#because what you'll get is only-- no more writers at all

[elysianfieldsarchive]

Elysian Fields Anniversary Event Details!!!

It's our birthday!

Elysian Fields Spuffy Fanwork Archive is turning eighteen, and so, the inspiration for the theme comes from Buffy’s own harrowing eighteenth birthday, when she is betrayed by Giles and the Council alike. 

That said, your fic/art DOES NOT have to be based around that same episode. So long as it’s a Spuffy work with betrayal as a theme, you’re good. This does not mean it specifically has to be Buffy or Spike who is the subject or perpetrator of the betrayal! You could go for a spin on canon with Amy betraying Willow, Willow betraying Tara, or something completely AU like Xander being betrayed by the cheese guy from Restless. Your use of the theme can be as small or as large as you want. So long as it's obvious enough for the readers to go "Oh, I see what you did there!" then your fic qualifies for this challenge. Whichever path you choose to take, we'd love to see what you come up with.

How and when do I post my story?

Starting as soon as the clock ticks over into October 1st (site time, which is Eastern US time—it's listed under the ShoutBox), you'll see a checkbox on the page where you add a new story. It’ll look like so:

Reminder: Your work DOES NOT need to be complete prior to posting. In fact, it doesn't even need to be completed during the event month. So, any creators stressing about the timeline, you can relax because you have the whole month to BEGIN posting your work.

Also: the betrayal does not have to happen in the first chapter, or any chapters that are posted during October. The only requirement is that betrayal is featured in your work at some point.

How do I find Challenge Stories?

Want to keep up with the fun? All betrayal works will have a little knife icon in the byline, as seen in the example below:

And you can find all of the betrayal works as they are added by visiting the Event Page.

What should my work include?

So long as your work features Spuffy, a betrayal, and doesn’t break any of EF’s rules or Terms of Service, you’re golden. You could make art, write a comic, edit a fan-vid, or write an epic novel. The world is your oyster poodle! 

Written works must be at least 100 words long, but there is no word count limit for artwork-only pieces or narrative artwork (i.e. works that consist of both words and pictures, such as a comic).

Please remember that EF has a strict no-AI policy.

What happens if I don’t post my work within the time window?

If you don’t post the first installment of your work during October (per site time), it can’t and won’t be considered part of the October event, sorry.

Do I need to post the entire work before the end of October?

Again, no. You just need to have posted at least one chapter before site time ticks over to November (per site time).

What about beta readers and sensitivity readers?

We love beta and sensitivity readers and have a shiny Beta award they can win! Use EF’s credit system to mark their contribution or else they won’t get the award—and they deserve all the accolades for their hard work!

Can I work with someone else on my event response?

Sure! The more the merrier! Whether it’s writers working as coauthors, artists creating a collaborative work together, or an artist and a writer teaming up as a duo (or a moresome!) as deadly as Spuffy, we welcome collaborations for this event.

How do I get the art award?

You can get the art award by creating a banner (for yourself or someone else) or by posting a work that fits within our Artwork or Narrative Artwork categories. We’ve seen images, manips, gifs, videos, fan vids, comics, playlists, and more get posted, and can’t wait to see what y’all will come up with next!

If someone has created art for your work, make sure you credit them using EF’s credit system—otherwise we won’t know to give them an award! And DON’T FORGET to credit yourself as artist if you created your own banner or other artwork.

Are there rules for banner creation?

Banners should be no more than 920x300 pixels and include a variation of the text ‘Designed/Created/Written for the Elysian Fields Betrayal Event’ somewhere on them. Example:

Now that I have a gorgeous banner/other artwork, how do I add it to my work?

To add the banner to your story, you can upload the banner to your account in “Your Images” under “Account Info.” Banner images must be a gif, jpg, jpeg, or png file type, and under 1 MB in file size. Banners should be no more than 920x300 pixels. Images posted within chapters can be up to 1500x1500 px. (Note: make sure you add images to the chapter itself; any images in the Chapter Notes or End Notes won’t be added to ePubs when people download them!) You can also host your banner on an image-sharing site or your own site, especially if the file size is too big for us to host on our site.

You then enter the URL from Elysian Fields or the image sharing site in the Banner URL field on the Add Story page, or click the Insert/Edit Image icon in the toolbar for the Story Text box.

NOTE: The URL you add MUST be end in the image file extension (.gif, .jpg, .jpeg, or .png) or else the URL will not be saved. Make sure there are no spaces after the final character in the file extension. If you are having issues with a specific image sharing site, please reach out to us via email or try asking for help in our Discord server.

You said we could add videos? How do I do that?

You will need to get the embed link from YouTube, Vimeo, or another site (which can be a little tricky on mobile, but not impossible—google for directions if you can’t do this on desktop) and insert the html into the Source Code. You can access this by clicking the Source Code button in the toolbar. Reach out via email or Discord if you’re having any issues with embedding videos.

Is there an event skin?

Yes. The October event skin is now live if you want to make it your default. Scroll down to the skins on the main page or in the footer and select the one labeled “betrayal” to switch. If you want to keep it, make sure you change the selection on your preferences page. (Otherwise it will change back to your saved skin the next time you access the site.)

And if you haven't seen it yet, the skin looks like this:

The banner was made by our very own @isevery0nehereverystoned.

Will you be featuring regular works while the event is going on?

Instead of our normal mod-selected featured works, we will be highlighting fanworks posted in past years in honor of our October anniversary. Starting on the first of the month, each day will highlight a random assortment of works posted during the matching year of the archive (for example, on October 1st, we will feature works from 2006, our first year; on October 2nd, we will feature works from 2007, our second year; and so on). On day eighteen, we will change to feature fics that are part of this event.

The October Event challenges authors and artists. What about the readers? Won’t you think of the readers?

Obviously, readers deserve all the love. If you write at least 18 comments in October that contain at least 18 words (for any works here on EF, not just the challenge ones), you'll meet the requirements of the commenter challenge and earn a Commenter award! There will be a link to the comment challenge leaderboard on the homepage under the Members of the Month along with the All Star Commenter list.

Show me the awards!

This event’s shinies have also been lovingly made by HappyWhenItRains. Lookit!

I’m So Excited!

We are too!

Do we really have to include poodles in our works?

No. Probably.

Anything else?

If there are any additional questions, please comment on this post or email us at elysianfieldsarchive@gmail.com. And get ready for some amazing new stories!

[runa-falls]

FREE USE WITH MIGUEL? LIKE ANYWHERE ANYTIME?

a/n: YES NONNIE, ANY--FUCKING--TIME. AND HERES ONE OF THOSE TIMES :^) idk if this is free-use or feral!reader or both. anyway, just enjoy it lol. like every time, this got away from me

special thanks to mona (@whatthefishh) for letting me scream this shit to her over discord + for helping me figure out exactly what 'free use' is lol

cw: smut (18+), free use kink, small very small bit of somnophilia (CAN'T ESCAPE IT), non-explicit oral (m-receiving), afab!reader, mentions of ovulation (+ period) horniness, fingering, cockwarming, fucking w/ multiple orgasms, the same Spanish pet name used over and over, reader is basically a bothersome cat, writer is so all over the place it's confusing.

wc: 2.4k (this was supposed to be a quick thot but wtvr)

---

miguel is a gracious boyfriend, he practically lives to please you. so when you approach him in the middle of the day with nothing but his shirt draped over your figure, he has a hard time rejecting your advances.

sure, he tries, but every time he gives you what he wants.

you're spoiled, really.

miguel works at home as much as possible. he hates having to leave you before the sun rises, walking away from a perfectly cozy bed and wet cunt (😳).

miguel convinces himself that Spider HQ can survive a day or two without him on site. he has several capable Spiders that do most of the heavy lifting for him and LYLA isn't afraid to take charge, sitting her holographic ass in the boss' chair.

he can set up mission plans and keep track of everything from his laptop, and he's always on call if he is needed for anything. the only issue is that working remotely doesn't work when he can't get anything done.

he's trying to go over notes from a meeting that was held earlier this morning.

he was supposed to be there, but you physically wouldn't let him out of bed. he swears you're a Spider yourself with the strength you have when you're especially needy and sleepy.

he smelled it when he woke up in the middle of the night to you mouthing over his boxers, that decadent sweetness that indicates you're ovulating.

you were desperate to get a taste of him, to fill that unbearable emptiness inside of you, whimpering with relief when you finally feel his fingers bury themselves in your hair to push your further against his bulge.

he learned early in your relationship that your insatiable appetite for him increases tenfold during your window of fertility (don't even mention your period). and so does your need for sleep. so he caters to your needs accordingly.

you passed out after convincing him to fuck the heat out of you, to snuff out the fire until your neediness recedes. apparently, the only time you aren't horny is when you're sleeping (though that isn't true... you wake up horny all the time??).

you've been sleeping soundly ever since, utterly exhausted by his thorough support, but he knows that once you wake up, you'll be crying for him again.

he crawled back into bed with you after telling LYLA to take over for the day, but after a few hours of almost suffocating because of the way you curl up on his chest like a cat, he got up to get some coffee and finish some computer work.

as soon as his warmth left you, you fussed. eyes still closed as you whined and moaned for his body. he shushed you, gently smoothing down your bedhead until you settled.

it didn't last for long.

you padded out of bed with bleary eyes, clearly looking for him when you walked into the living room. he offered you a quick "morning, cariño." before focusing back on his computer. he had to limit as much contact with you as possible if he wanted to finish his work.

just a few more pages and a couple of emails, and then he can give you all the attention you need.

his shirt brushes against your thigh like a summer dress as you make your way through the room.

he looked adorable with his loose white long sleeve on and black dad-glasses. his hair is still curly and fluffed, telling you he wasn't planning on leaving you anytime soon.

you shuffle over to the couch, sitting next to him with a sigh.

he doesn't react.

somehow, the minimal recognition that you're there, his adamant refusal to look at you, turns you on as much as it irritates you.

he's really trying his best to be a good boss, hm? trying to resist a temptation that's barely a foot away from him.

it makes you feel dirty and deprived. you blatantly rub your legs together, urging him to look. your gaze washes over his sharp jawline watching as it clenches at your soft coos.

"...baby."

"'m working, amor." his voice is still soft, despite the efforts he's taking to ignore you.

you huff.

"but--"

"not right now."

you scoot closer to him, strategically allowing the hem of his shirt to ride up on your thighs. so he's really going to make you do it...

you tug at his sleeve, taking his arm away from his work (though it doesn't look like he was working on much at all, he's been sitting on that exact page for 5 minutes now).

"not right now, mi vida..." he protests lightly, but he doesn't move away. he's not even trying, you think.

you smirk at his empty words. you can see the way he's looking at you: your messy hair, bare legs, the shadow of his shirt hiding away your most sensitive spot. his breathing grows heavier and so does his stare.

"i have work--" miguel is always so soft and sweet to you, melting in your hand though he has all the power to stop it.

"please, miguel? just one, for me?" his lips part as you place his hand against your bare thigh, slowly dragging it upwards until it meets your center.

he doesn't take his hand away, doesn't even pull back a single inch, instead, he instantly complies, cupping his warm hand over its entirety. he chokes out a low groan. you're not wearing anything underneath.

"ok, i guess if it's only once..." he whispers, already breathy. he's leaning over you, almost on top of you, forcing your legs to spread impossibly wide.

he watches as his finger rubs against your slick center, spreading your wetness until you're glistening for him under the late morning light. he pushes in slowly, so slowly, eyes flicking up to your face to witness the small o your mouth makes as he presses in deeper.

his mouth waters as he fingers you, he wishes he had enough time to go down on you, and taste your slick straight from the source. he knows how much you love it when he fucks you with his tongue and suckles on your clit. but no, he has work to do. he needs to get you off so he can finally focus.

"this what you needed, cariño?" it's all but growled into your space, his voice low and taunting. all you can do is nod with bleary eyes as your hands grip onto his thick bicep for support.

he adds another finger and thrusts them into you quicker, angling them just so his palm can gently nudge at your clit. he can feel you tightening around him already, fluttering with each pass that he makes against your g spot. he presses harder, drinking in your choked gasp and shaking thighs.

you're so wet, spilling over his fingers and dripping against his hand. the noises between you are deafening. a mixture of sopping thrusts, heavy breathing, and quiet mewls fill the still silence of the living room.

he's so good at this, too good at this.

how can he make you fall apart with just his hands, caress every sensitive nerve with a single stroke?

you're at the cusp of euphoria. your body, filled to the brim with pleasure, urges you to let go, to take what you want. but you don't want to. you want to stay at the edge forever with his hands on you, to be at the center of his affections, always just one breath away from transcendence.

you're not ready for him to stop touching you anytime soon, you realize. you still need it and after you'll need it again. you need him.

his glasses start sliding as he looks down at you, dropping until they're barely at the tip of his nose. he's focused, eyes locked on how he fills you again and again.

his fingers speed up, expertly aiming against that special spot inside of you. your hips rise from the couch, needing him as deep as possible. then it all falls apart.

you cry out, back arching and eyes rolling. your body is barely touching the couch under you and it feels like you're being lifted up by unknown forces as you reach your climax. white fills your vision and heat thrums through your limbs. you can't hide your one orgasm from him, it's too intense.

before you could recover, he slips his fingers out of you.

"alright, honey, we're done." he casually sucks your essence off of his fingers before propping his glasses back to the arch of his nose.

"ok, ok, i get it. you're busy." you pant, still pulsing from your high. and...he's already back to work. he wasn't kidding when he said he had stuff to do. "i'll just...be sitting here."

so you watch him get back to work, or you try to. the incessant scrolling, typing, reading, and muttering thoughts that accompany his work is usually enough to put you to sleep. it's an unusual lullaby that's attached to him. one that brings you the comfort of knowing he's near.

but he's hard.

he seems so relaxed, so content to work, but his erection presses so desperately against his sweats, outlined perfectly by the grey fabric.

so how could you not touch him? he clearly needs your help... and if he doesn't, then you need it.

you want to be good, you do, but when he types so effortlessly like that with the fingers that were just stuffed in your cunt, or when he looks over his dad-glasses to look at something like a hot fucking nerd, you can't help it.

it's been, what, 12 minutes? that's enough work for the day in your opinion.

you start slow, hesitantly, watching to make sure he's not looking at you (though he can clearly see you from his peripheral vision). you stand up on the couch right next to him. you're a bit unstable on the squishy cushions so you use his shoulder for support.

he looks over at you, confused as to why you decided to walk all over the furniture like a toddler.

you carefully maneuver over his arms to settle yourself on his lap. you're a koala around him, holding your torso to his, looping your arms around his neck and sharing your shimmering lustful body heat. he grunts when you scoot even closer to him, your bare pussy pressing entirely against his covered cock.

but he ignores it.

he doesn't say anything, barely even moves, and just continues to work. you pout a bit, but let him. you convince yourself that you're content with just sitting here and enjoying his company (despite the large distraction that pulses against your pussy, pressing so sweetly under your needy clit).

you listen to his steady heartbeat and slow breaths, the occasional sound of tapping keys. you nuzzle against the soft shirt that stretches over his chest. you're fine.

it's not like you're leaking all over his sweatpants, leaving a puddle at the apex of the fabric. you're not crying on the inside, so empty and fluttering around nothing. you're fine.

until you arent.

you lazily lift your hips above his, nearly head-butting his chin in the process. his arms lift to help you get settled, hands resting on your waist, as patient as ever.

you reach below you and he stiffens. he wasn't expecting you to--

your hand buries itself under his sweats, delicate fingers brushing over his erection. he breathes out your name when you squeeze him teasingly before pulling him out.

"what did i say?" he grunts, hand swiftly wrapping around your wrist. the words are lost on your ears as you caress the silky steel in your fist. it pulses at your touch. he needs this.

he says your name once more.

"you're working."

"then why are you trying to fuck me?!"

"i'm only going to sit on it." you give him an innocent look. you slowly lower yourself so your dripping center meets his before sliding your glistening lips over his hardness. "won't move or say a thing, promise!"

"cariño..."

"just wanna warm you, baby." you position him right against your entrance. "is that so wrong?" you lower yourself before he can say anything else.

you take him easily with how wet you are, and he fills you perfectly. he sucks in a breath at the feeling then growls out, "don't move."

well, you do move (is anyone surprised). you move a lot. but he moves too. harsher and more competitive. who the hell fucks competitively?

you moan over him, bouncing on his cock eagerly. his hands hold your waist, guiding your movements just how he likes it: fast and hard. his laptop, somewhere on the other side of the couch, is forgotten and probably long dead by now. so much for working at home.

you've cum at least four times already, but who's keeping count (you're not. you're so fucked out, you have to manually breathe now.)

he won't let up anymore. you asked for it and you're getting it.

"do i gotta fuck you to sleep, hm? is that the only way you'll leave me the fuck alone and let me work?"

you only admit now that you're eyes were definitely bigger than your stomach. you're practically drooling as he takes control once again, snapping his hips from under you, harsh and punishing. as if this is a punishment.

he has to carry you back to bed that afternoon. he couldn't just leave you on the couch, naked and shivering. plus you'd be a distraction with your bruised hips and fucked out cunt.

you murmur adorably in your sleep as your body unconsciously nuzzles further into his arms. he places you lovingly on the bed and you immediately curl up. he sighs, brushing your hair out of your face because he knows how much you hate it when it gets in your eyes or tickles at your nose during the night.

you look so cozy and comfortable. but so alone in this huge bed.

he debates laying down with you, only until you're in a deeper sleep.

maybe just a few minutes?

