Wayne gala but all of the batkids were forced to go so now they are SET on giving Bruce the biggest headache ever while also entertaining themselves. read: they have a bet going on who can have the most ridiculous headline in the paper the next morning. some honourable mentions include:
Bruce Wayne's (il?)legal Ward(?) Stephanie Brown Claims to 'Always Have at Least Three of Bruce's Wallets' on Her Person. (With Interview! "Always have to be prepared, y'know? S'not like he'll notice one is missing.")
Eldest Wayne Son Richard Grayson Seen Falling Face First Into the Chocolate Fountain at Recent Charity Gala: Proceeds to Get Back Up, Laugh it Off and Return Thirty Seconds Later Unphased. (With Bonus Interview! "My hair just falls back into place perfectly, even after exposed to melted chocolate 30 seconds beforehand.")
Jason Todd-Wayne's First Public (Official!) Appearance Since He Returned: Everything You Need to Know, From Claims of An Alien Kidnapping to Punching the Newly-Hired Bartender! (With Exclusive Interview: "He looked at Cass weird. Creep. Should send him to those aliens.")
Bruce Wayne's Youngest Damian Wayne Denies Bringing Mysterious Pets to Recent Gala; Allegedly Does Not Notice the Hoard of Animals Hidden Behind Him, Including a Cow. (With New Interview: "Pets? Here? Foolish. All of my pets are safely in their wing of the manor. Do not disrespect their name.")
Timothy Drake-Wayne and His Gala Experiences: Wayne Middle Child Is Caught Falling Asleep At Multiple Tables During the Charity Gala, Claims to 'Not Know What Sleep Is' When Asked. (Bonus Interview! "Sleeping? At tables? Please, I have some class. What even is sleep? Is this a new social custom I am unaware of?")
see also: Timothy Drake-Wayne Denies Ownership of Skateboard Placed Under Bruce Wayne's Chair Despite His Name Clearly Etched On the Back.
Bruce Wayne's Newest Ward Duke Thomas Accidentally Spills Punch On His Guardian; Proceeds to Make Wayne Thank Him Because 'That Suit Was A Fashion Disaster'. (With Exclusive Interview: "That suit looked like it was picked out by Dick. That's not a good thing. It looked better with punch spilt on it.")
Eldest Daughter of Bruce Wayne, Cassandra Cain, Reported Hiding Behind Each of Her Siblings in Succession Throughout the Recent Gala; When Asked, Each Sibling Denied Seeing The Young Woman. (With Added Interview: "Fun game. Hide and seek, with paparazzi. Fun to scare.")
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✨ Dressing up for the occasion ✨
(he's the occasion)
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actually I love Tentoo and he is the Doctor and it was the only ending for Rose that worked and it is a huge gift to be able to have the man she loves grow old with her, they were always heading for that, y'all be quiet. I 100% understand the angst but it's okay, they're okay, good ending-
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He annoyed Steve so much he’s now getting married to him
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GUYS.
I ASKED IN THE BBU DISCORD (JOKINGLY) IF THE SONG THEY'RE HIDING F3OM US THAT IS THE FAVORITE OF ASH WAS A BARNTOCCIO DUET
AND ASH RESPONDED
GUYSSSSSSSSS
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-slides into your asks- ok but. Details on the aquarium au? Like yess i love the idea!! Void man the marine biologist!! Both families going there!! Em making friends!! Its all so wholesome and you know what? They deserve itt :D
hehehhe!!! I have so many ideas you couldn't even imagine babeygurl. I just really wanted this au to be super wholesome for everyones faves. If you have a dh character you like- they are likely in this AU somewhere just know that. It's sorta just morphed into my own feel-good modern au rather than just an Aquarium AU
Some misc Fin-Tastic AU notes (also featured in the art):
Corvo has a motorcycle (as does Daud and the Whalers. They actually have a Motorcycle Gang in town)
Daud also runs a definitely legit Self-Defense Class (that definitely isn't an underground fight-club)
Emily attends the classes as part of the "Jr. Knives of Dunwall" course)
Delilah owns an upscale Art Gallery in town (and has been told to not visit after claiming to know Corvo's sister and gas-lit him that some random child she paid was his nephew)
Billie and Thomas live with Daud in his apartment and brought home some dogs one day. Daud told them absolutely not. The dogs love Daud. They have dogs now.
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This is how the trial would have gone if I was in charge
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More on the power of resurrection as the "apple of discord": Billie won theory.
