#but MY books? my personal property?

[aurumacadicus]

Books are not sacred and I swear to god every post I see that's like "don't break spines!" or "don't dog-ear your pages!" makes me want to tear a book clean in half right in front of them.

Like obviously books that are valuable aren't part of this but a fresh off the shelf Lord of the Rings? A Narnia compilation? That post from years ago of a copy of the fourth HP book that was hollowed out for an engagement ring that had all those shitty "you ruined a perfectly good book! 😩" comments on it snapped something in me. I want to rip pages out right in front of these people. I want to go full asshole and just rip a book to shreds. I'll eat a page if I think they're not scared enough I just need them not to open their mouths about the "proper" way to treat books (ever, I hope, but at least in front of me).

[ofswordsandpens]

while I do like the added dialogue between Sally and Percy in the minotaur scene, namely Sally's speech to Percy telling him to hold fast, I really wish the scene had more of the urgency that it did in the book. Like Grover's heavily injured to the point of incoherency, Sally and Percy literally have to drag him up the hill, and that's when they're overtaken by the minotaur. In the show, having them all come to a grinding standstill and Grover being fully alert like "sorry I know we're being chased by certain death but your mom's human so she can't come :/" was kind of adflksadfjasdf

oh and in the book Percy doesn't immediately pass out. Instead, Percy doesn't let himself until he's hauled Grover over the boundary line and all the way to the big house because he needs help and it's only then does Percy finally collapse. and idk just the imagery of it all -- Percy crying for help, for his mother -- it always stuck with me and I wish they hadn't taken it out.

[vaugarde]

yeah its important to have interests that arent just for children as an adult because at the end of the day it’s good for you and the way you percieve media overall to have a variety of things that you like but like you also shouldnt make fun of adults who are passionate about childrens media and imply theyre stupid for it. i think both of these takes can exist at once

[fetabathwater]

the actual violence i experience right up until an exam. unparalleled.

[waywardsalt]

not to be That Kind of zelda fan but the hyrule historia does also explicitly refer to the world of the ocean king as ‘another world’

[herawell]

Every day I come closer and closer to writing a fic where Ma/rmee beats the absolute crap out of A/my for burning J/o's book and ensures the rest of the family shuns her for a long, long, time. And doesn't tell J/o to get over it before the sun sets.

[submarinerwrites]

but if we dont let the ai read our fanfic then how’re they supposed to have a helen from galatea 2.2 moment and kill themselves 🥺

[sleepingfancies]

I'm gonna black out bc of that library book poll fr

[babycharmander]

(BOOK OF BILL SPOILERS)

I just finished reading The Book of Bill and I am kindof losing my mind over some of this stuff.

I had wondered if Alex Hirsch might make Bill sympathetic in some way and oh boy I was not expecting him to do it so successfully (and without cheapening Bill's character).

So, we learn that Bill was born into a 2D world... as a mutant who can see into the third dimension. He claims he was absolutely loved by all, but when talking about his powers, he mentions under Pyrokinesis:

"Cipher, Cipher, he's insane / Starting fires with his brain." The kids in grade school could be so cruel. But where are they now, huh? WHERE ARE THEY NOW?

So probably not quite as liked as he was letting on. To add to that, there's the silly straw page, which looks like silly nonsense until you decipher some of the codes:

"EYE DOCTOR OF A DIFFERENT KIND / WHO WANTS TO MAKE HIS PATIENTS BLIND" "THE DOCTOR SAYS / THREE SIPS A DAY / WILL MAKE THE VISIONS / GO AWAY"

I wasn't sure what this meant until I saw someone point out... he was seeing a third dimension that no one else could see. His parents probably took him to the eye doctor to try to "fix" him. Which, speaking of his eye doctor, the coded message in the section about human eyeballs says something interesting:

"MY OPTOMETRIST NEVER SAW IT COMING"

It could be a joke given beforehand he's talking about dissecting a human eye, but given the previous hints of medical abuse, I wouldn't put it past him that he tried to get revenge on his eye doctor.

Oh yeah and the whole thing about him setting his entire dimension on fire? Yeah it turns out it was entirely a mistake (he just wanted everyone to understand the third dimension he was seeing so they could be free of only two dimensions), he was so traumatized by it he blacks out when trying to recall it. He deeply, deeply regrets it, and...