LYLA had a few choice words when he woke up in the morning....

[esoteriamaya]

Astro Notes : Short N Sweet <3 Neptune's Revenge

Neptune 1st House - Popular energy. Very well known for their beautiful, majestic energy. Could have a lot of haters but admirers at the same time. Energetically sensitive to alot of others emotions. Sometimes, it can be a lil confusing holding so much power. Because their energy can be mixed up with someone elses if they don't know how to tell the difference. They usually have a strong sense of self, its just other peoples opinions can get in away of that if they arent careful.

Neptune 2nd House - Could use some help on the financial train. They're organic to the way they use their money. I mean, they could be super horrendous spender, spending each and every dime on any and everything. While still some how always having more in their wallet. Or they could be pretty good at saving and are a little bit of a cheapskate.

Neptune 3rd House - Whimsical voices. Poetic writers. Creative thinkers. Very talented when it comes to the hands as well. Could be excellent drawers & painters. Neptune in the 3rd has an ability to travel to very interesting places that aren't too far at home. They may go on lil adventures here and there. But its always a treat. Its kinda strange how well they can be at finding good eats as well with all the travel they do. Could work abroad or go to college somewhere out of their comfort zone a lil.

Neptune 4th House - Has a lot of secrets when it comes to the inner child. Very free, sweet loving children. Can open a door to different realms like we're in Narnia or something. Angelic creatures who enjoy alone time near their favorite place. If they ever share that special place with you consider yourself lucky. They normally keep the things they cherish hidden for a long time.

Neptune in the 5th House - Artists who seek deep into the art and become it. Very creative & a one of a kind with the way they carry the emotion in what it is they do. Can have you thinking hard on what it is they are trying to convey, they are a master at making complexities more harder to figure out. Just be there in the audience and watch the show. You'll never leave the same again.

Neptune in the 6th House - Fun loving pet owners, they go hard for the planet and the creatures that come from it. Real advocates for change and don't take too kindly to insensitive people. Could need to sharpen their boundaries a little more with people. Also, are incredible writers and should tap into this side a bit more. You might end up surprised with what talents you have that could make you some money, or could be a really cool job.

Neptune in the 7th House - Romance is the thing that just keeps on given to these individuals. May need to put the rose colored glasses down. that man might not be for you, love. Don't forget to put more time into your own needs versus the needs of someone else. Your compassionate energy may run dry if you're not using that waterfall of emotion for yourself. People are drawn to 7th house neptunes alot more than you think. They are capable of seeing thru the veil, you just don't notice.

Neptune in the 8th House - Psychologically understands the reasons on why the universe is the way that it is and why the people in it behave the way that we do. Could be honest about a lot of things, dishonest about what they know. The world doesn't need to know everything, which is why the divine gifted them with certain antidotes. Only they can use this so bring healing to a certain nation (or individual) but not everyone can find this secret the way they can. This is normally given to them by spirit guides, ancestors, or thru drreams.

Neptune in the 9th - Impracticality is almost their birth right. They see things in a way that doesnt make sense at all but to them it means something. What I mean is that these people see the world bigger than what they people tell them. They could have big drams and not understand why they have them, but God put them their for a reason. So you can figure them out. You may want to travel and study abroad, or just move somewhere different and don't know how. Thats where all the magic happens, finding out and taking the risk. The sagittarian way.

Neptune in the 10th - Majestic auras. The highlight of the moment. The star. The siren. The energy healer. Do I keep going? Very special creatures who touched this earth to make their dreams come true, even if they have to figure it out themselves. Empathetic to the people around them and are big on helping out with anything whenever they can. The Queens & Kings of the law of attraction. Can attract what they want if they just believe it in it more.

Neptune in the 11th House - Community leaders. Ancients who know they way to what the true reality is meant to be like. Literally can change the world with the way they move, think, and go around helping others. Sweet and lovely people to be around. Needs healing in their own friend groups. Can be a little out there, but thats why people love them.

Neptune in the 12th House - Practical minds in a world that tells them their crazy. No they arent crazy, they just have multiple psychic gifts. And these gifts have a way in showing them things people aren't usually equipped with handling. They need more time alone and in nature to keep themselves grounded. Other wise, they will go crazy from the world telling them that their crazy... When really they know a little more than what they led on. The imagination is a fun place, but also a place where the most hidden becomes entirely to open. Seers of the daylight & the night.

[thebibliosphere]

I both believe "poor people deserve art" and "artists deserve food", but it's hard to reconcile those beliefs. I blame capitalism. And I suppose it mostly matters who you're stealing from?

I don't mean to question you at all, I'm against people pirating your stories. I guess I was just wondering if you had more thoughts regarding the reconciliation the two beliefs I quoted above.

I think the reconciliation is working toward a future where things are better, and authors and artists don't have to beg people not to steal from them because they think every author is Stephen King, who wouldn't notice if you stole the pennies found under his couch when in reality most of us are hunting for spare change down the back of the couch because we are earning below minimum wage.

We need people to embrace the idea that art belongs to the working class, both in terms of consumption but also creation.

If you don't support the working-class creators, you'll only end up with rich fucks with no scope of the world beyond their own narrow view of privilege.

Indie creators are actually working very hard to change the way the industry works, and the publishing industry is shitting itself over it. They don't like the success some of us are having. It's why they keep upping prices while slashing corners on their own production (while never affecting the man at the top) to try and stay competitive within the rat race they've created.

They're not interested in the proliferation of art. They're not interested in making sure their authors can afford to live. They don't want more diversity. They don't want inclusion. They want profit at whatever the cost.

And while indie creators very much need to get paid because we live in a capitalistic society and everything is burning down around us, and a carton of eggs now costs more than what I earn per hour, our creativity is directly at odds with the type of profiteering big publishers want.

The money should go to the writers. Not the CEOs. The money should go to the workers in the print houses. Not the CEOs. No one needs the kind of wealth these people have. It's obscene. We need direct action against these conglomerates. We need unionization. We need a means to fight back so that we can make art and make it accessible.

So, how do we do that? I don't know. I'm just a very tired, disabled creator doing my best to keep my head above water. But I think getting people to realize that art and books are worth saving up for would be a good start.

That putting money in the pockets of creators is just as important as your own enjoyment of their art. Because if there aren't any artists, you've got nothing.

Getting them involved with their local libraries would also be a great start. Educating them on how the industry works is part of that. The number of people telling me they had no idea libraries paid authors is staggering. And that's intentional. It's a by-product of right-wing propaganda to make you think libraries are worthless and just sap taxpayers' money.

They're not.

If they were, the fash wouldn't be trying so hard to take them away.

Basically, we need working-class solidarity and for certain people on the left to rid themselves of the idea that just because something isn't borne of manual labor, it doesn't have worth. We need the artists and the dreamers as much as we need to bricklayers and the craftsmen. Otherwise, what's the fucking point of it all?

[goldsbitch]

Hello hello! I am still absolutely obsessed with the "Fire" fic you wrote. You are such a talented writer omg, the storytelling, the humour, everything!

So I thought, I have an idea for a funny fic and I'm just gonna send it in LOL I remember Lando saying in an interview that he's really scared when he's the passenger. So what if his GF is speeding all the time and Lando is just internally freaking out and sweating while trying to keep his cool next to her?

Just an idea, if you don't wanna write it that's fine too (:

omg omg omg thank you so much! i'm blushing and i'm scared - hopefully you'll like this one! i added a detail that might be little over the top - but who knows? not me anymore.

I'll drive

"You have a car?!" Lando uttered, forgetting any table manners, the food he had been chewing nearly falling out of his mouth.

Y/N was dead silent, the look on her face strongly resembling a child who lied about cleaning their room and just blushed every toy under their bed.

Her boyfriend gave her a cheeky questioning look, and when it finally set in - the fact she had been hiding the existence of her car from him - he was truly stunned and somewhat amused.

"So, wait. You know how to drive?! Why am I always taking you places?" he asked rhetorically, never actually being bothered by that, but still.

"I don't know how to drive-" she tried before getting interrupted by her father.

"Of course she does, I taught her myself," the jolly man said and patted her on her back with a proud smile. Y/N's face got washed with crocked smile, as if she swallowed something truly detestable.

"No, I do not know how to drive-"

"Nonsense, she's alway been so hard on herself," he father continued. Y/N just sighed.

The young couple came to visit her hometown for the first time. It was lot of reminescing of old times and her school days - a context that Lando very much appreaciated. He had met her as a grown up woman, but that weekend, he witnessed many amusing moments and heard lots of stories that only childhood small towns hold. What did he love the most about this experience? The fact there was nothing for her to do to stop it, no matter how much she frowned. Influx of surprising moments, but this discovery topping all of them.

She saw Lando's perplexed face and tried to save the situation. "I never lied to you, technically you never asked...I just figured you like driving so much, why bother, especially if I am so bad at it..."

Lando was not having it. "Oh, you're not getting easily out of this one," he replied, biting his lower lip, actively having to remind himself of the fact her family was right there. There was something innately attractive about her being so raw and pushed into a corner. Just pure cuteness. "I'm sure you're not half as bad as majority of the people out there," he said, new plans forming in his head. "I think you and I should take her for a spin," he said, referring to the car, and hid his smile behind a glass. Her eyes were piercing his with an energy so intense, it was electrifying.

"No, Lando, I am not driving while you're in the same car," she stated firmly, not breaking the eye contact.

"Come one, sweetheart, it'll be fun," he said, honey dripping out of his mouth.

"It will be anything but that," she said, but Lando ignored that, turning into her father for more information.

"So what kind of a car it?"

The rest of the conversation continued in description of a car Y/N herself could only describe as red, her father telling a story about how he got it for his daughter and how she actually barely ever drove it, which apparently broke his heart.

//

Let's not forget, this was Lando - of course he had ulterior motives. While it was great, spending few wholesome days in the company of his girlfriends family, his frustration grew, because for some reason, she refused to have any intimate activities in her family's house. Why, he had no idea. But of course, he respected that.

She never mentioned anything about not having some nice outdoor sex in a car. He wanted to see her drive and also ride. His perfect afternoon.

Lando is not the best of passengers, often uneasy about the common mistakes casual drivers made. Taking over the wheel is a natural thing for him to do. But, this was an exception he was excited to make - how bad could it be, right? He learned the hard way not to ask that question again.

//

"You sure you don't want to switch places?" she asked, once again, doing everything she could to get out of this.

"Nope babe, passenger seat is the vibe for me today," he smirked, making himself overly comfortable sitting next to her.

She raised her eyebrows. "Here goes nothing, I guess," she murmured and put the keys into ignition.

Lando found it amusing, seeing her so hyper-focused, as if she was launching a rocket ship. To be fair, it was a manual car - so it was close.

Three deep breaths - I fucking hate this, she thought, turned the key and released the clutch. When the car immediately jumped, Lando regretted sitting in his usual obscure way, his head hitting the door with quite a loud bump.

"Told ya," she said and started the car again. No matter how much she tried, she couldn't possibly sell her mistake as an intention.

"You released the clutch too soon," he said while assessing the bump forming on his head.

"Do not give me advice when I drive, makes me angry," she announced and this time actually managed to start the car in a semi-ok way.

Lando watched his bubbly, happy-go-lucky, girlfriend turn into a monster and there was nothing for him to do to stop it.

Everything was somewhat fine when they were still on the quiet roads surrounding her neighborhood. She stopped on the way to the main road, watching two cars that were comically far away and letting them pass. They didn't have to say anything, both knew what the other one was thinking. Y/N knew there was plenty of time for her to join the road before those cars, but the lack of trust in her own abilities was making her wait stubbornly. Lando watched the scenery, amused and starting to understand that in this relationship, his place as the driver was more than secure. She didn't want to be in this position, in fact she was increasingly more mad, that Lando and her father teamed up on her. But since she was where fate got her, she was absolutely not accepting Lando smirking at her.

"I know what you think, we have plenty of time, so I will not be doing some stupid moves to get us both killed," she said and gripped the steering wheel even more.

To prove his point, Lando leaned over her and squirted his eyes and watched the slowly approaching cars. He gave her a sarcastic nod. She rolled her eyes.

"I'm joking, I'm joking," he said, putting his hands in defense.

"You better be, otherwise I'll just yeet us into the ditch."

"Feisty..."

And that was when the line got crossed.

"Fine!" she said, having no control over her emotions, and pressed the gas with new found energy. She turned, almost into a drift, and joined the main road, nearly having the two cars crash into her.

Lando gripped the handle, not expecting her to speed so much. His eyes went wide with realizations - she was the kind of driver operating on emotions. Had this been a racing track and an F1 car, he'd be having more fun, knowing the cars were epitome of safety. He was not so sure about this vehicle.

She had the "Tsunoda" energy and absolute lack of skill to go about it. Weaving, wrong gear almost constantly and not bothered by the sound her car was making.

"You're driving quite close to the lane, baby," he commented, getting more and more worried about their safety.

"Shut up, don't be all smart about it," she said, lips locked in a line. She was focused - not that it helped.

Another hard turn where she missed the right moment to go into it. Lando took a deep breath and closed his eyes for a second, trying to stay calm.

After few hundred metres, he couldn't take it again.

"I think you're way over the speeding limit," he mentioned.

"That's not what this says," he nodded to her speedometer. Lando leaned over and had to laugh.

"Yeah, that's definitely not correct. Honey, I'm sorry, but the lane - you are too close to it," he said in the calmest tone he could gather.

"My brain does not work like that, I see it more in an abstract way..."

His eyes nearly popped out. "You see the road in an abstract way? Oh dear god."

She sighed, not understanding what was the big deal was. "No like, it's a concept. It's not real, if there is nobody on the road, you can be anywhere."

"I'm pretty sure that's not the case, sweetheart," he said and thought for himself that it could be the case if she knew how to drive, but not like that. "Change the gear, you're burning your clutch."

She slapped the steering wheel. "I. Do not. Accept. Advice. At the moment. Thank you!" she said slowly before going on a rampage. "We both know you're exceptionally good at this, it was your idea, I tried to stop you, so now face the situation and do not tell me what to do because I might panic even more!"

"Ok, ok, calm down," he said, putting his hands up in defense and turning his head away to avoid watching her inventing a new way how to turn the steering wheel.

This sent her over the edge, truly giving up on any rules. She was mad, scared, uncomfortable and kind of hungry to be honest.

Lando stayed silent, worried for his life, regretting his decision and making a mental note to listen to her if she says she can't do something - if they survive this.

A huge bump and a loud noise. She barely managed to keep the car on the road.

"What is that?" she screamed, not knowing what to do.

"Front left tire puncture, retire the car! I mean, shit, stop, over there," he gestured, to the sideline of the road.

//

"Ok, so what now?" she said once it seemed like a decent amount of time for him to stop observing the wheel.

"It's just the tire, I'm sure you've got a spare at the back, right?" he asked and like the gentleman he was, got up and looked in the back for a replacement. When he got it out, he proudly put it in front of her, considering his part of the job done. She stared at him, not moving. "There you go," he said, encouraging her. "They taught you how to do this at driving school."

"Um, yeah. I missed that lesson. Can you do it?"

"How could you miss that lesson?" he asked in desperation. Both of them stood there, waiting for the other to take the lead. It was very unusual for Y/N to see him this passive around a car. "Come on, you must have had a question about this on your test," he pleaded.

And then it clicked. "Lando?" she asked, having a very strange feeling about his behavior. "Do you know how to change a tire?"

He stayed silent, pretending to ignore her question. Y/N's eyes went wide. "Oh my god, you don't know how to change a tire?!" she asked once again, unable to believe that could even be the case. "Isn't that like half of your job?"

"Well no, actually, my job is to drive. There is a whole team dedicated for changing my tires," he said matter-o-factly.

"You're a racing driver. Spend more time in a car than in a bed. And you don't know how to change a tire," she stated and started to laugh. "That's so rich."

He let out a heavy sigh. "I've never actually done it myself. Plus these are normal tires, different system."

"Oh my god," she said, unable to process.

The way how much this whole thing has backfired had Lando stuck. He was suppose to be engaging in inappropriate activities with his girlfriend at this moment. In his understanding of that, it did not include getting his phone out and searching for an online tutorial for bloody tire change. But, there he was. Y/N was suddenly having so much fun, coming off a high that was the adrenaline her body produced during driving. She was free and driving was impossible now. Bliss. In her opinion, this was all Lando's fault - she told him she couldn't drive. Payback time - hopefully Oscar would pick up.

She was dialing her phone, while he was trying to understand how to go about this.

Yes, he picked up! "Hi, this is Y/N," she said in a very serious tone. "Who are you calling?" Lando mouthed, his biggest worry that she dialed up her father and he is now going to have a reputation until the end of time. "Help," she mouthed back silently.

"Hi Y/N," was Oscar's response, the driver being somewhat confused as to why she was calling him. "What's up?"

"Glad you ask. Me and my boyfriend got into a serious situation."

"You and Lando?"

Lando frowned. "Are you calling assistance? We don't need them..."

She ignored him."Yes, I was forced to drive-"

"He let you drive?"

"Forced-"

"What kind of assistance is it?" Lando asked, doubting the whole phone call.

Y/N continued without pausing. "And we managed to get a flat tire, which I don't know how to fix and to surprise of the whole universe, he can't fix as well."

There was only laughter on the other end of the call.

"Y/N, who are you calling?"