So. Chuck vs Billie, it's all about the preservation of the natural order. Now if you ask me what "natural order" means in Supernatural I wouldn't really know how to answer. I think by that they meant a concept akin to that of metaphysical necessity, of a causality that's prior to space and time. However, Chuck has subdued the Moirai as we know from s6 and s15 and he controls life, death and space and time. Therefore, the natural order seems to be Chuck himself. Or he definitely thinks he is but he's really not 'cause, as it turns out, it doesn't really matter if Chuck exists as God, anybody who can contain God's power can become God. Just like any reaper who dies can become Death in case Death is absent. In other words, "Death" and "God" are just "roles" that virtually anybody with sufficient power and in the right circumnstances could play.
In this respect, Chuck is more powerful than Death because he can control space and time as he pleases while Billie can't. I mean, it appears on Supernatural that techinically Billie can manipulate space and time but her issue is precisely that: if you start manipulating space and time Death ultimately really means nothing since it's a concept that's intrinsically connected to these notions.
This is why, I think, resurrection is the core problem in the ultimate power struggle, i.e. God vs Death. As a concept, it defies the rules of Time. If resurrection can happen, then time is no longer irreversible and if time can be reversed then Death doesn't really need to exist. But apparently in Supernatural necessity is the ultimate force and Billie wants to protect that, she wants to protect the role of Death in the story. Surprisingly, in this view I find Chuck a litte bit more fascinating because he's not only playing around with his toys, he's actually messing with Necessity itself. And no smart God would have done that 'cause it only ends one way: a recknoning.
So following this probably unsteady logic, in the end Billie won. Because what did she want? In the words of the Shadow:
The Shadow: Become "New God." Classic narcissist, right? She's all tingly for the rules, the good-old days. [...] Everyone back to where they belong... realities, dimensions, graves. What should be dead dies, angels off Earth, demons back to Hell, and I go back to sleep.
It's always, always about "the good-old days" (insert teary gif from The Office's last episode).
She didn't get to become the "New God" because she made the same mistake as Chuck: inserted herself in the story, thought she could use Jack and focused all her attention on Dean Winchester without realizing who her real enemy was (as I've previously said, it's totally Castiel. It's always Castiel, Castiel must die die die for the story to end).
But if what mattered to her, power aside, if the reason why she wanted to become god was because she didn't want anybody to interfere with the natural order AND if it doesn't matter who Death and God are as long as they stay hands-off... then Billie totally won in the end.
And she won because Castiel died and didn't resurrect (more or less, he's somewhere in Heaven probably but we don't see him. Seeing is crucial in resurrection stories: if we don't see him he might as well be dead to us). Dean died and asked not to be resurrected (incidentally I should talk about how Billie's values align with Dean's but not today). Sam eventually dies too and Jack is... somewhere, sometime, being God all alone and in everything but without interfering with Necessity (and I should also talk about what the fuck they mean when Jack says "[people] just need to know that I'm already a part of them and to trust in that". LOL what people and what trust? And why should they care? Are these the same "people" Chuck didn't give a shit about? Chuck was already a hands-off type of God, hell, he was the absent father, right? Not just to the Winchesters and the Angels, no, he was humanity's absent father. Chuck self-inserted into the story just to play with his two toys, this has nothing to do with "people". They clearly didn't know how to end the show and tried to pull the mysticism card like they did in S11 but with worse results).
Order is indeed preserved. Time as we know it is safe. Still, there are monsters and Heaven and maybe even Hell, Purgatory and the Empty. God exists but doesn't interfere. Most importantly, Death has no obstacle and can do her job just fine. Everything in its place and a place for everything.
The universe is indeed many things. And sometimes it is poetic (justice).
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Saw a post mentioning how there's a version of captain marvel known as captain thunder) which are made up of six kids turning into one person and absurdly hilarious it is.
Like does each person control a specific part of the body or do all of them act at the same time? I feel like that would be chaotic as hell
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LISTEN, I WON 💖💖💖
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Also you know on how happy I am to have Billy as a playable character instantly?
