#but at the end of the episode he still didn't like him for no reason

[wandamaximoffsbadgirl]

Walking the Road for Her

Wanda Maximoff x Gray Witch!Reader

Word count: 1.2K

Summary: You can't live without Wanda and you've tried everything else so when Agatha comes knocking on your door you accept immediately, but the teen that's with her...he seems so familiar

Warnings: SPOILERS FOR EPISODE 3 OF AGATHA ALL ALONG! Grief/Loss, hallucinations, death/mortality, emotional distress, supernatural elements, implied self-sacrifice, character death, reunion with a deceased loved one

Authors notes: Thank you @scarlethexelove for indulging in my random Wanda thoughts.

When Agatha asked for you to walk the witches road, you didn't hesitate. She was put off by your eagerness, but never told her why you were walking. You kept that part to yourself she didn't seem to mind. Everyone had a reason, and everyone had their secrets, so no one asked, and you weren't about to tell them you wanted, no needed Wanda back.

You would give up anything and everything to have Wanda back. If it meant to team up with Agatha, you would do it.

So you did. You met up with her and put on the cheery smile she hated. You always assumed she hated you for being a younger witch still full of life, but since Wanda died, you felt like you died too. You got along well enough with the others. You knew Jen the best being closer in age, though you didn't care for her products.

The teen seemed eerily familiar, but you can't put your finger on it. Why does he remind you of Wanda of a life you can't seem to remember.

You're overly protective of him. You don't let him have the wine, and when you hallucinate from said wine, you blink, and suddenly, you're looking at Wanda. Back in her early twenties with the eyeliner, ripped stockings, painted nails, and rings on every finger. You cry over it, cupping her face until it turns back to his.

“Are you okay.” He looks at you with concern. You pull away quickly and wipe your eyes.

“S-Sorry.” You quickly run the ingredients back, trying to escape the feelings. You need to stay strong. You need to get Wanda back.

You end up getting through the trail. Not without its costs. Losing Sharon wasn't something you had in mind, but the witches road is treacherous and has no place for mortals. You never should have let Agatha do that, but hindsight and all that. You knew you had to press on and on the road Teen asks,

“Are you sure you're okay? You and Sharon called out for the same person.” You swallow hard.

“Yeah I'm fine. We all had hallucinations about things. I'll be okay.” You tell him and then mumble under your breath, “Not like I don't deal with it every morning...” his head swivels.

“What was that?” He asks.

“Nothing, just mumbling to myself.”

The further you journey, the harder it gets. Sometimes, you want to give up, to give in, and join Wanda another way. But something stops you every time. You almost think you can feel her, feel her all around you. In the trees, the air, the leaves beneath your feet. With a quick turn of your head, you think you so the soft auburn color you miss so much. The road is playing tricks yet keeping you grounded to your goals.

You make it to the end. Finally passed the last trial everyone who had made it. Their prize awaited them. You waited, didn't see her, and then you heard a whisper in Sokovian.

Your name.

You looked around everywhere. “Over here milaya.” You hear her call. You whip around and see her. She doesn't look like the Scarlet Witch anymore. Back before that. Like when you were on the run. You run into her arms without a second thought.

You can't help as you cry. Burying your face in her neck as your body shakes with sobs. Her vanilla scent invades your senses. “Shhhh sweet girl, I've got you.” Wanda holds you close. Your heart feels whole again now that you're back in her arms.

Your sobs turn into sniffles. “I've missed you so much.” You mumble against her. Her nails lightly scratching at your back. Something she's always done to sooth you. Kissing the side of your head and letting her lips linger.

“I know Detka. I'm so sorry. I'm here now. I'll never leave you again.”

You held onto Wanda tight, afraid to let go as if she'd disappear again if you stopped.

Wanda opened her eyes, looking past your shoulder her eyes widened in surprise and then softened as she saw him.

“Bi-Billy?” Wanda's voice shakes slightly. You pull back but not fully letting her go. You follow her gaze that lands on the teen. Your brows furrow before you look back to Wanda.

“Wanda?” You question her.

She lets go of you when Teen responds to the name. He tries to say something, but the sigil protects him. A wave of Wanda's hand changes that. “Billy?” She asks again.

“Yes, that's me.” You're really confused as you see Wanda's red tendrils come out sending red waves through his eyes before disappearing. “M-mom? H-how did you...?”

Billy runs towards Wanda, slamming into her, but she doesn't budge. She holds him tightly in her arms. “What kind of mother would I be if I didn't know my own son?” Wanda whispers. It's just loud enough for you to hear. Confusion morphs into realization as you look on.

The reason he looked so familiar, the reason he reminded you of her. Of course, it was one of the twins. Sure you hadn't been a part of the hex, but you had seen the recordings of it. Last you had seen the twins, they were 10 inside the hex.

Your heartbeat quickens when you remember what you had seen next as the hex fell the you Wanda had created was destroyed along with the twins. She had held you tightly until you were no more.

It's a shock to see him in the flesh. To understand who he really is. He pulls away from Wanda and turns to you. “Mama?” He's cautious having been giving the memory from Wanda and realizing that you had never got to meet him. Do you even know who he is? Will you accept him as your own?

Your breath catches. It's like waves of memories flood through you as if they had always been there. Everything from the hex coming to life as tears fill your vision and spill over. “Oh my sweet little boy...look at you!” Your arms wrap around him tightly. It had been there, blurry when you thought about it. Of this being your son. “Mama is sorry you had to go through all of this.”

“Mama don't apologize. I'm happy to have you back.” He pulls away slightly keeping an arm around you and opening his other for Wanda. She joins into the hug.

“I'm happy to have both of you back.” You can feel the tears pricking your eyes.

You hug them both tightly. This still left you without one son, but you knew you'd find him. If Billy made it out somehow, then Tommy must be out there, too.

Wanda cups both of your cheeks and looks between you. “Moya lyubov i moy syn (my love and my son).” Tears in her eyes she can't believe she is back and that she had both of you. Her heart is almost complete, but there is still a missing piece to the puzzle.

You didn't need her powers to know what she was thinking, “We'll find him, milaya.” She smiles at you, giving a soft peck on your lips.

“We will. Now that I have you two I know we will.”

This was more than you could have asked for at the end of the road.

[onlymurdersintheafterparty]

OMITB S4:E5 "Adaptation"

We're at the halfway mark and I feel like fans with a Hercule Poirot or Sherlock Holmes type of IQ could solve the mystery by now but I am not one of those fans so I'm just here to recap and debunk or strengthen theories I already had. I say this every week but I am truly loving the pacing of this season and that they don't shy away from answering questions early on instead of trying to shoehorn everything in for the season finale. As always spoilers ahead!

Ok so now we officially have confirmation that there are two killers. After circling back to the footprint on the windowsill of the Dudenoff apartment, the tacky paper used on the photoshoot and production room set reveals that the footprint belongs to one of the Brothers sisters. We see that one twin is physically strong enough to lift a body when she lifts Oliver and moves him onto his correct mark. I don't think that necessarily means both twins are involved in the murder though. We also end the episode with that same twin being missing and hearing a gunshot implying that she has been killed. I have been waiting YEARS for a season in which the bodies start piling up and it's finally happening!

This episode was narrated by Marshall the writer and I don't know how to feel about his character. I get that he and Mabel are supposed to be similar in that they both have imposter syndrome but he in general just gives off red flags. He's inserting himself into investigating which is something killers do and him having the fake facial hair introduces the idea of the killers having disguises so clearly he was important to this episode. Not to mention he's giving stalker vibes or parasocial Arconiac vibes. I find it very interesting that Mabel and Charles did not view the video of his stand up to verify his alibi. This could very well mean that he was at the Arconia the night that Sazz was killed. He also never stepped on the tacky paper so we don't have his footprint. That's two strikes against him.

You know who else we didn't see step on the tacky paper? Glen Stubbins. Who is back by the way. I still don't care for his character but I am starting to suspect him. He's physically capable of jumping on the windowsill because he's a stunt performer and for that same reason I'm sure he's also capable of aiming and firing a gun. Also how did he know exactly where Charles lived? They only met the one time at the Stunt Man bar. And yes it's sweet that he brought bread but he could have left it downstairs with Lester. As Ben's stunt double I can't help but wonder if he was present at the Arconia the night of Sazz's murder but in disguise. There's actually a really compelling theory on the hulu subreddit that Glen is the killer if you want to check it out.

Bev actually does have an alibi for that night and seems to only be guilty of wanting her movie made. Can we rule her out just yet? Idk but we'll see. She didn't seem that confident while aiming the gun or firing it off to prove it wasn't loaded. Her revealing Sazz's voicemail and the time it was left definitely proved helpful in establishing a timeline and confirming that there are two killers. Or three if you think it's three people working together.

Howard working for the production team is only strengthening my theory that he's the Moriarty. This man is everywhere! He was working at the theater last season and immersed in the plot there and now here he is in the center of it all once again. Again I don't think he's an evil mastermind, I just think he started off envying the closeness of the trio and now he's high off the power of manipulating things behind the scenes.

Have any of you heard of the opera La Forza Del Destino? In A Series of Unfortunate Events, there is a reference and parallel to it in which a character is mortally wounded after a weapon is accidentally fired off and strikes them. What if the killer was aiming for Charles, saw Sazz dressed similar to him and was aiming to shoot, and the accomplice called to warn them that it was the wrong person but something startled the killer and they accidentally shot Sazz? Like for example they were ready to go and then someone knocked loudly or something which not only muffled the noise of the phone but startled them enough to shoot.

This season has so many parallels and coincidences that we have to assume is on purpose. We've got multiple dopplegangers and cases of mistaken identity, guns being misfired (Eva with Rudy's prop gun and Bev with Sazz's loaded gun), and even the blackout in the S4 premiere vs the fire alarm going off in the S1 premiere.

My small takeaways from the episode:

Mabel being 30 and having an identity crisis is so relatable and I hope she finds her way by the end of the series.

Lester talking about wearing a gimp mask is WILD

Charles mentioning having an account in Belize and Detective Williams pretending to unhear it is hilarious

I'm beyond tired of this Oliver and Loretta plotline and him being insecure about her new status as a celebrity. WRAP IT UP!

Fans keep bringing up the cold case and I wonder if that will become the plot point in season five

Zach Galifianakis telling Oliver about how Jonk (sp?) ran through the seven dwarfs and that they could be heard Hi-Ho'ing from the trailer took me out 🤣

Charles having a new murder board each week is my favorite thing because that's literally all of us fans each week after watching a new episode

Bev and Cinda would be besties or frenemies and I really need to see them in a scene together before the season is over

[lurkingshan]

Japanese QL Corner

We've suddenly got an abundance of shows with dark themes and adult vibes, with a bit of a mixed bag on their execution. These are available for weekly streaming on Gaga unless otherwise noted.

Smells Like Green Spirit

A fan subber came through and we are now able to watch this show on a slight delay from the airing in Japan. This first episode was great, but be warned that this is not a light watch. This show is less a full blown romance and more of a queer coming of age story with a rather bleak worldview that will likely include a romance subplot. Our story centers on Mishima, a young person who is questioning their gender and just trying to live while being constantly targeted by school bullies. The bullying in this show is graphic and violent and Mishima has already been assaulted and targeted by creeps in the first episode, so take care and ask for content warnings if you need them. I have read the manga so I'm aware of what's in store--if you would like to know what to expect before watching, feel free to ask.