Y/N pretended not the hear Lando. "Do you know how to change a tire?"

Oscar was more than amused, knowing he just gained a wild card to use on Lando anytime he would want. "Yes, of course I do. Put me on Facetime with him."

Y/N smirked at her boyfriend, who was still confused and with sparkles in her eyes handed him her phone.

"Oscar says hi!"

Lando blinked, several times. "What? No!...Shit. Hey Oscar," he waved at his teammate awkwardly.

"I have been summoned," Oscar announced, finding this all very amusing.

"Yes," Lando replied, defeated.

Oscar did not wait and took the situation in charge. "First step to do is make yourself seen, guys. You got a triangle?"

"Where's the bloody bucket hat when you need it the most..." Y/N mumbled, having Lando roll his eyes in reaction.

"I'll go and find it and you guys figure this out, ok?" she said handing over the phone to Lando and giving him a little peck on the cheek.

"I hate you," he said with a smile.

"I hate you more," she replied and skipped over to the trunk.

//

After series of creative curse words, one pair of ruined jeans and a celebratory high five, the pair stood once again in front of her car, staring at each other.

"I guess I'll drive us back," Lando decided loudly and waited for her approval.

"Agree. Let's not disturb the gods anymore. You're such a bad passenger princess anyway."

The past hour was filled with lot of conflicting emotions, but the only one that stayed was the love the two shared just by looking at each other.

"I'm sorry I forced you into this," Lando apologized softly. "It was not fair. I see that now."

Her lips turned into a weak smile. "Thank you. And sorry for calling Oscar. I'm sure he won't let you forget this."

He see right though her. "No, you're not sorry about that - I can see the devil in your eyes."

She bit her tongue. "Yup."

It was hard for Lando not to kiss her in that moment. It was impossible for her to resist.

[felikatze]

ISAT and Ludonarrative Harmony: Combat is a Storytelling Tool

Or: How Siffrin is stuck in the endgame grind, forever

Please Note: This is primarily aimed at an audience that already played In Stars and Time, because I am bad at explaining things, and it's good to already know what the fuck I'm talking about. I tend to only bring up game elements as I want to talk about them.

Spoilers for.... all of ISAT! Especially Act 5!

(image to show how i feel posting this and as an attention grabber over my wall of text)

To pull a definition of ludonarrative harmony out of a hat, game writer Lauryn Ash defines it as follows:

Ludonarrative harmony is when gameplay and story work together to create a meaningful and immersive experience. From a design implementation perspective, it is the synchronized interactions between in-game actions (mechanics) and in-world context (story).

It is, generally speaking, how well game mechanics work hand in hand with the story. I, personally, think ISAT is an absolute masterclass of it, so I want to take a look at how ISAT specifically uses its battle system to emphasize Siffrin's character arc and create organic story moments. I want you to keep this in mind when I talk here.

So, skills, right? If you've played any turn-based RPG, you know your Fire spells, your "BACKSLASH! AIRSLASH! BACKSLASH!" and the many ways to style those.

Well, what does casting "Fire" say about your character? Not all that much, does it? Perhaps you'll have typical divisions. The smart one is the mage, the big brawny one is your tank, the petite one's the healer. And that's the barebones of ISAT's main party, but it's much more than that.

Every character's style of combat tells you something about them. Odile, the Researcher, is the most well-travelled and knowledgable of the bunch. She's the one with the expertise to keep a cool head and analyze the enemy, yet also able to use all three of the Rock-Paper-Scissors craft types.

To reflect her analytical view of things, all her skill names are just descriptive, the closest to your most bog-standard RPG. "Slow IV" or "Paper III" serve well to describe their purpose. The high number of the skills gives the impression there were three other Slow skills beforehand - fitting, considering the party starts at level 45, about to head into the final dungeon. She's also the oldest, so she's the slowest of the bunch.

Isabea, the Fighter, has all his skills in exclamation points. "YOUR TURN!!!" "SO WEAK!!!" "SMASH!!!" they're straightforward, but excited. He's a purposefully cheerfull guy, so his skills revolve around cheering on his allies. He's absolutely pumped to be here, and you see that from his skill names alone.

Mirabelle, the Housemaiden, is an interesting case. She's by all means the true protagonist of this tale - She's the one "Chosen by the Change God," the only one who survived the King's first attack, the only one immune to his ability to freeze time, the only dual-craft type of the game - just a lot of things. And her skill names reflect that facade she puts on herself - she can do this, she can win! She has to believe it, or else she starts doubting. This is how you get "Jolly Round Rondo" and "Mega Sparkle Heal" or "Adorable Moving Cure." She's styled every bit a sailor scout shojo heroine, and her moveset replicates the naming conventions of "In the name of the moon, I'll punish you!"

Even Bonnie, the Kid, who can't be controlled in combat, has named craft skills. And they very much reflect that Bonnie is, well, a kid. "Wolf Speed Technique" or "Thousand Blows Technique" are very much the phrasings of a child who learned one complicated word and now wants to use it in everything to seem cooler than they are, which is none, because they're twelve.

Siffrin's skills are all puns.

You have an IMMEDIATE feel for personality here. Between "Knife to Meet You!" and "Too Cleaver by Half," you know Siffrin's the type to always crack a joke no matter the situation, slinging witticisms around to put Sonic the Hedgehog to shame. It's just such a clever way to establish character using a game mechanic as old as the entire history of RPGs.

This is only the baseline of the way the combat system feeds into the story, though.

The timeloop, of course, feeds into it. Siffrin is the only character who retains experience upon looping, whereas all other characters are reset to their base level and skills. And it sucks (affectionate).

You're extremely likely to battle more often the earlier in the game you are - after all, you need the experience (for now.) Every party member contributes, and Siffrin isn't all that strong on their own, since they focus on raw scissor type damage with the addition of one speed buff. (Of course it's a speed buff. They're a speedy fucker. Just look at him).

At first, the difference in level between Siffrin and the rest of the group is rather negligible. Just a level or two. Just a bit more speed and attack. And then Siffrin grows further and further apart. Siffrin keeps learning new skills. He gets a healing skill that doubles as an attack boost, taking away from both Mirabelle's and Isabeau's usefullness. He gets Craft skills of every type that even give you two jackpot points instead of one - thus obliterating Odile's niche. Siffrin turns into a one-person army capable of clearing most encounters all on their own.

Siffrin's combat progression is an exact mirror of story progression - as their experience inside the loops grows, they also grow further and further away from their party. The party seems... weaker, slower, clumsier. Always back at their starting point, just as all of their character arcs are reset each loop. Never advancing, always stagnant. And you have Siffrin as the comparison post right next to them.

I also want to point out here a change from Act 2 to Act 3 - Siffrin's battle portrait. He stops smiling.

Battles keep getting easier. This is true both for the reason that Siffrin keeps growing stronger even when all enemies stay the same, but also for the reason that you, the player, learn more about the battle system and the various encounters, until you've learned perfect boss clear strategies just from repetition. Have you ever watched a speedrunner play Pokemon? They've played this game so many times, they could do it blindfolded and sleeping. Your own knowledge and Siffrin's new strength work in tandem to trivialize the game's entire combat system as the game progresses.

(Is it still fun? Playing it over, and over, and over again? Is it?)

You and Siffrin are in sync, your experience making everything trivial.

As time goes on, Siffrin grows to care less and less about performing right for their party and more and more about going fast. A huge moment in his character is marked by the end of Act 3; because of story events I won't delve too deeply into, Siffrin has grown afraid of trying something new. And his options of escape are closing in. They need an answer, and they need it fast. He doesn't have the time or patience to dumb himself down, so you unlock one new skill.

It doesn't occur with level up, or with a quest, or anything at all. At the start of Act 4, it simply appears in Siffrin's Craft skills.

(Just attack.)

No pun. No joke. Just attack. Once you notice, the effect is immediate - here you have it, a clear sign of how jaded Siffrin has become, right at every encounter. And it's a damn good attack, too! The only available attack in the game that deals "massive" damage against all enemies. Because it doesn't add any jackpot points (at least, it's not supposed to), you set up a combo with everybody else, but Siffrin simply tears away at the enemy with wild abandon. Seperated from the rest of the party by the virtue of no longer needing to contribute to team attacks (most of the time. It's still useful if they do, though).

Once again, an aspect of the battle system enhances the degree of separation between Siffrin and the static characters of his play. You're incentivized to separate him, even.

Additionally, there are two more skills to learn. They're the only skills that replace previous skills. You only get them at extremely high levels, the latter of which I didn't even reach on both of my playthroughs.

The first, somewhere in the level 70 range, Rose Printed Glasses, a paper type craft skill, is replaced by Tear You Apart. It's still a pun about paper, but remarkedly more vicious.

The second is even more on the nose. At level 80, In A While, Rockodile!, a rock type craft skill, is replaced by the more powerful Rock Bottom.

I didn't get to level 80. If you do, you pretty much have to do it on purpose. You have to keep going much longer than necessary, as Siffrin is just done. And the last skill he learns is literally called Rock Bottom.

What do I even need to say, really.

Your party doesn't stay static forever, though.

By doing their hangout quests, side quests throughout the loops that result in Siffrin and the character having a heart to heart, all of them unlock what I'd call an "ultimate" skill. You know the type - the character achieved self-fulfillment, hit rank 10 on their confidant, maxed out their skill tree, and received a reward for their trouble.

These skills are massively useful. My favorite is Odile's - it makes one enemy weak to all Craft types for several turns, which basically allows you to invalidate the first and third boss, as well as just clown on the King, especially once Siffrin starts racking up damage.

But the thing is. In Act 3, when you first get them, yeah, they're useful. But... do you need them? After all, they're such a hassle to get. You need to do the whole character quest again, you can't loop forward in the House or you'll lose them. If you want to take these skills to the King, you need to commit. Go the full nine-yards and be nice to your friends and not die and not skip forward or skip back. Which is annoying, right?

Well, I sure did think so during Act 4. After all, a base level party can still defeat the King, just with a few more tricky pieces involved. Siffrin can oneshot almost all basic enemies by the time of Act 4. It's this exact evalutation that you, the player, go through everytime you return to Dormont. Do I want this skill, still? Would it not be faster to go on without it? I'm repeating myself, but that's the thing! That's what Siffrin is thinking, too!

I also want to take a quick moment to note, here - all skills gained from hangouts have art associated with them, which no other skills do. This feature, the nifty art, hammers home these as "special" skills, besides just how they're unlocked.

Siffrin also has one skill with associated art.

Yeah, you guessed it, it's (Just attack.)

At first, helping the characters is tied to a hefty in-game reward, but that reward loses its value, and in return devalues helping Siffrin's friends every loop. It's too tedious for a skill that'll make a boss go by one turn faster. You, the player, grow jaded with the battle system. Grinding experience isn't worth it, everybody's highest levels are already recorded. Fighting bosses isn't worth it, it's much faster to loop forward.

Isn't this what all endgame in video games looks like? You already beat the final boss, and now... what challenge is left? Is there a point to keep playing? Most games will have some post-game content. A superboss to test your skills against, but ISAT doesn't have any of that. You're forever left chasing to the post-game. That's the whole point - to escape the game.

As most games get more difficult as time passes, ISAT only gets easier. The game becomes disinterested in expanding its own mechanics just as I ran out of new things to fight after 100%-ing Kingdom Hearts 3. Every encounter becomes a simple game of "press button to win."

The final boss just takes that one up a notch.

Spoilers for Act 5 ahead boys!

In Act 5, Siffrin utterly loses it. His last possible hope for escape failed him, told him there's nothing she can do, and Siffrin is trapped for eternity. So of course, they go insane and run up the entire House without their party.

This just proves what you already knew - you dont need the party to proceed. Siffrin alone is strong enough. And here, Siffrin has entirely shed the facade of the jokester they used to be. Every single skill now follows the (Just attack.) naming conventions. Your skills are: (Paper.) (Rock.) (Scissors.) (Breathe.)

To the point. Not a moment wasted, because Siffrin can't take a moment longer of any of this. Additionally, his level is set to 99 and his equipment becomes fixed. You can't even pick up items anymore! Not that you needed them at this point anyway, right? Honestly, I never used any items besides the Salty Broth since Act 2, so I stopped picking items up a long time ago. Now you just literally can't.

Something I've not talked about until now - one of the main equipment types in this game are Memories, gained for completing subquests or specific interactions and events. They all by and large have little effects - make Odile's tonics heal more, or have Mirabelle cast a shield at the start of combat. For the hangout events, you also gain an associated memory that boosts the characters' stats by 30. It lets them keep up with Siffrin again! A fresh wind! Finally, your party members feel on par with you again!

...For a time. And just like that, they're irrelevant again, just as helping them gave Siffrin a brief moment of hope that the power of friendship could fix everything.

In Act 5, your memory is set to "Memory of Emptiness." It allows you to loop back in the middle of combat. You literally can't die anymore. Not that Siffrin could've died by this point in the first place, unless you forgot about the King's instant-kill attack. This one memory takes away the false pretense that combat ever had any stakes. Siffrin's level being set to 99 means even the scant exp you get is completely wasted on them. All stakes and benefits from combat have been removed. It has become utterly pointless.

Frustrating, right? It's an artistic frustration, though. It traps you right here in Siffrin's shoes, because he hates that all these blinding Sadnesses are still walking around just as much. It all inspires just a tiny fraction of that deep rolling anger Siffrin experiences here in the player.

And listen, it was cathartic, that one time Siffrin snapped and stabbed the tutorial Sadness, wasn't it? Because who enjoys sitting through the tutorial that often? Siffrin doesn't. I don't, either.

So, since combat is an useless obstacle now meant to inspire frustration, what do you do for a boss? You can't well make it a gameplay challenge now, no. The bosses of Act 5 are an emotional challenge: a painful wait.

First, Siffrin fights the King, alone. This is already nervewracking because of one factor - in every other run, you need Mirabelle's shield skill, or else you're scripted to die. You're actually forced to fight the King multiple times in Act 3, and have to do it at least once in Act 4, though you'll likely do it more. Point is: you know how this fight works.

You know Siffrin's fight is doomed from the outset, but all you can do is keep slinging attacks. Siffrin is enough of a powerhouse to take the King's HP down, what with the healing and buff skills they have now, not to even mention you can just go all in on damage and then loop back.

(And no matter which way you play it, whether you just loop or use strategically, it reflects on Siffrin, too. Has he grown callous enough not even death will stop their mission? Or does he still avoid pain, as much as he can?)

This fight still allows you the artifice of even that much choice, not that it matters. The other shoe drops eventually - Siffrin becomes slower, and slower. Unsettling, considering this game works on an Action Gauge system. You barely get turns anymore. The screen gets darker, and darker. Until Siffrin is frozen in time, just as you knew he had to be, because you know how this encounter works, know it can't be cleared without Mirabelle.

And, then, a void.

Siffrin awakens to nothingness. The only way to tell you've hit a wall is if Siffrin has no walking animation to match your button inputs. You walk, and walk, until you're approached by.... you. The next enemy encounter of the game, and Siffrin's absolute lowest point: Mal Du Pays.

Or, "Homesickness," in english. If you know the game, you know why it's named this, but that's not the point at the moment.

Thing is, where you could damage the King and are damaged in turn, giving you at least a proper combat experience, even if its doomed to fail, Mal Du Pays has no such thing.

You can attack. You can defend. But it is immune to all attacks. And in return, it does nothing. It's common, at least, for undefeatable enemies to be a "survive" challenge, but nope. The entire fight is "press button and wait." Except, remember the previous fight against the King? The entire time, you were waiting for the big instant death attack to drop. That feeling, at least for me, carried forward. I was incredibly on edge just waiting for the other shoe to drop. And, as is a pattern, Siffrin is, too. As Siffrin's attacks fail to connect, they start talking to Mal Du Pays.

But he gets no response, as you get no attacks to strategize around. The wait for anything to happen is utterly agonizing. You and Siffrin are both waiting for something to happen. This isn't a fight. It just pretends to be. It's an utter rugpull, because Siffrin was so undefeatable for most of Act 4 and all of Act 5 so far. It's kind of terrifying!

and it does. It finally does something. Ma Du Pays speaks, in the voice of Siffrin's friends, listing out their deepest fears. I think it's honestly fantastic. You're forced to just sit here and listen to Siffrin's deepest doubts, things you know the characters could not say because it references the timeloops they're all utterly unaware of. This is all Siffrin, talking to himself. And all you, all Siffrin, can do, is keep wailing away on the enemy to no effect whatsoever.

So of course this ends with Siffrin giving up. What else can you do?

And then Siffrin's friends show up and unfreeze them and it's all very cool yay. The pure narrative scenes aren't really the main focus but I want to point out here:

A) Mirabelle is in the first party slot here, referencing how she's the de facto protagonist, and Bonnie fills in the fourth slot left empty, which shows all characters uniting to save Siffrin

B) this is the only instance of the other party members having act specific battle icons: they're all smiling brightly, further pushed by the upbeat music

C) the reflecting shield Mirabelle uses to freeze the King uses a variation of her hangout skill cut in, marking it as her true "final" skill and giving the whole fight a more climatic feeling.

It's also a short gameplay sequence with Siffrin utterly uninvolved in the battle. You can't even see them onscreen. But... it feels warm, doesn't it? Everybody coming together. Siffrin doesn't have to fight anymore.

