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dreamerinsilico · 2 years

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for the end of year writing asks: F P O

What stories are you planning for the future?

*vibrates excitedly*

I've got two Sandman fics that are almost done, both Dream/Hob - a slightly silly, very nerdy, very porny kinkmeme fill and a self-indulgent hurt/comfort thing.

I signed up as a prospective author for a Hannibal 'zine recently, and if accepted, I've got a couple of ideas for that. The one that has the most traction, currently, is about Hannibal trying to exorcise his attachment to Will by more creative means than eating him. (spoiler: it doesn’t work)

Other than that in Hannibal-land, I've got a post-canon longfic that's been sitting for two years that I direly want to get back to and finish, and if and only if I manage that, I've got a Hannibal-Wayward Children series crossover idea I've been percolating for over a year.

(Honestly... I probably ought to just go ahead and publish the little vignette I wrote as kind of a companion piece to the bigger idea. :P It's short, sweet, finished, and actually good. In case anyone following my tumblr actually knows both canons and cares, it's Hannibal's first therapy session with Jack Wolcott.)

What are your pet peeves in other people’s work?

I have several grammatical error pet peeves (lie/lay errors being the foremost, and unfortunately by-far most common, of those), but those just kind of make me sigh and pinch the bridge of my nose, at most. English isn't everyone's first language, and even if it is, the current state of public education in at least my anglophone country leaves much to be desired. Certainly won't ruin a fic for me.

I think the biggest pet peeve otherwise, aside from various "I vehemently disagree with this characterization" sort of things (which I think we all run into at some point), is when a story goes into a lot of depth... or "depth".... about a subject that the author clearly has no clue about, either from practical experience or research. Fics that go into detail about cooking when it's clear the entirety of the author's knowledge of the subject comes from having watched one or two Gordon Ramsay shows. Fics prominently involving characters being college professors where the author knows absolutely nothing about academia from any perspective other than maybe having been a university student at some point. That kind of thing. I'm never going to tell anyone to only write what they know, but like. Either do the research, or handwave it. Don't go into detail and then get every single detail wrong.

Do you believe in outlines? Show us one!

I do believe in outlines, for anything more complex than one or two scenes! First relatively concise one I found that isn't for something I haven't finished yet below the cut (because it's still kinda long) -

This is pretty condensed, because I wrote it both for myself and to share with @stylishanachronism because we were doing a collaboration for a Pillars of Eternity minibang event. It's for I Recall (stylishanachronism's art embedded <3).

The nutshell version of what this fic is exploring is: In the present-day, in terms of the game's timeline, the protagonist is face-to-face with the trapped soul of her lover from a previous life thousands of years ago. 99% of the fic is about that past life, and how the protagonist unwittingly betrayed the love of her life.

Events timeline

Iovara leaves the missionaries; Nephele is torn, but declines to go with her

Nephele thinks on Iovara often, sometimes struggles with the desire to leave and join

Thaos sends Nephele off to infiltrate, which she is simultaneously sick and overjoyed over. General intent to fade into the heretics and go dark with Thaos.

Reunited! Yay!

...and then Thaos personally tracks Nephele down. Whoops.

Shit starts hitting the fan, and Nephele ends up suggesting going to Ossionus due to trusting That Asshole way too much

Iovara is captured by the Inquisition and events play out as we see in the game

Actual scene outline

Establish both directly and indirectly an existing relationship between Iovara and Nephele, and a bit about what that relationship is like. Iovara tells Nephele what she has discovered, and that she intends to leave. They part with mutual regret.

Flashbacks to earlier time with Iovara

Flashbacks to background with Thaos

Nephele is sent to infiltrate the heretics. Flashbacks to angst and indecision in the time since Iovara left. Emphasis on mixed but mostly-optimistic feelings Nephele has about this situation.

Nephele is brought to Iovara and baldly confesses she was sent as a spy/infiltrator. Iovara is surprisingly (to everyone except Nephele) okay with this. They get to be happy for a bit. Nephele’s still not completely sure about this whole atheism thing, but it makes a scary amount of sense and she’s glad to be where she is.

Thaos pops up personally and makes a go at convincing her that the movement is Le Fucked, but he still cares about dear Iovara, and the only way to really salvage things is going to be getting Iovara’s people to go to Ossionus.

The trap is sprung, and they realize it too late. Nephele starts going into “holy fuck this is my fault” mode; Iovara verbally slaps her out of it and tells her to live, and to remember.

Epilogue: modern-day Acantha in Sun-In-Shadow, face to face with Iovara’s spirit. “I remember.”

#my fic #on fanfiction #thanks for memeing me!#mass-convergence #... damn i'm all up in my feelings about iovara again

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narvana27 · 3 years

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Why Jack Spicer is evil? - Analysis & Headcanon:

1. PARENTS ATTENTION:

We don't see Jack's parents on the show, only his mom was mentioned a couple of times from which we could assume his relationship with her was kind of strong and we could have even call Jack "mommy's boy".

On the other hand Jack's dad was mentioned once and once only, and it was in the first episode when he got the puzzle box gift from him with Wuya in it. When he felt disappointed that it was just a "mask" he threw it away and didn't seem bothered about the fact.

That led me to thinking there's something wrong with their relationship. Maybe Jack's dad had to work away from home, or he didn't live with Jack and his mother at all due to their divorce or something. Eventually he felt guilty about leaving his son like that so he tried to pay it back by buying him gifts. He didn't understand that it's not really the right way, so Jack thought that maybe if he's gonna get his dad's attention by doing something "disturbing" he's gonna spend more time with him. Eventually his whole family was way more supportive than he would have thought (like when his grandma gave him his flying backpack) and they thought that it's just a "phase" so they didn't do anything with him turning "evil".

2. BEING BULLIED:

I think we can all agree that, unfortunately, Jack is "good material" to be bullied and made fan of in school. He's albino with red hair, he's dressing differently (goth style) than the others and he has "weird" passions like building all of these robots and stuff. Also his silly and unique personality wouldn't help with him trying to fit into any of the "groups" in class and school. So, because he was so bullied he raised hateful feelings for all of the people who ever made fun of him, so he wanted to have his revenge on them one day. He wanted them to be afraid of him and he wanted to be finally admired and RESPECTED.

3. FAME/BEING FAMOUS:

Many people have a desire to be famous and well known for one reason or another. Either it's money or just pure joy from being someone who many people around the world know the name of. But usually people are known for SOMETHING.

Some sort of talent like singing, acting, being good at sports etc. But Jack wasn't good at any of those things! All he was interested in was building robots and different kinds of machines, but you can't get famous for that! I mean you can, but amon! How many famous scientists can average people name? Like what, Einstein, Hawking? Maybe also Tesla (but most of them will think about the car now🙄) So yeah, that is not making the cut! But, who else is well known around the world who doesn't have to have a talent, but is respected and the whole world knows who he is?... A Politician, right?! Yeaa, but you know who is even "better" and well known and famous and RESPECTED than a normal politician? That's right - A dictator. A tiran, like those one's you're thinking about right now. See? U dont need a name, and u already know who I am talking about. And that's what Jack Spicer wants. The power. The respect, the fear of people by only looking at him. Being seen, heard and well known everywhere he goes.

4. HIS IDOLS:

Somehow Jack didn't know anything about Wuya or shen gong wu, but he heard and read something about Chase Young and Hannibal Roy Bean. Ofc he could have dive into the word of "villains" and evil after meeting Wuya, but.... My point is that if he somehow knew about Chase and Hannibal before Wuya then they could be his idols, and people he wanted to be like one day. If he heard about them after Wuya, when his decision about this evil path was made, they could have been one more reason why he stayed in that path and didn't quit - Because he wanted to be like them SO. BAD. They (especially Chase) were his idols, mentors and influence of his. He wanted to be just like them, or even WORSE.

#xiaolin showdown #xiaolin #jack spicer #wuya #Why Jack Spicer is evil #Xiaolin Showdown analysis #Xiaolin Showdown headcanon

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aion-rsa · 3 years

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Doctor Who: Perfect 10? How Fandom Forgets the Dark Side of David Tennant’s Doctor

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As recently as September 2020 David Tennant topped a Radio Times poll of favourite Doctors. He beat Tom Baker in a 2006 Doctor Who Magazine poll, and was voted the best TV character of the 21st Century by the readers of Digital Spy. He was the Doctor during one of Doctor Who‘s critical and commercial peaks, bringing in consistently high ratings and a Christmas day audience of 13.31 million for ‘Voyage of the Damned’, and 12.27 million for his final episode, ‘The End of Time – Part Two’. He is the only other Doctor who challenges Tom Baker in terms of associated iconography, even being part of the Christmas idents on BBC One as his final episodes were broadcast. Put simply, the Tenth Doctor is ‘My Doctor’ for a huge swathe of people and David Tennant in a brown coat will be the image they think of when Doctor Who is mentioned.

In articles to accompany these fan polls, Tennant’s Doctor is described as ‘amiable’ in contrast to his predecessor Christopher Eccleston’s dark take on the character. Ten is ‘down-to-earth’, ‘romantic’, ‘sweeter’, ‘more light-hearted’ and the Doctor you’d most want to invite you on board the TARDIS. That’s interesting in some respects, because the Tenth Doctor is very much a Jekyll and Hyde character. He’s handsome, he’s charismatic, and travelling with him can be addictively fun, but he is also casually cruel, harshly dismissive, and lacking in self-awareness. His ego wants feeding, and once fed, can have destructive results.

That tension in the character isn’t due to bad writing or acting. Quite the contrary. Most Doctors have an element of unpleasantness to their behaviour. Ever since the First Doctor kidnapped Ian and Barbara, the character has been moving away from the entitled snob we met him as, but can never escape it completely.

Six and Twelve were both written to be especially abrasive, then soften as time went on (with Colin Baker having to do this through Big Finish audio plays rather than on telly). A significant difference between Twelve and Ten, though, is that Twelve questions himself more. Ten, to the very end, seems to believe his own hype.

The Tenth Doctor’s duality is apparent from his first full appearance in 2005’s ‘The Christmas Invasion’. Having quoted The Lion King and fearlessly ambled through the Sycorax ship in a dressing gown, he seems the picture of bonhomie, that lighter and amiable character shining through. Then he kills their leader. True, it was in self-defence, but it was lethal force that may not have been necessary. Then he immediately topples the British Prime Minister for a not dissimilar act of aggression. Immediately we see the Tenth Doctor’s potential for violence and moral grey areas. He’s still the same man who considered braining someone with a rock in ‘An Unearthly Child’.

Teamed with Rose Tyler, a companion of similar status to Tennant’s Doctor, they blazed their way through time and space with a level of confidence that bordered on entitlement, and a love that manifested itself negatively on the people surrounding them. The most obvious example in Series 2 is ‘Tooth and Claw’, where Russell T. Davies has them react to horror and carnage in the manner of excited tourists who’ve just seen a celebrity. This aloof detachment results in Queen Victoria establishing the Torchwood institute that will eventually split them apart. We see their blinkers on again in ‘Rise of the Cybermen’, when they take Mickey for granted. Rose and the Doctor skip along the dividing line between romance and hubris.

Then, in a Christmassy romp where the Doctor is grieving the loss of Rose, he commits genocide and Donna Noble sucker punches him with ‘I think you need somebody to stop you’. Well-meaning as this statement is, the Doctor treats it as a reason to reduce his next companion to a function rather than a person. Martha Jones is there to stop the Doctor, as far as he’s concerned. She’s a rebound companion. Martha is in love with him, and though he respects her, she’s also something of a prop.

This is the series in which the Doctor becomes human in order to escape the Family of Blood (adapted from a book in which he becomes human in order to understand his companion’s grief, not realising anyone is after him), and is culpable for all the death that follows in his wake. Martha puts up with a position as a servant and with regular racist abuse on her travels with this man, before finally realising at the end of the series that she needs to get out of the relationship. For a rebound companion, Martha withstands a hell of a lot, mostly caused by the Doctor’s failings.

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Series 4 develops the Doctor further, putting the Tenth’s Doctor’s flaws in the foreground more clearly. Donna is now travelling with him, and simply calls him out on his behaviour more than Rose or Martha did. Nonetheless the Doctor ploughs on, and in ‘Midnight’ we see him reduced to desperate and ugly pleas about how clever he is when he’s put in a situation he can’t talk himself out of.

Rose has also become more Doctor-like while trapped in another reality, and brutally tells Donna that she’s going to have to die in order to return to the original timeline (just as the Doctor tells Donna she’s going to have to lose her memories of travelling with him in order to live her previous life, even as she clearly asks him not to – and how long did the Doctor know he would have to do this for? It’s not like he’s surprised when Donna starts glitching). Tied into this is the Doctor’s belief in his own legend. In ‘The Doctor’s Daughter’ he holds a gun to Cobb’s head, then withdraws it and asks that they start a society based on the morals of his actions. You know, like a well-adjusted person does.

What’s interesting here is that despite presenting himself as ‘a man who never would’, the Doctor is a man who absolutely would. We’ve seen him do it. Even the Tenth Doctor, so keen to live up to the absolute moral ideals he espouses, killed the Sycorax leader and the Krillitanes, drove the Cybermen to die of despair, brought the Family of Blood to a quiet village and then disposed of them personally. But Tennant doesn’t play this as a useful lie, he plays it as something the Doctor absolutely believes in that moment, that he is a man who would not kill even as his daughter lies dead. It’s why his picking up a gun in ‘The End of Time’ has such impact. And it makes some sense that the Tenth Doctor would reject violence following a predecessor who regenerated after refusing to commit another double-genocide.

In the series finale ‘Journey’s End‘, Davros accuses the Doctor of turning his friends into weapons. This is because the Doctor’s friends have used weapons against the Daleks who – and I can’t stress this enough – are about to kill everyone in the entire universe. Fighting back against them seems pretty rational. Also – and again I can’t stress this enough – the Daleks are bad. Like, really bad. You won’t believe just how mindbogglingly bad they are. The Doctor has tried to destroy them several times by this point. Here, there isn’t the complication of double-genocide, and instead the very real threat of absolutely everyone in the universe dying. This accusation, that the Doctor turns people into weapons, should absolutely not land.

And yet, with the Tenth Doctor, it does. This is a huge distinction between him and the First Doctor, who had to persuade pacifists to fight for him in ‘The Daleks’.