Happy of the End

CWs: Assault, attempted murder, blood, death, forced fellatio/rape (against a main character, graphically depicted more than once), revenge porn, sexual coercion and exploitation, stabbing, suicide attempt, suicide, violence

We have arrived at the end of this story, and it did not quite come together for me. I liked a lot of what it was doing; the relationship between Chihiro and Haoren giving them both a reason to persist despite their general apathy toward survival was compelling, and the actors gave strong performances in some very difficult scenes. I thought the show had a strong sense of style and tone, as well. But for me, it crossed the line into over the top trauma porn one too many times, seeming to revel in making the characters suffer and piling on unnecessary traumas that were depicted quite graphically, making the show deeply unpleasant to watch. And in the end, it suddenly veered into a happy ending that felt like a mismatch for the rest of the story, which was achieved via a time skip and Chihiro and Haoren healing offscreen despite their circumstances only getting worse over the course of the show. @bengiyo laid out why that ending felt like the show pulling its punches, and I agree. I can appreciate a story that has an established bleak worldview telling us about a specific time in these characters' lives where they mattered to each other, but slapping that unearned epilogue on it just makes the whole thing feel like torture porn followed by cheap consolation. It didn't feel honest. I don’t recommend watching this one unless you are pretty comfortable with gratuitous sexual violence.

Love is Like a Poison

We’re zipping along nicely, with this week’s episode mostly focused on the case that Haruto helped Shiba win. That courtroom scene was wild. I’m intrigued by all the advances and the early confession from Haruto, because as we and Shiba well know, the man is a con. What’s his angle, and why does he think romancing Shiba is the way to get it? Whatever he’s after, I think Shiba should give in because look at him!

Chaser Game W 2

This week we met Itsuki’s first love Yoreum, who is now a famous Korean idol and still hung up on her from back when she did a homestay with Itsuki’s family. She did a livestream from Itsuki’s cafe in the special spot where Itsuki and Fuyu like to canoodle; jealousy and dramatics ensued. Then suddenly we were doing an elevator rescue? Idek. I’m rooting for the new girl to break this couple up to be honest.

[pineapplehazard]

Just finished s7!!! Right on time✨

Now did I cry when Eddie said goodbye to Chris? Yes, yes I did.

But here's my thoughts about the last two episodes:

- Eddie Diaz : the whole thing with Kim was actually crazy of him, but her playing Shannon?? That man has a reason to act like a mad man but girl what are YOU doing?? That was a quick expedition out for Marisol too, Buck and him see to have a way to make girlfriends disappear this season.

- Chris Diaz : valid. I get why he thinks it's better for him to be away from his father for some time, it's probably a good thing actually for them to have space to breath and accept what happened. But the Diaz parents?? Ramon shit talking about Shannon every chances he's giving (he literally did it at her funeral that man has no shame), and Helena acting like she just won lottery, please at least ACT like you're not happy to take Chris from you son. Honestly if my own mom wasn't sitting right next to me I would have been insulting both of them so MUCH.

- Hen Wilson : I'm mad that they were all going to be happy and then that woman whose son hasn't been mentioned since like ep2? comes to take her revenge out of nowhere. When I saw Mara all closed on herself and quiet when Hen visited her that broke my heart😭 then at the end the emotional whiplash of Chris leaving, instantly followed by the Wilsons getting reunited with Mara, ouch (is it like 'a soul for a soul' but with family, like they CANNOT be happy at the same time??), also I know the plot was for Gerrard to come back, but I love Captain Wilson, and I wanted her to take after Bobby

- Chimney and Maddie: they're relatively absent from the final 2 eps so I don't have much to say, I loved Chimney calling Gerrard trash to his face, and I loved Maddie. I just love Maddie.

- Buck : such a good husband for his chaotic dating-the-doppelganger-of-his-deceased-ex husband... He was just so supportive and trying to help, gosh he's just so cute. But MORE IMPORTANTLY where's my angst?? You're telling me Bobby's in a coma, and all we got from Buck (who's basically his son) is one line of dialog AFTER we know Bobby's going to be alright? Sentence immediately followed by an awkward sex joke argh!! My favorite thing about 911 is Bobby and Buck's relationship and I don't know if it's just an impression but i feel like they barely had any interaction this season, I missed them, I need more of them!! Also all things considered Buck had quite a quiet and calm season, which does feel weird and not something that will stick

- Athena : she mentioned Emmett and I was just woop crying incoming! I'm not gonna dwell on the whole cartel thing, I'm sure people already express so many opinions on this, my real question is how many times can Athena break rules before getting a problem with the hierarchy? (ik she did in s1, but since then she's been pulling some sketchy moves from time to time with no problems afterwards). Also ik the house was going to burn but I hadn't thought of the implications, that they would loose all the memories and stuff and that's so sad, I totally get her panic about wanting to get everything that's on her phone to still have SOMETHING.

-Bobby : please bobby never leave the 118, maybe they could handle it but I couldn't, so please don't leave ever.

(-Tommy : whether you ship them or not, the last scene we got of them together (dinner at Buck's) should start an alarm in your brain about their future together, specially once you consider Gerrard's come back. Tommy literally says that Gerrard's the closest things he got to a father figure when he was in the 118, and that it didn't help him be a better person. (ik he's not saying he saw Gerrard the way Buck see Bobby but he still acknowledge that he saw him as a model of some sort), that's the online line 'acknowledging' Tommy's past actions, but also showing that he followed Gerrard's lead, and we know Buck is not going to appreciate Gerrard's way of leading and this definitely could be a big cause of conflict between Buck and Tommy...)

It feels weird to finally be up to date, and to know killer bees will attack LA in two days😭

I FORGOT RAVI!!

He was there for 3seconds but still, I was so happy seeing him, and ik so far it doesn't seem he'll be back in s8 for some time, so I'm devastated

[maddy-ferguson]

Ngl, I really think that these bylers that are crying 24/7 about "purity culture" or whatever, are playing dumb when they start with their "but Nancy and Steve were 16 and 17 in that scene of s1!!!1" like... We got introduced to these characters at that age and the people playing them were already adults. So yeah, sorry but I think it's easy to see why most viewers would be uncomfortable with a more sexual scene of Mike and Will and it's not automatically homophobia, I think that would be the case with any of the kids since we got introduced to these characters when they were 12 and the actors were babies as well. We literally saw those kids grow. And I'm not saying byler should only get to peck or hold hands, It'd be cool if they have their epic kiss or whatever, but Will hasn't even had his first kiss yet and some of these people are already talking about sex scenes, like... Be for real 😭

funny you should say that...because i've used the nancy was 15-16 in season one argument (last tag) before while also saying that i understand why people find the sex part of their sexualities uncomfortable to discuss. and i wanna reiterate that, again, i totally understand that people feel like they've seen them grow up etc etc and that they still think of the actors themselves as children even thought they're not anymore.

i don't think it's all homophobia because like you said, people would probably feel the same about lucas and max and discussions of sex (i don't know if anyone is discussing that because there's much less discourse to have there and you can't argue that people are homophobic if they disagree with you) but i don't think it would be justified either. the "but we knew the characters when they were little" argument makes me think me of an ancient disney channel/abc show that old people and girl meets world fans who watched it for the first time in the 2010s will know, boy meets world (1993-2000). classic comic of age show, look at these kids. and eric in the back (he's fifteen).

they're eleven at the start of the show and then, what happens in any coming of age story happens, you guessed it...

they grow up. this is them in the later seasons, when the main characters are still in high school i think. they grow up, they talk about sex and about having sex at prom in season five and then they don't have sex right away because they figure it's not the right time yet or something like that, and then they have sex later and get married, the details don't matter. but my point is, who watches a show for five seasons, over years and years and gets upset at the main characters having sex because "this is crazy they used to be children"? isn't that the point of coming of age stories that cover multiple years or that focus on the latter years of adolescence, that they're not children forever and that at one point the characters "come of age" which usually includes their first sexual experiences?

i don't think the having sex part is particularly important in stranger things but also it doesn't have to be for it to be portrayed (see jonathan and nancy), teenagers have sex, it's just the way the world works. i'm not advocating for sex scenes of any kind especially because stranger things isn't a show that features a lot of sex in general, the only "explicit" sex scene being nancy and steve in season one with cuts to barb dying, but i genuinely don't think the duffers would have any qualms about portraying teenage sexuality in general with the party. if they did, they wouldn't have included erica threatening lucas to tell dustin what she found under his bed (it wasn't the communist manifesto) and they wouldn't have had max looking at a shirtless steve for an amount of time that's supposed to make the audience laugh. it's been 7 years. if they do a time jump, the babies will be about 17, played by actors who will all be around 20, the age natalia was when filming season one. the characters are teenagers, babies grow up. it happens to the best of us. i get why people would find it uncomfortable and maybe i would find it uncomfortable too but i wouldn't be scandalized. the duffers had no problem having a child actor portray everything will goes through in seasons one and especially two, i really feel like sex is fine and...not traumatizing or hard to watch compared to every single thing will's gone through lol. and again, i'm not even expecting them to have sex lmao, but i wouldn't cry myself to sleep if they revealed that everyone in the party actually knows what sex is.

last question: do we have any indication that jonathan had talked to more than one other girl (the girl at the halloween party being the one girl i'm counting for him) before he got together with nancy. i'm just asking because of your last sentence, because if we don't he should have slowed down also😭

[c0rpsedemon]

when i saw 'cabin in the woods in middle of nowhere new hampshire' bad i mean it. i have a 65 year old father from northeastern mass that's the only type of vacation i ever go on (if you're wondering what it's like it's like a modern day yellow wallpaper btw) . i know my cabins in middle of nowhere new hampshire. i've been to multiple with better wifi than i currently have. that says a lot btw.

[rowarn]

afab!reader, no prns, praise, edging, wet&messy, könig using ur clit as a fidget toy <3

könig, a trained lethal soldier, who suffers from anxiety. you would never know if you didn't know what you were looking for.

his biggest tell, for you, is the way he fidgets. with you.

you're like his own personal little fidget toy. his hands are always on you, kneading and squeezing your skin. most times you don't mind, you rather like having him touching you — your thighs, your waist, your butt, wherever he can get his hands honestly.

but sometimes...his hands wander. it's mindless, truly.

his eyes fixated on the tv playing some random show he decided he wanted to watch. but you couldn't pay attention, not when one big hand was shoved up your shirt groping your breasts and the other was haphazardly stuffed into your sleep shorts and under your panties.

he's toying with you so mindlessly, callused fingers sliding over your clit that has grown increasingly slippery with how wet you've become. occasionally he dips down to prod at your slick entrance.

his movements have no rhyme or reason. he's not even moving very fast. just sloppy back and forth flicks and occasionally he simply taps his fingers against the little bud that has grown so sensitive from his playing. sometimes, when something interesting happens on tv, he stops completely until the desire the fidget returns to him.

you're sitting with your back against his chest, situated between his spread legs sprawled cozily on the couch. he can't see the heated, dazed look on your face from the come-and-go pleasure he inadvertently gives you. he's edging you without even realizing it, full attention still focused on the damn tv. he isn't even hard.

that thought alone is enough to make you clench around nothing. he's really just playing with you like a little toy and that thought is so hot to you. it makes you cheeks burn in embarrassment as you continue to leak into your panties.

if you listen close you can hear with wet clicking noise that comes with his movements. your eyes roll back in your head as that sound alone has your back arching but you quickly settle yourself down, not wanting to tear his attention from the tv — he so rarely had time to settle down and just enjoy tv, you didn't want to disturb him.

the episode he's watching ends and you cast a hopeful glance up at him but he's waiting for the next episode to start and it makes you whine against your own wishes. but your clit is so hard and twitchy from being edged that it's actually hurting and you're so wet now that your panties are uncomfortably sticky.

it's your whine that gets his attention, pretty blue eyes flicking down to your face where he finally sees the desperate way you're looking at him, teary eyes and swollen lips from biting them to keep quiet. you can see in his eyes when he registers how soaked you've gotten his fingers and he has the audacity to look sheepish.

