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popculturebuffet · 1 month

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Thomas and Friends Retrospective: The Magic Railroad: The Workprint Cut (Comissioned by Lachie V)

Previously on this blog:

Also I may or may not have reviewed a bunch of Thomas the Tank Entine, cumilating in a look at the disasterous theatrical cut which you can find my barely coherent thoughts on that barely coherent film here. We haven't gotten the results back from the lab yet.

The Theatrical cut is so legendarily wonky I just.. coudln't leave it at that and feel like I gave the film a good shake. So I took on the arduous task of watching an unfinished workprint that I erronously said last time was on the blu ray. While the blu ray has some scenes from this version, the full workprint was leaked seperately and god bless those who did as it gives us something of a look at what this film was supposed to be. So join me under the cut as I see what this film WAS and if what it was was any good.. or at least comprehensible. After the nightmare of that last review i'll settle for "Makes sense from point a to b" that's the state we're entering this review at people. You've been warned.

The workprint of the Magic Railroad is interesting. This is the first workprint i've ever seen and thus the first i've ever covered on this blog. For those unaware, as I was before I googled it, a work print is an unfinished version of a film, with effects, adr and the soundtrack largely missing. So it was fascinating to see just how many pieces of the film, even things as simple as a line that LOOKED on screen are put into place after the fact. Film Editors don't get enough credit.. plenty of blame when it's earned but not enough credit and this made me respect them all the more.

That said watching a prototype of a finished film i'd seen.. was a lot. It seems easy, the effects just aren't there right? Well it's not just visual effects: it's SOUND effects. The only sounds are either ADR from the various crew member and anything on camera. And said ADR is not from the actors yet but various voices i'd never heard before and also Britt Alcroft. It's fair and I don't blame the cut for it, this wasn't MEANT to be viewed by anyone but editors. It's just hard on my autisim: whlie i'm functional and can handle sensory changes normally in a film, having there be no sound where their clearly should be in a lot of places... was just weird. I KNOW why it's not there, and usually my mind fills in the gaps but for some reason here it just felt extra off when an explosion or heavy digging happened with no sound. It's just this freaky effect and it took some time to get through it as a result, not helped by me only realizing what was really throwing me off towards the end of the film.

I can't recommend this cut as a film.. because it's not finished nor was it intended to be a finished product. It's not really something for bad movie night like it's theatrical cousin. As an interesting artifact of this film and Thomas as a whole though, I am delighted it exists as it fills in a LOT of the gaps and is complete enough I can judge what aspects were cut by their own merits.

Let's start with the big one, the most infamous and curious of the bunch: PT Boomer, played by Doug Lennox who realizes exactly what kind of film he's in and hams it up accordingly. Boomer is one of the films big bads... and was almost entirely cut from the theatrical cut, with only one brief scene that was redubbed, a scene so plot important and load bearing I forgot it even happened.

PT Boomer is all about

Wanting to make profit off things. That's.. about what we get. Seriously we have two seperate scenes where one of the kids asks Billy then Stacey about boomer.. and they just say essentially "He's greedy and wants to buy everything" without ever clarifying who he is, what he does for his BUISNESS, or what his goals are beyond "profit off a magical lady train he broke in the past." I am so sad he got cut as while he woudln't of made the film much better, he is so bad it's good glorious: even in this his plans literally boil down to

KIDNAP MAGIC LADY TRAIN FOR REVENGE

?????

PROFIT

It's still not much above Disel's plan that just replaces kidnap with kill and profit with "become train king". It is funny though and gives this guy a leg up.

The most we get is his backstory with Burnett, Lily's grandpa who gets fleshed out considerably in this version. In the original his backstory was just "diesel nearly killed this train I found and my wife never got to ride her" which is prettty damn thin and even before the workprint cut I could tell something was missing.

The actual backstory is still as thin as a sheet of paper covered in bacon grease, but it's at least.. something: He swored to take her on a ride but before he could Boomer, who had also wanted to bang Lily's grandma but lost out to burnett because well evil I guess, found her and threatned burnett if he didn't let him drive the train. He ended up driving too fast, making this a dramatic version of that trampoline scene from community.

youtube

I've tried not to use youtube videos as the thumbnail takes up the link but it really is just this exact moment but with trains and a dead wife.

