#black people in period costumes

[iridessence]

via

[luxus-aeterna]

Belle époque mood in Café Amelie of New Orleans || IG

[killerchickadee]

Sometimes I have to bite my tongue so I don't show everyone what an asshole I am about cosplay. But. I just want to say like.... 90% of the fun of cosplay for me is trying to match an actual outfit as much as possible. Like. Making most of it myself, and having things I just purchase outright look as close as possible to what a character is wearing. And then of course, you know, spending hundreds of dollars and hours of labor on putting something together only to have someone who slopped some shit out of their closet is. A little frustrating. Just vaguely matching a character's aesthetic isn't cosplay to me.

[memories-of-ancients]

One of the things that's been annoying more and more is modern media depictions of vikings where they basically dress in bland colored furs and leather and they look and act like Klingons.

Wish more movies and TV shows would have the gumption to use accurate costumes.

Also throughout all periods of history people wore colors!!! Even the puritans wore colors and only wore black on Sunday.

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[saintdollyparton]

Seeing people slam the costumes in Bridgerton season 3 as if they haven't been historically inaccurate as a DESIGN CHOICE™ from Day 1. (Even some of the best period costume YouTubers have said this.) This series is about romance and drama and seriously hot people in gorgeous outfits and settings. And seeing those hot people yearn and yearn until they fuck nasty/make sweet sweet love. It's wish-fulfilment. The Queen is black and the first two seasons had interracial couples and the Ton isn't all-white. There's an underground queer artist scene. We're here for the vibes, not historical accuracy. There's other things to watch for that.

[simp4konig]

Halloweens with König headcannons 🎃🍂

Gender-neutral Reader

*Slow burn

Word Count: ~3246

*FLUFFFFFFF😿😿💖✨🩷🩷💘

*Soft König☺️ (but also König is a smug bastard + asshole 🙄), Established relationship, Single mention of (ambiguous) age gap 😮‍💨

🧡Happy Halloween guys!!🧡 I don't celebrate Halloween myself , but im feeling 😈in the mood😈 so i hopw this can suffice for this ooky kooky spooky season 😰😰

Gos i wanna kms ive veen so uninspirws AAAHAHAHAHDHDHDDH this is literslly. Me rn--->💥💥💥💥💥🙂🔫 fuckijg FINALLT GOT sometjing OUT 🥳🥳 rest asusred iwont kms i need to finish my rqs first ☺️💖💖✨ i will feel SO euphoric when all the WIPS will become Completed Works !! 😍😍Im just gonna not post until i gdt smth donw bci hate giving false promises its the same as lyijg,🗿🗿

Tag List ♡ @simpforkonig ♡ @abysslovesyou ♡ @puff0o0 ☆ @rustic-guitar-notes ☆ @happy-mushrooms ♡ @reyner-lee ☆ @lotionlamp ♡ @trepaika ☆ @luci4theminorannoyance

...

König wasn't really one for Halloween.

Hadn't ever been, really, as he hadn't been raised to celebrate it.

In his household, he hadn't had much exposure to the Western "Hallow's Eve".

Besides, even if he was familiar with the tradition, his parents didn't bother celebrating those kinds of trivialities; after all, they certainly weren't going to bother wasting hard-earned money on trifles like pumpkins, just so they'd rot on the front porch, or candy that would rot your teeth, or on vulgar masks that depicted serial killers and monsters, too blasphemous to bear.

Plus, his neighbourhood didn't partake in "Trick-or-treat'ing" at all, and wouldn't leave any candy for any children — wouldn't do anything, really.

Nobody decorated their house with ghouls and ghosts, nobody dressed up as vampires or murderers, nobody jumped from behind corners to shout "Boo!".

None of that, as these ideas were childish. Infantile. Juvenile, even.

Thus, October 31st, König's Austrian villiage was quiet. So eerily quiet you'd had thought it was a ghost town had it not been for hundreds of cloaked figures in the cemetary — as, for König, "Halloween" tended to be a more sombre occasion in comparison to the American/English versions.

Instead of running around and knocking on people's doors with a broad, lopsided smile like other children ought, he was brought along to visit the graves of his family members: graves of his ancestors, which he'd be told about in detail, details of the person buried six feet under the stone slab; information and stories passed down from generations.

He would be taught to honour those deceased in his family and respect their memory, to remember those in the afterlife and what they sacrificed to get there.

Carrying a lamp, he'd light candles on those decrepit gravestones, text faded and illegible, while his parents left boquets of flowers, and pulled up their long black cloaks. Silently paying their respects.

While it wasn't necessarily a day of mourning — König never needed tissues to wipe any tears or blow his nose, and neither did anyone else in the family — it was far graver when compared to the Halloween holidays elsewhere.

However, König's memories of Halloween were few, far, and in-between.

Whenever he'd hear of other people's experiences, he was never nostalgic, as, the times that he did attend those familial ceremonies he was either too young to understand what was happening, or knew too little of the deceased[s] in question to be moved by the heavy atmosphere.

Not only that, but the time period was overwhelmingly solemn, with people flooding the burial grounds, some murmuring prayers, others with tears in their eyes.

There was no laughter, no treats, no fun costumes. Not even tricks. Just suffocating depression all around.

So, he didn't really associate the celebration with something to celebrate: what, celebrating the deaths of your family? That was quite morbid, when he thought about it, and he wasn't going to dedicate an entire month every year to remind himself of death with so many other operators around him falling on the battlefield, and having had faced the grim reaper himself several times already.

Hence, every 31st of October, he did nothing. Didn't acknowledge it at all.

But all that changed one fateful day in September. When he finally acknowledged it, all right (with a little of your help of course)!

You had asked König in passing if he had considered dressing up as something for Halloween. Maybe what he had considered doing on the evening. Or if he had plans to attend the autumn fair sometime soon.

His response? A blank look. Distant recognition.

For a quiet moment, you thought he was scowling at you, silently ridiculing your childish suggestion.

Then: "Halloween? Ah!" An amused chuckle, endeared by the child-like curiosity in your eyes, and a silent sigh of relief from you.

"I don't celebrate it, myself, meine liebe. But you're welcome to tell me what your costume is. I'd love to hear all about it, maus."

Mortified by this revelation, you couldn't let this go.

"What do you mean you "don't celebrate it"? You have got to be joking!"

Wide eyes, and jaw agape, you were in disbelief.

He simply shook his head with a strained smile. "I've just never seen it as something to celebrate, you know? No reason to."

Taking it upon yourself to prove him wrong, you wasted no time converting this skeptic into a believer. "Oh no, there is. I mean, it's Halloween! Everyone is crazy for it!"

Suddenly, your eyes lit up. A wave of adrenaline crashing into you, you tugged König's arm in direction of the couch.

"That's where we'll start! We're gonna watch Halloween! That'll surely get you in the spirit."

You winked at him, satisfied. Then, a sudden snort and a suppressed chortle, hand cupped over your mouth as you laughed at your pathetic attempt at a joke.

König cocked his head to the side in confusion, but let you hastily scramble for blankets, pillows, and to microwave bowls of popcorn, as he made himself comfortable on the couch cushions that sank in protest under his weight.

Initially, he was reluctant. Not necessarily looking forward to being forced to watch movies from the 80s–00s, over-the-top movies with subpar acting, to say that he was looking forward to it would have been a stretch.

However, seeing how passionate you were about the holiday, your interests, König didn't want your sweetness sour.

Yes, he was a little older than you, and perhaps didn't grasp what there was to fuss over, but he wasn't about to spoil your good mood, or dampen that excitement just because he didn't personally understand or was interested personally. He wanted to make an effort, for you.

Vowing to take part in your silly shenanigans, he swore to become involved in the festivities in order to see you smile. To keep seeing you smiling.

After that, every October evening you'd watch a movie — a (usually) corny horror classic, though spending most nights binging all the Screams, Halloweens, Chuckys, The Shinings, Saws, and Evil Deads, — huddled under moutains of blankets and stuffing your faces with toffee-flavoured popcorn.

Watching horror films with him was like being lectured on common-sense and taught self-defence lessons in real time, though. Not like you minded, but it really got rid of the edge and the tension in its entirety.