In ‘The Sontaran Strategem’ Martha compares the Doctor to fire. It’s so blunt it almost seems not worth saying, but it’s the perfect analogy (especially for a show where fire is a huge part of the very first story). Yes, fire shines in dark places, yes it can be a beacon, but despite it being very much fire’s entire deal, people can forget that it burns. And fire has that mythical connection of being stolen from the gods and brought to humanity. The Time Lord Victorious concept fits the Tenth Doctor so well. Of all the Doctors, he’s the most ready to believe in himself as a semi-mythic figure.

Even when regenerating there’s a balance between hero and legend: the Tenth Doctor does ultimately save Wilfred Mott, but only after pointing out passionately how big a sacrifice he’s making. And then he goes to get his reward by meeting all his friends, only to glare at them from a distance. His last words are ‘I don’t want to go’, which works well as clearly being a poignant moment for the actor as well, but in the context of Doctor Who as a whole it renders Ten anomalous: no one else went this unwillingly. And yet, in interviews Russell T. Davies said it was important to end the story with ‘the Doctor as people have loved him: funny, the bright spark, the hero, the enthusiast’.

It’s fascinating then, that this is the Doctor who has been taken to heart by so many viewers because there’s such an extreme contrast between his good-natured front, his stated beliefs, and his actions. He clearly loves Rose and Donna, but leaves them with a compromised version of happiness. They go on extraordinary journeys only to end up somewhere that leaves them less than who they want to be, with Russell T. Davies being more brutally honest than Steven Moffat, who nearly always goes the romance route. Davies once said to Mark Lawson that he liked writing happy endings ‘because in the real world they don’t exist’, but his endings tend towards the bittersweet: Mickey and Martha end up together but this feels like they’re leftovers from the Doctor and Rose’s relationship. The Tenth Doctor doesn’t, as Nine does, go with a smile, but holding back tears.

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

It’s a testament to how well written the Tenth Doctor is that the character has this light and shade, and with David Tennant’s immense likeability he can appeal to a wider audience as a result. It’s not surprise he wins all these polls, but I can’t help but feel that if the Doctor arrived and invited me on board the TARDIS, I’d want it to be anyone but Ten.

The post Doctor Who: Perfect 10? How Fandom Forgets the Dark Side of David Tennant’s Doctor appeared first on Den of Geek.

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#aion-rsa #Den of Geek

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astrovian · 3 years

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Richard Armitage tweets (13/09/21):

To the new owner, I’m delighted that Gizzy’s jacket found a new home. Thank you for sharing the beautiful story about your parents and for your generosity…here are some answers to your questions:

Question #1 from NJO (New Jacket Owner):

While he was filming Hannibal as Francis/Red Dragon, did he recall that in one of the first few Spooks episodes he was unpacking a box of personal items to decorate his new flat and one of the items was a photo of the Red Dragon and that Lucas was a fan of Blake’s? Question: Do you believe it to be simply a bizarre coincidence you were asked to play Francis or perhaps, could it have been kismet? Have there been any other similar kismet-like occurrences in any of your other works?

Re; Hannibal and M15 (you’re in the US!!!) I use William Blake a lot for research and inspiration but it was a coincidence.

Question #2 from NJO:

I’ve often thought that performing any Shakespearean play on stage would be quite a challenge in part due to the length of the monologues and soliloquys. In fact, it wouldn’t surprise me if Shakespeare had a hatred of actors, despite having done some acting of his own, and that writing these lengthy passages was an intentionally devious act to make life difficult for actors. RA has commented that he would like to play Richard III. Question: If you were put on the spot, say in an interview or a dinner party (presuming you weren’t too far into your cups) could you recite the opening soliloquy of Richard III by heart?

I absolutely could recite the opening soliloquy to R3. Probably would get a bit ‘paraphrasy’ according to how much I’ve imbibed!!!

Question #3 from NJO:

In almost every movie/TV show I’ve seen RA in, at some point, he picks up and carries a woman somewhere. Most of the time he’s carrying them to a bedroom. (How truly gallant of him to carry these women that are apparently so drowsy they cannot walk on their own to the bedroom to go to sleep?) Must keep this G-Rated. Question: So, Mr. Half-Century man, how is your back holding up?

My back is just fine. Looking for someone to carry me in my next role.!!!

Question #4 from NJO:

As we know, RA likes to write bios for his characters to help him realize the characters’ persona. The director of The Stranger, Danny Brocklehurst, took some of those ideas and added them to the series. While promoting it, RA stated that one of the story lines in the show was something that Richard had experienced himself. Question: Would you be willing to share what experience you and Adam had in common?

Adam Price has a conversation with Johanna Griffin (the amazing @SFinneranTV ) he tells a story about how he met Corrine; the story was peppered with real details about a time I was working in Africa. (Strike Back)

Question #5 from NJO:

RA has been filmed extensively on horseback. Actors often comment on how hard it is to get a nag to hit its mark while filming. According to the “Equine Actors Guild, **” (EAG) these beautiful stallions are well trained in their craft and their hooves do NOT miss their mark. The EAG suggests it is perhaps the fault of the actor on the back of the steed and not the mount itself. Question: Have you ever had trouble getting your hirsute, four-legged thespians to hit their mark? What about the two beautiful Borzoi in Oceans 8?

With regards to horses hitting their marks. I’ve had great experiences and made some firm equine friends on film sets. I did, however, ride a thoroughbred for a short time on Robin Hood, he knew showbiz was a step down from racing, and decided one afternoon to bail…

He tore the bit, and sped off with Gisborne on his back riding with only one rein. So the jacket might have some ‘sweat’ stains, but also I agree with the horse. Racing V Showbiz? No contest!!!

Question #6 from NJO:

WikiFeet, which I didn’t know was a thing until a minute ago, ranks RA’s feet 4.77 out of 5.0 compared to other famous people from Leicestershire. I am not a foot person and do my absolute best to not draw attention to my own feet and quite frankly I don’t notice other people’s feet, including RA’s. Question: How do inane “news” stories and rankings on such stupid things sit with you? As a shy(ish) woman, it would make me uncomfortable, and quite frankly, would chap-my-ass be I in your shoes – pun intended. At this point in your career, are you numb to the idiocy of this and can ignore it and move on with your day, or does it chap-your-ass as well, or do you adhere to the adage that all publicity is good publicity?

I rarely read anything written about myself, apart from items that are brought to my attention (by very kind friends). I try to keep my brain full of the useful stuff; there isn’t that much room for anything else.

#@njo if you follow me i know you probably wanna stay anonymous #but can i just say #well done 👏🏼👏🏼👏🏼#and also #I CANNOT BELIEVE YOU BROUGHT UP WIKIFEET #me reading that artivle about WikiFeet before I posted it: wow this is groos I hope RA never finds about this #🤣😭#@RA I swear we're not all weirdos okay #richard armitage

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ultrahpfan5blog · 3 years

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Retrospective Review: Casino Royale (2006)

So after thinking about it, I figured that with No Time to Die coming out soon, the Craig Bond era Bond movies deserve a post per film. Casino Royale is the film that got me into Bond. I had seen some of the Brosnan films by then, but they didn't really stick to me much. Perhaps also because I was reasonably young when the Brosnan films came out. But Casino Royale came out during my teen years, where I was starting to get into more dark and gritty movies. To me, this movie and Batman Begins, are cut from the same cloth. Both rebooting characters that had gotten too campy in previous iterations, both brilliant origin stories, and both grounded in reality and gritty. Its no wonder that both version of these characters ended up being my favorite versions. Casino Royale is still easily my favorite Bond film to date.

Truthfully, to me this film is near perfection as an action-thriller. For classic Bond fans who have grown up with the franchise and want specific things like Moneypenny and Q and various gadgets, this film may not be as endearing because it very specifically goes away from being gadget heavy and doesn't give Bond a support staff other than Mathis. I think the most high tech thing in the movie was a portable defibrillator. But this film had me from the very beginning in the black and white sequence and how it showed Bond's two kills to become 007 and how it reimagined the classic opening shot of Bond shooting and the blood red soaking over the screen. I just new we were in for something special from the very beginning. What's amazing is the pacing of this film. This was the longest Bond film since OHMSS at the time. I have watched all prior Bond films and I have felt restless at times while watching them, but not when watching Casino Royale. There is constantly something happening and it keeps you engaged. Not once was I bored in the movie.

The action in the film is absolutely high class. I think its the best Bond action that I have seen. The most classic scene of course is the incredible Parkour chase. Its incredibly exhilarating and major kudos to the guy who did the stunts for the bomb maker. You also get a real understanding of what a brute force this Bond is. While the Bomb maker chooses to jump through the window, Bond will burst through the wall. The Bomb maker will climb construction rods, Bond will just drive a bulldozer and destroy the construction and climb up. When the bomb maker throws the gun at him, Bond just catches it and throws it right back. Little things like that give Bond a personality that is different. But this is only the first great action sequence. There is the Miami airport truck sequence that is also brilliant. You have to love the smug smile on Bond's face when the bomber accidentally blows himself up. There is the staircase fight which is brutal and visceral. Then there is final fight scene in Venice which is emotional and tragic and is the true making of Bond. In between it all, there is the Poker game which is surprisingly entertaining given it takes up quite a chunk of time. There are also some incredibly tense sequences which are laced with humor, like the Bond poisoning scene where Bond almost gets killed and then returns with a classic one liner to leave Le Chiffre dumbfounded. There is the torture scene which is hilarious because of how Bond reacts to the torture and eggs him on in a way. The film never lets up in the action and the thrills.

An enormous part of the success of the film is the casting of Mads Mikkelson as Le Chiffre. I had not known Mads from anywhere before this, but he is immediately compelling and enigmatic. More importantly, rather than just being an all powerful villain to foil, he feels like a human. The tearing blood is a great, sinister gimmick, but you feel like he is on the edge when he loses money in the stock market due to Bond. You feel his desperation in some of the Poker scenes, as well as when the african fighters find him at the hotel, and then when he is torturing Bond to find the location of the money. I am not sure whether I like him more than Bardem's Silva or not, but its telling that the best Bond movies of Craig's era have the best villains. This film put him on the map for me and I loved him as Hannibal, saw him Dr. Strange, and I want see how he does as Grindelwald in the next Fantastic Beasts movie.

However, what elevates this film beyond any prior Bond movie is the casting of Eva Green as Vesper Lynd. She is the best Bond girl ever put to film and the romance between her and Bond is one of the most heartfelt and tragic romances that I have seen. The chemistry between the two actors/characters is electric from their very first scene in the train. The film gives them everything. There are deeply intimate scenes between the two which are not remotely sexual such as the tender shower scene where Bond comforts Vesper after the stairwell fight, many instances of witty repartee, scenes of romance, and then the bitter tragedy of her betrayal and her death. Even her death scene is picturized in a way where you really feel the connection as you can tell that Vesper can't bear to live with what she's done. The film doesn't flinch when showing her drown so it engulfs the audience in the same horror and sadness that Bond is feeling. In general, you experience the same emotions as Bond does as you can't help but fall in love with Vesper and just at the point of happily ever after, it all turns to ash. Its a phenomenal character arc and it also does a great job of establishing how Bond became so cold. Its a fantastic performance from Eva Green, and yet another instance of an actor who put herself on the map in my eyes.

And then there is the man himself. Yet another actor who I knew very little about. At that point everyone thought Craig wasn't good looking enough, not tall enough, not charismatic enough etc... to play Bond. But boy did he just blow expectations away. He is my Bond for sure because his performance is just exceptional in every way. He is built like a tank and is a force of nature, but Craig brings a tender vulnerability, perfectly suited for a young Bond. He looks dapper, is charismatic, is great in the fight scenes, and you genuinely feel he could beat the crap out of people. As I have already mentioned, there are so many touches to his performance that is unique to him. The brutality he brings in the fight scenes, the smirk at the end of the Miami scene, the heartfelt tenderness in the shower scene, the twinkly eyes humor, the rage when he is betrayed, the devastation at Vesper's death, and then the coldness that comes after that. He gets to show a full range, and he delivers every aspect with perfection.

One of the major carryovers from Brosnan era, was Jud Dench as M. And she gets a lot more to do during the Craig era. She is phenomenal as she always is. The dynamic between her and Bond is slightly more stern maternal in the Craig era compared to Brosnan and their interactions are great. Jeffrey Wright brings Felix Leiter back into the fold for the first time since License to Kill and he's a welcome presence as always. Giancarlo Giannini is also pretty great as Mathis and I'm glad he came back in QoS. Jesper Christensen has a quiet presence as Mr. White, who makes recurring appearances in the future.

I feel not enough people give Martin Cambell credit for what he has done. Twice he has launched Bonds successfully. GoldenEye was really good and Casino Royale is just outstanding. I have never paid much attention to the Bond song but the song for Casino Royale is pretty great. Again its telling that the two songs that I remember from Bond movies are from Casino Royale and Skyfall. Anyways, Casino Royale is a near perfect movie, especially for someone who is new to Bond. It really launched Bond into the modern world and got him away from the cold war era type plots. If I had to quibble about something, I would say some of the scenes in the Bahamas are a little slower and maybe 5-10 minutes can be edited down but even those scenes are great character scenes and we get a new origin of the DB5. A 9.5/10 for me.

#casino royale #martin campbell #daniel craig #eva green #mads mikkelsen #jeffrey wright #judi dench #giancarlo giannini #007 #james bond #le chiffre #vesper lynd #felix leiter #mr white #jesper christensen

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asagimeta · 3 years

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The time has come again to remind everyone that good queer representation does not necessarily equal morally good queer characters

I’ve heard that apparently there’s a renaissance of anti-Hannibal going on lately? And that + the rise in popularity of media like Helluva Boss and Killing Eve, and the addition of more openly queer charectors in existing media- from comic book based media to long-running shows like American Horror Story- I feel like this needs to be said again- not necessarily by me but I posted about it way back when Hannibal originally aired it’s finale so I figure, what the hell

Good representation =/= morally good characters

You can have both, absolutely, but you can also have them separate, and you can have all combinations of the reverse too

Ofcourse, to be clear right in the beginning, what counts as “good” representation vs “bad” reputation is going to vary from person to person, everything from life experiences to media exposure to personal opinions will dictate where you land on the sliding scale of “good” or “bad”, someone who’s consumed quite alot of queer-focused media, for example, is going to have a very different opinion than someone who’s only seen one background gay in a TV show that one time, and someone who’s a really huge fan of horror is going to have a much different opinion than someone who’s only a fan of lighter-hearted fair

With that said, in my personal opinion, the measure of good vs bad representation relies less on the character and more on the presentation of said character- less, not entirely

To get what I mean, here’s the best example I can think of:

Castiel from Supernatural is, objectively, a good charactor- if nothing else he’s morally good by most standards, certainly by the time season 15 rolls around, but his canonically queer presentation is just.... horrible, horrible representation and I’ve only met literally one person myself who disagreed with that

Cas is presented as being a really tragic figure right from the start of his coming out- the one thing in the world that would make him truly happy for even a single moment is confessing that he’s in love with Dean, even if Dean rejects him, just saying it is enough, that is..... sad

If it had been framed differently, it actually could have been very good representation, in a “I don’t need you to validate me, I’m being honest about who I am for the first time in my life and that’s enough, I’m enough” way, but it wasn’t, it was framed as pining, as “Even if you don’t love me, my acknowledging openly that I love you is enough to make me happy”, and again that could have worked if framed differently but.... it’s followed up by the infamous “Gay angels go to Super Mega Turbo Hell” thing and like.... no....

