#but I don't want to be anxious about

[beauty-grace-outer-space]

Didn't even make it til 10AM without sobbing at my desk this time.

[uncanny-tranny]

This might seem like an "old man yells at cloud" situation, but it's just wild growing up and being told how dangerous distracted driving is - how, at highway speeds, you can traverse the length of a football field (100 yards, 91 meters) in a matter of seconds - how one split second sending a text while driving could result in a potential fatal crash, and then getting on the road as a driver and being surrounded by billboards. Their entire purpose is to catch one's attention, so they're lining major roads, which tend to be highways. How is it that you're told how important it is to never be distracted while driving, but still being advertised to?

At best, this type of advertising is an eyesore to pedestrians and motorists and a general waste of electricity to light it, and at worst, it is an active danger considering they are there to advertise and therefore, must catch people's attention.

I'm not even against advertising in theory, but this particular mode bothers me so much and I hate how pervasive it is - especially in large cities or highways.

[saltpepperbeard]

hi everyone how are we doing i'll go first i'm doing Bad :)

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[eddiezpaghetti]

Okay, so my experience with Stranger Things is a weird one.

I didn't care when it first came out, started to watch it out of "might as well" in 2020, wasn't interested in it enough to make it past S2, forgot about it outside of going "oh, hey, cool, there's a lesbian in it now, I guess," in S3, got really annoyed when "Running Up That Hill" got popular from it because it was a song I listened to on fucking loop after one of my best friends died in high school and I fully expected its appearance in the show to ignore the whole survivor's guilt theme of the song (and was very happy to learn later that it did the exact opposite of ignoring the lyrics), saw people drawing Eddie, suddenly got a lot more interested, watched just the fourth season like a fucking psychopath because I was seriously only there for Eddie, then got interested enough to start the show over properly, having mostly forgotten what I did watch of the show before.

And let me tell you something from the perspective of someone who started with the complete fourth season, who wasn't there from the start, who wasn't tainted by ship goggles or this internal battle of hope and despair, who wasn't theorizing about what the painting could be or expecting Mike and Will to kiss when Volume 2 happened or rooting for Mike and Eleven's relationship to go down in flames or whatever the fuck. Just someone who went blind into Season 4.

It's really fucking obvious that Will and Mike are gonna be endgame.

Like holy fuck. It's so fucking blatant I don't even know why people are nervous.

No sane fucking person would shoot this scene this way if they wanted the audience to care about El and Mike as a couple. Despite being all blurry in the background, Will's reaction to what's happening here is smackdab in the fucking middle, clearly showing that the important part is what's going through his head here. What he's feeling. It's like the opposite of that scene from Kingdom Hearts II where Sora and Riku reunite and Kairi just fucking vanishes into the aether while it's happening because, despite the fact that she was standing between them when the scene began, she doesn't matter to the scene, so she's just kind of gone when the camera angle changes. Will could have been behind one of their heads, or so far in the distance he blends in with the background, but he's not. He's so obvious that despite being massively blurred out, he's still the first goddamn thing you look at. What, you think that's an accident? You think he's in the middle of this dramatic fucking scene because of a mistake? He basically has a big flashing neon arrow pointing at him with "THIS IS THE POINT" being screamed through a megaphone.

And then this?

They're paired up like they're taking fucking prom pictures. Each one of these pairs is so fucking close to one another and so fucking far from everyone else. It's not, "Oh, they're standing vaguely near each other in a group shot," it's fucking Noah's Ark out here. Again, there's no way to take this as an accident. It's not just a framing issue. If they wanted to make the shot look balanced while still not hiding anyone else behind El, they would have scattered people around much more naturally. Even if they wanted to keep Nancy with Jonathan and Hopper with Joyce, there's so much room on that hill for three people to stand on El's left and three on her right. But they didn't do that. They put Mike and Will together on purpose in the most obvious way possible.

Like I get that coming up with crackpot theories is fun in and of itself and I'm not blaming anyone for having fun. I totally get the appeal of arguing a point and reaching for every stupid little thing to pull into it because it's like a game, okay? I've done that. But if you're trying to actually convince someone (whether it's someone who wants to believe or someone who's pissed at the very idea that Mike and Will could be in love), stay away from blue and yellow lights, stay away from costume design, stay away from the existence of closets in backgrounds. And don't worry about whether Mike's gay or bi when he's in love with Will either way. I'll give you a little tip about persuasion: You're only as strong as your weakest argument. Even if you've got strong stuff in there, too, the person you're trying to convince is going to dismiss anything you say as complete insanity the second you start going on an entire tangent about the shape of a character's fucking pocket.

