#belle answers asks

[subby-shyvirgin]

Hey, from the make you admit stuff

Do you dance in the car?

Yes!! I have full concerts in my car sometimes!

[beth-march]

the height difference between el and mike >>>

els head fits under mike's chin.

🥺😭🥰

Don’t even get me started on their height difference! It’s so significant to me. Mike is tall enough that he can tuck little El into an embrace that covers her completely, with her head beneath his chin and her frame within his arms, so that she’s shielded from everything.

They remind me of that Jonathan Carroll quote, Opening his arms he said quietly to her, “Disappear here.”

[inky-duchess]

Etiquette of the Edwardian Era and La Belle Époque: Tea

This is a new set of posts focusing on the period of time stretching from the late 19th century to the early 20th Century right up to the start of WWI. I'll be going through different aspects of life. This series can be linked to my Great House series as well as my Season post and Debutant post.

Today will be focusing on the rules of tea with this time period.

Tea was a staple in society, not only as a comforting beverage but as a social gathering beset by strict rules. Etiquette at tea is not only important for guests but is a sign of respect to one's host.

High Tea vs Afternoon Tea

You're reading both terms and you're thinking high tea is the formal version and afternoon is informal. In fact, no. It is the opposite. High tea was actually served far later, about 6pm/7pm and focused on more savoury, substantial dishes. High tea was more of a lower class tradition, designed to fill the stomachs of hungry workers. The word "high" is derived from the tall tables used. Afternoon tea is served at 4pm, designed to fill the gap between lunch and dinner. Afternoon tea is served at low tables with all the guests seated and involve a lighter meal, more nibbles than anything.

Hosting and Attending Tea

Tea is an event that happens every day, it's not an excuse for a snack, it's a ritual. One can have tea served in one's own home or at the home of a friend. One must be invited to tea, one can't just show up and expect to get fed. Tea was typically served in libraries or drawing rooms and done times outside in the gardens if weather permits. One had to dress for tea usually in comfortable but appropriate clothing. Men would wear suits, women would wear tea gowns or a simple gown - keeping their hats upon their head, if they are visiting. Tea was not poured by the footman but by the host or if it is a large party, by one assigned guest. The hostess or designated tea pourer would serve themselves last.

The Tea Set

Tea sets are highly coveted and much remarked upon at tea. One would usually inherit a service (that's what the collection was called) or be gifted it at one's wedding. Services would all match and most households had different kinds, the best usually reserved for important guests.

Teapot: the tea pot held the hot water and tea leaves was was usually made of china and decorated.

Cups: the cups were generally low, shallow.

Saucer: a small plate for the cup to rest on

Tea cannister: where dried tea leaves would rest until needed.

Sugar bowl: was a small container made of china with a cover to protect the sugar from moisture.

Milk jug: a container for the milk

Slop basin: was a porcelain dish used for disposing tea leaves left behind with the dregs of tea.

Tea spoon: small spoon used to stir tea

Side Plate: small serving plate used for food.

As you might have noticed, other than a tea spoon, cutlery is not listed. There would be a spoon for jam and a knife for a scone, most food was designed to be eaten with one's hands.

There is also one instrument not listed here and it's the most recognisable thing at afternoon tea.

The Tiered Tray

The tiered tray is a set of trays stacked upon one another holding on each one, a different course. Sandwiches and savouries were served on the bottom (Favourites include smoked salmon, cucumber, cress, egg salad sandwiches), scones on the second and sweeter delights served on the top (sponge cake, macaroons, pastries etc). One would begin ay the bottom and work one's way upward.

Making the Perfect Cup of Tea in the Edwardian Era/Belle Epoque/Gilded Age

Disclaimers: Let's make one thing clear. Tea is not prepared one way for all. Tea is culturally important across the world and every culture has their own rules about how tea is consumed and served. There's no one right way.

I will be discussing the English way of brewing tea in this post.

As mentioned before, tea is held in a cannister before use. Tea leaves were added to the hot water and lightly stirred.