Cas is a good character who is queer, he is not a good queer character, because his existence as a queer character lasted less than five minutes and was immediately followed by literally going to what’s worse than hell for expressing his queerness

There is no way I can express the amount of levels of Bad that is, to say nothing of how Dean treats the entire experience for like.... ever... from there on out

But now let’s look at Hannibal, who is objectively a pretty bad character morally- he’s stupendously written but yeah I mean look the dude eats people there’s just no getting around that

But I would argue that he’s excellent queer representation because of how he was presented

Hannibal’s sexuality is never defined, for starters, there’s never a “very special episode” moment where he has some long-winded coming out speech, in fact we don’t quite know how he identifies but because he’s written so artfully we don’t really need to, his exact sexuality doesn’t feel like it needs to be known because, frankly, not much personal information is known about Hannibal anyway, and sexuality feels like one of those arbitrary things that he wouldn’t really care about defining

And that’s the other thing- he’s far from sexless and yet he places no emphasis on sex, he isn’t hypersexualized but he also isn’t being kept as a Ken doll to preserve the message of gay purity (because I don’t know apparently there’s a Thing some people have about how gay people aren’t allowed to be sexual???) he’s just... a person

And that’s really what it comes down to that makes him great, he’s a person first and queer second... or third.... or fourth or fifth.... it never defines who he is, it’s just part of who he is, and regardless of your opinion on Hannibal specifically, I think that is something most queer people strive for in representation

It’s great to have stories that are focused on queerness but it’s equally exhausting to only be able to have characters who’s lives revolve around their sexualities, it’s nice to go into media and go “Oh that character that I already like for these reasons is also queer, that’s so cool!”

Hannibal also skillfully side-steps stereotypes, despite falling into the category of being “polite, thin, and neat”, despite loving fine wine and fine art and fine culture, he never feels like a flamboyant theater kid with a decoration-diploma, wich is how alot of queer characters in this category can feel

His story is about alot of things and his relationship with Will is at the center of much of it, but that relationship didn’t become explicitly queer until the show was almost over- not because it was sudden or poorly written but because it was a slow build up, wich is also refreshing, as alot of times it feels like queer characters are made as explicitly queer as they’re allowed to be as quickly as they’re able to be on screen so that the show can grab those important Representation Brownie Points from episode one and either introduce a Manwhore or a Uhaul Lesbian right away and just kind of leave them in that trope until “someone comes along and changes that” or whatever, I don’t even know what straight writers do half the time, but Hannibal- as a show and a charactor- doesn’t do that, he’s just allowed to exist and tell his story, and THAT is good representation

With the heavy-handed example over with though, I want to tackle the biggest part of this entire “debate” that makes me interested in it:

Queer people are allowed to be bad people

Queer people are allowed to be lazy and unattractive and non-political and angry and jealous and yes, “bad” and evil too

Wile I DEFINITELY prefer to have morally good characters- especially after literally a century of rarely getting more than The Evil Homosexual stereotype and all it’s kin- I also don’t like the direction some people are taking this where queer people are only “allowed” to be 100% morally flawless and good and righteous at all times because it’s just so unrealistic, and because it does the exact same thing that the opposite stereotype does: Puts queer people in a box, makes us a decoration for the straight cast so that the creators get Representation Brownie Points and can’t get yelled at on Twitter, and treats us like we’re some other species (and not in the cool way like werewolves but more like... well, decorations, as I’ve said before)

And if you’re worried about the way straight-cis people perceive us due to seeing evil queer characters, you should be equally worried about how they perceive us seeing nothing but morally flawless ones

I could get into An Entire Thing about the history of Straights trying to turn queer people into what they want us to be and present an inaccurate depiction of us to their brethren for their own benefit but I’ll make it relatively simple

The old way of keeping The Queers away from their Innocent Straight Children was to turn us into villains so that we would be ashamed of who we really are and hide ourselves and pretend to be The Good Christian Folk nextdoor and not get overly political or loud or different

The new way of keeping The Queers away from their Innocent Straight Children is to turn us into sexless Ken & Barbie stereotypes so we can be ashamed of who we really are and pretend to be The Good Christian Folk nextdoor and not get overly political or loud or different

By sterilizing queerness into something they find more “acceptable”, they’re doing the same thing they used to, but now through a lens of “Aren’t you happy you get what you want? You can get married now! You can hold hands in public! Just make sure not to do any of that other crazy stuff you people get up to and you can stay at the Civil Rights Table :)”, we’re still not “allowed” to be sexual human beings, it’s just framed in a way that makes us feel like the people shunning us are on our side wile those same people are still in the corner going “Just don’t kiss in public ok?”

And I could go On about this for some time but let’s get back to the point-

Queer people are three-dimensional people and we should be allowed to be so, we should be allowed to have characterization outside of The Gay Love Interest and The Gay BFF and The Gay Butler and so on, outside of the stereotypes being imposed on us

That’s one of the main reasons I love Yuri On Ice so much, and love Batwoman so much.... and one of the main reasons I love Hannibal and Harley Quinn and Helluva Boss and Killing Eve so much, all of these things star queer characters and queer relationships to different degrees (Batwoman, for example, makes a MUCH larger point and political stance about queerness than, say, Hannibal) and they’re all about something other than queerness too, the charecters are three-dimensional and they’re not built around their sexualities or side peices for straight people

And none of them are PUNISHED for their sexualities either

Going back to Castiel earlier, stereotypes are hardly the worst of our worries when Burry Your Gays, Gayngst Induced Suicide, and Gay Guy Dies First are still alive and well- among others

From Frank N’ Furter in Rocky Horror Picture Show to Tara in Buffy The Vampire Slayer to, oh look, it’s Supernatural again with not just Cas, but also Charlie, and even arguably Dean (but that’s a much longer story for a much different time) and many many more... sometimes just having any gay charecter live through a franchise is enough on it’s own- setting the bar awfully low there but it’s still hard for a shamefully large amount of franchises to step over

In some cases like Tara, it can be pretty decently argued that the death has little- if anything- to do with queerness, but in examples like Cas and Frank, it’s pretty blatantly obvious, especially when the other queer characters in their respective franchises didn’t exactly fair well either....

Matt Baume put it best when he said that until recently, you had to choose if you wanted your only source of representation to be dead or evil, and most people chose evil

Now-a-days that’s clearly not the case as much but there’s still a heavy enough flavor of it there- and villains are just part of gay culture, dating all the way back to prohibition, queer people identified as outlaws because we literally were, so pirates and cowboys and other anti-heros and villains became a staple of the culture that’s still very much alive to this day, thus leading to another point: Identification

Straight people can identify with pretty much whoever they want- from superheros to princesses to any and every kind of villain

Tony Soprano is a horrible, horrible person but is notorious for being beloved among straight white males because he’s a projection of who they want to be- powerfull (and wealthy)

Stolas from Helluva Boss actually presents a pretty similar power fantasy, he’s part of a family who lives outside the larger part of the law, he can kill (nearly) anyone he pleases, he’s physically and socially powerfull, he’s wealthy, he has a nuclear family, he gets to screw around with whoever he wants with the only one taking issue being his wife, the only real difference is that Stolas is queer (and much more fashionable... and pleasant)

Queer people should be allowed to have those power fantasies as much as straight people are

Speaking as a bisexual female myself, I absolutely ADORE Villanelle from Killing Eve, I really don’t care that she’s a bitch or has killed an uncountable amount of people, it’s fun to project on her, and seeing a very flawed woman fall in love and be vulnerable and open herself up to a relationship and get that relationship with another woman is AMAZING to me, that doesn’t make the relationship it’s self healthy or good, but it’s still fun to watch and plays further into that identification

I love Korra and Asami from Legend Of Korra, they’re a sweet, wholesome relationship between two sweet, wholesome characters and I adore them... but I’m allowed to adore Eve and Villanelle too, even if the relationship is toxic and the characters have baggage and Villanelle is literally a serial killer

Ofcourse enjoying something doesn’t make it “good”, I enjoy alot of trash B rated (and C rated) horror movies too, it doesn’t mean I think they deserve Oscars (if that’s really the measuring stick we’re going to use), but I think when it comes to representation, it’s important to distinguish the difference between good queer character and a moral queer character, they just... aren’t the same

Light Yagami from Death Note, Bill from Kill Bill, and Joker from Batman are all just... horrible, horrible people, there’s no doubting that, they are morally terrible... but my god are they fantastic charecters- they’re interesting, they’re three dimensional (even if only occasionally in the Joker’s case), they’re well written and complex, there’s a reason why they’re iconic and why they’re still talked about decades after their introduction into the world, they are GREAT characters who are morally bad, and characters like Hannibal and Villlanelle are in that boat too, they just so happen to be queer- and there’s what it all boils down to

People being queer, not queer people

Some of the most beloved examples above like Yuri On Ice and Legend Of Korra are praised for being about people who are queer, people who have stories focused on other things and are just allowed to exist without their sexualities defining them, and the same should be said and appreciated for villains who are queer too

In an age where so much queer-focused media is about tragedy (the period lesbian dramas and Gayngst teen media for example), and so much of it is focused on the same exact aspects of queer life (coming out, dating around, getting or being married, but mostly coming out), it’s great to have characters who just so happen to be queer without those things being the center of their storylines- and without them being canon fodder or the Gay BFF, or being a terrible stereotype from the 90s that just won’t die...

And that by no means is to say you have to like these characters- not at all, there are PLENTY of objectively good/well-written queer characters who I don’t like for whatever reason- but to call them bad representation just because they’re bad people is sweeping ALOT under the rug

And I know I’ve harped alot on avoiding queer-centered storylines like coming out stories and relationship dramas, but those are fine, they have their place just like everything else, really, they just don’t need to have the only place- that does a disservice to so many other types of queer stories- for the heroes and the villains, because morality and goodness have nothing to do with one’s sexuality, just like one’s sexuality has nothing to do with morality and goodness

#other #lgbtq

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chuuulip · 4 years

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The First Kiss of Love

Pairing: Hannibal Lecter x Female Reader

Warning: Fluff with a smidges of angst

Words: 3262

Prompt: hey i was wondering id you could do a hannibal lecter one where the reader doesnt realize that hannibal likes her and she gets jealous when hes talking to another woman. when she calls him out on it he cant help but laugh. the reader is basically a oblivious dummy type and way too much of a klutz .

Summary: “Dr. Bloom is really beautiful.” your small, joyless voice continues its sentence. “Ah...yes indeed.” Hannibal replies casually.

A.N: This is for an anon that request some Hannibal fanfic. I’m sorry that it takes me so long xD I hope you like it! whoever you are ❤️ Thank you for @jewels2876 for helping me with this piece, love you ❤️ Also tagging fellow Hannibal fans 😉 @venusdemonroe and @detectivehannibal thanks for feeding me Hannibal content and discuss him with me ❤️

It’s been a couple of months since you’ve worked with Dr. Lecter. You were once a librarian; due to an accident, you lost your job as a consequence of a long time recovery. Hannibal Lecter literally was an angel or your angel to be precise. Vividly, you remember the time you met him. By chance, Hannibal is in the clinic when you do your physiotherapy. He catches a small stack of books that you buy that day. He manages to balance the books in his left hand while his right-hand catches you before your face kisses the floor.

Long story short, both of you have some sort of conversation that leads to you applying for a job to be Hannibal’s secretary. You are excited but also nervous when you do your interview. You have no idea that Hannibal is a well-known psychiatrist not only just in Baltimore but also in Maryland. There is a fear that Hannibal will not choose you because of your clumsy tendencies. You are naturally what people will call a klutz. Physical activity somewhat hinders your ability to shine among others. You are either too slow or too weak. Not to mention lucky stars seem to distance themself from you. But not that day, the day when you get an email of your employment. Hannibal is pretty impressed with your CV and how good your skills on scheduling and data management,

“Good morning.” the soft, accented voice of Hannibal greets you. Today, he wears a dark blue windowpane pattern jacket suit. He chooses a somewhat dark metallic floral pattern adorning the red-brown tie. His white buttoned-up shirt makes the color of his suit and ties pop. Hannibal always dresses elegantly, something that you always look forward to seeing.

“Good morning, Dr. Lecter.” You stand up and follow Hannibal inside his office. He takes a seat on his brown leather chair. Everything looks immaculate as always.

“Schedule for today?” he unbuttons his suit jacket and you quickly help him hang the suit. “Thank you, my dear, you didn’t need to do that.”

“It’s alright Dr. Lecter.”

Sometimes when it’s only you and Hannibal in the office, he accidentally calls you my dear. You aren’t sure if it's because that’s the way he usually addresses someone he is in contact on a daily basis, or it means something more? Oh, you wish.

“Dr. Lecter…, for this morning you will have two appointments. Mrs. Potter and Ms. Randall. Also-- Mr. Franklin said he might need to reschedule.” Your slightly breathy voice points out other appointments Hannibal has outside the office. Your work had become kind of a blend between his secretary and personal assistant, to be honest. It was actually Hannibal's idea to engage you more into work that’s not strictly his office related. Not that you are complaining because it let you take a peek on Hannibal’s other persona. Not to mention that the payment is pretty generous.

Not once does Hannibal ask your input on what type of thing should be added in his office, and by that, you are pretty proud of yourself. Not a lot of people give any thought about your opinion. Although Hannibal, like when his office has this sleek look and somewhat minimalist style, he always mixes something that you could say was classic inside his office. You have been inside his office quite a lot, but sometimes you help him tidy up his books and document. He’s somewhat more of a hard copy type of person than a soft copy one. Like you. You like the smells of an old book although some of Hannibal’s books smell too clinical for you. Like the smells of a hospital or a place with a lot of disinfectants.

