#because everyone needs holding

[chipper-smol]

So...... Loop and Odile huh?

v THE OTHER RESPONSE I DOODLED v

yeagh

[vaggieslefteye]

HUSK, Hotel Bartender & Concierge | 1x04 - Masquerade

"Oh, I FORGOT — you're the wise-old bartender who's seen it all! Get the fuck over yourself and pour me a real drink."

[cowardlybean]

my controversial take on Mob Psycho found family is that labels are unimportant

for example: Reigen canonically views Mob as a little brother, but I don’t think the feeling is exactly reciprocated. Yes, Mob views Reigen as familial, but because he sees Reigen as such a responsible figure ever since meeting him, it kind of distorts how Mob perceives Reigen’s age (Reigen’s too young to be a dad ok). I feel like Mob doesn’t have a label for what kind of family Reigen is.

Don’t get me wrong though I LOVE dad Reigen content please keep it coming I need to see more content of it always!!! I’m the biggest found family fan ok

With Dimple the same applies, he’s family just not with any traditional label you’d put on family. He’s Dimple and Reigen’s Reigen!!!!!!

[dollypopup]

I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.

So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.

But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.

No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.

Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.

Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.

Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.

You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.

After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.

Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.

And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.

The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.

And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.

When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.

God this couple is so fucking good.

[stormofdefiance]

want to do a properly thought out write up on this but.... Sunday and Aventurine have so many parallels. Sunday the oldest of an orphaned sibling duo who wishes to sacrifice himself (in a sense) for his sister, Aventurine the youngest of an orphaned sibling duo whose sister sacrificed herself for him. The way Aventurine puts his left hand behind his back to stop it from shaking and Sunday who holds his right hand behind his back during particularly intense moments. Both who feel fundamentally alone no matter how many people they surround themselves with, who actively build self-destructive walls to keep themselves from others, who struggle to find a sense of peace and happiness for themselves, who hide every emotion behind a placid smile, who willingly transform themselves into actors within the grand theatre of life.

[moeblob]

Impulsively shoving a guy's hand in your mouth after having the thought "oh just like when my little sister used to prick herself on a rose thorn" and then immediately being treated like a pet who ate something they shouldn't have? Wonderful. Thank you, Thane.

(also not pictured is Thane apparently trying to scrape your tongue with his hand BEFORE pouring the holy water down your throat because NO. BAD.)

[sea-arsonist]

Tis 1 AM right now. And I got this...MASSIVE urge to doodle the clan holding babies. So I just......succumbed to my desiresmmm. Doodles are a little crunchy but I hope they're still readable (this is non AU work)

(Don't take this too seriously)

Also if y'all wondering where Kuya is.......he the baby daddy

[starry-bi-sky]

ty for contributing to the wasteland that is appreciating bruce as a parent and first child danny🙏🙏🙏

It’s a battle out here soldier but I am strong, like winter bear. Also I relate so hard to Bruce in a lot of ways and I think his initial concept is really neat. He tries his damn hardest, and he has so much hope for his city that it’s really admirable.

And as much fun as it is to poke fun at him for his questionable parenting and hypocrisy, there’s always the line of too much that the fandom tends to cross quite often, just as much as they do with the clone and ghost king stuff. Bruce is just as much of a good parent (or at least a trying one) as he is a bad one, and people tend to ignore his good qualities for the sake of a joke. His character is centered around the fact that he cares, he’s just truly shit at communicating it — which, cheers bro, I’ll drink to that.

And there’s already a ton of batfam prompts and aus out there where Danny shows up when the whole colony is already adopted, which means most of the attention goes to Danny bonding with the other siblings and having very little to do with Bruce. He’s kinda just. There. Whether that be as a prop or an antagonist or someone to point and laugh at. Which, I can’t blame people too much for — the cast is so big it’s hard to keep track of relationships and stuff.

However, I think it’s important for Danny to have some form of relationship with Bruce too and not them just be strangers, especially in a familial/platonic setting where Danny is joining the family.

They share a handful of qualities that I think would mesh well together — Danny’s canonically a pessimist while Bruce is a diehard optimist (you kinda have to be to be a hero in a place like Gotham, and he wouldn’t be Batman if he wasn’t) and they both believe in giving people second chances and have wells of compassion to tap into. Danny’s clever and resourceful, and one of his main character traits is that he’s got an iron will.

