#because she doesn't do or contribute anything interesting

[greenconverses]

I’m big time upset about annabeth’s characterization in these new books. She looked for Percy for a year or something, did everything she did in HOO, she’s so amazing that she caught up on all of her school work (in fact she’s back on track to go to an ivy if she wants after everything that happened to her), she has all this extra time for Percy (having a boyfriend is time consuming enough without his quests), and then she’s so good at socializing with mortals and so popular…. Just to go to New Rome University (wtf is new rome university) and live in new rome. It makes me sad for her because I feel like RR won’t let her be bad at anything or awkward anymore and she just has to be this hyper competent angel gf all the time…

Oh also the way Percy is contrasted against annabeth in this new series makes me nauseous. I feel in some ways she only exists as this hyper-competent angel gf so that percy has something to "aspire to"… as though he hasn't proven himself a million times and deserves to constantly measure himself up against annabeth. It really just robs them both of their depth and motivation and mutual respect for each other that was so painstakingly built up in the original books.

I was telling @perseannabeth last night that while Annabeth had a lot of pagetime in Wrath, she felt like an utter non-presence other than the last couple of action scenes. And yes, it's because he keeps writing Percy as the only one with all the problems and Annabeth is the perfectest, smartest angel who is always right and can do no wrong, unlike stupid idiot Percy. Ha. Ha.

I do think a lot of the character issues in these books come from him avoiding or only introducing easily resolvable conflict with the main trio. Part of what makes Percy and Annabeth, well, Percy and Annabeth is that they have conflict. Conflict doesn't mean they have to be mean to each other or something terrible has to happen to them, but having them at odds with each other over something (anything) allows for interesting character development and growth.

Grover and Annabeth each get moments of "aw I kinda fucked up" in Wrath that are resolved with basically no effort because Percy shrugs it off or blames himself for their actions. I couldn't even begin to tell you how Annabeth's hubris played a part in the third act ghost fight, but apparently it did, so that's a thing he can brush off because teamwork is all that matters in the end, kids!

And the thing is, Rick is actually setting up a really good conflict with Percy constantly bottling up his rage and messy feelings, but he's too much of a coward to pull the trigger on it. Grover destroying the house and releasing the animals was the perfect spot to actually pursue that conflict and give everyone something to do other than mini quests. Percy could've yelled at Grover and Annabeth for failing to do what they had promised him, and then everyone could deal with the consequences (both of the initial mistake and the fallout of his anger) and make amends in a meaningful way. Instead, Percy has to grit his teeth and fucking apologize to Grover instead. (I'm gonna do a separate post about this because boy howdy do I have THOUGHTS on that.)

By making Annabeth the perfectest, smartest girlfriend ever for dumb dumb Percy, RR is basically removing the conflict that makes them interesting together. There's also the matter of conflict being one of Annabeth's main drivers. Conflict happens to Percy ("I didn't want to be a half-blood."); Annabeth looks for it. And now she's just along for the ride... as long as it doesn't mess up her studying schedule! Her job is school now. Don't get your hopes up.

Also, super controversial opinion ahead, but I think the show casting has contributed to how he's writing Annabeth now. He's deliberately avoided describing her in these books. It's all very vague impressions of her, to the point of Percy describing her having a "human face, human hair" when she turns back after the animal transfiguration in Wrath. No blonde hair. No gray eyes. It's weird.

(Note: I'm not saying the TV cast is wrong or weird, I'm saying it's fucking insane that this man is trying to retcon 15 books worth of character descriptions so his dumbass "actually we never SAID annabeth was white, you just perceived her as it!!!!" defense holds some water.)

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[izzyspussy]

deeply unproductive therapy visit today lads

[windkonig]

when people say "ok but x bug has no benefit to nature" I bet they can't even name 5 facts about the bug they're shitting on. so how could they Possibly know what its function is in the environment and if it's "useless" or not

wasps being the perfect example, I still get people saying "oh bees are cute and pollinate :) yay. but WASPS ARE EVIL and they don't contribute ANYTHING!!!" and it's like buddy. wasps pollinate too. they also control spider populations. they do a lot of great valuable things. but even if they didn't, they're still worthy of being here. I see SO much hatred toward wasps and I wish people would try to learn a little more about them.

I'm mainly talking about paper wasps here because these are common ones we run into in daily life and most commonly deemed "aggressive". but wasps have body language. and if you learn to read this language and learn how to properly act around them, things will go a lot better for you! wasps can be curious creatures and they may come up to observe you, especially if you're wearing something brightly colored. this can be startling for sure, but my best advice is to just be still, DO NOT SWAT or wave your arms. try to just back away or sidestep so it loses interest and leaves. swatting is just gonna make them feel as if they are being attacked and increase your chances of being stung.

many stings happen due to unfortunate but accidental circumstances. unknowingly getting too close to a nest, stepping on a wasp on accident, one getting stuck in clothing, etc. I got stung once while gardening, went to pull a weed and the wasp was on it, so I grabbed her without knowing and she stung me because she was scared. this doesn't mean "oh wasps are AGGRESSIVE and EVIL" it means you stumbled into an unfortunate situation where the wasps felt threatened and defensive. instead of being like "FUCK all wasps" go forward trying to learn about common nesting areas, be wary of holes in the ground, wear gloves while gardening, and if you do have to be around a nest, try not to make a lot of noise. if the nest absolutely needs removed, call a professional.

[mithrun-house-of-kerensil]

Lately, I've been thinking about Mithrun and the ways he is dehumanized in canon.

Before I get started, we know that elven society is incredibly afraid of death and illness. This is obvious in how they look down on the short lived races and see them as weak and childlike. We also know that Mithrun himself had ableist views toward his brother and these values did not leave him once he, himself, became disabled. He is a product of the society that raised him, but I also think how Mithrun is currently being treated contributes to his view of himself.

Mithrun has had three different caretaking groups over the years. The first are the ones his brother hired for him. From what we can see, they did the job, but we can understand that they did not know what to do with him. No one had ever recovered from having their desires eaten so the focus was less on rehabilitation and more on keeping him alive.

Later we see Milsiril take an interest in him because of his desire to return to the dungeon. Since she did not bother to visit him for decades after finding him, we can assume that there is an ulterior motive here. Timeline-wise, this was when the majority of the canaries had just been wiped out. They needed more men, and Mithrun is set up to be the perfect single-focused soldier.

Honestly, we can assume that Milsiril doesn't really care about him or see him as a person. Mithrun is just a new project for her to play with. We can see this in how she's focused on superficial level concerns like the fact that he doesn't look nice and wanting him to be overly grateful toward her. She also talks about him like he's not in the room and can't hear her. This is a dehumanizing trait shared by many characters when talking about Mithrun.

When he finally does recover enough to return to the canaries, the military does not make any effort to accommodate his needs. We know the canaries are understaffed and the ethics are already bad, but they really did not even try to care about Mithrun's safety at all.

Entrusting a criminal with his care was questionable at best, especially when Cithis immediately took the opportunity to abuse her power over him and no one stopped her.

While acknowledging the light-hearted nature of the manga, it's uncomfortable that Mithrun was treated like a child and an animal by Cithis for her amusement. Regardless of her 'learning to respect him' later, the point is that Mithrun was taken advantage of and degraded because she believed he couldn't say no. No one bothered to do anything about this until Pattadol yelled at her.

Truly his treatment is summarized well by Milsiril here. Mithrun is extremely vulnerable to being abused by those taking care of him because he won't advocate for himself. He has one desire so he won't fight for himself in any other way.

It is obvious that Mithrun was not treated well by his caretakers and this has resulted in him identifying his needs through a disconnected and frankly, infantilizing lens.

I understand that it may have been a translator's decision, but I always thought it was interesting that Mithrun says that he's "not sleepy" which is a childish term. Otherwise, he speaks like everyone else, if not rather posh.

This, followed by the fact that he is responsive to Kabru treating him like a literal infant to get him to eat, paints a clear picture of the fact that Mithrun is not unfamiliar with being treated like this. He responds to it because he's used to it and has no desire to argue with being treated this way. When we consider the fact that the chapter started with Milsiril treating an older child Kabru in the same way, it is likely that she also did the same thing to Mithrun when he was under her care.

In these panels, we see that Mithrun does not believe that he can sleep without magical assistance, even though it is immediately refuted when Kabru takes the time to bundle him up and help him relax. Not only does he fully believe he can't sleep without external assistance, but he states directly that there is no point in him getting comfortable.

As Kabru observes, Mithrun's inability to recognize his needs applies to needs such as hunger and exhaustion, but it obviously also applies to emotional needs. Kabru just wanting to feed him something delicious and not wanting him to give up on life is the most consideration someone has given Mithrun in years.

The relationship they form over the course of a single week is enough to shape Mithrun's behaviour completely. Mithrun ignores Cithis's demand in favour of asking Kabru's opinion. It is Kabru's hand Mithrun takes to pull him out of his defeated state. It is Kabru Mithrun confessed his true desire to.

Do you realize how depressing that is? All it took was the new perspectives from Kabru and Senshi to make him consider the fact that he should keep living despite no longer needing to fulfill his duty. Being treated well could have helped Mithrun much sooner and this shift in the way he sees himself contributes to his recovery going forward.

TLDR: Mithrun has no desire to be respected, but why does that make people feel comfortable acting like he doesn't deserve it? Someone not caring about being treated well doesn't give you permission to treat them poorly. This feels like a playschool-level consent lesson: just because he's not saying no to a humiliating or degrading act doesn't mean it's a yes and therefore okay to do. Acknowledging this is the bare minimum of treating him as a person.

[undreaming-fanfiction]

I am massively busy with work and finalizing my Big Bang, but this idea just won't leave...

Steve and Eddie are both actors. They're in their mid thirties, well established, but they never starred together in anything. Steve tends to be cast in the same type, the dumb but pretty love interest, Eddie has lots of indie and disturbing movies under his belt. But this time, they both landed something big.

They get cast in the new Batman movie.

Steve is, of course, Batman. He insists on doing his own stunts. He refuses to get dehydrated for his shirtless scenes because he knows how damaging it is to both young men and women alike, he's not going to contribute to shitty expectations. The director (Dustin, duh!) sees something in him other directors never have - a potential for depth, for internal turmoil. He gives Steve the chance to prove himself as an actor and Steve pounces on it.