We also get a minutes long montage of Burnett dancing with his wife. it adds nothing to the plot and is one of the cuts i can absolutely see why it happened. We also get a scene of Stone and Lily having dinner where he says I don't like trains.

Another change as a result is that the big cave scene with Patch.. is towards the end. In the thetrical cut we get 80 gallons of train expoision while the workprint at least plays it as a mystery: a whistle is heard in the mountain and instead of finding out what it is seconds after we hear it, it's played up the whole film. IT's a much better fit and I question why this was changed at all.

That also goes for Boomer. I went back and checked and. .he's not really IN the movie that much. He shows up, meances a bit, hams it up and leaves. He spends most of the film either trying ot find stone, buy shining time for some reason, which makes mr conductor's visions of an apocalypse make far more sense, and the rest trying to dig his way to the hidden railway then blow everything the fuck up when that dosen't work out. Keeping him in.. really wasn't going to hurt the film and I don't really buy reports "he scared children". The evil brother of the attention all gamers guy isn't going to be in any child's nightmares.

Cutting boomer also makes the non lily or coked out conductor characters feel more suplerfous as it turns out the original cut had way mroe for them to do. Not a lot, but still more. Patch has a horse.. which WAS in the theatrical cut but I did not notice. Probably because he's also lacking his sweet cowboy hat... it's like taking away knuckles cowboy hat from the sonic ova: you take away the source of his powers. Billy likewise gets a scene with boomer and a scene getting a warning. He still dosen't DO much but I feel bad for clowning on his actor last time: Russel Means is actually a wonderful billy replacement. He's not as good as Tom Jackson is in the role, but he's still pretty neat but in the theatrical cut he's there for all of two seconds and seemed a lot stiffer. That was really the editing's fault not him as he has billy's laidback charm and wise nature down pat. Stacey also gets an extra scene, though she still got PLENTy in the theatrical. Cutting this plot was unfair to the actors involved and their screentime and especially douchey to Doug Lennox, who put in a great performance. .that got cut entirely.

To my shock though the mass cuts... really aren't responsible for the film being pretty hard to parse. The workprint cut IS legible at least as a few confusing bits are explained: instead of wanting to kill all trains disel wants to conquer them, and he's unaware Lady is connected to the magic, meaning he GENUINELY dosen't realize he dies if he destroys her. So instead of stupid his plan comes off as dangerous and just the right amount of sinister for a preschool film instead of

We also get clarifcation on the "My Universe" thing. The narration for the work print still referes to it as mr. conductor's universe.. but they actually explain what the hell they were saying with that: The various mr conductors built this universe. Granted

Unlike the theatrical though, I can at least accept that answer: the mr conductors do have godlike powers and it makes Mr Conductor speaking with authority on his power loss possibly killing him less ass pully: it makes sense they'd pass this shit down through generations and makes sense Mr C Junior wouldn't know it as he's a fuckwit.

It makes the film less maddening.. but it dosen't change the fact this new lore is just kinda jammed in there, a square train in a round station house. The lore still dosen't make a ton of since even for a film for small children, and again thei rparents and possibly older siblings still have to watch it with them so why punch down. All punching down did was get parents to cave and go take their kids to see X-Men or Pokemon 2000 instead, both much better movies. Especailly pokmeon 2000. Fuck I really need to cover both of those don't I.

It also dosen't explain simple shit like "Why does lady tie the two universes together" and "after being in a coma for so long why is magic just fading now". It's still at the end of the day an overcomplicated mess that creates it's own weird lore never to be used again that no one vibed with because even for the stupid train children show it was baffling instead of fairy tale style like they were going for.

The other scenes cut are far more understandable: that dance scene I mentiond went on to long and we get a brief prologue of Lily in the big city and the reason behind the fire escape line. It's.. nothing we honestly needed mostly Mara wilson wistfully starring outside a train.. which is adorable but dosen't really move the plot along.

So that leads us to the final cut and the final change worth talking about between versions: the voice actors. Like with boomer the executives tried overcorrecting to test audience complaints. They dont' like one of the villians? Cut him out entirely. They don't like the voices for some of the characters? replace the bitches! Yeah originally Thomas was voiced by John Bellis, Percy and James by Thomas UK narrator Micheal Angellis, Splatter and Dodge by Patrick Breen, and Disel 10 by Keith Scott.