Controversially for most people, milk was commonly added first.

One would then set a strainer in one's cup, tilting the pot. The strainer will catch the leaves and leave your cup almost tea-pulp free.

With the tea added, one could add in sugar. The trick is not to make a show about it or be too loud. One simply should gently turn your spoon from the 6 o'clock position to the 12 o'clock position. Also, the spoon rests on the saucer when not in use and doesn't stay in your cup.

When drinking your tea, put your pinky down. That's an American myth. Simply lift your cup to you, lifting the cup to your mouth by the handle. Saucers are not lifted unless your cup is far away. Don't slurp it, there's plenty more where that came from.

Etiquette at Tea

Afternoon tea is for light conversation, do avoid heavy topics.

Listen attentively when being spoken to.

Don't talk with your mouth full or stuff your mouth. Typically everything should be polished off with 2-3 bites.

Gloves should be removed at tea because one is eating with their fingers.

If one is leaving the table to go to the bathroom or a breath of air, simply turn to your neighbours and excuse yourself. No explanation needed.

Napkins should be removed from the table and set across one's lap when one is sitting down. When finished with tea, set it beside your plate before you rise.

Also you daub, not smear.

Don't cut your scone but break it.

Don't lick your fingers.

Don't bang the spoon on the side of the cup.

Also there's no dunking biscuits into your tea. It's just not done at afternoon tea.

Never thank the staff for fetching anything - or at very least, don't be overhead doing so.

Always say your goodbyes to the hostess and compliment the tea, even if you had a rubbish time.

Also most importantly, never criticise somebody else's manners. That's the height of rudeness.

[thatsbelievable]

[r-aindr0p]

I love your Rollo sm tbh. I think he'd very cute. I'd like to have tea with him and just talk about stuff

for some reason your ask reminded me the tea time minigame(?) in fire emblem 3H fhsdkfj So here you go I guess, got you a pov with dialogue options

[artist-issues]

Wait, hold up. You wanna run that by me again? People are saying he didn’t deserve to be turned into a beast? When he literally was rude for no reason to that “old lady”?

Yup. Like he was just a teenager, he should be cut some slack, she was setting him up.

But it’s like

Yeah

She was setting him up because she knew he had no love in his heart. Do you know how horrible a King with no love in his heart would be when the Prince grows up? Do you know how awful the “little poor provincial town” would have it in the shadow of a Prince who reaches adulthood with the kind of character and heart that shuts old women out in the cold? The Enchantress did. So she cursed him so that he’d develop into a kind, gentle, loving man. There’s a reason the curse lasted until his twenty-first birthday. That’s adulthood. He had till then to learn to love.

And you know what else?

Of course the castle and servants would be cursed too.

That’s the Beast’s first lesson: you’re being cursed because when you have no love for anything but yourself, it’s the people closest to you who suffer for it. His household is a living object lesson for him to be faced with, day after day, for ten years, about how the consequences of your actions affect more than just you—they affect the people who depend on you. Really important lesson for the King of a kingdom to learn.

And even if that weren’t enough, which it is, don’t come griping to me about the servants being cursed for something the Prince did. Riddle me this: why is the Prince answering the door? Why isn’t a footman doing that? Why isn’t Lumiere doing that?

Why is it they’re turned into furniture instead of little beasts? Why is the first scene they’re introduced in an old MAN begging for shelter from the bitter cold, and choosing to welcome him in despite “The Master?”

Why is their big number “Be Our GUEST?”

The answers to those questions aren’t given but it’s strongly implied that, instead of doing their jobs, and instead of standing up to their Master up to and including the incident with the Enchantress, they used to just stand to the side, making no sacrifices, taking no risks.

The theme of the movie is “true love is self-sacrifice.” Hospitality is one of the most self-sacrificial practices you can engage in. You’re literally making yourself vulnerable: you’re inviting someone into your home, you’re putting their comfort before your own, you’re giving them your hard-earned food and heat and drink and time, you’re allowing them to come into your sanctuary, your safe space, and judge it while you make them comfortable. Be Our Guest, indeed! Standing up to the Master, indeed! They’ve learned their lesson by the time Belle and her father are on the scene.

