#but I was also seven so like who knows

[dark-elf-writes]

Random thought: everything’s the same but the death note is one of those singing journals marketed for six year olds. Every time light wants to write during the early days he has to deal with it blaring the my little pony theme song or something

I’m going to be honest with you I misread “singing” as “secret” and I imagined Light busting out one of these bad boys every time he wants to do a murder.

And the microphone never works and his options are to keep screaming whatever edgy bullshit he make as his password on the off chance it actually hears him or pry that mother fucker open like the rest of us did

[twinstxrs]

sam nightingale fabian seacaster deeply tethered in the sense that whenever zelda & gorgug broke up i think they both were very emotionally supportive and there for their friend while also having clearly & openly thought the whole time that zelda/gorgug could’ve done better. also they’re both rich popular bards with talking vehicles who got left alone in their big house at the beginning of a school year so there’s that.

[feelingtheaster99]

What I find so funny is that in receiving small glimpses of episodes I haven’t seen, I fully assumed that Kipperlilly Copperkettle was some type of dog-based humanoid? But no, that was Kristen just roasting her to FLITH upon meeting her

[jerreeeeeee]

actually its kind of crazy how little we actually see the starblaster crew interact with each other. like other than tres horny boys and each of the pairs in that trio, and like, arguably lucretia and thb, barry and lup, and lup and taako, most of the relationships between the crew are only a few lines, if anything? like obviously in-universe they're all really close and griffin says that (time enough to grow indescribably close), but there's a lot we don't see. like, taako & barry, for example, have a handful of moments, lines we can point to that show they are really close (you're my family, taako, can i speak frankly?), but as far as actual screentime, there's really very little.

and even those i mentioned before, like, lup has more screentime with barry and taako than with anyone else, there's the whole little legato monologue about her and barry's relationship and she has (comparatively) a lot of scenes with taako, but also, as a character, she's only around for maybe a sixth of the show, so there's just not a lot of time to work with?

and that's not to mention the relationships we can figure were probably present in-universe, but literally never see, like lup & davenport. and on that note, i actually can't think of any other pairs who don't interact at least once, but still, very rarely. like now i'm considering davenport & barry. who we hardly see but there is the fact that barry cast command on him to drink the ichor. it's one line in the show and the implications are never really mentioned but there's a lot of significance to be wrung out of this one tiny interaction. barry condemns lucretia's methods of stealing agency from their family in the service of the greater good, but when he thinks it's best for davenport, does the same on a smaller scale? barry doesn't have the time to try to convince him to drink, he needs davenport back to himself now, because davenport is someone dependable, a leader, someone who barry knows will be capable and decisive and relieve him of the responsibility he's been shouldering by himself? that barry knows davenport won't begrudge his use of the spell, because he'll see it as pragmatic, necessary, assistance, and forgive him for it? none of that is necessarily supported in canon but it can be extrapolated from, again, kind of a throwaway line.

the non-thb crew have presence and are important to the narrative, but most of that comes from thematic significance rather than them as individuals, you know? we hardly see lup and barry and davenport (maybe arguably lucretia too, though we see more of her than them), but we see the echoes of their decisions and their goals and their love for the rest of their family and the way they shape the story.

but actually, even that's not entirely accurate, because as significant as they are in that way, their presence isn't only due to that, they're full characters too. they have personalities and depth and connection, they're not only plot devices. like, maybe griffin needed to explain why lup was missing, and that's why she became a lich, and her needing to be a lich is why she and barry had their romance, but also, if that were all there was to it, the legato monologue wouldn't exist, the best day ever wouldn't exist. those are scenes designed to build lup as a character through her connections to other characters and to the central themes of balance, not to fix plot holes. it's just that all of that character building takes place in a pretty small fraction of the show compared to tres horny boys, who have the entire thing. idk its interesting and impressive how some of the deepest characters and most profound relationships were developed in a very short amount of time

[stevieharringtonwifeguy]

mtf omega stevie where everyone's like why bother transitioning you've already got the vagina and the uterus and everything. but stevies like listen. it's the principle of the thing. also sue me for wanting big naturals

meanwhile alpha eddie's losing his mind bc estrogen makes stevie smell so much sweeter, like honey and caramel, and he's trying not to be a total knothead about it but the 'big naturals' are. ho boy. they're there alright. and stevie already had 'childbearing hips' according to her mother, but the fat redistribution has basically turned her into some kind of fertility goddess, and eddie is so ready to get started on those six nuggets

[swordmaid]

i am wide awake thinking about that post canon jb au again when I should be sleeping …!!! such is the nature of the jbrainrot…

[theposhperyton]

All evidence suggests yes

[gingermintpepper]

I saw it in your tag game post that you're also fond of the Apollo-Heracles conflict 👀 for a myth that appears in only a couple of sources, it sure has a lot of presence in the vase paintings (no seriously, everytime I think I've seen the last of it, I find ten more)

SO do you have any favorites among the paintings that represent this story??