Instead of paying attention to the storyline, it's more likely König would catch on to the stupid decisions the characters and the shitty attempts to fight back, and he wouldn't be able to help commenting:

"Why did she leave the knife in him? In his abdomen, of all places? Now the murderer has a weapon! Should have taken it out and left him to bleed out. But noooo, nein, leave the knife there."

"Going into the forest on his own? In the night? With a killer on the loose? Mein Gott, he is such a dummkopf! Bring a friend, why don't you?"

"Liebling, why is there so much gore? Isn't this rated "15"? Wait, and why is there a lady with no shirt? This is supposed to be scary, ja? I'm very scared. Scared you'll slap me, actually, if I don't keep looking at my lap."

Angrily ranting at the television, you'd gently reassure him, that, "Sweetie, this is fiction. Sometimes, the scenes are unrealistic." "But it said "based on real events"! I swear, liebling, if I watch another ten minutes of this I'll have a headache. I can't comprehend the stupidness."

Tough crowd, that couldn't really immerse himself in the plot, but you took a note or two for the sorts of horror movies König wouldn't dislike.

Although he insulted all the characters for being stupid and ridiculed all the characters for being so brainless, he would begrudgingly admit that he enjoyed the movie, pointing out some of his favourite scenes.

Self-aware comedic slashers meant he could suspend disbelief and laugh out loud a little, while, movies with an omnipotent monster meant he couldn't criticise any inaccuracies. He didn't winge at those as much in comparison to major blockbuster films. In fact, he even preferred low budget movies, ones that were pure comedic relief and so self-aware that he wouldn't be able to help but laugh along, unable to hide his amusement.

Afterwards, at exactly midnight, you'd be huddled together in the dark under a thick blanket, gorging your mouth with sugary sweets and bite-size chocolates (also indulging in chocolates that were far from bite-size), giggling like lunatics (well, that was mostly you, but König joined in to keep you company).

Later, face serious, with a torch under your chin, you'd be whispering hushedly with a tone of foreboding, voice low, and words ominous:

"Drip. Drip. Dripping water. She had checked the bathroom taps, the kitchen taps, and they were twisted tightly closed. A leakage, perhaps? Or, perhaps, something else. As she roamed the corridor, the drip-drip-drip of liquid grew louder. And louder—"

"Ah, she should call her plumber, then, shouldn't she?" A sure shit-eating smirk that was obscured by his mask, but the way his eyes were squinting you knew he was taking the piss.

Of course, storytelling was not as haunting as you would have had liked it to be: König would interject, interrupting the aura of mystery and the medatitive atmosphere, with sarcastic remarks. It made the narrations really melodramatic in the end, and frustrated you to no end.

Still, you would groan, and, undaunted by his immature antics — as, mind you, this was a grown-ass man, a 6'10 wall of muscle messing around like this, teasing you not like the cocky Colonel he was but a snarky teenage boy — continue:

"—she walked on — despite having been rudely interrupted moments prior — and her heart sank. Blood. A puddle of it, on the floor, looking like gallons upon gallons of it had—"

"Maybe she was — ah, what's the word?" A thoughtful pause, hand where his chin was under the fabric "— menustrating? Was she wearing white pants, maybe?"

"—Menstruating, König — and stop ruining my horror narration! Now I've lost the plot! Okay — against her will, her eyes moved up the wall, following the dripping blood. To her horror, it was coming from the attic. Swallowing the heavy lump in her throat, she pulled open the hatch with jittering fingers, grip slackened by the warm sweat on her palms, knees threatening to buckle. And, when the trap door released, she gasped. Blood draining her face, she saw—"

An exaggerated gasp from König, as he clasped his hands over his mouth in mock shock. "She— she saw— your mother! Mein Gott, the horror!"

"Shut up, König!" An annoyed huff, and shuffling away. "Honestly, you're such a killjoy..."

König, scooping you into his arms when you turned around with crossed arms, pouting lips, and furrowed brows, nuzzed his masked face into your neck, chuckling heartily. You squirmed under his hold, fabric tickling your sensitive neck, and you'd desperately hold back your giggles, trying hard to keep a straight face.

"Ja, ja, I'm sorry, I'm sorry. Es tut mir leid, meine Liebe. Please keep going. What did she find in the attic?"

"No! You made me forget the grand reveal, now! I forgot what was up there, anyways..."

Walking around the house, you'd have the fright of your life when a huge shadow would jump in front of you at odd hours of the day.

"Boo!" König's voice resounded, loud and reverberating.

And you screamed, damn near verging on a heart attack.

"Shoving" him in frustration — you became actually even more frustrated when the man was like a solid wall and did not even budge a millimetre — König was quick to console you.

Doting over you, a wide smile on his face that the mask couldn't hide, he would be so overly lovey-dovey with you in an attempt to win back your affection that you'd roll yours eyes so far they'd end up in the back of your head.

"Meine liebe, I'm sorry for scaring you. I couldn't resist. You'll forgive me, won't you? You will, right? Please say yes."

You insisted you would, seemingly unassuming, then schemed to startle him at odd hours of the night as payback for losing your dignity in that moment.

At one point, you had even waited half an hour in the wardrobe while he was showering, only to jump out and see König in only a towel.

Yeah, you were the one that got jumpscared instead, face erupting in red despite you two being together for months at that point. You gave up trying to spook him then, bitterly accepting defeat.

Though, going along with your silly little activities, like going shopping for Halloween decorations, made König's heart swell seeing you bounce around excitedly and point out all the ornaments.

He didn't quite consent to you buying a life-size skeleton to call him Greg and place him in your shared bedroom. That was one step too far.

Still, seeing the wonder on your face, in awe of all the masks, costumes, decorations, and animated mannequins that'd cackle after triggering their mechanisms made his steel-blue eyes soften, melting into pure love and devotion for you.

So, to humour you one day, and to lift your mood after scaring you that one morning, König made two eye-holes in a white blanket, running after you around the house, almost tripping over it in his haste.

"Ooooo-ooo!" he moaned in over-dramatised agony, voice low yet playful. "This is not König, but his ghooost! Run, liebling, or you'll be neeext!"

Hearing him say that in his Austrian accent was so hilarious that were tears running down your cheeks from how hard you'd be laughing, and your sides splitting with the laughter, struggling scramble away, giggling.

Those moans of agony would become genuine cries in pain when he'd accidently hit his head on the doorframe when he forgot to duck in his excitement. The one time that bulky helmet of his could have come to use.

Despite all that, you'd be cornered against the wall, with nowhere to run, and König would pounce, tickling your sides viciously.

That broad smile on your face and the expression was worth fooling around and making a fool of himself.

He even didn't mind having you coo over his "injury" just like how he had when he was doting over you, because he loved you so much.

And, he loved you so much, that he even allowed you to "decorate" his gear. "To make it appropriate for the spooky season!" you had insisted, and he'd comply, not wanting to dull that sparkle in your eyes.

So contented with painting an intricate monster on his mask with fluorescent orange paint, you didn't notice König watching you hunched over the desk from behind, leaning against the doorframe with a loving smile on his face.

You hadn't expected that he'd wear that gear on base — veil, knee pads, helmet, and all — strutting his stuff. Just to remind everyone that their Colonel had a lovely spouse back home.

What you hadn't anticipated was how quickly König would start enjoying the season. Unexpectedly, he became obsessed with Halloween — his favourite tradition, second only to Christmas.

Carveling hollowed-out pumpkins of all shapes and sizes was one of his favourite past-times.

You'd think that with his size he'd struggle to cut through the orange crust without crushing it into pumpkin-coloured mush in his fists, but you'd be forgetting that he was skilled with a knife.

That said, König wasn't artistic. At all. The best he could produce would be a lopsided smiling caricature of... something. A nondescript creature, which you had complimented him on being so cute, only for him to angrily insist that it was an evil monster, and not cute at all.

Still, you would snap a picture before he could object, and give this pumpkin the spotlight on your front porch, soon many more following suit. Jack'o'lanterns illuminating your front step, glowing gold.

The sweet scent of cinnamon, ginger, and vanilla extract filled your house, new freshly-baked treats from the oven laid out on the kitchen island daily.