Pretty proud of your experience as a librarian in the past, and knowing Hannibal is a perfectionist himself, you practically turned the side of his office into a perfect mini library. The medical record shorts are alphabetically arranged while his other books are listed by genre, then in an alphabetical manner as well. When Hannibal stays longer in the office, sometimes you catch him drawing. A hobby that he said he has since childhood. One day he told you, “Growing up, I found my hobby really useful when I decided to be a medical doctor.” and you can’t help but agree. After he finishes with what he sketches at that time, he specifically calls you into his office and shows you the final product. That action simply makes your heart flutter in excitement.

“Thank you, you can leave for now.” He gives you his subtle yet beautiful smile. Those eyes of his when he smiles always send some sort of quick rush to your brain.

Giving Hannibal a short nod, you quickly excuse yourself. You stumble upon your own shoe and almost fall, face first. Luckily you can prevent that from happening, hoping Hannibal doesn’t notice, although you think he did. Scurrying from his office, you station yourself on your spot. Continue typing and archiving what Hannibal asks you.

Sipping your now cold latte, your eyes shift to the books next to your PC. It’s a book called Les Fleurs du mal renaissance, a volume about French poetry that Hannibal had lent you after you finish some short of psychology 101. You have read a few pages of it, and since it’s in French, it takes you some time to understand it.

Sometimes Hannibal invites you to his office to let you read his book while he draws things. Trying not to get caught red-handed, you glance at him from the corner of your eyes, savoring the scene in front of you. Wondering what Hannibal actually does on his day off, is there anything he can’t do? Your brain likes to take a detour on what Hannibal does at home when he’s not seeing other people’s minds.

A soft clink of steps on the mahogany floor wood, momentary pauses your fingers on the keyboard.

“Good morning Mrs. Potter.” you stand up immediately. Greet her with a polite, shy smile. One of the things you are still learning from working with Hannibal is being confident. Since the secretary is usually portrayed as bold and beautiful, while you on the other hand are quite the opposite, Hannibal makes sure you take your time to adapt from ‘less contact with people at work’ to ‘in contact with different people almost every day.’

“I’m here for my appointment.” her British accent tickles your ear. It’s rare for you to meet a Brit, especially as posh as Mrs. Potter. Although you never glance at a patient’s medical record, you do actually google them. When you find out Hannibal’s reputation, you know that most of his patients are a somewhat well-known person. Mrs. Potter is an owner of exquisite but limited jewelry store on the east coast. From several articles that you read, she has had quite a lot of scandal. Despite that, you will not deny her beauty. She may be quite older than you, but the way her cheekbones stay supple and very few wrinkles decorating her face sometimes makes you jealous.

“Yes, sure. Please wait a moment,” immediately, you walk to Hannibal's office door that's just a foot away from your desk. Giving a soft knock, you open the door and inform Hannibal that Mrs. Potter is already here. He gives you a quick nod, and you open the door wider, to let Mrs. Potter start her session.

Hannibal isn’t a strict boss. Or that’s actually what you thought about him. Of course, you are a professional employee as you can be, but sometimes you spend time reading the book you borrow from Hannibal between your desk job. Mostly because you already do whatever Hannibal tasks you with. On some occasions, you join Hannibal when he attends some appointments, such as when he needs to be a keynote speaker in a well-known conference around Maryland and DC. An experience that you guess is his way to widen your social ability.

“Thank you Mrs. Potter. I’ll see you in the next session.” Hannibal’s accent cues you to stand up and bid your goodbye to Mrs. Potter. The rest of the day comes out like it usually is. Typing and arranging schedules for Hannibal while also scrolling on another book to read. Even though you were a librarian before, there’s just so many books and so little time to read.

When it’s time for you to go home, you knock on Hannibal’s office door and open it slightly when he answers you with a soft, “come on in”. You excuse yourself while also giving Hannibal’s friend a smile. Although Hannibal doesn’t have a lot of appointments today, his friend, Jack Crawford visits the office and you know that means Hannibal will stay late until dinner time.

***

The next day your work finished earlier than you thought so you spend some time at work to continue reading the poetry book. Some people may find it weird that you like to stay a little bit longer at work than going back home. There’s always this thought of knowing there is someone close to you, without the need to do conversations in every millisecond, calming. When your eyes shift to your gold bronze table clock, you haven’t realized that you are pretty late, as the sky already turns dark.

You know Hannibal is still in the office and you plan to excuse yourself before it’s getting really late. You don’t want Hannibal to drive you back home since you feel embarrassed about it. He always makes sure you arrive at home safely when you spend more time at the office or going home pretty late since Baltimore isn’t the safest place on earth. However, there is always a thought in your head that Hannibal being a little bit protective towards you, his employee because you are just a much of a klutz and he feels responsible.

You aren’t sure what possessed you to move too quickly and it just messes up your footing. The point of your left oxford shoes hit the castor office chair. Ungracefully you trip to the floor and bring the chair with you. The falling chair let out a loud bang while you landed on your hands and knees, grimacing in pain.

You aren’t sure when but your brain kind of mid freeze for a second. When you look up, you see Hannibal crouching down and calling your name, worried, “-- are you ok? Can you stand up?”

“I--I’m ok Dr. Lecter,” you try to stand up but you hold up your right hand in a sign of I need a minute.

Hannibal takes care of the office chair first, putting it back in its original position. He carefully lifts you up, supporting you and letting you sit back on your office chair. “I’m sorry my dear, but I need to check?” He asks you for your permission and you quickly give him your approval. With an expert examination of his hands, Hannibal checks your knees for any swelling or visual deformity. Since your past accident, you are prone to any joint and soreness on the knees. Delicately, he gives a little pat on both your knees. “I think everything is ok, you may need to have some pain killers.”

“Thank you Hannibal.” you blurt it out. Sometimes you call him by his first name when you aren’t in office hours, although rarely.

He graces you with that smile of his, subtle yet it always makes your heart quiver, the kind of smile you infrequently see. You notice that sometimes he has his professional smile, it is short and kind of cold. The smile you always notice when he meets his colleague. You don’t know a lot of Hannibal’s friends, but when he has some impromptu meeting with Jack, you slightly witness more smirk and sometimes there’s this naughty element like he is planning something evil, although humorously.

“Wait a minute, I will drive you home.” Hannibal left you to go inside his office.

There’s a guilt in your stomach that you feel you are being a burden to your boss. When your concentration dispersed like vivid smoke, the corner of your eyes caught the beautiful woman you have seen a couple of times visiting the office. Unlike other women who mostly visit Hannibal for a session, this woman is indeed different.

“Ms. Bloom.” You greet her. Your smile may look blankly courteous even, but you definitely are not in the mood to give her your big smile this evening.

“You look unwell, are you ok?”

“I-- I’m ok.” you try to answer her, less tense.

“Alana?” your eyes shift to Hannibal as he opens his door.

“Hey, Hannibal. I try to call you but I thought I might as well just drop by.”

Hannibal’s eyes divert from you to Alana, and he gives Alana a quick nod, letting her quickly enter the office. “It will be quick. Can you wait for a while?” you give him a nod and smile at him nervously.

At first you aren’t sure why you are nervous but something finally clear on your head. Maybe you are jealous. You know a lot of women near Hannibal are not only beautiful, or rich, they are also acutely intelligent. Although you aren’t rich, you aren’t that bad looking and you will not say you aren’t intelligent but when you compare yourself to someone like Alana, there will always be inferiority engraved in your mind. Not to mention that she has known Hannibal longer and better than you.

Hannibal's office door opens and Alana exits the door with Hannibal following her. “I heard what happened to you from Hannibal.” Alana stops in front of your desk and gives you her sympathetic smile. “Get well soon.” She gives you a pat on your shoulder and says her goodbye to you and Hannibal.

“Shall we?” Hannibal changes his focus towards you and you nod in agreement. Let him help you out of the office.

***

“So…,”

“So?” Hannibal glances at you momentarily while driving, asking you to continue what you have in mind.

“Dr. Bloom is really beautiful.” your small, joyless voice continues its sentence.

“Ah...yes indeed,” Hannibal replies casually.

Your eyes glance at the dark street. Hannibal’s office is located in a quite busy place and it’s nice to see less traffic when you get out of the area.

“Did both of you date?” you blurt it out. Your eyes widen in horrors as you blatantly just spill out something unprofessional. “Hanni-- Dr. Lecter, I-- I-- didn’t mean to pry on your personal life.”

Hannibal looks at you and lets out a laugh. Something really rare, something that you even have witnessed. The crinkle on his eyes when he laughs lets his somewhat cool and calm demeanor melted. It takes you sometimes to register on what just happens.

“I’m sorry my dear, that’s just quite funny.” Hannibal stops laughing and sends you a quick smile.

“Also that might not answer your question but the answer is no, Alana and I, we aren’t dating. I’m her mentor and our relationship is more of colleagues and friends.”

You aren’t sure why you hold your breath, but after listening to Hannibal's answer, you let out a long exhale, feeling that something heavy has been lifted up from your shoulders.

Hannibal’s Bentley stops in front of your apartment complex. Ever the gentleman that he is, Hannibal asks you if you need help. You decline his help as if you can’t embarrass yourself enough in one day.

“Before you go, I have something to tell you.” Like a deer caught in a headlight, you look at Hannibal. He switches on the light inside the car and pulls his bag from the backseat. He handed you several papers that looked likely to be a job application. Your eyes widen, vision blurry as a sudden tears drop from your eyes. This is it, maybe Hannibal has enough of your clumsiness. He doesn’t find you worthy as he sometimes needs to ‘babysit you’ when you do something you don’t intend to do.

Feeling that he may be approaching this the wrong way, Hannibal tries to comfort you. You put both of your hands in front of your chest, like a shield in a defensive manner. Try to accommodate his tall frame, awkwardly Hannibal turns his body to the passenger seat and embraces you. He shushing you and pat your heads

When your silent cry turns into a hiccup but more calmer, Hannibal pulls away from you. With a stutter, you explain to Hannibal that you understand if he doesn’t want you to work with him again and you are thankful that he’s been a very great employer to you.

“Hey,” Hannibal swipes the tears that rolls down on your cheeks with his thumbs, “--it’s not that. Look, my dear, the reason I handed this paper to you is not that I want to fire you, but I have been pretty impatient lately.”

You look at him, eyes full of question on what the fuck he means by that? Although you don’t let it out loud because you don’t want to make any rude comment. Because Hannibal doesn’t like that.

“I’m one of those people who do not agree with office romance.”

Office? Romance? What the hell? No one has any romance in the office, you thought.

“I have been pretty much intent to court you,” his eyes flicker to your lips and back to your reddish eyes. “Alana came today because she wants to give me the application personally, there’s a librarian vacancy in her University and I pretty much just want to hand it to you.” Your brain wiring, try to connect the words as if you forgot how to speak English.

“Apologize if I’m being rude my dear, but I have observed you for some time and I encourage myself to just lay it all here so I didn’t make you upset. Of course, if I am proven wrong, you can stay and still work as my secretary. No harm, the position will always be yours.”

“Hanni-- Hannibal, does this mean that you like ‘like’ me?”

He answers you with a quick nod and the smile that always makes your heart flutter. You try to reach Hannibal but your knee prevents you from doing such a thing. Hannibal let out a small chuckle as he finds your difficulty quite amusing.

You eye him in disbelief but your anger melts right away as his face gets closer to yours. His right hand's cup at the side of your face as his lips inches closer towards you. With eyes close, you feel the brushes of Hannibal’s lips. The kiss is soft and delicate as if he is just testing the water.

You let your hands sneak at the back of his collar as you seek more contact. Both of your lips slide and glide against each other. Letting out a whimper, you grant Hannibal’s tongue to slip past your lips. Teasing and flicking languidly, exploring something that makes you shudders in want.

After some time, Hannibal withdraws his lips from yours. Eyes fluttering open, you can see Hannibal’s pupils expand. He let his foreheads rest at yours while his hand still cups on your face. “So...I believe it is a 'yes''?” There's humor in his voice.

With a broad smile and less reddish eyes, you answer Hannibal with a confident nod and grant him another kiss on the lips.

As always, like, comment and reblog are really appreciated ❤️. Let me know what you think about this xo

#hannibal lecter #hannibal nbc #hannibal lecter x reader #hannibal imagine #hannibal lecter x you #hannibal lecter request #mads mikkelsen #chuuulip post

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exodusmc · 4 years

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“Please stop moving so much..”

Genre: Smut(not too explicit)

Words: 1963

Paring: Sehun x Reader

Warning!: Mentions of horror movies and scens(nothing major), public dry humping, very light pet naming and dirty talk, swearing,

a/n: This one was requested :)

Gif is not mine

“Come on Y/n!”Chanyeol’s voice was loud over the phone and had always been, ever since you met a few months ago.

He was in one of your classes and he laughed the loudest out of everyone but he was a good guy, it wasn't hard to get to know him when you had a group project. You two clicked and he was like a brother to you, annoying and nice. Happy virus Chanyeol who moved a little too quick, figurative and literally. You can't count on one hand how many times you seen him trip over air, but he also thought it was a good idea to introduce you to all his friends when you’d known him for about three weeks.

It had been Sehun first, his roommate, a boy built like a skysharpe with wide shoulders and the deepest eyes you had seen. He was your age and the youngest out of them all. Maybe you had a teeny tiny crush on him, a crush you blamed on his god like features.

“I promise they want you to come and you have already met everyone, so I don't see why you are hesitant!”Chanyeol and his friends had a movie night every Sunday and he had begged you to come for the last two times, the only times you actually were glad you had work.

“I know, I know…”biting your lip, you knew you couldn't lie to him or he would send you the biggest puppy eyes and whine for about a month.”Fine, I’ll come..But who is picking the movie?”

“Yes!”you couldn't help at smile at his excitement, a dreading feeling creeping over your spine.”Jongin is...so expect a horror movie, by now!”

Just great..

Arriving at his apartment, you wondered if you overdressed or if you stank or if you had something between your teeth or if you should have brought something or if-

The door opened and your thoughts stopped, nothing was in your head, not even a cricket. Just empty..

“Oh, hi..”Sehun stood in the door, his hair pitch black and nothing like the orange you remember seeing on him when you first met him over four months ago.

Back then had it been short and colored like an orange but now was it long, so long that it fell down to his eyes, and black, so very black.

He moved from the doorway, showing you that you could come in and damn were you feeling your face slowly burning off. You had stared at him for far too long, ogled at the perfection of his face.

“A-ah, hello to you too..”taking of your shoes you wondered if your horrible gut feeling was telling you to run away or if you were just ill.”I like your hair..”

“Thanks..”Sehun smiled slightly, a twitch on his right upper lip which told you that he was not so comfortable.”I like your li-..hairpin..”