He's still very hot.

Eddie is cast as the Joker. He is a fan of the comics and scoffs at how absurd and deranged the character is becoming. He gets hired because he immediately says he doesn't think the character needs to rely on cheap tricks and shock value to be terrifying. Cutting off his face? Not cool. He suggests to play the Joker according to one of the older comics he has - one where the Joker is actually absolutely sane, but hides it to never be held accountable for his actions. The only person who ever saw through his ruse was Dr. Harleen Quinzel. Joker took care of that issue very quickly.

The chemistry between Steve and Eddie on screen is insane. They go toe to toe, it's impossible to look away when they interact. Eddie utilizes his bright smile to the maximum, tweaking it just right within moments so it becomes unsettling. The first time he laughs, Steve gets goosebumps.

Steve encompasses Bruce's loneliness so well Eddie's heart breaks for him. Dustin finds him in the trailer, giving himself gentle slaps over the face and muttering "you're evil, damn it, you don't want to comfort the Bat!!".

Batgirl (Robin) and Harley Quinn (Chrissy) find their slow descent into love hilarious. They all become good friends on the set.

Hopper, an acting veteran who plays Commissioner Gordon, grasps Steve's shoulder after an intense fight scene and mutters: "Good job, Steve, but maybe don't stare at his lips so much?"

Robin doesn't give him the same courtesy and once Dustin yells "Cut!", she screeches: "NOW KISS!"

The movie is a hit. People love the cast and the story, some of the OG fans complain as they always do, but the ratings are great, there are many interviews, panels, all of that.

And of course, there's gossip about Steve and Eddie being a thing, which enrages the macho Batman fanbase. Their Batman isn't gay!

But the rumors quickly disappear after an award ceremony where Eddie is nominated for the best supporting actor. He wins, of course. And as he gets up to accept the small statue and deliver a speech with enough "fuck"s to give the censor a headache, he drags Steve up and kisses him in front of the whole world.

A week later, Steve and Eddie are together in front of a camera again, answering questions in an interview.

The host asks: "What do you say to those fans that are disappointed, who say that their Batman isn't gay?"

Steve just snorts, pulls Eddie closer and answers: "They're right. Their Batman isn't gay. But he's definitely bi."

Also the comic story I'm mentioning exits and is short but fantastic. 10/10 recommend.

Oh also. The first spark happens when Steve sees Eddie's hair and blurts out: "Please tell me they're not making you cut it shorter. It's too gorgeous for that."

Also because people were asking about the comics - it's Batman Black and White - Case Study and it can be found on Tumblr HERE

[the-cat-and-the-birdie]

Hobie Brown, Emotional Preparation, and the Art of Great Dialogue

Nearly all of Hobie's dialogue is written with his goal - protecting and preparing Miles for Miguel's abuse - in mind, even if it may not be obvious at first watch.

Here's an unhinged breakdown where I over-analyze literally every one of Hobie’s lines and explain how every sentence was written to contribute directly to Miles’ radicalization.

Hollywood. Pay your writers. (:

___________________________________________________

Hobie has around 10 minutes screentime total, but for the sake of introductions and this analysis, let's start at the end of the battle, and the beginning of the quantum hole.

Starting with his first line in the scene:

"I don't follow orders. Neither does he."

All morals considered, Hobie doesn't seem like the type to speak for someone who can speak for themselves - he's a punk after all. But here, he speaks for Miles. This line serves to tell Miles 'I don't respect them, why should you?', but funnily enough, it can also be a point to Jess, as if to say 'Miles isn't interested.' - even if he is.

"Bit much, innit?"

While, Hobie and Mile's next interaction is their exchange in the elevator, the scene leads to Mile's introduction to the Society. Miles gawks at the lobby, obviously impressed. Gwen affirms this awe, telling him 'this is just the lobby.' However, Hobie feels the need to chime in. His next dialogue 'Bit much, innit?' is a subtle nudge to Miles that the society is not a place to be in awe off. It's a spectacle, one that's a bit overdone. Knowing Miles now sees Hobie as cool, Hobie makes it known - he sees the Society as uncool.

"Gwendy, How much have you told him? About his place in all this? Maybe not enough."

'So what happened about that small elite strike-team?' - 'Most of these are part time.' This is by far one of Hobie's more interesting lines, and I wrote about it here. But in short, this is Hobie's soft but direct confrontation of Gwen. After Gwen lies to Miles in front of him, Hobie immediately asks how much Gwen has revealed to him. And when she tries to play it off, he openly says 'Maybe that's not enough.' He's not angry with Gwen, but he is disappointed, which in turn motivates him to have his discussion with Miles.

"Super humane, and not creepy."

One of my favorites, because it's hard to catch and to the point. After talking about Hobie and Gwen's mission history, they're taken to Margo and the control room. As Miles marvels at Margo and the Go-Home-Machine, and Gwen says she voted against it. However, Hobie says blatantly: 'Holy shit, Miles isn't this inhumane and weird???', validating that the Society is willing to do inhumane, hurtful stuff to those it deems 'misplaced'.

Next comes Hobie's confrontation with Miles.

Because Hobie knows this is his last movements with Miles before he meets Miguel, and this is where if final push of emotional support kicks in, before he goes quiet in front of Miguel.

And because this conversation is so well layered, I think it's best to go line by line. ______________________________

H: "Bet this doesn't even do anything." M: "Maybe it did before you ripped it out of a wall!"

Hobie has now confirmed that he'll be making an exit soon. And he begins his finally sweep of parts he needs for his watch, stocking up his pockets. He's not stealing to steal. He knows he's leaving and this is his last chance to get what he needs before he's out the door.

"Propaganda, bro! It's to distract you from the truth!"

HOLY SHIT I missed this one. Notice how in this shot, Gwen is not visible at all. Hobie notices they're out of hershot of her for the first time. And his first line is - 'Propaganda.' Their watches can take them anywhere. When Gwen needed to, she was taken to exactly where she needed in Mumbattan. But when they're heading towards HQ, Jessica makes them walk through the lobby. They could have been sent directly to Miguel's station, but instead she makes them do the whole tour, which serves as a flex of muscle. In order, Miles was shown the massive number of members in the Society, then their prisoners, then the go-home-machine. Only THEN can they see Miguel. All of which was intent to intimidate Miles on purpose. Hobie tells him directly: 'Everything you just saw was propaganda.'

M: And what's that?

"I ain't got a Scooby Doo, mate. Cause that's what they want."

One of the most iconic and notable of his quotes. Cockney aside, this line ties back in with his discussion with Gwen just a couple minutes before. They've done their tour and walk. Both Jess and Gwen have been given a chance to prime or explain to Miles anything, and both have chosen not to. So Hobie simply tells him, 'They want you in the dark. And they're sending you into a fight.'

The next line is:

H: Why do you want to be part of this lot? M: To get a watch. H: Make your own watch.

Miles sucks his teeth at Hobie.

Because of this - Hobie begins to change methods. Which I cannot stress is incredibly perceptive of him.

Miles is exasperated with him. So instead of dissuasion and making the society out to be uncool, he tries to turn Miles' attention towards his family.

"Bet you got a nice setup, huh? Nice parents?"

This line is a very well done one, with two things of notice. First, I find it interesting that the screenplay phrases this line as a question, not a sentence. Hobie is asking. He's taking a shot in the dark here. And this is backed up by his delivery; Hobie hesitates while saying this. The only line in which he does so. He may not know about Miles' mom and dad, because Gwen hadn't met them when she met Hobie. But still, Hobie asks, hoping the reminder of Miles' parents will dissuade him from continuing.

M: They're fine. H: [After this line, Hobie turns black and white momentarily. Potentially a nod to the fact that this conversation is the only 'black and white' one Miles has had so far.] M: But we got into a fight. They just want what's best for me, so...

[Hobie frowns. The scene and dialogue REALLY starts to pick-up from here.]

"That's a bloody shame. Because you're not ready for everyone else."

As the scene progresses Hobie goes from behind Miles, to beside him like an ally. Then, when Gwen finally comes back into frame, Hobie crosses in front of him. When Miles mentions his parents wanting what's best for him, Hobie warns that everyone else does not want what's best for him. At the same time, visually Gwen has her back to Miles, and Hobie puts himself between Miles and Gwen, trying to block his path. The scene is set up to show that in Hobie's eyes, Gwen is turning her back on Miles. She does not have his best interest in mind. Hobie is telling Miles 'They're using propaganda on you, they're keeping you in the dark, and they do not have your best interest at mind. You're not ready for this." And he physically tries to block Miles from continuing, one last time.

Miles goes through Hobie, and now within earshot of Gwen again, this is Hobie's final chance and push to get as much information into Miles as he can - without freaking Miles out. Above all else, he needs Miles to be prepared, confident, and willing to fight back.

His voice becomes more serious, and he starts speaking more straight-forward and a lot less cryptically.

"Listen to me, bruv. The whole point of being Spider-man is your independence. Being your own boss, you don't need all this!"

I think Hobie saying this reveals a lot about his character, especially understanding the context where he's from. While many Spider-men would agree that being Spider-man is about responsibility and power - to Hobie, it is about independence, and freedom. Hobie is a freedom fighter, and one of the only Spider-men besides Noir that knows how to fight systemic threats as well as physical ones. To him, being Spiderman is about being able to free yourself and others. It's about independence and freedom, and he's trying to nail that in Miles' head one last time.

M: Then why are you here?

"Looking out for my drummer, is all."

As the scene is coming to a close, the writers chose this time to reveal some of Hobie's motivations, starting with the independence comment, and now this. Despite knowing about Gwen's deception towards Miles, he is still looking out for her - and Miles. This is the writers' and Hobie's last push to solidify himself as an ally to Miles and the viewer.

M: I want to be in a band. I want to see my friends, and I need a watch to do that. G: Guys, come on.

"Alright, Squashed. Just don't enlist until you know about who you're fighting."

