Also a very quick reminder before I go to bed:
Giving artists opinions about their art WITHOUT them even hinting at wanting any feedback is extremely rude. Sometimes, people want to do something for themselves without Flys buzzing in their ears. But if you really want to give an artist feedback, the least you can do is give CONSTRUCTIVE CRITICISM. Telling someone something they do is "messy" or "shit" isn't really helping much, nor is it really helping an artist expand their artistic talent.
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been followin slimes POV of the qsmp since it started but mMY GOOOODDDDD i never expected to fall so in love with it...
I LOVE THE TRADGEDY OF A COMEDIC CHARACTER! so funny so silly, who could ever take him seriously? when the reaction to grief can be so overblown and strange, its hard not to laugh! because wheres the line, really? we're just here to have fun!
i look forward to the day this guy snaps! its gonna be REALLY FUNNY i tell ya hwat!!!
(CREDIT TO A COMIC I REFERENCED UNDER THE CUT)
something about this comic makes me so so emotional, and its so well framed. to discover something by the end of a comic, to follow the same line of thought as a character within a drawing, to either come to the same conclusion, or the dramatic irony of figuring it out first.
it was made by the talented Lynda Barry, and she has a wonderful shop here https://drawnandquarterly.com/books/greatest-marlys/
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the comparison between rileys ultimatum and spikes ultimatum is so fascinating to me.
riley told buffy i need you to show me that you love me or else ill leave. he wanted some big display of affection, since clearly how she normally showed her love wasnt enough, the issues he had in their relationship being that he felt that she didnt love him (before he lost his powers, before she learned her sister wasnt really her sister) and that she didnt need him (to protect her, to help her, to care for her). his ultimatum was selfish, focused on him, and when push came to shove he followed thru. if he loved buffy the way he claimed he wouldve stayed, sat somewhere off to the side watching the helicopter take off, knowing that losing buffy was worse to him that losing his job opportunity
spike gave her a similar ultimatum, i need you to tell me that there might be something there. that if we were to work at this you might, maybe feel the same way about me, or else ill let my love of the past 100+ years kill you. hes desperate for a sliver of hope to keep him going, and when she squashes it completely, tells him that the only chance theyd have to be together is if he took advantage of her while she was unconscious (to his horror), he still doesnt follow through. he protects her from drusilla, even if he fails to stake her like he said hed do to prove his love to buffy. when push came to shove he cared for buffy too much to let her die even if she would never love him back the same way
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POST MORE SWORD OF FATE PLS IM BEGGING
i have very little in terms of actual art LMAO but i CAN explain the sword thing because i checked and i did in fact never make this plot point public. i struggled for a while with creating a villain for this story until i realized that. i put "sword" in the title of the game. of course it has to be about the fucking sword. DUH.
so i want SOF to deal very heavily with religion, specifically the way in which hyrule's religion forms post-sksw but pre-reincarnation. i've placed it on the timeline directly after sksw, making it the first actual reincarnation in hyrule. what this means is that there's no actual proof yet that the reincarnation thing is real and not just an insane bluff on demise's part, and so several key characters including link and zelda barely believe in hylia or demise at all when the story starts. my thought with this setting's version of ganon is that he's the polar opposite of the nonbelievers. The gerudo don't really exist as of now, but he DOES come from the desert region of hyrule--specifically, he was raised in a cultlike offshoot of the sheikah religion which interpreted the hylia/demise myth completely literally and believes that a doomsday is coming, heralded by the foretold return of demise. Because of this, he knows more about the cycle and how to set it in motion than basically any other character. Crucially, he and his people are some of the only ones at this point aware of the existence of the master sword.