The thing is, we love to try and excuse away the responsibility of the main character because we love to try and excuse away our own character flaws. Blame it on trauma. That’s not the point. The point is, for the story to work, and for the fictional kingdom to have a happy ending with a Prince who’s like that, the Beast has to grow out of his character flaws. He has a problem, and it needs solving—how he got the problem is irrelevant.

And there’s just so little chance that a Prince, who has everything in life that he could ever want and is dependent on nobody, for anything, would ever feel the need for love. Or worse, he’d never feel the need to correct himself, or change, or grow in any way. He needed to have some discipline—some MAJOR discipline, some KINGDOM-SAVING discipline—in order to even be the kind of guy that could notice a peasant girl’s self-sacrificial loving nature, much less value her and fall in love with her.

Thank goodness for the Enchantress and the Curse. Or else this fairy tale could’ve turned into the French Revolution.

[effervescentdragon]

My uncle before the 1984 miners strike, he looked so happy

your brain needs to be put in a jar ❤️

[ask-the-vampires-academy]

what they do

ask by @green-screen-green-god

background ponys

@anideterm3

@ask-the-out-buck-pony

@foodielovethealicorn

@askdaisydandfriemly

@aerialaim

[annemarieyeretzian]

So I know from your live blogging that you've just recently gotten to the episode, But I wanted to know what your interpretations on the whole "sister" thing with Ashton and Fearne.

Whether or not it's something to be worried about or if it's just another case of Ashton's Charisma of 6 making him very dense at the moment, or maybe it was just said in the moment to get people to back off of forcing something romantic when Ashton and Fearne have been shown to take their romance at a very glacial, natural approach.

I am genuinely curious what both ashton and taliesin’s intentions were in the moment.

I’ve had shipping goggles on for ashton x fearne since episode one or two, but even setting that aside, ashton has been both deliberate and determined about seeking/singling out fearne (cutting in to state “she likes me better, clearly”, stepping in to bargain for the extra bottle of booze she wanted, stealing from her, stealing for her, asserting fearne was going to crash with them and not with chet, supporting her professor calloway con, telling her he loves her home and her nan, telling her she’s “fucking great” and “magic”, telling her – and only her – “I missed you so much”, putting themself next to her in combat or while walking, telling her he likes her leadership). I thought ashton/taliesin were much more clearly falling for fearne than fearne was for ashton initially (I think fearne has started to feel things/reciprocate, which was all but confirmed during the last 4sd episode).

so I’m thinking – hoping? – it’s the 6 cha? because a) I don’t think taliesin is playing ashton in a way that would mean ashton diverges from their desires simply because people were pushing or teasing them toward it and b) I don’t think either of them are taking their relationship – whatever it is or winds up being – at a glacial pace. I think they’ve both been incredibly obvious about their attraction to and feelings for each other.

[sparring-spirals]

I need to yell about fcg and *specifically* this great post that you wrote ( https://www.tumblr.com/sparring-spirals/747570433506902016/okay-after-some-sleep-back-on-my-bullshit-lets ) because it made me realize that I really, truly hope Laura will remember she took off her circlet moments before the bang and Imogen had the chance to hear that fcg was at peace with this decision, not because they were trying to be a martyr, but because they had a true chance to save their friends, knowing full well that detonating *would* be a sacrifice because their life *did* matter.

(I hope sending asks is okay, sorry to barge in like this)

Ahw, hell yeah, glad the post hit hard, recontextualizing it in my head helped a lot with chewing through my feelings about. All of this. I'm always okay with asks!! As long as folks are aware I am not necessarily going to agree with every ask that comes in, and more critically, sometimes I disappear off the face of the Earth for a while, dont answer asks, and then feel too embarassed about answering them so much later/get asks about something I didnt watch, go "ah ill answer when i watch it" and then. Well.

(To the various people who sent the total 12 asks that have been sitting in my box for over a year now. I am. So sorry.)