"ah, my sweet..." he whispers, ears tinged pink, "i-i'm sorry, i did not realize..."

he moves to pull his hand out of your panties and you whine again, grabbing his wrist with both hands to stuff him back down. your nails bite into his skin and he stops trying to pull away, instead pushing his hand back down and it's then that he fully resisters how wet you are.

"don't stop, please...i-i've been so close..." you pitifully beg and he takes pity on you. how precious of you, he thinks.

"i'm sorry, my love," he coos, fingers starting to work once again — properly this time with quick little circles on your clit, "i'll make you cum for being so good for me."

you can't even formulate words, instead nodding and spreading your legs even further apart, your feet on either side of his legs. he hums softly in your ear, chin hooked over your shoulder as he watches his hand move under the fabric of your shorts.

he spreads your sticky folds apart and begins to swirl messily around your clit, occasionally lightly tapping against the bud just to watch the cute way your thighs twitch at the feeling. you reach back and clutch his t-shirt in your fists to ground you. his cock throbs, churning up quickly, at the loud, wet noise of him playing with your cunt.

it doesn't take long at all before your stiffening against him and twitching in his lap as you cum with a cute little gasp of his name. he moans softly in your ear as he feels your clit throb under the pads of his fingers. you let out the loveliest moans that has his cock hardening fully against his thigh.

when you slacken against his body, aftershocks making you twitch periodically as you pant, he's tempted to stop but the fact you had sat there so sweetly and let him practically torture you while he watched his show made him want to make it up to you.

he sees the excitement in your eyes when his fingers dip lower and begin to press into you and he can't believe just how sweet you are. your so sticky and wet with the amount of cum he worked out of you with such ease.

"let me really make it up to you, my little one..."

[pynkfairyheart]

hiii so I saw you said request were open! i really LOVE your writing so yk yk i had to ask but can you do like a story where ony does a being mean to my girlfriend prank but y/n is a reallll crybaby!! BYEE

pairings: onyankopon x sensitive!reader

warnings: smut 18+, ony is a lil mean, reader cries a lil bit

a/n: so sorry it took me this long, life has been....lifing.

What goes around comes around

Actions have consequences, you knew this and yet you still decided to go with your plan.

Setting up your phone you smiled into the camera and started your intro.

“Hi, lovelies. Today we’re gonna do a get ready with me, while I tell you three reasons it's okay to cheat on your boyfriend.” 

Taking a quick glance in the mirror of your vanity, you could see the wheels working overtime in the handsome head that belonged to your boyfriend.

The decision on whether to be calm or tweak out playing tug of war on his brain. 

Settling on the thought that he misheard you he decided to go the calm route.

“Whatchu say, baby?” Deep voice contrasting against the soft tone of Jhene Aiko in the quiet room.

“Hmm?” You feigned innocence as you met his eyes in the mirror.

“I asked, ‘What did you say?’ ” His straightening posture and tone transition to demanding letting you know his patience was thinning by the second.

You were positive this would end with you folded in half, crying from overstimulation as he continuously ripped orgasm after orgasm from you. The thought only excited you and fueled your response. 

With a shrug of your shoulders you hummed a quick ‘I don't know’ and went back to your task.

“The fuck you mean youn know?” He chuckled in disbelief, hand running over his freshly maintained waves before coming down to rub the lower half of his face.

Opting to ignore him, you continued along with your routine, silently. 

“So you just gon ignore me?” Heavy thuds bouncing off the walls as he made his way to stand behind you.

The light pressure applied to your neck, as he tilted your head back having your thighs clench.

Oh, how you wanted to ditch the plan and jump his bones. Brown eyes glaring down into yours, as he tightened his grip. 

Feeling a little risky you decided to do the one thing Ony hates most. Roll your eyes.

“Mmm, aight” He nodded his head. Zero fucks given to the content you were creating as he lifted you from your chair and bent you over.

Never once slowing his assault even after you managed to tell him it was a prank through your moans and cries. 

The new information only encouraging him to go faster as your arousal trickled onto the wood floors while he required you to tell the camera why it wasn't okay to cheat on your boyfriend as he fucked you dumb. 

Usually, your consequences consisted of the audacity being fucked out of you whenever you did something to piss Ony off, but this time he decided to play a prank of his own.

Waiting a week to execute his plan, he chose to carry it out the day you came back from your girl's weekend. 

“You didn't hear me or get my texts?” A small pout forming on your glossy lips as you sat next to him, despite him taking up more than half of the bed. 

“Baby, I'm home” You sang as you wandered around the house looking for him.

Only to find him laid out on the bed as he watched an episode of Judge Mathis.

“I did” Eyes trained on the TV.

“Did something happen?” You gripped his jaw, forcing him to finally look at you.

“Nah, I just don’t feel good.” He removed your hand from his face and moved to the opposite side of the bed. 

“You need me to make you some soup?” Pout returning to your lips as he flinched away when you tried to check his temperature. 

“I’m good. You could leave me alone though.” 

You considered yourself to be very understanding when it came to relationships. Whether it was with family, a coworker, or a client, but more than anything when it came to your relationship with Ony. You understood he needed time to himself just as you did, but the way he said it was just… mean.

The stinging sensation of your eyes was becoming unbearable as the tears pooled in the inner corners of your eyes.

“Oh” Voice cracking despite swallowing the lump that lingered in your throat.

Your tone raised alarms in the man. His own heart gained a pace that matched yours as he saw the tears that began to spill from your eyes. 

“Wait, I'm sorry, ma. I was just playing. C'mere” Hand reaching out to hold you, only to pause when you flinched away from him.

“Mama, it was just a prank. I'm sorry, baby” Panic rising at the influx of tears flowing from your eyes. 

Seeing you cry from any negative emotion always pained him, but knowing he was the reason for the tears falling from your pouty face made him feel as if he failed in life.

“What do you mean it's a prank Onyankopon?” You huffed, the palm of your hand wet as you wiped away your tears. 

“I was just joking. You know how you did that video last week? I was doing something similar. I didn't mean to hurt you, mama. Please believe me” He pleaded.

Maybe it was the immense amount of love you had for him or that it'd be wrong to not forgive him when he put up with all your antics, but you couldn't stay mad at him for too long.

“You really need to work on your pranks. They're terrible” Pink satin pillow softly hitting him along the side of his head. 

“I know, I'm sorry, c'mere” He smiled, happy you were no longer crying and motioned for you to straddle him.

Caring less about the fact you were wearing a dress you crawled over to him, getting comfortable on his lap as you traced the small tattoo of your name behind his ear,

“You know you're gonna have to make it up to me right?”

“Mhm” He mindlessly hummed, eyes trained on your lips before he could no longer resist.

Low groan escaping his chest as he pulls you closer, tongue tracing your bottom lip before diving into your mouth.

“Ony” You whimpered as his lips moved down to your neck, peppering gentle kisses along your skin before sucking on the areas that made you weak. Your body craving for some sort of friction as you ground your hips down onto his.

“I know, mama” He murmured. His fingers sliding up your dress before slipping past the waistband of your panties, digits immediately coming into contact with the slick that was pooling in between your chubby thighs.

“Lil ma already soaked for me” He groaned against your warm skin. A small bruise forming where he was previously sucking. 

“Ony, stop teasing” You whined as he slowly rubbed your clit, the pads of his fingers barely grazing the bud.

With a slight smirk on his lips his fingers gravitated to your entrance, slowly rubbing at the pulsing hole before his fingers worked their way into your walls.

Fingers knuckles deep as he curled them against the soft spongy flesh against your walls. 

“Need you inside now” You pouted, craving something more than the two digits plunging in and out of you.

“Yeah?” He mumbled as he pulled out his fingers. Placing the pads on your tongue as you sucked your arousal off his digits, just as you would do his cock.

Watching you with lust filled eyes he removed his fingers from your mouth, and wrapped a hand around your neck before pulling you in for a nasty kiss. His tongue exploring the path down your throat while you rocked against the growing bulge in his pants.

Pulling away to fumble with the waistband of his pants he pulled down his sweats just enough to release his throbbing cock. Standing tall with his viens prominent and tip leaking a small amount of precum.

“Ride your dick, ma” He pulled your panties to the side rubbing his tip along the slick folds of your puffy pussy, before lining up with your entrance and helping you sink down onto him. Hiss escaping him as your warm walls engulfed him.

“Ony s'so big" You whined in his ear. Allowing him to lift you up and down his cock at a deliciously slow pace, your walls contracting around him at every movement.

“Doing so good fa me.” Two toned lip stuck in between his pearly white teeth as he bucked his hips up to meet your thrust, tip grazing against your cervix.

“Fuck. Faster, daddy, please” You gasped, head resting in his neck as he did all of the work.

Listening to your plea, he picked up his pace, thrusting deeper into you. The sound of your pooling arousal, slapping flesh, and your mixed moans filling the room, atmosphere becoming nastier by the second. 

“I love you so fucking much” His arms wrapping tightly around your waist as you tried to run when he increased his pace.

“Say it back, ma” He grunted. Palm landing on the flesh of your ass.

Tired off your running, his hands gripped your hips and he pulled you off him, flipping you over onto your back before ramming back into you.

“Ohh, shit, Onyyy” You cried, knees near your ears as he pushed your legs back.

"Say it or I'm stopping" He threatened. Eyes focused on your sopping pussy sucking him in, sticky ring of arousal dripping from the base of his cock.

“I- mhmph love you too Ony, so much” Bed creaking under the speed and force of his thrust.

Releasing your legs he leaned down, lips immediately on yours in a sloppy kiss. 

“I'm so close, pa" A mixture of moans and whimpers escaped your agape mouth, nails digging into his back with every thrust.

“Mhm, I know, baby. Let go for me” He grunted, reaching between your bodies to rub his thumb against your clit.

A series of curses left your mouth as you creamed around him. Walls contracting so tightly that he had no other choice but to cum.

“Fuuuck” He groaned, hips stilling inside you as he flooded your walls.

“I'm sorry for making you sad, baby. I love you so much, I'll never do anything to hurt you again” He whispered into your neck.

“I know Ony, I forgive you"

Pulling out he kissed you once more before laying flat in front of you, your thighs on each side of his head.

"Lemme show you how sorry I am, yeah?"

[workingwhileidream]

Okay Burrow's End had me thinking some thoughts... So here are my favorite Dimension 20 moments that rotate like a rotisserie chicken in my brain (in no particular order other than the order I thought if them).

- Riz goes into the butthole of the Corn Ooze Monster (Fantasy High). The first absolutely insane shenanigans move anyone makes on D20, setting the tone the show will have forever.

- Raphaniel kills Queen Pamelia (Ravening War). I think I saw Brennan's soul leave his body briefly when he got that How Do You Want To Do This from Matt. Time was an absolute flat circle that day.

- Hank convinces Brennan to let him role savvy instead of sneak (Mentopolis). Hank is one of the most famous content creators, having him on the show was phenomenal to begin with. Then right out of the gate, he pulls this move in his first episode. And it just works. Hilarious, instantly iconic.

- Jet Dies (A Crown of Candy). When Lapin dies, it is shocking but I wasn't attached to him as a character. Lapin was a bit antagonistic and his death happens early in the season. On the other hand, Jet is instantly likeable. Emily and Siobhan are amazing as siblings, their performances this campaign are some of my favorites. I have siblings and I am very close to them, so this hit me like a ton of bricks.