I genuinely had to sit and ask myself why the writers would choose to leave Hobie's collective effort - a LOT of effort - with this line. And honestly, I think it's a perfect segway. Hobie chooses his words very clearly; He doesn't say 'what', he says 'who'. The next scene leads into Miguel's intro, and up until this point, Miles doesn't know who he is. He only knows about the Society, but never who is at the top. We know about Miguel, but all Miles knows is his name. That's why Hobie says 'who you're fighting'. Because the Society isn't really a Society, and this isn't really between Miles and the Society at all. It's a dictatorship - and the person he's enlisting to fight is Miguel. The perfect introduction and warning to the person he's about to meet. He's telling Miles, 'Don't rush into it. Wait until you meet Miguel first'. And when Miles does meet Miguel, he finally sees that this isn't the place he thought it was, just like Hobie said. ALSO EVEN MORE INTERESTINGLY - THIS is one of the lines that is changed between the two versions of spiderverse (there are two theatrical versions on release.) In the alternative he says 'Don't enlist unless you know what war you're fighting.' And I think that the fact the writers chose to publish two different versions of this line goes to show how powerful they knew this line would be in Miles' characterization. There is so much Hobie has left to say to him, but only one line - and so we get two versions. How fun!

With the scene now over, we see a change in Hobie's demeanor, and I love the writers' choice to have the shot linger on Hobie.

We see him give Miles a look that isn't exactly full of confidence, but from this point forward, Hobie chooses to hang back, no longer having any motivation to instigate. He knows his work here is done, and now all he can really do is wait for Miguel to reveal his true colors, and hope that he got through enough to Miles that he will react, and fight back.

And closing out the scene - I noticed that when Peter B. arrives Hobie pointedly says

"Oh boy, Humbling Reality Spider-man has arrived."

All I'll say about this is Hobie has to be Jamaican cause that was so mfing rude shgjfkghjgjkdfjk

Hobie has about three lines between this point and then end of his screentime - Two of which were his lines to Mayday, and his comment during the canon events.

But there is one shot of him before it all happens. And after this shot the movie begins staging Hobie in specific a very different way than anyone else.

The moment begins with Miles' line 'My Dad is about to be captain.'

The camera pans to each character. Gwen, Peter, and Jess all avert their eyes. Miguel looks at Miles. And Hobie is the only one who looks at all of them. Instead of looking down, he looks to the others, in anticipation of whats going to happen. It's also important to note that this was probably news to Hobie. He probably didn't know Miles' dad was a cop - or at the very least going to be captain. So the understanding of just how much trouble Miles is in kinda multiplies in this moment.

Then, this happens

From this point forward, every time Hobie is portrayed, he is shown as separate from the other characters, always being divided from the group - with Miles as the divider. Even as the camera moves, Hobie visually remains - quite literally - as the only person in Miles' corner. And as the scene goes on, he moves farther and farther into that corner.

Until finally the scene comes to a climax, and Hobie gets two shots to himself - delivering his final lines.

"Here we go." - "Hobie, You're not helping." - "Good."

GUYS IM GONNA CRY OKAY IM GONNA CRY

This is Hobie seeing his work pay off. This is him knowing that he got through to Miles and that it was worth it. He's proud of him.

Hobie knew what he came to do, and he used literally every line he said to Miles to the FULLEST extent. He doesn't give a fuck if he's not helping the Society. He's helping Miles. And now he knows his work is done.

Being a punk is not about being a hero, it's about empowering those who feel powerless. HE UNDERSTOOD THE MOTHERFUCKING ASSIGNMENT.

IN SHORT - HOLLYWOOD PAY YOUR FUCKING WRITERS I SWEAR TO GOD.

if you read this far let me know :) thanks bye

[stheresya]

"I love him, Father, I truly truly do, I love him as much as Queen Naerys loved Prince Aemon the Dragonknight […]" (Sansa III, AGOT) “Wed?” Sansa was stunned. “You and my aunt?” “The Lord of Harrenhal and the Lady of the Eyrie.” You said it was my mother you loved. But of course Lady Catelyn was dead, so even if she had loved Petyr secretly and given him her maidenhood, it made no matter now. (Sansa VI, ASOS)

I find that these little passages reveal something interesting about sansa's personality. specially when you juxtapose how she's characterized in the text and her worldviews here, and how at first glance they may seem contradictory. but first, let's take two things into account:

the patriarchal society of westeros is very strict on women's sexuality. which means that not only is female virginity held in great value, but also female adultery is very firmly condemned by everyone, unlike men who are allowed to maintain public mistresses and flaunt their bastards everywhere.

sansa is characterized as the conformist, the one who internalizes her society's rules. she's very religious, she's a proper lady in every sense of the word and she often says and does exactly what she's told.

and yet, in these passages we can see that sansa does not care much about societal rules when it comes to intimate feelings. she often hails aemon and naerys' (supposed) forbidden love without a single care that queen naerys was bound by duty to a husband and aemon was meant to be loyal to his king. but most astonishing of all is her nonchalant response to petyr's (false) information that her mother was not a virgin when she married. on one hand it may speak on sansa's views towards women's sexuality, since her current friends (mya and randa) are girls who engage in sex out of wedlock, and she never judges them, just like she doesn't judge her mother for apparently doing the same, and catelyn continues to be the person she admires the most. sansa also doesn't view her parents' relationship any differently because of this, the marriage between ned and cat is still as happy as she remembers, because all that matters to her is that there was love in the home she grew up in. the thing about sansa's character is that she plays by the rules up until a certain point, but on the inside she always prioritizes emotion over societal norms, and that's why she looks more upset at petyr for marrying someone while claiming to love another, because in her mind he's being unfaithful to his heart by marrying out of practicality. we have examples that showcase sansa's prioritizing feelings in AGOT when she, the good daughter, disobeys her father for the first time because she thought she was in love with joffrey, and in ASOS where she never thinks she owes tyrion anything just because he's her husband. so it comes as no surprise that she's so infatuated with the love story of an adulterous and incestuous relationship like aemon and naerys'. one of the main themes in this series is that feelings don't care about honor. and if love is the death of duty then sansa seems more than happy to see duty killed for the sake of love.

of course this doesn't mean she'll stay that way, specially when she's already lost her so much of her innocence and is now tangled in petyr's schemes where she must set her own feelings aside in order to act on his plans. and despite her silent judgement of petyr marrying someone he didn't love, her current betrothal with harry is an entirely practical union on her part since she feels nothing for him and only sees him as a means to an end. there have been many instances since book 1 where she was able to turn off her feelings in order to withstand certain situations. so... what even is sansa's mind? an interesting universe on its own for sure.

I just think sansa's romanticism is one of her most interesting traits (for better and for worse), something that truly contributes to the distinctiveness of her character, and I really hope petyr or anyone else are unable to completely kill that in her.

[doberbutts]

Is the high level of inbreeding in dobes more because "undesirable" traits are common so those dogs get weeded out (whether actual bad things or just not fitting the breed spec), a small number of breeders having the monopoly, or because they are all related anyway so there's no way of avoiding it without an outcross program? Is something like the Doberman Preservation ​Project a realistic future for the breed?

The doberman breed is in the current shape its in due to multiple genetic bottlenecks- some simple stupid breeding decisions and others due to active war zones and the consequences of wars- paired with people who are stubbornly refusing to even try to make it better because they have convinced themselves that what they're doing is right.

Fenris is my lowest COI dobe to date [23% iirc] and while not the lowest I've seen in the breed [19%], still a huge improvement over to 50-60% breed average. But people have argued again and again that lowering COI means making breeding decisions that produce inferior dogs, and so many refuse to even consider it as a possibility.

(For non-dog people, COI is coefficient of inbreeding, and it is a look at the numbers behind how inbred a population is. You want as low of a number as possible. 25% is equal to immediate siblings. Ideally we'd want single digit numbers, with anything over 10% being a major problem to fix. To compare, my chihuahuas are something like 6% (Fae) and 0.02% (Tater). Sushi is a direct line breeding aunt-to-nephew so she's up in the 40s.)

(It doesn't necessarily mean a dog is immune to genetic predisposition to bad health, as evidenced by Tater's CM diagnosis, however it does seem to correlate directly with longevity and likelihood of developing these problems, meaning Tater unfortunately just lost the genetic lottery)

In other words, it is certainly possible to reduce the COI of the breed by HALF with smart breeding decisions, and people are plugging their ears going LA LA LA LA I CAN'T HEAR YOU because it means actually going out and looking past the popular sires and taking a chance on a dog that might not be your exact type but will still improve the next generation. This is not just a show line problem because I spend the majority of my time with working line dobes and working dobe people and this is an incredibly annoying problem there too. Fenris himself has popular sires in his pedigree, both the show half and the working half, so it is demonstratably very difficult to avoid.

I do think a well executed outcross project is needed, however... the problem I have is that the current proposed projects all suck. There's not a lot of direction outside of throwing things into the pot and seeing what sticks, and a lot of the resulting dogs quite frankly aren't what doberman people would be looking for anyway. Farm collies? Bulldogs? Bullies? Carolina dogs? Border collies? Pyrs? Why??? None of these are going to make a dog that has the temperament that draws people to this breed.

There are. A bunch of breeders who are waiting for an outcross project that actually makes sense. They've even posted in various outcrops groups that they would support a project if it had certain specifications. Many have said, get yourself a nice female and title her out in a bite sport and do all the doberman health testing even if she's not a doberman and we'd be interested in contributing semen. The response almost invariably has been "but I don't want a protective dog". Then what are you doing in a DOBERMAN project??? So of course the chief complaint is that most of these projects are not looking to make dobermans, they're looking to make their own breed and just have a doberman paint job. Well, sorry, but most involved doberman people want a DOBERMAN, not just a dog that looks like one. This is the only AKC recognized breed with the sole function of personal protection. They are protective dogs. Either accept that, or get interested in a different breed.

I have heard increasingly concerning things regarding the temperament of the doberman diversity project dogs, which does not surprise me unfortunately as none of these dogs are in any way sourced from dogs with verifiable correct temperament. What do you get when you cross a Craigslist Corso with a Craigslist doberman? Well the first generation might be okay for people who want pets but apparently the ones that have worked in protection are awful at it. Same with the malinois crosses- of course, you took a lukewarm malinois and bred it to a z-list doberman and you're surprised that you got a bunch of lukewarm at best pet dogs.

I think the only project I solidly am somewhat interested in is the bandog cross, and that cross works just fine but then of course it does because in that country, bandogs are exclusively military, police, and security dogs, and she bred it to a igp3 doberman. Unfortunately the doberman died before his 10th birthday, so now we're all waiting to see what happens with his progeny.