"What? Your ENTIRE home dimension? destroyed? How? By what?" Bill looked distant, more distant than I'd ever seen him. "By a monster."

He sees himself as a monster.

And yet, he's not some innocent, misunderstood being. He still revels in causing pain and chaos. He's terrible in general, but becomes incredibly abusive toward Ford.

"YOU'RE MY PROPERTY. DON'T FORGET IT. The hillbilly abandoned you, your father won't want you returning without millions, you have no friends, and if you died out here in the snow, who would even miss you?"

Which... speaking of him and Ford...

Yes, yes, I know people ship them. But like, whether you see their relationship as romantic or platonic (I see it as the latter), there's some interesting parallels to be made here.

Both Bill and Ford are mutants who were mocked for their being different. (Bill was not physically a mutant, as far as we know, but more in the sense of him having vision stronger than that of everyone else in his dimension, and also having special powers. And he does describe himself as a mutant.) Both became social outcasts, separated from their families but still haunted by them (Ford seeing commercials of Stan on TV and running across old photos of him and his brother, Bill being haunted by his family in some form). Neither could return home for one reason or another. Both more powerful than their peers (Ford intellectually, Bill in terms of actual powers). Both of them isolated and alone. (Yes, Bill does have the Henchmaniacs, but they seem like shallow friends, and only really seem to follow him out of a desire to have a place to party.)

Ford was not aware of most of this, aside from knowing that Bill could not go home because his dimension was destroyed. But Bill absolutely saw himself in Ford. There was no other person he tried to use whom he felt a stronger connection to.

And he actually seems to care about Ford--he actually gave him a birthday present, and when Ford didn't like it, he decided to get drunk and party with him instead to make up for it.

And then when Ford realizes what Bill's plan actually is and refuses to go along with it, and fights back no matter what Bill does, Bill completely breaks down.

After living for trillions of years, he met someone who was like him, and that person rejected him.

He goes berserk, wreaking havoc, being caught by the dimensional authority that he's been taunting for most of his life.

And then after dying and being cast out of hell for being too annoying, he winds up faced with the Axolotl, who sends him to therapy, where he continues to break down further, sending out the book in a desperate attempt to find someone, anyone who will help him break loose and wreak havoc once again.

"You have no friends, and if you died ... who would even miss you?"

I don't know, Bill. Who would even miss you?

In short,

[ID: The front and back of one of Bill's Valentines cards. On the front is a black void with Bill Cipher lying down without his hat, gazing blankly upwards, with the text "I DON'T WANT TO DIE ALONE" above him. On the back is a simple white "TO/FROM" in red, with a red outline illustration of Bill spontaneously growing a mouth and eating a realistic, bloody heart. /end ID]

[murasaki-sama]

I return after a week to announce most of my property is destroyed.

There was a fire in the storage facility I use, back at the end of August. They did not let us have access to our property until mid-November, by which time the residual water damage was severe. I lost all my furniture, about 70-90% of my 700+ books collection, including the entire WOT (twice over as I had most in both paperback and hardcover), Queen's Thief series by @meganwhalenturner, the 25-30 Discworld by Terry Pratchett books I had thus far managed to collect, and a significant collection of Anne McCaffrey books. All ruined by mold and water warping.

And in the same week I also managed to kill my second computer in a year (or year and a half). So that was horrible.

Anyway, I have spent the last week trying to save clothing/linen, one or two small pieces of furniture that maybe survived, and the like 10% of books which have no mold (one box out of 13 remained completely dry) or only a little mold - including a gold leaf covered Torah from my grandpa, who passed several years ago.

Its been exhausting, and I still have way more work to do. So yeah.

That was my week.

How'd everyone else's go?

[you-are-my-neverland]

hey! are akane and arete both girls?

(i'd love to read all your books! pls let us know when and if you publish them! in the mean time, can we get snippets from both pirates and post-chosen one if at all feasible?)

yes, akane and arete are both girls! also you are so kind!!! i would love to one day be published, but as of right now writing is just my passion/hobby (full time student and part time worker, so it's what i do in my spare time, but an integral part of my life all the time). writeblr will definitely be the first to know when something changes though. or when i actually finish something.

you can indeed get a snippet from the post-chosen one wip (i really need a name for it haha). here's an excerpt from chapter two: bonesetter.