Delicious aroma of sugary pastry, homemade banana bread with small hints of vanilla and sprinkled with icing sugar, candied oranges and sour, sherbet lemon cakes, crunchy cinnamon sugar pumpkin seeds ("Made from the pumpkin guts!" you exclaimed with a smile of pride, König's eyes smiling in delight of your enthusiasm).

Crumbly shortbread in the shape skulls and bats, round cookies with orange and black icing resembling pumpkins, sponge cakes that oozed thick raspberry and strawberry jam when you bit into them ("Because they were bleeding blood," you proclaimed, a devilish smirk on your face — or, something like it, as to König you were the cutest angel he'd had ever been blessed to be around), and so, so, so much more.

So much that your weekly trips to the supermarket became biweekly, until you two found yourselves stocking up on sugar, flour, eggs, and butter far too often to keep track of.

The house was so inviting, especially to little ones from the neighbourd, that their mouths were agape and their eyes sparkled as they passed your "haunted house", holding the hands of their parent(s).

Mentioned in an earlier post that König has a soft spot for children, he'd stock up on Halloween candy and treats, and lug bucketfuls of sweets on the doorstep for any little ones that'd knock on your door to cheerfully cry out in unison, full of glee: "Trick or treat!"

He'd welcome them with open arms, but, with most of them being so little, they'd point with bulging eyes the giant on the doorstep, to be harshly reprimanded by their mothers and fathers for their ignorance and rudeness.

Few would say much after seeing König the giant, and after daring to scoop a handful of confectionary, bowing their heads and avoiding his eyes would mumble a shaky "...Th-thank you, s-sir—!"

One of them, however — a little girl with rosy cheeks donning white stockings and a gold tinsel halo — beamed brightly, albeit shyly, at König, thanking him for the treat and his generosity. An innocent, toothy smile that made her squint from how high it reached her eyes, her front baby teeth missing.

When she had her back turned to you two, she ran as fast as her chubby little legs could take her, and exclaimed, "Mommy! Mommy! That giant is a big and friendly one! A big, friendly giant. Can we go again, please? Please?"

It was only when you nudged König with your elbow, grinning, when she had skipped happily away, that he had realised he had tears in his eyes.

Moreover, maybe the memories König had of Halloween weren't so cheerful, or ones even worth remembering in the first place; after all, his childhood wasn't so cheerful. Joyless, and with little life.

But, with the way that Halloween was shaping up to be, he was already looking forward to the special celebration.

So full of life the you two were, you would laugh at the irony — animated and living the dream, while celebrating the day of the day. It brought you two to more laughter.

And, with you, König could make new ones, ones that you'd look back on fondly years from now, and those grueling months on deployment.

...

Note: Went off experience here for the beginning, guys🫡🫡 for the mowt part i have never celebrated Halloween😰 only a couple times in Poland, and once in England when i drank tomato juice and prwtended it was blood and i was a vampire🤪,

, but I Googled "Halloween in Austria" /Germany" to clarify whether I wasn't just speaking outta my ass and König here would have celebrated it differently to how I had in Poland 💀cuz, yknow, im not egocentric ajd the world doesnt celebrate things the same way Poles do 😘...

...And, no, I wasn't !☺️✨✨(... sort of😅... As far as I know, Germany has adopted the West's Halloween, ans theres pumpkin carving competitiomsn stuff, while Austria does indeed celebrate it slightly differently) .

Because I have no fuckijg idea of König's nationaloty anymore as it KEEOS CHANGING, I got the vest of both worlds 🥲🥲

Also been really busy guys😰😰😰by busy i mean stressing out ovee not writing then proceeding to NOT write bc im stressed❤️❤️🥰 you know jow it is!! 🤗(🔫) its ok tjo❤️(no it isnt) ill work tjis oit somejow🥹(no i wont im gonna kms) 🥰🥰

Have a very spooky halloween guys<3Feel bad foe those that are buying candy bc not onky is it smallwe than last uear but its more expensive 💔😟

[hotvintagepoll]

Propaganda

Lena Horne (Cabin in the Sky, Stormy Weather)— Incredibly talented biracial actress, singer, dancer, and activist (she did so much work towards integrating audiences). Because of the racism of the era, she rarely got to be the lead actress but filmmakers loved her so much that they would often create stand alone segments within a film to highlight her beautiful singing, knowing that these segments would ultimately be cut from the film by censors in areas that forbid films with Black performers. Also, she's just so wonderful in Cabin in the Sky as a gold-digger villain who is not the least bit subtle about her intentions. I would highly recommend checking out her work.

Jane Fonda (Barbarella, Sunday in New York, Barefoot in the Park)—Feminist icon, LGBTQ+ rights activist since the 70s, Civil Rights and Native American rights advocate, environmentalist… she really is THE woman ever

This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Lena Horne:

Black American powerhouse singer and actor who faced all the usual bullshit that any BIPOC faced in vintage Hollywood and achieved legendary status anyway. Also a Civil Rights movement icon.

She was a gem

She was so beautiful and those dimples are amazing! Truly depressing how badly Hollywood treated her because she was black. I would love to have seen what she really could have been if they didn’t cast her in so many yikes roles. She’s got gorgeous eyes and that body! Her joyful smile makes happiness sexy!

Civil rights actress, singer, dancer, actress, she's got the whole package

Lena Horne was a wonderful singer and actress who largely starred in black cast musicals. While she had a lot of main stream success, she ultimately lost the lead role in showboat (a role she had played on the stage) to a white actress due to hollywood's prejudices. She was also blacklisted during the HUAC hearings, but she still managed to be hot be hot as fuck and have a career spanning decades, working with more well-known stars like Judy Garland in musicals, and working on stage and releasing albums when her hollywood career began to suffer.

Miss Horne became famous during a period of time when Hollywood had very few meaningful roles for people of color. Although she is more so known as a performer, she starred in two successful all black productions (Cabin in the Sky & Stormy Weather). If that wasn't enough, she also guest starred on the Muppets (Season 1, Episode 11)

Jane Fonda:

" I assume she's already been submitted but I gotta make sure. I think there's an element to movies like Barbarella or her segment of Spirit of the Dead of those having been directed by her husband, who famously made movies about her being hot, and the incredible costume design also helped, but good lord. Look at her"

"She was so pretty, dear lord! She was and still us stunning. She’s great at comedy and drama."

"Shes so hot im so gay for me i will let her hit me with hers car"

"Gorgeous and also still getting arrested at climate protests, which is sexy behavior"

"Watching her in Barefoot in the Park seriously made me, a straight woman, question things"

"PLEASE I LOVE HER SO MUCH"

"Her vibes in these movies are so interesting because she, the daughter of an Old Hollywood star, went on to make both poignant dramatic movies and the some of the silliest things you've ever seen but even in the silly space adventures and sexploitations there's always this undeniable gravitas to her. It's like she's able not to take herself very seriously but at the same time never stops having this grace and elegance and makes it all work together. And she's always been very politically active which is also sexy. Her famous mugshot is from 1970 so right at the cutoff mark but come on"

[temis-de-leon]

Replaced MC AU/AU - Part 3

Characters: demon brothers, Diavolo, Barbatos, male! MC and crushing! male! NES (MC x NES)

How’s it gonna be , Intro – Part 0 , Part 1 , Part 2

Masterlist

CW: Solomon is mentioned, jealous and mean brothers, black cat x golden retriever behavior i think, one single kiss, a bit ambiguous at the end, not very angsty really, NES x MC centered

A/N: my favourite version of NES and MC by far, I enjoyed writing this a lot. However, my pc came out as homophobic and decided not to connect to any WiFi for this chapter, so I won't be able to update the links nor the masterlist until next week. Also, some people aren't properly tagged once again because I can't find their blogs for some reason?? So so sorry for that, but I don't know what to do about it.

.

NES was… someone they didn't expect. Unknowingly infuriating, always distracted and too unbothered to care about any of his surroundings. He was a disaster that enjoyed living in disaster and, if they weren't threatened by his presence, Satan and Belphegor would love his insolence.

