#but harry carrying an unconscious kim out of A Danger Zone. and kim coming to held securely by girthy biceps

[calnrio]

why did no one tell me Harry "Body-Eroded-From-Alcoholism" Du Bois can deadlift 60 kilograms without so much as breaking a sweat. depending on his height 60 kgs is probably almost Kim's entire bodyweight, give or take. the possibilities are manifold

[birdship]

(DISCO ELYSIUM SPOILERS)

Wrote this... thing? to sort of explore potentially writing an actual bit of fanfic for Disco Elysium. It's just a short scene set during the time Harry's drifting in and out of consciousness and Kim is taking care of him.

Anyway, here. Self-indulgent gay longing bullshit, but maybe someone else out there will enjoy it?

Very short teaser, since the whole thing is only like 1600 words:

PERCEPTION: The pressure intensifies slightly, and you recognize it is in the shape of a human hand. YOU: Her hand…? PERCEPTION: No. Not hers. VOLITION: Never hers. LOGIC: His, genius. ESPRIT DE CORPS: It’s Kim. Of course it is. You knew it from the moment you saw him, somehow, that this man would take a bullet for you. He almost did. But right now, he’s kneeling beside you, tending to your wound. Gently, so gently reaching into the war zone of your body to peel back the old bandages, soaked in blood and pus, and press clean ones down in their place.

ANCIENT REPTILIAN BRAIN: Well, well! Look what the cat dragged in. You keep slipping away, Harry-boy. Back into that beautiful, dark sea. Where you came from. Where you belong. Even now it presses around you, pale and cold. You’re struggling so hard to keep your head above the water for these precious few seconds of aching consciousness. It would be easier to just… relax.

YOU: Hold on, what was that about a cat?

ANCIENT REPTILIAN BRAIN: There is no cat, you stupid fuck. Pay attention when I’m waxing poetic about the sweet embrace of death.

It’s hard to pay attention. Then again, it’s hard to do anything. Your breathing is shallow and ragged and you’re so, so tired. God are you tired.

PERCEPTION: You become gradually aware that there is a light pressure on your hip. PAIN THRESHOLD: The first small jolt of pain ripples through you, branching like lightning. PERCEPTION: The pressure intensifies slightly, and you recognize it is in the shape of a human hand.

YOU: Her hand…?

PERCEPTION: No. Not hers. VOLITION: Never hers. LOGIC: His, genius. ESPRIT DE CORPS: It’s Kim. Of course it is. You knew it from the moment you saw him, somehow, that this man would take a bullet for you. He almost did. But right now, he’s kneeling beside you, tending to your wound. Gently, so gently reaching into the war zone of your body to peel back the old bandages, soaked in blood and pus, and press clean ones down in their place.

YOU: His hand…

ELECTROCHEMISTRY: It’s warm, electric, somehow both familiar and new all at once. You ache to lean into it and ask for more, more. How long has it been since anyone touched you like this? INLAND EMPIRE: Has anyone ever touched you like this, really? Right down to the core of you? Feeling the wreckage of you, the sharp edges of your heart? Running their fingers so lightly along the cracks of your horrible little brain? ELECTROCHEMISTRY: I meant literally. His hand is on your thigh. PAIN THRESHOLD: Because there’s a fucking gunshot wound there. LOGIC: Come on, don’t make it weird. ELECTROCHEMISTRY: I’m not making it weird. VOLITION: You’re definitely making it weird. ELECTROCHEMISTRY: Look, all I’m saying is it feels pretty nice, doesn’t it? Being close to him like this. His hands on your body.

YOU: Yeah. It does.

CONCEPTUALIZATION: In the haze of painkillers and recent trauma, your sight becomes clear. Ironic. You’re finally allowing yourself to see something that’s been quietly blossoming inside you over the years. It’s been so hard to ignore, but the alternative is so much worse. You couldn’t look right at it. Didn’t want to. Didn’t think you deserved to. But now, in this moment, lying on a lumpy mattress in the dark, trying not to lose consciousness yet again, with him pressing his hands to your rotting body, desperately staunching the bleeding that never seems to completely stop… Now the world has finally wrung everything out of you. Whatever it was that you had left. And you can do nothing but take the path of least resistance. HALF-LIGHT: You’re keenly aware that you will soon make an absolute goddamn fool of yourself, but are powerless to stop it. The forces are already in motion. PAIN THRESHOLD: Another lightning bolt of pain, worse this time. Agony. You cannot help but gurgle a quiet “fuck.”

The lieutenant glances up at your face with calm concern, thoroughly unsurprised by your outburst. “I know it hurts,” he breathes. “You’ll get through it.”

“Yeah,” you mumble, only half-processing his words.

PERCEPTION: His hand lingers ever so slightly, then suddenly it’s gone. The warm, comforting pressure of his company, gone. SUGGESTION: No! You’re going to be alone again! He needs to stay. You need him to be here. Next to you. For as long as possible.

You concentrate every ounce of willpower you have left on sending your right hand out to fish desperately for his before it’s gone.

HAND/EYE COORDINATION: Your hand slaps awkwardly against the sleeve of his jacket. You can’t quite get a grip on it, but your pathetic flailing is hard to ignore, and he stops to give you a quizzical look. VISUAL CALCULUS: That’s the best we could do. I don’t know what you expected from us. Your eyes are still closed.