Sometimes, clothes are just clothes. Sometimes, there's a closet in the background because it helps establish that a character is in a bedroom. Sometimes, blue and yellow are just a couple of colors that look nice together. And sure, it might be set designers and costume designers and cinematographers smirking and winking at the audience from behind the camera. But if the show was just those things, instead of those things in the context of everything else, they wouldn't be saying anything of note.

But this?

This tells a story all on its own. Someone with no context can look at this and automatically assume that each paired person is standing with someone they care about deeply, seeking comfort as they watch some sort of disaster unfold. And yeah, romantic couples usually come in twos, and we live in an amatonormative society, so that's going to be the first association anyone makes seeing a bunch of people paired off.

It's the same reason you look at this

And go, "Oh..."

"Those two are probably a couple."

And I genuinely don't understand how people could have watched S4 Vol. 2 and gotten scared. Because as someone who went in with no investment whatsoever, I just looked at these two--

--and went, "Oh, those two are a couple. Good for them." And I moved on. Shut up about the trees for five seconds and just see the forest for what it is.

Oh, and if you're still nervous? Little thing from a storyteller here: You don't leave a hanging thread like "Will confessed his romantic feelings for Mike by projecting them onto El, but Mike either didn't understand or at least didn't say he understood," without coming back to that later. That's Chekov's gun hanging on the wall, babes. It's gonna fire at some point. If Mike was going to reject Will's feelings, if they weren't relevant, they would have had that discussion in Argyle's van. There'd be no reason to leave you in suspense.

[lost-in-fandoms]

This has been something that's been living in my mind for a very long time. Sometimes, when things are hard, I write this in my head and it helps, so I thought I'd share. There's a bit of hurt before it goes to the comfort, but the comfort is there, I promise. This got long so you can read it on ao3 too

cw: non-sexual bathing, depression and a whole bunch of self-hatred

Daniel doesn't hear the door opening, but one minute he's alone, curled up under the blankets, and the next Max is sitting on the edge of the bed, running clothes still on. To be fair, Max might have been there for longer than one minute. Daniel hasn't been great at keeping up with time lately, keeps losing hours to naps and blank stares at walls. He's not been great at noticing Max either, sometimes feeling like he's living alone, even when Max is right beside him.

"Daniel."

Daniel opens his eyes again, hadn't even noticed he had closed them in the first place. Max sounds tired, careful, as he often does lately. It makes Daniel want to curl up tighter, shut him out harder, embarrassed and ashamed of being like this.

"Daniel, hey."

Did he close his eyes again? Max has one hand hovering near Daniel's cheek now, but he isn't touching. The last time Max had touched him without asking first when Daniel had been like this, just a hand on his shoulder, Daniel had flinched so hard he had kicked him off the bed.

Max has been sleeping in the guest room since, and the bed feels big and cold every night. Daniel is still glad Max is not touching him.

"Daniel."

Max's voice is firmer now, a frown on his face. It used to make Daniel feel worse, knowing he was upsetting him, but it's been a reality for so long he has learned to accept he's just made to make Max feel worse.

"Your therapist appointment is in two hours, Daniel, you should get up."

This time, Daniel makes the conscious decision to close his eyes. It doesn't matter how many hours he's been spending in this bed lately, he is always exhausted, and getting up sounds like way too much work. He doesn't want to get out of his blankets, doesn't want to have to sit up, to have to speak, to have to sit in their office to talk about his fucked up brain to a lady through a screen.

For a long moment, nobody says anything. Daniel is expecting Max to argue with him, to tell him he's being childish, pathetic, but Max doesn't.

It's worse when he simply sighs and gets up, leaving the room. It makes the chasm in Daniel's chest grow new teeth, gnawing at his lungs, breath stuttering in his throat. He didn't know he could feel more lonely.

He doesn't know what to do with this, with all the slick tar coating his insides, suddenly threatening to spill out, so he does what he's been doing lately and turns around, back to the bedroom door, and wills himself to sleep.