You couldn't marvel too long at what he was about to say since the thundering steppes of Chanyeol shook the ground and you.

“Y/n! You made it!” Sehun was pushed to the side as Chanyeol whisked you away the second your shoes landed on the floor.”See, I told you she would come!”

Waving slightly, you stared back at everyone, mouth feeling way too dry. This friend group had always made you a little confused since it doesn't seem likely that half of them would actually be friends but you guessed that was what made them so close.

“Yes yes, we see now come sit down so we can start the movie!”Jongin grinned to you, like he always did but you thought you saw something else, a glimpse of mischief that made you sweat. Something was going on, something everyone else knew.”Hurry hurry.”

The lights were already off but as you glanced around the room did you realize there was a small problem, a tiny problem that weren't actually a problem but still.

All the seats were occupied, Chanyeol literally squeezed himself between Jongdae and Baekhyun on the sofa, while Kyungsoo and Jongin shared the slightly smaller one. Junmyeon, Minseok and Yixing sat on the floor, while Sehun occupied the last chair.

You had nowhere to sit, all the floor spaces were taken if one wanted to see the Tv. Panic spread through your system and you scolded yourself for not listening to your gut.

“You can sit with Sehun..”Chanyeol smiled, rolling his eyes after.”He always takes the chair so everyone else has to sit on the floor..”

“I don't!” the younger whined, glancing at you for a second. He doesn't want to share the chair with you...You should have stayed home.

“Just go sit down Y/n so we can start!”Jongin once again usered everyone to settle down, so with defeat were you making you way to Sehun.

The sofa chair may be big but it wasn't big enough for two people and you contemplated running away when you locked eyes with Sehun. They were so dark but glowed due to the Tv and god had you just stared at his thighs as well.

You tried smiling slightly, standing still until Chanyeol kicked you from the sofa so you fell right on Sehun. Everyone laughed loudly while you face was bruied against his chest, never feeling the hammering of his heart since yours were flying away. This is going to be a long night.

The movie was playing and took away most of the tension with sitting on Sehun’s lap but you weren't sure if you liked looking at the screen.

Jongin’s choice was the silence of the lambs and you hated horror movies, feeling like your soul could jump out your body any second. Everytime Hannibal spoke were you waiting for something to go awfully wrong. And suddenly was he just biting of a cops face, which had you, Chanyeol and Baekhyun screaming.

You pushed yourself back, face turning until you could press your forehead towards Sehun’s neck, closing your eyes. Your breath fanned across his collarbones and you didn't know it but you had been squirming the whole time on his lap, so Sehun had a hard time concentrating on the film at all. Those fuckers knew exactly what they were doing, making you sit on his lap while they watched horror movies.

“Are you okay?”Sehun sounded like he was in pain but you were sitting on his things so you guessed he had every right to be.

“Y-yeah..”glancing up, you managed to get caught in those eyes again.”I’m fine thanks..”

He smiled for a second, gaze finding your lips. They looked too soft and tempting, alluring without you trying.

“I need water..”standing up on slightly shaking legs, you stumbled to the kitchen, trying to not think about the movie.

It left Sehun glaring at each and everyone of his friends, frown pulling down his mouth. They knew about his crush since Chanyeol couldn't keep a secret for his life and still forced him through this situation.

“Fuckers..”he muttered but his face brightened up when you came back, eyes slightly in a haze. Everything would be fine as long as you wouldn't feel the boner he had.

“Now it’s time for Annabelle!”your eyes widened, hands becoming clammy at the thought. You hated dolls with every fiber in your body and the wanted to watch a movie about them!

Sitting down on Sehun’s lap again, you didn't even want to face the Tv, shamelessly turning your body so you could easily hide. He was warm and the only thing you had in the moment. It’s going to be okay, the sentence repeated in your head over and over again as the film started, adrenaline racing through your system.

You didn't really know Jongin that well but sure as hell would you beat him for making you watch these movies, softly muttering to yourself a promise of hurt, which was extremely cute to Sehun.

An hour in and you were sitting facing the Tv, eyes locked on the screen as the music became more and more ominous. You leaned forward as Mia’s hand reaches for the window and then you screamed, making Baekhyun and Chanyeol shriek as well.

Your back pressed against Sehun but this time did he let out a groan and that’s when you felt it, the tent he had in his pants. Gasping, you tensed, forgetting the movie completely and drowning out the chatter of the others.

“P-please stop moving so much..”his whisper was strained in your ear, igniting fire through your body all the way to your core. Sehun’s hands came to rest on your hips, holding you but not sure in what way.”So-sorry..”

He muttered while you felt your cheeks heat up. Your mind wasn't paying attention to the film anymore but to the feeling of his jeans covered things, the fact that you wore thin pants didn't help at all.

“It’s okay..”your voice was low and innocent, however, your thoughts muddled into differents scenarios which had you screaming in another way.

You actions weren't nice to him but your body had a mind of its own, ignoring all logic and how you were not alone.

Moving your hips ever so lightly, you turned so you faced him, not looking in his eyes. This was it, you were too horny and didn't want to see Annabelle anymore. Leaning in, you placed your head between his neck and shoulder, legs on either side of his while your knees rested on the chair cushion.

“I don't mind Sehun..”he swallowed hard, hearing the change in your voice, your lips ghosting over his pulse point.”I...I like it..”

It was like a switch flipped inside his head, fingers digging into your skin while he started to move you across his thighs. Sehun nudged his head so you had to look at his eyes, stare right into cloudy and fiery orbs. A mere inch was left between the two of you and you wanted to kiss him, push your lips against his skin but just sat there, grinding on his lap as your breath came out in pants.

“Dirty dirty girl..”you tried to ignore the heat his voice spread through you, how the smirk dancing across his mouth made you want to jump him right then and there”Moving your hips so greedy over my thighs..Does it feel nice, hmm?”

Sehun forced you down harder and the denim rubbed against you aching pussy. The tv let out a scream in the exact second you moan softly, covering the sound so no one else heard, no on but Sehun. He was also greedy, greedy for the expression on your face, the pretty gasps from your lips. It was hard containing himself, surrounded by his unsuspecting friends. While you were on the brink of cumming did the end titles start playing and the lights turned on, giving Sehun the chance to see your burning face. Your body was tingling, desperate for release but you couldn't hid there anymore and you didn't know if you could ask him to go home with you. Another smirk spread all over his face and even if it was late, would he not let you go.

“I really hate when Jongin gets to choose the movies..”Chanyeol whine as everyone made their way out of the room. He sent a glance over his shoulder, seeing the two of you.”I have somethings I need to do with Kyungsoo so I’ll stay at his place. Night night.”

With that were you and Sehun alone, all alone.

“Now why don't we continue, baby?”

#sehun x reader #oh sehun #reader #exo #sehun smut #exo smut #exo imagines #exo senarios #sehun scenario #sehun imagine #oh sehun imagines #oh sehun scenario #sehun #Smut #kpop fanfic #exo fanfic #sehun fanfic #kpop scenarios #request

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popculturebuffet · 4 years

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Ducktales Final Four: The Life and Crimes of Scrooge McDuck Review! or The Batman Trial Episode but with Ducks, Sharks, And the Fonz

Hello all you happy people and welcome to the penultimate Ducktales review... for season 3 anyway. I still have most of season 1, all of season 2 (I did cover one but I’ll probably redo it), the tie-in comics, the 87 series, and even then i’ll never really be done with ducks between all the scrooge comics and other duck related shows like Darkwing Duck and Quack Pack. But as far as covering the show as it comes out as i’ve done for the past year, that’s’ts almost done. It’s honestly just starting to hit as I type this: this is the second to last episode. After next week while there’s always fan fiction (And I certainly aim to contribute to that), a possible Darkwing Duck Reboot under frank (though that’s in doubt) where they could show up, and a movie down the road given what we saw with Phienas and Ferb and the show’s popularity it’s still not the same as getting these well animated, well crafted adventures every week with breaks or the ocasional entire week of them. The show won’t go on, and whatever happens with the property next is a mystery no amount of ducks can solve.

So with all that in mind naturally this episode is a breather episode: It’s not unimportant: like the rest of the season it ties off a lot of loose ends, adds in some stuff we didn’t know we wanted, and in general feels necessary like every episode this season. It’s something I credit the season for immensley: They knew this would probably be it so while they had more stories to tell, they made sure if these were their last, to leave no loose ends. And outside of ones they just never wanted to address in the first place like “What happened to Donald’s parents”, “Why was every trace of Della missing despite Scrooge’s search for her having just ended”, and “What did Della thing of the decades long seperation”, they’ve tied up pretty much all of them except for FOWL and what Beakly was lying about, and I feel both are about to ducktail into one another int he finale. Could be wrong but I applaud them for tying off almost every loose end and character arc by this episode that isn’t related to FOWL in some way. Not every show can do that: She Ra was a masterpiece but still had a few things like Scorpia and Catra’s broken relationship, Hordak’s reformation and Adora’s Parents just left up in the air due to time constraints, Steven Universe ONLY got to go back and answer a lot of questions because they were lucky enough to get an epilogue mini series, and Star Vs... was not as good as either show by the end and by the finale about 80% of things it’d brought up all had the following answer:

My point is it’s VERY hard, even when you know the end is coming to tie everything up in a neat bow. And I can’t know how good the finale be or how satsifying it will be but given how well this season’s wrapped everything up so far, i’m betting on immensely. But we can talk about that when it finally comes around next week. For now we have a trial episode to talk about that’s mostly good.. mostly. See why the mostly under the cut as I discuss and recap the episode with full spoilers. Count it down!

We open in the Mansion, where a bunch of tribble like Fuzzy creatures are running amok. Unsuprisingly, Scrooge bought one for Louie as a pet to teach him responsiblity.. again. And once again he instead turned into a get rich quick scheme, didn’t read the manual and now they have an infestation.

ONCE AGAIN, Louie is written like he’s barely changed at all in the past three seasons. Anyone whose been following my reviews regularly knows this has been a pet peeve of mine for the entire season. Despite having an ENTIRE arc about Louie growing as a character and learning the human cost of his scheming and to use his angle seeing talent’s wisely, the writers keep writing him as if he learned nothing. I went back to track it and while not as often as it felt I noticed a few things. The first is that it WASN’T like this for the first half of the season. No really. He even learns brand new lessons in The Trickening and Louie’s Eleven. Granted he also exploits his uncle in Louie’s Eleven but that’s mostly played for laughs.. still not a great bit but not a major part of the episode.

So he was fine for the first act of the season... but then for whatever reason from Let’s Get Dangerous onwards (Again I don’t count the Christmas episode as both of those are meant to slot in anywhere and chronologically take place before this season for the timeline to make any sense), he’s just...

He’s utterly insufferable in his small parts of the first half of Let’s Get Dangerous! as he berates Huey for daring to look a gifthorse int he mouse.. even though everytime he’s seemingly got something for nothing or minimal effort it’s backfired and it’s something that seeemd to stick with “The Richest Duck in the World!”. He’s fine in Impossibin and alright in split sword as while he clearly hadn’t learned lying isn’t the best policy we at least got a good story out of it. He then went right back to obnoxious with New Gods on the Block where he, EPISODES AFTER THE SOLEAGEO FISACO again thinks an easy way out is the right way, and has NO guilt over possibly killing a bunch of people with his gold powers and in fact is disapointed he dosen’t get to keep a living being turned to gold!. He spents all of Fight for Castle McDuck being a huge dick to Huey AGAIN iwth no lesson, and now has yet another family endagering get rich quick scheme he feels no remorse about.

I will admit when I”m wrong and I DID think it was in way more of the season than I thought. And let’s face it in real life personal issues don’t just go away and you can sometimes slide back, i’ve done it way too many times and i’m not proud of it. We’re only human. But this isn’t real life, this is cartoon ducks. And cartoon duck wise most character development has stuck or if a bad trait’s come back it’s been in a new way. Webby is still trusting, but knows how the world works now and while idolizing scrooge dosen’t think he’s perfect anymore. Huey is no longer a skpetic towards the super natural and hasn’t forced a party on anyone. Dewey hasn’t craved other people’s love or thought he needed to earn his mom’s love again. And that’s just the other kids. They aren’t the same people theyw ere going in, neither is Louie. So it’s grating when an episode acts like h’es exactly the same, let alone almost a fifth of the season.

What makes it even worse though is that he had an ENTIRE STORY ARC dedicated to learning some of these lessons already. With the others if one episode were forgotten i’d let it slide as it happens with tv, i’m used to it. It’s not a great look but it happens. Mistakes happen again we’re all human. But you can’t act like an entire arc of a series didn’t exist. While they ignore Della’s history somehow being hidden for the rest of the show they don’t ignore that Dewey spent a whole season looking for her, as he never hides something like that from his brothers again nor do they, and he’s out of them the biggets mama’s boy. While they did take a while to adress Lena, partly because the episode got pushed back, they didn’t act like season 1 never happened and she was still working for her aunt. Della still isn’t on the moon and Owlson still isn’t working for glomgold. Actions. Have. Consequences. That’s the whole point of this episode, but they act like none of it got through to louie and it makes his arc feel like a giant waste in hindsight. This episode even feels like it was SUPPOSED to be in that arc: Louie is back to his season 2 characterization, Scrooge is actively trying to mentor him again.. it just feels really out of place as our second to last episode in that way and drags it down a bit.

Thankfully after Scrooge bars the door, and possibly leaves everyone to their deaths but he presumably has enough faith in the kids, the twins and Beakley to take care of it, he gets a summons to court.. and gets kidnapped. He and Louie are whisked away to a mystic court presided over by a giant statue of justice holding scales, that judges someone based on Karma. Scrooge’s foes have brought him to court, blaming him for being evil and if he looses he looses EVERYTHING. And their proscutor?

Sadly not Droopy, maybe next continuity, but searing the same Hannibal-Esque Getup is Doofus Drake to Louie’s horror. As for why he’s like this.. he thought iht was fun. Great gag.