[greenqueenhightower]

Thoughts on the Alicent x Aegon Scene in 2x04:

Aegon realizes he has no words of wisdom and zero contributions to offer his small council and sits there, listening to his councilors make all his decisions for him. It unnerves him.

Alicent is absent from the small council yet again. Is she in Viserys’ /the King’s rooms searching for crumbs of confirmation that Viserys cared for her and her children, or is she seeking the history books so that SHE might become a more informed and wiser ruler? Has she finally accepted that they are headed to war and that she needs to sharpen her political acumen?

Her sudden interest in the histories parallels Rhaenyra in 2x02 perusing the documents available at her library. Once again, the two heads of the factions mirror each other in their quest for wisdom and their attempt to make informed decisions for the good of their side before all hell breaks loose.

Alicent is dealing with the aftermath of her abortion as is evident from her need to steady herself and her teetering walk. Has she so much become like Larys in her ambitions and disposition?

“What thoughts would you have?” Alicent speaks her mind and doesn’t hide behind words anymore. She smirks at Aegon’s naïveté. Aegon is upset for not being taken seriously just like Alicent is upset for not being in a position where she can make meaningful decisions. However, Alicent understands that to become a significant contributor she needs to cultivate her mind and further develop her political skills. This necessity eludes Aegon. It makes her laugh because he doesn't see the worth in seeking his own advancement and pressing on to maturity ever since he's been crowned King.

“I ruled in your father's absence.” Alicent recognizes that she ruled ON HER OWN when Viserys was sick. Especially now that she’s embraced the high stakes and weightiness of their position, she wants to resume a more active role in the realm’s governance: “You should humbly be seeking OUR opinions and counsel.” Alicent tells Aegon that he needs to be observant and obedient to make studied and wise decisions.

“In the hope you might become half the king your father was.” She never hoped that Aegon, with his disinterest in history and his distaste for learning, would make a good king just as Viserys wasn’t a great king. Yet, she continues, if Aegon lets the most studied minds rule in his stead, he will compensate for his incompetence, like Viserys. Being compared to his father makes Aegon, once again, feel lacking and redundant.

“You have no idea the sacrifices that were made to put you on that throne.” Alicent wants Aegon to take on her heaviest weight on his shoulders, that of proving all her sacrifices worthwhile. She wants him to affirm her expectations of him and become that pawn that she and Otto thought would be easy to manipulate. The same pawn that she had been all these years.

“What would you have me do mother?” Aegon genuinely looks for his mother’s approval and guidance. He wants to please her and yet fails to grasp how he’s always been her political gasp for air, her passageway into a world of greater power. He doesn’t have to do anything for Alicent to achieve this.

“Nothing.” Aegon has always been dispensable. His father didn’t need an heir. His mother required an heir but now has no use for an impetuous and unruly King. The realm doesn’t need an Aegon II who speaks his mind because there will always be a member in his council who will make better decisions than him. No one has a use for his personality, his psyche, or his world, but no one has shown it before because he is the King. Alicent is the only person who dares to hit him in the face with the bitter truth: his sole existence ever since birth was to sit on that throne so that she might secure her family’s lives and her own ambitions.

Aegon, on whom his mother projects her own fears and insecurities and whose broken soul mirrors Alicent's unyoked and distorted pieces within herself, inherits Alicent's frustration with the system and the world he's born into. He responds to that condemnation the only way he knows how:

He rides Sunfyre to battle and to his—almost—death.

It's his own duty and sacrifice.

The price to pay for being born the unwanted, essential, and disposable Targaryen King, all at the same time.

[aoxizu]

i have another 2.1 character dynamic post in the recesses of my brain but i need to get this out first

star rail's 2.1 update main plotline leans a lot more into existentialism and absurdism than i thought it would which is a really nice surprise

like i thought before 2.0 that at most it was just going to be some "oh no capitalism bad ipc bad cults also bad" thing but honestly what we got is so much more interesting. the spoilers start now

also massive disclaimer i am not a philosophist and actually i really don't like philosophy because it makes my brain hurt and i would much rather just look at logical nice things like math and plants so. if i get anything wrong please correct me

acheron's past and how she became an emanator of nihility reminds me somewhat of the absurdist theme of how people always look for meaning when there isn't any, until they finally realize that the universe is meaningless

and the entire path of nihility basically is a road towards that realization that people tread on, and the difference between the real world and star rail is that in the real world here we have people who will see that and then go write a book about a guy not crying at his mother's funeral, whereas in star rail it seems that just accepting that the universe is meaningless turns you into a pathstrider or even emanator of the nihility (not sure if i remember the details, correct me if i'm wrong)

and then aventurine's whole motivation is trying to understand why the universe is so cruel to him, and to find meaning when you have everything except freedom, both of which are absurdist themes

the leap of faith argument often attributed to søren kierkegaard claims that even though there is no rational logic for believing in god, you should do it anyway because the alternatives are madness, suicide, and ignorance. this was one solution to the problem of confronting the universe's meaninglessness: choosing to believe in a higher being regardless

later world wars i and ii both contributed heavily to the rise of absurdism as people returned from the war, having seen so many others die around them, and then just going back to a normal society with none of what they as individual soldiers had contributed seemingly doing anything. and then it happened again, but on a much greater scale with even more deaths. both wars and the destruction they brought led many people to start questioning why a supposedly moral god could allow this suffering, and this is where camus comes in and says that actually religion and nationalism both aren't good solutions, and instead we should just accept meaninglessness and keep living despite the absurdity

and i think dr ratio's scroll thing kind of relates to that

he tells aventurine to open it when he's about to die, or when he's completely out of answers for the question of how to confront absurdity

and dr ratio's answer for aventurine is to just tell him to keep living, good luck

which is. yeah

it's the argument that there are more answers to nihilism than just 1) going insane, 2) pretending like it doesn't exist, and 3) dying

it's the bold claim that despite everything, you can still choose to live

sure nothing makes sense but that does not detract from your life. it doesn't need to make sense at all

and with the understanding that things do not need to fit our human definition of meaning, we can continue on knowing our true place in the universe

and with that aventurine walks into the very big black hole like look at that thing you cannot tell me there is no symbolism there

let's go back to acheron.

in the part where you get a snippet of acheron's conversation with some guy just before this cutscene, the other party states that "[IX] leave[s] woven strands of fate for humans to walk, and together THEY weave a great shadow...And this shadow silently envelops them."

which to me sounds like a statement on how people across time and space have again and again come to the same question, what is the meaning of life?

and acheron's whole color thing seems to mean that she is one of the few who, after walking so far on the path of nihility, somehow have not died yet, be it from madness or something else

like it seems implied that many many more have seen the meaninglessness of the universe and have not reacted as well as acheron has

ok i have more to say about the elation and how it in turn relates to the nihility but that will have to come later but there is. a lot of interesting things there to explore

once again disclaimer: I Am Not A Philosophist And Do Not Know What The Correct Definitions Of These Words I'm Throwing Around Are. thank you for coming to my ted talk that was more of a longwinded ramble

[sepublic]

Everyone jokes that Pit is the unpaid intern who depends on tips to survive, but in a way, Palutena is also that amidst the godly pantheon; So it's fitting her personal champion reflects those same frustrations. Because if you think about it, Palutena is the only god actually trying to do her job in maintaining the celestial balance and helping humanity, and without really asking for anything?

You have Medusa, Pandora, Thanatos, Hades, and Pyrrhon, whom are all self-explanatory. You have Dyntos, who is neutral and does lean towards the greater good every now and then; But his general inaction is still enabling, and Palutena is scared of him for a reason.

We have Poseidon, who actually DOES help Palutena, but also admitted to wiping out a bunch of humans casually, and otherwise doesn't do anything else to participate. And while Viridi does try to maintain the balance of nature, she also massacred countless humans and contributed to the chaos that attracted the Aurum. And humans are a part of nature themselves, too!!!

And it's interesting because Palutena doesn't seem to demand anything in return; It seems she really is doing this out of the goodness of her heart, more or less. She does have her issues and occasional petty condescension towards humans, but otherwise Palutena's the only member of the pantheon committed to keeping things together. And while humans do sometimes praise and worship Palutena, it seems that she'd help them anyway even if she didn't; She calls Magnus a jerk but that's really it.

That ties into how sometimes, Palutena does admit that she feels pressured and overwhelmed with her duty, and the way she thanks Pit for insisting she does a great job in Chapter 4 kinda feels like... Well, maybe she's fishing for compliments sometimes, because Palutena could genuinely use the validation and it's lonely. This is also why she admits she's honored that Hades knows who Palutena is, because Hades is presumably a big deal in the pantheon, and I think Palutena craves validation, as much as she wants to be pure and selfless about her work; She does genuinely care too, these two things aren't mutually exclusive.

There's the Chaos Kin arc, and while Palutena's possibly just saying she's sick of doing the dirty work for humanity because the Chaos Kin makes her... There could be a hint of truth, just how Dark Pit reflects the truth in Pit's heart; Again, parallels between Goddess and Angel. She admits she's tired of constantly having to protect and take care of the humans, which is like Pittoo being frustrated with doing Palutena's dirty work.

Which then gets me to another point; Pit being a reflection of Palutena's light, because I can kinda see her venting her frustration through him? If Palutena feels beleaguered as the only goddess protecting humanity and the world in general, then she might really appreciate having a devoted angel with infinite energy, who will jump to any task for her. Which makes Pit a way for Palutena to treat herself, let someone help her handle the load, etc.

But there is a darker side, with how Palutena will sometimes demean Pit, even appealing to Viridi and Hades in Chapter 15 this way; It kinda reminds me of people who are bullied, only to turn the bullying towards someone else and participating in that so they can be part of the in-group, not be laughed at themselves, etc. Plus her shutting down Pit's disagreement with "Are you the goddess here?" Especially since she might feel that she deserves more respect for her work, and isn't always given that by those 'below' her (AKA humans, usually). It feels good to at least take pride in what Palutena DOES have, right?

And that's Palutena dropping her filter around her own 'Palutena' because admittedly, Pit is in a subordinate position to her. And I guess it feels good, deep down, to be the one letting someone else handle the work, and exercising that power over them because Pit is someone Palutena can get away with being unpleasant around. Part of that is trust, because Palutena feels comfortable being herself, expressing her own insecurities and true feelings.

