#but here we are

[tabbytabbytabby]

No walls to hide behind

Word Count: 1,160 words

Rating: Teen and Up

Fandom: 9-1-1

Relationship: Evan "Buck" Buckley/Tommy Kinard

Tags: Established Relationship, Established Evan "Buck" Buckley/Tommy Kinard, Future Fic, Nightmares, Trauma, Worried Evan "Buck" Buckley, Tommy Kinard Needs A Hug, Soft Evan "Buck" Buckley/Tommy Kinard, Light Angst

Summary: When Buck gets a phone call from Tommy late one night, he worries.

Read on AO3

For the It's Quiet... Too Quiet space for @badthingshappenbingo. Card under the cut.

[brella]

listen up lizards… big news…………… i’m starting a fiction MFA in the fall :) yahoo

[suzakus-canon-wife]

There are many many valid reasons to criticize out of touch rich people, racism is never a valid reason in anything. It shouldn't ever even cross your mind.

[secondbeatsongs]

for anyone too young to know this: watching The Truman Show is a vastly different experience now, compared to how it was before youtube and social media influencers became normal

before it was like, "what a horrifying thing to do to a human being! to take away their autonomy and privacy, all for the sake of profits! to create fake scenarios for them to react to, just to retain viewership! to ruin their happiness just so some corporate entity could harvest money from their very humanity! how could anyone do something so evil?"

and now it's like, "ah, yeah. this is still deeply fucked up, but it's pretty much what every influencer has been doing to their kids for a decade now. probably bad that we've normalized this experience"

[matchingbatbites]

Happy Valentine's, all. <3

Eddie doesn't want to be making this call. Literally the last thing he wants to be doing is making this specific phone call, but he'll be damned if he lets his asshole of a roommate get away with this.

After a moment the ringing stops, and a voice says "Hello?"

"Uh, hi, is this Steve?"

"It is, who is this?"

"It's Eddie, Jake's roommate? I got your number from him." Well, from his phone when he'd left it unattended one day, but Steve doesn't need to know the details. "I really, really hate to be making this call, especially the day before Valentine's, but uh. Jake is cheating on you."

The line is silent for a moment before he hears a weak "What?"

Eddie's eyes squeeze shut at the heartbreak he can hear in that single word. He hates that he's doing this, but knows it needs to be done, for Steve's sake.

"I got home from work not too long ago, and heard him with some girl in his room. I took a video, if you want proof, but I just- I thought you deserved to know."

There's a bit of shuffling on Steve's end, along with a soft sniffle. "I, uh. I don't need the video. I believe you. I'm not all that surprised, if I'm honest."

He huffs a laugh, the sound so self-deprecating that it makes Eddie's stomach twist in empathy. "Guess that makes me three-for-three on my long-term partners cheating. I'm starting to wonder what the fuck is wrong with me."

That last part is softer, like Steve was speaking to himself, but Eddie hears it and frowns, because- because Steve is lovely. He can tell that Steve is beautiful inside and out, always kind with just enough sass to make him so fun to be around.

He's always makes sure to talk to Eddie every time he comes over, even if it's just a simple greeting or goodbye, and whenever he cooks at their apartment - because he's a great cook - he always makes enough for Eddie to have some as well.

It feels wrong to hear Steve talk like this, like there's something about him that needs to be fixed. Like his previous partners were right to abuse his love and trust, instead of treating them like the treasures Eddie knows they are.

Before Eddie can speak out to reassure him, the man continues. "Thank you for telling me Eddie. Spending Valentine's alone is gonna suck, but I guess that's better than spending it with someone who doesn't care about me."

"Spend it with me."

Eddie isn't sure where the request comes from, but as soon as it leaves his mouth, it's all he wants.

Steve gives a soft "Huh?" and Eddie repeats it, "Spend it with me. A boy as pretty as you shouldn't be cooped up inside on a day like Valentine's. Let me take you out, try to salvage it for you at least a little."

Steve goes quiet, and for a solid ten seconds, Eddie is sure that he's about to be rejected.

And then Steve says "Jake was supposed to pick me up at 6:30 tomorrow. I'll come by yours at six instead, so I can break up with him before we leave. Is that okay?"