At last, the King is defeated. Siffrin and co. make for the Head Housemaiden, to have her look at Siffrin's sudden illness. Siffrin is utterly exhausted, famished, running a fever. And this isn't unexpected - after all, their skills in Act 5 had no cooldown. For context, instead of featuring any sort of MP system, all skills work on a cooldown basis, where a character can't use it for a certain number of turns. The lowest cooldown is actually Siffrin's Knife to Meet You, which has a cooldown of 1. In universe, this is reasoned as the characters needing a break from spamming craft in order to not exhaust themselves.

Siffrin's skills in Act 5 having no cooldown/being infinitely spammable isn't a sign of their strength - it's a sign that he refuses to let himself rest in order to rush through as fast as possible.

Moving on, Siffrin panics when seeing the Head Housemaiden, because seeing her means one thing: the end. Prior to this in the game, every single time you beat the King, the loop ends when you talk to the Head Housemaiden.

Reality breaks down, the whole shebang. It's here that Siffrin realizes - they don't want the loops to end, because the end of their journey means their family will leave, and he'll be alone again. The happiest time of his life will be over.

Siffrin goes totally ballistic, to say the least.

As it turns out (and was heavily foreshadowed narratively), Siffrin has been using Wish Craft to subconciously cause the timeloop because of their abandonment issues. It's rather predictable if you paid attention to literally anything, but it's extremely notable how heavily Siffrin is paralleled to the King, the antagonist they swore to kill by themself at the start of Act 5. The King wants to freeze Vaugarde in time because it is, in his mind, "perfect," for accepting him after he lost his home - a backstory he shares with Siffrin.

Siffrin has become the exact antagonist he swore to kill, and it's shown by how the next fight utterly flips everything on its head.

Siffrin is the final boss.

In a towering form made of stars, Siffrin looks down at their friends. His face is terrified, because of his internal conflict; he can't hurt his friends, but he can't let them go, either. The combat prompt is simply changed to "END IT!"

This fight is similar to the previous, in that you just need to wait a certain number of turns until its over. However, this time, it's not dreadful suspense. It's... confusion, and hesitance.

You have two options for combat: Attack your friends, or attack yourself.

And... you don't really want to do either, I think. I certainly don't. But what else can you do? It's Siffrin's desires clashing in full force. Attack your friends, and force them to stay? Or attack yourself, and let them go safely without you?

Worth noting, here - when you attack Siffrin's friends, you can't harm them. Isabeau will shield all attacks. And when you attack yourself, Mirabelle will heal you back to full. And the friends don't... do anything, either. How could they? Occasionally, Mirabelle heals you and Isabeau shouts words of motivation, but the main thing is...

(Your friends don't know what to do.)

None of them want to harm Siffrin. Both sides simply stare at each other, resolute in their conviction but unwilling to end it with violence. It's of note that this loop, the last one, is the only loop where the King isn't killed. Just frozen. And now here is Siffrin, clamoring for the same eternity the King was. Of course everything ends in a tearfilled conversation as Siffrin sees their friends won't leave him, even after the journey ends, but I still have to appreciate this moment.

Siffrin is directly put in the position with their friends as his enemies, forced to physically reckon that keeping them in this loop is an act of violence, against both their friends, and against himself.

It's a happy ending. But... what does it mean?

Of course, ISAT is obviously about the fear of change. Siffrin is afraid of the journey ending, and of being alone. However, ISAT is also a game about games. Siffrin is playing the same game, over and over, because it's comforting. It's familiar. It's nice, to know exactly what happens next. These characters might just be predictable lines of dialogue, but... they feel like friends. Have you ever played a game, loved it, put countless hours into it, but you never finished it? Because you just couldn't bear to see it end? For the characters to leave your life, for there to be a void in your heart where the game used to be?

After all, maybe it became part of your routine! You play the game every day, slowly chipping away at it for weeks at a time. For me, I beat ISAT in four days. It utterly consumed me during this time. I had 36 hours of playtime by the end. Yeah, in that week, I did not do much more than play ISAT.

And once i beat it, i beat it, again. I restarted the game to see the few scenes I missed, most specifically the secret boss I won't talk about here. I... couldn't let go of the game yet. I wanted to see every scrap I could. I still do. I'm writing this, in part because I still do. It's scary to let go.

Ever heard the joke term of "Postgame Depression?" It's when you just beat a game, and you're suddenly sad. Maybe because the ending affected you emotionally and you need to process the feelings it invoked, or you search for something that can now fill your time with it gone.

The game ends, for real this time, the last time you talk to the Head Housemaiden. But Siffrin gets... scared. What if everything loops back again? And so, his family offers to hold his hand. They face the end, together.

For all loops, including the ending, you never see what happens after. After they leave the loop for good. Because the loop is the game itself. It's asking you to trust that life goes on for these characters, and it holds your hand as it asks you to let go. There's a reason for Siffrin's theater metaphors. He is the actor, and the director, asking everyone to do it over one more time. He's a character within the game, and its player.

There's a reason I talked about endgame content. This, the way it all repeats, there's nothing new, difficulty and stakes bleed away as you snap the game over your knee - it's my copy of White 2 with two hundred hours in it. It's me playing Fire Emblem Awakening in under 3 hours while skipping every cutscene. Are you playing for the sake of play, for the sake of indulging in your memories, because you're afraid of the hole it'll leave when you stop?

Of note: the narrative never condemns Siffrin for unwittingly causing their own suffering. He's a victim of circumstance. It's seen as endearing, even, that Siffrin loves their friends to the point of rather seeing the world destroyed than them gone. But Siffrin is also told: we'll stay with you for now, but we'll part ways eventually. And one day, you'll have to be okay with it.

Stop draining the things you love of every ounce of enjoyment just because you're afraid of what happens next. I'm not saying to never play your favorite games again. Playing ISAT a second time, I still had a lot of fun! I saw so many new things I didn't before, and I enjoyed myself immensely, reading the same dialogue over and over. But... it makes me look at other games I love and still play, and makes me ask... is this still fun? Do I still need to play this game to enjoy it? Even writing this is an afterimage of my enjoyment, but it's a new way to interact with the game, to analyze it through this lens. Fuck, man, I write fanfiction. Look at me.

All of this, fanart, fanfic, analysis, is a way to prolong that enjoyment without making yourself suffer for it. Without just going through the motions of enjoyment without actually experiencing any. But one day, the thing you love won't be fun to talk and write and draw about. And it's okay. You'll have new things to love. I promise.

In the end.... I'm certain I'll replay ISAT one day. Between great writing, art, puzzles and unresolved mysteries, it's my shoe-in for game of the year.

But I won't replay it for quite some time. I've had enough, for now, so I let my love take other forms.

Siffrin is never condemned, because love is no evil. Be it love for another person, or for a game. And please, if you're overempathetic - it's still a game, at the end of the day. The great thing about games is that you can always boot them up again, no matter how long its been.

A circle within a circle indeed.

To summarize:

The repetitiveness of ISAT's combat, lack of new enemies, and Siffrin's ever increasing strength eventually allows you to snap the combat over your knee, rendering it irrelevant and boring. Though this may seem counterproductive at first, it perfectly mirrors how Siffrin has also grown bored with these repeated encounters and views them only as an obstacle to get past. The reflection of Siffrin's own tiredness with the player's annoyance increases the compassion the player has for Siffrin as a character.

Additionally, the endgame state of the combat system serves as commentary on the state of a favorite game played too often, much like how Siffrin has unwittingly trapped themself in the loop. Despite the game having no more challenge or content left to over, a player might return to their favorite game anyway, solely to try and recreate the early experience of actually having fun with it. This ties into ISAT's metanarrative about the fear of change and refusal to let go of comfort even when the object (here, your favorite video game) offering that comfort has become utterly bereft of any substance to actually engage with. Playing for the sake of playing, with no actual investment to keep going besides your own memories.

Later on, stripping away even the pretense of strategy for a "press button and wait" format of final bosses highlights the lack of options at Siffrin's disposal and truly forces the player into their shoes. Truly, the only way to win is to stop playing.

[yanderenightmare]

your vocab is really rich, what's ur secret

oh! uhm... excellent question!

Read! And every time you stumble upon a word you've never noticed before or know but don't often use, put it in a list, write down its meanings, and try using it the next time you write! (I'll put my list after the cut)

Read different things! Different authors and different styles, especially poetry! I mean, if you're looking to fatten your vocab, reading poetry is one of the best ways to do it. Poetic writers must search far and wide for the perfect words to create rhymes and rhythms and audibly pleasing sentences---they practically do all the work for you! Honestly, I am so serious about this. One of the best things you can do is buy a fat compendium of poetry with all different authors and eras. Get you some Edgar Allen Poe, Sylvia Plath, Emily Dickinson, and Shakespeare if you want to hurt your head. Also! The same goes for music! Try listening to the lyrics---you'll probably hear some words you've never thought of using in your writing.

Here's a cheap trick for bilinguals---write something in your own language and put it through Google Translate. Honestly, I've found so many words just by doing this.

Every time you feel you've used a word too much, or anytime a word bores you to read, search up its synonyms and try using something you've never used before---don't stop the search until you're satisfied. Sometimes, it takes me more time to find just one word than it takes to write an entire post. Not only does this enrich your vocab, but you've probably just written a whole other sentence with newer meanings and more nuance!

Make your own synonym lists! Seriously! Because you can only find that many creative synonyms by searching up "word+synonyms."

Additionally! Think outside the box! Often, the best synonyms are those words that aren't actual synonyms at all. If you read poetry, you'll see poets use unorthodox words in place of something all the time---it's called a metaphor. Take flesh, for example---you can use fat, meat, muscle, brawn, beef---but you can also use cake, down, plume, pillow, softness, etc... I find this one especially useful for writing erotica, as you have to describe a lot of the same actions and body parts over and over and still make it interesting. (I'll add my synonyms list after the cut)

Also! This one is trickier, but instead of using words and synonyms, try making sentences that can replace the word instead---such as longer metaphors and fuller descriptions! This aligns with the literary device of "showing vs. telling." Of course, outright telling has its uses too and should not be disbarred entirely from writing, but often, it's showing that persuades the reader more. For example, instead of saying nervous, make sentences that describe how the character in question showcases nervousness---does their throat close up, do they sweat, do their eyes go wide, do they stutter, do they fiddle with their fingers, pick their nails, bite their lip, kick the ground, hunch their shoulders, look away, blush, flush, cry, run away or do they feel stuck? Describing these things helps the reader better understand the type of nervousness the character is experiencing. Hence, it makes for not only more interesting writing but also clearer writing!

A similar literary device is "focus and expanding," which slows down the reading or puts focus on certain aspects of the text by describing something to a great extent. If, say, this nervousness the example character is experiencing is of great significance, then that's what the readers' takeaway should be. But the reader won't think too much of it if the text simply states that they're nervous without underlining it. Luckily, there are plenty of ways of doing that, firstly through showing vs. telling, such as in the examples above, then metaphorically, such as "the ground seemed to swallow him up, down the guzzle of a monster with an appetite for disaster---darkness ensued like a storm cloud, cold and clawing with a weight heavy enough to nail him to the spot---all eyes were on him, unblinking and all-seeing, no matter what, he couldn't escape, he was stuck, glued to the ground by the soles of his shoes." I mean, the options are truly endless. These metaphors piled together are also a form of focusing and expanding, but you can take it even further than that by focusing on a small detail and giving it significance. For example, say the character is sweating because he's so nervous---you might focus on a single droplet of sweat instead of everything else, "A chill ran down his back. No, not a chill--sweat. Cold and creepily tracing the rigid bones of his spine. He can't move--if he moves, then they'll see. The sweat will seep into his shirt, and everyone will know what a sweaty and pathetic wreck he is. So, he can't move. No, yes, leave it alone. The droplet continues, running down the cold skin of his clammy back, sliding undeterred until meeting the band of his boxers and disappearing in the fibers. He swallows thickly and sighs with relief--only for another to pill at his nape, tracking the same course as the former. A vicious cycle is forming. He needs to get out of there!" And that's focus and expanding, folks! Focusing on something minuscule and expanding it by using it to describe what the character is feeling. It's a way to have a fresh take on something that's been written a thousand times before, such as "he was nervous."

Anyway, I might have gone a little above and beyond, but really, all these literary devices are ways of "expanding vocabulary" or at least giving an impression of it.

NEW WORDS

Manically---like a maniac

Despotic---like a dictator, having unlimited power over someone, often using it unfairly and cruelly

Chasm---a deep fissure, like a ravine, wound, or metaphorical rupture

Shunts---track-change basically, scoots to the side

Dearth---a scarcity or lack of something, a shortage

Raucous---making a harsh or loud noise

Innocuous---not harmful or offensive---harmless and safe, but also bland and unremarkable, maybe even a little boring

Lanyard---the woven necklace of a festival pass

Gossamer---fine spiderwebs, almost mesh

Cossetted---care for and protect in an overindulgent way

Beribboned---decorated with many ribbons

pupil-fat---cool way of saying enlarged pupils

Chitters---snickers, like a bird

Decadent---corrupt, depraved

Blotting---either soak up and absorb, or stain, or obscure

Barbell---a bar “pole” with attachments on each side

Bunting---of animals, when they butt or rub their head against you

Garnet---red

Cherubic---angelic, plump cuteness, quality of a child

Haunches---hips

Sodden---soaking

Waxing poetic---speaking in a flowery or poetical fashion

Inkwell---a container for ink---a dark well

Rend---tear in two, or more pieces

Ebb---recede, go back, like a tide wave

Webbed---like a duck's feet

Cloying---sickly sweet

Saccharine---oversweet

Apple of your cheek

Swathes---wrap, swaddle

Shroud---obscure something

Moonstone---to describe something grey and dusty, but pretty

Kinked---tangled, messy

Leaden---heavy, dull, slow or the colour of lead, grey

Stygian---devoid of light and brightness, hellish

Flaxen---of hair, champagne colored---ashy blonde

Tepid---lukewarm

SYNONYMS

Related to sucking cock:

Swallow

Glug

Drink

Eat

Guzzle

Receive

Take

Suck

Suckle

Slobber

Gargle

Gurgle

Drool

Gulp

Gobble

Stuff

Glut

Choke

Gag

Lap

Lick

Kitten-lick

Slurp 

Allow entry

Related to kissing:

Kiss

Lock/brush lips

Tongue-feed

Suck faces

Smooch

Peck

Snog

Canoodle

Related to biting:

Bite

Graze

Nip

Nibble

Sink teeth into

Chomp

Related to crying:

Whimpering

Mewling

Bleating

Whining

Snivel

Sniffle

Cry

Sob

Bawl

Hiccup

Spluttering

Blubbering

Coughing

Croaking

Related to pre-cum:

Ooze

Leak

Weep

Well

Drip

Dribble

Flow

Drain

Bleed

Sweat

Seep

Pill

Pearl

Cry

Related to fear and panic:

Hysterical

Wild

Manic

Uncontrolled

Unrestrained

Frantic

Frenzied

Restless

Hectic

Sporadic

Swivel-eyed

Related to screaming:

Scream

Yell

Wail

Yelp

Yip

Yammer

Squawk

Howl

Squeal

Shriek

Related to moaning:

Moan

Whine

Yelp

Purr

Hum

Croon

Related to overstimulated moaning:

Mumble

Croon

Warble

Quaver

Burble

Bumble

Hum

Slur

Ramble

Mutter

Whisper

Stammer

Stutter

Scramble

Jumble

Muddled

Babble

Blubbered

Splutter

Blurt

Related to groaning:

Groan

Grunt

Growl

Grumble

Grouch

Hiss

Guttural

Feral

Rusty 

Throaty

Wet

Sloppy

Related to angry noises:

Howl

Roar

Bark

Grizzle

Grump

Related to surprise or fear:

Gasp

Gulp

Choke

Suck in a sharp breath

Flinch

Jump

Jostle

Wince

Hiss

Pull back

Related to comforting:

Coo

Fuss

Comfort

Hush

Shush

Tsk

Mollycoddle

Nurse

Cuddle

Babying

Consoling

Soothe

Loving

Smothering

Hug

Hug tight

Cocoon

Snuggling

Swaddling

Rock back and forth with

Cosseting

Petting

Overwhelm

Related to begging:

Beg

Pleading

Pray

Bargain

Related to soreness and pain:

Ache

Sore

Throb

Swollen

Fattened

Welted

Related to taking cock inside entrance:

Swallow

Receive

Take

Suck inside

Stuff

Fill

Allow entry

Submit to

Ease inside

Bully inside

Squeeze inside

Force inside

Push

Pry

Related to how the hole squeezes:

Kissing

Fluttering

Hugging

Pressing

Squishing

Squeezing

Tightening

Pulsing

Related to a wet hole:

Slush

Squelch

Squishy

Creamy

Sloppy

Wet

Soaked

Slosh

Sop

Cry

Slick

Weep

Drool

Gush

Swollen

Velvety

Gummy

Cotton

Silken

Satiny

Related to thrusting:

Squeeze into

Pound

Jam

Ram

Rut

Loll

Rock

Thrust

Stuff

Bottom out

Fill

Fit

Nestle

Cram

Prodding

Poking

Kissing

Hammering

Jack-hammer

Smack

Slap

Ream

Related to pleasure:

Ecstatic

Opium-eyed

Euphoric

Elated

Thrilled

Blissed-out

Rapturous

High

Cloudy

Numb

Related to overstimulation:

Overstimulated

Outdone

Aching

Burning

Sweating

Feverish

Delirious

Febrile

Numb

Immobile

Dazed

Dull

Related to being dumb, high, or overstimulated:

Ditzy

Dumb

Clumsy

Silly

Foolish

Giddy

Brainless

Dizzy

Fuzzy

Dopey

Whimsical

Fickle

Featherbrained

Daft

Hare-brained

Awkward

Graceless

Blundering

Bumbling

Klutzy

Clueless

Cloddish

Dense

Related to the body and the flesh:

Tender

Supple

Soft

Creamy

Plush

Doughy

Cakey

Downy

Pillowy

Malleable

Squeezable

Biteable

Pliable

Touchable

Putty

Plume

Related to cuteness:

Cute

Cherubic

Adorable

Sweet

Soft

Precious

Darling

Lovable

Endearing

Baby

Related to weak or smallness:

Breakable

Brittle

Weak

Fragile

Dainty

Delicate

Frail

Flimsy

Vulnerable

Petite

Small

Little

Tiny

Feeble

Defenseless

Powerless

Helpless

Worthless

Hopeless

Related to struggling:

Struggle

Winding

Striving

Straining

Toiling

Playing

Wriggle

Wiggle

Twist

Shake

Tremor

Shiver

Quake

Related to men:

Vulgar

Loud

Oafish

Rough

Rude

Rustic

Gruff

Gross

Doltish

Barbaric

Bearish

Beastly

Churlish

Coarse

Swinish

[tododeku-or-bust]

could you elaborate a bit on that post abt (not) wearing headphones in public/playing your phone out loud? i was under the idea that it was nice to not play stuff aloud bc ppl might have migraines or be sound avoidant, but didn't realize i might just be seeing it from a white perspective, and id love to learn more

All right! First, check this link out: Xochitl does a far more eloquent job of explaining the idea than I would:

I assume that you're specifically honing in on my tag about the "white right of comfort".