OMG OMG THIS ASK IS A GIFT. IT IS A GIFT THANK YOU VERY MUCH FOR LETTING ME TALK ABOUT THIS

I also think it's extremely interesting that it's a story so popularly portrayed by vase paintings and in such a variety of ways!! It's certainly one of the stories that gets left out of written compilation of Heracles' legend a bit (which is a shame, I think it's a fantastic story) but Apollo had a very peculiar relationship with Heracles in general that I just kind of find amazing (and very, very funny).

Apollo is not a god with any legitimate grudge against Heracles, but he does argue with the mortal a bit like he argues with his favourite brothers 😂Part of why I love the story of Apollo and Heracles fighting over the tripod so much is that it is such a little brother thing for Heracles to be upset with the proclamation his elder brother has given him and so, he throws a great fit, taking up the chair and declaring that he'll just give himself a better prophecy! And Apollo, instead of being a marginally professional big brother, decides to fight him for it until their father has to break up their cat-fight. Like was that not just the plot of the Homeric Hymn to Hermes? Is this not exactly how Apollo treated Hermes when he was a child and now those two are inseparable? 💀

Because of this, my favourite vase paintings tend to be the ones that highlight the personal squabbling between Apollo and Heracles the most. There are some very elaborate ones that have the full host of them - Athena, Heracles, Apollo, Artemis, usually a dog and a doe, I've even seen a couple that had birds and plants etched on them, but the simplest ones that show Heracles about to bonk Apollo with his club out of frustration or depict Heracles nyooming away from Apollo while Apollo (presumably) yells curses about how he's going to fling Heracles head first into Tartarus for daring to take his things? Yeah, those are the premium big brother/little brother things I'm looking for.

(Photo. Marie-Lan Ngyuen)

(Photo. Museo Claudio Faina)

Also the one in the Theoi.com archives is a real classic - perfect energy.

[hopeswriting]

imagine you're luce, and you're born the heir to a mafia family. you're mafia-born, and so of course also mafia-raised, and then also a donna-to-be. you're raised to be able to take on the role, to be good and capable at it, are taught to make one of your core beliefs about how the many must come before the few, because the family must always come first. you're going to be the donna, of course you must always prioritize the family above all else, it's your foremost and most important duty.

if caring about the few too comes at the price of the many, comes at the price of the family, is it even worth it? if the happiness gained from it comes at the price of a greater suffering for others, is there even any meaning to it, even if it's your happiness we're talking about? you understand, don't you?

you're not sure if you do, but you care about your family, love it, want to do right by it once you become their donna, so you nod, listen and learn.

(you don't have to be taught the pain and loss and guilt and anger and bitterness is a fair price to pay for the pain you decide has to be inflicted and the sacrifices you decide must be made, including by yourself. it's the least you could do, even.)

imagine you're luce, and the gift of foresight runs through your blood.

you would not call it a gift. you did not ask for it either. and you'll never come to see it as something wanted by you.

you can see the future, and it happened exactly as you saw it would, so of course it's exactly the way you wanted it to go. you can see the future, and it happened exactly as you saw it would, so of course you didn't care to try hard enough to change it. you saw the future before the shape of it had yet to be breathed into existence, and who's to say it didn't come into existence only because you saw it happen? you saw the future, and it happened worse than it had to for it.

you can see the future, but you still can't make it anything else than what it was always going to be. you can even make the visions happen at your will, but you still have no say on what you see or how much you see. you still can only be the witness of it before anyone else can.

it does mean double and longer the happiness sometimes, means relief and gratefulness and hope beyond words, and it'd be cruel of you to voice out loud your feelings for others to hear the many more times it means something else.

you can see the future, and it doesn't make it any kinder on you than on anyone else, does not give you any more power or control over it than anyone else, but at least you can see the future. you're given the time to make peace with it, to brace yourself for it, to bargain with it, to plead and beg and fight against it however desperately and hopelessly, even if in the end it still happens exactly as you saw it would.