Unlike with removing boomer I get most of these edits: Unlike boomer I completely buy that D10 scared children as Keith Scott's voice for him is terrifying.. though the terror is undrecut by the adr version of him sounding like Lumpy Space Princess. It's a great voice and I feel bad for Scott.. but it is a bit too scary> Granted they coudl've just.. worked with him to find another voice as they had before (He tried a russian voice before this that was apparently even creepier), so it's shitty they fired him and everyone here instead of simply recasting them or giving them something else.

LIkewise I love MIcheal Angellis and having him voice cameo was a good idea.. but they shoudl've had him do Henry instead. His voice works when he's narrating every character.. but I get why having an old gentleman voice for Percy and James, both younger engines dosen't quite work. Granted unlike with D10, where his replacement got the tone better, making Percy and James small children dosen't fix the problem. Their youthful not 8. Stupid Train Children is not that literal a term.

Thomas on the other hand.. was fine: he sounded youthful, had a nice plesant voice and I honestly prefer it over the final cut voice with Eddie Glenn. Glenn isn't bad.. but Bellis just got the character better. Splatter and Dodge are also way better and the film does a far better job conveying thier reluctant minon status and making them humorous foils to dissel.

So all in all the Work Print version is a better film.. but only by comparision. It has some good stuff that was cuts and the edits done were mostly moronic but it's still a film that alternates between boring and WHAT THE FUCK. it just explains more, which helps with the latter

The Magic Railroad in either film is a film that tried to cram way too much shit in. It tried so hard to escalate thomas to save the world level shit when that just .. dosen't scale with either Thomas and Friends or Shining Time Station. Both are about small scale problems in small slice of lifey places: a cozy british isle and a whimsical train station. Their biggest issues are dickheads like Disel and god emperor or schemer. You could've had thomas go on a treasure hunt to save the rail way or shining time or both. Maybe Schemer is trying to buy the failing railway. I mean if their going to go with the skeezy buisness douche cliche at least make it the guy you already have who would defintely do that if he could. Give him Boomer as a boss if you want. It keeps the tension, the two worlds element and mr c going back and forth as he could've taken Mara Wilson to shining time to go on the hunt to save the station. Give her an attachment to it. Make Burnett stone a conductor. You don't have to throw everything out, but simply lowering the stakes would've made this a more coherent film. I"m not sure how GOOD it woudl've been bu tit would've been a better Thomas Movie, a better shining time movie and something people would've actually wanted to see.

Instead it's a mess that changed Thomas as a whole, with Britt's failures here leading to her stepping down and eventually the company being purchased by HIT. But more on that another time for now we can put this train to bed. These reviews have been exausting as I don't want to be negative but these films, both cuts, are hot garbage. one just makes more sense. Hopefully if the proposed thomas film goes through they get it right... until then all we're left is a mess of what could've been and alec baldwin on cocaine.

Next Time: Turns out there is one as we have a new plan. I'll be covering season 6 sometime later this year, season 7, then teaking a break while Lachey figures out the rest of the schedule and I cover venture bros seasons 4b- the end. Thanks for reading

#thomas the tank engine #thomas and friends #thomas and the magic railroad #mara wilson #peter fonda #alec baldwin #mattel #britt alcroftt #childrens media #the 2000s #Youtube

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duranduratulsa · 1 month

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Now showing on DuranDuranTulsa's Horror Show...Silent Night Deadly Night (1984) on glorious vintage VHS 📼! #movie #movies #horror #christmas #santaclaus #santaclauskiller #silentnightdeadlynight #silentnightdeadlynight40 #lilyanchauvin #riplilyanchauvin #gilmermccormick #brittleach #toninero #leogeter #nancyborgenicht #tarabuckman #linneaquigley #willhare #jonathanbest #randystumpf #dannywagner #vincemassa #MichaelAlvarez #alexburton #maxbroadhead #donshanks #vintage #vhs #80s #durandurantulsa #durandurantulsashorrorshow