After the credits we find out why he’s doing this: He’s still pissed about Louie taking half his inheritance and giving it to his family, so he’s going to take LOUIE’S inheritance. It’s.. honestly a great setup: Doofus was already a villian I liked, being a nice weird evil mirror dewey instead of a walking fat joke like last series. So I was glad to both see him pop up one last time to make it a full trilogy of apperances as an angonist and to see him take a step up from his passive roll in the past: in his first two apperances while he was evil and abusive, and still is, his evil was mostly due to his own warped logic, feeling he could put shock collars on and control people and that Louie lying to him was enough to warrant making him into a pinata. He’s still a bad person mind you: kid or not he ensdlaved his parents, tried to enslave louie and goldie and in general REALLY needs some help empathizing with people. But my point is that before he didn’t come after anyone.. so it’s a nice capper to have his final turn as antaognist be him going after our hero.. and at his most dangerous. Before someone would’ve come for Louie eventually in Doofus’ first apperance and Goldie would’ve found a way out or Scrooge, despite grumbling about it, would’ve helped.. if nothing else than to lord having to save her from a 12 year old over her. Here if he wins the family is out on the street and three of their greatest enemies are now infinitely more well funded.

So while naturally unnerved by his rival Louie offers to defend Scrooge who denies it despite the fact that Louie is REALLY good with words, and Scrooge, while not bad with them, can’t stop shouting and keeps pissing off the baliff, played by my boy Henry Winkler whose done a lot of voice work and also played Fonzie on Happy Days, is currently on the HBO series barry and in general is just a fucking delight. The irony is also not lost on me that he’s not playing a lawyer here despite being one on arrested development.

We get our first witness: FLINTHEART GLOMGOLD. Hell. Yes. It’s nice to see him in his full glory one last time, as I don’t know how much he’ll be in the finale. Scrooge blows of the Duke Baloney thing, which is fair given that while Scrooge screwed up there, Glomgold still stole money from him right after and then spent his whole life trying to one up him. But Glomgold has a different tale in mind as he stole something else from him: the limelight.

It was 1980-something and Glomgold was a bonified celebrity in Duckberg for his hot dogging, grandstanding and treasure hunting loved by all and took Baba Wawa, a nice mix of Barbra Walters and the parody of her on SNL by the late Gilda Radner, to a shark shaped cave to get the gem of the shark god, a ruby tooth at the end of the cave. Naturally Scrooge popped up and easily made his way through and stole the spotlight. As it turns out he wasn’t always well loved and it makes sense: he dismises Baba asking him about how disliked he is, and dosen’t care and even in the current story, or rather season 1 of it, he dismiseed PR entirely in Jaw$. He was rich enough and enough of a job provider he just didn’t see the need for fame or glory, that just came second so it’s logical no one liked him. Fortunes naturally reverse as you’d expect though: Glomgold dashes forward and ends up putting Baba and her camerabird in danger and being Glomgold he irrationally assumes she’s working for Scrooge and leaves her to die. Scrooge however, after getting the rock, goes out of his way to save her because it’s the right thing to do. He can be selfish at times, and as we’ll see monstrously so, but at his core Scrogoe is a good man who will do right when the chips are down. So this leaves Glomgold trapped and Scrogoe getting his good press instead and realizes he likes the attention.

As the flashback ends Glomgold fills in the gaps, pointing out he was stuck with the sharks for days, but slowly bonded with them learned from them and they became family, helping him with traps, joining him for thanksgiving and even getting a heart taatoo with a shark on it. Awww. Look I didn’t really need to know where Glomgold’s love of sharks came from, nor that he had some weird tarzan origin story with them.. but my life is 100% better knowing all of this so thank you Frank and Matt. Thank you. I’m also entirely convinced the two have had this whole part of his backstory ready to go for three seasons and were waiting to use it, along with the other two bits we’re about to get to. This episode as you can tell is also a vingette episode, but one where the wraparound is way more improtant than usual.. but it works given the setting and allows the stories to be as long as they actually need to be, and it addds some nice stakes instead of just having Scrooge’s villians gripe about him.

Scrooge protests and the Bailiff puts a clamp on his beak, so he has no choice in the matter when Louie steps up for the defense. Louie also proves that irresponsible he may be.. he’d be a damn good lawyer, as he easily picks things apart, pointing out Glomgold was ALREADY bad by then, Scrooge had no intent to steal the spotlight and Glomgold is currently planting dynamite under his chair, with predictable and hilarious results. So he gets put on the “good” side of the scale. Next witness.

Next up is Ma, and I was delighted that as I’d hoped and theroized this episode wrapped up one little plot point that while not major, was something I was curious about: Ma’s claims Scrooge stole Duckburg from her family. This was also likely the backbone of the episode at one point as Frank pitched a beagle trial episode at one time, but Disney nixed it. Likely the magic stuff was added both to justify it better and to distract Disney Channel’s higher ups because they constantly underestimate what a child will like. It was for the best though as the beagles are just a bit weaker here: While Character Actress Margo Martindale is a delight and was specifically cast for the role, overall it just feels like they ran out of ways to make the beagles a big threat and releigated them to muscle when needed, to the point they only appeared in one episode besides this one this season as with FOWL about, they didn’t really need villians of the week and what ones they did use like Glomgold and Mark were far more entertaining villains who needed a coda to their stories.They aren’t bad characters, but in a series where their breaking into the bin or mansion wasn’t a story the crew was interested in they served no real purpose.

So we finally get answers about the whole Deed thing: It was sometime in Ma’s childhood, good look guessing when, and the Beagles owned Duckburg having clearly overwhelmed Fort Duckburg at some point in history between Clinton’s defense of it and now, with Grandpa “Pa” Beagle finally making an apperance. In the comics he was basically what Ma is to both series: the scheming brains behind the beagles who showed up on occasion and it was a good idea to use him as the past version of her.

Scrooge naturally comes a calling and unsurprisingly Ma was lying: Scrooge offered to buy the place first from Pa, he refused outright, and then when Scrooge showed off the money he was offering, Pa bet the deed for it in an arm wrestling contest. Not only that but as Scrooge finds out as he almost looses, Pa was cheating having a smaller beagle boy operate pull a lever in a device attached to his arm to give pa extra force. Scroooge simply dropped a few coins to distract the guy and claimed victory and the deed.

Little Ma is left dejected though and Doofus claims he ruined his life, but Louie steps up, at this poitn Scrooge has learned to reign himself ina nd accepted Louie as his defense without saying anything, a nice subtle bit. He probably realized that while irrepsonsible.. Louie has everything to loose her and no reason to slack off and dosen’t even relaly have to lie for his uncle to get him off: he’s simply using his ablitiy to see all the angles to poke holes in their story.

Case in point, he orders the “tape” to continue and finds Little Ma berating her dad for his failure and forcefully taking control of the family. LIke Glomgold, Scrooge may of cost her something.. but it was something she and her family hadn’t earned and they were still on a bad road. Scrooge just made it worse.

But suprisingly, its MAGICA, who we’ve established is an uncaring monster, who has a story Scrooge genuinely feels bad about. Like the rest she was not a good person: Long ago she and her brother Poe were extorting a villiage, and lording over it as gods, changing the population into goats, toads and other things. The only diffrence from what Magica would do to the blot and presumiibly others later, is that Poe reigned in her manical tend ices, trying to get her to think things through. The goat transformation was so they’d have milk and at least get something out of it and as to not waste all their slaves. Poe is voiced by Martin Freeman of The Hobbit and Black Panther fame. Great actor, does amazing work here. So like the others Scrooge changed things, and fought someone with bad intentions for his own self. He talked Magica into fighting him with both amulets by playing into her ego and Poe trying to talk her down, and easily deflected her bolt with the dime to turn her into a crow with her own spell. So far it’s just like the other tales in a nice mirror.. it’s what comes next that makes Scrooge into a bad guy too. Not as bad as Magica and Poe.. but sitll not good. Poe dives selflessly in front of the coin.. and shockingly while she cared nothing for Lena.. that wasn’t the case for Poe. Magica is truly devastated, desperatly trying to put the amulet back on and begging scrooge for help while he just ignores her and fills up his sack. And while they both deserved it... Scrooge and Louie both recognize he was wrong as the flashback ends with Poe escaping and Magica sitll haven’t having found him to this day. And props to Catharine Tate here a she takes a normally hammy terrible person who was wholly unsympathetic and manages to make her painfully human.

What makes the act so terrible is not who it happened to, they both desrved it, but Scrooge’s attitude, utterly callous to magica’s pain with not a drop of sympathy. While she deserved it as did Poe.. he’s not doing this to her as some justice for her crimes, or because she did something horrible to him or any valid reason.. he’s doing it because he’d rather get more of her and poes gold than lift one finger to help someone who had , for all his evil, selflessly sacrificed himself for his sister. For all Poe’s evil and tyranny.. there MIGHT of been a good man in them, in both of them.. and Scrooge could’ve cared less. He shut the door on Magica ever becoming a good person, ever getting her brother back to line his own wallet and to satisfy his own ego. See that’s the true mark of a hero: how they treat others, even the worst of them. And in his lowest moment Scrooge could’ve cared less about anyone but himself.

Scrooge feels bad and Louie does finally get the responsibility thing and this is where things start to go off the rails: he apologizes to Doofus and admits he dosen’t want an enteral rivalry and h’es sorry for any pain he caused. The off the rails part is because Doofus is genuinely not a good person, ahs done very bad things and is trying to bankrupt Louie for the crime of “taking half your fortune after you used it to torment and enslave your own parents’. It just.. dosen’t play as well as they’d like. That said I DO like both Louie deciding to bury the hatchet instead of just avoiding him and Doofus showing some nobiity in accepting it. Maybe he’ll change.

He goes off into the night, and Scrooge genuinely apologizes and accepts repsonsiblity... and here’s where the plot finishing going off the rails and into someone’s living room: the bailiff AWARDS THEM SCROOGE’S FORTUNE BECAUSE HE ADMITTED SOME CUPLABLITY AND WAS HUMBLE.

This just.. it makes no sense, it will never not baffle me and it hurts my brain> Yes he admitted some wrong doing and apologized for it.. but it was also THROUGHLY proven the other two weren’t his fault, and he was simply being a good man which should get him some good. Thankfully the conclusion is a bit better, as Louie points out while they made him, he made you so who made who, who made you... okay i’m getting into the AC/DC of things point is these incidents all shaped Scrooge into a better person. His mistake with Magica. is clearly learned from. He’s stopping a group of bullies in Ma’s story and saving a life without a second thought in the second. He learned to value others, to value family all because THEY showed him what happens when you don’t. By seeing the worst person he could be.. he became the best. So the trial’s thrown out his assets are returned, and their teleported out before magica can hit them with lighting. Lesson learned.. well kinda Louie tells scrooge to do it because he got the pet.

Final Thoughts for The Life and Crimes of Scrooge McDuck:

Great title aside.. this one is a mess. It’s not a terrible episode: the flashbacks are genuinely engaging, each one helping flesh out the villians and in Ma’s case pulling one last dangling plot thread. Glomgold’s was just entertaining , clevelry using his 80′s origns for an 80′s style news special and giving us the origin to his love of sharks that we didn’t know we needed., Ma’s tied up a loose plot threat with a fun flashback and Magica’s was genuinely heart wrenching and did the tall task of making us feel for someone that terrible. The wraparound.. was a bit weaker. Doofus was the best part, playing an excellent manipulative bastard lawyer, and being a genuine threat and his walking away peacefully was a nice touch, and Louie having to defend scrooge was great and showed him off better than ever. And Louie did get some moments to shine.. it was just wierldy bookened with him acting terribly AGAIN, in a way he should know better than in an episode where he acts fine for most of it and even then he thinks lying to a judge is a good idea! I know he’s 12 but he’s not this stupid and while as I made very clear i’ve seen this shit before, I haven’t seen it flip flop in the same episode. Louie deserves better than this.

But it’s also in service to a responsiblility aseop that just.. dosen’t work as presented. Yes you should take responsiblity for your past, yes you should learn from your mistakes and own up to them, I have, and yes it’s all too easy to slide back> That’s all fine.. but him apologizing to Ma, whose family was terorrizing a town, and Glomgold, who he did nothing to, and having Louie apologize to Doofus, who while he tried to exploit him still enslaved his own parents and deserved to loose half his fortune AND loosing half his fortune wasn’t even the main thing Louie wanted to do as his main goal was getting BOYD a loving family.. it’s bullshit. Just pure Grade-A bullshit. Why are you booing them their right. It’s a good idea for a moral but it’s executed so overwhelmingly poorly it bogs down what was otherwise an exceptional episode, into just passable. It’s just mind numbing and saddening to know the next to last episode wasted so much good ideas on a clumsy moral. Thankfully I have hope the finale will be better, and again at least we got some good out of this one.

Next Time: Endgame Baby! Clan McDuck and their Amazing Friends Vs F.O.W.L. for the fate of adventure itself! One last ride! I can hardly wait!

This week on the blog: Ducks Ducks and more ducks.. and a top 12 list of my faviorite superheroines later today’s for international women’s day. But after that we have more of the Della arc, the last step in the Lena arc before Shadow War next week, and the 87 ducktales pilot treasure of the golden suns!

If you liked this review, share it around, follow for more, and you can comission your own for 5 dolalrs an issue or episode, or kick in some money on my patroen, link on my blog. Even a dollar a month helps and my next stretch goal is 5 dollars away and if we reach it i’ll review both the super ducktales mini series introducing gizmoduck AND a darkwing duck episode a month. Until the next rainbow it’s been a pleasure.

#ducktales #the life and crimes of scrooge mcduck #scrooge mcduck #louie duck #doofus drake #magica de spell #poe de spell #FLINTHEART GLOMGOLD #ma beagle #the beagle boys #disney channel #disney #ducks #uncle scrooge

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deans-haunted-baby · 4 years

Note

Curious. What do you mean by Dust till Dawn going against it's Characters? I know I have my own feelings, or confusion, with how they left Kate's story.

From Dusk Till Dawn effectively character assassinated every single character in the very last episode including Kate Fuller. No one is acting like themselves in that series finale it's like some deranged fanfic writer came aboard and hijacked the show while no one was looking. If you thought 15x18 & 15x19 of Supernatural were bad and believe me they really are; those episodes are minorly salvageable against the slaughterhouse that Dusk 3x10 was. It utterly contradicts and ignores everything the show put forward in all 3 seasons. I will never watch that episode again.

I'll first explain what that piece of shit did to the show's lead protagonists, the Gecko brothers. Regardless of how you or anyone else feels about Supernatural's series finale; that show was a saint to Sam and Dean's storyline beginning to end compared to how From Dusk Till Dawn definitively butchered Richie and Seth. I'm sad saying this because Zane Holtz and DJ Controna are outstanding as these characters. I freaking love their chemistry man, it's a great rival to J2! They're the badass dark clones of the Winchesters. Their arc starts out fascinatingly complex because they went from cold-blooded criminals/bad guys and meanwhile during their escape over the Mexican border with this hostage family the audience is told pretty quick by Professor Aiden Tanner that the Geckos are destined to become these foresworn warriors The Mayan Hero Twins in an ancient prophecy (based on real Mesoamerican lore) who battle the Underworld. So right away the show is telling us ahead where Seth and Richie are suppose to end up in their journey and when you introduce a storyline this big I expect a satisfying payoff.