(for context purposes, alice is currently employed as a sentinel in the govt. jamie is her 'handler.' she just lost the magician once again and had to go to the hospital)

“Has anyone told you that you would have been great at politics?” Jamie replied ruefully. “You and I both know I’d be terrible at politics,” Alice told him. “I’m just well versed in how to use power.” She yawned, readjusting herself. Exhaustion was beginning to set into her bones, the lull of unconsciousness a heavy burden to fight off. “You did learn from the best, after all,” Jamie finished, looking down at his hands. Alice smiled faintly.  “Didn’t serve anyone that well in the end, though.” Look at where power and politics had gotten her sister. Look at where Alice herself had ended up, still a pawn in the political system, no matter how hard she fought. The Revolution might have won, but Alice had always known she wasn’t the true winner. She never would have been, no matter the outcome.  “We helped create this world,” Jamie said.  “Don’t forget about the cost,” Alice reminded him bitterly.  Nothing, no Commonwealth, no peace, no future, nothing had ever been worth Helena. Too bad Alice had had no say in the matter.

as i mentioned, i haven't started actually drafting the pirate story quite yet, so no snippet on that end. however, i will share a little more sustenance on the world/plot!

magic wise, the world is sort of infused with magic all around. magic interacts differently with different people, and not everyone gets a 'gift.' there are three broad categories for people who do have some sort of magical ability. miracles, who are the gifted, and usually have small, subtle abilities. they are largely considered 'good.' the second are witches, whose power usually does not differentiate between good and bad (perhaps it depends on the user). they're feared, and not well liked, but at least they're still human. the third level is monsters. usually this refers to actual monsters, such as sea beasts and ghosts and all that, but also to those who were once human, but became corrupted. (the term has been applied liberally, and not always in correct parallelisms with the actual definition).

the seas are ruled/overseen by the all seas assembly (asa), which is a religious organization and political power. it is an independent authority that outlines universal rules individual nations are beholden to (think intergovernmental organizations like the un for similar authorities). they currently have two out of four pieces of the Stone Heart (which is the heart of one of the great gods). they had a third piece, but arete's mom stole it, and it is now lost to the seas. legend has it that once the stone heart is unified as one again, it will be a beacon to nisa's heart, the Star Heart (working on that name idk if i like it). legend also has it that arete's mom found the star heart, so after her fiery death (which arete escaped), piracy surged.

& that's a little of the foundation for the present timeline i'm trying to figure out!!

help me decide my nanowrimo

[curscdxblccd]

Icarus Tag Drop

[taylor-titmouse]

hey i want to talk about how you should be promoting your work as an erotic author/illustrator

i'm writing this up because the marketing aspect of my work as an erotic author/illustrator is a science to me, and also because i'm the guy who gets unreasonably annoyed when i see other creators not properly advertising their work. you presumably want to make money off your work. this post will be written under the assumption you want to make money off your work but are doing a bad job at it. it will be very confrontational. if you read this and feel attacked you're right and i am attacking you.

this is geared toward selling erotic comics/writing/books/art as products. i will probably write more than one post about this subject so if i didn't touch on something you want to know more about, comment/send me an ask and i'll keep it in mind for the next one.

i will start with my first and least specific but most important point:

DON'T GET FUCKING CUTE

hi are you paying attention. i'm gripping you by the sides of your face. do not get fucking cute with what you are trying to sell. you are not a big enough property to get cute, nobody LIKES it when big properties get cute, and you are selling porn. you have to own this. you have to be up front about this. don't be tongue in cheek, don't be all teehee i wonder what this could be~, don't be secretive. you are selling a product. you have to fucking act like it. you are an adult selling pornography to other adults. i am GRIPPING your HEAD you NEED to understand this.

and to be clear when i say 'cute' i mean coy. i don't mean cutesy, as in the aesthetic. you can be as hello kitty pastel ten emojis a post uwu as you like when you're building your audience and generating hype. but when you start trying to sell, don't be vague, don't be sarcastic, don't mislabel your work as a joke and assume everyone is on it. because they're not.

you must always assume 75% of the people seeing the thing you are advertising have no fucking idea who you are. and that includes a huge chunk of the people who already follow you. they do not know who you are or what you've been working on for two months or why they should care about it. they just got here. somebody just reposted it. they are seeing it for the first time. most people are only looking at social media for a tiny chunk of their day. they are not keeping up with you. you cannot get cute about what you are trying to sell because nobody knows what it is until you tell them.

okay are you still with me. we are going to talk about clarity now.