Okay, so here's the thing. You're allowed to find public noise annoying. I too, find public TikToks and music annoying! And if you have migraines and such, I can understand how it would be impolite and inconvenient.

But what you're NOT allowed to do, is feel entitled to the public and prioritizing your OWN comfort in it over everyone else to the point of DEMANDING that it conforms to you or it's "bad". Especially when there are things you as an individual can do to prevent this discomfort.

While this gross sense of entitlement is very first world American in nature, it is extremely White American in nature because white Americans actually have the social power to enforce what they believe is the "right" thing based on their own standards.

For many cultures around the world and for many people of color, noise in the community is a GOOD thing. It's part of being a community. I feel safer if the people around me feel safe enough to be outside, to exist and to be, visibly in public.

And you got to understand, while many white people think they're genuinely in the right for believing that being loud on public transit or in the public is worth enforcing as a "bad" thing, people of color have literally already been killed for it. A Black teenager was shot in the face for playing music that a white man didn't like. A Black mentally ill man was murdered in front of EVERYBODY on a train because he was having a mental breakdown. This sort of policing ALREADY HAPPENS to us. Hell, even white gays with any sense of community should be aware of how queer gatherings would be shut down for "noise" (when in reality it was bc it was homophobia).

And now people want me to empathize that YOU'RE oppressed by... noise? On Public Transit?? IN PUBLIC?? Kiss my ass lmao.

I've been on trains where a man was legit growling at me like he wanted me dead. Another i saw Teens high on crack. Another where people beg and people sleep and people listen to music. And you know what I did? I turned my OWN music up and went on my way. Because at the end of the day, the only person I control is me!

And if people were REALLY concerned about others welfare, they would COMMUNICATE. no one is willing to say "hey, I have a headache, do you mind-" bc they're afraid of the rejection, so it's easier to demand "well EVERYONE SHOULD BE LIKE ME". Mhm. Learn to confront your issues. But you're not "unsafe" bc music. You're just annoyed, and you'll get over it.

In summary it really gives me "I can give you something to cry about" energy. Bc y'all swear y'all don't understand the existence of an HOA but here yall are replicating the same Karen behaviors, and y'all don't even realize (or maybe even care) how racist you sound. But why would you lmao, that makes you uncomfortable! And damnit, you have a right to comfort!!

[redr0sewrites]

Hihi! You are amazing! I’m obsessed with your DC work! What do you think the batfams favorite date activity is with they partner

🥀A/n: AAA TYY! i love this request sm- sorry it took me a hot minute to reply i am still fighting off writers block (but im winning)

🥀Cw: fluff, reader is gn, little suggestive in Bruce's part

Character(s): Dick Grayson x reader, Jason Todd x reader, Bruce Wayne x reader, Tim Drake x reader

Dick Grayson:

Dick is a somewhat social person, and i feel like he would enjoy dates that allow him to show you off. definitely prefers to go out rather than stay home!

i also think he's a little adventurous, so he's the type to enjoy theme park dates or something along those lines. loves when you're excited and just wants to make you happy

he really likes enjoying thrills with you, so he definitely wants to take you on a roller coaster at least once. he's definitely teasing you a bit if you get scared, but he thinks it's adorable if you cling to him

i also think Dick would enjoy shopping dates or just going to the mall because, again, they are very social and give him the opportunity to spoil you! he loves walking around with you, holding hands and swinging his arm and pointing out interesting things. definitely an avid window shopper, but will buy you anything you want. he also loves flirting with you in public, so expect more than a few kisses

roller skating or ice skating dates!!!! this is just a personal hc but i think Dick is like SO good at skating its uncanny. he would love to take you skating, its just so silly in his eyes and he loves being close to you.

if you (like myself) are not a talented skater, he offers to teach you but ends up teasing you a little and pulls you into the center of the rink just to mess with you. definitely challenges you to a race only to laugh at you if you fall (he helps you up tho and then genuinely teaches you)

if you are a talented skater, Dick loves trying to go as fast as you both possibly can. he's pulling you alongside him and twirling into the center of the rink as though you both are professionals, and kisses you with the most main-character energy ever

if you're ice skating and you get cold, he is absolutely offering you his jacket. he thinks it's adorable when you're cheeks get all rosy from the cold

i also think Dick is a bit of a hopeless romantic, and would want to take you out to a very cliche and aesthetic dinner. he's taking you to the best of the best, he loves dressing up just for you and spoiling you with the best food. he would meet you at your door with an entire bouquet of your favorite flowers, a cheery smile on his face in a gorgeous suit and tie. he'd definitely convince beg Bruce to let him borrow one of his cars, so Dick is driving you to dinner in the fanciest vehicle you've ever laid eyes on. once you both arrive at the restaurant, Dick REFUSES to let you do anything for yourself. he's suddenly your knight in shining armor, opening every door for you and pulling out your chair for you to sit. he's rented out the entire rooftop of the restaurant, treating you to a beautiful candlelight dinner under the stars. he's genuinely so cheesy, but in the absolute sweetest way.

Jason Todd:

Jason is a bit more introverted than Dick and would prefer to stay home a bit more. he prefers dates that don't require a lot of energy, and he just gets to spend time with you

reading dates! definitely takes you to a library or a bookstore and reads with you all day. he'll pick out a book he thinks you'll like and vice versa, and then you both spend the rest of the day cuddled up in some nook reading together.

Jason loves talking to you about books and would read anything you recommend him. a lot of the time during these dates you both will end up reading the same book, with you curled up on his lap. he always checks to make sure you're ready before turning the page, and loves getting to hold you close.

similiar to this, i also think Jason would enjoy reading to you. he loves curling up with you in bed, and reading to you while you lay on top of his chest

cafe dates are definitely another favorite of his. Jason likes getting to sit with you over a cup of coffee and just talk about any and everything. you are truly his favorite person to be around, and even when it's mundane he still enjoys your company

this may be mundane, but grocery shopping with you is unironically one of his favorite dates. Jason loves helping you with domestic chores, and he loves how you take his opinions into consideration as well. its just a simple reminder that you both are a team, and you make even simple tasks worth living. Jason loves it even more if you both live together, and will occasionally smeak your favorite foods into the cart because he knows you won't indulge yourself otherwise

park dates, but only when it's not too crowded. i also see him as a fan of taking nature walks or hiking with you, just holding your hand and enjoying the scenery. loves sitting at the park with your head in his lap, listening to you ramble on and on while he admires you. would definitely pick flowers to make you a little bouquet!

gym dates, but not in a douchey gym bro way, moreso in a let's enjoy eachothers company type of way. he would never push you to workout or exercise, but he does enjoy spending time with you. he's happy to spot you in any of your workouts, and his presence definitely keeps creeps away!

finally, his last ideal date would be a picnic under the stars. whether this be at the park or on a rooftop, he loves staying up late with you and enjoying the view. after a particularly rough patrol, Jason loves just sitting with you under the stars and talking to you about any and everything on his mind. you truly are his comfort zone, and he likes his dates to express that

Bruce Wayne:

Bruce is definitely very classy, and enjoys bringing you to various gala's and parties. he loves when you dress fancy, and getting to show you off to all the fellow business people at these gatherings is certainly a bonus.

along with this, Bruce loves spoiling you. i think he's the type to take you out shopping to fancy stores you could never imagine yourself entering otherwise, buying you hundres of dollars worth of gorgeous formal wear, jewelry, and shoes. i also think he'd take you lingerie shopping, and would fund anything you wanted to buy- as long as you showed it to him... he's definitely watching you have a little fashion show in the dressing room

loves taking you to high end restaurants, elegant and classy through and through. dressed to the nines and in his nicest cologne, he always courts you like a gentleman. he doesn't care about the public eye at all, and a photo of billionaire playboy Brucie Wayne and his partner kissing in Gotham's most famous restaurant is definitely making its way into the papers.

Bruce would definitely take you to a winery or a wine tasting festival as a date. (i've personally never been, but he absolutely gives off these vibes). he'll buy you the fanciest, most expensive red wine at the venue and, while he stays sober to drive, he definitely shared a glass with you once your both home

for a more lowkey date, Bruce would definitely love to take you to the beach. just a soothing afternoon on a private island with crystal clear waters and the sun in the sky. i headcanon that he's the type to burn very easily in the sun so he'd definitely appreciate if you applied his sunscreen for him. definitely carries you into the ocean and throws you in- only to jump in after you. while he doesn't get to relax very often, he definitely enjoys the quality time spent with you.

Bruce would love to take you to theatre performances or shows of the similar variety! whether it's a famous ballet or a musical performance, there's something so lovely and romantic about him taking you to go see whatever your heart desires. he always gets great tickets too, with the best view.

Bruce overworks a lot, and i feel like there are times when he's practically glued to the batcomputer, unable to pull away from his work. during these times its best to distract him eith a selfcare date, which, while simple, is heavily appreciated by him. doing facemasks together and giving him a massage is the perfect opportunity for him to unwind, and he appreciates you endlessly for guiding him to rest.

movie nights!!!! wayne manor doesn't have a movie theatre for nothing. Bruce very rarely gets a night off, but when he does he spends it curled up with you watching your favorite films. theres something so domestic about it, and he finds it adorable when you fall asleep on him

all in all, i feel like Bruce would enjoy a wide variety of dates. a lot of his preferred dates would probably just be whatever you want to do, and he's very flexible when it comes to your schedule. he cares about you a lot, and your input is important.

Tim Drake:

arcade dates- i said what i said. its my own personal headcanon that Tim is like insanely skilled at any type of video game or puzzle, so arcades are a very fitting date for you both. Tim loves getting to win you prizes and show off his skills. he is insanely strategical about anything, even something as simple as the claw machine, and somehow he always wins. you swear he's blessed by the arcade gods or something but, hey, you aren't complaining, not when you're carrying at least 6 plushies he's won for you!

sleepovers, except neither of you are doing much sleeping. Tim is a horrible workaholic and insomniac, but having you nearby helps to ease his mind. he loves just cuddling you while he works, soothing his stress and eventually helping him doze off. loves falling asleep on your chest or being the little spoon, theres something so cozy about being taken care of that just eases him right to sleep.

aquarium dates! he loooves going to the aquarium with you and looking at all of the unique fish and marine life. takes a lot of candid photos of you admiring the fish, and listens to you ramble about all of your marine knowledge (if u didn't have a marine biology hyperfixation as a kid are you even real? /j). he thinks its endearing how excited you get, and certainly enjoys watching the animals. i think his favorites would be the octopus exhibit or the penguin exhibit, but don't ask me why. i also think he's a huge fan of botanical garden dates or just gardens in general.

study dates! Tim isn't a natural at studying (same tbh) so he's a bit unsure about the idea of studying alongside you, but grows to love it. he would help you make flashcards or practice, and in return you help him with cases and red robin related work.

coffee shop or caffe dates! unlike Bruce, Tim cares a bit more about the press and his image so he would probably choose a more private area to dine with you. he loves getting brunch with you when taking a break from work, and seperating himself from the stressors of the day. it makes him feel almost civilian, and he loves getting to spend time with you

definitely takes you to all of Wayne Enterprises galas and events. he used to hate them, but now that you're by his side he begins to enjoy them just a bit more. getting to see you all dressed up is certainly a bonus, and he feels pride in knowing that your his and he's yours. brags about you endlessly to lots of other business people and fucking LOVES matching outfits with you. you cannot tell me this man would not match his tie to your outfit. he loves it.

another one whos a fan of movie marathons, and will try to pull an all nighter with you. you both always try to compete to see who can stay up the longest, but he wins most of the time. Tim is also absolutely eating like all of the snacks, and loves stealing your food. he's a (lovable) little shit

art show or museum dates- Tim adores these type of dates. there's something both so romantic and so casual about admiring the beautiful artwork with you by his side, and he loves discussing your favorite pieces. he takes a lot of photographs and just loves looking at all of the exhibits. if theres any romance paintings he kisses you in fromt of them and blushes like crazy. he's a romantic at heart.

overall, dates with Tim aren't very high energy, but they're very romance oriented. he's very expressive about his love for you and wants you to know his feelings are genuine

AA HOPE U ENJOYED! this took way too long and got a lot longer than expected tbh- i love them all so much aaaaaa- PLEEEASE SEND IN SOME DC REQUESTS ESP (but not limited to) FOR TIM I LITERALLY HAVE NONE 😭

[writingquestionsanswered]

Not to be a downer, but I actually finished my novel and now I’m confused because I don’t want to publish it. I don’t even particularly want anyone other than maybe my two close friends to even read it. What on Earth did I write 40k words (which I know is not really long enough for a novel, but it’s still far and away the longest thing I’ve ever written) for? I know people say “write for yourself” but like… am I just wasting my time? Help?

(p.s. you can leave this off anon)

(p.p.s your blog is really great 👍)

There's No Such Thing as Wasted Writing

I'm going to tackle this two ways...

#1 - "Write For Yourself" - there's a reason this common phrase has echoed through the Hall of Writers since time immemorial. It's because it's true! Writing doesn't have to be anything more than a pastime. It doesn't have to be anything more than something you do for your own benefit and enjoyment.

I have an in-joke with family members about how any time one of us does something the least bit crafty, DIY, skilled, whatever, a particular family member will always say, "You did a great job! You should do it for a living!" Like, someone can't even crochet a Kawaii mushroom without being pressured to turn it into an Etsy dynasty, or paint a cabinet without being pressured to become the next Property Brothers. And that's such a BANANAS capitalistic mindset, isn't it? This idea that nothing can be done purely for our own enjoyment. That you can't just write a novel because you want to... you can only write it if you plan to share it or publish it? It's just so silly.

And, the thing is, we don't even apply that mentality to a lot of other things people do purely for enjoyment. No one is streaming all of Bridgerton in two nights and saying, "I enjoyed every second of that, but why did I do that? Such a waste of time!" No one spends an hour strumming their guitar under the stars on a beach, and then says, "That was so relaxing and fun, but I didn't charge for that performance and I didn't record it to sell it, so that was obviously a waste of time."

You know what I mean?

#2 - And Anyway, Practice Makes Perfect - And if you keep writing--even if you continue not to share or publish--you'll get better and better with each story you write. Which, maybe all that means is you get to appreciate your own improvement, but also, should you ever change your mind and decide to write something to share or publish, you've now spent time honing your skills. Even if those other stories never see the light of day, they're still an important foundation of the writer you become. Do you know how many unpublished novellas, novels, and short stories I have? Too many to count. Hundreds of fan-fiction and original fiction short stories I've only shared with one or two other people, if anyone. A dozen or so novels and novellas that have only been read by a few people, and some haven't been read by anyone else or have only been read by my CPs. I would never consider those stories and novels and novellas to be a waste of time, because I know every single one made me a better writer. My published work is better because I wrote those other things.

