#book review

[readsunshine]

I'm almost never angry but all the hurt I've bottled inside me make me look like I'm someone with rage.

[asmaa1995]

Hi

I am Asmaa from Gaza

I hesitated a lot before publishing this post!

But because of the war and its effects, my children's future and my scientific and practical experience were buried with our dreams.

There is confirmed news that the Rafah crossing will open during this period, and I have applied for many jobs in many Arab and European countries as a computer engineer... It may be an opportunity to continue, challenge, and build my dreams despite my limited capabilities.💪🏻

I am not writing to request financial assistance, but to help me exit through the Rafah crossing with the expensive coordination that we are unable to afford

The travel coordination for one person is $5,000 through the Rafah crossing.

My family is 4 people: my husband Ahmed and my children Omar and Rahaf.

Whoever wants to contribute to raising the amount so that my husband, children, and I can start building a future away from wars through knowledge, work, participation, love, and belonging, contact me via

[literary-illuminati]

2024 Book Review #67 – I Was A Teenage Slasher by Stephen Graham Jones

I’d never heard of Stephen Graham Jones at the start of the year, but I’ve at this point read three books of his, seen him speak at a con, and can probably consider myself a fan. Beyond the general positive association I grabbed this book knowing literally nothing but the title, mostly just to have something I could get him to sign. Which worked out much better than it often does! This wasn’t really what I expected from that title (something more comedic or over-the-top), but it was a lovely read. It even managed to make a meta genre-tropes-are-actual-metaphysics plot compelling to me, which is basically impossible these days.

The story is set in a tiny nowhere town in 1989 West Texas and stars Tollie Driver, 17-year-old and already most of the way to being a burnout who is not at all over his dad’s death the year before. It’s written 17 years after the fact as something between memoir and confession, an older Tollie writing on some shitty computer about what happened over a few climactic days to him, the town, and the six classmates he brutally murdered.

He’s a slasher, see – it’s apparently something of a blood-borne ailment, and he was infected while enjoying an involuntary front-row seat to the first set of high school students getting karmically murdered that month, right after a bit of drunken bullying and a peanut allergy just about killed him. The plot is, after that excitement, mostly a matter of Tollie recounting his transformation and the life, relationships, and whole social world permanently destroyed by it.

There are, it sometimes seems, more books these days playing with the trappings and aesthetics of the horror genre than there are actually using them to tell horror stories. This is kind of that – there’s a level of psychological horror to becoming a murderous monster that you’d have to try really very hard to to erase, but it’s certainly not trying to leave you jumping at things rustling in the dark. It’s incredibly the case, though, that this is a story about a slasher and commenting on the slasher genre that is in no real way a slasher story.

Which is to say, Tollie’s best friend Amber has an older brother she idolizes who was a horror movie fanatic, and so she quickly realizes (with the iron-clad certainty of a teenager with a limited reference set) exactly what he is becoming – not even a ‘slasher’ as in a supernatural, vengeful serial killer, but a slasher as the monster at the centre of a particular kind of narrative, whose existence reshapes the world around them to follow its demands. It’s all very tv tropes – Tollie discovers that he moves at least twice as fast as he can run, as long as he’s limping and no one can see him, there’s some banter about the logistics of driving when the only machines that will work for him are murder implements, the sheer force of narrative causality turns a closeted gay guy and a sincere saving-herself-for-marriage Christian girl into a couple who go fuck in an abandoned camper van at night so Tollie can find them. It’s actually a major plot point that the mere fact of being a Final Girl will forcibly reorganize your personality to be a diligent, studious good Samaritan. All of which is order of magnitude more meta than I can usually stand, but it works here (more or less).

It feels a bit silly to say this book reminds me intensely of My Heart Is A Chainsaw – of course it does, that’s the last book by the same author I’ve read. But they both do similar things using the genre apparatus of the Slasher as scaffholding to tell stories that are really only tangentially/obscurely examples of the genre. Also, extremely close first person narration from a low-achieving teenager in a small town. Now, this is a far, far easier read than Chainsaw – not in terms of subject matter, just in keeping track of what’s happening versus what’s fantasy or extended tangent – and, I think, a bit more elegant in its use of the genre, but the similarities are still very clear.