- The entire epilogue of Burrow's End. "Are you pitching and Air Bud ending?" is one of the instant hall of fame quotes from this show. I started crying I was laughing so hard.

- Ylfa's bottleneck and the TPK (Neverafter). There are so many close calls for total party kills in Dimension 20 history, but this is where it finally happens and it's only 3 episodes in. I was on edge, expecting another TPK at any turn, for the rest of the campaign.

- 3 nat one initiative rolls for the battle that literally opens the season (A Starstruck Odyssey). The beginning of a new season is always full of excitement. This season was extra special, having everyone back in the dome after the pandemic and the season being based off Brennan's Mom's comics. The zoom energy is still in the air and I still think about this season opener a lot.

- Mother Timothy Goose breaks Snow White's concentration with a cantrip (Neverafter). Only Ally Beardsley could and we all damn well know it. Still didn't stop me from being so far in disbelief that all I could do is laugh.

- Hob's "You will never know another lonely day" speech to Rue (A Court of Fey and Flowers). I will still cry about this if I think about it for too long. Rue and Hob's romance is the heart of this season to me. I won't be over it ever.

- Gertrude convinces Nyruth to give the Questing Queens very powerful boons after the Queens tried to rob them only a few hours earlier (Dungeons and Drag Queens). The fact that this season exists drives a level of serotonin into my brain that is unimaginable. This is the definition of a big swing and when Bob rolls well, Brennan has no other choice than to honor it. This is one of the moments I have made a meme of. I cannot wait for season 2.

- Wuuvy shows up to the duel and she did not come to play (A Court of Fey and Flowers). Aabria has talked about how Wuuvy is one of her favorite NPCs and I feel the same. Wuuvy and Rue's relationship has such a great arc and this moment is so pivotal.

- Fabian's no good very bad day (Fantasy High Sophomore Year). An iconic moment in D20 history that was truly wild to watch live. For everything to go so fantastically bad for Fabian and Lou was unprecedented. There is a reason why people still talk about this moment to this day.

- Amathar survives being pushed off the castle (A Crown of Candy). Brennan tried to kill Lou so many times in this campaign. I really thought Brennan had gotten him with this one, my stomach sunk. But Lou pulls it out and Amathar lives once again.

- Pib plays "Smoke on the Water" (Neverafter). "I stepped out to play 'Smoke on the Water' " is also a hall of fame quote to me. This list could be all Pib moments if I'm being honest, he's my favorite Zac character. And the fact that Zac doesn't roll well makes this moment funnier to me.

- Buddy Bear gets planted with the All Blossom (Dungeons and Drag Queens). Jujubee and Brennan owe me a therapy session for this one. I sobbed. My cat is my baby and I will be ruined the day she leaves me, so I get it. I really do.

- "Eat your dice, Brennan" (Fantasy High Sophomore Year). A great bit made physically possible by Siobhan. I hope Siobhan gives him gummy dice or something like that so that Brennan can continue to eat his dice for Junior Year.

- Orange Top Hat Fairy (Neverafter). It's a horror season and the cast is doing bits about how hot a mini is the entire finale and the Adventuring Party that followed. I felt the stress and off the walls energy through the screen. The Smooth Criminal pin was the first piece of Dimension 20 merch I bought.

- Viola's epic takedown of Phoebe (Burrow's End). Watching Rashawn absolutely crush it her first time in the dome was amazing. I loved Viola from the jump, her arc was so satisfying and fun to watch. Also the idea of a tiny stoat kicking a gun just the right way to get it to fire is hilarious. No notes other than please have Rashawn come back on every season she possibly can.

- Evan Kelmp warns the Rosemont student not to duel him (Misfits and Magic). Brennan's deadpan warning matched with the reactions of the other players and Aabria really make this scene. An underrated Brennan moment for sure.

- Stacey Fakename turns out to be real (Mentopolis). This was such a good reoccurring bit, so to have Stacey be real at the end of the story was too funny. In a season of bits, tropes, and puns - this one has the most payoff to me and is definitely my favorite.

[gffa]

Probably the biggest problem with The Acolyte is what really bit it in the ass in the finale--its main characters did things because of the plot, not because they were organically built up or made sense. I could mostly overlook it in previous episodes because it felt like there was still more time to reveal the characters' motivations, but now that we're at the end, there's just so little throughline for either of the twins' characterizations. Mae makes the most sense, you get why she was so angry, she always wanted Osha to stay with her, of course she'd drop everything when Osha was alive, but then suddenly she's just completely okay with Qimir erasing her memories of Osha? Of giving up that relationship that drove her the entire time--and Qimir says this was permanent, I doubt Mae had reason to think otherwise--in half a second flat, not just physically separating her from Osha, but erasing her entire relationship with her?? And Osha makes even less sense, we all joke that about how hot Manny Jacinto is and how he ~seduced her to the dark side, but honestly her motivations just seemed utterly gone in the previous episode, she's 100% ready to drop everything she believed in and go with him just because? And up to this point she's barely shown any interest in her connection to Mae, it's all "tell not show" that Osha cared about her, we're told that it was her biggest wound, we're told that she felt that connection, but we don't really see it until suddenly she's running away with Mae because apparently all along she felt that pull towards her? Intellectually, there are reasons given in the show, but I didn't feel any of them, it was more "Osha behaves this way because the plot needs her to behave this way." It's the same reason Sol can't say, "It really looked like your mother was going to kill you when she started Force-dissolving you, so I reacted without realizing what she was doing." because if he's allowed to explain, then the plot falls apart. The plot demands that he half-ass his explanation rather than because that felt natural to Sol's character. Things happen because the characters need to get from point A to point B, so point C can happen, rather than because the characters felt like they would actually do that. And it's worse because these are your main characters, the entire plot of the show is set around them.

[ofoceansandtombsanew]

Real Talk: Ace Didn't Need to Ask For Help, It's On Garp

i always hate when i see comments about how ace was an idiot or ace should have just asked garp for help because, no? like dawg wtf do you mean?

the one thing we have been told repeatedly across the manga and anime is that ace could have lived his entire life being perfect and he still would have ended up on that podium

he could have become a marine, a police officer, a teacher, a chef and all of that would have been reduced to nothing the moment his parentage was discovered

yes, ace became a pirate of his own volition, but sengoku never mentioned his piracy

he never mentioned all the criminal activity ace did as the captain of the spade pirates or even later as the second division leader of the whitebeard pirates

you know what sengoku did bring up though the moment he got on that damn podium? ace's parentage

he mentions nothing that gained ace his bounty to begin with when he gets that den den mushi in his hand. why?

because it doesn't matter that ace is a pirate. what matters is that they are eradicating the last gol d roger's bloodline

bear in mind that they were killing pregnant women and young children who could have even had the slightest possibility of being roger's lover or kin

akainu deadass says that he doesn't care if every other pirate at marineford escapes as long as ace and luffy died and he would ensure their deaths personally. and for what? not their piracy. none of their crimes. not even for ensuring that the truth that certain countries and lands that were actually saved by pirates instead of the marines never got out

but because their fathers were gol d roger and monkey d dragon respectively

solely because of that, he deemed neither of them deserved to live

and as far as garp goes - i love garp as much as the next person but garp has never done anything for ace to trust him enough to ask for help even if he felt he deserved to ask

garp's negligent parenting coupled with the abusive words ace grew up hearing led ace to believe he didn't even deserve to be born. when he even asks garp if his being born was a good thing, garp can't even tell him 'yes'. he just says 'time will tell'. my brother in the blue seas, that is an elementary schooler questioning his right to exist

ace is defeated by blackbeard in episode 325 (chapters 434-441), luffy hears about his execution being set in episode 416 (chapter 522) and then finally ace is killed in episode 483 (chapter 574). that is 158 episodes and 140 chapters total and in that time what ace receives from garp are conversations that boil down to

"you did this to yourself"

"i just wanted you to become a fine marine"

"i don't have sympathy for criminals but i do have sympathy for family"

and garp actively preventing those who wish to save ace from reaching him. yes after akainu strikes ace, garp does react viscerally with instinct to protect his grandson, but that's too little too damn late at that point

garp having his moral dilemmas mean nothing when, however long ace spent in impel down, he isn't trying to help him

garp having his 'wishing things had been different' thoughts mean nothing when garp is preventing people from saving his grandson

there's a reason garp lets dadan beat and berate him when they reunite in windmill village and it's because he knows she's right

over the course of 20 years, garp has consistently chosen work over ace and luffy. as much as i love dadan and co, bandits are not a good choice to have raise your grandkids and then be the surprised pikachu meme when neither of them wish to become marines

garp's inability to see past the system he disdains yet clings onto actively shoots him in the foot

prevents him from seeing that ace is right when he says he never could have become a marine

luffy could have never become a marine. i do hear arguments saying that luffy might have had a fair chance considering garp is biologically his grandfather but i say that's truly up in the air considering how, even with that knowledge, akainu still wants to put luffy on a poster

but that's all to say, asking why ace never asked garp for help is ridiculous

the fuck would ace look like asking the man who has done nothing but

unintentionally fostered ace's resentment towards luffy in their early childhood

told ace it was his own fault he landed where he did

falcon punched marco halfway across marineford

for help?

and that's not even mentioning the fact that up until that point, ace didn't believe he deserved to live. he didn't think he had the right to exist. the only thing that kept him going up until that point was hoping he'd find an answer that justified his being born and his love for luffy and sabo. ace tells luffy in his dying breaths if it weren't for the two of them, he would have gave up on living a long time ago

yes, garp loves ace and luffy

he loves them both dearly but he is also incapable of putting them before work, before his ideals of justice. these two truths can coexist at the same time. garp's stubborn to a fault and his moral dilemma resulted in both inaction and the prevention of ace's escape

so to say that marineford would have gone differently if ace had asked is seriously undermining the character work. because in reality, it's up in the air on whether or not that would have done anything. ace asking garp for help could have gone either way and that's the beauty of the gray area regarding garp's actions during the summit war

and yes, i can get why it's frustrating that ace turned around to fight akainu when he could have just left and got it back in a blood a different time

but aside from ace having a temper about specific topics, we do get an answer as to why he couldn't bring himself to runaway when we finally are able to dive into his past with luffy and sabo:

he doesn't want to run away from any situation because ace is deathly afraid of losing something if running away ends up being the bad call

and in that moment, luffy was behind him

even if akainu hadn't talked down whitebeard, ace would have inevitably turned back around because he wouldn't have been able to shake his fear of losing something or someone he cared about

as long as there is something precious for him to potentially lose, ace will never run

he was doomed from the start

his being the son of gol d roger doomed him from the start

and that's what makes ace so tragic

[yumeka-sxf]

In addition to Yor's epiphany scene, this scene was the other one I was most looking forward to in season 2 - a scene that, in my opinion, is one of the most Twiyor-ish scenes in the series so far 💖

Why is it so significant? Because there was no reason for Twilight to put on any Loid Forger acting in that moment. He wasn't conversing with nor being scrutinized by anyone. So why would he give that soft smile followed by such affectionate, comforting words as "お疲れ様/otsukaresama"? (this can be translated in many ways, but generally it's something you say to thank someone for their hard work).

The answer is because it's something he truly felt...he understood the sacrifice Yor made for Anya's happiness and genuinely appreciated it (if only he knew the sacrifice she made on the larger scale, lol). While he's a bit perturbed at first since some onlookers were snickering at him, it didn't take long for him to soften and then graciously carry his queen and princess the girls back to the ship 😭

But Twilight overall was really soft in this episode and I loved it~ From his blush upon seeing Yor to the several times he gave that same soft smile when talking with/looking at her...I think Anya was right when she called him out on the ship about missing his wife 😅

I liked how the anime conveyed his shock when noticing her bruised face...what must have been his thought at that moment? 👀

The scenes of the family activities translated better in animated form in my opinion. While they were each only a single panel in the manga, they lasted a few seconds each in the anime, plus the addition of the insert song helped the with the comfy, wholesome vibe~ Also the part where Yor inadvertently chucks Anya across the ocean is still hilarious.