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abs0luteb4stard · 1 year

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W🎄T C H I N G 🎅

#SILENT NIGHT DEADLY NIGHT (1984)#Charles E. Sellier Jr.#Robert Brian Wilson #Alex Burton #Lilyan Chauvin #Gilmer McCormick #Britt Leach #Nancy Borgenicht #Linnea Quigley #Will Hare #Tara Buckman #Charles Dierkop #WATCHING #HORROR #CHRISTMAS MOVIE #CONTROVERSIAL MOVIE #SLASHER FILM #SANTA CLAUS #psychological thriller

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kelcemesoftly · 9 months

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Request “You know I would die for you, right?” for Trav

Not My Girl

Triggers: swearing, alcohol, angst then fluff

Notes: Thanks so much for this request! I think I went a little overboard, but shhhh. I had a lot of fun writing this one :) Maybe angst is my thing??? Who knows.

Also, as much as I cannot stand the Bengals, I have nothing against any of the players or Logan Wilson. So no hate please ❤️💛

The Chiefs were down by a field goal at the beginning of the fourth quarter. Usually, that wouldn't cause you too much stress, but this was against the Bengals. And historically, the games had come down to the last possession. That thought alone made you feel sick to your stomach. You knew how important this playoff win was to the guys on the team. It would prove to all the haters, all the doubters, that the Chiefs were the real deal, and that Arrowhead would always be Arrowhead.

You watched as Pat, Trav, and the rest of the offense fled onto the field. You were up in the booth with Britt, some of the other wives, and Trav's entire family. Unfortunately, the Eagles hadn't made it this far in the playoffs, and while that was sad for Jason, it meant that his family could come and support Trav while rooting for the Chiefs to pull off a win. "Let's go, babe," you muttered, standing near the see-through glass of the family-style suite. Pat got the ball and threw it to Trav, who successfully made the catch. He gained about ten yards before he was tackled down by Logan Wilson. Only this time, the defensive player was preventing him from getting up right away. At first you felt as if your heart stopped, afraid that Travis had been injured. But, that worry was quickly replaced with utter confusion once he stood up and got in the face of Wilson. You couldn't hear any of the words being exchanged, obviously, but you could see his muscles flex under his jersey, even with as far away as you were. "What the hell?" you whispered, glued to the plexiglass in front of you.

The ref threw up a yellow penalty flag as Wilson shoved Travis, who then reacted out of instinct by shoving the defensive player back. Soon enough, both teams got into a scuffle, and the only reason Travis got out of that mess was because Pat literally pulled him out of it. "What happened?" Britt asked, popping up next to you, her brows furrowed in concern and confusion.

"I have no clue. He hasn't been like this... this mad, in years," you said, shaking your head. At the beginning of his career, Trav had a real quick temper on him, but that had progressively gotten better as the seasons had went on. Sure, he would get heated here and there, but this was something different. Listening to the ref's call, you heard that each player got an unsportsmanlike call, offsetting each other. You reached for your drink and took a long sip, running your fingers through your hair while watching the boys on the field below. Luckily, Travis had remained put together the remainder of that drive, with him scoring a touchdown. Unfortunately, Butker missed the extra point, so the Chiefs were only ahead by a field goal.

Kylie had made you up another drink, and by the time you were half-way through it, the Bengals had tied up the game. "You don't want 15 to have the ball in his hands in the final seconds of this game," Britt said, clapping her hands as the Chiefs' offense took the field once again. You watched them intently, immediately picking up on the fact that Travis was distracted. That altercation must have really rattled him, based on fact that Trav had now dropped three passes.

"Come on, Trav," Jason encouraged, placing his hands on top of his head. The game was down to the final 30 seconds, and the boys still had forty yards to go. Blowing out a deep breath, you bit down on your lip as Britt handed you a shot glass. "It's good luck," she lied, clanking glasses with you and Kylie before all three of you shot it back.

As you reached down for your drink, you shrieked loudly when you saw Travis and Wilson going at it once again at the end of one of their plays, albeit this time it was much more intense. There was clearly yelling going between the both of them, with Travis pointing his finger angrily at the man across from him. "Baby, don't do this. We need you," you begged, swallowing the bile you felt creeping up in your throat. Once again, Pat was able to break up the fight, but not without a flag being thrown. Thankfully, the penalty was only on Wilson that time, otherwise your husband would have been ejected.