So, I hope that makes you feel better. At the very least you hopefully enjoyed writing your novel--or at least got something out of it--and you definitely honed your writing skills, which matters! ♥

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[theminecraftbee]

so, you've been considering getting into hermitcraft.

that's great! welcome! we are an extremely enthusiastic fandom, i admit, but we are very happy to have you watching the hermits! however, with over a decade of existence and twenty-seven current hermits, it can feel very intimidating to get into hermitcraft. luckily, as of the time of this posting--january 31st, 2024--it's also the BEST time to get into hermitcraft, because a new season starts on february 3rd! (and if you're reading this later: don't worry. this is ALSO the best time to get into hermitcraft. don't worry about it i'll get into that.)

the shortest version of this advice is: start wherever you want, with whoever you want. it doesn't matter, you can catch up.

still, it can seem like a lot. so, from someone who's been around since mid season seven, here is a more detailed guide on how to start watching hermitcraft!

what is hermitcraft?

hermitcraft is a collection of people who all play on the same survival multiplayer minecraft server. that server is a mostly vanilla minecraft server; i don't really call hermitcraft "vanilla" anymore, as they rely on a number of largely cosmetic mods, but the things they do on hermitcraft should, broadly, all be possible in vanilla minecraft, and the server still "feels" vanilla, so. vanilla minecraft. they do this in "seasons", which are periods of time between a year and two years, after which they reset and start on a fresh server.

in comparison to something like qsmp or even the life series, hermitcraft leans heavily on the "building cool things and hanging out" side of the spectrum as opposed to the roleplay side. however, at least once a season the hermits like to do a big storyline; sometimes, it's more frequent. many of the storylines are more natural escalations of things like server prank wars or a failing server economy, though, as opposed to things that are clearly in-universe roleplaying. don't worry, though; you'll know a hermitcraft storyline when you see it. by everyone's bad acting. also, by rendog putting on a silly accent.

if your only impression of hermitcraft has been from the fandom, you... probably have a somewhat mistaken impression. my bad. in my defense, i am a horror writer at heart, and in the fandom's defense, a LOT of crossover has happened with the life series fandom, which leads to both sort of leaking into each other. in general, expect things to be on the lighthearted goofy shenanigans side with very few exceptions when you're actually watching hermitcraft, despite the way the fandom tends to be.

where is hermitcraft?

broadly, youtube! hermitcraft is an almost entirely video series, and if you want to watch a hermitcrafter, you will almost certainly need to watch them on youtube. there are only very rarely streamed hermitcraft events, and these are normally announced ahead of time.

what if i prefer twitch?

skip the rest of this and just watch joe hills. i promise i'm not saying that because i'm a joe hills guy; i'm saying it because he's the only hermit that consistently streams from hermitcraft. impulse, tango, cleo, pearl, xisuma, iskall, and hypno all also appear to stream fairly regularly, but it's not always from hermitcraft.

where should i start?

now, that's the real question, isn't it? my answer is simple: start Now. if you're reading this as i post it, that means start this saturday on everyone's episode one. if you're reading this long after i post it, though, just... go ahead and start with whoever you want to watch's latest episode! the nice thing about hermitcraft is that you can GENERALLY jump in wherever you want.

but what about old seasons?

you do not need to watch older seasons of hermitcraft. unless you want to, of course; the world is your oyster and they are very good! however, there's also a LOT of old hermitcraft, and if you want to join in with what hermitcraft is doing now, old seasons aren't necessary. very little carries over from season to season. while sometimes old "lore" or recurring bits can carry references over, and the relationships between hermits will often carry over to some extent (if often not in the same patterns), it is never to an extent that you need the old seasons for context. each season is a clean new slate, and where "lore" carries over, the relevant hermit will almost always explain it to you.

what about helsknight/evil x/hotguy/boatem/convex/some other thing i've been hearing about?

i promise, if they are relevant to this season, they will explain it to you in the relevant episode and/or it will be easy enough to pick up. do not worry about it. each season is a soft reset for a reason, and one of those reasons is to make it easier on new viewers! and if you're here because you WANTED one of those specific things... ask an older fan! they'll be able to direct you to the places they're from.

do i need to watch all the hermits?

absolutely not! in fact, i strongly recommend you don't. there are going to be... hold on let me count... twenty-seven hermits? (i am bad at counting don't quote me on this) in this season alone. keeping up with all those videos is too much for basically anyone! instead, pick a few hermits that you like best, and if you want to keep up with everyone else, go to the hermitcraft recap youtube channel and watch that! it is a vital hermitcraft resource where pixlriffs, zloyxp, and lyarrah all watch every single hermit so that we don't have to. honor their sacrifice and don't try to watch everyone.

but how do i pick someone?

few ways! there exist, if you google, plenty of "choosing your hermit pov" quizzes; if you head over to the hermitcraft subreddit, for example, i'll be SHOCKED if they don't have one, and if you go over to the recap channel, they had one of those for a while too. this is the starting place for many people.

another way is to watch the recap and choose whoever's project interests you most. for early episodes, this may be hard, but since hermits tend to go hard for their first episode, you'll normally at least be able to pick up a sense of pace and build style.

just watching whoever it is your friends are obsessed with is also a tried and true method of finding your first hermit; frequently, like with the recap, this is a good method for then figuring out whose style you like best, and switching to them, if you don't end up clicking with the same people your friends click with.

finally, you can just... click a random hermit's channel! try a few out! maybe you heard about decked out and want to watch tango; maybe there's a storyline you want to start watching because the dash has been rambling about it; maybe you just want to know who this grain character is. clicking around until you find the guy whose editing you click with is a totally valid strategy!

that sounds hard. just pick someone for me.

if you like well-edited shenanigans: grian or mumbo jumbo. (these are also good starter hermits in general, i've found; if you aren't sure where else to start, start with one of them.)

if you like long background noise-type videos: docm77

if you like minigames: tangotek.

if you like a chill video: xbcrafted or, if the texture pack gets you, vintagebeef.

if you like storylines: rendog or grian, again. (i was trying not to double-up, but if you're here from an rp-heavy server, grian remains a great entry point in that regards.)

if you like to see something new and bizarre: zedaph if you prefer highly-edited videos, joe hills if you prefer lightly edited videos.

if you want the best building on hermitcraft: pearlescentmoon or bdoubleo100, special mention to goodtimeswithscar.

if you want someone as new as you: i'll come back and edit in whoever the new hermits are once we know! but them.

if you just want one of my favorites: zombiecleo or iskall85.

thank you! what if i DO want to know what the fandom is always on about?

that, i'm afraid, i don't know how to help you with. you'll just have to watch hermitcraft from here--and maybe read some of the fanworks that have intrigued you--and find out for yourself!

good luck out there, and i hope this has helped someone!

[savannahsdeath]

hii i have a little ellie request. so can we maybe have an enemies to lovers where reader and ellie “hate each other” but in reality ellie just wants to be with reader and she ends up using the strap roughly bc reader didn’t wanna confess after years? (sorry this seems long😭)

i absolutely love this idea omg??

ELLIE WILLIAMS X READER

PART1ONE

part 2two

mdni please<3

warnings: 18+!! smut, 'enemies' to lovers, strap (r!receiving), mean!ellie kinda??, rough!ellie, reader is also mean at first !!

writers note: i love receiving requests like yall are so creative and idkk its just easier to write a req than my own idea🫣🫣 also this turned out to be longer than i expected (my longest fanfic yet!) but even the anon said it seems long so ig thats how its supposed to be🙏

It was another PE lesson you hate so much. It wouldn't be that bad, if not the fact that you're in the same team with Ellie. Ellie fucking Williams.

She would get mad at you for every little mistake you made. You absolutely hated her.

You had to admit she was... pretty. Especially when she had the mix of mad and stern expression on her face. Sometimes you provoked her just to watch her insult every little thing about you she could but you didn't mind. You just sat there with a smirk, sometimes making a mockingly worried face to piss her off even more. Sometimes. Sometimes you weren't in mood for that and you'd actually get offended. Sometimes even hurt. But you couldn't really blame her, that's how it works.

This day, you were literally rescuing your team. Every point was because of you. Every 'that was close' situation was only 'close' because of you. But your luck, or whatever made you win, had to run out eventually. You missed one time.

"What happened? Got holes in your hands? Tired? Not so good anymore?" Ellie asked you with that mocking tone.

Everyone ignored your interaction - they knew what's starting and they didn't want to get involved in that.

"I've done pretty much everything for this team, and the only thing you do is complain, Williams." You said and you could feel your temper rising.

Ellie didn't hesitate to respond to that.

"Well at least I don't do a half-ass job like you. You're really so full of yourself, aren't you? Why not just give up and let someone actually capable take over, huh?" She barked sarcastically.

The other team members didn't even try to hide their excitement now, they just sat back and enjoyed the show, even the teacher was having a hard time holding back the grin on his face whenever Ellie came up with a new insult.

And now, there was no going back.

"Oh, I'm sorry Williams, did your precious little ego get hurt from that? Are my skills threatening your so-called pride? Well if you don't like it, suck it up." You shot back.

If this kept up, you were going to end up with another detention for sure. Everyone knew that you two were like oil and water, but nobody really expected you to get into a shouting match over PE class. Especially, not this early in the morning.

The teacher finally decided that it was enough trouble, and he stepped between the two.

"Ladies, settle down! If you can't figure out how to work well together in a simple PE session, then you'll need more than one detention to figure it out. Go sit down." He ordered, and you two sat down, next to each other.

As if following a silent order, all the other students just went about their business and pretended like nothing had happened.

"You should learn how to shut up sometimes." You said quietly, nervously playing with your fingers.

"You should stop thinking you're so damn important." She snapped back, completely ignoring your advice as she stared at you with the same icy cold look as before.

The teacher came over to the two of you and handed you a form, which you quickly read over. "Maybe it's rough but that's what you both deserve after arguing in every single class. And if that won't help... I don't know what will. Someone will check in on you from time to time, so don't even think about anything, understood?."

In short, the file was saying you'll have spent a month after school doing little school works, like cleaning the gym, with her. It was a frequent way of dealing with problematic students in your school.

You weren't even surprised - the teacher was right. Your little bickers were the main gossip topic and there was no way they'll go unnoticed.

Still, you couldn't help but frown.

"You've got to be kidding me." You muttered under your breath. Spending a month after school doing odd jobs with Ellie was literally the last thing you wanted to do. You knew there was some sort of punishment coming, but this was extreme.

Ellie overheard your muttering, and she rolled her eyes. "It's just a bunch of cleaning, what's wrong, can't handle a little hard work?" She mocked.

"And why are you so happy? Maybe you wished to spend more time with me?" You chuckled, finally looking up at her.

Ellie seemed caught off guard, but she quickly recomposed herself. "Who said I was happy? Sure, I'll love to see you grovel and scrub floors while I sit back and relax." She replied in a sarcastic tone.

You decided to press your advantage, and give Ellie a dose of her own medicine. "Aww, is someone actually admitting that they like spending time with me? I'm so honored." You said with an overdramatized fake fluster.

Ellie didn't even let you finish your sentence before she cut in with her usual sarcastic tone. "Pfff, don't get so ahead of yourself there." She chided. Even then, you could hear some slight annoyance in her voice.

Ellie may have been a jerk, but there was something about her you couldn't help but like. You couldn't explain it, but you liked this banter between the two of you.

Oh, who were you trying to lie to? You liked her. You were just good at hiding it.

You were just about to open your mouth to respond to Ellie's last snarky remark, when you were cut off again.

"Enough."

You both turned to see the teacher staring at the two of you. He sounded more annoyed than before, and you decided it was better to stop your feud before you got in any more trouble.

"You two are already going to spend a month together doing odd jobs. The last thing we need is for you to add another week to that sentence." He warned.

You wanted to say something back, but you decided to shut up before the teacher had to make it worse. You and Ellie just looked at each other for a couple of seconds, before you rolled your eyes and got up from your seat.

After a few more classes, the time of  fulfilling your penalty came. You sat down at the gym benches, waiting for Ellie. You waited, and waited, but no one came.

Ellie was faster than you with getting up. She smirked and said; "Well it's not like you actually had anything worth saying anyway, so it's easier for you." With that parting jab, she walked out of the gym.

You expected something like that from her, so you stood up and a few minutes later you were standing in front of her room. You knocked to the door, patiently waiting for her to answer.

After a few moments, you heard footsteps, before the door finally opened. Ellie stood in front of you, her face as annoyed as ever.

"What do you want?" she grumbled, clearly not in the mood to be bothered right now.

"Uh, hello? We're supposed to be doing the clean-up, remember? You haven't forgotten, right?" You said, trying to stay as polite as you could.

She sighed and motioned for you to come in, clearly not ready to go just yet.

You slowly stepped into Ellie's room, your eyes taking in the decorations and mess. It was clear that this was Ellie's world, but you couldn't help but feel a slight curiosity towards her.

"So, why exactly weren't you at the gym?" You asked, finally breaking the tension. You didn't want her thinking you were here to start another argument.

"I had stuff to do." Was the terse response you were met with, nothing else.

"Yeah, of course." You rolled your eyes. "Your room could use some cleaning too."

Ellie smirked when your tone turned from polite to annoyed when she gave you her response, but you couldn't help but notice that she slightly recoiled when you mention how messy her room was. For someone with such a sharp tongue, she sure wasn't enjoying that same kind of treatment.

"Oh yeah? So maybe we should have you clean my room instead." She shot back.

"Actually, boarding school is still school, so that'd count too." You smirked, not so sarcastically anymore. You'd really rather stay in her room than running all over the building with a mop and dirty cloths.

Ellie raised one eyebrow at your reply, clearly not expecting you to just accept it without some kind of snarky remark or argument.

"Alright then." She replied simply, and she walked over to her bed and started to clear out the clutter. You couldn't really deny that her room was in a pretty messy state.

You explored the room, looking for something to start with.

Just then, near other scattered clothes, you saw feminine underwear. Clearly not hers.

"Um, Ellie..." You laughed. "Who's this?"

She walked up to you, not seeming surprised or embarrased at all. "I dunno. There's lots of girls visiting." She smirked.

You knew the smart thing to do would be just to drop the topic, but your curiosity got the best of you. Just who was Ellie Williams hanging out with?

"Really? And how many of them leave a pair of underwear in your room as a souvenir?" You asked, trying to keep a straight face, but you couldn't help but be amused by the situation.

Ellie just laughed, and you couldn't help but grin at her confidence in that moment.

"If you're asking if I'm dating someone," Ellie said, looking at you with an amused expression, "then no. I wouldn't call it dating."

You knew Ellie was always too stubborn and proud to just admit it normally, so you decided to push her just a little bit further.

"So it's not just a single person then? What's it? A new girl every day?" you asked with a smirk, knowing you'd hit a nerve there.

The slight flicker of annoyance on Ellie's face told you that you'd hit the mark.

"So what if it is? Are you jealous?" She teased in response, just adding fuel to the fire.

Now, she had the smirk on her face, and you just knew you'll regret what you started.

"Not really. Everyone knows you fuck every girl in the school anyways. Well, almost every." You suggestively pointed at yourself. "That's honestly sad. You should focus on one person, don't you think?"

Ellie took this as a challenge, she just couldn't resist it when you made yourself the exception.

"Oh, you think you're a special case? How cute." She snickered, and you couldn't help but feel somewhat pleased with that response after how much you two had been annoying each other for the past month.

"What do you think, should I consider dating you? It seems like you're interested, isn't that why you keep sticking around?" She asked, looking at you, knowing very well what kind of effect her words were gonna have on you.

"Me? Interested? You're the one finding excuses to talk to me every day, even if it's just another argument!" You shook your head and looked down, trying to hide that your smirk turns into a honest smile.

You felt Ellie's eyes studying your face as you tried to hide your genuine happiness, you tried to play it off, but you knew that it wasn't working in your favor. You couldn't even deny it, because it was true, you were interested in Ellie. Maybe not at first, but after spending time together, you grew to like her, her arrogance, her wit, the snarky smile on her face... and her eyes.

"Oh, so you do care!" She quickly cut in, sensing your weakness as your smile grew.

"Come on, don't tell me you've been enjoying this little game of ours, haven't you? Don't you look forward to it every day? Don't you love the adrenaline that kicks in when you're about to say something that's bound to start an argument?" She asked, taking a step closer to you and lowering her voice.

You could almost see the sparks fly as the two of you stared at each other, both feeling the tension in the air. You were almost tempted to take her up on the offer, but your pride got the best of you.

"You're just full of yourself, aren't you? Thinking everybody craves that attention." You said after taking a deep breath.

Ellie just smiled and walked straight to you, getting up close and personal.

"Well, I know you want it. So stop putting up a facade and admit it."

"I'm not like these sluts you fuck, Williams." You said, trying to keep your voice steady and calm.

Ellie just smirked in response. "You're right, you're not like them. You're better than them. And maybe you are a little special, considering how much you manage to piss me off everyday." She took a step back and looked you up and down. "I kinda like it." She said, and you couldn't help but feel your heart rate go up a little when she said that.

You just stared back at Ellie, not really sure what else to say in this situation. Both of your egos were too big to give the other one satisfaction, and neither would be making the first move.

She finally spoke up; "Your turn to be honest now. Admit you're into me."

She was awfully close to you now, daring you to say something.

"Don't push it, Ellie." You told her confidently, and even though you really wanted to say it, your pride was holding you back from admitting it.

Ellie just smirked and moved even closer to you, until her face was just an inch away from yours. "Say it." She whispered.

You felt your heart pounding faster as you just looked at her, not able to break her stare.

You shook your head. "No way."

She just chuckled at your response. "I knew you'd say that. And now, I'm gonna make you say it yourself."

Before you could even comprehend what was happening, Ellie pulled you close, just enough to make your lips meet. You just stood there, completely stunned by how bold she was, but at the same time, the feeling of her lips against yours was so new and so good as well. You hadn't felt this type of rush before, and you didn't want it to end.

You couldn't stop yourself from letting out a gasp followed by a moan into the kiss, which made her even bolder.

"I'll show you how lucky those so-called by you sluts are." She whispered after pulling away from you, but not for long.

While Ellie's mouth aggresively covered yours, you felt her slowly pushing you towards the bed.