"Daniel."

Max's voice drags him out of the fog. He doesn't know how long it's been, but when he forces himself to open his eyes again, Max is crouching next to the bed, this other side now, still in his running clothes. Not long, then.

"I ran us a bath, will you come with me?" he asks. He doesn't look mad at Daniel for not speaking, doesn't look upset. He looks worried, and pleading. There are black shadows under his eyes. It's worse than him being angry.

It takes a long moment for Daniel to actually process the words, to filter them through the fog, but Max waits patiently. He always waits for Daniel, even when Daniel doesn't deserve it.

He doesn't want to get up, doesn't want to drag his limbs to motion, but he knows he stinks, knows his hair are a greasy mess, flattened on top of his head. He should. He doesn't want to.

"Please."

It's only a whisper, but it's impossible to miss in the quiet room. It pierces through Daniel's heart, his next breath coming out harsh and choked, his eyes closing on instinct. Even when he's deep in his own pain he can't forget how this is hurting Max too, but it's worse to see it so plainly, to hear the desperation in his voice. He doesn't know why Max hasn't left yet.

"You won't have to do anything," Max continues his pleading, more urgent now, "I will carry you, I will wash you, you just have to give me permission to touch you."

There was a time, before everything got this bad, when they were all over each other all the time, constantly touching, kissing, fucking. Now, Daniel can't remember the last time he even had wanted to come and his boyfriend is asking for permission to take care of him. He feels sick.

He hates the idea of Max seeing him like this, dirty and too skinny, but Max has never been good at letting things go and he doesn't have the energy to argue with him, nor the heart to hear his pleading, so he nods.

Relief shows so plainly on Max's face it's almost a physical blow.

He's still hesitant as he grabs Daniel's shoulder, helping him sit up, holding him still until the dizziness wanes, gently easing the t-shirt he's been sleeping in off. Daniel is gearing himself up to stand up when Max leans in closer, guiding Daniel's arms around his shoulder and his legs around his waist. It's not until his hands are under Daniel's thigh and he's heaving himself up that Daniel processes what is happening. A surprised gasp leaves his mouth, but Max only shushes him softly, walking towards the bathroom.

"I won't let you fall," he reassures, as if Daniel could ever be scared of that. As if Daniel had ever not been safe when in his hands.

In the bathroom, Max puts him down on the closed toilet seat. The lights are off and the curtains are drawn, but it's still much lighter than the bedroom, making Daniel squint his eyes almost all the way closed. The bath is full, the sweet smell of his favorite body wash already filling the room. There is an unlit candle on the edge of the tub, and it tugs on Daniel's heart, how deeply Max knows him, how he was aware that Daniel likes to have candles when he's in the bath, but doesn't like smells mixing when he's already so overwhelmed. How he left Daniel the unspoken option without pressuring him to take a decision with a direct question.

"Daniel." Max waits until Daniel is looking back at him before touching his shoulder, fingers warm on Daniel's clammy skin. "Is it okay if I come in with you?"

Daniel had thought it was implied, when Max had said he had ran them a bath, wonders if Max has changed his mind, now that Daniel is almost fully naked in front of him.

Some of his thoughts, who knows how much, he hasn't had control of his face in so long, must show, because Max frowns, other hand coming up to cradle Daniel's cheek.

"Daniel, I want to, but I don't want you to be uncomfortable. Can you please tell me? What is best?"

What is best? The best would be to go back four years and tell his old self to make different decisions. Go back two years and tell Max to make different decisions. Go back ten minutes and tell himself to fall back to sleep for a long long time.

He doesn't know how to answer an open question, one that requires more than a yes or no. He nods anyway.

"Yes, I can?" Max clarifies. Daniel doesn't understand why he looks so happy about it, but he nods again, and Max smiles, the lovely crinkly one that makes his cheek bunch up. It's a stab in his chest, realising how much he had been missing it, how long it had been since he had last seen it.

Max is efficient with his own clothes, stripping off and throwing them on the floor, but he's careful with Daniel, pulling him up and gently easing his underwear off, one leg at a time. Daniel finds himself looking at the wall over Max's back, refusing to look down at his own body, refusing to think about another time, when Max on his knees in front of him would have meant something completely different.