"What the hell is his deal?" you asked no one in particular, shaking your head. You were angry that he was doing this because he could have easily jeopardized the game and his team, something you knew he'd regret. And it was a playoff game, to make it worse. You just prayed that nothing else would happen in the remaining seconds of the game.

Britt took your hand in hers and squeezed it as Pat got the ball, scrambling around the pocket until he spotted Trav being wide open. Your husband caught the ball and ran it into the end zone, spiking the ball. He screamed out in happiness and did one of his dances, only being stopped by his teammates embracing him. Pat gripped his arm and dragged him off the field before he could confront his enemy, not wanting there to be a penalty flag on the play to overturn the touchdown. As soon as the touchdown was confirmed, everyone in the booth screamed and cheered. "We're going to the Super Bowl!" Britt screamed, jumping up and down with you.

Everyone in the booth celebrated while the players wrapped up the game, and before you knew it, you were heading down to the field with the other family members in the booth. As soon as you got to the field, your eyes roamed around for your husband. Once you spotted him, you took off running for him. Trav opened his arms and you jumped into them, legs and arms wrapping around his sweaty body. "You did it, baby, you're going to the Super Bowl," you grinned, happy tears streaming down your cheeks. Even though they'd been to three Super Bowls before, winning two of them, the pride and joy you felt for him never got old. Giving him a sweet kiss, you told him how much you loved him before he set you down. He kept his arm securely wrapped around your shoulders as his family hugged him, as well, not letting you go for one second. It wasn't abnormal for him to want to touch you, but he wasn't generally this clingy.

Before you had a chance to ask him what had happened on the field, Wilson began to approach your small group. When Trav saw him, a low, animalistic growl left his throat, and he started to stalk toward him. You tried with all your might to hold him back, scared of what he might do. Unfortunately, you weren't strong enough to do so on your own. Luckily, Jason and Ed were right there. Jason gripped the back of his jersey and Ed stood in front of his son, pushing him back with his hands on Trav's chest. "I think you should give him time to cool off," Ed said, turning his head to speak to Wilson. With a curt nod, he obliged and walked away with his shoulders slumped.

"Travis Michael Kelce," you said firmly, eyes narrowing. You had no idea what the heck was going on, but you weren't going to have him risking his career over a petty football disagreement with someone on another team. When Trav's warming blue hues met yours, his face instantly softened and he swallowed thickly. "What the hell is this about?" you asked, putting your foot down. He shook his head, signaling he didn't want to talk about it on the field in front of all the reporters. You could understand that, so you didn't argue with him. Instead, you continued to celebrate with him and the rest of the guys before they headed to the locker room.

You and the rest of the family waited in the family waiting area while Trav showered and changed. It was eerily quiet between all of you, considering the win that just took place. "He had to have said something non football related. Travis has never been that pissed over a game," Jason commented, holding Ellie in his arms.

You sighed and nodded your head, looking down at your shoes. "Why don't y'all head back to the house? I'll wait for him. Hopefully I can get it out of him and he'll be calm by the time we get home," you suggested, rummaging through your purse to hand Kylie the keys. They agreed and after giving you a hug, shuffled out of the waiting area.

It wasn't too much longer before Travis emerged from the locker room. A small smile crossed your lips, and you offered him a hug and a kiss when he greeted you. Despite how irritated and slightly annoyed you were with him about his altercation with Wilson, you couldn't help but be immensely proud of him. He laced his fingers with yours and led you toward your car.

As soon as he pulled onto the highway, you turned in your seat so that you could properly look at him. "Trav, what happened? This... this anger, this rage, it isn't you. Not anymore," you said gently, stroking the back of his hand that was rested against your thigh.

With a heavy sigh, he glanced toward you and then squeezed your leg before turning his attention back to the highway. "I fucking hate his guts, Y/N."

You chuckled humorlessly, scrunching up your nose. "I gathered that from your two interactions with him, babe. Why do you hate him? You haven't had an issue with him in the past," you pointed out, placing your palm against the back of his hand before lacing your fingers with his.