As for what the story’s actual about – I mean first and foremost, it’s a period piece. Lamesa, Texas is a nowhere town, but it is a particular, specific nowhere town that Jones was familiar with in his childhood and (gong by the acknowledgements) went to no small effort researching to perfectly recreate it as it truly was in the late ‘80s (plus or minus a massacre or two). It’s no coincidence that Tollie was born the same year the author was, or that it’s set specifically in West Texas. The whole book is run through with a deep (if jaundiced) nostalgia for the whole milieu. Given how high concept all the slasher stuff is, the firm, deep grounding is pretty much a necessity for making the whole story feel real enough to land.

It helps, too, that the late ‘80s USA is the slasher movie’s natural habitat. All the tired tropes really do fit much more naturally in the culturally environment that spawned them then they do when dragged into the modern day. If I wanted to be slightly cynical I’d say this is a big part of why every modern slasher story is so very self-referential – if you’re not leaning on lineage and metanarrative the bones of the stories themselves just don’t make the same sort of sense anymore. Many such cases, I suppose.

Even the framing device is a period piece, in a rather charming way. Tollie is writing his confession on a cheap, shitty desktop in the back office of a junkyard in 2006, and this informs his narration all through the book. It even shapes the book as an artifact – the fonts and formatting used are all ones that would have been available, right down to only being able to underline instead of bold or italicize for emphasis. Which is absolutely a gimmick, but one I honestly kind of love.

Aside from being a love letter to West Texas 40 years ago, the book is about being a monster. About the cold math of it all making it impossible to deny that the world would have been better without you in it. About leaving people you love behind and never, ever looking back because you can’t bear to confirm the sick certainty that just being connected to you probably ruined their lives as collateral damage. Of spending your life trying to be anonymous and inconsequential, and mourning the loss of a life where you were only the normal and pedestrian sort of fuckup. Of looking through the past as a preordained tragedy in one instant and grasping at all the lost chances and missed turns that might have made it different on the other.

It’s a pathetic narrative – that is, one that’s mostly there to deliver pathos. It definitely worked, at least for me? It was a very affecting read, especially the ending. But your enjoyment of the book will depend more or less entirely on whether you find Tollie’s internal monologue compelling and sympathetic, I think. But with that caveat, I would recommend it.

[loveelizabeths]

love elizabeth s.

[catbrarian]

cats and libraries ۫ ꣑ৎ

[randomgirl005]

[figtreeforever]

Dostoevsky, The Idiot

Caspar David Friedrich, Gartenterrasse, 1811

(Collage: instagram @emmalinatotes)

[the-joy-of-knowledge]

25 Laws of power for women

Conceal your goals especially the ones that are appealing. Losing weight, reinventing yourself, marrying wealthy. Instead talk about your altruistic goals - to help children, invest in education, this will chase insecure people with vile intentions.

Do not give anyone your source of power: Was is a book that changed your life? a mentor? a movie? Never give up your secret to success. If forced to do say allude to God, the universe, the a random phenomenon

Use the patriarchy to your favor; we live in a world that is, only associate with men who have power, use that power for good.

Never appear too perfect but be selectively vulnerable when needed. Only share something that you will be comfortable saying. You might say “I forget my keys all the time,” “I don’t know how to perfectly park a car “. But never disclose something you are not comfortable with just because you are afraid of being perfect.

Maintain distance in relationships. Friends are the best and you need them. But if you feel that they are becoming too dependent, see them at your own will. But also the reverse could be the case. Your friend may keep a distance, and that is the way of life. You have got to move on from it.

Develop your own style that makes you unique, beautiful, and elegant. Avoid trying to fit in the crowd of people who claim to care less about their style yet have too many opinions about other women’s style

Avoid male friends at all cost, you will have male colleagues, male bosses, male acquaintances, business partners. Keep it that way. You do not want a Truman Capote divulging your secrets to the world. Do not keep a man who does not fit your standard.

You do not have to win at every game. Pick and choose what is best for you and leave room for others. And step down if you have attained that level of success, do not let the society do it for you.

Trust people but remember that we are all humans. So trust with discretion!

Confuse people with kindness; people are not always comfortable with beautiful and intelligent women. That power is too intimidating so confuse them by being genuinely generous, curious, kind, and passionate.

Keep your strong opinions to yourself.. if you support a movement, a way of life, do so silently.

We all have dirty laundry, wash them privately, don’t expose yourself. Remain silent when people try to attack you or shame you. Whatever is not confirmed is not true. You are the only one who knows all the truth about you.

Don’t attract pity or praise: People who pity you do not help you, in fact they might think that you are weak and could mock you at their annual gossipping meeting. And if you are doing things for the sake of praise you are wasting your time.