At the end of season 1, Richie Gecko is *SPOILER ALERT* transformed into a culebra (snake-vampire) while Seth Gecko remains human symbolizing their night and day Hero Twin counterparts from the legend. And they're separated in the first half of season 2 where both try to navigate this new supernatural world they've stumbled on individually. What they find, no different than the Winchesters, is that neither can function properly without the other making their destiny all the more valid. That season is practically constructed like their swan song to the criminal lifestyle since the brothers are meant to become more than crooks; and since Richie's a vampire they can't ever go back to basics. Their adopted father aka uncle Eddie actually says the line "this is my swan song" in 2x07 to Seth and Richie in reference to their final heist together which is not a coincidence. That's the writers telling us that the Gecko Brothers' role in the show is going to shift from anti-heroes to heroes very soon. Eddie and Kate Fuller's fates in S2 act as the primary catalysts for this transition taking shape in the finale.

Going into season 3 it's business as usual for the boys until the prophecy of the twins officially rips a hole in the damn universe via demon queen Amaru. Who's now possessing Kate. Throughout that season Seth and Richie embark on a journey of heroism; find themselves battling monsters, actually saving civilians and dealing with their own personal demons (guilt and remorse over past sins). That year is presented as their redemption arc and final phase into their new role. No one ever tells them about their destiny (despite most of the other characters knowing) but we as the audience are already aware as we watch the brothers in action. The best episode is without a doubt 3x06 the crown jewel of From Dusk Till Dawn because it's about overcoming the darkness inside. And who best represents that than Richie; the show's most important central character whom began the series as a deadly clairvoyant criminal into the tortured vampire hero struggling with his own humanity. Now I won't spoil the whole episode for anyone who hasn't seen it or the show in general but it's an incredible moment of character development for both the Gecko brothers. Not only does it cement their powerful bond it's the episode that defines who these two are once and for all. The ones who lead the battle between good and evil; keep the balance of light and darkness. One day I plan to do an entire analysis of that episode because it's so fucking brilliant and shot so incredibly eerie at the same time 😁

You want to know what 3x10 does to these characters? It shits all over their entire storyline and pisses away THREE FUCKING SEASONS of character development. Just flushes it all down the toilet rendering everything they've ever done up to that point completely pointless! Their destiny which is the WHOLE POINT OF THE SHOW is suddenly dropped last minute and the Geckos hit reset on their former criminal escapades; dragging Kate along with them. I hate that finale with the fire of a thousand suns for what it does to Richie and Seth 😡

Moving on to Carlos Madrigal. He is the best villain character in the history of show villains hands down. I can actually say that without blinking. Wilmer Valderama is phenomenal, he steals the show as Carlos. He's is so freaking awesome, evil and badass! I just want to keep seeing this man tear things apart while being the sexy asshole he is 😈For all intents and purposes I don't want to spoil his whole storyline on the show for those following me in case they're interested. But what I will say is 3x10 destroys this character; so don't watch it if you want to keep the memory of who he was alive. I'm actually depressed over what was done to him as much as I feel sorry for Wilmer having to perform that shitty script. It's laughable in a very bad way. Gotta hand it to the writers and showrunners of FDTD they certainly knew how to humiliate their best characters in this series. Carlos basically goes from charismatic yet lethal Hannibal Lecter to a very captain obvious Gandolf caricature. Yah you heard that right, it's really fucking sad.

Next we have Freddie Gonzalez; the audience's avatar into the series. This character is connected to everyone on the show for a reason because of the crucial part he plays in this universe. The "Peacekeeper" destined to police the line between the supernatural world from the human world. In the beginning he's a Texas deputy on a quest to avenge the murder of his father figure/partner Earl McGraw via the Gecko Brothers. But once he steps in that territory of monsters there's no going back. And FDTD repeatedly tells him and the audience this in the first 2 seasons. But then 3x10 pulls the ultimate fuckery by giving him the most cliched, nonsensical hallmark ending effectively cancelling out his entire purpose in the series. He instantly forgets that he ever cared about Kate, watching her bleed out on the ground, then leaves the Geckos high and dry rushing his family (who isn't injured) to the hospital. And he stays there while the battle continues 😣

Kate and Scott Fuller OMG words cannot describe my anger over what was done to them so I'll make it fast. I'll begin with Kate the bright light and heart of the series. Her arc in the first two seasons is excellent. It's emotionally driven because she begins as an ordinary girl in broken yet seemingly-happy family to a young woman finding her way around the supernatural world maintaining her faith and moral compos while trying to help her brother after he's *SPOILER ALERT* been turned into a vampire; paralleling the Geckos's situation. Scott being only a 16 year old kid, like Richie, struggles immensely after his transformation; searching for meaning as a cursed individual and coping with his duality. He was already different to begin with so being a vampire adds some interesting layers to his character.

Btw Kate plays a vital role in Richie and Seth's lives, though in my opinion is more strongly connected to Richie. The show even goes as far as developing the early glimpses of a romantic arc between Kate and Richie (seeing as they kiss twice) with angst at the end of season 2 that is never resolved. You want to know why it wasn't? Not only does season 3 mute Kate's voice and agency but 3x10 ruins her character and demolishes her whole arc with Richie (who spent all of season 3 trying to save her) at the last second due to fan pressure of those who shipped her with Seth. They don't exchange one word nor barely look at one another it's like seasons 1&2 never happened. This is the biggest fuck you to fans of these characters I've ever witnessed in a series and they did my boys Adam and Michael so dirty in Supernatural. Poor Scott whom the show enjoyed kicking around all season barely gets a thing to do in that series finale either than listening to his sister and Seth gab about prom lol. Yah you heard me I'm not making this shit up I swear. Then he gets abandoned by Kate while she goes off to be a bank robber with the character assassinated versions of Seth and Richie. How extraordinary 😖

Santanico Pandemonium is really the only character in the series who manages to get out unscathed. HOWEVER her arc is handled very poorly beginning to end. They set up an arc between her and Seth that also goes absolutely nowhere. Give her zero closure with Richie whom she sired, dated and used in S2. And randomly throw her in a scene with Kate that makes no fucking sense after these two had nothing to do with one another all series. On top of that Santanico is barely in season 3 so by the time the show wraps her arc feels incomplete.

Other characters go missing that no one notices, the new bad guy whom they've set up at the end is just left hanging. And Richie Gecko, you know the show’s other lead, is horribly sidelined after 3x06 to make way for the Seth Gecko solo show. When I say FDTD series finale is bad I mean it's really fucking terrible and blasphemous.

#from dusk till dawn: the series #from dusk till dawn #richie gecko #seth gecko #kate fuller #carlos madrigal #fdtd #scott fuller #kichie #richiekate #seth x richie #freddie gonzalez #Santanico Pandemonium #anti fdtd 3x10 #the Gecko brothers

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shipsforeveryone · 4 years

Text

XL Ship For Anon

Their Request -

Hi! Can I request a ship for all of your fandoms. Males only please!

Oh and for the scenario - First Fight. For TVD?

I am a tall, curvy straight female with blonde hair and blue-green eyes.

I am introverted, intellectual, I have a bunch of interests and hobbies, which I tend to hyper fixate on. I am also a bit of a jack of all trades as I like to learn/teach myself how to do a wide variety of things.

I have a very idiosyncratic point of view, I'm bookish and very interested in history. I have a knack for accurately predicting the likelihood of the future. I tend to test people to see if I can trust them a lot but then I become a friend for life. Literally, a ride or die. I have hidden dimensions and intensity and they're hidden because I'm pretty withdrawn. Wanting to watch people from afar to see if I can even poke my head out of my shell around them.

I tend to act arrogant, cryptic, or cynical when afraid. I can be diplomatic and say things without saying them. I am defiant/rebellious towards authority and habitually find counterexamples to whatever others assert. Despite this attitude, I'm incredibly loyal, hardworking, ambitious, and very idealistic.

I struggle with ADHD, social anxiety, and paranoia. I can brood over injustices or entertain conspiracy theories. I am a bigger fan of sneaky vengeance over outright confrontation. I can be passive-aggressive and self-attacking. I love all animals though I never want to personally own a dog, due to how needy and loud they are. I'm more of a cat or reptile person.

I like to record my thoughts out loud and later organize them.

I'm also currently fighting the urge to delete this because I think I sound very full of myself in this lol

Pretty please and thank you! Also sorry this was so long.

My Response

No worries, babe! You don’t sound full of yourself at all. I love the fact that you didn’t beat around the bush about describing yourself!

Avatar: The Last Airbender

OTP - Zuko. He would love your idiosyncratic point of view and how insightful you are. And would often come to your for advice.

BrOTP - Aang

NOTP - Sokka

Bright

OTP - Nick Jakoby

BrOTP - Tikka

NOTP - Daryl Ward

Buffy the Vampire Slayer

OTP - Rupert Giles. You have quite a bit in common, and you may even end up arguing the uses of technology while admiring books as much as he does.

BrOTP - Daniel “Oz” Osbourne

NOTP - Buffy Summers

Doctor Who

OTP - The 10th Doctor. He’d gently coax you out of your shell. And he’d take you anywhere in time or space that you want to go. If you don’t outright say where/when you would like to go then he’ll pick up on it by listening to your latest interests.

BrOTP - Is it cheating to say the 12th Doctor? Oh well. I think you would be partners in crime all the way.

NOTP - Rose Tyler

Dragon Age

OTP - Solas. There’s so much in common and I think you’d probably be the best option to convince him to change his plans.

BrOTP - Merrill.

NOTP - Cassandra.

Fast and Furious franchise

OTP - Tej Parker

BrOTP - Deckard Shaw

NOTP - Luke Hobbs

Game of Thrones

OTP - Tyrion Lannister. Tyrion would tease you to draw you out of your introverted shell. He'd be very interested in your hobbies, interests and your knack for predicting the future. He'd admire your wide skill set, loyalty, defiant attitude and how hardworking you are. He’d often suggest books to you and vice versa.

BrOTP - Jon Snow

NOTP - Daenerys Targaryen

Golden Girls

OTP - Dorothy.

BrOTP - Rose

NOTP - Sophia

Hannibal

OTP - Will Graham.

BrOTP - Alana Bloom.

NOTP - Jack Crawford

Harry Potter

OTP - Severus Snape. Your mind, skill set and attitude would all appeal to him very much.

BrOTP - Luna Lovegood

NOTP - Ron Weasley

Inglourious Basterds

OTP - Hugo Stiglitz

BrOTP - Donny Donowitz

NOTP - Aldo Raine

John Wick

OTP - John Wick

BrOTP - Marcus

NOTP - Winston

Jurassic Park franchise

OTP - Dr. Ian Malcolm

BrOTP - Dr. Ellie Sattler

NOTP - Dr. Sarah Harding

Kingsman

OTP - Merlin

BrOTP - Harry Hart / Galahad

NOTP - Jack Daniels / Whiskey

Legend of Korra

OTP - Mako

BrOTP - Asami Sato

NOTP - Tahno

Marvel

OTP - Bucky Barnes

BrOTP - Loki

NOTP - Natasha Romanoff

Mayans MC

OTP - Ezekiel “EZ” Reyes.

BrOTP - Johnny “Coco” Cruz

NOTP - Emily Thomas-Galindo

NCIS

OTP - Timothy McGee

BrOTP - Abby Sciuto

NOTP - Tony DiNozzo

New Girl

OTP - Nick Miller

BrOTP - Winston Saint-Marie Schmidt

NOTP - Julia Cleary

Once Upon A Time

OTP - Killian Jones / Captain Hook

BrOTP - Regina Mills

NOTP - Mary Margaret Blanchard / Snow White

Parks and Recreation

OTP - Ben Wyatt

BrOTP - April Ludgate

NOTP - Jean Ralphio Saperstein

Peaky Blinders

OTP - Tommy Shelby

BrOTP - Alfie Solomons

NOTP - Ada Thorne

Pokemon

OTP - Brock

BrOTP - Bulbasaur Ash Ketchum

NOTP - Jessie

Rick and Morty

OTP - Rick Sanchez

BrOTP - Beth Smith

NOTP - Jerry Smith.

Schitt’s Creek

OTP - David Rose

BrOTP - Ronnie Lee

NOTP - Moira Rose

Sherlock (BBC)

OTP - Sherlock Holmes. He'd adore your mind and find your skill set useful. Sherlock would love your defiance of authority and ambition. Though you'd butt heads every now and then ultimately your differences would make you an even better match. You'd both bring out each other's emotions more and understand each other better than anyone else ever could.

BrOTP - Mycroft Holmes. I know, very surprising. But like with Sherlock there’s a lot in common and a lot different. So you’d frequently argue But in the end you’d have the common goal of looking out for Sherlock to make you both closer.

NOTP - Jim Moriarty.

Sons of Anarchy

OTP - Jackson “Jax” Teller.

BrOTP - Bobby Munson

NOTP - Tara Knowles

Star Wars Prequels

OTP - Obi-Wan Kenobi

BrOTP - Qui-Gon Jinn

NOTP - Anakin Skywalker

Star Wars Original Trilogy

OTP - Luke Skywalker

BrOTP - R2D2

NOTP - Han Solo

Stranger Things

OTP - Jim Hopper. I think Hopper would admire you for testing people so thoroughly to see if you can trust them. And he’d really love how loyal you are to the people you do trust.

BrOTP - Alexei. Here me out, the two of you seem to have a bit in common. First and foremost your intelligence. And I think you’d make Hopper quit being such an ass to Alexei.

NOTP - Nancy Wheeler

Supernatural

OTP - Sam Winchester. Okay I can just see you researching together. Staying up all night in the Bunker’s library poring over every single book.

BrOTP - Charlie Bradbury. Do I need to say anything more than nerd power?

NOTP - Mary Winchester.

Teen Wolf

OTP - Chris Argent

BrOTP - Stiles Stilinski

NOTP - Lydia Martin

That 70’s Show

OTP - Eric Forman.

BrOTP - Donna Pinciotti

NOTP - Jackie Burkhardt

The Expendables

OTP - Lee Christmas

BrOTP - Barney Ross

NOTP - Mr. Church

The Hobbit

OTP - Thorin Oakenshield. Thorin would admire your wide skill set and your ambition to learn how to do so many things. He'd adore your loyalty and knack for diplomacy.

