
Well. Fuck.
Croc thinks that Jack doesn't even remember him due to how young he was, nor did he ever see his dad again cause, y'know, being abandoned in the sewers and all.
Then multiple years later he ran into his brother again and got DAMN was he tall. Not taller than him, but it was basically the equivalent of a gut punch to Croc, because he remembers his baby bro being so tiny, so baby.
He blames his father's genes for him being 8 feet taller now. A head shorter than him, sure. But he wants back his small baby bro alright.
Then he finds out his baby bro has a family.
And fuck did he not want to involve himself anymore in fear of being a catalyst for tearing said family apart due to being, well, him and all. Then he was promptly (quite literally) dragged over to meet said family despite his stance on the matter.
Then he finds out he's just treated like a normal person with zero amount of fear. His wife? She had to have a giant in her family too because she was 7 feet tall and was smart enough to kick his ass.
His daughter? 6 feet tall and their first meeting she accidently became his therapist. Also, he was sure she was a meta of some kind, probably something to do with wolves.
Then finally, their son.
It felt like he was thrown back to his childhood when he saw him, he looked so much like Jack did, and he was so, so tiny just like his baby bro was. He had to physically hold himself back from doing anything with the kid because he feared he would accidentally break him or something.
Then he found out that apparently his nephew was half-dead and that his brother and his wife hated ghosts with a passion, built a portal to the other side, had their city attack by the ghost king and then promptly found out about their son's half-dead status and had to do a major revamp of basically everything they knew and acted upon.
Which they're still working on.
Oh and also their daughter is a werewolf, she had a meta gene from someone of his dad's side and only recently activated it.
All of that which was a lot to take in for old Killer Croc, also he knew his niece had something to do with wolves.
So, Killer Croc in all of his life from the point of being abandoned at up to now, decided to go screw the bats and whatever they're attempts of figuring out what the fuck's going on with him (look at you Red Hood.) and decided to try and integrate himself into this family and brother's life again as best he can.
2K notes
·
View notes