He lets Max help him into the bath too, water deliciously hot, scooting forward to let Max sit behind him.

For a second, the inch of space between them feels like a wall. Then Max sneaks a arm around his waist, pulling him against his chest, legs bracketing him.

Daniel lets himself go boneless, knowing Max will keep him upright.

He doesn't know how long they just stay like that, lost in the warmth of the water and the steady movement of Max's chest, but after a while he feels him shift behind him, reaching for something.

"I will wash your hair now, okay?"

Daniel nods, following Max's guidance to reposition himself slightly so that he has easier access to his hair, but keeps his eyes closed, brain for once blissfully quiet.

He doesn't know what he was expecting, but for sure not the smell of his favorite shampoo to fill his nostrils, aware that he had ran out weeks prior and hadn't bothered to buy more, using Max's 2in1 instead, uncaring of how frizzy it made his curls. He doesn't know when Max went to buy more, but it's yet another squeeze to his heart.

Max is slow with it, massaging Daniel's head, his firm and gentle fingers moving down towards his neck and shoulders too, working his tension away.

He holds a hand over Daniel's forehead when rinsing him, like Michelle does with the kids, and maybe once Daniel would have argued against the babying, but not now, not when he feels so deeply cared for.

He's not expecting to hear the click of another bottle opening, wasn't aware Max even knew of the existence of conditioner. He must make a sound, because he feels Max's chest move under him, as if Max is leaning forward to check his face.

"Okay?" he asks, fingers pausing in his hair.

Daniel hums, more sound than he's produced in hours, and it feels like a reward when Max presses a kiss on his wet shoulder.

"I called Vic, before," Max starts talking, hesitant and almost embarrassed, fingers twisting in Daniel's hair. Daniel doesn't know where this is going, but it's nice, to listen to Max's voice, his chest vibrating with it against his back, feeling closer than they had in weeks.

"I wanted to know, I..." Max huffs out half a laugh, self deprecating in a way he usually isn't. "I sent her pictures, of your hair things. I don't know why you have so many, but of course she knew, and..."

Daniel twists around, Max's fingers slipping from his hair, suddenly overcome with too much emotion to be able to deal with it like this. He bangs his knee against the side of the tub, his tense shoulders twinging with pain at the uncomfortable position, and he barely gets a glimpse of Max's spooked expression before he's burying his face in his shoulder, kissing the warm skin there.

He feels Max move, giving him more space to turn around, hands rubbing his back.

"I'm sorry," Max throws out in a rush, voice tense, and Daniel doesn't know what he's apologizing for, not when he's been so wonderful all this time. "I don't know, I..."

Max's voice breaks in sync with Daniel's heart.

"What have I done wrong?" Max begs, both keeping Daniel against him and pulling back, trying to look at him. "Daniel, please, if I..."

Daniel shakes his head grabbing at him to keep him close.

"No, it's good, you..." his voice is raspy from disuse and he can feel Max flinch in surprise when he hears it, but he pushes through, for once, unable to stand Max thinking he's done something wrong. "Thank you."

Tension bleeds out of Max's body as he cradles him close again, lips finding Daniel's hair, uncaring of the conditioner still there.

"I want," Max pauses, breathing out heavily, almost a sigh. "If I can do something to make you feel better, always I want to do it."

It splits Daniel's heart wide open, the candid way Max is able to say things like this, the steadiness with which he's never stopped caring for him, not even back when they weren't together, when they weren't even talking. He hopes Max can't feel the tear he can't stop on his already damp skin.

They breathe together for a long minute, while Daniel tries once again to process the impossibility of Max's love and Max holds him close, but it still feels too soon when his back starts screaming in protest, forcing him to turn back around.

They settle back in the previous position, but it feels like something dislodged in Daniel's chest. He feels lighter and more anchored at the same time, feels like Max's hands on his body are more real, like the fog in his brain has dispersed a little.

After rinsing the conditioner, careful hand still shielding Daniel's eyes, Max moves onto an hair mask.

"Vic said, of course she does not have your hair, but Vic said this was last," he explains, coiling Daniel's curls around his fingers, one by one, focused on the task as he would be on following the perfect racing line. "She said to do this, to make them right."