(you can see the future, and it still doesn't hurt you any less than anyone else when it happens, but you don't expect anymore for anyone to hold you any less responsible for it anyway. it would be nice for someone to do it one day, but you understand.)

you can see the future, and you decide it's a kindness to both yourself and others to keep it for yourself as much as possible whenever you can.

imagine you're luce, and your family has this set of rings they've looked after and protected for as long as your family has existed. they're one set of three of the most important artifacts in the world, ones that help in safeguarding its existence and balance. they're duty, the very first one and the most important one your family was created for.

the pacifier around your mother's neck is duty too, and the most important and powerful artifact among twenty-one in safeguarding the world and its balance. it's been passed down in your family too, from mother to daughter. it's duty, but less tied to your family and much more to the blood running through your veins. it's a curse, in fact, as it demands heavy sacrifices the rings don't, and one that can only be tied to the blood running through your veins.

(your mother looks at you as if expecting some kind of reaction from you, and you can only wonder at which point you weren't supposed to see it as a given. duty and sacrifices have been one and the same for you for a long time now. is it even duty if it doesn't require any sacrifices from you?)

imagine you're luce, and your mother dies for duty. she's the donna, and so she dies for your family. she's the sky arcobaleno, and so she dies for the world. she's your mother, but she dies anyway, doesn't fight it either, even knowing she will leave you behind, even knowing she won't ever get to see what you look like all grown-up.

everywhere you look, duty stares back at you, from your mother and the pacifier around her neck, her love for your family and the life she gives up for it, her love for you and how she dies anyway while you're still only a child. duty, from your family members and how they die for you and kill for you, how they do both at your command, how their lives are in the palms of your hands and how they weigh only as much as you allow them to at a time. duty, from the knowledge your foresight gives you and the shackles tied to the blood running through your veins.

your mother's only duty while she lives too. she loves you, but she'd have had to give birth to you anyway even if she didn't. she loves you, but she still gave birth to you even knowing the kind of life you'd have to live, the kind of hands you'd inevitably end up with, the burdens she'd have to lay on your shoulders, passing them down from her own. because she loves you, she finds the resolve to raise you to be able to face all of it head-on and come out on top, but she'd have had to raise you much the same way anyway even if she didn't.

(she doesn't die for you, doesn't fight to be able to keep living with you, and this, too, is your mother surrendering to duty one last time.)

(you're so sick of it, so angry at it, so hateful and resentful against it. you're so stifled by it to the point you've stopped being able to breathe for a long time now. or you would have been if they had taught you how to face duty in this way too.

it's for the better they didn't. a silver lining, sparing you pain that isn't necessary for you to go through. everyone you turn to only teaches you how to keep holding your breath longer, and you listen and learn, obedient and dutiful as you've ever been.

you're grateful for it too. really, you are.)

everywhere you look, there's no room for you to so much as question any of it, let alone anything more. duty is commendable, something you ought to look up to and strive towards, strive to achieve. duty is the right thing to do. of course it is.

(you exhale a breath of relief that shakes you down to your very core.

thank god, it's at least the right thing to do.

you're grateful for it beyond words. really, you are.)

imagine you're luce, and before it even happens, you know the choice you'll make when climbing that mountain, when standing on top of it, when waiting for a bright light to shine down on you from above. you know the choice you'll make then, even when pregnant with your daughter.

it doesn't matter since how long you knew, be it years, months, days, hours or minutes before. all that matters is that before you can even contemplate the idea of making another choice and all its implications and possible consequences, before the thought can even come alive in your mind, you already know the choice you'll make.

(you can see the future, but just because you already saw it, it doesn't mean it's now set in stone.

you can see the future, but just because you're given the chance to fight to change it, it doesn't mean it still won't happen every bit like you saw it.

it doesn't mean it can't still happen even worse than how you first saw it happen because you fought to change it, no matter how already dreadful it originally was.)

imagine you're luce, and before it even happens, you know they'll be others with you standing on top of that mountain. you're the only one who'll know it before it happens.