But the other part is expression frustration at someone who won't talk back, who Palutena doesn't have to worry about holding up an image towards; With other gods it's obvious, and to humans, she has to be their perfect, noble paragon of virtue. In the end, it reminds me of how some people tired with their jobs might take it out on their assistants, or others who are below them, to feel like they're the ones in control and who are being asked for recognition from.

That ironically leads to Pit's own latent frustrations with Palutena, which is furthered by him being unable to fly on his own. And that manifests as Dark Pit. And then Palutena's frustrations manifest through the Chaos Kin's manipulation of her. Imagine if Pseudo-Palutena returned in a sequel to genuinely be the Pittoo to Palutena's Pit, lol. Although her dialogue paints her as more of a mad religious fanatic than someone secretly tired of that work.

In the end, I wonder how much of this has to do with Medusa's betrayal; In the original NES manual, it's mentioned that Palutena and Medusa both ruled together, they're two sides of the same coin, Light and Darkness. But when Medusa neglected her own duties to attack humanity, that forced Palutena to exile her into the Underworld, which basically left her working double, perhaps. Again, like how Pit has to often do all of the work, despite there being centurions who can come back from the dead like he does.

In Pit's case, this comes from a fierce loyalty and protective attitude towards those he cares about; He's a good friend always there for others who wouldn't dare to ask anything of them, but that wears him out ragged. In the case of Palutena, she had to lose that option entirely when Medusa went on a rampage; But shortly afterwards, Pit rescued her and became Palutena's champion.

So Pit has a lot of work dumped on him, and maybe that's because he's essentially taking over Medusa's duties in being someone who works directly alongside Palutena to maintain balance. That could make him a fun parallel to Medusa in a way. And maybe Pit is aware of this, adding to his refusal to ever question or betray the Goddess of Light, because he knows she's already been hurt and is also doing more work than she's supposed to. His loyalty comes out of empathy and compassion towards someone he can tell really needs it.

But that selflessness can be self-destructive, because Pit will forget to consider what he's getting in return, and that gives us Pittoo, whose selfishness is framed as not inherently bad, and even good for him. But Palutena does care for Pit in return, in big and little ways, such as preparing a cold drink for him after Chapter 10. She cares a lot for Pit too, she'll cook a delicious vegetable stew for him!

You know if Medusa returns in a sequel, I'd like to know more about her and Palutena's falling-out, if there was actually anything more to it than just "Medusa looks down on humanity." After the Chaos arc, I could see her insinuating to Pit that Palutena will betray him for real, just as she did her... Only for Pit to redo that same speech about how Medusa is an unprompted murderer of helpless innocents, ya dingus.

TL;DR Palutena is the only goddess doing her job and it's exhausting and she takes it out on her secretary who is also in the exact same position, ironically.

[iliveforyouilongforyouvesuvia]

Could I get an Hc for how the M6 would react to an Mc that finds out they used to eat a lot of weird creatures and monsters.

I may be obsessed with delicious in dungeon, but like maybe Mc got to try dragon meat and realized that despite it being an 'exotic' food, it tastes familiar. Only gets more surprised. The more weirder foods they end up trying that rnd up tasting familiar.

The Arcana HCs: M6 when MC eats monsters

Julian

From a scholarly point of view, he's actually quite interested in learning more and documenting your finds as medical research

Who knows what medicinal properties these creatures might contain that have gone previously ignored? You could find some miraculous cure or random medicine if you keep snacking your way through the monstrous ecosystem!

Then again, he'd be lying if he said that practice was just as easy as theory. He's pretty well traveled himself, but some of the things you seem so eager to dig into are just ... so ... off-putting

He'll push through with most things but he will draw the line at anything resembling a plague beetle. He was force-fed one of those once and he never wants to experience that again

(he'd never try to keep you from making your own decisions, but to say that watching you eat things resembling plague beetles doesn't turn his stomach and make him anxious would be a lie)

Still one of the best researchers you could have helping you

He's got the background to understand physical nutrients and the importance of a diverse diet - and he's plenty dedicated to you

Asra

They are even more enthusiastic than you are

Sometimes you wish you knew what his limits were, because if things keep going at the rate that they are you might find out that he doesn't even have any

Faust is not helping either - she can and will help distract you if you've finally come across something you're hesitant to try so Asra can sneak a mouthful without being caught

On the plus side, they've tried so many different cuisines already that they have plenty of ideas when it comes to figuring out how to cook something new - and spice combinations you wouldn't dare dream of on your own

He also happens to have plenty of tried-and-true remedies for food poisoning as well (wonder why he learned all of those ...) and is more than happy to share with you if things go south

Absurdly creative with the whole cooking process in general

Keeps trying to incorporate magic. This does occasionally backfire when the beast being cooked is also magical by nature, and the two don't mix as intended

Nadia

She's politely unconvinced, but still mildly invested

Is she personally interested in trying all manner of unconventional dishes? Sure, if it's a well-established recipe from a trustworthy source and contributes to her cultural education

Your recipes, darling MC, do not cleanly fit into that category

She'll still try some, but only after you've been able to replicate the dish multiple times to the point that it's reliably delicious and safe to eat. Otherwise, she'll happily pass her portion to you

However, once you do find a creature that can be reliably cooked as part of a nutritious diet, she is all ears

Do you know what the state of Vesuvia is right now? Any new food source is a welcome food source, especially if it's a resource that isn't being tapped into otherwise. Tell her more about its properties

Will work with you and other nutritionists, chefs, and civil engineers to find a way to introduce it to the populace so they can take advantage of it

Who knows? Maybe if it's popular enough, it can be purposefully cultivated and turned into a major food export ...

Muriel

Not remotely surprised by your habits, for multiple reasons

For starters, he spent his teens living with Asra. In the woods. Who do you think came up with all those natural remedies for food poisoning??? Not the kid picking every mushroom they saw!

Second of all, he lives off of the land himself. The reason his grocery list is so short is because he's learned to find most of his sustenance in the woods around him. You're just doing the same

Third of all (and most importantly) - if it's food, it's food. It's that simple

Will eat anything you hand him as soon as he knows it won't poison him, no hesitation in sight and no further questions asked

His only concern about the whole thing is sustainability. He knows firsthand what happens when something throws the delicate balance of an ecosystem out of whack and he wants to make sure that doesn't happen on accident because you're new to it

Never really stops to appreciate any of the good flavors at first, but eventually develops a palette for the different spices

Insanely good at assessing what kind of nutrients it'll have

Portia

Being an excellent chef herself, she doesn't see much point in eating mostly monster food once the initial excitement has worn off. It was fun for several meals, but now she wants bread

This does not change her general fascination with monsters or magical beasts in general, though, or her overall interest in helping you on your special monster cuisine endeavors

Share the monster facts - all the monster facts

Will work with you on putting together notebooks full of information on monster behaviors, nutritional values, hunting and preparation methods, and ideal flavor profiles

Unrivaled at giving good cooking advice. The meat's good to eat, but too tough? Marinate it in something acidic

It's too spongy to be a starch, but too starchy to be a vegetable? Try roasting or grilling it plain and putting sauce on top

Knows all about how to maximize the "scraps" so that nothing edible goes wasted, and knows how to do it in a way that still tastes good and fills you up

Curious enough to try most of it, smart enough to avoid poisoning

Lucio

Okay, okay, so he'll admit it - he does get squeamish (just a little bit) at the thought of eating the monsters that tried to kill him earlier and he's not particularly fond of revisiting the "eat or be eaten" mentality that was instilled in him as a small child

That said, he is curious

And he very much enjoys all the hunting (and bounties!) involved

You're telling him that he gets to chase down a rare beast, enjoy the thrill of conquering it and the bragging rights that entails, get paid for disposing of it, and then get a free meal after he forgets about it for a couple hours? Sign him up!

Just, uh. Just don't remind him what exactly he's eating if it's from one of the grosser monsters. Devouring a deadly ancient boar? Awesome! Devouring a worm monster? ... yeah, don't ruin it

Has no issues with putting more resources into what you're trying to do. It means free food, bragging rights about killing and eating monsters, and dinner not getting dull and boring

Will not-so-subtly feed anything he doesn't like to Mercedes and Melchior when he thinks you can't see him

[project-sekai-facts]

Do you have any thoughts about rui’s character and his relationships? I really enjoy your character analysis i think they’re super good so it’ll so cool to hear something about rui ^_^ otherwise i really enjoy the work you put into this account!

thank you! here's a little something i threw together to commemorate the end of curtain call hell on EN, except it's about the main story because the animation released recently and i have thoughts about it. and i think it's a good starting point for his character.

First though, we need to go backwards a bit to the flashbacks in Revival my dream and KAMIKOU FESTIVAL!. When Rui was a kid, he was considered a prodigy by many and it was constantly shoved in his face that he was different from everyone else. Be it because he was incredibly intelligent beyond his age, or because he had different interests to the other kids in his class. At the end of the day, if he was having fun with his classmates, it wouldn't last. Usually they'd all leave at some point because they thought his ideas of fun were weird or they didn't understand them. By the time he was in middle school around 8 years later, he was completely isolated from his peers. As he said in A Once-In-A-Lifetime Pandemonium, he believed that he would never be able to connect with or understand anyone around him. What Rui had always needed was like-minded individuals who could accept him for who he was, not shun him due to his perceived weirdness. He had Mizuki, but even they said back in middle school that the reason the two of them were friends is simply because they were both lonely; they couldn't actually do anything to help each other change.

It's very clear that Rui didn't think things would ever change. In the main story, even after Tsukasa invites him to join the troupe, the only reason he accepts is so Nene can do what she's always wanted. Sure, it's what he wants as well, but he's never worked well with people before, so why would it be any different now? He'll go along with it so long as he can try and help Nene change, because if he can't change himself, then the least he can do is help his only true friend.

Was joining the crew at Wonder Stage so bad for him? Not really, he actually ended up hitting it off with Emu due to their similar way of thinking, something that had never happened before. Nene even points out that he seems happier than normal after joining.

I think the part where he leaves the troupe is the part a lot of people fail to get their heads around, I've seen so many arguments on twitter over it and I think people just need to get it into their heads that there were multiple factors that contributed to him leaving and refusing to rejoin.