Honestly, I didnt even think about the possibility that Imogen might have heard it, goddamn. Fascinating. I was fully bracing myself for Bell's Hells just- never knowing, and them having to grapple with it. Which. Takes me out at the knees, tbh. I hesitate to speculate on it too much when the episode is going to come out Thursday and probably prove me wrong, but. God, there's no world where the Bell's Hells would instinctively know that F.C.G had made the call with that attitude, and fuck, that puts all of it into a different light, clearly.

I'm a little apprehensive and tbh deeply curious to see how the Bell's Hells take this- the depth of the loss, the sudden nature of it, the victory against Otohan probably not even feeling that way. Maybe wanting to honor F.C.G's sacrifice but. Probably. And understandably. Angry at them for making that call, but he's not. Even there for them to be angry at. So what then? So what then? They can have all these feelings and have all these questions about why he did it, about what he was thinking, and he's not there to answer them, and that's the issue.

If Imogen did hear his last thoughts, this elevates it into a different kind of heartbreaking, but probably still easier overall. The world where they don't know. Is. A more tricky one to navigate, for sure.

But also if I'm being honest. I am not opposed to how the cast would have the Bell's Hells experience and explore that scenario. So i mean. I mean. I hope so too. But if Imogen didnt. Consider me buckled in for whatever happens.

[subby-shyvirgin]

Are you actually a virgin or is that part of the fantasy

hi!!! i am still a virgin! i’ve done some stuff sexually but never been all the way!!

thanks for the ask!!

[beth-march]

el's favorite colors are yellow x (purple) and mike wears some yellow shirts in season 3. his love language. i'm crying 🥺❤️

Mike after finding out that yellow is El’s favourite colour:

He went on a shopping trip shortly after this precious piece of information was revealed, and Karen was definitely confused about his sudden fixation with picking yellow shirts 💛

I’m convinced that he does this deliberately for El’s benefit, and I know that when El catches onto his habit, she starts wearing blue for him, in return!

[the-hilda-librarians-wife]

Remember when you were like what if the bellkeeper was a woman and I was like okay

GODDAMN SADIE. IS SHE SINGLE?????

[inky-duchess]

Etiquette of the Edwardian Era and La Belle Époque: How to Dress

This is a new set of posts focusing on the period of time stretching from the late 19th century to the early 20th Century right up to the start of WWI.

I'll be going through different aspects of life. This series can be linked to my Great House series as well as my Season post and Debutant post.

Today will be focusing on the rules of clothes with this time period.

A Cut for Every Occasion

As you may know, the wealthy elite and their servants lived extremely regimented lives and every aspect was governed by careful rules. They would be expected to wear the right outfit at the right time, every minute of the day. Any misstep would be noticed at once and be subject to scruntiny.

In the circles of the elite, one would be expected to change for every occasion. One simply wouldn't wear the same outfit they've been lying around the house in to attend tea at somebody's house. Fashion in this era was dictated by the clock and by the event diary of the wearer.

Ladies

Women of the upperclass would be expected to change at least six times a day. When she would rise for a morning of repose around the house, she would simply wear a house gown or a simple blouse and skirt. If planning a morning stroll, she would change into a walking suit which is a combination of blouse, skirt and jacket along with her hat usually of tweed. If running errands or paying a visit to friends, she would wear another walking suit. If riding, she would wear a riding habit and a hat. If hosting tea or taking tea in her own home, she would change into a tea gown with is a lighter more airier gown more comfortable for chilling in. If attending a garden party, one wears a pastel or white formal day gown accompanied by a straw hat and gloves. For dinner, she would change into an evening gown which would be more elaborate and show off a little more skin than her day wear. After dinner and ready for bed, she would change into her nightgown.

Female servants had an easier time of it. A housekeeper and lady's maid would simply wear a solid black gown for the entire day. A cook and kitchen maids would wear a simple day dress for working with an apron. Housemaids would usually wear a print dress with an apron and cap, changing into the more formal black and white attire you would associate with a maid.