"He made degrading and derogatory comments about you, babe. Comments that I wasn't going to fucking stand for. I don't give a fuck what he says about me. He wants to comment on my game? My appearance? My personality? Go for it. But he will not speak that way about my wife," he seethed, face reddening.

You swallowed thickly, shaking your head. "What did he say?"

"It doesn't matter. All that matters is that he said filthy things that he should have never said. I will never forgive him, Y/N."

"I appreciate you sticking up for me, babe. I really do. But you could have been ejected from the game. The playoff game, Travis! You would regret that for the rest of your life," you said, your free hand flying into the air.

"No, I wouldn't. You know I would die for you, right? Getting kicked out of one fucking game would be nothing."

And as much as you wanted to argue with him, as much as you wanted to say he would regret it in the long run, you couldn't find it in your heart to yell at him or be mad. He was defending your honor, being the most amazing husband and person you could have asked for. Instead of yelling at him, you leaned over and pressed your lips to his cheek. "I love you. To the moon and back."

"You already know, baby girl. I love you more."

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Taglist: @kelcemenow @hearts4papayas @keiva1000

#travis kelce #travis kelce blurb #travis kelce imagine #travis kelce oneshot

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jbbartram-illu · 6 months

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Do you have a favourite artist right now or a particular source of inspiration? :)

Oohh this is always a hard one to answer, but I love to think about it!

I'm currently falling down a Lascaux/European cave art rabbit hole as I plan more mugs, as I love the freedom of the brush strokes used to create the beautiful beasts and the way it speaks to something deep in my brain (& seems to resonate with other people as well!).

I also find myself constantly inspired by Marc Chagall, not in a way where I try to replicate anything about his art, but more trying to capture the mood of the figures his work, especially all the silly, joyful animals, and also the way his art often has a lightness about it (both visually and in spirit).

And in terms of my fellow pottery folk, I feel like I've made a ton of lovely, inspiring friends across various social medias - from here, @sleepnoises & @moldspace are doing such gorgeous work, and I also love @claypigeonpottery's gorgeous sgraffito work.

Elsewhere, there's Clay Baby, Britt Wilson, Goblin Hands, Ceramibee, Chickadee Ceramics (who also fires my work & is a great kiln tech alongside her pottery work) and I'm sure I'm missing some pals! And of course there are a zillion other artists (contemporary & non) who bring my brain joy & probably influence my work, but I'll stop here :)

#artblog #pottery #ceramics #ceramicart #ask #ask answered #froggymuffins

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deanwasalwaysbi · 1 year

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23 Republican Senators & 124 Congressmen signed an amicus brief to the Supreme Court asking for a 50 state ban on mifepristone, a drug safer than tylenol that is standard treatment for abortion & miscarriages, "due to safety concerns". The brief DARES to argue that banning the life saving drug would save women from 'reproductive control'. (x) These 147 people would rather have women die of sepsis than let women control their own bodies. If your representatives are on this list, call them and tell their office you will be voting against them in the next election because they asked SCOTUS to throw the US medical drug system into chaos at the cost of American lives.

United States Senate

Lead Senator: Cindy Hyde-Smith (MS) John Barrasso (WY) Mike Braun (IN) Katie Britt (AL) Ted Budd (NC) Bill Cassidy (LA) Kevin Cramer (ND) Mike Crapo (ID) Ted Cruz (TX) Steve Daines (MT) Josh Hawley (MO) John Hoeven (ND) James Lankford (OK) Mike Lee (UT) Cynthia Lummis (WY) Roger Marshall (KS) Markwayne Mullin (OK) James Risch (ID) Marco Rubio (FL) Rich Scott (FL) John Thune (SD) Tommy Tuberville (AL) Roger Wicker (MS)