First off: Nene. Nene is Rui's closest and pretty much only friend. She's the only person who stuck with him since childhood. Everyone else left him in the end because they just couldn't understand him, Mizuki bonded with him over their shared loneliness but they were never truly close. Nene means a lot to him because of that, hell, the whole reason he even decided to join Tsukasa and Emu's troupe in the first place is because he saw Nene suffering and wanted to help her be happier. Tsukasa took his anger out on Nene, and Rui felt bad because he was the one who got her into this mess. He wanted her to be happy and to try and overcome her trauma only for her to mess up again and face even worse repercussions. Tsukasa hurt her, and Rui doesn't want to work with someone who's going to act like that, especially not towards his closest friend.

Second: Tsukasa's selfishness. Which admittedly plays into the last point as well. Tsukasa was selfish. He just wanted the fame and glory and to be in the limelight. Nene messed up his debut performance, and he was angry. After all, it was his moment to finally shine, so it had to be perfect, and yet a member of his troupe made an amateur mistake. He wanted to put on the best show with the best troupe, he can't have anything short of that. That's what Rui points out here. Tsukasa says he has a passion for theatre, but really all he wanted was to be in the spotlight. He prioritised himself, let it all get to his head, and couldn't work with other people. That's what Rui means when he says Tsukasa doesn't have what it takes to become a star. Tsukasa doesn't care about anyone but himself, and you can't be a star and put on the greatest show by yourself.

The animation actually adds in a little extra scene here. Leaving the group wasn't easy for Rui, it hurt him and you can really tell it did. As Nene said, it was the happiest he had been in a while. While he denied at the time that anything was different, I think he did know things were different. He thought he'd maybe finally found like-minded people, just like his mother told him he would when he was a kid. And he's a hypocrite even. He tells Tsukasa great shows can't be made alone, despite the fact he's trying to do that himself.

The first time Emu, Nene and Tsukasa try to get him back, he refuses. Tsukasa had apologised to Nene, she accepted his apology and rejoined his troupe. And he's really happy for her, she's making moves to help herself get better, but he still refuses. After all, Tsukasa getting angry at Nene wasn't the only reason he quit. As he says, he and Tsukasa aren't compatible. Tsukasa only wants the fame and glory, whereas Rui wants to make shows that the audience can enjoy. Their goals simply do not align. He thought he'd finally found a place where he could engage in what he's passionate about, but was harshly reminded that place seemingly doesn't exist for him. Whether it was Tsukasa's hubris and selfishness or his classmates isolating him, he can't find anyone to pursue his interests with. Nothing changes.

But it does change. WxS isn't complete without Rui there, Tsukasa needs to prove that he's changed and that his goals do align with Rui's own. And what better way to communicate that than with a show - it's what Rui knows best, after all. I think what's particularly impactful here is that this is a rewritten version of the show Rui was performing the first time he was asked to rejoin the troupe. The show about an alchemist who wanted to put on shows, but everyone who joined him left him because they found his ideas to be ridiculous. Neither the alchemist or the townsfolk understood each other, and the townsfolk wanted nothing to do with the alchemist. It's a bitter ending with the alchemist's happiness being limited and him ultimately being lonely forever, since the story does not continue.

The ending is not a happy one, so they change it.

Tsukasa has changed, and now he's giving Rui the chance to change as well. Rui has never had anyone take his shows seriously, never had anyone take him seriously. No one understands him and he never understood anyone. But that changes. There's finally people who want to do shows with him, who appreciate his ideas and understand his motivations. Even if he's a little different, everyone else in WxS is a little weird too.

I also like how they actually show in the animation that things have changed through a little bit of stage direction. Rui watches that entire play in the dark, alone. When Tsukasa reaches out to him, the light turns on on Rui. We then cut to reveal another person in the scene. He's not lonely anymore.

Ultimately, the most important part of Rui's character arc is change. He never planned on changing - what was the point? He wasn't going to pretend to be someone he wasn't, but he also wasn't going to risk being himself and get rejected again. But once again, as he said in Pandemonium, once he joined WxS, he did change. He's the happiest he's ever been, he has friends that he never wants to let go for the first time, he's able to actually have fun and let himself enjoy things for the first time, he begins to be able to understand people without using shows as a reference point. But even before then, he changed. He changed as soon as he decided to take Tsukasa's offer. As pointed out by Tsukasa in Pandemonium, even if he was the one to give Rui the chance, Rui was the one who took it. He could've refused it again and continued to be lonely forever. He could've chosen to continue to believe that truly he would just never be able to understand and connect with the people around him. But he wanted to change, even if he denied it at the time. And he changed that belief so he could change his life.

(TL)

[callalillywrites]

Their Sweet Omega

So, this idea came expressly from this imagining and I'll admit I got a bit carried away by the idea. I really hope @thezombieprostitute doesn't mind that I took this idea and ran with it.

Part 2 / Series Masterlist

Relationship: Alpha!Jake Jensen / Beta!Pre-Serum!Steve Rogers / Omega!Reader

Rating: Pure Fluff

Word Count: ~2100

Summary: Jake and Steve have been searching for an Omega to call their own. Their luck hasn't been all that great until an Omega literally lands in their laps one day.

A/N: I have a lot more I want to add to this little universe, but I'll see how it goes I guess with everything else I've got going on at this point. I do hope you enjoy this little bit of fluff as it's my first ever A/B/O I've ever written. It's proofread but all mistakes are my own.

I also do not give permission for my work to be copied or posted on other sites or fed into an AI machine.

*****

Jake Jensen isn’t your typical Alpha, but he’s a good one according to Steve Rogers, his Beta. Jake isn’t built like other Alphas though he does have an understated strength to him that many overlook, but it’s his gentleness and anti-bullying policies that really made it easy for Steve to align himself and fall in love with Jake.

Steve isn’t always the greatest Beta. He can be headstrong and maybe a little bit reckless especially when he’s seeing something going down that shouldn’t.

He also doesn’t have the greatest health. He’s not nearly as sickly as he might’ve been in, say, the 1930s, but he’s still considered not the healthiest by modern standards, either. He’s also rather short compared to other guys his age. Jake stands about a foot taller than Steve on a good day, even more when chronic illness slumps Steve’s shoulders and keeps him in bed.

Because of his poorer health, Steve has a harder time holding down any type of job for long. That doesn’t bug Jake though as he makes more than enough with his cyber security job and his freelancing software programming gigs on the side.

In fact, he encourages Steve to build up his painting and drawing hobbies, buying Steve the best supplies and even building him a website and social media following. Steve does quite well with it, too, since it allows him to work at his own pace while still feeling like he’s contributing to the household as well.

The only thing really missing in their lives is an Omega they can call their own. It’s not like they haven’t been looking, either, but the few Omegas they had been interested in had left them wanting. They’d either been disappointed that Jake wasn’t ‘Alpha’ enough for them or they didn’t really see Steve as anything more than an attachment of Jake. They refused to give up hope though.

Neither really counted on how one lucky Wednesday morning would change everything for them.

Jake decides to treat Steve to a whole day of pampering and quality time together after the past few busier weeks they’d been enduring. Jake had just finished a major project at work while Steve had finished one of his biggest commissions to date. It was a time to celebrate, relax, and enjoy each other’s company.

It’s why they ended up at the cute little café near their place. Jake stands in line to place their orders while Steve claims a small table and chairs near the windows. Steve likes to people watch and draw whatever he sees, always carrying a small sketchbook for such an occasion everywhere he goes.

Both notice the cute Omega at the front of the line. How could they not? The sweet Omega smells like cinnamon rolls and vanilla. It’s a heady concoction, but they also notice that she’s getting plenty of other attention from other Alphas that she’d probably prefer over Jake anyway. She even seems to be chatting with one of said Alphas while she waited for her order to finish prep.

That changes when her order is called.

When she bids the Alpha a good day, the Alpha bumps her and sends her scrambling and careening into the table where Steve sat. Her drink spills all down her best business outfit while she lands into Steve’s lap. Her impact on his unsuspecting self sends them both to the floor though Steve manages to keep himself under her despite the pain shooting up his spine for his efforts.

Omega is horrified. She sees the small drops of her drink that have landed on Steve’s work and on his clothes. Her apologies can’t come out fast enough as she searches out napkins or anything really to help mop up the mess, not caring about her own dripping state.

It takes Steve a moment to get past the pain shooting up his spine, but he’s doing his best to assure her that his work is fine and that he’s fine. He’s far more concerned to know if she’s okay after the spill she’d taken. Her clothes are matting against her body, and he knows that can’t be comfortable.

What he doesn’t expect is her to stop her frantic cleaning to stare down at his sketch. He really doesn’t expect her to recognize it or him as the online artist, but she does. She even confirms it by whispering, “I can’t believe I messed up your latest masterpiece. I’m so, so sorry” and follows it up with his online name. He’s a bit stunned to say the least.

The Alpha who pushed her is laughing it up, pleased that his little trip had done more than what he’d been hoping for after she had the nerve to turn him down.

Jake, who’d seen everything, steps out of line and rushes over to Steve and the Omega who is still doing her best to apologize to Steve and save the sketch he’d been working on. There are literal tears in her eyes and possibly a bit of fear when Jake approaches.

The Omega recognizes Jake belongs with Steve and the first thing that pops out of her mouth is “I’m so sorry, Alpha, I didn’t mean to make your talented Beta fall for me.”

Oh, Jake is now smitten, especially as he sees Omega’s cheeks grow quite pink and sees her quietly berate herself for her foot-in-mouth syndrome around cute Alphas and Betas.

It also unfortunately gets the other Alpha’s attention, who has taken to snarling his displeasure at her apparent interest in Jake and Steve. He even approaches to cause more trouble when she spots him. Her body goes rigid though her expression shifts to one of pure fire. If the Alpha wants some attention, then she’s going to get him some attention.

In less than two minutes, she has the entire café focused on the scene playing out between her and the Alpha bully. It’s enough to draw the attention of the female Alpha owner as well who bans the bully from her café.

Never in Steve’s or Jake’s experience have they ever seen an Omega take on an Alpha like she does with such expert handling. Both are quite sure they’re a little bit in love with her as she continues to make a stand against the Alpha with the café owner and some other patrons backing her up.

When the Alpha leaves with his proverbial tail between his legs, the owner offers to replace her drink and another set of clothes that she keeps on hand for herself to the Omega if she’d like them. She extends the offer of a free drink to Steve and Jake as well, not wanting to lose two innocent customers to that awful Alpha.