Choose yourself all the time; never put any one’s feelings above yours.

Trust your own intuition if you feel someone is being malicious towards you, giving you back handed compliments then you should let them go

Never speak bad of another woman. Do not lazy around gossipping. Keep your hands clean and your conscience clear.

Avoid women with low self esteem they will bring you down. For some reason they do not like seeing other women who are doing better than them

Be careful who you seek validation from. Not everyone needs to be pleased. If they are in no way capable of contributing to your life in the ways you prefer, then don’t ask them for their opinions or please them.

Do not compete with other women, if you do you are only putting them on a pedestal. You are making the the standard by which you measure your progress. If you do compete, begin digging your grave.

Do not give unsolicited advice, do not share the inner workings of your mind, If your mouth is very charitable you better start journaling.

Be well-rounded and interesting. It attracts people. It also keeps you busy because you are continually improving and learning. An idle mind is an easily subdued one.

Avoid women who want to live vicariously through you; they want to know who you know, shop where you shop, befriend who you befriend, wear what you wear.

Pay attention to the source of your discomfort; get rid of them. You tell them your dreams and they remind you of all your hindrances. They ask why are you dressed so fancy as though fancy isn’t subjective. They undermine you interests and goals. They will also be quick to bring you down because they are afraid of your potential.

Do not fear power or please power. When we see powerful people we try to hard to befriend them, to be close to them but you need to be comfortable without them. Don’t push yourself in the name of friendship, do not try too hard to be in their inner circle. Your independence of mind is the most important. Instead become a powerful woman, aloof to the presence of power but aware of its importance. Be an ingenious and intelligent and use your creativity to uplift yourself. When you do so it will be hard to ignore you. Even the powerful will become an ally.

Enjoy moments of solitude. Use that time to develop yourself, improve your body, learn new skills, create with your mind, read widely, become more elegant, then launch yourself.

Remember the most powerful women are the most intelligent. Inspired by Robert Greene's 48 Laws of Power. Use at your discretion.

[mgcsheaven]

realistically there is no chance i will have time to read, imma still bring a book though

[thewriteadviceforwriters]

How To Plan A Book Series: Ultimate Guide

Writing a book series can be an incredibly rewarding experience for authors, but it also requires careful planning and execution. A well-crafted book series can captivate readers, build a loyal fan base, and provide a steady stream of income for writers. However, planning a successful book series is no easy feat.

It demands a deep understanding of world-building, character development, and plot progression. In this ultimate guide, I'll help you explore the essential steps to help you plan a compelling and cohesive book series that will keep your readers hooked from start to finish.

Develop a Compelling Premise The foundation of any successful book series is a strong premise. Your premise should be unique, engaging, and have the potential to sustain multiple books. Consider exploring a complex world, a captivating concept, or a character with a rich backstory that can evolve over the course of several books. Ask yourself: What makes your premise stand out? What will keep readers invested in the story for multiple installments?

Create a Detailed Outline Before you dive into writing, it's crucial to create a detailed outline for your entire book series. This outline should include the overarching plot, major story arcs, character development, and key events for each book. Having a solid outline will help you maintain consistency, avoid plot holes, and ensure that each book contributes to the overall narrative. Don't be afraid to make adjustments as you write, but having a roadmap will keep you on track.

World-Building: Crafting a Vivid and Consistent Universe One of the hallmarks of a successful book series is a richly developed and immersive world. Whether you're creating a fantasy realm, a futuristic society, or a contemporary setting, pay close attention to world-building. Establish the rules, customs, histories, and geography of your fictional world. Consistency is key, so ensure that the details align across all books in the series. Consider creating a "bible" or a comprehensive guide that outlines the intricacies of your world, making it easier to maintain continuity.

Develop Compelling Characters Great characters are the heart and soul of any book series. Your protagonists, antagonists, and supporting characters should be well-rounded, multi-dimensional, and undergo significant growth and transformation throughout the series. Craft backstories, motivations, flaws, and strengths for each character, and ensure that their actions and decisions drive the plot forward. Remember, character development is an ongoing process, so be prepared to explore new facets of your characters as the series progresses.

Establish Recurring Themes and Motifs Themes and motifs are powerful tools that can add depth and resonance to your book series. Identify the central themes you want to explore, such as love, redemption, power, or identity. Weave these themes throughout the series, allowing them to evolve and deepen with each installment. Motifs, like recurring symbols or imagery, can also create a sense of cohesion and add layers of meaning to your narrative.