Loid's dorky skip at the beginning of the episode translated very well in animated form too 😅

The ending of this chapter in the manga always felt a bit rushed to me...it quickly jumps from the aforementioned scene of them returning to the ship, to suddenly being home, reuniting with Bond and Franky, having a meal together, then Twilight meeting Sylvia, all within a few panels. Even though I wish the anime added more than just some additional scenes of the ship leaving the island, I felt it flowed much better in the anime since, just like the family activities, each scene in the ending lasted a second or two instead of being a single illustration.

But I love how this chapter/episode ends, with Yor, Anya, and Bond napping while Anya draws about her family vacation. This seems to take place the next day or maybe later the same day they got home, so makes sense they'd still be tired from the trip!

By the way, the manga has this additional scene showing that Olka and company are safe. Weird that the anime didn't stick it in at some point.

Also, the anime team didn't have to go so hard with this episode's key visual but they did...and I love it 😍 Might actually be my favorite of the key visuals so far!

I was very happy to see the "surrounded by liars" panel finally animated! This is such a funny scene and a great way to fully wrap up the cruise arc.

I also burst out laughing at Yuri's locker 🤣

Damian is surprisingly laid back in this episode. I think the reason is because Anya's antics aren't directly involving him. He tends to go total tsundere only when she's actually talking to him, lol.

The new scene of Yor getting the keychains for her coworkers was a nice addition! Guess it's canon that Yor and Anya didn't sleep for the entire trip back, lol. Glad they got to spend family time on the ship too! (though I wish we could have seen Yor's reaction waking up in Loid's bottom bunk bed, haha. He must have brought her to his room since he wouldn't know where her room is. Unless she woke up before he even put her in a bed, in which case she would have been super embarrassed knowing he was carrying her around in public 😆)

Looks like next week the anime will be changing the order of things a bit and giving us the Becky home-wrecking and Fiona chapters (the latter of which seems to have some anime original content?) The Becky chapter is one of my favorite stand-alone chapters...I'm already dying of laugher thinking about it 😂

[ladyloveandjustice]

So I have no stake in ships in Avatar the Last Airbender, I do not have any real ships for the show. But when I was looking in Katara's tag for art and stuff, I saw this reoccuring claim that Katara always supported Aang with his problems and feelings, but that Aang never supported her back with hers.

And I don't care about the ships, but I do really like the friendships in Avatar, and that bothers me. It's a slight on Aang, but also on Katara (implying she wouldn't stand up for herself and break it off if a friend was all take and no give, which doesn't fit her personality at all.)

Aang does support Katara whenever he gets the chance, which is unfortunately few and far between because Katara seems to have a hard time leaning on the people she cares about and talking in depth about her own trauma and feelings about it, though she will do so when she literally doesn't care what the person thinks about her (and both times she opened up to Zuko about her Mom initially were her lashing out at him and not caring what he thought about her in return).

This would be something that would need to be addressed for a romantic relationship between them to truly work, and I imagine it would be part of the journey of finding a way to stay together, but it's very much not Aang's fault. And as I said, when he gets a chance to support her she does. Since I just recently rewatched most of the series, have a list of those times!

-His first time being supportive of her is literally a half hour after they first meet. As soon as she tells him about wanting more waterbending experience, he enthusiastically offers to fly all the way to the north pole so they can find her a master. And this very clearly means a lot to her.

-I don't think Aang knew how supportive of her he was being here, but there's the "I haven't done this since I was a kid" "You still are a kid!' exchange. As much as people accuse Aang of seeing Katara as his Mom (he's literally the one character who doesn't express that he does in The Runaway btw and I think that's for a reason) their first interaction establishes that he sees her as a kid, just like him, and think she should have fun like a kid does. This must have been huge for Katara, who'd been forced to take on adult responsibilities at a young age, who resented having to hold the family together, who thought her childhood was over. Aang helped her have fun and be the kid she is, and he'll continue to do so.

-When she lost her mother's necklace (And Zuko subsequently stole it) he was very concerned for her feelings and seemed to immediately understand the weight of that loss, due to his own experiences with loss. Not only did he make her a new necklace to wear as a way to comfort her, as soon as he saw Zuko had it he said "you're giving that back to me" and risked being hit by Zuko in his attempts to grab it. Then he gave it back to her and she was ecstatic!

-He was so supportive of her during the waterbending scroll episode it's actually ridiculous, despite how she lashed out at him. It's unclear if he actually understood she was upset or if this was just his unwavering respect for her coming out, but when she was upset that he learned the first move faster than her he said "well you didn't have such a great teacher!" and it clearly makes her feel better for a bit. He immediately forgives her for lashing out at him, doesn't judge her at all for stealing the waterbending scroll, or for accidentally dragging them into trouble. He, in fact, goes out of the way to reassure her, looking happy at the chance to work together and reminding her they need two waterbenders. And he appreciates her joke at the end (he's just straight up being simp (affectionate) there, and I get it).

-When Pakku won't teach her he immediately denounces him as wrong and unfair and is willing to sacrifice his own education (which he needs to save the world) because he won't stand for it. He remains upset about it even after Katara persuades him, tries to secretly show her what Pakku taught him, and cheers her on when she fights him.

-When she's crying over Jet's death, he's the first one to notice and reach out to her, putting his hand gently on her shoulder and drawing her into a hug (that becomes a group hug). She smiles and clearly feels comforted. They probably talked about it offscreen too (but this cannot be shown as they would need to directly acknowledge his death to do so)

-He's pretty much always praising her as a teacher, and when she grumbles about him not calling her Sifu, he goes out of his way to call her that.

-He notices that she's mad at her Dad and asks her about it, but she deflects

-He looks really sad when he has to remind her she has to take off her mother's necklace for their Fire Nation disguises, again it's something he very much seems to empathize with her about, he understands the weight of what it means to her.

-He not only doesn't judge her for lying during the Painted Lady saga, but praises her and enthusiastically helps her commit ecoterrorism.

-Both he and Sokka move to comfort her when she's crying after the bloodbending fiasco. Most of the comforting of her happens offscreen, which I do think is a shame, and a contrast to how Aang is handled- but it's more of a "he's the main character" thing, since the same happens for Sokka as well (I'm sure Katara and Aang talked to him about Yue's death and at least tried to comfort him, but we don't get to see that).

-He was trying to support her during the Southern Raiders ep, whether you believe he did it well or not, both according to his beliefs and cultural values and by trying to emulate the ways she's talked HIM down from revenge and hatred in the past. He specifically brings up those two incidents- losing his people and losing Appa- where she stepped in to keep him from losing himself to rage. As this post notes, he also specifically echoes her phrasing from when she was urging him not to lose himself to the Avatar state (she says "watching you be in that much rage and pain is really scary" and he echoes "you're feeling unbelievable pain and rage" while talking to her in this ep.)

It's not just the air nomads he's trying to emulate here, but her. Just like Katara doesn't want to see him consumed by hatred and pain, he wants the same for her. His concern is not for her mother's killer, but for her, he fears this will hurt her, just like her concern was always for him and how this would hurt him in those times he was raging.

He wants to do for her what she did for him. But, Katara is not him. She is not someone who will be talked down by someone else when she is grieving, angry, and looking for revenge. Nobody can stop her when she sets her mind to it. She needs to wrestle with whether to kill him and she needs to come to her own conclusions, because she's the only one that can stop her. And Aang realizes that. He says it's a journey she'll have to take on her own, that she needs to face him doesn't stand in her way.

(I wonder if it kind of hurt, deep down, that he couldn't reach her the way she always reached him. I wonder if he felt upset that he couldn't find the right words like she did for him. But I don't think there were any right words. She needed him to step back. It was her choice to make. So he did.)

And in the end, he was correct that she didn't want to do it. She did choose that based on her own feelings and values.

His assumption Katara not killing the guy = forgiveness is definitely him just kind of applying his assumptions and values, but when she says she doesn't forgive him, he doesn't like, judge her or anything that we can see.

So yeah, quite a few examples! It can feel lopsided because more attention is paid to Aang and Katara's personality affects things.

Katara is both open about her emotions and not. She's someone who will look after other's feelings but not really discuss her own pain with people she cares about, until it all builds up and bursts out.

And it's not surprising she's most concerned about Aang, if my friend had recently (from his perspective) survived a genocide where he lost everyone he loved and was now tasked with saving the world at twelve years old, I'd be pretty worried about him and want to support him too! Aang goes through a lot by virtue of being the protagonist, he has the most pressure on him, he's routinely in the most danger, he literally dies for a few minutes. It's not surprising Katara has more opportunities to comfort him, but he unfailingly supports her in any of her problems of goals (when they're not murder) when he can.

I do think there's some missed opportunities to explore Katara and develop their relationship, but it doesn't make Aang a bad, unsupportive friend, or Katara his Mom and not his peer.

[wh0reforcoriolanussnow]

Her babes! Was wondering if you could do a imagine for toms dad series maybe he’s up early doing a interview on the computer. Y/n still sleeping and their daughter wakes up coming into the office maybe climbing into his lap all sleepy still and Tom’s like “Sorry hold on give me one moment gotta take care of my girl!”

First Priority

A/n: I pictured this so vividly in my head. Also, I’m so sorry this took me awhile anon!!

Dad!Tom Blyth x reader masterlist

Divider by @s-hyia

Opening his eyes and readjusting to the light that seeped into the bedroom, he gently places a kiss on his 4 year old daughter's forehead who was sleeping in between the two of you. Elsie had woken from a nightmare just after midnight so you and Tom gladly let her sleep with the two of you.

He quietly gets out of bed, stretching his limbs before coming to your side where he placed a kiss on your forehead, muttering a good morning as you gently smile, still half asleep.

Reason for Tom being up so early on a Saturday morning was because he had an interview at home for the upcoming episodes of Billy the kid. He got ready as quietly as possible, trying not to disturb his girls before he walked downstairs to make a cup of coffee before the interview started.

Tom cringed at the loud noise the coffee machine was making as he glances to the stairs leading upstairs. Walking back upstairs with a cup of coffee in one hand to wake him up more, he slowly turns the door handle to your shared bedroom and peeked his head in.

A soft smile making it to his lips at the sight of you and Elsie cuddled up to one another, fast asleep. Tom then walked down further down the hallway to his office where he shut the door. He set up his computer and in a couple of minutes, started his interview that was planned to go for about 30 minutes to an hour.

Just a couple minutes after Tom started his interview, Elsie had stirred in her sleep. The absence of her dad beside her made her more alert as she sits up on the bed, her head turning every which way to see if Tom was in the room.

You were still fast asleep. Elsie let out a little whine, her stomach rumbling in hunger as she rubs her eyes and decides to get out of bed. She looks around the room, checking the closet and the bathroom and there was still no sign of Tom.

Going on her tippy toes, Elsie opens the door and cheers up when she hears her dad's voice coming from the door at the end of the hallway. She ventures out and opens the door to the office.

Elsie stood at the door, slightly confused as to what her dad was doing as he had headsets on and was talking. "Sorry Tom, I'm going to have to stop you there- uh your daughter is at the door-" At her words, Tom whips his head around and sees Elsie there, in her cute little pjs and her brunette hair all over the place.