Already late for her big meeting, she declines the clothes but does take up the offer of a new drink. While she waits, she nervously checks in with Jake and Steve to make sure they’re okay and offers to repay them for any damage she might’ve caused thanks to the bullying Alpha.

Both of them assure her it’s fine. They’re just happy that she’s not hurt though they are a bit sad that their interaction is coming to an end.

Before she gets too far though, Jake reaches out to her though he stops just shy of actually touching her. He hasn’t forgotten the brief flash of fear in her eyes upon his earlier approach and can’t stand the thought of possibly frightening her more. When she does turn in his direction, he somehow miraculously doesn’t fumble his words as he asks her to maybe join him and Steve for dinner later that day. He doesn’t need to check with Steve to know he’s also interested in the Omega as well.

A commotion at the shop’s door pulls her attention, and a beautiful smile flits across her features as another Beta walks in with an Omega on his arm.

“What’s taking so long? We’re going to be late. Dear God, what happened to you?” the Beta demands while his Omega tries to shush him.

Their Omega merely shakes her head. “I’m coming, Ran. We had a little mishap, but I’m coming. I know better than to disappoint Ari’s friend.”

Their Omega turns to Jake and nods. “I would love to have dinner with you both if it’s not too much an imposition. Call me in about two hours?”

She slips Jake her business card before vanishing out the café’s door with the other Beta and Omega.

Jake waits exactly two hours before he nervously calls her, putting the call on speaker so Steve could hear everything as well. A small part of him hopes she doesn’t disappoint either of them while on the phone as it’s happened before.

She doesn’t.

Within minutes, they have their plans set to meet at a popular local diner where they could enjoy some good homemade meals while also getting to know one another.

She meets them there in a clean outfit that suits her more than the business suit she’d been wearing that morning. The knee length skirt swishes and twirls around her while the peasant top gives them a decent glimpse of the smooth skin underneath without being too showing. It’s her favorite outfit she admits to them while they wait for their server to arrive.

One of the first questions Steve has for her is how she recognized his work. He’s still a bit gobsmacked about that, especially since he hasn’t been able to get his mind to stop recalling how delicately she’d touched his work. It’d been almost like she’d been touching the Mona Lisa or something equally as valuable. It’s not something he’d experienced firsthand with anyone besides Jake or his few friends.

That’s when they learn Steve helped design her logo and other business media about a year ago. She’d seen his stuff online and had messaged him almost immediately with her ideas and healthy budget to make them a reality. As it turns out, she owns a small homemade candle company, and she’s just landed another retailer who’ll be showcasing her candles after her meeting that morning.

The attention and adoration she’s showing Steve in that moment would make almost any other Alpha jealous of their Beta. After all, she’s practically gushing about how amazing Steve’s art is and how much it’s helped improve her sales as everyone talks about the design. She’s even sent Steve more work because she can’t stop talking about it with her customers. Steve admits he should be giving her something in return for all the referrals and work she’s given him.

Yeah, Jake realizes he should be jealous, but he’s not. He’s the exact opposite at this moment. He’s sitting with someone who values Steve’s talents as much as he does, so how could he possibly be anything other than more smitten with her?

When Steve admits that Jake’s the reason he even has his online business, the talk soon moves to Jake where she learns about his many technical talents. He can see that she’s just as impressed with him as she is with Steve. It’s enough to stroke his ego a bit and have him sitting a bit straighter in his seat.

Their discussion soon moves to hobbies and other things where she soon learns that Jake likes to play one of the most popular first-person shooter games on the market. He admits he can hold his own, but he’s nowhere near as good as some of the other players out there. When he mentions ‘Amaranth Fossa’ as his dream gaming partner, he catches a look he can’t quite figure out that passes over Omega’s face.

They don’t really stop talking all through dinner, but it does eventually have to come to an end. It’s not something any of them want, but they do see that the hour is getting later and the next day is a workday for both Jake and Omega. They end up walking her to her car where she thanks them for a wonderful evening. She doesn’t get into her car until she presses a kiss on each of their cheeks and a promise that they’ll do this again soon.

Jake and Steve share a look, then Jake asks if she’s free the weekend coming up.  

She gives them the sweetest smile and says she is.

Jake and Steve head home after seeing her off. They have a date to plan, and they have no intention of disappointing this sweet Omega that literally dropped into their laps.

*****

Main Masterlist

[waddingham]

rebecca wants a pet

this is just a silly little ditty but here <3

Amongst all these things and more, he has learned that she does not do subtlety. Her opinions, thoughts, wants are shared unflinchingly, in a way he admires as someone who tends towards pleasing others over himself. She doesn't demand and criticize but simply shares herself with him – her opinion is always a prompt to hear his, her thoughts are little hands reaching out to know and be known by him, her wants passed along in hopes of him wanting too. And she makes it easy to respond in kind.

There's probably half a million things he's learned about Rebecca Welton in the first year of living with her. Big things and small things – she can destroy a bowl of berries and nuts in a matter of seconds. She has an almost frightening ability to hold her alcohol. She does a tiny bit of yoga everyday and those minutes of solitude are important to her. She loves him voraciously, would do just about anything for anyone in her club, and doesn't believe she will ever uncomplicate her relationship with her mother.

And because she so rarely employs subtlety, he doesn't think it's anything notable at all when she finds a new minor interest. 

"Look at this."

He turns his eyes from the TV to her, stretching an arm along the cushion as she scoots closer along the couch. She angles her phone so he can see – it's a video of a tabby cat with a mouthful of leaves, chirping as it crosses someone's yard. He grins at it, chuckling as it drops them and sits with satisfaction next to its contribution.

"She brings them a little pile of leaves everyday," Rebecca chuckles.

"Look at her go. Doin' her part."

"She's a good girl."

"Lot better than a mouthful of mice," he remarks.

She gives him a horrified look. 

"What?" he chuckles. "You never had a cat?"

"No," she says, shaking her head. "Have you?"

"There was an outdoor cat when I was growing up that hung around our house. My mom hated it 'cause she's scared to death of mice and loves the birds and he would come around with either one or the other dead in his mouth and leave it. Tryin' to get on her good side, I guess." 

She stares at him. "That's disgusting."

He laughs a little bit, tilting his head. "Yeah. He brought a bird up on the stoop once, still movin', and Mama was so mad, she smacked the back of his head for him to drop it. And he did. And then another little bird came flutterin' out of his mouth and flew off."

She shakes her head, a smile pulling at her mouth. "You're full of shit."

"I am not," he laughs. "Saw it with my own eyes. He was a big fella."

She snorts, looking back down at her phone. She stays close, leaning against his side as she scrolls on. 

It takes him a while to take notice of the running theme. They send all kinds of silly stuff back and forth – videos and pictures and jokes. She sends him screenshots of funny tweets she sees, sometimes about him or the team, sometimes just random things she thinks will amuse him.

But suddenly there's a very large uptick in cat videos. 

×××

She blames Keeley. It's Keeley's fault entirely.

She doesn't know what possessed her friends, if it was the influence of Phoebe or what, but they've adopted a cat – a beautiful, lithe, sleek one that could nearly be taken for a tiny leopard for its coloring. She's a lively little thing, playful and talkative, but she seems to adore Rebecca. When she goes over, she spends the length of her visit circling her feet or pacing her lap on the couch, purring like a fiend, pushing her head into Rebecca's palm.

And, goddammit, Rebecca likes it. She likes watching her prance around, flopping around on the floor for attention, just in general being entertaining and sweet. 

She sees them everywhere now – or at least is really noticing them as she scrolls through social media, seeing Leslie's sons posting videos of their new kitten and Keeley and Roy's little minx chasing her tail and random strangers with unnaturally gorgeous felines. 

She hasn't any idea how Ted feels about getting a pet. And normally she'd just tell him, have all her arguments outlined, or just recklessly show up with one one day, but they have quite literally just settled into living together. She doesn't want him to say yes just because she wants it and then hate it and hate taking care of it – she wants him to want it too. So she's going a little more insidious. Or trying to, sending out feelers by sending him cats and seeing what he says. 

She's not having much luck. He will aww and ooh, but doesn't express any disdain or desire to get one. Which isn't helping her.

"Who's idea was the cat?" she asks Keeley. 

"I wanted a dog and Roy wanted a cat," she says, stroking Camilla's back as she arches on the couch next to her. "But we settled on her 'cause she's so cool and active and spirited, she's like a low maintenance dog."

Keeley gives her a little grin. "You want one, don't you?"

"I do," Rebecca admits, scratching Camilla's neck as she crosses to her. 

"You guys should get one then," Keeley says. "They're so easy."

"I haven't asked Ted what he thinks yet," she says. 

"Well, I don't think he would refuse you anything, first of all," she says, sipping her wine. "And also how cute would he be with kittens all over him?"

"Stop," she says, tilting her head. "Or I'll show up at home with a box of them tomorrow."

Keeley giggles. "I think he would like a cat. Or a dog, but I would guess you–"

"I do not want a dog," Rebecca says. That's a lot more mess, care, and maintenance to jump right into when she's never even had a pet.

She hopes he wouldn't rather have a dog.

She supposes she's going to just have to bring it up outright – he's not catching on and she's already tired of trying to be slick about it.

×××

"Hey," he calls out when he hears the front door open. He gets one in response as she comes in, kicking her shoes off. She's earlier than he expected – she usually lingers late into the evening when she goes over to Keeley and Roy's.

He looks up at her from his sprawl on the couch as she rounds the sofa and immediately plants a knee between him and the cushions, crawling up and laying over him.

"You weren't gone long," he remarks as she settles herself against him, his arm landing on her back, her head on his middle.

"No," she sighs. "I left when Roy got back from his sister's. Keeley seemed…eager to be alone with him."

He chuckles, pushing his hand through her hair. "Well, cheers to them."

She giggles a little bit, rubbing a hand along his side over his t-shirt. She relaxes against him – the loveliest blanket he's ever had the pleasure to be covered with.

"I like their kitty," she remarks and he smiles.

"She's a lil' firecracker," he says. "Cracks me up."

She rolls her head until her chin is planted on his chest to look up at him. Her eyes are a little wide, eyebrows tipped up. 

"Can we get one?"

His smile grows as he tilts his head. He never would've taken her for a pet person.