Plan for Cliffhangers and Resolutions One of the key strategies for keeping readers engaged in a book series is the strategic use of cliffhangers and resolutions. Cliffhangers create anticipation and leave readers craving for the next installment. However, be cautious not to overuse this technique, as it can become frustrating for readers. Balance cliffhangers with satisfying resolutions that tie up loose ends and provide a sense of closure, while still leaving room for the story to continue.

Consider Pacing and Narrative Structure Pacing and narrative structure are crucial elements to consider when planning a book series. Each book should have its own narrative arc, with a beginning, middle, and end, while also contributing to the overall story progression. Vary the pacing between books to maintain reader interest, alternating between action-packed and slower, more introspective sections. Experiment with different narrative structures, such as multiple perspectives, non-linear timelines, or frame narratives, to keep the series fresh and engaging.

Manage Continuity and Consistency As your book series grows, maintaining continuity and consistency becomes increasingly important. Keep detailed records of character descriptions, plot points, world-building elements, and timelines. Regularly refer back to these notes to ensure that you're not introducing contradictions or inconsistencies. Consider creating a series bible or a wiki to help you keep track of all the moving parts.

Plan for Character Growth and Evolution In a book series, characters should undergo significant growth and evolution. Plan for character arcs that span multiple books, allowing your protagonists and supporting characters to face challenges, make difficult choices, and emerge as changed individuals. This character development will not only add depth to your narrative but also keep readers invested in the journey of your characters.

Anticipate and Address Potential Plot Holes As your book series expands, the potential for plot holes and inconsistencies increases. Be vigilant in identifying and addressing these issues during the planning stage. Regularly review your outline and notes, looking for any logical gaps or contradictions. Enlist the help of beta readers or critique partners to provide fresh perspectives and catch any potential plot holes you may have missed.

Consider the Overarching Story Arc While each book in your series should have its own narrative arc, it's essential to plan for an overarching story arc that spans the entire series. This overarching arc should tie together the individual books, building towards a climactic conclusion that resolves the central conflict or mystery. Ensure that each book contributes to this larger narrative, advancing the plot and raising the stakes for the characters.

Plan for Marketing and Promotion Finally, as you plan your book series, don't overlook the importance of marketing and promotion. Develop a strategy for building buzz and engaging with your audience throughout the release of each book. Leverage social media, author events, book tours, and other promotional opportunities to keep your readers excited and invested in your series.

Remember, writing a book series is a marathon, not a sprint, so be prepared to invest time, effort, and dedication into crafting a truly remarkable literary journey. Hope this helped!

Happy Writing - Rin T.

Hey fellow writers! I'm super excited to share that I've just launched a Tumblr community. I'm inviting all of you to join my community. All you have to do is fill out this Google form, and I'll personally send you an invitation to join the Write Right Society on Tumblr! Can't wait to see your posts!

[4theitgirls]

youtube channels for the book girlies

♡ a frolic through fiction

♡ alexa raye

♡ alexandra roselyn

♡ anda kent

♡ ashley’s little library

♡ basically britt

♡ becca and the books

♡ briddy

♡ carmen gilfraguada

♡ coverswithcassidy

♡ destiny sidwell

♡ ellen catherine

♡ fruitful reader

♡ gabbyreads

♡ hailey hughes

♡ haley pham

♡ heather mclarry

♡ jack and the books

♡ jaime fok

♡ jodie

♡ katie is reading

♡ katherine karas

♡ kendall watson

♡ larry

♡ leora aileen

♡ lexi aka newlynova

♡ maditales

♡ melreads

♡ peachapplebi

♡ pursuit of the truth

♡ rachel catherine

♡ reading with asha

♡ read with kate

♡ reading with meg

♡ sara carrolli

♡ taylor ann wright

♡ tia chu

♡ the book leo

♡ withcindy

[hkthatgffan]

Barnes and Noble released some reviews of the Book of Bill...written by Bill himself!

[bookreviewcoffee]

Women, they have minds, and they have souls, as well as just hearts. And they've got ambition, and they've got talent, as well as just beauty. I'm so sick of people saying that love is just all a woman is fit for. I'm so sick of it.

[Almost crying] 

 But I'm so lonely...

Jo March little women

[classycoffeesublime]

Book collections

[thelailasblog]