That guy is the whole reason why I decided to try zenless zone zero and it was so fucking worth it. Didn't have to go through the pain and suffering to pull him because I already have him
And his personality, the energy he brings
I also like anby, anby is great anby gives off autism vibes from me
And also the music is so nice like fuck yeah some good music to go with a good storyline? He'll yea
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okay but like. cogs turning .. last holiday truthing cwt maxxing… the sheer difference in dialogue between the script and the episode is killing me. the deliberate choices made to change said dialogue and even the ending…
like am I alone in thinking that this whole exchange in the dungeon was very oddly disjointed? very “nobody fucking talks like that” core. they just say shit but it doesn’t land with the other’s response.
and especially when you compare it to the draft:
for some reason or another, the writers deliberately cut out jack’s lamentation that he is still dangerous, that mrs butters is right to be doing what she’s doing, and that nothing has been the same between him and the Winchesters since he’s come back. they deliberately cut out dean saying “you’re one of us, and you have a chance to make it right.”
there’s also the glaring difference between how sam and dean defend jack in the episode vs the draft. in the draft, they say this:
D: “You said you didn’t want to destroy this family, but Jack is our family.”
S: “You hurt him, you hurt us.”
Mrs B: “No, he’s infected you. I have to keep you safe.”
D: “By trying to kill the people we care about?”
Mrs B: “No, he’s a monster!”
D: “Aren’t we all?”
•••
not only do sam and dean say that jack is their family and someone they care about, but they also explicitly hold themselves on the same monster totem mrs butters holds jack to (much like what dean said in tombstone, “we’ve all done things, so if you’re a monster then we are too,”
…which all then gets cut and turned into “He can save the world.” no, don’t kill jack, he’s our family and we care about him and he is good despite his mistakes -> no, don’t kill jack, he can save the world.
the explicit choice to center jack’s worth on his usefulness rather than his inherent value as the winchesters’ family and even just as a person, rlly speaks so much to the way he’s essentially narratively doomed to be dehumanized as a tool/weapon/device.
and the fact that this is all eventually preceded by Cas saying “you never needed absolution from sam or dean or me. we don’t care about you because you’re useful or because you fit into some grand design. we care about you because you’re you,” (which in turn is preceded by jack fitting into a grand design and fucking off to the raindrops forever), makes it seem either a painful inconsistency or some weird twisted inside joke between the writers (cough season 16 cough cough puke).
I haven’t posted about it a lot but I truly think there’s some vast trapped-in-the-narrative horror working around jack constantly being dehumanized both within the show as a living weapon and by the writers themselves as a plot device.
shits wack I guess
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OPERATION BABYLON - PART VII
aka the butchlander sugar baby AU.
Tumblr Navigation (note I have not shared the prologue here with its premise setup; I’ve only started sharing this twitter threadfic on tumblr starting from the 2nd 🔞 scene): I | II | III | IV | V | VI | VII
Update Schedule: weekly/ biweekly
(You can read the rest of the threadfic update here!)
Keep in mind, all of my AU Butchlander threadfics on Twitter are the unpolished first draft versions of what’ll eventually be polished up into long fics on AO3 under the Shock and Awe series. So you may regard this threadfic as an experimental first prototype and exclusive preview whose contents may or may not be changed in the future final draft version. We’re just loosely playing around with ideas and concepts for now!
If you don’t have a Twitter account, screenshots are provided below the line break so you can read this update on Tumblr as well:
A/N - ...I shouldn't be surprised but it's always a surprise to me seeing the effect whenever I switch POVs in my fics (because, depending on who's POV it is, it somehow always humanizes the male chara whose POV I'm in and makes him seem...softer than were I to write in the opposite POV).
In Billy's POV = HL is provocative and manly
In HL's POV = Billy is provocative and manly
Maybe it's just me imagining this strange phenomenon but I feel the dynamic has certainly flipped a tad when this happens, haha.
Next update we'll get the stereotypical rich sug*r d*ddy spoiling and pampering his wide-eyed sug*r b*by scene. Tbh I tried to fit it into this update but it didn't feel like it's the right placement yet and it needs buildup (to set up the next spicy scene). Homelander has to earn that D 🍆 💦.
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has anyone ever looked less happy holding a Grammy
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Billy and his brother having a tit-off and Ralph in his Scrooge cosplay
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Infinite list of favourite lyrics: 225/?
Billy Joel - Big Shot (1978)
"Well, you went uptown riding in your limousine,
With your fine Park Avenue clothes;
You had the Dom Pérignon in your hand
And the spoon up your nose.
Ooh, and when you wake up in the morning
With your head on fire
And your eyes too bloody to see,
Go on and cry in your coffee
But don't come bitchin' to me."
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