(because you can see the future.

and oh, you did not ask for it.)

they're strangers, people you don't owe anything to. adults who choose to show up at the first meeting, and to show up to every following mission after that. the chosen seven, whose ambitions and prides lead them to walk the path of the seven strongest too once laid down in front of them.

you don't force their hands in making any of those choices for them. you're not responsible for any of them.

you become coworkers then, accomplices, your hands stained in blood to various extent, but now dipping in the same pool of blood as you strive towards the same goal together. you have each other's backs, learn each other's strengths and weaknesses, learn each other's personalities, likes and dislikes. you keep having to spend more time together as the missions keep coming your way.

inevitably, you come to care about them. even more damning, they come to care about you in return. enough so they'll look after your daughter even after what'll happen on top of that mountain. enough so they'll look after your granddaughter too, warmly and fondly enough she'll call one of them uncle.

you're still the only one who knows they'll stand together with you on top of that mountain, not knowing what'll happen on it like you do.

and you do care about them, you swear you do. really, you do.

(you care about them the same way your mother cared about you, and how she still raised you to have steel in you and be made of sharp edges you know how to use. you care about them the same way you care about your family, and how you still send them to their deaths as needed so the rest of your family you care about just the same can keep on living longer and safely. this is the only way you've had the chance to learn how to care and love.

duty and sacrifices have been one and the same for you for as long as you can remember. it doesn't matter at which point sacrifices came to mean love to you too.

and most of all, you love your daughter more than anything else in the world.)

imagine you're luce, and this is who you are. this is who you've been raised to be, the only way you've been given room to grow up to be. this is the life you've lived and the kind of life that has shaped you as the person you are now. this is what you've been taught and told is the best version of yourself you could have grown up to be. this is who you ended up being by what you've been taught and told are all the right choices to make.

you're still the only one who knows what is about to happen on top of that mountain. it hasn't happened yet. the fate of the world hangs on what'll happen on top of that mountain, the same world you'll have to give birth to your daughter in. the same daughter you're currently pregnant with.

now imagine you're luce, look me in the eye and tell me you'd know how to even form the thought of the possibility of there being any other choice to make. look me in the eye and tell me you wouldn't look at the only choice in front of you, and know deep in your bones it's the only right choice to make. that it is right of you to make it. because it simply has to be.

(imagine you're luce, and you're not doomed by the narrative. of course, you're not.

why would you need to be when the narrative has painstakingly shaped you all your life to become its perfect, faithful and dutiful sacrificial lamb?

and then, imagine you're luce, and you're even grateful for it, so, so very grateful it held up its end of the bargain too.

truly, you are.)

[asairayn]

SO YEAH PANIC HAS STILL INFECTED MY BRAIN. I BASICALLY NEVER PAINT BUT I HAD TO DO THIS BECAUSE. I HAD TO.

@thedemonsurfer / @thedemonscrawler have some more art!

alternate version i decided i didn't like as much (from before varnish with different lighting so colors are weird):

was i correct on who's where? who knows! i just decided to go with this so here we are!

[fallloverfic]

I love singNsong again reminding people in Side Story that Dokja wanted other people to read TWSA (he wrote reviews and comments! It was his first wish), and he only stopped bothering because people harassed him for it. He didn't gate-keep the story. When he's avoiding talking to Sangah about it at the beginning of ORV, it's because he knows what happens when he tells people about the story, not because he's gate-keeping it from her. He notes he's not proud of his hobby (likely because he's been bullied all through his life, including for reading the thing he loves): he finds it embarrassing to talk about, and better respects her studying Spanish in her free time (learning another language is a generally accepted thing in society). He assumes she won't care or will look at him funny (or worse) for when she learns about the novel he's into.

Basically anyone writing "let's gatekeep ORV" posts because of the anime announcement or because they dislike the manhwa or some other weirdness, y'all are the villains in the scenario.

The literal climax of the story is about sharing ORV with as many people as possible. What story were y'all reading?

[asexualbookbird]

Immediately forgets everything that happened in June. Uh. I threw a tea party! Finished a knit hat! Did one (1) queer corvid piece! Started playing baldurs gate! Read some good books! SAW SOME SANDHILL CRANES!!!! Found new enrichment in the form of a new walking route! A busy busy month! Didn't read as much as I intended, but I did get to check off five more books on my Reading Books I Own chart so I call that a win.

The Adventures of Amina Al-Sirafi by Shannon Chakranorty ⭐⭐⭐⭐⭐- WHAT A FUN BOOK! "Adventure" is the perfect word for this. Yes, it's a trilogy with only one book out, but this also works so well on its own, as individual books SHOULD! It's its own little thing. Wrapped up neat and tidy with little threads to pick up in the future. I had so much fun and the audiobook was a DELIGHT, I want to read it again immediately.