Barbatos remembered an occasion, one moment from the second week of NES's attendance at RAD, where Lucifer gave him an earful for his ‘impropriety and insulting attitude towards the uniform’. Mammon had been there too, shirt out of his pants and jacket nowhere near closed, backing his brother up.

NES’s pristine appearance lasted only two periods before MC saw him chocking under his tie and laughed at him in sympathy. After that, he'd only wear the uniform ‘the Lucifer way’ if MC was there to eventually mess up the outfit.

And how could the eldest brother object to that?

“They need to loosen up, Lucifer”

MC always had the last word.

Solomon found the situation hilarious. Witnessing the brothers competing against each other in search of MC's attention was one thing, but adding NES to the equation? Yes, Barbatos had to somewhat agree. It was funny.

Who had been cooking for hours in the kitchen if not NES trying to make a quick snack for his fellow human? And who was the first one to leave the House of Lamentation each morning, already waiting next to MC’s seat by the time everyone else arrived?

Mammon called him a simp. Asmo liked to call them both the kettle and the pot.

And while, yes, Lucifer was the one and only Avatar of Pride, none of the brothers were able to admit just how big of a deal NES was becoming.

When would it be too late?

.

.

The Demon Prince's birthday arrived and the mandatory celebration was as grandiose as one could expect. Everything was bright and full of laughter, the streets cramped with food stalls, demons and witches alike throwing mesmerizing magic tricks for the children, acrobats, costumes, music…

At one point MC considered handcuffing himself to NES. Even Luke was easier to manage!

Fortunately, Beel ended up finding him playing darts with a succubus and her partners. Unfortunately, MC seemed to be the only one who wanted to check if he was okay.

It was becoming… draining.

Not NES, of course. Sure, he was a handful, but none of his mistakes were intentional. Everything he did came from naiveness and ignorance, being new to the Devildom, and what he lacked in common sense he made up in enthusiasm.

At least he didn't steal his valuables and he’d never threatened to kill him or eat his heart, something MC still thought about frequently. The worst thing NES ever did to him was throw them both to the ground when he tried to slide on the floor at full speed. And he still apologized for that from time to time.

Did the brothers ever apologize for all the things they did or said? The way they used to look at him? He couldn't remember.

Now they were doing the exact same thing to NES. Treating him like an unwanted guest instead of the roommate they insisted on having, turning down every single one of his ideas, including the good ones, and very passively threatening him in a condescending tone, as if they could impress MC with that.

Maybe it was a demon thing? Or rather regular jealousy brought to a dangerous level?

Whatever the reason, MC didn't waste any time sitting them in the living room and chewing the hell out of them, something that enraged Lucifer and put a strain in their relationship, still making it difficult to make small talk, but of course none of them would back down. The rest of the brothers weren't so obvious showing their annoyance, but it was still there.

The good thing was that, as long as MC was there, NES wouldn't be the receiving end of any bullshit. The bad thing was that MC didn't know what was going on behind his back. And NES, bless his soul, was never willing to tell him if any of them made him uncomfortable.

It was draining and NES gave him a sense of peace, but the brothers missed him and they wanted to monopolize his time, but MC wanted to spend time with his new friend and that made the brothers angry and jealous, which made MC anxious, which made NES worry.

Every factor made the situation worse. The brothers were too much, NES was too good for the Devildom and MC was too done with everything.

However, the time passed surprisingly fast as they sang Happy Birthday to Diavolo, eating in the midst of it all, dancing with each other and talking like they used to do before the ridiculous ordeal, albeit with a subtle tension that limited their topics of conversation.

They even ignored NES! Which was better than any other option!

So, once the voices toned down and the guests divided themselves into small groups, MC forced himself to whisk Diavolo away for a moment and have a serious talk, Barbatos following close and listening with a curious glance.

That proved to be nothing but a waste of time.

“It's too soon to take conclusions, MC. I'm sure the brothers just need time. After all, remember your first year here!”

He did remember. That's why he was so worried.

And why did Diavolo talk to him like that? He was 100% sure Lucifer insulted NES to no end anytime he had more than one horn of Demonus. What did they call NES in the privacy of their office? What did they think while they talked to him and faked respect? What were they plotting when they looked MC in the eyes and promised him they wouldn't threaten NES anymore?

Too many lies.

“Alo?”

But then… NES smiled so easily… Like none of that bothered him. Luckily, MC didn't mind caring in his behalf. He wondered if being able to save someone from the fate he had last year was the root of all his actions.

“You look so worried, you're gonna get all wrinkly! Not like you'd look bad, but if you're going to have wrinkles, won't you rather have them in your eyes? Like, from smiling too much, you know?”

He did smile then, imitating NES’s caring expression.

“There you are, handsome! You're gonna be the envy of all in 90 years!”

“Do you really think I'm going to live that much?”

“God, I hope so”

They laughed softly, but it still sounded too loud. MC looked out for the brothers, checking their positions in the ballroom before grabbing NES’s hand and dragging him to one of the balconies. He preferred not having the moment tarnished.

“Good idea! Too hot in there…"

“Don't lie to me”

“Wha…?”

MC stared at him quite sternly, although trying not to look to much like Lucifer, but he needed an answer.

“Do they still bother you? Do they threaten you? Do they ignore you? What do they do?”

“Whoa, whoa, MC. Here comes the frown again…”

He raised his hands, caressing MC’s frown until it softened. His touch was warm and soft and it made MC lean towards him, not wanting it to end. When he opened his eyes again, unknowingly closing them before, NES stayed in that position.

There was silence for a few seconds, interrupted only by the violins, the harps, the pianos and other instruments serenading them under the moonlight. NES could only stare at MC’s lips for a fragment of a second before someone grabbed the scruff of their necks with poorly hidden aggressiveness and brought them back to the ballroom.

MC raised his gaze in fury, bending down to help NES get up again. He expected to see red eyes and black feathers, but, to his surprise, what stared back at him were purple eyes and a long bovine tail.

He wanted to scream at him, to ask what the actual fuck was wrong with him. Would he had acted the same if it was one of his brothers instead of NES? Would he had such hate in his eyes?

But people were staring, very obviously amused at the sight of two humans being put back in place.

MC would have to wait.

.

.

“NES! What happened?!”

MC watched as the boy waved at him, hanging upside down where Mammon usually spent countless hours. His arms were tied behind his back and the rope covered his body in a way that surely left no room for the blood to circulate properly. His head already looked dangerously red and MC knew he couldn't leave him there for too long unless he wanted him to have permanent damage.

“I think I failed my last test, but I don't really remember”

“What do you mean you don't remember?”

“Well, I'm very dizzy right now, but I'm sure it's okay. Lucifer will get me out of here soon enough”

Or he won't.

MC sighed, cursing in silence before studying the thick ropes and the tight knots. He knew he wouldn't be able to untie him by hand and he wouldn't be surprised if the kitchen suddenly lacked knives, no doubt the result of Lucifer's pettiness and sadism.

“Wait for me here, okay? I have to get something to cut the ropes…”

“Wait, wait! MC!”

He turned around, patiently staring at his loopy smile and cloudy eyes. He couldn't wait for too long, but maybe he could indulge a couple of minutes.

“What?”

NES briefly looked away, his embarrassment gaining MC’s attention. Now that was a rare sight.

“Have you seen Spiderman?”

His heart stopped for a second and he felt his cheeks getting hot. His hand, previously grasping his hip, fell to his side and made him lose balance.

“You can say no, of course. We can forget about this and I won't get offended. A little sad maybe, but I can manage. I like you too much to stop liking you for a kiss. Does that sound weird? You get me, right?”

His rambling gave MC the opportunity to go down a couple of steps in the staircase and align his face in front of NES’s. The position was weird and staring at his chin was an experience he didn't know he would get the chance to live, but he didn't care.

It wasn't until he finally kissed him mid-sentence that he noticed a figure peeking around the corner, eyes staring without blinking and jealousy ready to made itself known.

Accepting the challenge, MC closed his eyes and grasped NES’s hair, pulling him closer and deepening the kiss.

Dinner that night would be fucking awkward.

.

.

.