"Sweetheart, what is it?" He takes his headphones off to hear his daughter, his mic still on. "I'm hungry, mumma is still sleeping," She frowns. Tom looks to his computer, "I'm so sorry Lisa, could you give me a moment, I just gotta take care of my girl!"

"No no of course! go for it Tom!" The lady chuckles as Tom gives her a grateful smile before he gets up, scooping up Elsie in his arms. The second he walks out the door, you walked out the door as you look at the two confused.

"I thought you had an interview to do?" You chuckle as you caress Elsie's cheek who was still in Tom's arms. "Yeah, I'm in the middle of it, Elsie came in saying she was hungry," He chuckles as your eyes widen as you look at him.

"I didn't want to wake you up mumma," Elsie says as you melt at her comment, " It's okay, baby," You cooed as Tom let's her down on the ground. "Go, go back to your interview I'll make breakfast for us all," You shoo him away but not before he quickly steals a kiss from you.

After the interview finished, Tom walked out the door and the scent of pancakes wafted in the air as he felt his stomach automatically rumble. Walking down the stairs, he could hear soft giggles making him smile.

"Smells good," Tom says as you and Elsie look over to him, Elsie quickly getting out of her seat and running to her dad who lifts her up. "How did the interview go, darling?" You smile as you flip a pancake, "Good, it went great," He comes up behind you, pressing a kiss on the side of your head.

[redcherrykook]

── .˗ˏˋ ♡ ˎˊ˗ TENSION DEGREE 05

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College roomate!Jungkook x college roomate!reader- fwb 2 Lovers

text messages here

You find yourself having to share your room with a very sexually active medical science major who so happens to fancy you. Good thing he´s as charming and spontaneous as you, leading to many crazy parties and places you probably should not be hooking up at. When Jungkook started ignoring all his booty calls after accidentally calling someone by your name, unable to fuck away the thought of you, he knew he was cooked. Would he really leave his playboy antics for that sweet company of yours?

series- five!

content: mild slow burn- fwb2l, roomates, mutual pining, player jungkook that falls devoted to reader, cocky!JK, Confident!reader, psychology major reader, banter, parties, lots of smut (duh), only one bed trope, skinny dipping, roadtrip vibes

episode- warnings: sexual content, feelings of shame and jealousy

Taglist: @khadeeeeej @ot7stansthings @whoa-jo @smoljjks @stvrlighytt @nono13bnd @jungshaking @junniesoleilkth @deepikhaprakash @rockstryoon @tatamicc @jjeonjjk7 @kookieandjoonberries @jcrl99 @httpjeonlicious @wnteraezz @aphrodyteeth @miniesjams32 @emojkoo @katie-tibo @user-190811 @massivebearharmony @hoseokteardrop @hoseoksluv89 @hoseoksluv90 @kooksdreamer

────୨ৎ────

you weren't different.

Stupid,

You thought, immediately recognizing a grip on reality returning after witnessing the familiar rocking of the bed against the wall,

You weren't different,

The precious groans and words of affirmation he uttered when looking down at your vulnerability, they weren't more genuine, more exclusive with you

You could hear them being said to this other girl after all, hearing and recalling every noise,

Probably able to guess what made him elicit these noises

Even when you're standing in the kitchen, making dinner for yourself and none other than the man inside your bedroom

Unknown, this feeling of disappointment is really unknown to you.

Why were you disappointed in the first place?

He never agreed to be exclusive. Why would he be?

You're not dating, and after all, he's still Jungkook

Maybe it was the letdown after falling for the sweet lie of finally being worth treasuring you, you and you alone

Jungkook didn't do anything wrong by continuing to do something he never agreed to stop doing in the first place.

You sigh, writing a note next to the pan of stir fry

Then, you leave the house, finding escape in your studies, just like you always did

Just like he should be too, that had been the plan for a couple days now,

Instead, he´s busying himself with something more suited to his enjoyment, fucking someone in place of sticking with his best friend.

great.

Jungkook, on the other hand, looks down at the woman beneath him,

Concentrated on the pressing feeling of his release nearing,

He utters some words he's so used to saying, unsure who he is even saying them to,

To be fully honest, he's not looking at their face either

He's deep in thought, thinking of the way you were wrapped around his dick just last night,

The sole reason for him agreeing to this quick fuck was to prove it to him,

Prove himself that he wasn't utterly obsessed with you, your body, the way you managed to make him adore you,

Prove that his ability to have a boner didn't rely on his best friend being near him in any way,

At this point, even your voice, hell, even your vanilla musk scent was enough to make him cum,

Maybe that's why he chose to change the sheets first, getting the slightest inhale of your homey smell

His eyes fall shut, trying his best to drown out the noise of whoever is beneath him,

He's a jackass, a total bastard for using this poor girl to reassure his stupid ego,

Just to fail in the end,

"god y/n fuck.." he mutters,

Everything freezes for a second,

There isn´t a mistake, a hallucination like he had hoped it had been once he saw the poor girls reaction

"What?" She stutters, scooting up under him, tears brimming at the corners of her eyes,

He sighs, stuttering while running his hands down his face, sitting at the edge of the bed

Fucking embarrassing.

Fucking heartless, a nice girl, fallen victim to Jungkooks reckless behavior

Did he seriously call someone by your name while being deep into them?

Yes, yes he did and there is no denying it.

"Look i- i'm sorry.. please get out okay? I'm sorry" without knowing what else to say, he averts her hurt expression

She laughs, anger boiling beneath the aggressive snatch of her clothes that she throws over easily,

deprived of another word to spare for him, she leaves

Rightfully so

Leaving him alone to sit in shame and disbelief,

and many, many thoughts he had been trying to avoid

(txt message insert for the next part to flow better!)

"I don't understand how I'm supposed to memorize all this" he groans, smashing his head back into the thick biology book

"Let me see" you push his head to the side, he lays flat on his cheek, soft eyes looking up at you

Remembering what what happend earlier when he was laid in bed with a pretty girl he didn't know the name of,

He could only remember yours, rolling off his tongue ever so smoothly

Replying to your messages as if he had been, indeed, in the middle of something when really,

all he did was lose his mind over you.

"I guess you could write sticky notes and hang em up around the house?" your nose crinkles with a small laugh,

"It really is a lot" you continue, humming and resting your head on your hand

Jungkook sighs, smashing his head against the book one more time before speaking,

"I could but, that's so fucking nerdy"

You roll your eyes,

"Ah yeah, can't get a boner when a girl's over if all you see is organ failure key points"

He snorts, pushing your shoulder with his fist,

He wouldn't have any girls over anymore, although he can't tell you that,

When his phone dings the next time, he had decided to call off his hook-ups

All this time, quick, phyisical satifaction was all he had known and, in all honesty,

It was enough.

Love, the real, head twisting, gut wrenching type,

The times that make you wait like an idiot for a text, make you spend your money on someone else's happiness and only being able to know their body, theirs only,

It's too forgein, too complicated,

Jungkook thought so, bothersome and over the top

Until, for the first time, that is all he wanted.

To know every little thing about your responses, your bodies little secrets, to be the only one that gets to touch your skin,

To listen to your idiotically long voice messsges,

He found that maybe, waiting for your text and spending extra money because you preffered purple grapes over green ones,

Maybe it wasn't as annoying

Maybe commitment isn't as crazy unimaginable,

It is however, a hundred percent more scary than anticipated

His stomach drops when his phone does ding,

"Oh? Gonna leave to get your dick wet?"

he groans, typing out his responses with sweating hands,

Shit, would he really be able to keep this up?

"No bunny, stop acting like sex is all i care 'bout, it's getting old" he says,

You keep annotating the notes while talking to him, hoping that he wouldn't actually leave

"I think i have every right after you almost ditched me"

His phone shuts off and is placed back on the table,

Suddendly, you feel his palm feel it's way up your exposed thigh, pressed firmly on the uncomfortable library seat,

"Awhh.. i'm sorry princess, keep being so jealous it turns me on"

The color rushes to your cheeks, embarrassingly so while your jaw tightens,

"Kook, it´s too risky here" you whisper, feeling his fingers dance along your upper thigh, moving dangerously close to the edge of your panties

"no one's here anyways" he whispers back, breath fanning hotly over the skin of your neck while his index finger rubs along your clothed clit,

Your hand grips onto his wrist, biting on your lip to surpress a small moan,

Two other people at the very back weren't watching you, too focused on their work to even come up with something like what was happening right under your table,

Looking at them did feel exciting, the pleasure intensifying with each little touch of his

"Shit are you crazy? Did that really work you up" you manage to mutter, trying your absolute best to sound even the slightest amount of serious,

That didn't work, instead, your voice came out as an unstable whine

He responds by kissing softly along your neck,

"Mhm, that and this damn skirt, can't wait to lift it up while i bend you over"

This time, you do moan, very quietly, two of his fingers are now slipped under your panties, rubbing small cricles on your clit and sliding down your slit to gather some sweet slick,

"Look at you, so wet for me. Let's take this home, wanna listen to you more"

"I can't believe you sometimes" you grin as he finally withdraws himself, sucking his fingers clean,

The way he keeps looking at you makes you want to literally drop to your knees this very second

"You're so sweet" he says, refering to either your personality sarcastically or literally in context of tasting your juices,

Doesn't matter, once your eyes meet his thick bulge so greatly on display inside his baggy jeans, every thought disappears other than wanting to go home as fast as possible

And so you did, hastily packing up and running hand in hand back to the dorm,

giggling and dragging each other like there was a storm out to get you when in reality, there wasn´t a single cloud in sight.

The rush didn´t stop when the door to your shared space finally opens, he kisses you like you´re his oxygen,

pressing your back against the closed door, one hand holding your jaw while the other is occupied with the familiar route of your body,

His tongue slips into your mouth with soft groans of his own, wrapping around your tongue,

then, with a gasp escaping your busy lips, he holds your waist tight, lifting you up and practically jogging to the bedroom,

you chuckle, parting from his soft lips to take a look at his eager, needy face,

Met with his big, round eyes and that plump, wet glaze on his pretty lips,

he smiles, "you´re a good kisser, have i told you that?" he says while letting your body down on his bed, climbing right back over you,

"I bet you say that to every girl kook" your reply is a joke as much as it it serious, hands finding his messy long strands to play with, keeping your gaze locked on the tiny mole beneath his lip

His face falls momentarily before turning into a cheeky smile, almost as if he had remembered not to show his disappointment,

"I don´t, i do a lot but lying isn´t one of those things"

In that very moment, the both of you think back to earlier,

Jungkook recalls being in this bed with someone he wished was you,

so he smiles, finding comfort in the reality of it finally being you he´s loving on, being able to touch every inch of your beauty and pretend like you like him back, fuel that idea of his whenever you moan out the sound of his name

but when he leans back in,

the sounds of his pleasure ring in your head, alongside the hurt of feeling humiliated by something that was secretly growing inside your heart,

"I´m sorry kook, can.. we stop?" you whisper, the skin on your body crawling with discomfort,

his eyes soften, wrapping his arms around you and letting your head fall on his shoulder,

"What´s wrong bunny?" he asks, gently threading his fingers through the strands of your hair,

it´s soothing, loving, like something he shouldn´t be doing.

you sigh, torn between wanting to be honest and protecting the playful, physical fun of your relationship that could be ruined by even the slightest admission of your feelings

you settle for a half truth,

"feels a little weird to be the second girl in this bed today"

Feels painfully embarrassing to be hurt over your fuck buddy engaging in his normality,

feels like you´re getting laughed at for believing this would only be sex, nothing more,

foolish little you

He hums, tightening his arms around you,

i only thought of you, she left because i called her by your name,

he so desperately wishes he would have the guts to mutter these words out,

"I understand, I´m sorry. You´re special to me, I don´t want you to feel like this" he says instead, settling for words that go much deeper

a new, small flower of hope is planted inside that naive heart of yours,

watered by the kiss he presses to your head.