Gentlemen

The gentlemen had an easier time but they too were subject to changes throughout the day. Men were expected to wear a suit. The most popular day time suit was a sack suit. These were comprised of plain and loose fitting jackets, worn over a starched shirt with a high collar, waistcoat and straight trousers with ironed creases. These suits were exclusively wool with cheaper ones made of a wool and cotton blend. Grey, green, brown, navy were usual but sine younger men preferred louder colours such as purple which was a trend for a time in the 1910s. These suits were worn about the house or in the city accompanied by a coat. Men would change into tweed if shooting or walking. For garden parties, a gentleman would wear a light coloured suit, usually white and a straw hat. For dinner, a man had two choices: his tails or his dinner jacket. A dinner jacket was for less formal suppers say if dining at home. This was a collection of a jacket, trousers, waistcoat, a bow tie, a detachable wing-collar shirt and black shoes. Lapels of these jackets were edged with silk or satin. Tails were worn at a formal dinner party, at White Tie events. This was made up of a tailcoat, white piqué waistcoat, a starched dress shirt with a pique bib and standing wing collar with a white bow tie. Trousers were lined with trim to hide the seams.

Male servants were soared changing. Footmen would wear their livery around the clock which would resemble white tie to a certain extent or mimic court dress of palace servants. Butler's would wear a variation of a gentleman's evening suit throughout the day. When a male servant is dressed, he usually stays that way. However, a valet or a footman may be taken to pick up during shooting parties where they would wear tweed walking suits.

Jewellery

Jewellery was an important sign of status in society. Upperclass women of this time has access to untold caches of sparklers but there were rules concerning their use and meaning. Earrings were usually clip ons as women of high status would not pierce their ears. Simple, understated earrings were worn during the day with more ostentatious sets were worn in the evening time. Broaches were popular at this time, usually worn at the throat of a gown or blouse or walking suit or affixed on hats. Large stoned rings were worn over gloves while slender bands were worn under. Jewellery was intricate and understated amongst old money whole the nouveau riche went for chunkier stones and larger settings. Tiaras were only worn at White Tie events, held after six pm and almost never by unmarried girls. One would not wear a larger tiara than that most senior lady present. Men would wear tie pins, cufflinks and pocket watches to match any occasion be it for a jaunt on the town or at a formal evening party.

Hats

Hats were a staple in this period. Anybody respectable from any class wouldn't venture out of the door without a hat.

Men would wear hats when heading out but always remove them when entering a building, and never wear one without removing it for the presence of a lady. The bowler was seen as more a servant's headwear while a top hat was reserved for gentlemen. Flat caps would be only seen on gentlemen at shooting gatherings or in the country, they were popular among the common class for any informal occasion.

Women had more stricter rules concern hats. Hats for women were more a day accessory worn while out and about. A woman would not wear a hat in her own home even when entertaining and nor would any of the other female occupants if joining the gathering. A woman would not remove her hat when attending a luncheon or tea or any activity. Hats were held in place by a ribbon or sash tied under the chin or by a hat pin, which is essentially a large needle thrust through the hair. This was the period where women's hats became more ornate and rather large, leading to some critisism. Among servants, housekeepers and lady's maids would not wear a hat while indoors and working but a housemaid or cook or kitchen maid would cover their hair with a cap with housemaids changing into a more elaborate one come evening time. Male servants would not wear hats unless travelling or outdoors.

Gloves

Gloves are a staple in this period and worn only at the opportune time. Among servants, only footmen would wear gloves and usually only when serving. Butlers would never wear gloves. Female servants did not wear gloves.

Men did wear gloves, usually woollen or leather while outside or riding gloves when out on horseback.

Women wore gloves whenever outside. Day gloves were usually wrist length, with evening gloves stretching to the elbow. During dinner, evening gloves would be removed at the first course and laid across the lap, replaced at the last course when the ladies leave for tea and coffee after where the gloves are then removed again. Gloves are always worn when dancing and at the theatre or opera. If one is sitting in ones box and sampling some chocolate, one can remove their gloves for that.