Taglist: : @stfuchaase @k1-an @meggs-wonderland @kkeromenoo @va109 @marvelous-maniac @cruzerforce4256 @blarsh @marathedemonoverlord @junni-berry @arylleb @b-a-m-2006 @jonielunar @piercedddriver @cosmidaydreaming @bluegrey02 @anxious-chick

[astronomysturniolos]

chris sturniolo x reader

who really are you? pt 3

warnings: angst, arguing?

summary: you are the quiet girl, while chris is the loudest in the room. what happens when you two start finding out you are more alike than you originally thought?

—————————————

“welcome to seven eleven”, i say not even bothering to look up anymore, after saying it all night. it’s around 7 at night, so its dark outside, meaning the usual costumers are messy, loud teenagers. i’ve been at work for about five hours, and all i’ve done is ring people’s items up, drink energy drinks, and do homework. the person that walked in sets his stuff down on the counter, i look up to see, chris?

“oh, hey” i say, ringing up his stuff. “yoo, what’s up” he replies, in the typical bro voice. i look at him for a second, seeing his red nike sweatshirt, and black sweatpants, making him look edible. “didn’t know you worked at this seven eleven, i come here all the time” he says, grabbing his card out. “probably because you’ve only known i existed for about a week” i say “that’ll be 11.99” i follow up, not caring for a conversation. “well, now i know” he says, showcasing a smile as i bag up his pepsi and kitkat. “here” i say handing him the bag, that he doesn’t take. “do you think while im here, you can just tutor me, i doubt many people are going to come in anyways” he says, putting his hands on the counter. “i don’t know chris, i don’t wanna get in trouble with my boss, this job is important to me” i reply back, looking around the store. “you won’t. i swear” he replies, smiling still.

i don’t know what happened but now it’s 12 at night, and me and chris’s shoulders and knees keep colliding in the small space behind the counter, with his school work at the non working register. “i get off of work in an hour, but it’s late so, you should get leaving” i say, looking at him, as he checks the time on his phone. “yeah, but uhm, i don’t really have a ride” he replies quietly like he’s embarrassed. “oh” is all i say, i don’t know why it is so tense now. “do you think you could lend me a ride home, it’s only a couple blocks down” he replies, now looking at me, looking vulnerable? chris sturniolo vulnerable? never thought i’d see that. “oh, uhm, yeah i guess, if you don’t mind staying until 1 of course” i reply smiling, trying to reassure him it’s okay. “okay” he replies now smiling, and going back to his work.

the radio the only sound in the car, the silence so awkward i’m immediately regretting my decision. i’m about to start a conversation until his phone starts to ring. “hello?” he says into the phone. the person on the other line starts speaking and then he replies with “yeah, i know some girl from schools taking me home” ouch. some girl? they talk some more until “it’s y/n alright, the weirdo we always talked about in 6th period, she was tutoring me but i’m coming home now” what. the. actual. fuck. he gives me a quick side eye, checking on me as if his words wouldn’t hurt. “yeah whatever, love you, bye” he says hanging up and setting his phone down onto his lap.

“what the fuck chris” i say, my hands gripping the steering wheel so hard my knuckles turn white. “i’m sorry, but you know what people would think of me if i hung out with you willingly” he says, like it’s obvious, shrugging. thankfully we pulled up to his house now. “wow, so your ego is the only thing important in your life, not even fucking basic respect” i say finally turning to him. “you know what chris, just get out. i’m not tutoring you anymore, matter of fact, don’t even talk to me again” i say, putting my car back in drive, ready to leave the moment he steps foot out my car. “wait, y/n, i didn’t mean it like that” he says frantically, trying to defend himself. “then what did you mean? please tell me because what i think is that your ego is too big to hang out with someone other than someone trying to get into your pants” i say back, rolling my eyes. “i like hanging out with you, just i can’t have anyone finding out, you know that” “whatever i don’t care, just don’t talk to me anymore, bye chris” i respond my eyes focused on the yellow house in front of me, my hands never leaving my steering wheel. “cmon, don’t be like that” he responds in a pleading tone. “no chris, i said goodbye. leave” i say sternly. all he does is quietly unbuckle his seatbelt, get his bag, and leave the car. i don’t stay to watch him get in his house, ill never watch what he does ever again.

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anna speaks: oooooh angsttt. chris pov next? maybe??? maybe not??? wait to find out😉 also feedback is very appreciated🤗🤗

taglist: @w4nnabeurs @cosmicmistake42069 @rac00ns-are-c00l4

[sleepynegress]

So, I'm Watching Dollar Tree The Gilded Age: The Buccaneers (I apologize that this is a long one folks because of ADHD Romantic Period Drama w/ ~Color~ tangents)...

Okay... So, I have to preface this by admitting that Bridgerton never has been my great big thing. It's a cake sculpted from cotton candy.

Pretty and sweet, but not much substance. And very much leaning on the "fantasy" so everyone can enjoy the costume romance fun (but it does please me to see my marginalized players, playing well...). -Using an author's works as a base, who not only started with an all-white palette but was flippant and insulting in response to the idea of inclusion... And yet...

I'm just saying, it is something that the woman who walked away from ABC because an exec didn't respect her enough to get a Disney pass for her family, went on to make that lucrative author's uplift deal with, instead of say, Beverly Jenkins. I love underdog romances that aren't the typical het white bread. Give me the canon gays (I never got slash...but I love when it's canon, especially with color), the big girls, the dark brown skin girls, the Black couples, and the interracials, especially when both are BIPOC and there's no lag in charm/looks in the lighter half in some expertly lit, dressed, confection that makes everyone look as gorgeous as they actually are and there's all kinds of soft plotting and chemistry. Bridgerton for all its lazy ways of handling color, gave that. Everybody is hot. And the people that studios have typically just pretended either weren't "invented" yet or were all living horrible tortured lives of enslavement got to get the sweet costumed wooing, will-they-won't-they, ~romance~ treatment. But... being an obscure Black history nerd... I'm neurodivergent, so I have some deep-dive GEMS that I'll mention here that I NEED TO SEE DONE WELL, before I die. FYI I called Dido Elizabeth Belle a good 8 years before that was actually made. It is frustrating to see some of the ACTUAL interesting capacities in which some actual existing Black folks in history who did live interesting, not tragic lives, not given the big glossy budget, well-written renderings they deserve... In lieu of what has now, firmly taken hold as a trend, colorblind casting in known white works. See recent adaptations of David Copperfield, Persuasion, Tom Jones, & Great Expectations,

and now, this The Buccaneers (which like I said, is Dollar Tree, and *worse* the colorblind cast sister Conchita is using her regular-eggular Cali accent and...is not a compelling actress & her man is a jar of mayo) and baby...them costumes are Reign-levels of anachronistic/bad. It's the lazy jump onto the trend Shonda exploded, and Mr. Malcolm's List started (yeah, that short film was put on YouTube a full year before Bridgerton debuted). So, my point... Instead of *just* doing colorblind casting in old classic white period works... I need to see these ACTUAL GREAT stories of and/or written by or about the colorful people who lived in those societies. And this is where it could get long... but I'll do my best to keep it short... EXAMPLES that were gotten right and those *I need to see adapted*: ____

Interview With The Vampire is inclusive color-AWARE casting... The showrunner went beyond and actually rewrote the narrative to make sure the inclusion wasn't lazily done, but actually improved the depth of the source IMO. And I believe the showrunner is a queer white man. It just takes empathy and effort.

Passing... is a moody slow-burn horror based upon an actual work written by a Black woman in that period, and adapted by a white-passing WOC who not only lived the theme, but rendered it expertly.

Belle is often pointed to as a good example, but my nerd-ass knows Gugu's beyond AMAZING handling of the material elevated it.

Too much was changed from the reality of her life (IMO), still...Most period dramas are about as "true" and yall know I was not a fan of Sam Reid's over-dramatic ass in this... (yelling in that damn carriage for what?!) but he is PERFECT in IWTV. Sanditon being made, despite the typical side-character Black character issues...really was a reset because Miss Austen had already envisioned, in her day and above her class(!) a Black heiress as a character getting the Austen treatment, w/o any modifications the salty and ignorant would prefer to think is beyond "true history". ----- I have a little hopeful part in my brain that wishes it had the power to will capable adaptions of the lives of Carlotta Stewart Lai - middle-class educated Black woman who became a teacher & lived an "Anne of Green Gables" type of Edwardian life (more interesting really) surfing, having "bathing parties," and teaching Hawaiians with her Black family, Portuguese, Hawaiian and Chinese friends on the big island... Her life was w/o the stereotypes people assume all Black Americans lived in Victorian/Edwardian "America".