The Novice by Taran Matharu ⭐- This has been sitting on my shelf since its release. It moved homes with me. It will not be doing so again. Bland, generic, poorly written. Proof just because you were an internet success, doesn't mean you don't need an editor. Also proof that publishing is about Luck and Connections. I know goodreads ratings mean Nothing, but come on. Why is this one so high. Did people really enjoy it that much? HOW??

Translation State by Ann Leckie ⭐⭐⭐⭐- Okay. Look. This was not my favorite Leckie novel. In fact it very well could by me least favorite Leckie novel. HOWEVER. Even then, it was still fun and enjoyable. I wish it ended differently, but I still loved all the characters and how they interact. I do want to reread this as well, because I remember enjoying Ancillary Justice more the second time around and I wonder if the same will happen here.

What Moves The Dead by T Kingfisher ⭐⭐⭐⭐⭐ - A reread! To get ready for What Feasts At Night! Even knowing all the secrets, it's still a perfectly bite sized creepy read. My favorite thing about Kingfishers writing is how even with the darkest subjects she still manages to add humor. And it never seems out of place! It's a great breather for the reader but doesn't detract from the tension. Do not recommend reading this while walking through a field of bunnies.

What Feasts At Night by T Kingfisher ⭐⭐⭐⭐ - I gave What Moves The Dead four stars at my initial read through, so I wonder if this will ALSO change to five stars upon rereading. I had to read the first few chapters twice for them to stick, and ended up switching to the audiobook which was very well done. I really didn't expect another book about Alex Easton, but I'm hooked now to be honest. I mean, stop putting this soldier in Situations, but also. I want to know what other Situations ka gets into. Angus and Miss Potter are adorable.

The library has a few summer reading games with prizes so my reading in the upcoming months will be influenced by those. Someone said there might even be a local bookstore gift package in the mix and I Want That. I do still want to do the Bone Season updated read, if for no other reason than to get rid of those books so I don't have to pack and move them. Other than that, no reading plans. I've read nearly every book that's on the shelf in my bedroom, which, wow, so it's getting harder to choose what to read. I guess that's a good thing! Leaves more room to reread old favorites.

[queenbee2o3]

just finished the seven husbands of evelyn hugo and it destroyed me. it made me so unbelievably happy. it tore my heart out. it gave me a gentle hug. i am filled with a pleasant hopelessness and bittersweet hope. and peace.

[bumblingbabooshka]

Harry Kim saying Naomi is lucky to be born on Voyager and that he would have given "anything" to have her life when he was a kid...

[ovenproofowl]

[ihaveastorminme]

i know that everyone enjoyed otto laying it on aegon, and i may i be struck down right the fuck now for giving criston cole even one single inch of benefit of the doubt, because he deserves none and i cannot fucking stand him and his hypocrisy, BUT

i genuinely do wonder how different Criston's orders for Arryk are to Otto's own suggestion in season one [ep 9], to the lord commander. Otto said it himself, didnt he: 'go to dragonstone, be quick and be clean'. [the idea of a clean assassination is even possible when the poeple you'd have to kill are rhaenyra, jace, luke, joffrey, baby aegon and viserys - and probably and most importantly daemon - the oxymoron of that. the utter silence on that in that council ANYWAY]. How would that have gone? how is that different from what Criston told Arryk?

Is it because the tension is so much higher now, therefore the job harder? because honestly, having the lord commander go to dragonstone, be welcomed there by the woman he has guarded all his life since she was a girl, and then kill her and her entire family - idk man, that feels like a bigger betrayal than Arryk assassinating Rhaenyra, when Arryk has clearly declared his loyalty to Aegon and everyone knows where he stands. I mean, both are horrid, im not arguing for either having any merit. But why is Otto so adamant that the plan is stupid when not even a week ago it was HIS OWN PLAN? I mean, it IS a stupid plan, lets be real; because AT BEST it would only be Rhaenyra that Arryk would be able to kill and the war doesn't end with her and everyone knows it - is This the reason Otto calls it stupid?

Because i kinda do think that [even if he were 100% sincere in his displeasure and disappointment with the plan] he was kinda using the occasion to lay into Aegon and just, push his buttons to soften him up for guidance and manipulation. like, you did this stupid thing without consulting me, you need me, how dare you exclude me cant you see how much you need me. Making him feel small - disrespecting him as he always has - to make then Aegon want his approval? idk man

im not even gonna touch on the audacious audacity of this old man to go around and slander his grandson, who he has plotting to put on the throne ALL HIS LIFE, yet not once has he ever bothered to educate him to rule. suddenly not knowing how to rule is soly aegon's fault. hilarious. Anyway-