Daniel tries to imagine it, Max in the living room, or maybe on his run, or in the supermarket, calling his sister for advice on hair care. He knows he talks to his family most days, but it's different, to know he talks about him, about doing something to make Daniel feel good. A spike of shame curses through him, knowing that it means at least Victoria is aware of how much of a shitty boyfriend he's been lately, but for once it doesn't stay, quickly replaced by overwhelming affection. For Max, for asking, and for Victoria, for giving such careful and detailed instructions, clearly invested in making sure Max could do his best.

The water is cooling down by the time Max rinses off the hair mask and presses another kiss on Daniel's shoulder, arms wrapping around his waist once again.

"We can get out, or I can add hot water," he offers, lips brushing against Daniel's skin. Daniel almost asks him to stay, wanting to prolong the time spent in this little bubble of comfort, but their fingers are wrinkly and he knows his therapist appointment will be soon. He had thought about skipping it, earlier, just hide in bed and refuse to talk, but now that his brain is clearer he knows it would just make things harder.

When he moves, Max moves with him, keeping him steady as they both stand up, holding his hip as he rinses him with the shower head, knowing that Daniel doesn't like to just get out of the bath, even without him having to ask, taking his hand as they step out of the tub, offering him a towel.

Daniel doesn't fight when Max starts drying him, or when he squeezes the water out of his hair with another towel, or when he goes to the bedroom and comes back with clean clothes. He lets himself be taken care of, for once enjoying again being the center of Max's full attention.

It's only when Max steps back that Daniel notices how the hoodie Max is wearing is one of Daniel's, and it reminds him all over again how he's not the only one suffering from all the shit his brain is putting him through.

It makes his heart hurt, but at the same time he can't help but feel yet another wave of love for his boyfriend, who hasn't complained, hasn't left, has never made him feel guilty for any of this. His boyfriend, who so obviously misses him, enough to wear clothes that are too warm for him.

"Come here."

Max's head snaps up, surprise clear on his face, but when Daniel opens his arms he goes willingly, folding into himself a little to be able to fit against Daniel's chest.

"I love you," Max whispers it like a secret, hiding it in the folds of Daniel's sweater, and it makes Daniel wish he could fix his brain quickly, once and for all, just to not have to hear him so small ever again.

"I love you too."

He presses one kiss on Max's hair, then another.

He knows that when they'll break the hug, Max will probably try to convince him to have some food, then will sit in the living room pretending he isn't waiting for Daniel to be done with his session. He will try to make Daniel talk about it, go outside, eat dinner, brush his teeth, take his meds. He will be there, and stay there, even when Daniel kicks him to the guest room because he can't stand the touch of another human being, even when Daniel won't speak to him for hours and hours, too lost in his own head.

Daniel wants to say thank you, but it feels like there's so much he has to be thankful for, two little words wouldn't be enough. He hopes Max gets it anyway.

[yuriyuruandyuraart]

*sighs* precious baby version of night and his mentally drained brother/dad got me dropping everything for a quick doodle<333

au by @dreemurr-skelememer

[sciderman]

Has lefty woken up yet or should we turn the music up louder?

PLEASEE scream LOUUUDER

[simplykorra]

Beatrice has read this letter at least a dozen times since she woke up two days ago and found it in the empty spot on the bed next to her where Ava was supposed to be.

It was such a strange experience, to wake up to a letter, because as soon as she saw it - Beatrice knew exactly what it was.

Because Ava had always felt a little bit fleeting. Like a dream you’re trying to remember right after you wake up. You can remember the way it made you feel, but the details keep evaporating.

Ava was…is an enigma in a lot of ways. She’s so connected to the world, to the people around her, but she’s also very good at keeping everything at a distance.

For as much as Beatrice learned about her and understood her, she also knew very little.

Her leaving didn’t make Beatrice mad. It was sad and disappointing, it’s strangely kind of devastating how much she misses her - but everyone has something going on and Ava is no different.

The hardest part was explaining to everyone why she was suddenly gone. Beatrice didn’t want to make Ava a villain, didn’t see the point in it. She didn’t want to give her parents ammunition to say ‘we told you so’.

So she told them all that Ava had an emergency and had to go back home and take care of it. That she was sorry to miss the wedding and that she had a great time.

Beatrice isn’t sure if her parents believed it, she doesn't really care if they do or not.