Gustav Badin, a Black man who was "Chessmaster" of the Swedish Royal Court in the 1700's...was in charge of the Royal family's secrets after the Queen's passing, really gives me intelligent queer Black man energy in his portrait and lived out a non-tragic life in a VERY white space many don't know we occupied.

And The Hunters... Who already have a short film and I've posted about it here... but I would LOVE to see an actual rendering of their lives in the Klondike, with their gold and silver prospects and son grandson Buster and daughter Teslin in Edwardian Canada.

(that is Teslin at the highest point in the photo, named after the lake she was born at)

(and the Hunters' grandson Buster ice-fishing)

All this to say... Now, that I've thoroughly veered away from my review of a middling show... I WISH THESE DAMN SHOWRUNNERS used a little effort in research and imagination and gave us more "true to life" renderings of Black life (and life of color, in these romanticized spaces) that isn't tragic nor the patronizin inclusive "fantasy"... That feels like it's smirking at me while saying "we know you weren't ~really~ here, but here! have a cookie!!" These people existed.

You don't have to *just* make inclusive versions of white works with the lie that you have to do that because thee above people ~didn't exist~. Nor do you have to be lazy when you do!! (see: IWTV) Right now, for me... It feels like for the most part we're in a period of very shallow "advancement" in period rep. And I'm saying if little old me can find the actual stories that could make AMAZING true history-based media. Why can't the more powerful people do the same?? P.S.

You already know I'm fresh off being mad about that shitty Bass Reeves show...but I'm even madder because I can't even say, "just make sure its made by Black people," because Jeymes Samuel (AKA Bullitts) gave us skinny biracial StageCoach Mary!!!

---NO!! I will never stop being mad about it!!

DO BETTER!! Have the empathy and care for the material, regardless, and don't rest on "I know what I'm doing because I'm Black" That male gaze won out over truth in The Harder They Fall *smh*

P.P.S I get the feeling the lazy adaptions are about cash-grabbing, what they see as a trend, and being all the ready to jump back into the whitewashed business as usual, that ain't true to *all* actual histories nor (as Austen proved) fictions of those eras or spaces.

P.P.P.S. On The Glided Age!! I do love that the Fellowes drama has Erica Armstrong Dunbar (known for her book and research on Ona Judge -another figure whose story needs to be adapted!!!- the Black woman who successfully escaped enslavement from George Washington's household and was doggedly pursued by him throughout her life) and Salli Richardson-Whitfield as producers... so, Denee Benton's Peggy is authentic... but as much as I like The Gilded Age, I want to combine Fellowes comfort drama... with a CENTRALIZED Black character... Why can't someone do all of it correctly?? WHY??!!!

[iridessence]

a New Woman at the turn of the century. || IG

[luxus-aeterna]

from this post

[artiststarme]

Happy Halloween!

The first Halloween they have after the events of Spring Break is the best Eddie had ever had. He’d always loved Halloween with its mystery and secrets, the hidden horror found in the films, and the candy everyone passed out to the kids. He loved watching the kids of the trailer park dress in their second-hand costumes to pretend to be fairies, princesses, and pirates like he too had once before. But before 1986, he’d always been alone. He would smear makeup on his face and run door to door in the early evening before anyone else was out then he’d saunter home and hide from the bullies outside with a lap full of candy and the small TV screen playing a horror flick. 

Halloween of 1986 though brought a new opportunity. Eddie could put on a mask and cease to be the boy that everyone in the town despised. He would no longer be a “known” killer that mothers pulled their children away from. He wouldn’t be the idiot that flunked out of high school after three tries. He wouldn’t even be the freak that people sneered insults at. That Halloween night, Eddie was able to just be himself with his friends. 

He and Steve weren’t dating at that point, but he could feel they were close. Eddie saw the way his eyes never strayed quite too far away from him and felt how his hands reached for him whenever he turned away. It wasn’t different on Halloween. 

Eddie’s face was covered with black and white paint and his hair was let loose on his back, the curls unruly and full. He was masquerading as a member of KISS, the only metal band that Steve could stomach to listen to for any period of time. Above all though, he wasn’t Eddie Munson. 

Steve dressed as Ferris Bueller wearing a costume eerily similar to Tina’s Halloween Party several years prior and matched with Robin who went as his best friend Cameron Frye. The kids dressed in random costumes that meant little to Eddie beyond recognition that they were having fun. 

The whole Party went door to door in Loch Nora for the full size candy bars then around the Wheeler’s neighborhood for some of what Dustin called, “the cheap shit”. When the night was over and most of the houses were out of candy to pass out, everyone headed back to the Byers’ house for the sleepover of all sleepovers. They carved pumpkins and ate pie, they made pumpkin seeds and cookies, they almost gave Hopper a heart attack when they started a food fight that wrecked the entire dining room (Eddie started it but he’s taking that with him to the grave). 

When the kids were too tired and the girls had retreated to bed, Steve led Eddie out to his car where they watched the stars and smoked some cigarettes. They ate all of Dustin’s candy and traded secrets under the gaze of the brightened moon. Eddie’d long forgotten about his face paint up until the point where Steve’s lips met his in a light kiss that shot electricity through his bones. They kissed and hugged until their noses were cold from the chilly weather and they had no choice but to head back inside. 

It was the best night of Eddie’s life. 

The morning after was not. He woke up with a bruising jolt from Steve’s elbow making contact with his jaw. His stomach hurt from the excessive consumption of sweets and his lungs were tight from the chain smoking. Most of all though, his head hurt from the loud raucous of the kids finding his facepaint all over the lower half of Steve’s face. 

He dealt with the outraged confusion of the kids, the stern ‘talking-to’ (more like screaming match) from Hopper for defiling his adopted son, and even the not so subtle looks from Robin and Nancy. Everything was worth it in the end when Steve carefully wiped off the makeup on Eddie’s face with nimble fingers and gentle swipes until all that was left was some slight staining of skin and his lips meeting Steve’s. 

Halloween of 1986 was the best of many moments to come. It turns out that for Eddie, ‘86 was his year after all. 

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[bloodynereid]

Scream for Me | Halloween Headcanons for Scream Killers

pairings: stu macher x fem! reader, billy loomis x fem! reader, mickey altieri x fem! reader, jill roberts x gender neutral! reader, amber freeman x gender neutral! reader, quinn bailey x fem! reader, ethan landry x fem! reader

tw: slight smut (nothing too graphic but yeah it's mostly fade to black stuff), mentions of horror movies, kissing, alcohol, nothing much else? it's not that crazy honestly.

description: what do killers get up to during the spookiest time of the year? well spend time with their s/o's ofc.

a/n: part 1 in my halloween double feature project! i've been meaning to write for scream for agesss so hopefully i'll do that more now that i've actually taken a stab at it (you see what i did there). anyways these are just my personal preferences so if you want a specific killer or scream character that isn't in here you can request something cause my requests are currently open! hope you enjoy <3 and have a safe halloween!

STU MACHER:

You are obviously going to some type of Halloween party (maybe even hosting one??).

You spend the night cradled in Stu’s arms as horror movies play in the background and beer flows almost like it’s falling from the sky.

You had decided to do a couple’s costume that year. So Stu obviously chose Jack The Ripper and you went as one of his victims.

He had convinced you it would be sexy.

So you lay splayed on the couch in a corset and long flowy skirt with fake blood on your neck while Stu wore a flowy cotton shirt splattered with fake blood and tight pants.

It may not be totally period accurate but you guys looked hot.

Throughout the party you and Stu could barely keep your hands off each other, something that made the rest of your friend group groan.

The tension finally became irresistible when Stu did that particular thing with his tongue which had you pulling him quickly away from the couch and up to one of the unoccupied rooms.

Stu would later tell you that was one of the best Halloweens he’d ever had and you would readily agree.