You were barely able to think now, as your adrenaline was pumping through your whole body. Your back hit the mattress, and Ellie continued to push you down as she climbed up onto the bed on top of you.

That's when it hit you.

You realized that your little feud with Ellie wasn't going to end after all, except this time you weren't fighting her.

Instead, you were just enjoying the moment with someone you could almost call a friend.

It felt like there was nothing else in the universe, just a rush of new sensations that you didn't want to end.

Ellie was the one in control now, as you felt her body pressing up against you, her lips pressing against yours, her hands moving around your body without hesitation. You weren't even thinking straight anymore, you just let her embrace you, letting her take control entirely.

You felt her break the kiss for a moment, just to whisper something in your ear. "Say it."

You knew what she wanted you to say, but you just couldn't bring yourself to do so.

Before you could answer, you felt her slowly undressing you. Her lips were tracing paths along your throat, not letting you let out a logical word from it - only little whimpers.

You felt every curve of her body as you felt her lips against your neck, every touch sending chills down your spine.

When you felt her hands move towards your pants, you felt your body respond in the only way you could.

You couldn't think of anything else but her embrace, her warm breath against your neck, and your body slowly being freed from clothing.

Ellie knew exactly how to push your buttons.

Before you could catch your breath, you were left shaking, as her hand slipped into your underwear, which was soon on the floor too. She was teasing your clit in almost painful slow way, watching you squirm.

"Speak up, babe." She whispered mockingly.

But you couldn't. Not because you didn't want, or because your ego didn't let you - you just couldn't. You even asked yourself 'What does this girl wants from me?' as you already forgotten her previous wish. You just weren't thinking straight.

"Come on, do this for me." She kept looking at you with overdramatic concern. You saw her fastening her belt and sliding of her jeans, revealing an obviously-way-too-big strap, which purple color didn't surprise you at all as you imagined it the same way in your dreams.

When you finally came back to your senses, you constructed a whole full sentence answer. But as soon as she saw you opening your mouth to speak up, she slid a few inches of her toy into your soaking cunt. Your planned reply quickly got replaced with another gasp.

"What's the matter? Cat got your tongue?" She smirked, her hips started thrusting. She had some sympathy for you, so she didn't make it too painful, but she wasn't also so merciful.

You cried out, at first clenching your thighs from surprise, but she was too strong for you to actually succeed.

You leaned your head back against the pillow, squeezing your eyes shut causing a few of your pathetic tears soak into the sheets.

She held your hips, so she won't miss your sensitive spot, but her grip was so hard you swore you can already see the bruises creating right beneath her fingers.

"Honestly, I'm really happy it ended like that. You have no idea how often I'd imagine you instead of some random girl. But it's good to have you really there." She chuckled, not slowing down but not speeding up either.

Your eyes opened wide at this confession. Before today, the nicest thing she said to you was 'what's wrong?', even though it was in an obviously mocking way. And know it turns out she liked you for a long time. Just like you liked her.

"W...Wh- What?" You managed to stutter out, leaning on your elbows to look at her before your vision turned blurry again so you fell back on the pillow.

"You didn't know?" She laughed. "I mean, you were always oblivious, so I shouldn't be shocked but... I thought it was clear." She was speaking slower than usual as every single word coming from her mouth was synced with the moves of her hips. While saying this simple thing, she pushed her strap into you at least twenty times. And she wasn't taking her time, oh, no. She was fast and rough, like you're just a sex toy without feelings. Did you mind? Hmmm...

When you started getting used to the size of her cock and your mind wasn't completely blank anymore, you remembered one important thing your PE teacher said. 'Someone will check in on you from time to time, so don't even think about anything.' None of you were either at the gym or putting up flyers around school. They're going to think you ditched it. Even though you'd rather get into more trouble than end whatever you were doing now, you felt you need to tell Ellie, just in case.

"El-s..." You moaned out and quickly realised it won't be easy.

"What is it?" She asked, seeming honestly interested in what you got to say. "Ready to admit you're absolutely obsessed with me?"

You clenched your fists, squeezing the bed sheets between your fingers.

"Th- no... We should..." You couldn't help but cry out again.

As soon as she heard the two keywords - 'we should' (and she hated when someone was telling her what to do, so that pissed her off) - she understood what you're trying to say.

"Behave? Fulfill our duties? Or...?" She chuckled.

You wanted to speak up, just to not feel so vulnerable as you really were. You only managed to mumble 'we' before one of her hands started rubbing your clit, just like at the start - painfully slow. The feeling made your thighs tense and move closer to each other, wanting to close the gap between them. But Ellie didn't let that happen as she quickly separated your legs.

Her hips also didn't stop moving, and all the sensations connected made you go silent again. Well, not silent - unable to speak. And that were two completely different things.

"I'd take that as a 'we should continue what we're doing right now'. Isn't that what you want?" Even though you're eyes were closed, you could feel her intense stare on you. Then, her mocking tone came back. "What is it with you being so quiet all of sudden? You spent a few of the past years yelling at me, and you can't even say a word now?"

"I ju-st..." You said but then she hit your g spot again, and again, and again... making you go silent.

Your stomach started feeling funny - probably because of how deep in it Ellie's strap was. At this point, you thought you can even feel it in your throat and that's what's blocking your words from coming out. But the funny feeling had a different origin - your release was getting awfully close, and it didn't go unnoticed.

"We're going to have lots of fun this month." She whispered, leaning in to stroke your cheek.

[neil-gaiman]

Hi Mr. Gaiman (sorry for the ramble in advance),

Hope you're doing well. I don't usually use tumblr, but every time I open it up you're here so I figure I'd drop a note. I'm a writer, but I've always had a really hard time actually WRITING instead of just thinking about it. I've had this world and its characters plaguing my head for years now, and it's only gotten worse with age, so recently I doubled down and decided it was gonna get done—one way or the other.

I recently read a passage in a book about writing that said, in essence, your first book doesn't really matter all that much if you plan to be an author. As an autistic lad, I (naturally) took this very literally and was upset at the thought. Sure, your first work is probably going to be your weakest—duh, because by the time book two rolls around you'll have had time to have faced any criticisms from your first, you'll have learned more as you write, and about the world too. But for your first book to not matter at all, no matter how passionate you are about it—I found myself wondering, "Well, what's the point at all, then?" You put in all that work, you learn plot devices, you breathe life into your characters and watch 'em toddle around, and for what? For it to just be a stepping stone? It felt intensely personal of it just being cast aside like that, and I haven't even written the damn thing yet!

MasterClass had a Father's Day sale, so I figured "why not" and went ahead and got a subscription. First thing I did was run to your class, and although I've only watched the first two parts—I want to thank you for restoring my motivation. Truth is, I think the reason that message in the writing book upset me so much is because I'm terrified of writing this damn book. I've woven so many pieces of myself into it, despite it very much being, in your words, a lie (and about a boy that lies all the time, no less), but the grief that I feel and all the complicated feelings about forgiveness are all there and very real, despite its fantastical elements. So much of it really IS more than I'm comfortable sharing with people, and the idea of baring all that out and being told it didn't matter at all? Absolutely devastating. At the end of the line? The book might actually suck. I might rewrite it, I might trash it, I might completely forget about it ten years from now, or I might sell ten copies on Amazon to family and friends and then move on with my life. It's not stepping on a yellow jacket nest in the woods, but it's still terrifying. I still can't even fathom the idea of letting anyone actually read it until I've obsessed over it for another four years, and even then! But I'll write it anyways.

Thank you.

You are so welcome!

[starplanes]

A (5 star) review of Bury Your Gays, by @drchucktingle!

I read this book in one sitting. I did not plan to read this book in one sitting, but I could not put it down, accepting that my lunch break was now an extended reading break. Bury Your Gays was just that good.

It starts simple. Screenwriter Misha has been told by his exec that the season finale of his show must out, then kill the two leads. He needs to bury his gays because the board has determined it's where the money is. Misha says no. Then starts getting stalked by his (definitely fictional, right?) characters from other shows. Either Misha developed some incredible supernatural powers in that meeting, or something more sinister is at work…

Bury Your Gays illustrates why queer people should be allowed to tell the stories they want to tell, instead of being made to use queerbating, tragic tropes, or fake relentless optimism in the name of corporate Pride. It's a story about the queer struggle to find oneself in a world that makes it so, so hard. There's a lot of love for the queer community poured into this book, and oh does it shines. I especially adored the ace rep - and the concept of ace rep as a plot point. I shall not explain further. However, I am more scared than ever of the corporatization of Pride.

Bury Your Gays also criticizes capitalism's monetization of tragedy and exploitation of workers. It explores what happens when ethics are ignored in the name of an ever-growing profit margin, to the point where the bottom line becomes a near-sentient thing. It leans into the horrors of AI and data-mining by combining the two and going all the way with it. Chuck Tingle has acknowledged all my fears of black box algorithms and also made them ten times worse. Truly a feat! I will be sleeping with my router off!

It's a masterpiece of horror, both visceral and psychological. Since the main character is a horror writer, the story is very genre aware. There's a lot of fun to be had in the tale of "writer being followed by the monsters he wrote," and certainly no small amount of terror. It gets gory here and there, with plenty of suspense in between. Hints are laid out for the reader, enough where I was occasionally able to predict what was coming just a page or two before it landed. My jaw dropped multiple times! The writing is descriptive enough to pull you right in (and gross you out!), and it's paced near-perfectly. There's all these little moments sprinkled in that elevate the whole story, from fun references of other work to subtle clues you'll only catch on a reread.

This book will be living in my head rent-free from now on. It's about so many things and yet has interwoven them all perfectly. Fans of classic horror movies will love this story. Those of us fed up with AI generated trash will love it. Anyone who joined a WGA picket line will love it. Asexuals fed up with lack of representation will love it. People who watched multiple seasons of Supernatural will love it. Is that you? Go pick up Bury Your Gays. Be scared, be sad, be angry. But also validated, loved, and joyful.

TLDR: Read this book when it comes out on July 9!

[ahqkas]

♯ BACK TO THE OLD HOUSE ; mattheo riddle

❛ when you cycled by

here began all my dreams ❜

PAIRING! mattheo riddle x fem!reader

SYNOPSIS! the countless nights he spends fighting over any sized inconveniences were getting to him. he didn’t even think about visiting the professional medic to patch his wounds, not when he had you (based on this req.!!)

WORD COUNT! 2.9k

WARNINGS AND TAGS! fighting, blood, angst + fluff, kissing, violence, rage filled + soft mattheo, slytherin reader, friends to lovers, lovesick idiots

NOTES! my man my man my man

HARRY POTTER MASTERLIST!

TO MATTHEO RIDDLE, FIGHTING FELT LIKE A SECOND HOME. He could insert all of his rage and anger into the punches and kicks because it was required to do so. You wouldn't throw a good punch if you didn't put your emotions into the action and so that's exactly what he did. Fought with his emotions.

The courtyard was a peaceful place for the students of Hogwarts to relax for once, bringing a sense of peacefulness with its stone pathways and patches of greenery. The yard was often filled with laughter and conversations for everyone to hear. But on some days, you could hear more than the good nature of people. Curse words and spells casted at another, yells and shouts of anger. The same goes for violent actions. The sickening snaps of bones and emotional sounds from the audience that gathered around the ongoing fight was heard for miles away.

The same goes for today.

The joyful laughter quickly turned into terrifying shouts when a nearby fight broke out among the students in green robes. Slytherins fought the most. Mattheo Riddle fought the most.

A small group of onlookers had gathered around him and another boy, his robes the same green color to match Mattheo's. Their hushed whispers and excited yells were echoing through the halls, bringing even more attention to the crowd. Just exactly what they needed.

The other boy, Aaron Banks, stood with an arrogant smirk plastered on his face, his arms crossed as he stood chest to chest with Mattheo. A dangerous combination, considering that Mattheo's bad temper could handle only this much and Aaron's instincts for his own life weren't working like they should. This situation screamed trouble.

"You really think you're something special, don't you, Riddle?" Aaron sneered, his voice dripping with venom. "Just because of your name, you think you can walk around like you own the place."

Mattheo's eyes narrowed into a glare. If one looked deeply into his eyes, they would be able to see the dark storm brewing in their depths. "You don't know what you're talking about, Banks. Why don't you keep your mouth shut before you say something you'll regret?"

A mocking laugh escaped the other boy's throat, the sound harsh. "Oh, I think everyone knows exactly what I'm talking about. A Riddle will always be a Riddle. Trying to pretend you're better than the rest of us won't change that."

The crowd murmured among themselves, little jabs and comments about the two boys escaping from their lips. Bets were already in the making, money being thrown around like it meant nothing.

"Last warning, Banks. Walk away now," his jaw tightened, a muscle tickling in his cheek. He looked tense and if you looked close enough, you'd see his nails digging into the heel of his palm, trying to control his temper. He had promised to someone to do so.

"Or what? You'll run crying to daddy? Oh wait, you can't, can you?"

That was it. In an instant, all of the restraints Mattheo was trying to gain snapped away and he launched himself at Aaron Banks, who had a death wish in his eyes.

Mattheo's fist connected with Aaron's jaw in a bone-crushing punch. The audience could hear the sickening snap of a breaking bone and let out an empathic 'Oooh'. The boy's fate had already been written and no one would dare to stop the writer from his art work. They'd have a death wish as well. Aaron staggered back, more shocked than hurt at first, before he quickly recovered and his fists were flying toward another face.

The courtyard erupted into chaos of excitement and shouts of frustration as the two boys collided in a flurry of punches and shoves. Mattheo landed another hit to the boy's ribs, making him grunt in pain, which Aaron rewarded him with a swift uppercut that snapped Mattheo back.

Blood trickled from Mattheo's split lip, but he barely seemed to notice. With a snarl, he drove his shoulder to Aaron's chest, knocking them both to the ground. The two of them hit the floor hard and rolled across the cobblestones and grass.

"Fight! Fight!" some of the onlookers chanted, probably the ones who placed their money into a bet, their voices holding an edge of excitement as they watched the fight like muggleborns watched soccer matches on TV. Others tried calling for help, but their calls got lost in waves of noise.

Aaron managed to get on top, his fists raining down on Mattheo. A brutal punch on his cheek sent blood spraying on both his face and the ground beneath them, painting the green grass scarlet. With a burst of strength, Mattheo twisted around and reversed their positions, pinning Aaron beneath him. The Slytherin boy started landing a series of blows, each one hitting the blond harder and harder, with such a force it almost made his face look unrecognizable.

Aaron's nose finally cracked from the pressure Mattheo was punching with and blood gushed around his fingers as he tried to block the violence and shield his face. It didn't work.

"Had enough?"

"Stop! Both of you, stop this instant!" a voice boomed across the courtyard and the audience of students departed to make a way for the owner to walk through.

Professor McGonagall strode into the circle with her wand raised and eyes blazing with authority. The witch flickered her wand, and the boys were magically separated, levitating a few feet apart and struggling against the invisible force that held them. Mattheo was still seeping with rage, his eyes showing exactly what he wanted to do to the other boy.

"This is disgraceful!" her voice trembled with fury. "Both of you, to my office, now!"

Mattheo could see the few students that placed a bet on his behalf collecting galleons with a satisfied expressions on their faces.

The silence in Professor McGonagall's office was thick and oppressive, broken only by the ticking of an ancient clock on the wall. The room, usually a place quiet authority, now felt dangerous, like the eye of a storm. Mattheo Riddle and Aaron Banks stood before her desk, their faces bruised and swollen, their uniforms disheveled and splattered with blood.

Minerva McGonagall stood behind her desk, her expression a mask of controlled fury. Her eyes, sharp and unforgiving, darted between the two boys, assessing the damage and the simmering rage that still radiated from them.

"What, precisely, did you hope to achieve with this barbaric display?" McGonagall's voice was icy, each word clipped with disapproval. "Explain yourselves."

Aaron shifted uncomfortably, wiping at the blood still trickling from his nose before he spoke up first. "He started it, Professor," he muttered like a child, casting a resentful glance at Mattheo. "He couldn't handle a bit of teasing."

"A bit of teasing?" McGonagall's voice rose, incredulous. "You think this is acceptable behavior in response to teasing? Violence is never the answer, Mr. Banks. And you, Mr. Riddle, do you have anything to say for yourself?"

Mattheo's jaw was tight, his eyes fixed on a point just above McGonagall's head. He refused to look at Aaron. "He insulted my family," he said quietly, but with a hard edge to his voice. "He went too far."

McGonagall's eyes softened, just a fraction, but her voice remained stern. She wouldn't admit it to anyone, not even herself, but the woman had a soft spot for the boy. "And you thought physical violence was the appropriate response? You are both old enough to know better. This kind of behavior is not tolerated at Hogwarts. We are a respected school, and such actions undermine everything we stand for."

She paused, letting her words sink in. The boys remained silent, their hostility now mingled with the sting of reprimand.

"What makes this even more disgraceful is that you're both members of Slytherin. Slytherin house values ambition, cunning, and resourcefulness. This situation not only reflects poorly on you but also on your house. You should be allies, supporting each other in your ambitions, not tearing each other down."

"You will both serve detention for the next month," McGonagall continued, her tone brooking no argument. "Every evening after classes, you will report to Mr. Filch. And you will write a letter of apology to each other. Not just a few lines, but a sincere apology. This kind of conduct must be addressed not just with punishment, but with understanding and reconciliation."