YOU GOTTA TELL ME WHAT IT IS

good lord the amount of times i have gone to buy somebody's comic or book and had no idea what's actually in it or what it's about. who are the characters? why should i care about them? what do they do in it? what is the premise of this thing you want me to spend $5 on? why would you not tell me? i'm shaking you again. please i have to know what i'm buying i only have so much money to spend on porn.

porn, arguably more than any other genre, relies on knowing exactly what is in it. you do not want to surprise your readers with a kink they were unaware of! and on the flip side, you do not want to miss out on your target audience! if your book contains a hot spider babe laying eggs in an elf, you have to say so. not just so people who don't want to read about eggs know it isn't for them, but so the people who are egg crazy can see that and go "oh fuck YES i love EGGS here is my $5 and an extra $2 tip for catering to me specifically". a contents/features list is as much an advertisement as it is a warning!

as for re: who the characters are and why should i care, i'm sorry but you need to learn how to write sales copy. you have to write blurbs. you have to get good at the shit that goes on the back of a book. we all hate it but we have to do it. i want to know who the characters are and what the context is. i, personally, am not interested in contemporary stories as much as fantasy and historical. please tell me what genre this porn exists in so i know if it aesthetically appeals to me. pull some books off your shelves and see how they do it. hell man go look at mine.

while you're there, note that every single book of mine has a sample of what's in it. this feels like such a no-brainer to me but again! the amount of times i have gone to buy somebody's work and they don't show me what their work looks like! you gotta give me the first page or two! just enough that i know if i like the way your writing sounds, or the way you draw your comics! i don't know you! i am not going to trust that you're good at what you do just based on a cover. the cover is to get me to this step, it is not the only step. you have to show me that you're worth spending my money on!

to put it less cynically, you want to catch my interest. you want me to go 'oh i want to see more of this', you want me to go 'ahh i want to know where this goes!' you need to get me invested and craving more. earn my $5!!!

YOU HAVE TO MAKE IT EASY TO GIVE YOU MONEY

hey go look at your bio right now. go look at your pinned post. do you have a link to your patreon there? do you have a link to your itchio/gumroad/whatever? do i have to click more than once to get to the places you want me to go to give you money? why? why are you making me click twice? have we learned nothing from every website making you click an extra time when they make some stupid UI update and how much it pisses us off? i have already given up, i have forgotten you, i am not giving you my $5 today. put your links in the easiest places to get to them.

god literally as i was writing this post i went to go find somebody's itchio to see how they described their work and it was not anywhere on their profile. grabbing you and shaking you PUT THE LINK WHERE I CAN FIND IT. don't make it hard! make it easy! i am a dickhead sitting on the toilet scrolling, saw your post, and was interested enough to read further. but you made me go to your bio to find your linktree and oops i have already gone back to my timeline to look at the boobies in the next post. stop wasting precious bio space on DNIs and put your fuckin links there!!!

this is more for the twitter people, but: just put the link in the damn post. just say the word commission. just say it's for patreon. "wuh wuh the algorithm" it is not the damn algorithm it's that everybody hates advertising and nobody wants to retweet ads. putting slashes in the words doesn't do anything and you look like a fool. i have posted so much art that says it's 'a commission for ___" and it did exactly as good as any other art despite having the word commission in it. and by doing the slashes you just made it impossible for anybody to search your account for your commission information (which should be at the VERY LEAST in a post under your pinned tweet if you're not actively posting about them being open).

okay that went on a tangent i'm going to back to the point of putting the link in the tweet. put it in the first post. not in the first reply. don't tell them to go to your bio. put it in the post people are actually going to share. it's fine to put more information in the thread but people are only ever going to share the first post. so put the link there. you have to make it easy. putting links in tweets can hurt you algorithmically, even in the replies. so you're better off having it in the post that actually gets seen and shared. i don't want to open the tweet and scroll to get to your sales page where i ASSUME you will have put all the information anyway. put it in the tweet that just got retweeted by itself onto my dash!

also you have to share it a ton of times. i repost my shit every few hours when i'm trying to push a new product. as i said before people are not 24/7 looking at their timelines. they missed it the first time. they missed it the second time. they didn't get paid yet that week but they were after the eighth time and you reminded them again so they finally bought it. that i will still get sales every time i repost a book ad weeks after release says there are always people who missed it, or who only just showed up.

abandon your pride and shill. shills pay their bills. anyone who gets annoyed about it isn't giving you money in the first place. don't worry about looking like a sell out. don't apologize for plugging your own work. post about it often, post about it in different ways. post about it. post about it. you are not going to make money if people don't know you have something to sell them. if you want to make a career out of it, you need to act like it.