ganon finds. a sword. a sword which he THINKS is the master sword. and this theory is only reinforced when the sword begins to speak to him about his destiny and the salvation of hyrule. unfortunately it is not the master sword and he ends up basically a pawn in the greater plans of what's left of demise & ghirahim within that sword, manipulated into attempting to revive demise and destroy the reincarnated hero and princess. he remains in denial until basically the very end of the final battle, completely convinced that he is the true savior of hyrule and LINK is the one being misled. ghirahim is a very good manipulator lol
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It's a side-mission that I don't think many end up doing, at least from the lack of talking about it I see, but still. The figurines. If you succeed a check in the pawn shop, you can take a figurine of a headless soldier on a horse. If you've done that, when you inspect the stained glass Dolores Dei you can get the task to give her any and all figurines you can find. Perhaps you can one day. Even when you get this task, though, it feels odd- it confuses your Logic because Dei has long since passed, but... Maybe you can give her these gifts somehow? You can find another figurine in the unplayable Wirral expansion pack (I only found it bc I didn't know you couldn't play Wirral w Kim). There are only these 2, according to the wiki, and I have not found more.
This task is another moment where the writers really manage to emulate that feeling of not only loss, but lost-ness that you get a few times in the game. When I did this task I thought it would be something extraordinary, maybe vaguely supernatural as there are a few things confirmed to be unexplainable happening with and around Harry, y'know? I had hope and intrigue and didn't even realize how strange and rare it must be to get this task on accident bc after typing it out I realized the starting parameters were VERY specific and easy to miss, actually. And I was so excited to find who to give it to, maybe a lost shrine, or someone reaching through a spot of pale and time, maybe when I found 3 or 5 I could lay them at her shattered feet and look behind the glass, something odd and unexplainable.
Then I met her in the dream. And just before it ended I was reminded that I'm supposed to give Dei the figurines. And that's when it dawned on me what Harry had forgotten, and I knew what he'd done to his memory of Dora by combining the two, and... It was so sobering and desolate. It felt the same way the end of a party feels, when you're the last to leave. The balloons are still up, but there's streamers on the floor, crumbs on the plates, bowls of snacks emptied, walls that held and echoed laughter are silent. The after image of something amazing, left only with the memory and the knowledge that that moment will never, ever happen the same way again.
You fulfill this task by giving all found figurines to Dora in the final dream.
And it does nothing. It doesn't work. Nothing will work. She would have liked them once, but like Dei, that Dora is dead. She died years ago and the Dora that remains is far, far away now.
Just like when I had no idea the carriage was Harry's until Kim spelled it out for us 2 hours later after chatting and whistling and relaxing; the figurines made what Harry was feeling and going through dawn on me so personally. I can't explain it in words well enough. I was so disappointed the figurines weren't some greater purpose, I was sad this was all we were holding onto them for, I was disappointed in Harry for trying to use trinkets to win her back, I was upset that they didn't do anything good, she didn't even want them; and I knew that's what Harry felt in that moment, too.
It's a level of "Show, don't tell," that not many writers set themselves up to be able to achieve. Even in this game there are only a handful of moments that are able to put you into Harry's headspace so precisely, and all of them are very specific and rely heavily on context given or lost on the player. It's impressive. I think about those figurines a lot.
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im so mad that this is a side blog account and not a main account. i started this blog when i was still relatively new to tumblr and i think i was… like. fourteen years old or something. i never thought i would continue for this long, and i never knew so many people would like the content i put out here (i have over 9k followers which is literally mind-blowing, like wow….).
because this isnt a main account, i cant respond to replies left on my posts, i cant really reply to anyone unless i reblog !! i cant even follow people with this blog, it just comes up as my main blog (which is not pjo-related… rip my failed attempts at organising my fandoms to different blogs). so my avenues of interaction with a lot of you are seriously impeded.
so i just want to say i am so thankful for all of you, i read every single person’s tags who reblog my stuff, i read all of your replies and every time im crying screaming rolling around on the ground in agony over the fact i CANT REPLY!!
i know my posts are super inconsistent these days, im glad so many are still here! i think i may change some of my content eventually (never gonna get rid of the incorrect quote stuff, i’ll just be adding some other things like pjo headcanons or analyses or something), just to spice some stuff up on here.
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