BILLY LOOMIS:

You and Billy always went all out for Halloween - ever since you were kids.

Childhood best friends to lovers. Stu always teased you for being too tropey.

But you loved each other. Even when Billy started to pull away after his mother left his father.

That Halloween you knew you had to do something special, just to try and cheer him up.

Your plan started with watching a few horror movies before going over to Stu’s for the customary Halloween party.

You had decided to go as Hannibal Lecter and Clarice Starling, since you were both obsessed with the movie ever since you had sneaked into a showing when it first came out.

It was just the right level of insane and scary.

Your plan came to fruition during the middle of the party, when you swiftly pulled Billy away from your little group of friends and towards one of the bedrooms.

You may or may not have suggested an idea to spice up the bedroom - with some role play.

And well… let’s say that Stu had to push the volume of the music up so people wouldn’t hear the screams of pleasure coming from upstairs.

MICKEY ALTIERI:

You were both movie fanatics, which is actually how you two met - through the film studies class at Windsor College.

You had become fast friends and when October had rolled around you had spent nearly every day watching a horror movie in either your dorm or his.

He also liked to film you, he always teased you that you were his muse whenever he pulled out the movie camera just to capture your laughing face.

On Halloween night is when things actually changed between the two of you.

You had gone as one of your favorite characters from Pulp Fiction, Mia Wallace and Mickey was dressed up as Dale Cooper from Twin Peaks.

You had met up at one of the many frat parties that the campus hosted but had ended up leaving because even if insanity was reining on a night like this, having sweaty guys crowd in around you wasn’t your vision for a good Halloween.

So you had settled in on your bed since your roommate was busy making out with someone on your couch and put on the newest episode of X-Files.

However, instead of actually watching the tv show the two of you got into some weirdly deep conversation about aliens that definitely made you sound high on something.

That was when Mickey kissed you, before he pulled away quickly - blushing intensely that made you sort of glad that he had made the move you had been thinking about doing the whole length of the conversation.

You pulled him by the collar and kissed him deeply, leaving him slightly stunned before he relaxed in your hold and pulled away a few minutes later.

After confessing the fact that he had literally been in love with you since he met you, you basically pounced on him and the rest of the night was spent with Scully and Mulder in the background as you two kissed.

JILL ROBERTS:

Jill was definitely one of those people who didn’t really love Halloween, sure she loved watching horror movies and putting on a cute outfit but that was it.

So it basically took all of your persuasive ability to get her to come out with you, even if it was just for a walk to see all the decorated houses.

Jill pretended not to enjoy seeing all of the incredible decorations and the fall leaves but you caught her smiling and watching you with sparks in her eyes a few times.

Since she wasn’t all that big on Halloween you both wore pretty understated costumes.

You went as the moon - covered in all silver and glitter placed strategically on your face.

Jill went as the sun because let’s face it, she’s literally the sun in her day to day life.

After completing your autumn walk, you grabbed two hot chocolates from one of the coffee vendors at the town center before you both walked back to Jill’s place.

You spent the night watching some random tv shows and making out.

Even if you didn’t really do anything Halloween-related it ended up being one of the best nights you had ever had with your girlfriend.

AMBER FREEMAN:

STAB MARATHONNN

Tara had tried to drag you to one of the many Halloween parties that were happening that year but you knew you had to be around for your girlfriend’s yearly tradition - especially since it was the first year you had been officially dating.

You had gotten a bunch of snacks that you both loved and dressed up as your favorite characters from the franchise.

Amber obviously went as Ghostface.

You sat cuddled up on the couch right after getting to her house when school finished and watched each Stab movie, one after another.

Amber spent a lot of time explaining certain parts of the movie or added fun facts from the actual massacre.

Most of the time you couldn’t pay attention to what was going on in the movie but it was so worth it to hear Amber rave about random details.

You thought you were more than lucky to be able to have her as your girlfriend.

Obviously you only watched up until Stab 7.

DO NOT mention Stab 8 around Amber - you had learnt that the hard way.

The date night ended with you both having eaten all the snacks and slightly over exhausted.

But that didn’t stop you from kissing the life out of your girlfriend and having some definitely not PG-13 fun.

The mask was particularly attractive, okay?

QUINN BAILEY:

Being with Quinn meant that you had to live with constantly being surprised by her.

For Halloween you had decided that you would hit a few frat parties before going to an escape room (which was her suggestion surprisingly enough).

So you rocked up to the escape room place in your Harley Quinn (you) and Poison Ivy (Quinn) costumes and were led by a member of the staff towards one of the many rooms.

Since Quinn had picked everything out, you didn’t know what to expect.

You two ended up doing a noir version of an escape room, with dramatic music and every aspect in the room was bathed in black and white.

Even with being slightly tipsy (from pregaming vodka and the parties) and horny, you somehow made it successfully through the maze of rooms… with a lot of intermissions for fumbling in dark corners.

All Hallow’s Eve concluded with you carrying your escape room certificate back to Quinn’s apartment where you probably kept Tara and Sam up for the rest of the night.

ETHAN LANDRY:

The first time that you met Ethan was on Halloween night, even if the day fell on a weekday there were still parties raging in and around Blackmore.

Of course you had seen him around campus because you knew Chad from the random times he had asked you to tutor him in the mandatory chemistry course you both had to take but you never actually got to talk to him.

Decked out in your Carrie costume you were drinking cherry schnapps (not wanting to get too drunk) in one of the many corners that the frat house had.

Your friends were either busy dancing or were flirting incredibly badly since they were drinking wayyy more than you were.

You had been so focused on the red liquid in your cup that you didn’t realize that someone had joined you until you nearly jumped at the sight of a rather cute boy in a cardboard knight costume.

Ethan had stuttered out that this was a dare and that he was sorry to interrupt your night but you only laughed and stayed talking to him for basically the remainder of the party.

You were even able to crack his shy facade and get him to dance with you in the corner when your respective favorite songs came on.

Halloween night ended with a promise for more and a phone number after you gave him a soft kiss, tinged with cherry.

hehe those were fun to write - i'll definitely be doing more in the future.

[murfpersonalblog]

Thanks for tagging me @little-desi-historian! ❤️

YES, all of this takes me back to something I wanted to touch a lot more on in my original post when it comes to the historical male image, Percy, Lestat, and Matadors; because it truly does link back to how AMC is playing with dandyism and society's expectations about effeminate men.

Dandyism is a form of resistance culture. As I've said before, Lestat flouts gender norms because HE CAN do whatever he wants & get away with it. His androgyny's on a different level: effeminate or masculine, he's still a vampire, a SUPERnatural creature elevated beyond the bounds of social mores that determine what men & women could or SHOULD act/dress like. MANY people across social media have pointed to Lestat's limp wrists, long blonde "Barbie" hair and ESPECIALLY him dressing in drag in Ep7 as proof that he's the "wife/mother/woman/femme fatale" in Lousta's relationship, and THEN claim its either gender essentialism or homophobic/racist to say Louis is CANONICALLY female-coded one in BOTH the books and show (as AR said so). But no, Lestat in drag was a power move, because he doesn't care what anyone thinks/says/does--he'll just eat them. Mockingly eating the baby in a dress was a deliberate bastardization of motherhood/womanhood. Louis is called every homophobic name in the book by those expecting the black man to just take being insulted, but MARQUIS de Lioncourt DEMANDS being crowned KING of Mardi Gras, Krewe of Raj, & he'll show you exactly what he thinks about your silly homophobic hypocritical human society: You're just "the MEAT," let them eat KING Cake--you're his FOOD. Eff y'all, I'm dressed to KILL you, & laugh doing it.

Lestat's behavior is not only derived from the time period he was born & raised in (the Rococo era of so-called "effeminate" high class dandies--a la Percy Blakeney, etc). Lestat is the embodiment of PRIVILEGE: a powerful rich white male vampire, who leans into being foreign/French White to excuse anything he does that people find strange/off/unnatural/dangerous--all the red flags. 🚩🚩🚩

And red flags brings me directly back to matadors/toreros.