I DON'T HAVE A FOURTH POINT

kisses your forehead. i'm sorry for yelling at you. i've been making and publishing and selling adult art for the past two-three years and have got myself to the point where it pays my rent, and i got there by paying attention to what does and does not work.

please do your best to make money. i want you to make money.

as i said above i plan to write more posts on this subject, such as cover design, how to actually write sales copy, and best practices with running a patreon, but if there's things you would want to hear more about leave a comment or send an ask! i will probably be less aggressive on future topics. these are just things that have grinded my gears for a grip.

[neil-gaiman]

I am writing to ask you to consider sharing a petition. I don't know how far the story has spread, but a non-binary high schooler in Oklahoma (where i live) named Nex Benedict was killed as a result of an attack at Owasso High School two weeks ago. They were attacked on school property.

The state of Oklahoma School Superintendent, Ryan Walters, who has spent his tenure focused on book bans, villainizing teachers, fighting "the woke agenda," and whatever will get him on Fox news. As a part of this he has formed partnerships with the Moms for Liberty and Libs of Tiktok person, Chaya Raichik.

All of these actions include a near constant barrage of attacks on the lgbtqia community. As an lgbtqia person myself, with kids who are also part of the community, including non-binary children, i am incredibly saddened by Nex's death, and worried about the safety of my own children in this state.

It's just a petition and i know the impact feels limited. It feels small to me, but i would like to ask you to share it in the hopes that it might bring some news coverage and open talks in this state about removing this public official for the good of the community.

I appreciate your time and attention. (Obligatory big fan, because I am.)

The petition can be found here: https://chng.it/CvHz2J8QW4

Thanks.

Happy to share it.

[paperback-rascal]

---

See more of my fix-it posts here -> [LINK] <-

My fanart masterlist -> [LINK] <-

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STAR WARS: The Clone Wars/The Bad Batch © George Lucas/ Dave Filoni/ LucasFilm/ Disney

My personal headcanon is that Tech got Echoed AKA Empire used his knowledge/experience/memories to train CXs troopers - that's why clone assassins got so good at fighting the batch - they're flash trained based on Clone Force 99 tactics. Following that headcanon of mine... CX2 was, to a degree, Tech... just as he was Crosshair, Wrecker, Hunter and Echo or more precisely... what Tech knew about his brothers and their capabilities/fighting style.

But I also believe showrunners are aiming to have Tech rescued in a different show (or a tie-in comics or a book) to have another property tied tightly to Filoniverse... also to strengthen my theory - J. Corbett admitted that she loves Marvel's Winter Soldier movie - make of that what you will.

The ending of TBB s3, in my opinion, teases an idea of a show circling around rebellion in which Omega will be at least secondary/supporting character so I think they'll make her rescue her fallen brother in her own show as a minor plot point or at least a TBB cameo.

I don't care either way as long as CF99 will be properly reunited.

[lovebugism]

Okay soooooooo

How bout something like King Steve picking on shy!reader, then later finding out she has a shitty home life plz

ty for requesting!! this can be read as a prequel to this fic — steve comforts you when he accidentally makes you flinch (enemies to lovers, hurt/comfort, cw for brief mentions of abuse, 1.8k)

Sitting alone at the Hellfire table, you feel a little like fishbait. 

Your spot in the very back of the cafeteria is normally full and loud — with Dustin’s bickering, and Eddie’s laughing, and Gareth’s stupid jokes — but they’re not here now. They’re off getting their trays while you sit in wait for them (and the cold fries you’ll ultimately steal from Eddie’s plate). It leaves you perfect prey for circling sharks.

You hear laughter from behind you, over the sounds of the bustling lunch room. You’re certain they’re laughing at you — ‘cause you always think someone’s laughing at you — but you try hard to ignore it. You disregard the subtle pang of anxiety in your chest and stick your nose in your book, eyes flitting across the words without reading any of them.