Hair and Makeup

Make up was a no-no amongst the upper crust and for their servants in England and America, as it was seen as licentious but in France, the use of rouge was accepted. Perfume and cologne were acceptable but excessive use was frowned upon.

Hair was dressed by one's lady's maid. Bouffant updos were popular in this time period for married women. During the last years of this period, women began adopting the 'bob' but this was seen as radical and sometimes scandalous. Unmarried girls could wear their hair down, often with accessories like a bow to adorn their tresses. Servants would always tie up their hair and never be seen with it down or uncovered (though this depended on their job).

Men would comb their hair, slicking it back for dinner. Most men were clean shaven but if they wore beards, they were usually well groomed. Hair was kept short for grown men and teenagers but young boys may wear their hair longer whilst in the nursery.

[inexplicifics]

💖or 💕

Aiden/Voltehre/Lambert, or Aiden/Lambert in A Life SavedLSavedSaved. 😍🥰

This one got a little long, but it's HERE on AO3 - a little smutty slice of life in the Three Bells 'verse.

[artist-issues]

If all of the Disney Princesses live in Snow White's world, do you think the Magic Mirror would still declare Snow White as "The Fairest One of All"?

Yes, I do. I think Snow White is Fairest of All because her beauty is the outward version of her purity and innocence. And there’s no other Disney Princess who has more purity and innocence than Snow White.

I mean, the closest you could get, story-wise, would be Aurora. She’s magically gifted with rare beauty that’s symbolic of the rebirth of springtime. That’s quite the beauty classification!

She’s pretty innocent and pure, too—the tiniest glimpse that she might not be as pure as Snow White is the fact that she’s willing to complain about her lot in life, or about the fairies being overprotective, and has a little mischief in her. But even that is kind of a stretch.

What isn’t a stretch, though, is Snow White being so full of love to give that it splashes everywhere. Aurora’s scenes with the animals are all about her confiding in them and playing with them. But Snow White is decidedly motherly with her animal friends. She doesn’t just get their friendship and company—she gives. She teaches them how to clean, and helps them when they’re lost, that sort of thing. Even more loving with the Dwarfs.

So Snow White does good, and that’s part of the beauty of what’s inside of her causing her outside appearance to be beautiful. Aurora, as wonderful as she is, doesn’t do a lot of good. She makes very few decisions that show how loving and kind she can be.

Other than being respectful and obedient and obviously super-fond of her fairy caretakers. It takes a special kind of love to obey three old women who tell you that you have to abandon all your animal friends and the one true love you just met to run a kingdom, instead. I would’ve said “no, I’m not going, and here are all my suppressed bitter feelings about how you keep treating me like a child.”

But even though she’s devastated, she gives up the dream that just came true and fulfills her role as crown princess, instead. I don’t want anyone walking away from this post seeing any shade thrown on Aurora. The purpose of her character was very symbolic.

She wasn’t supposed to grow and change. She wasn’t even supposed to inspire change in others. She was supposed to represent Value. That’s it. She’s precious to everyone around her. She’s worth protecting, sacrificing for, and saving. She’s everyone’s daughter, everyone’s dearest, she’s all the gentleness and beauty and hope for the future, personified.

I could do another post analyzing Sleeping Beauty (though to be honest with you, it’s such an old and incredible fairy tale that I’d be a little intimidated.) But anywho, to answer this question, Snow White would still be Fairest of All because, I think, in the story, ther purity and innocence is what makes her so outwardly beautiful, and none of the other princesses are as pure or innocent. Aurora and Cinderella come close, and then Belle.

EDIT: It would be cool to see them all in one place, though, wouldn’t it? Not for, like, Pocket Princess antics or anything like that. Or anything too sprawly and intertwined, like Once Upon a Time. But if there were a way to neatly, carefully tell a story with that many princesses, and what they inspire in others, and why they befriend and what they teach to one another…without it being a total talking-head-fest…that would be neat.