"Sure," he says. He likes cats.

She almost scoffs, closing her eyes. 

"Of course you're going to be that easy about it."

He chuckles. "Do you want me to argue with you about it?"

"No, but I thought it would take at least a little convincing," she says and he squints at her a little bit. 

"Is that why you keep sending me cat stuff?"

She does scoff then, rolling her eyes. "Yes."

"Why?" he laughs. "What do you think I have against cats?"

"I don't know," she says, laying her head back down in exasperation. 

And since when does she do sneaky?

He chuckles again, smoothing a hand over her hair. 

"We'd have to go get some stuff," he muses. "But I remember Higgins saying he can't go to the pet store on Saturdays 'cause the shelter sets up with a bunch of kitties and he knows he'll go home with one. We could go then. Get the stuff and peek at the cats." 

"I already have everything saved to order online," she mumbles and he laughs.

"You could've just said something, Rebecca."

"I was trying to sniff you out first," she says. "But you gave me nothing."

"I'm sorry," he chuckles. "What kinda kitty do you want?"

"A soft one. Sweet one. Not so crazy as Camilla."

"Alright," he says. "Kitten?"

"I would like a kitten, I think," she says, lifting her head again to look at him. "Start from scratch."

"Okay, then," he smiles. "Sounds like fun."

×××

He didn't know what he expected when she said she had stuff saved, but he really shouldn't be surprised. The things that arrive over the next couple days look like something straight out of a housecat's dreams. A water drinking fountain and several very soft beds, toys, dishes, food that now has a shelf in the fridge, and, good lord, the litter box.

He just laughs when she sets it on the kitchen island. 

"It's automatic," she says, then lifts her hands, defending herself. "Do you want to do it? Because I don't."

He reads the side of the box, still grinning. "It connects to the WiFi?!”

"Oh, stop," she says. "Like I was going to skimp out on this."

"How much did this cost you?" he asks, looking up with a grin. 

"What does that matter?" she says innocently.

"C’mon, tell me," he says. 

"No."

He looks in the shipping box, spying an invoice and snatching it before she can stop him. 

"Give me that–"

"Seven hundred pounds?!" he says, laughing. "Oh my God, Rebecca."

"Stop," she says, swiping the paper from him, smiling at his teasing. 

"You know it's gonna poop in it right?" 

"Exactly. And then neither of us has to touch it."

"Now I feel like we're not adopting a cat but selecting one lucky winner to come live a life of luxury and refinement."

She laughs, wrapping her arms around the box, giving him a haughty look. 

"If you'll excuse me. I have a cat shitter to set up."

He chuckles, watching her go, but following after a few minutes to help her. 

×××

"I was excited, but now I'm just sad," she remarks as they walk through the narrow room. 

"Yeah," he laments. "Now I feel like adopting a nice round dozen or two."

"I think we'll have to start with one," she says, taking another step, giving the next cat its due attention. "Hello. Aren't you lovely?"

They wander through at a slow pace, having been told the kittens they have are at the far end of the room, but she stops at every cage, offering her fingers and compliments to each kitty. 

They don't make it to the far end – he didn't really expect them to. 

"Oh," Rebecca says, coming to a complete stop at a cage. "Oh, look at you."

The cat inside is a pale gray that fades into white at its paws and nose with long fur – not the longest they've seen, but longer than the shorthairs – curled up in the little bed in the corner.

"Oh, he's pretty," Ted says, stepping closer.

"How do you know it's a he?" she remarks, sticking her fingers into the cage, greeting the kitty. "Hello."

It lifts its head, peering at them with lovely gray blue eyes. He sticks his own fingers in, watching the cat take an interest, standing and stretching.

"Oh," Rebecca says sadly, and he turns to her, finding her reading the information card hooked on the cage. 

"Hmm?"

"'My loving owner died and I had nowhere to go'," she reads aloud. "'I'm an affectionate, easygoing kitty that enjoys lots of lap time.'"

She turns to him with a frown, then to the cat as they both feel him rub himself along their fingers. Ted curls his fingers into his soft fur, turning back to Rebecca, finding her watching the kitty with a little heartbreak in her eyes. 

"I like him," she says.

"I thought you wanted a kitten," he reminds her softly.

She doesn't respond, watching the little guy push his head against her knuckles. He steps around her, trading spots to read the rest of the card for himself.

"He's already ten years old," he says, sliding a hand over her back. He doesn't have a problem with it – he wouldn't mind an older cat, but she seemed set on a baby.

"I know," she says slowly, like she's realizing she's pretty much made up her mind. "But I think he deserves a nice retirement."

He smiles at her, watching the kitty sit close enough for Rebecca to brush her finger over the soft fur at his chest, primly adjusting his big white paws in front of him before curling his tail around. He peers at them, then lets out a soft little mow that has both of them chuckling.

"See, you agree, don't you?" she says. "You're a little sweetheart, huh? I didn't even look to see what your name is."

Ted looks, having skimmed over it too, smiling at what he finds. "Arthur."

"Arthur?" Rebecca chuckles. 

"What a name, huh? Who picked up this little guy as a sweet little puffball of a kitten, looked at him on the most exciting day of his life and then gave him the most old man name possible? I'm so sorry, buddy."

"Oh, stop," she says, scratching at Arthur's chin as she reassures him. "I think it's a great name. And I don't think Theodore has any room to talk."

He laughs fully at that, hearing Rebecca chuckle with him. "Well, that's me told," he says, squeezing her side, pulling her attention as she turns. "Should we see if somebody will open his cage up so we can meet him?"

She nods, giving him a bright smile.

×××

Of course they brought old Art home. And it doesn't even take two days before they're both absolutely smitten. 

He's taken to following them around curiously, as well as flopping and rolling against the shag rug in the living room. He'd been absolutely riveted by the dining room, chirping and chattering at the birds through the windows – to their endless amusement – and surveying the backyard as if it were new domain he's claimed. 

He's just adorable. And quickly growing very comfortable here. 

Clearly.

"Well, he didn't take long to settle in, did he?" he remarks.

Rebecca's laid out on the couch with Arthur stretched along her front, his head nestled against her chest, paws stretched toward her chin. He can hear the little guy purring from where he stands at the end of the couch as she strokes his fur from ears to tail, grinning with pure delight.

"And he found the best spot already."

She chuckles, bending her knees to make room for him to sit. Arthur lifts his head, eyes opening at being jostled. 

"Oh, relax," she mutters. "We share with Ted, alright?"

She lays her legs over his thighs as he chuckles. 

"I see you're having no trouble bonding with our new resident," he says as his arms stretches along the back of the sofa.

"Of course not," she almost coos, rubbing at Arthur's cheek. "And don't think I didn't see you carrying him around like a baby yesterday."

"Oh, c'mon. He was lookin' up at me and making the saddest little noise. And you know what, I ain't even gonna pretend I wouldn't die for him already."

She chuckles, holding Arthur's little face as he just purrs and purrs. "You hear that? You have Ted's eternal devotion."

"Christ, he looks more in love with you than I am," he muses.

She laughs at that, glancing up at him. "I'm pretty sure he's very happy to not be in that cage anymore."

Arthur stands at the disturbance, stretching his back before he traverses Rebecca's body to see what Ted has going on. 

"I think you made a good choice, darlin'," he says to Rebecca as Arthur just stands on Ted's thighs, pressing up into his hand as he strokes him. 

"I love him," she mutters.

He smiles as Arthur throws himself against Ted's abdomen, rolling in his lap.

"Me too."

×××

When she steps into the bedroom, she just has to grin.

Ted's lounging on the bed, scrolling his phone with Arthur cradled in his arm against his chest, dead asleep.

It's almost hilarious to think about now – that she was uncertain if he'd enjoy having a cat. More than half the times she comes upon him in the house, he's either holding or talking to Arthur. He carries him around like a little prince and he just purrs like a madman.

Maybe they didn't end up with a box of kittens, but it's still unbelievably cute. And she hates to disturb it, but, right now, she's going to.

She crawls up onto the bed, leaning on an elbow next to him.

"What's going on here?" she asks, scratching the top of Arthur's head, startling him if his little mrrp is anything to go by.

"He needed snuggled apparently," Ted says as he drops his phone next to him. "And I think I make a pretty good bed if I do say so myself."

"I can confirm," she nods. "But he might have to go."

Ted frowns at her, stroking Arthur's side almost protectively. "He's fine here." 

"Okay, but what if I'm trying to have sex with you?" she asks, watching Ted's brows lift again. 

"Ah, well, I think you're a little late," he says, gesturing to the cat. "I think I'm otherwise engaged for the evening."

She gives him a flat look, getting a little grin back. 

"Arthur, buddy, I think you're in danger," he whispers to the cat, who has no reaction whatsoever. Ted shifts him to get him up and he just lifts his head and glares at him, dead weight against his chest.

"Oh, c'mon man, don't do this to me," Ted chuckles as Rebecca pantomimes looking at a watch. "Look at her. Be a little wingman here, huh?"

He's unenthused as Ted lifts him up and leans to put him on the floor. 

"There," he says, immediately rolling into her until she's on her back, grinning up at him. 

"I'm all yours," he mutters against her neck, his hands immediately bunching her shirt to get to her skin. "Though you might have to work out a schedule with the little man."

She snickers, pulling him down hard against her with a leg, sliding her hands against his back as she catches his lips with hers. She hums as he grinds against her, the little fever in her core telling her this probably isn't going to be especially leisurely–

They both freeze at the sound of the sheets rustling. They look towards the end of the bed, where Arthur's jumped back up, ears pinned back, feet braced against the duvet. Before either of them can say anything, he dives forward, chasing nothing, then does a fast loop before freezing again. 

She can't help but snort when he looks back at them, eyes wild before he does another circle, then gets distracted with licking his leg.

"What is he doing?" Ted chuckles, then startles when Arthur spins and leaps at his toes.

"Oh, Jesus, man!"

She barks out a laugh as he jerks his foot away and she's in stitches as Arthur chases after it before finally doing another loop, leaping off the bed and sprinting out the door. 

"What the hell–" Ted laughs, turning back to her as she catches her breath, pulling him against her again.

"He's not the forgiving kind apparently."

"Who wanted a cat again?" he asks, his grinning mouth falling to her jaw.

"I did," she laughs. "And it was so worth it."