All in all, good dad bruce go brrrrr and oldest son danny is the perfect, underutilized concept to explore exactly that without distractions. I think they could get along like a house on fire, if given the opportunity.

[crystal-verse]

god i want. an au where it dosn't work. where it's just arr g'raha who's woken up, and he doesn't have all these memories and all these people keep looking at him like they're mourning someone. the world has changed and time has changed and all the people he knows have changed, but he hasn't changed, he was just sleeping, just sleeping, and the world nearly ended several times and apparently he helped prevent yet another end but he has no memory of this. they want him to join the scions. he does not know these people. (he barely knows the warrior of light, now, but did he ever truly know them in the first place?) his little sister is alive and well. she looks at him like a ghost. she's changed, and she's older than him now. he acts bratty and loud and brash to cover up the fact that he does not know anything it seems, and he is tired but he was sleeping for so long, so how could he be tired?

he doesn't know these people. they seem to know him. he wonders if he'd killed someone, when it was him and not that exarch who woke up. he wonders if it should have been him who was "killed" in that way, if it is him that lives and not that man who had known and become friends with all these figures from legend. he wonders if he'll always be fated to be a historian one step back from everything, because he simply cannot be a hero.

[stormyoceans]

CROWD GOES BATSHIT FUCKING CRAZY INSANE OUT OF THEIR MINDS AT THE SHEER HIGH ROMANCE OF IT ALL

[fala-alfredo-pasta]

A very self indulgent tatted and pierced up Ichimatsu thas it

[sysig]

Family ♥ (Patreon)

[torukmaktoskxawng]

Keep scrolling if you blame Spider

Spider, who is literally still a child by human standards.

Spider, who never gave away Jake's or the Omatikaya's location.

Spider, who cares about the Sullys' safety over his own.

Spider, who didn't want any blood on his hands or a guilty conscience if he left someone to die.

Spider, who just didn't want anyone else to get hurt.

Spider, who never betrayed the Na'vi (unlike Jake but hey, who's counting that, right?)

Spider, who had to fend for himself to survive the toughest events because he didn't have an adult who would tear the world apart for him like the Sully children do.

Spider, who loves Pandora and Eywa.

Spider, who just wanted to be one of Her children because he never knew what it was like for a mother to love him.

Spider, who probably understands Eywa's whole "balance of life" meaning more than others.

Spider, who already lost Neteyam but he couldn't afford to lose anyone else in his life, no matter how terrible they are as a person.

Spider, who helped Jake save Kiri and Tuk when everyone else was still too shocked to move.

Spider, who chose mercy over violence/death.

Spider, who did what he could to survive (I'd like to see how YOU would react under such pressure. It all seems obvious and easy watching from the other side of the screen, right?)

Spider, who was likely being misled, brainwashed, and gaslit by the Recoms.

Spider, who is clearly a victim but hey, let's blame him for simply being a decent human being, right?

Spider, who likely thought he owed Quaritch after he saved him from being tortured.

Spider, who likely thought he owed Quaritch for giving him life.

Spider, who just wanted a father who was proud of him.

Spider, who has been clearly neglected by the heroes (Jake and Neytiri) but doesn't openly or verbally blame them.

Spider, who doesn't purposely threaten children's lives like Quaritch and Neytiri do.

Spider, who just wanted to be one of the People.

Spider, who wouldn't have made those difficult choices had he been properly loved and raised.

Spider, who is as easy to blame as Lo'ak for endangering the people they love (but again, no one's counting, right?)

Spider, who is clearly not a villain, just misunderstood.

Spider, who wasn't raised by the village but didn't burn it down to feel its warmth because he's not petty, not vindictive, not evil, and not a killer.

Spider, who is. A. Child.

[wispforever]

Crucify Him

[blueskittlesart]

atla live action generally sucks for all the reasons everyone is saying it sucks and i am in no way a live action remake promoter but one thing i will say. they Get the fire siblings. they understand.

[legobenkenobi]

Commander Cody being named 'Cody' not because he wanted a #normal name but because he's a fucking nerd and he likes coding (so, 'Code-y' -> Cody pipeline) is a criminally underrated take if you ask me. like, yeah Kote in Mando'a is glory and that's beautiful and meaningful and I'm the last person to deny that Cody is destined for greatness but the dude is also a total nerd and it would be really funny if that was the actual origin of his name