Aaron's face twisted in disgust, but he nodded. Mattheo, though still simmering with anger, gave a curt nod as well.

"Furthermore," McGonagall added, her eyes narrowing, "you will each receive fifty points deducted from your respective house. I hope this serves as a reminder of the consequences of your actions."

The silence that followed was heavy, both boys digesting the severity of their punishment. McGonagall's gaze softened slightly as she looked at them. "I understand that emotions can run high, especially with matters as personal as family. But you must learn to control yourselves, to find better ways to resolve conflicts. Violence only begets more violence."

The witch walked around her desk, standing closer to them. "You are both capable of better than this. I expect to see you prove that in the coming weeks."

With a final, stern look, she dismissed them. "You may go. Reflect on your actions and do better. Dismissed."

Mattheo and Aaron walked out of her office, the tension between them still palpable but now mingled with a grudging acknowledgment of the consequences they faced. The door closed behind them with a soft thud, leaving McGonagall in the quiet of her office, the ticking of the clock the only sound as she sighed, returning to her desk with the hope that the punishment would lead to some measure of understanding between the two boys.

Ignoring the sting of his split lip and the throbbing on his bruised jawline, Mattheo headed down the dimly lit corridors of Hogwarts, the destination clear in his mind. The logical choice would have been the infirmary, where Madam Pomfrey would undoubtedly patch him up with expert care, even if it meant hearing the scolding she'd have prepared. But Mattheo wanted something different - someone different. He needed to see you.

Mattheo wouldn't call himself desperate but he wasn't far from being just that if it involved you.

The Slytherin common room was quieter than usual, the murmur of hushed conversations about today's fight between their two housemates barely audible over the crackling fire. Mattheo slipped past the few students lounging on the green leather couches, their eyes following him with curiosity and whispers trailing after his steps. He ignored them like always, his focus solely on reaching your dormitory.

Reaching the door to the girls' dormitory, he hesitated for a moment, then knocked softly. His bloody knuckles rapped on the wood of the door, each tap sounding more quiet. What was the worst that could happen? The door creaked open to reveal you, your eyes widening as you took in his battered appearance.

"Mattheo, what happened to you?" you whispered urgently, taking in the bruises and cuts marring his face.

"I got into a bit of a disagreement," he said, downplaying the severity of the fight because he knows how much you worry about him. Which he doesn't deserve, he thinks silently.

Your eyes narrowed, a mix of concern and frustration flashing across your face at his behavior. Mattheo Riddle stood at the entrance of your dorm, bloodied and visibly in pain. "You should be in the infirmary," you exclaimed, the tone of your voice firm but gentle.

The dark haired Slytherin shook his head. "I'd rather you patched me up," he admitted, his tone softening. "Please."

Sighing, you stepped aside and gestured for him to enter. "Alright, come in," you immediately went to help him in, taking most of his weight with the way you slung his arm around your shoulders, closing the door quietly behind him. Your dormitory was cozy, the dim light from a few enchanted candles casting a warm glow over the room.

"Sit," you ordered, pointing to a bed that probably belonged to you. The giveaway was the single snake plush he gave you for Christmas in the third year. Mattheo obeyed with a pleasant feeling spreading across his chest, sinking into the bed with a groan as the adrenaline from the fight wore off, leaving him acutely aware of the pain coursing through his body like a lightning.

You rummaged through a small trunk at the foot of your bed, pulling out a vial of healing potion and some clean cloths. Dipping a cloth in the potion and gently dabbing at the cut on his lip, your touch was both tender and precise as your palm met the side of his face that wasn't hurt that badly.

"You're an idiot, you know that?" you muttered quietly, not meeting his eyes.

"I've been told," he replied with a smirk, though it quickly faded into a wince. "But Banks had it coming."

"Even so, you need to control your temper," your fingers working deftly to clean the blood from his face. "You're better than this."

Mattheo's lips stretched into a grin despite the pain, causing you to wince at the new blood that started to ooze out of a cut on his bottom lip. Without another word, you took his jaw into your hand and angled his face so you could examine and attend to his injuries better. Your thumb brushed against the forming bruise in a comforting manner as your eyes locked. Your irises, a shade of [colour], met the brown of his ones. The dim lighting of the lamp cast a glow on your face and Mattheo could see the highlighted concern etched into your brows.

You have never looked so beautiful in his eyes. He felt a warmth spread through him, the sight of you dulled the pain more effectively than any potion could.

"There," you said finally, stepping back to examine your work. "That should hold you until you can see Pomfrey."

His hand, almost of its own accord, moved to the small of your back to keep you close to him. The warmth of your skin under his fingertips was electrifying, the soft fabric of your shirt having ridden up slightly. Mattheo caressed the bare skin there, his touch both gentle and hesitant, as if afraid to break the spell between you. Your breath hitched in the back of your throat, your eyes widening just a fraction, but you didn't pull away. Instead, you leaned into his touch, your own hands resting lightly on his chest, feeling the rapid beat of his heart.

He could be tough and rough around the edges, but he found himself melting in your presence.

The proximity was intoxicating. Mattheo could see the faint freckles across your nose, the way your eyelashes cast delicate shadows on your cheeks. He could feel your warmth seeping into him, a contrast to the cold reality of the world that brewed outside this moment. The world was dark out there, but he felt safe in your arms.

"[Name]," he murmured, his voice barely more than a whisper, laced with a vulnerability he rarely showed, even in your presence. Your name felt like a plea, a confession, and a promise all at once.

You swallowed hard, your gaze flickering down to his lips for just a moment before meeting his eyes again. The tension between you was palpable, a taut string that could snap at any moment. His thumb traced small circles on your back, the simple motion sending shivers down your spine as he gazed up at you with those big brown eyes of his, his breath intertwining with yours. Mere inches kept you apart and he looked at you as if you've hung the moon on the dark sky and brought the stars with your heavenly beauty.

"Mattheo," you whispered back, voice trembling slightly. The sound of his name on your lips sent a jolt of desire through him, making it even harder to think clearly. Although, he couldn't think straight already.

Your breaths mingled in the small space that separated you, and Mattheo felt a pull, an almost irresistible urge to close the distance, to bridge the gap that had always seemed so close yet so far away. And so he did.

His hands, resting on the small of your back, pressed into you, urging you even nearer until you stood flushed between his legs.

Your hands, previously light on his chest, tightened their grip as you felt the heat radiating from his body. Your fingers trailed up to his face, where you angled his head slightly, silently urging him to meet your lips. Mattheo obliged, his heart pounding in both nervousness and excitement. Lord knows how long he wanted to do this.

With a surge of courage, Mattheo closed the remaining distance, capturing your lips in a tender yet passionate kiss. It was like a spark igniting between you, a rush of emotions and longing finally being released. The kiss deepened, fueled by years of unspoken feelings and the intensity of the moment.

Mattheo's hands, now fully embracing you, held you close as if afraid you might slip away once he let go. You responded in kind, fingers tangling in his dark curl, anchoring him to you as he touched you nothing but love and passion.

Time seemed to stand still as you kissed, the world around you fading into insignificance. In that moment, there was only Mattheo and you, nothing mattered anymore. Not any stupid fight. Not any family problems. Just you two.

For in each other's arms, you had found love, love that would carry you through the darkest of times and cherish the brightest of eternity.

© ahqkas — all rights reserved. even when credited, these works are prohibited to be reposted, translated or modified.

[livingformintyoongi]

BTS fic recs

I wanted to do this a while ago, but felt like I hadn't read enough, until I checked my likes and got a shock to the face lol. I wanted to give some recommendations of some fics (and a series) that I quite enjoyed reading, plus leave a small review because I feel like it's very underrated to comment on what you like something (people, comment more, I swear it makes a writer feel so much better than a like). There's the occasional spoiler in the reviews, so I recommend you read it carefully or just skip the comment ^^.

Dawning by @wintaerbaer JJK

summary: He’s never invited into your world during these late night sessions. You always push him away or ignore him. This is new. warnings: heavy depictions of depression and panic attacks, a brief line where taehyung worries oc is s**cidal. I really loved this fic. For a moment I thought it was some kind of two shot or something, but it only has this one part. Still, I felt the author captured the emotions very well. It felt so realistic that even I was worried when Y/N disappeared lol.

Bottle up old love by @wintaerbaer KTH

summary: Jungkook may have broken up with you a year ago, but that's not going to stop him from coming to your rescue when he sees you being cornered by a creep. warnings: language, a short harassment scene at the beginning (nothing too intense), explicit content including: unprotected sex (DO NOT), fingering, praise kink, biting, marking, spanking, cum eating (sort of?), big cawk soft dom jk, cowgirl (yeehaw), creampie, cockwarming. This fic made me remember why I love the exes to lovers trope. I loved seeing Jungkook as a tattoo artist, it's like, I don't know, so him, anyway, I loved it. I just found this account yesterday in the wee hours of the morning and I'm already loving it <3.

Cat-astrophe & Cat-enaries by @dumpywrites MYG

Summary: Your pet cat keeps going to your neighbor’s apartment and it’s a problem.  I fell in love with this Yoongi like you have no idea. When I just read the first part I was so eager to keep reading, seriously, I loved it, it deserves so much love.

Two Days by @dumpywrites JJK

Summary: He just wants you to give him two days. He'll take you on a few dates and you'll decided if you actually like him? Or not? I live for Jungkook being simp of the reader, I feel it's so real lol. This fic made me feel so warm inside, it was too cute to read. It's kind of like my comfort fic.

S'more than friends by @borathae MYG

Warnings: subby!Yoongi, switchy!Reader, consumption of beer, so much awkward tension, jealousy, sex in a tent, mutual masturbation, handjob, fingering, making out aye, Yoongi loves her boobs and she loves his butt it’s a win-win, sex while other people are sleeping, public sex, she has a thing for his hands (but what’s new lmao), fluffy post-orgasm talks because I’m soft. I read it a while ago now, but I remember when I did I felt so soft. This Yoongi is just too cute.

Please don't go by @httpjungkookcom JJK

Summary | Jungkook’s never kept anything from you, ever. Not even the time where he tripped and accidentally kicked your dog, or when he fucked the most popular girl in high school and couldn’t make himself cum (poor guy was embarrassed for weeks), or when he accidentally rubbed all of his acceptance letters in your face without realizing. To put it short, Jungkook is an open book to you. So when he suddenly disappears, there’s a lot to question. Even more to question when he finally gets back and won’t tell you anything, going as far to avoid you. You’re on a mission to figure it out, even if it kills you. Index | Jungkook is so smart, but so stupid at the same time. Jungkook is not sly in the slightest. Kind of angst, fighting, arguing, bickering, etc. Criminal activity, it’s a Spider-Man fic. Injuries and mention of blood. College setting and age, reader and Kook share the same major. Some cute fluffy moments in between all of the action. Aunt Yoon is essentially Aunt May in the Marvel story line.  Spiderkook, is more needed to read this fic? It was the first one I read about this au and I was WONDERED. God, you can't imagine how much I loved it. I thought it was so cute the way Jk approached reader being in his suit….

Accidental roommates by @jjkeverlast JJK

summary: moving apartments is stressful and difficult enough as it is. all the planning and packing and multiple moments of rearranging furniture; all you crave is peace. yet it seemed like peace was far within reach as the owner of the apartment had left out one tiny crucial detail from the ad — a ripped tattooed adonis, coupled, with a tiny baby daughter will come as your roommate. warnings: second hand embarrassment | jungkook's abs | annoying antics | suppressed feelings | both of them are stubborn and petty (it's gets tiring lmfao) | mentions of past relationships | a lot of time stamps | sexual tension | ft. namjoon 👀 | !constant change of perspective between reader and jungkook. I have a tremendous weakness with dilf, no matter who it is, I just love them. I think this was the first one I read by Jungkook. It was so fun and easy to read that the 14.7k words flew by for me.

Silk & Stones by @taegularities KTH

Summary: “Taehyung was a writer… he was a writer indeed.” Kim Taehyung knows his way around words – they cast a spell on your heart and mind, leave you gasping dangerously fast. Until the mystery behind his persona unveils and his touch, along with his words, becomes a vivid memory. warnings: writer + violinist tae 🥺 who’s a gentleman in the 19th century, brief mention of injuries/a mental institution, misunderstandings, heartbreak, secrets, grief, much poetry (and my attempt at writing a poem, pls spot), much disgoosting fluff, flirting and lots of sexual tension; explicit sexual content: 2 sex(y) scenes, fingering on a boat, choking, teasing, begging, praising, soft dom!tae, big dick!tae, tiddie fondling/sucking, some manhandling, dirty talk, they’re just so cute :((, oral (f. and m. receiving), some masturbation, oc is into neck kisses, some biting, fingering, hair pulling, asking for permission :(, multiple orgasms, unprotected sex (it’s the 19th century...), aftercare; there’s quite some angst ok; lmk if i forgot smth !! This was a work of art for me. I felt so immersed in the story, so confused by the time changes and everything surrounding Taehyung, but I loved it, one of the best stories I've read of Taehyung since I joined tumblr.

17 going on 27 by @hansolmates JJK

summary; one second, you’re sobbing at prom because the most popular guy in school dumps you due to your relationship being a little prank to break your heart. the next? you’re a creative editor at Ego, the hottest young adult fashion magazine. as you try to figure out what’s the deal with this sudden time skip into adulthood, you come across relationships and friendships that are made to be cherished and made to be broken. genre/warnings; fluff, crack, future enemies to lovers, teenage and adulthood angst, time skips from high school!au to late twenties!au, 13 going on 30!au, all your romantic movie tropes come to life! a really big mess honestly, various movie and music references, mentions of sex, use of alcohol, everyone give jin and jimin a big ol hug, language, a surprise guest from the queen of england. I love adaptations, especially ones that add their own touch, and the writer did it so well. She made me hate Jungkook, and then love him, and then hate him again, in the end I ended up resenting him, I wanted reader to stay with Jin lol, but I still loved it. Definitely my favorite part was having Jimin as a best friend, I loved watching him take on Jungkook in the car. We all need a friend like him.

Hot Bot by @httpjeon JJK/PJM/KTH/JHS

JJK: You order a sex robot online after getting a coupon for half off. however, there’s something strange about yours. PJM: Fear is primal and causes one to make stupid decisions. KTH: Your parents have a gift for you, however, there’s been a mistake. JHS: As a product tester, you have one of the most sought after temporary positions in Hot Bot Inc. This is a series that has smut, I think the name gives it away. It's rather sad that the writer is on hiatus, but he left the gems of his works open to the public. The series is pretty good, I fell in love with Jungkook (and Yoongi kskjdsksjds). Highly recommended.

The proposal by @hansolmates JJK

summary; Jeon’s the editor-in-chief for Big Hit Publishings, a closet romantic with a penchant for antagonizing his assistant on the reg. When his work visa is in the process of being renewed and he takes a trip to Norway, his eligibility to stay in America is on the line. However Jeon Jungkook doesn’t go without a fight, and in order to save his job he offers you a proposal you can't refuse. genre/warnings; the proposal!au, fake marriage au, enemies to friends(!!!), friends to lovers, bouts of flangst, dry humping, slight blood but not too bad, lang, alcohol, poor jjk discovers he has the ability to feel emotion, poor y/n is in the middle as always. I was looking for an adaptation of this movie for so long that when I found this one I almost cried with emotion. I LOVED the movie and the concept it had, and I was so happy to read this fic that captures that very romcom essence that the movie has. I loved it.

Marshmallows and report cards by @untaemedqueen KTH

Warnings: Impreg Kink, Marking, Cunnilingus, Fingering, Birthday Sex, Spitting, Begging, Praise, Fellatio, Face Fucking, Big Dick!Tae, Multiple Orgasms, Unprotected Sex, Possessive!Tae, Cock Warming, Creampie. I already confessed, this kind of fics get to me. I remember reading it and melting with the ending. I read it a long time ago, so I can't give a longer opinion, but I do remember that I loved it and came out internally squealing after I finished it.

Orange tulips by @kainks JJK

Summary: You’d remember Jungkook with every life you lived. Only he’d never remember you, never recall how your fates were written in the stars since the beginning of time. Genre: Angst. Fluff. Light Smut. The anxiety and helplessness I felt reading this fic are on another level. This scarred me, I read it once and I was never the same person again. It was wonderful, I felt so many things and I was so nervous during the whole reading that I almost didn't even realize when it was over. It is a very enjoyable fic.

What if I love you too much? by @taleasnewastime

Summary: Jungkook. It’s only a name you learn after your son kicks his ball over the fence. Before that you only knew him as the hot new neighbour who mows his lawn topless. And though you have no intention of getting to know him anymore than that, inevitably you do. You don’t necessarily fall, it’s too slow for that, but you definitely develop feelings you don’t intend to feel. Because you know men like him, and you know that whatever you’re feeling, he’s probably not feeling the same. All the same, however hard you try, you can’t help yourself. Warnings: Single mum, small fights, explicit sexual content, oral (f receiving), safe penetrative sex, reader thinks Jungkook is cheating/playing the field, angst, but also fluff, child gets injured (though not seriously), talks of cuts and a small amount of blood. This fic left me feeling bad, it even made me question some future decisions regarding my relationship with my future partner and the necessary communication that must be had in a relationship from the beginning, especially if there is a child in the middle. It was something I really enjoyed reading, and even though I had my internal dilemmas with Jungkook, the drabbles in the story helped me a lot to let go of my grudge (I swear I have nothing personal with him sksjkajskajsj).