[genericpuff]

Lore Olympus just pulled off the biggest whiff in webtoon history.

I promised I would choose one of two headlines and of course, this is the one we wound up with. But should we really be surprised? Rachel herself seemed to be telling on herself down to the minutes leading up to the finale, fully confirming to us that yes, she's been writing this comic at the last minute, by the seat of her pants, for ages now.

(that second one was literally posted TWENTY FUCKING MINUTES BEFORE THE COMIC UPDATED.)

Welp, let's get into it. Possibly the last essay I'll ever write about this dumpster fire of a comic (but probably not, let's be real LOL)

CONTENT WARNING: DISCUSSION OF SEXUAL ASSAULT AND FASTPASS SPOILERS FOR THE SERIES FINALE AHEAD!

Holy crap, where to even start with this. I knew it was going to be bad. I knew it was going to be rushed. I knew it wasn't ever going to live up to what I had hoped it would be years ago when I was still a diehard fan.

But I didn't think it was going to fall quite this hard. Despite bracing myself for the worst, Rachel has once again let my expectations down through a final display of explosive mediocrity and disappointment.

Yes, the episode is called "You're Welcome", and yes, that instant "ick" you're feeling is the exact same as what we're all feeling. This title plays into the dialogue later, but what a shitty, lowkey mean-spirited title for the series finale.

Now, before we get into the actual episode, the WT ads for this are just... so desperate and misleading.

They are trying SO HARD to hype up something that isn't there, and at the last minute to boot, because Rachel definitely hadn't written any of this ahead of time.

First off, the bit about the gods being in "eternal chaos" of course isn't a stake worth worrying over because Gaia literally does away with Ouranos in the first 5 panels.

Did you really think I was joking about that 5 panels thing?

That's it. That's the death of Ouranos. As mysteriously and quickly as he arrived, he was gone, after Gaia ripped out of him what appeared to be some purple sunny side up - but it's actually, in fact, Apollo.

And that's when we start to get some of the worst dialogue I've ever seen throughout LO. Remember when I said LO's dialogue was like Shenmue 3? Welp, the finale decided to continue that tradition and further fuel the suspicion that this entire thing was written by ChatGPT.

Oh, by the way, that "thank you, ma'am" was Artemis' first and last line of the episode. So once again, just like in Episode 248, we're completely robbed of her reaction to Apollo being a rapist piece of shit and the character development she could have had as a supporting character. The women in this "feminist retelling" really couldn't be more half-baked.

Gaia stumbles upon Persephone, and I'm not even gonna fucking bother showing the panels where Gaia says it's time to "make things right" because they literally don't matter. Why don't they matter? Because Rachel just had to get in one more pointless time skip.

We're shown a sequence of pointless images that I'm not gonna show as I don't want to waste my image limit on them, depicting Hades having a sad day because his small wife isn't with him and oh nooo what could have happened?? Did Persephone finally divorce him ??

Nah, we couldn't possibly have an actually happy ending in this comic. Instead we get a completely pointless phone conversation between Hades and Hecate-

Not only is the grammar particularly bad in this episode, but the actual script-writing is atrocious. We literally did not need this phone conversation to happen because-

-we're cutting BACK TO THE PRESENT THAT WE JUST CUT AWAY FROM FOR A 3 MONTH TIME SKIP. FOR NO REASON BESIDES SHOWING HADES BE SAD OVER SOMETHING THAT ACTUALLY ISN'T THAT BIG A DEAL, AS YOU'RE ABOUT TO SEE.

I- I LITERALLY HAVE NO WORDS. I HAVE NO WORDS TO DESCRIBE WHAT THE FUCK THIS IS. ALL I CAN HEAR IN MY BRAIN IS THE LEGEND OF ZELDA ITEM GET MUSIC-

-BECAUSE THIS WHOLE THING SUDDENLY SOUNDS LIKE SOME CONTRIVED FETCH QUEST. WHAT DO YOU MEAN HADES AND PERSEPHONE HAVE PROVEN 'TRUE LOVE' IS REAL? WHAT DO YOU MEAN THEY HAVEN'T USED 'LOVE' AS A FORCE FOR DESTRUCTION?? ARE WE FORGETTING THAT HADES MUTILATED A GUY IN THE NAME OF 'LOVE'? THAT PERSEPHONE LITERALLY INVADED THE HOME OF HADES' CANONICAL FIRST WIFE BECAUSE SHE FELT MILDLY THREATENED BY HER?

This whole concept of "true love" that Rachel is trying to convey feels so juvenile especially for a series that has sold itself as being mature and thought-provoking and progressive.

HAHAHA SO FUNNYYYYYYY why does Rachel write like this. this is, at best, the writing of a 13 year old on fanfiction.net, which I SHOULD KNOW, because I WAS ONE OF THEM. BUT I'M 28 NOW AND RACHEL HAS ANOTHER 10 YEARS ON ME.

Okay, this is the part where I'm CONVINCED Rachel either just mashed this into the episode in the MINUTES leading up to its release, or she used ChatGPT or something. Because NONE of this dialogue makes any sense. Beyond how stilted and lifeless it is (seriously, this dialogue reads like something from Empress Theresa) Gaia is clearly meant to 'replace' Erebus here which I SHOULDN'T HAVE TO EVEN EXPLAIN IS SO FUCKING DUMB, but ALSO what is even Persephone trying to communicate here? "That is true, but it was a deal I was willing to make and ties me to the Underworld. Please don't change me." What? Gaia hasn't even insinuated that she's going to do anything to Persephone, why is Persephone immediately jumping to this conclusion? What does 'changing' her mean? Is she asking Gaia not to force her to sacrifice something (which she never did)? Or is she asking Gaia not to strip her of her Underworld status? Because again, why is that even something Gaia would do?

Maybe this is harsh but I'm pretty sure even Empress Theresa is more coherent than this, what in the flying fuck is Gaia talking about?

"I can just see the potential for conflict! To relieve you from the burden of the whats, the hows, and wheres." Like... okay, first of all, that second sentence isn't even a complete sentence, it's a dependent clause left hanging, but also what the fuck does this MEAN. Is she EXCITED for the conflict but then contradicting herself by saying she wants to relieve Persephone of that conflict? Or is she saying she can see the conflict it would cause for Persephone to have to perform duties in both realms and trying to insinuate that she's going to relieve her of those complications?

Here's what I think happened - I think that second 'sentence' wasn't supposed to be a sentence, but the start of the sentence to the next panel-

So with that theory in mind, the sentence becomes, "To relieve you from the burden of the whats, the hows, and wheres, you are to spend three months in the Mortal Realm to do spring and the rest of the year in the Underworld. That seems fair to me."

It's still a very poorly written line of dialogue, but at least with that fix in mind it makes sense. But man, you can really fucking tell this episode was submitted at the last minute because that's a serious syntax error that should NOT have happened in this two-time-Eisner-winning comic.

Errors aside, it's clear that Rachel is following through on having Persephone spend only three months in the Mortal Realm, rather than the traditional six. There ARE other translations that have that number closer to four, but those four are the time she spends in the UNDERWORLD, meaning she's always spending either equal or MORE time in the Mortal Realm. Of course, Rachel doesn't want her self-insert small wife power fantasy to actually have to be separated from Hades despite this being a retelling of The Abduction of Persephone, so instead of her spending three months in the Underworld, she's now spending them in the Mortal Realm, literally doubling the MINIMUM amount of time (four months) she was originally meant to reside in the Underworld.

But oh no, apparently those three months are STILL NOT SHORT ENOUGH FOR PERSEPHONE-

Of course, Rachel "Retcon" Smythe had to have her cake and eat it too. I always worried something like this was a possibility, but I never thought she would actually prove me right - not only is Persephone only separated from Hades for three months out of the year, but actually he can visit her any time he wants to, so really, they're not separating at all.

I think Rachel needs to look up "reunion" in the dictionary, because if you can visit each other any time, then that means the 'reunions' are no longer special occasions. This completely removes any semblance of depth or meaning from all of the storytelling leading up to this, all of it with the expectation that this was a retelling of the Abduction of Persephone, because that's what Rachel said it was going to be. At this point it's safe to say that Rachel has zero business attempting to "retell" mythological stories, because she doesn't even seem to grasp the concept of why they were written the way they were to begin with. Either that, or she really just doesn't care, and the only reason for making LO a Greek myth comic at all was to propel her career.

This also brings me back to those promotional ads, the other one that posed the question, "Will sacrifice be enough to bring these two back together?"

This is stating the obvious, but I need to make it perfectly clear - Hades and Persephone have never sacrificed a single thing. The only thing they could POSSIBLY quantify as a "sacrifice" is "not being tied at the hip for a few hours", because even Persephone going on the equivalent of a work trip next door is apparently enough to make Hades sad as we saw in the 3 month time skip panels. Why is Hades so sad and lonely if he can visit her any time? Why is he acting like he hasn't seen her in years when he's actually on his way to reunite with her? Why is Hecate calling to ask him if he's "okay" as if he JUST got separated from her, but actually he's about to literally go to the Mortal Realm to reunite with her?

Hades hasn't 'sacrificed' a damn thing, neither has Persephone. They've both always gotten exactly what they wanted, even at the cost of breaking the story's own established rules. Their 'sacrifice' is equivalent to what billionaires think are 'sacrifices' when they can't buy another yacht or go on that third overseas vacation for the month.

And even outside of this episode, when have these two ever sacrificed anything?

I've tried so hard to think of what sacrifices have been made by the characters within LO, and I genuinely can only think of one - and that was when Artemis chose to go to the Mortal Realm with Persephone instead of staying with her family in Olympus. That was a genuine, selfless sacrifice, made by a character who has been shelved in favor of focusing on the self-centered pink and blue airheads.

Being forced to be apart for a couple days to do the equivalent of a day job and whining about it the whole time is not a 'sacrifice'. Neither of these characters have ever sacrificed anything, they just feel like sacrifices because they have the integrity and empathy of soggy cardboard.

sigh Anyways, we're back in the present and Hades and Persephone immediately decide they're gonna have sex because ofc, and then we get this gem of a panel-

MMMMMM

FUNNYYYYYYYYYYYYYYYYYYYY JOKE

For some reason it's just a common thing for people to just be in Hades' home, and they can't seem to get any privacy as a result of this, but I digress. Turns out they still need to have that coronation for Persephone.

There is... so much wrong in these three panels.

First, to state the immediate issues - why the fuck are they mentioning Apollo at Persephone's coronation? Like first of all, no shit Apollo isn't gonna be there, but also, if this is supposed to be an event for and about Persephone becoming Queen of the Underworld, then why in the WORLD is Apollo even being mentioned? This is supposed to be a "feminist retelling" where the victims are empowered and heal from their trauma, but LO once again can't try to show any sort of positive growth for the victims without bringing up the assaulters and giving them screen time. It just goes to show that Rachel's idea of "healing" is purely rooted in the revenge, and not the growth. It's a very high schooler approach to this subject, hellbent on showcasing how all the meanies from the past are losers now and life just sucked for them forever, but inadvertently proving its own point that the victims haven't and can't move on because the narrative is spending so much time on caring what's going on with the abusers. It's the "I don't care! Look at how little I care! I'll prove it to you by putting in the effort of showing you how little I care!" approach, it doesn't really feel like moving on.