Someone flumps down at your side then, where Mike usually sits. The overwhelming scent of spiced cologne stings your nostrils. With watering eyes, you look beside you. At Tommy fucking Hagan.

“Hey, Wallflower,” he greets like it’s normal — like he hasn’t spent the past four years pretending you don’t exist. You think he only calls you Wallflower now because his friends have been doing it for so long they don’t remember your real name.

The boy props his elbow on the table and puts his chin in his fist, trying hard to hide his boyish beam and accompanying laughter. He fails.

You cower at his presence, all but shrinking into yourself. “…Hi?” you reply in a tiny voice.

“How’s it hangin’?”

“...Fine?”

“That’s great!” he answers instantly, like he hadn’t heard you at all. “You see, my friend Steve, over there— you know him, right?”

You don’t bother to look where he’s pointing. Of course, you know Steve The Hair Harrington. You don’t think there’s a single person in Hawkins who doesn’t.

You nod in response.

Tommy’s smile widens. “Well, he’s got this massive crush on you,” he confesses, choking back a laugh halfway through. “I mean, he talks about you all the time.”

You know he’s lying. And not just because he’s grinning so hard that his eyes are crinkled and his freckled cheeks are turning pink. You’re almost certain Steve Harrington doesn’t even know who you are. He never had a reason to. Why would the King of Hawkins High ever stoop so low to know someone like you?

You glance at him over your shoulder, a couple tables down from you. He’s almost magnetically pretty. You couldn’t ignore him if you tried — with his pretty hair and his pretty eyes and his pretty smile. His golden cheeks flush as all his friends start poking fun at him. 

He rolls his eyes and scoffs a laugh you can tell is forced from here. He doesn’t think any of this is funny. You can see it on his face. But he isn’t trying to stop it all from happening. You’re just collateral damage, really.

You turn back to Tommy with a disbelieving look in your eye.

He continues to ramble despite it. “He was just a little nervous coming up to you, that’s all. So I thought I’d do him a favor and slip you his number. You know, as his wingman and all.” He tosses a folded-up index card onto the pages of your opened book. “You should call him tonight— It’ll make his day, I swear.”

He pats you a little too hard on the back before he goes. His laugh echoes over all the rest when he sits back down at his table. You watch them over your shoulder as they fall over themselves to crack jokes about you. 

Steve’s the only one not smiling. “Not cool, Tommy,” he mouths.

—————

Locker 148. The one right across from yours. Property of Steve The Hair Harrington. 

You shove the thick card with his number written on it between the slits in the metal. You’d carried it around all day, utterly unsure of what to do with it. You decided ultimately to return it, figuring he might feel a little better if a total stranger didn’t have his phone number.

You struggle to slide it through the thin gap, though. The paper gets caught halfway through, and you try to yank it back out again. The old locker moves with you, like it’s not completely shut but still somehow latched. 

You’re so in your own head you don’t hear the gymnasium door down the hall squeal open and shut again. Steve pants heavily and tries to recover from a ruthless basketball practice. He hunts for a water fountain and finds you instead.

“What are you doing?” he calls as he nears you, not malicious or unkind but genuinely curious.

Your heart lurches into your throat as you all but jump out of your skin.

Steve laughs, a pretty sound in the silent hallway. “Shit. Sorry. I didn’t— I didn’t mean to scare you.”

“You didn’t,” you assure with an averted gaze, though your frightened demeanor says otherwise. “I was just— I was trying to give you this.”

You hold the paper out towards him. He takes it with hesitant hands. “What is it?”

“Your number. Tommy gave it to me earlier, and I know it was just a stupid joke, so I… I thought you’d feel more comfortable if I gave it back to you.”

Something in Steve’s chest aches. He doesn’t understand why you would care about what might make him comfortable. It’s not like he ever gave you the time of day — or ever tried to stop his friends from being total assholes. As far as he’s concerned, you’re the last person who should give a shit about him.

“Oh. Right— Yeah… Thanks,” he stammers and shoves the thing into his pocket. “And I’m— I’m sorry about Tommy and everything. He can be a real douchebag sometimes. I didn’t… I didn’t tell him to bother you or anything—”

“I know,” you assure in a mousy voice. “Tommy gave me your number hoping I’d be dumb enough to call while your friends were over so you could all… laugh at me? I guess. He could’ve been a little more original, honestly.”