United States House of Representatives

Lead Representative: August Pfluger (TX–11) Robert Aderholt (AL–04) Mark Alford (MO–04) Rick Allen (GA–12) Jodey Arrington (TX–19) Brian Babin (TX–36) Troy Balderson (OH–12) Jim Banks (IN–03) Aaron Bean (FL–04) Cliff Bentz (OR–02) Jack Bergman (MI–01) Andy Biggs (AZ–05) Gus Bilirakis (FL–12) Dan Bishop (NC–08) Lauren Boebert (CO–03) Mike Bost (IL–12) Josh Brecheen (OK–02) Ken Buck (CO–04) Tim Burchett (TN–02) Michael Burgess, M.D. (TX–26) Eric Burlison (MO–07) Kat Cammack (FL–03) Mike Carey (OH–15) Jerry Carl (AL–01) Earl L. “Buddy” Carter (GA–01) John Carter (TX–31) Ben Cline (VA–06) Michael Cloud (TX–27) Andrew Clyde (GA–09) Mike Collins (GA–10) Elijah Crane (AZ–02) Eric A. “Rick” Crawford (AR–01) John Curtis (UT–03) Warren Davidson (OH–08) Monica De La Cruz (TX–15) Jeff Duncan (SC–03) Jake Ellzey (TX–06) Ron Estes (KS–04) Mike Ezell (MS–04) Pat Fallon (TX–04) Randy Feenstra (IA–04) Brad Finstad (MN–01) Michelle Fischbach (MN–07) Scott Fitzgerald (WI–05) Mike Flood (NE–01) Virginia Foxx (NC–05) Scott Franklin (FL–18) Russell Fry (SC–07) Russ Fulcher (ID–01) Tony Gonzales (TX–23) Bob Good (VA–05) Paul Gosar (AZ–09) Garret Graves (LA–06) Mark Green (TN–07) Marjorie Taylor Greene (GA–14) H. Morgan Griffith (VA–09) Glenn Grothman (WI–06) Michael Guest (MS–03) Harriet Hageman (WY) Andy Harris, M.D. (MD–01) Diana Harshbarger (TN–01) Kevin Hern (OK–01) Clay Higgins (LA–03) Ashley Hinson (IA–02) Erin Houchin (IN–02) Richard Hudson (NC–09) Bill Huizenga (MI–04) Bill Johnson (OH–06) Mike Johnson (LA–04) Jim Jordan (OH–04) Mike Kelly (PA–16) Trent Kelly (MS–01) Doug LaMalfa (CA–01) Doug Lamborn (CO–05) Nicholas Langworthy (NY–23) Jake LaTurner (KS–02) Debbie Lesko (AZ–08) Barry Loudermilk (GA–11) Blaine Luetkemeyer (MO–03) Tracey Mann (KS–01) Lisa McClain (MI–09) Dr. Rich McCormick (GA–06) Patrick McHenry (NC–10) Carol Miller (WV–01) Mary Miller (IL–15) Max Miller (OH–07) Cory Mills (FL–07) John Moolenar (MI–02) Alex X. Mooney (WV–02) Barry Moore (AL–02) Blake Moore (UT–01) Gregory F. Murphy, M.D. (NC–03) Troy Nehls (TX–22) Ralph Norman (SC–05) Andy Ogles (TN–05) Gary Palmer (AL–06) Bill Posey (FL–08) Guy Reschenthaler (PA–14) Mike Rogers (AL–03) John Rose (TN–06) Matthew Rosendale, Sr. (MT–02) David Rouzer (NC–07) Steve Scalise (LA–01) Keith Self (TX–03) Pete Sessions (TX–17) Adrian Smith (NE–03) Christopher H. Smith (NJ–04) Lloyd Smucker (PA–11) Pete Stauber (MN–08) Elise Stefanik (NY–21) Dale Strong (AL–05) Claudia Tenney (NY–24) Glenn Thompson (PA–15) William Timmons, IV (SC–04) Beth Van Duyne (TX–24) Tim Walberg (MI–05) Michael Waltz (FL–05) Randy Weber, Sr. (TX–14) Daniel Webster (FL–11) Brad R. Wenstrup, D.P.M. (OH–02) Bruce Westerman (AR–04) Roger Williams (TX–25) Joe Wilson (SC–02) Rudy Yakym (IN–02)

If your representatives are on this list, call them and tell their office you will be voting against them in the next election because they asked SCOTUS to throw the US medical drug system into chaos at the cost of American lives.

Help to patients who have to cross state lines to get medical care by donating to your local abortion fund here. (x)

#scotus #abortionpill #state of the uterus #abortion rights are human rights #us politics #miscarriage #vote blue #nnaf #yellowhammer

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