BrOTP - Fili Durin.

NOTP - Thranduil

The Lord of the Rings

OTP - Faramir.

BrOTP - Samwise Gamgee

NOTP - Denethor

The Vampire Diaries & The Originals

OTP - Elijah Mikaelson. I think that Elijah would adore your intelligence and would encourage your interests and hobbies. If you want to know anything about history? He'd be more than happy to discuss his own experiences with you. He'd often get your opinion on a course of action before doing it, due to your with and ability of predicting the possible outcomes. He'd love your original, no pun intended, point of view. And though he loves your tenacity, your ambition, your idealistic nature and your loyalty, sometimes it can frustrate him when he thinks certain people who have your loyalty don't deserve it. Or at least not at the intensity that you give it.

First Fight - Your first fight would probably have to do with your friendship and loyalty towards Klaus. While sometimes he admires it, he often wishes that you weren’t so loyal to his brother. Thinking he isn’t always deserving of it. Afterwards you’d both go in different rooms to brood until ready to make up.

BrOTP - Niklaus Mikaelson. Klaus would admire your intelligence, ambition, hard working and even defiant attitude. Your skills and ability to think differently from everyone else. He would also come to you for advice though he wouldn’t always adhere it. Though what Klaus would love most of all is your loyalty. Especially after he made it through all your tests and found himself on the receiving end of your loyalty. And he would feel guilty when your loyalty and friendship with him would cause a rift in your relationship with his brother.

NOTP - Damon Salvatore. Damon is impulsive and has his own way of testing the loyalty of those around him. Though his form of testing is more of him doing things that makes them less loyal and trusting of him. He’d probably end up trying to test and strain your loyalty towards Elijah and Klaus. Which would infuriate you. And he would fail which would infuriate him.

The Walking Dead

OTP - Negan.

BrOTP - Carl Grimes. In an AU where Rick’s Group became saviors instead of finding Alexandria. I think Carl would have become Negna’s protege and may have even softened him up.

NOTP - Rick Grimes.

The Witcher (show)

OTP - Geralt of Rivia

BrOTP - Yennefer of Vengerberg

NOTP - Queen Calanthe

True Blood

OTP - Eric Northman

BrOTP - Bill Compton

NOTP - Sam Merlotte

Vikings

OTP - Ragnar Lothbrok

BrOTP - Ivar the Boneless

NOTP - Björn Ironside

WWE (kayfabe personas)

OTP - Roman Reigns

BrOTP - Finn Balor

NOTP - Chris Jericho

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k-s-morgan · 4 years

Note

Hello! I adore your writing and your way of talking about obsessive relationships. The world choice in your works is amazing and I get very sucked into the characters. Any good obsession fics or pairings I should know about?

Hello! Thank you so much, I’m happy to hear this!)) With obsession, I don’t think I’ll be able to offer anything new, so I’ll just make brief mentions of most of my ships (since they all have this element) and list some key obsession stories)) I’ll start with non-canonical ones and proceed from there.

But first: if you’re interested in original fiction, this series is deliciously long and focused on dark romance and obsession. Alessandra Hazard is also a great writer, though her stories are lighter. This and this ones are particularly great, imo. The second one also has considerable power imbalance. Now, on to the ships and obsessive fics.

1) Tom/Harry. I already provided a list of my favorite fics here, almost all of them have an obsessive element (it goes with the territory! :D)

2) Snape/Harry. One of my most favorite stories focusing on dark romance and crazy obsession ever, not just based on ships, is Desiderium Intimum. It’s originally written in Polish, I participated in the translation but had to drop it eventually. However, the story itself is finished and it’s easy to read the remaining chapters through one of online translators. This is what I did (since I don’t know Polish), and the impact was absolutely amazing and powerful anyway. Harry might come across as weak at first, but it’s understandable due to the circumstances, and he matures a lot. Crazy jealousy, obsession, possessiveness, passion, it has everything.

3) Will/Hannibal… there is no point in offering any links since I don’t know a story about them where obsession wouldn’t be present :D However, I have a weakness for Omegaverse Bright Hair Above the Bone, it’s a work of art.

Firenze is a creepy, beautiful AU: obsessive Hannibal with power and student Will with issues of his own.

Odalisque along with connected Time Stamps is a very long, very crazy dark (and complete!) AU story that is probably even more obsessive than the show itself. It has lots of sex (which I’m usually not a fan of), but it’s hot and the relationship itself is outstanding, obsessive/possessive, and beautiful. In short: Will is a hooker who enjoys murdering his clients; Hannibal is a client who enjoys murdering the hookers he hires. They still fall in love — eventually.

4) Merlin/Arthur. Obsession and unhealthy devotion are the foundation of this relationship, so if you haven’t watched this show, I definitely recommend it. I thought it was rather childish and light at first, but it’s not, and slowly and gradually, it turns into a heartbreaking but hopeful tale of self-destructive, obsessive love. My favorite story is probably Rheged. Obsession is strong in it, but it likely won’t make much sense to those who haven’t watched the show. A modern story is Now I Will Unsettle the Ground Beneath You: lots of obsession that neither side can fight.

5) Sebastian/Ciel from Black Butler anime. While the relationship is not canonically romantic, it has lots of subtext and these two are utterly obsessed with one another. My favorite modern AU story is Fool Me Twice. It has many triggers, it’s unhealthy as hell, but it’s great. I can’t find any copies available, so if anyone needs one, just PM me. Here’s the description (not mine, taken from here): Sebastian catches a glimpse of Ciel at an airport and instantly becomes an obsessive stalker. Eventually he gets his hands on Ciel but Ciel easily turns the tables on him. He blackmails Sebastian into becoming his butler (read: slave), using Sebastian’s obsession with him to his advantage. Deliciously twisted mind games ensue.

I also love The Service of the Demon. I didn’t finish translation, but the original is finished and can be translated via Google. It’s dark and full of obsession that grows into love.

Persona is my favorite post S2 story with dark and obsessive Sebastian (although it might not look this way at first).

6) Brian/Justin from American QAF. It’s more ordinary and grounded relationship, but it does have an aspect of obsession. It’s unhealthy, intense, and romantic. Unfinished Wedlocked is a Royal AU that you could read without watching the show — from what I recall, it’s dark and obsessive.

7) Dean/Castiel. Hautley’s Bend: a complete story, totally AU, so you don’t need to know anything about it. Obsession is amazingly portrayed, and the relationship is very complex.

#my fics #recs #shipping

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aion-rsa · 4 years

Text

The Horror Influences of Thus Spoke Kishibe Rohan

https://ift.tt/2Zl6eQ9

This article contains spoilers for JoJo’s Bizarre Adventure and Thus Spoke Kishibe Rohan.

JoJo’s Bizarre Adventure is beloved by shounen anime fans for its nonstop action, absurd and over-the-top showdowns, and creative Stands (physical manifestations of one’s true self). It’s a bombastic series that defies predictions. We’re still waiting for the fifth part of the manga, Stone Ocean, to be released as an anime adaptation, and the story is still ongoing. Strangely, there’s still no confirmation that a fifth season is even coming yet.

In the meantime, however, we got something of a holdover: Thus Spoke Kishibe Rohan. An adaptation of a series of one-shot chapters from JoJo creator Hirohiko Araki, it bridges the gap between the fourth season, Diamond is Unbreakable, and the fifth season, Vento Aureo. But while it follows manga artist Kishibe Rohan and what he’s been up to between both seasons, it takes on a decidedly different slant than the vanilla anime. Thus Spoke Kishibe Rohan takes more inspiration from episodic horror anthologies, like that of The Twilight Zone or The Outer Limits. It is, by all counts, a horror series.

It’s a new direction for JoJo’s Bizarre Adventure, though not completely unexpected. The thing is, JoJo has always been riddled with disturbing, horrific, and downright chilling moments. They’ve just been couched between action-packed showdowns and bombastic character design so that the terror creeps in without you even realizing it’s there. Thus Spoke Kishibe Rohan approaches the genre in a much more straightforward manner, though, wearing its influences on its sleeve. Both series, including JoJo to a staggering degree, are inherently spine-tingling properties, even if they don’t seem so at first blush.

Creator Hirohiko Araki is a ravenous horror fan, after all, and makes no secret of his passion for the genre. In his book, Hirohiko Araki’s Bizarre Horror Movie Analysis, he cites some of his top 20 favorite films as Misery, Alien, and The Texas Chainsaw Massacre. The work itself is divided into several parts, each exploring a different branch of chilling media, such as “Bizarre Murderers,” “Animal Horror,” or “Sci-Fi Horror.” It wouldn’t be out of the realm of possibility to think that, despite Thus Spoke Kishibe Rohan originally being meant to be unrelated to JoJo, Araki created it to satisfy his love for the macabre.

The episode “Mutsu-kabe Hill” follows a woman named Naoko Osato, who belongs to a well-to-do family. She’s living in a house that belongs to said family along with boyfriend Gunpei Kamafusa. But she can’t be with Gunpei, as she’s already betrothed to a man her father has chosen. Plus, Gunpei is a family gardener, a profession her father won’t abide. The two end up arguing, and Nao tries to pay off Gunpei to get him to leave, as she knows her father and fiancé are on their way to the home. But tensions escalate as the two become violent.

Nao pushes him into a set of golf clubs and Gunpei dies instantly. He’s bleeding, and while Nao struggles to figure out what to do with his body, her father and fiancé are approaching her home. No matter what she does, she can’t get Gunpei’s corpse to stop bleeding. In the end, she lives with this bizarre phenomenon, telling no one about her plight, and doting on Gunpei’s corpse, disposing of the blood he continues to generate for the rest of her life.

Several comparisons can be drawn from this episode to Edgar Allan Poe’s “The Tell-Tale Heart,” in which the narrator commits a murder, dismembers a body, and hides it beneath some floorboards. Despite having seemingly gotten away with the perfect crime, the narrator is driven insane by the sound of his victim’s heartbeat. He ends up confessing to the authorities as he believes they can hear it, too. It’s the story of an unreliable narrator whose sanity is slipping.

Though the narrator in that story ended up confessing to ease his suffering, Nao chose to live with the consequences of her crime, succumbing to a monster that lives off of people’s affection. The stories are quite similar in tone, though with very different outcomes.

In “At a Confessional,” Rohan recounts a story of how he met a man who confided in him while in an Italian confessional. The man spoke of a beggar to whom he refused food and instead forced to work until he died. The beggar returned as a ghost, swearing revenge on the man who wronged him, promising he’d return on the happiest day of the man’s life. Return he does, as the man has enjoyed riches beyond belief, a beautiful marriage, and the birth of a daughter.

The beggar appears in the form of an apparition in the man’s daughter’s tongue. He forces the man to toss pieces of popcorn his daughter was eating into the air and catch them with his mouth three times in a row in an absurd challenge. If the man succeeds, his life will be spared. If not, he’s beheaded instantly.

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This tale immediately recalls Stephen King’s Thinner, a similar story about a man who’s committed several wrongs, cursed the father of someone he’s murdered — this time, because he runs over a woman while driving and engaged in a sexual act with his wife. The curse finds the man, who is obese, becoming thinner and thinner at an uncontrollable rate.

Eventually, there are options available to the man, who pleads for a resolution. He’s informed by the same person who cursed him that he can eat a strawberry pie with his blood in it and die, or give it to someone else for him to be spared. It’s just as gruesome as forcing the rich victim in Kishibe Rohan to munch popcorn or die.

In JoJo’s Bizarre Adventure, the scares seem to come directly from a series of inspirations for Araki instead of new stories based on the media he’s obviously consumed.

The first JoJo arc, Phantom Blood, sets the stage by introducing a swath of Gothic horror elements. It introduces the eventual vampiric rise of DIO in a Victorian society, which directly references classic novels like Dracula and Frankenstein. There’s even a serial killer named Jack the Ripper, who faces off against Jonathan and his allies, pulled straight out of history — a perpetrator of grisly murders who ends up transformed into a zombie. The undead are also a major component of Phantom Blood, likely due in part to Araki’s love for classic zombie cinema.

In the arc Stardust Crusaders, Jean-Paul Polnareff finds himself de-aged by a Stand user named Alessi. A young woman named Malèna nurses him back to health, up until Alessi uses his Stand, Sethan, unceremoniously de-ages her to that of a fetus outside of the womb. A few of Araki’s favorite horror movies of all time, including Basket Case, center on body horror, which doesn’t make this narrative decision surprising. But for those reaching that point in the story for the first time, it’s chilling in a way that even some of the most nightmarish films can’t even touch.

While the visual of a fetus itself isn’t as offensive as some gnarled, disfigured victim, its implications are disturbing, to say the least. A fetus outside of a mother’s womb will eventually succumb to a slow death, especially one of Malèna’s apparent age. That makes Polnareff’s eventual victory over Alessi and his Stand so bittersweet.

The entirety of the fourth arc, Diamond is Unbreakable, plays out like a classic slasher flick with the introduction of Yoshikage Kira, a man with a powerful obsession with hands to the point of fetishism. He murders women with “beautiful hands,” then keeps the hands as his “girlfriends.” It wouldn’t be a stretch to compare Kira to classic killers like Psycho‘s Norman Bates or The Silence of the Lambs’ Hannibal Lecter, as Kira is believable and charming when he isn’t committing grisly murders.

Most of JoJo’s Stands are horrific on their own, and even though their story arcs enhance their terrifying power, there’s a fair amount of fridge horror to be found in these beings. The Freddy Krueger-like Death 13 can kill you in a nightmarish dream world while you sleep. Metallica (yes, named after the heavy metal band) forces you to cough up razor blades or have scissors burst from your chest.

Another Stand, Green Day, can secrete a deadly mold that will rot and destroy the flesh of anything it touches in an instant. Lastly, Rohan Kishibe himself has a fairly disconcerting Stand: Heaven’s Door. It allows him to literally read someone like a book, then erase parts of their being, or add in what he pleases, like the ability to learn a new language as his pal Koichi asks in Thus Spoke Kishibe Rohan.

It’s easy to see how Araki has masterfully melded horror into every space when it comes to both JoJo as well as Kishibe Rohan. With that in mind, it’s strange that the former has been relegated only to a series of one-shots when it shows so much potential as its own project, in which Araki gets to stretch his Rod Serling-esque legs or impart some very Argento-like stylings into his works. For now, we can appreciate what’s there — and continue finding parallels to additional well-loved classics in the genre.

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Thus Spoke Kishibe Rohan is available to stream on Netflix now.

The post The Horror Influences of Thus Spoke Kishibe Rohan appeared first on Den of Geek.

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