@toscrollperchancetomeme

😂 TYSM! Sam Reid dropped so many juicy deets; I couldn't resist! There's so much depth to the Matador outfit, beyond the gendered aspect of bullfighting that I discussed before. Let's go back to what Sam said about Lestat, and delve deeper into matadors:

The most iconic apparel worn by toreros ("bullfighters") / matador de toros ("killer of bulls") in Spanish bullfighting is the Traje de Luces, the "Suit of Lights." The colors are usually bright & vivid, as part of the showmanship & pizzazz. Darker palettes are less common, as shiny sequins (the luces/lights) became part of the standard fit.

However, Lestat's all-black Matador outfit from what Sam called the "villain sequence" in Ep5 seems to be loosely following the style of a different but very closely related outfit, the Traje Campero "Rural/Countryside Suit" aka Traje Corto ("Short Suit").

(These costumes are typically worn during ceremonial parades and a very specific festival I'll get back to in a moment, cuz it's important.) Unlike the Suit of Light's sequins & silk, the Rural Suit is made of suede, leather, or velvet, in dark muted colors. The pants can be light or dark, striped & patterned, with or without chaps (also found in gentleman's uniforms of military officers and cowboys).

The trajes originated from "the flamboyant costumes of the 18th-century dandies and showmen involved in bullfighting, which later became exclusive to the bullfighting ritual." (Wikipedia)

The ancestor of both trajes (luces/campero) is traditional 17th-19th century Andalusian clothing (Andalusia being the home of Spanish bullfighting), closely associated with a very particular type of masculine dandyism. (The campero/corto is also the costume worn by Andalusian male flamenco dancers.)

"Before the 17th century the profession of bullfighting did not exist as such, and the fighters did not wear luxurious & shiny trajes de luces, but instead normal clothes of the time according to the social class to which the bullfighter belonged. The first bullfighter trajes de toreros appeared in the 17th century, when professional bullfighters from Navarre & Andalusia wore characteristic garments with their gangs to participate in performances and thus differentiate themselves from other bullfighter bands." (translated/truncated from Spanish website)

In the mid-1700s, Francisco Romero revolutionized professional bullfighting by establishing the first matadors who fought on foot, heroically fighting the bull face to face with swords & the muleta (iconic red flag) in a dance-like performance, dressed in a suede/velvet coleto (jacket), a precursor to the traje campero. Romero (from a carpenter family) wanted to show off & stand out from the nobility, and changed the game entirely, through a form of social resistance-turned-innovation.

"At that time, bullfighting on horseback was more important, which was considered a sport and not a show. Bullfighting on foot was not yet widely recognized." (translated from Spanish website)

Bull-killing on horseback was practiced by Spanish noblemen, attended by lower class assistants on foot. Romero was the first to make on-foot matadors the stars of what was increasingly becoming a dandified show/performance/dance. Matador Joaquin "Costillares" Rodríguez introduced even more showmanship, competing against Francisco Romero's grandson Pedro Romero (famously painted by Goya--bottom right).

For his matches, Costillares (middle) dressed in flashy silks, threaded in shiny silver braiding; the precursor to modern traje de luces. Like Francisco Romero (left), Costillares wanted to show off & stand out; and revolutionized the male image of the bullfighter through clothes.

In 18th-19th century Andalusian Spain there were 2 types of dandy: the French-imported upperclass petimetre (effeminate dandy), and the indigenous working class majo (masculine/macho dandy).

Noyes, Dorothy. “La Maja Vestida: Dress as Resistance to Enlightenment in Late-18th-Century Madrid.” The Journal of American Folklore 111, no. 440 (1998): 197–217. https://www.jstor.org/stable/541941

The majo, like many dandies, became the peak of Andalusian fashion, across all social classes; and torero/matador outfits weren't the only ones to take cues from them:

18th-19th century majos "distinguished themselves by their elaborate outfits and sense of style in dress and manners, as well as by their cheeky behavior. The majos outfits were exaggerations of traditional Spanish dress. The style stood in strong contrast to the French styles affected by many of the Spanish elite under the influence of the Enlightenment. Majos were known to pick fights with those they saw as afrancesados ("Frenchified" – fops)." (Wikipedia)

The majos' flamboyant/cheeky/saucy/exaggerated behavior was aggressively masculine; a lower/working class resistance to social mores imposed on them by (foreign) elites, whom they saw as more feminine, and FOUGHT against, to reaffirm their masculinity. These dandies were violent, brazen non-conformists; as beautiful & stylish as they were dangerous. And matadors/toreros knew that the bullfight was the perfect arena to exemplify the spirit of the majos through the dandified performance art/sport of killing bulls--a universal cultural symbol of masculine prowess & strength. Spanish bullfighting used to belong solely to the aristocratic equestrian sphere. Lowly pages/assistants like Francisco Romero (dressed in the precursor to the Rural/Countryside Suit), were the first to buck the system by killing bulls on foot--he likely didn't own a horse. The Romeros were from a carpenter family. Costillares was the son of a butcher. But through bullfighting they gained social status and became icons of masculinity--and dandies.

Lestat--the nouveau riche son of a poor country marquis--insists on being all the beautiful things he is without apology: masculine & effeminate alike. But like I said, it was no coincidence that Carol likened Lestat's Ep5 villain outfit with matadors--he's fighting Louis for dominance in their household, and reaffirming his place at the top of their very gendered social hierarchy, as a warning to BOTH "the housewife" AND "the prodigal daughter" he feels are threatening his authority as their Maker, so he defeats them BOTH.

Carol Cutshall initially designed Lestat's matador pants as pajamas--loungewear. (Lestat's CASUAL & comfortable in his ability to KILL--matador means "Killer" in Spanish--and remember what I said about Louis & Claudia being put on the same parallel level in Ep5, when Claudia's attacked by "Killer" aka Bruce.) Sam said Carol made several versions of the pants; and yup, they're foreshadowed in Ep5 when Lestat first starts arguing about Louis' depression, then they pop up again in Ep7 during the Murder Plot--two instances @dwreader brilliantly linked Lestat (& Stanley Kowalski) wearing wifebeaters. (Listen, Carol, I just wanna talk.... 😅🔫)

And here's my last points about Lestat's matador outfit. First there's the irony of Lestat (who grew up poor in rural France) wearing the something very similar to the matador/torero's Rural Suit, traje campero (aka Short Suit (traje corto)). But what's more interesting is that that type of Short/Rural Suit is usually only worn during special festivals called the Tienta ("trials"), not the regular corrida ("bullfights").

These Tienta are trials for young and immature bulls to be tested in the ring, to see if they're fit for breeding/fighting. 🤯 FLEDGLINGS. And who's Lestat's young bull? "Built-like-a-bird" Claudia. Who's the immature bull? The "biggest rat eater of them all," the under-developed "botched" vampire Louis. During these trials, veteran matadors can show off their skills; and novice bullfighters are shown the ropes and prove themselves. Like I said: the matador wins again.

God, even the way Lestat dragged Louis' bloody body out of the courtyard by the jaw/neck resembles the way the defeated bull--bled out & stabbed in the neck--is dragged by the neck out of the ring.

And remember what I said about Lestat and FOOD. Cuz what happens to the bulls after the matadors kill them? They're sent to the slaughterhouse to be butchered for FOOD. People EAT the bulls.

So yeah, my whole point in this post and my first one is not to sleep on guys like Lestat, Percy--or even other famous dandies like Valmont from Dangerous Liasions/Cruel Intentions (mentioned by both @little-desi-historian and @dwreader)--just because they're effeminate--especially when they're emulating mannerisms from a time period where the model of what made a fashionable gentlemen/good breeding/elite society did NOT match modern expectations about gender. People are getting distracted by Lestat's yaasified manner, not what the show itself is signalling through the relationships he has with others.

This show is deliberately painting Lestat as a villain through Louis' & Claudia's perspectives, as they were the ones who suffered under his Reign of Terror. The symbolism behind the matador-inspired costume used in Ep5 reflected gendered social hierarchies embedded within bullfighting culture (in Spain, women only started being allowed to fight in the 19th-20th centuries). Dressed in clothes resembling that of a matador, Lestat beating & defeating Louis mirrored the defeat of the emasculated bull, and the reification of the victor's masculine prowess at the top of the foodchain.