She just knows that Josephine didn’t believe her.

She made it through the wedding, the one time she was really able to escape the sinking feeling in her stomach and the emptiness of how quiet and lonely this whole place felt without Ava.

Beatrice stood up there and watched her cousin get married and saw the joy on her face and shared a few warm smiles with her and it was wonderful.

The reception was quiet, she couldn't stop thinking about how much Ava would have loved it. Beatrice felt so disconnected through all of it - like her mind was wherever Ava was, even though she had no idea where that was.

Her stay didn’t last much longer than that, she had to get out of there - get away from them.

[decarbry]

From the Kurogiri’s meditating post- nice to see him and Yabureme getting along better!

[deoidesign]

.

[uncanny-tranny]

Hey, if you have speech impediments, you are so amazing.

If you stutter or have a lisp or misspeak easily or you have a flat affect or a limited verbal vocabulary or if your voice is AAC or if you just have a difference in your vocality, you are so incredibly important and amazing.

Just know that your voice is yours. Nobody will ever be able to truly take it away. Your voice is part of you, and you deserve to make it as true to you as you deem fit. I hope you have the space to grow with your voice and whatever about it makes it unique.

[iraprince]

Hiii, i love your stuff and kinda from a distance really look up at you for, in my perception, being able to express yourself without giving a fuck. Thats sick dude, Im so so afraid, of absolutely everything, its nice to think like i might grow into someone less apologetic of my existence. Nice to see people just being yknow

hey, thank you, this is really really nice. the secret that is probably not a secret is that i am also deeply afraid a lot of the time lmao -- but less than i used to be, and in ways that feel less stifling and self-suffocating, if that makes sense.

like, it used to be "i'm scared that if i express myself the way i want to, everyone will find me obnoxious, so let's just sand those edges down to be safe" -- now my fears are more like "now that i'm expressing myself in a way that feels natural and real, i'm afraid that it's all stupid/vapid/not worthwhile or meaningful" (<- specifically abt my art) or "i'm happy that i talk and act the way i want to now, but what if it makes me impossible to befriend," etc etc etc. which still feels bad and puts me in a funk a lot of the time but at least it's a fear that comes After/in reaction to doing stuff, rather than a fear that STOPS me from doing stuff, you know? like, it's evolved into a kind of fear that's less in my way.

anyway. i believe you'll experience something like this, because wanting to grow is the first step of growing. the fact that u hope or wish for something different means you're already on your way. to fewer fucks!! or at least distributing the fucks u give in a way that serves u better

[kyouka-supremacy]

I fucked up

[astradyke]

being very truthful i wasn't feeling particularly positive about the trailer for TIT (still bought tix though hi nyc <3) and am holding out hope they do a little more teasing for what this tour is actually about in future videos,

but i cannot deny that this specific frame of it

("we basically raised half of them." - phil)

like very specifically got me? like obviously yes the bit is like, they're our dads i started watching them age twelve et cetera but. i don't know. with the way all of this is laid out, the contrasting colors that blend together and the silhouettes on their respective sides (as we always view them, dan to the left & phil to the right) and the screens, it says so loudly like... it's dan and phil, side by side. it's the two of them. it's been them for the last fifteen years.

it's a we, it's a testament that this kinda sacred thing of 'dan and phil' has lasted a really long time, and survived a hiatus, solely because dan and phil themselves have known each other and existed alongside each other for those fifteen years. and yes, obviously, this trailer is all scripted, but this exchange still has this feeling of it being about them, not just their brand together-- they aren't really talking to the audience, here, are they? it wasn't solely 'dan and phil' content that raised the audience; dan and phil did. (maybe a redundant point, but i am working off of the negative space here. a lot of this feels like intertwining themselves with their online personas, and simultaneously walking that line. letting us see only what they want to be shown, and now examining that introspectively).

i hope that makes sense, i'm not much of an analyst or theorist. i don't know what the dan and phil renaissance really is yet, and i am a bit afraid of it all, but i'm really excited, both for everything that's to come but also -- more importantly -- i'm just fucking excited for them.

for this bond between them and the phandom to blossom in the healthy ways it has been lately, for the opening of new doors amidst this phan renaissance... and for them to take back what the internet took from them.

[gideonisms]

Having my weekly I should quit my job moment