“Detective?” he says to you. “Just relax. You’re going to be fine, but you need to get some rest.”

“Wait,” you mumble, “please stay.”

DRAMA: This is quite the sad display you’re putting on here, sire. It’s a crowded field, but this new late entry is a strong contender for the gold in the hotly contested “most uncomfortable moment” event at the Sad Old Sack of Shit Olympics.

VOLITION: Come on, you’re stronger than this. HALF-LIGHT: Don’t drag him down with you, you irrepressible fuck-up. What are you even trying to do? INLAND EMPIRE: He’s drowning. Desperate. Reaching for something, anything, to stay afloat. COMPOSURE: It doesn’t matter. Nothing matters. Not anymore. There’s nothing to hold onto. SUGGESTION: Wrong. You have exactly one thing to hold onto right now, and that thing is Lieutenant Kim Kitsuragi’s fucking hand.

Kim looks at you with a sort of detached concern for a moment, then gives you a small smile and sits back down next to you without another word. There’s nothing to say, and that’s fine.

EMPATHY: He looks exhausted. His eyes are ringed by dark circles and his shoulders have begun to sag with the weight of the case. The weight of death. The weight of you. He’s carrying so much. ESPRIT DE CORPS: He doesn’t want recognition or pity for it. He knows you’re bearing the same load. Don’t you dare apologize for any of it - this weight is shared. You’re in it together. SUGGESTION: Then why do you feel so guilty, watching him stare silently out the window into the impenetrable night, looking at nothing? You have to say something. Acknowledge his efforts to keep your sorry flesh sack shambling forward another day. VOLITION: No, stop. This is a bad idea. You don’t have to be the sorry cop anymore. In fact, please actively try to stop being that.

“Kim,” you say weakly.

“Yes?” he says, his gaze snapping back to you immediately.

“Thanks.”

“No need for that,” he says quickly.

VOLITION: Grateful cop, huh. Well, I guess that’s a step up. Very slightly less pitiful.

“Yeah,” you mumble, “alright. Sorry.”

VOLITION: Goddammit.

Kim doesn’t say anything. Just watches you with tired, searching eyes.

PERCEPTION: He’s sitting on the very edge of the bed, far away from you, his limbs tucked close to his body except for one hand, which rests lightly on the blanket. VISUAL CALCULUS: It’s still close enough that you could reach out and touch it without too much effort. ELECTROCHEMISTRY: Get that sweet dopamine hit, baby! Human contact, the most dangerous drug!

Your fingers brush his hand. He jerks it away immediately, but it seems like an unconscious, automatic reaction.

“Ah,” he says, scooting over a bit. “I’ll give you some space.”

VOLITION: If your goal was to feel like a complete idiot in front of the one person in this shithole that you respect, well, pat yourself on the back. DRAMA: Congratulations, sire, you’ve done it! And what hill might thou plan to die on next? VOLITION: A much steeper one, hopefully. SUGGESTION: Ignore them, try again! PERCEPTION: Finally, your fingers manage to close around his wrist. You can’t see his reaction. Your eyes are closed. You can’t stand to look at the situation you’ve created. VOLITION: Coward. PERCEPTION: His hand is moving, changing position, but not withdrawing. It simply contorts in such a way that your grip relaxes and now it’s his hand that’s resting on top of yours. He is silent, but he’s there. Not moving away. You smell stale cigarette smoke and dry blood lingering in the space between his body and yours. ELECTROCHEMISTRY: It’s too much. This hit, it’s stronger than you expected. It’s fucking devastating, a cold knife twisting its way through your broken body. It hurts. Why does it hurt? EMPATHY: Your eyes are still closed, but you sense that he too is looking elsewhere, similarly unable to look directly at the source of the overwhelming awkward - and quite frankly rather homo-sexual - energy you have brought down upon the room. CONCEPTUALIZATION: Every other human interaction happening inside the Whirling-in-Rags must be going very smoothly right now, because you’ve created a fucking singularity of awkwardness. There’s no more awkwardness left within a 2km radius, you’ve gathered it all right here.

Then, as quickly as the moment began, it’s over. He moves his hand and clears his throat. Probably cleans his glasses. It’s a nervous habit of his that you’ve noticed this past week.

A few minutes pass in silence. Then: “Harry?” he whispers quietly.

You don’t answer. You have nothing to say.

CONCEPTUALIZATION: Maybe you were wrong. Maybe this is the harder option. Maybe you’re not ready to look at it. Maybe you’re not ready to look at anything.

“Get some rest,” he says softly. “I need to get back to work.”

EMPATHY: He’s not going to mention this incident. Not now. Not later. Not ever. Not just out of concern for you, but himself. He has no idea how to begin to process it, so he won’t. He’ll tell himself it doesn’t matter, you were just lost in a cloud of drouamine and pain and grief. That you were so out of it that you thought you were reaching for someone else. That vulnerable moment of tenderness could not have been meant for him. But you know the truth. And maybe he does too, somewhere deep down. LOGIC: You are okay with this. You have to be. And so does he. CONCEPTUALIZATION: You’ve glimpsed it now, that radiant thing within you. That bright, unbearable light. It’s so beautiful, so heart-breaking that you can hardly stand it. Maybe a glimpse is enough.