Steve cracks a smile. He almost laughs, but he can’t tell if you’re joking or not.

“I’ll talk to him later. Tell him to leave you alone—” He rambles and walks closer to you. You watch him with tentative eyes as he approaches. “—He’s a total dumbass sometimes, but he usually means well. Most of the time, anyway—”

Steve raises his hand suddenly. And, because you’re frightened by everything little thing, you flinch and stumble over yourself in the process. The lockers catch your fall, and you hit the back of your head. Hard.

“Shit— Are you okay?” 

“I’m fine,” you squeak, holding the crown of your hair and squinting as your skull pounds.

Steve rushes to your side, then idles just ahead of you because he doesn’t know if you want him touching you. His brows pinch, chiseled features swimming with concern. His cinnamon eyes glitter with it, too. “I wasn’t trying to scare you—”

“It’s okay.”

“—My locker was just jammed. I was going to shut it.”

The metal door is open now, from where it wasn’t shut all the way and where you just smacked your head on it.

“I just wasn’t expecting it,” you assure in a tight voice, trying hard to ignore the sharp throbbing. “It’s fine. I’m fine—”

“You’re hurt.”

“It’ll go away—”

“Let me get you an icepack.”

“—I’ll be fine once I get home.”

Steve, feeling purely at fault and aching at how effortlessly you shrug him off, decides to approach you fully. He curls a warm hand around the outside of your elbow. A touch surprisingly gentle. “No. C’mon. Let me help.”

You don’t feel much like you’re in any position to fight him about it. Not with the world still swaying under your feet. 

Steve guides you the short distance to the empty cafeteria. Slow and kind and dreadfully patient. He sits you down, makes sure you’re still okay, and then rushes to fix you a makeshift icepack — a ziplock bag filled to the brim with chipped ice.

He sits at the chair beside yours, slightly askew so his knees bump your thighs. He holds the pack to the crown of your head and gazes at you attentively. You’re not looking back at him to see it.

“Does it still hurt?”

You shrug, eyes flitted to the wringing hands in your lap. “It’s fine. It just feels a little like I have a migraine.”

Steve winces. “I’m sorry.”

Your doe eyes peek at him from beneath your lashes. “It wasn’t your fault.”

“I scared you.”

“Everything scares me.”

It’s a dumb joke. You mean it, but you still expect him to laugh about it. He doesn’t even crack a smile, though. He just keeps looking at you with that puppy-like twist to his features. The worry is evident in his face. 

“Do you wanna, like, talk about it or something?”

“About what?”

“Why you flinched.”

You freeze, breath hitching in your throat. No one’s ever noticed your incessant panic — outside of making jokes about it anyway. No one’s cared enough to ask about it, either. Steve Harrington is the last person you expected any kind of concern from.

You shake your head after a few long moments. “No.”

“You could,” Steve assures, suddenly shy. You didn’t know he could be anything other than totally full of himself. “You know, if you wanted to. I wouldn’t— I wouldn’t tell anyone—”

You scoff a disbelieving laugh.

Steve’s features swirl with hurt. You hate that it makes your chest ache. You hate most that he hasn’t stopped being soft with you. The hand holding the pack to your head hasn’t yet wavered, even though you know his arm must be tired now.

“I wouldn’t. ‘Cause I— I know what it’s like to… to have a bad home life or whatever,” he confesses, stammering hopelessly. He forces a laugh at himself. “Probably more than most people do, honestly.”

His admission takes you by surprise. It comforts you in a way you didn’t think someone like him could. 

Even still, you shake your head. “I— I can’t—” you murmur, clearing your throat when the words get stuck there. “I can’t talk about it…”

Steve nods, firm and reassuring. “That’s okay. You don’t have to, I was just… I was just saying, you know? I get it.”

You swallow through a tight throat, nodding wordlessly in response.

“Plus, you know, you have my number and everything… If you ever wanted to talk…”

You flash him a timid look and crack a quiet smile. “I gave it back to you, remember?”

“I’ll write it down for you again,” he promises with a shrug and a lopsided grin. It’s easier to ignore his aching arm and the ice stinging his palm when he’s looking at you. “For real this time.”