It's not about how Persephone and his other victims could have grown and healed, no, Rachel always needs to highlight just how much worse the bullies and haters and abusers are doing to make the victims seem like they've healed by comparison. Don't get me wrong, I can understand wanting to showcase the downfall of a character like Apollo, but this just... isn't the right context for that? Because it's once again taking attention away from the victim to focus on the abuser. It's once again spending screentime on the voices of the oppressors rather than the oppressed.

And speaking of, what the fuck is this punishment even? I knew Rachel wasn't gonna be able to resolve this plotline properly, she never had the capability to, but ... community service? Are you fucking for real? What is this even a punishment for even? Was this EXCLUSIVELY the SA, or does this ALSO include his attempts to overthrow Zeus by poisoning him, nearly killing Daphne, Eris, Eros and Psyche, trapping Eros and Psyche in an enchanted basement, and framing his father's 'death' on his half-sister? Because if so, how in the world is anyone content with community service? He hasn't even been turned into a mortal, HE'S STILL A GOD, so what's to stop him from going "WE'LL MEET AGAIN, SPIDERMAN" and trying something else? How is this a reasonable resolution in ANY context?

This is why I talked at length about what an issue it was to hide what Apollo really admitted to. Because now we really don't know what exactly he confessed to, and thus we can never really see the point of views of the victims outside of just Persephone - and we still don't even get Persephone's, because she just walks away from him and then he gets eaten by Ouranos and next we see of him is him doing community service! Once again, any emotional development that could be given to Persephone and the other victims is stripped away to make room for the point of views of the oppressive men. In this, the two-time-Eisner-winning "feminist comic" that is LO.

And that brings us to the "where are they now" segment. Yes, as we all feared, there's a "where are they now" segment, and it's as rushed and underwhelming as we ought to have expected it to be.

There is just... so much to unpack here, and yes, all of it is delivered in the dumbest way possible that only raises more questions than answers.

So Rhea and Metis are just back and we're not gonna talk about the implications of them being alive again?

Dionysus is a 3 month year old in the body of a teenager / young adult, and his mom is just alive now because Hades conveniently got his hands on more ambrosia and brought her back to life offscreen? But somehow Triptomelus and Hedone are still child-sized relative to their ages?

How did they 'heal Zeus'? And why is he so content with losing his power as King and Apollo being sentenced to community service after making an attempt on his life? How does he feel about the letter that Hera gave him? Did he even read it?

Where the fuck is Hebe in all of this? Is she okay? Do people still think it was her who put Zeus in a coma? Or did Apollo confess to that, too?

You're telling me Hera and Echo are just in a relationship now despite the fact that Hera is literally racist towards nymphs and there is ZERO reason for them to have a relationship in the comic beyond the fans making gratuitous headcanons out of it? How is Rachel, a bisexual woman, so bad at writing actual lesbian relationships and giving them the same amount of attention as the heterocis ones without shoving them into the background as props for insincere queer rep? And what about Hera herself? How did she overcome her role as the Goddess of Marriage to finally divorce Zeus?

"Ares is still a dog!" Haha! Ares is still a Persephone simp! Happy end!

Why is Eros just standing there smiling at the camera struggling to be seen past Hedone who's just floating right in front of him? You're telling me there wasn't a better place to put her out of that entire panel?

"Hades and Thanatos have been making more time for each other. Sometimes they even have a conversation." I'm sorry, is this supposed to be funny? The man abused Thanatos for years, treated him as just a lowly employee when he was literally his adopted son, and now you're trying to play it off as a joke that they're "making more time for each other"? What the fuck is this?

TGOEM disbanded? Why? What about the women who were genuinely a part of it?

Also, Artemis and Selene are just good friends now because reasons? Because they're both affiliated with the moon, I guess? Why is Selene even in this comic-

"They are still looking for Kassandra". Who? And why? This feels like such a last minute addition to acknowledge a character that the comic spent WEEKS foreshadowing only to have her finally appear as a pointless McGuffin, but it's so last minute that it does nothing. I'm assuming it's Eros and Psyche looking for her, but like... why can't they find her? They're gods, tracking down one mortal shouldn't be that difficult LOL ???

And also, where the fuck is Leto?? You're telling me she was an accessory - maybe manipulating Apollo, maybe not - but we don't see what happened to her? Is she just back to being a social outcast then? jesus christ this comic isn't finished-

Kassandra is where the "where are they now" sequence ends, and we're treated to one final horribly written dialogue scene between Hades and Persephone, where they tell each other how much they love each other in a desperate attempt to convince the audience that this is, in fact, a romance.

There's this thing in romances called chemistry, and if you're good at writing it, you shouldn't have to write dialogue like this. You should be able to see how much the characters love each other through their actions, through their small behaviors around each other. It's not always about what they say out loud, it's about what they don't have to say, because when two people really share that close of a bond based on love and trust and chemistry, words often aren't necessary.

Hades and Persephone do not have that chemistry. It has been apparent for years now, but this final exchange really is the nail in the coffin. There are no microexpressions or subtle emotions, no subtlety in their word choice, and nothing unique setting their voices apart. It's all just "wow thank you for being such a wonderful amazing partner, you are amazing and I love you" word salad that has to do all the heavy lifting for the completely non-existent chemistry that's been at its absolute worst throughout this entire season.

And worst of all, despite this story trying so hard to be focused around Persephone, around her story, her trauma and her healing, her voice... it's still all just about Hades. In the end, she's thanking Hades, and forcing him to say "you're welcome". All of it is trying so hard to convince us that Hades has been a positive addition to her life, that she 'owes' so much to him, but we've obviously seen plenty throughout the comic that begs to differ. And even if he were a better person than he is, it still doesn't change the fact that once again, the men are being held up above the women, with the women being grateful to the men who choose them. LO can try its hardest to convince people that it's feminist, but it is, at best, reinforcing the very same structures of the patriarchal system that it claims to despise and rebel against.

We do get one line from Hades acknowledging Persephone's part in the relationship-

-and it falls so fucking flat because it's still about him and what she does for him, and because nothing about their relationship was built on any sort of organic chemistry. There was a lot more chemistry back in S1, but it was still predicated on Hades lusting after a vulnerable 19 year old girl.

Yep, and that's it. That's the end.

Except it isn't because Rachel wanted to try and be smart by including an 'epilogue' that's really just stretching the episode out pointlessly for another few panels. And of course, we had to get another time skip, just a final dose of salt in the wound, this time to years ahead when we inevitably had to reconnect with Persephone and Hades in the future after Melinoe was born.

To recap, Melinoe doesn't remember... because Hades had Morpheus erase her memories.

This plotline has really started to give me the ick because it actually feels very familiar. Bear with me here, because I'm gonna go on a bit of a tangent about my own original work, but it's because I wrote a plotline exactly like this years ago.

There's this... turning point, in Time Gate: Reaper, when the main character Uzuki is kidnapped by a Reaper (see: undead) who wants to experiment on her in the hopes that he can somehow gain her abilities to bond her soul with others (which later allows her to literally possess people after she becomes a Reaper herself). Mitsuhiro, the male deuteragonist who kickstarts the plot by telling Uzuki she's got a limited amount of time left to live (which he knows thanks to his magical death timers that mark themselves on his skin), feels an immense amount of guilt after finding out she was kidnapped by the Reapers (at this point she's been gone for three months), as they were originally after him; he worries that she was made a target simply due to him associating himself with her, and vows to rescue her.

With the help of some other spunky teenagers and anime trope characters, Mitsuhiro does eventually rescue Uzuki - but for the three months she had been gone, she had been tortured, abused, and experimented on, causing her mind to split and for her to lose any sense of awareness of who Mitsuhiro or her other friends were. She was no longer herself after the hell she had been through.

Mitsuhiro's solution to this is to have Springlock - another Reaper with motivations that are not yet clear to the cast - erase her memory. This is not a light decision that comes without consequences - for the remaining duration of the story, Uzuki is plagued by night terrors and panic attacks, unable to really remember what happened to her aside from whatever brief flashbacks her brain recalls in its haze of memory loss. She is traumatized, both physically and mentally. She has lost three months of her life and memories, and doesn't know how to explain why she's covered in scars that are still healing, why she's missing organs, why she's now blind in one eye, and why the sound of scraping metal and ticking clocks gives her panic attacks. Mitsuhiro has convinced her friends that she's suffering from memory loss due to trauma, but only he knows the truth that he forcefully took her memories away from her, without her consent. This was not the right choice to make. It was not noble of him, it was not a grand gesture of love, he made a decision on her behalf without her consent that has now resulted in her becoming a nervous wreck. Sure, she still would have had PTSD if she remembered what happened, but at least she would know why and could then seek adequate help. Without those memories, she has nowhere to begin to heal. And so we see the consequences of this throughout [AFTERBIRTH] and even the upcoming Thread of Fate. It is a long-term problem that is not going to be solved overnight, especially not with Mitsuhiro withholding information from her.

Reading about Melinoe having dreams about her experiences trapped in Tartarus with Kronos ... it felt familiar enough that I had to talk about why the insinuations of this are so fucked up. I know there are people who are gonna handwave it away as "she's just a kid", "these are gods so what does it matter", etc. but ... it just feels like such an oversight to have Hades effectively erase her memory of her trauma and then hint at them still being present in her mind through her dreams. She did not ask for that. And the fact that she's now dreaming about it all does not bode well. But we're supposed to think Hades made the correct choice, regardless.

But none of this is effectively expanded on or explained, because we get one final scene of Melinoe and Demeter visiting Persephone, who has just given birth to... Makaria?

So it turns out Persephone and Hades are just able to have biological children now. Don't know why, but of course they both look exactly like Hades.

What I was really confused by though is the fact that it's Makaria and not Brimos. Do you remember Brimos? The child that was foreshadowed in Hades' original fantasy dream sequence about his future children about Persephone?

Either Rachel completely forgot about him, or she saw all the criticism over the fact that Brimos isn't a confirmed child of Hades and Persephone (rather, an epithet that can apply to basically any Underworld god including Persephone and Hades) and that her "research" was dependent on a book she read when she was 13 and decided to axe that. But she went to the effort of establishing that all the dreams Hades had were , in fact, canon visions of the future, so good job Rachel, you created yet another plothole on top of the hundreds of others.

And that's where the series ends, on a final nuclear-family-photo of Persephone, Hades, Melinoe, and Makaria. Of course, Dionysus and Thanatos aren't present in this shot because this is Lore Olympus and only biological children count /hj

Why Rachel couldn't move the "the end" portion to THIS part, I don't know, but I'm also expecting way too much of the person who finished this 20 minutes before it was due.

So that's it. Six years and that's what we get. I didn't expect much, but I was still incredibly disappointed, as were many others who walked away from this dazed and confused. Maybe it's all the "haters" deserve at this point. But what of the fans? While many of them are celebrating this ending at best and tolerating it at worst, I can't help but think of the fans of this comic who hung on for so long in the hopes it would "pay off", just for it to go out as gloriously as a wet fart.

As for me, I have such mixed feelings about Lore Olympus ending, but none of them pertain to the comic itself. Most of what I'll miss from this comic isn't the comic itself, but the people who have made reading it every week so fun, the artists and writers who have enriched the content with their own interpretations of what could have been, and the experiences of being part of such an amazing community made up of people who are as long-term-obsessed about this piece of media as I am.

I get people who ask me a lot if it's "worth it" to be so engrossed in the LO slander, who assume that I'm going to "regret" ever being a part of it all... but from where I'm standing right now, I couldn't ask for a better view.

Even if I didn't love every minute of it, everything I have here I owe to this comic. This stupid, wonderful, boring, amazing, pile of shit comic.