A sigh of relief, and Eddie slumps into the wall behind him. "Sounds perfect, Stevie. Wear something nice, but casual, okay?"

"I can do that. I'll see you tomorrow, Eddie. And thanks again."

Jake comes across Eddie the next evening as he's packing the last of the food into a bag. He's spent the last hour or so getting it ready, making sure it's all perfect even though it's nothing too complicated.

A meat and cheese plate with some fancy crackers, a jar of the pickled asparagus he's recently become addicted to, a bowl of diced fruit and a box of fancy chocolates he'd splurged on.

He'd even dropped money on a bouquet of roses, and he already has a few comfy blankets and pillows packed into the back of the van. Everything perfect and ready to go. When Jake sees his preparations, he lets out a low whistle.

"Wow, Eddie. Trying to impress someone?"

Eddie shrugs, trying to be as nonchalant as possible. "Yep. It's our first date, so I want it to be special. Didn't wanna go the usual, boring, fancy restaurant route."

He's sure that's what Jake had planned for himself and Steve, and it's confirmed by the way his nose wrinkles. "There's nothing wrong with spending money on your date, Eddie. If you have the money to spend, that is."

Jesus Christ, Eddie can't wait to move out of this fucking place, and away from this fucking asswipe.

"Anyway, I've gotta go pick up Steve soon, and I'm planning on bringing him back here tonight, so maybe see if you can crash with your date, yeah?"

"Sure thing-" Eddie replies, though he's interrupted by the sound of a knock ringing through the apartment. He grins wide, knowing exactly who it is. "That must be my date. Can you grab that while I finish up here?"

Jake rolls his eyes but complies, and Eddie freezes in place, not daring to make a sound so he can hear whatever interaction is about to happen.

The door opens, and he hears Jake's confused "Steve? What are you doing here? I'm supposed to be-"

"Yeah, we're not doing anything anymore. Ever again, actually."

God, Steve sounds so bitchy, and Eddie fucking loves it. He grabs the bag of food and the bouquet of roses from the counter, glad that he got dressed beforehand, and makes his way to the entry.

"What are you saying, Steve?"

"I'm saying that we're over, Jake. Maybe you can call the girl you fucked last night and take her to dinner instead."

Eddie turns the corner in time to see Jake's stunned expression, clearly not expecting Steve to throw that at him. He takes a moment to bask in the fire burning behind hazel eyes, until they slide to him and that fire vanishes, replaced with something sparkling and delighted.

"Hi, Eddie," Steve says, his demeanor changing like the flip of a switch, and Eddie beams. He steps closer and offers the bouquet of roses, along with a "Happy Valentine's, Stevie."

The money Eddie spent on the flowers was worth it to see the blush that floods Steve's face as he reaches out to take them.

"Oh, thank you. That's really sweet of you."

"What the fuck is happening right now?"

Eddie and Steve both turn to look at a very petulant and confused Jake, and Steve just smiles. "Well, you just got dumped, and my Valentine is about to take me on a date."

It takes a moment, but something must finally click, because Jake's face goes red with rage. Eddie just grabs Steve's arm, guiding him out of the apartment before the man can actually do something.

"So what's the plan?" Steve asks as he takes Eddie's hand, lacing their fingers together as Eddie leads him to his van.

"Well, uh. The next town over still has a drive in theater, and they're showing some old romance movies tonight. The drive to get there is pretty nice, and we'll actually have some time to talk, and then- I have some blankets and pillows in the back of the van, and I brought food so we can do a picnic during the movies. I mean, if- if that sounds good to you."

Steve's eyes are sparkling again as Eddie rambles, and he squeezes their hands in delight. "That sounds perfect, Eds."

By the time Eddie gets home late that night, he's learned two things:

The first is that Steve had already been debating on breaking up with Jake before this whole fiasco, but the thing stopping him was that he actually likes being around Eddie, and he thought wanting to hang out with his ex-boyfriend's roommate would be too weird.

The second thing Eddie's learned is that Steve's smile tastes like dark chocolate and sunshine, and kissing him might just be Eddie's new favorite hobby.

(Eddie does eventually show the video to Steve, just to reassure him that he didn't break them up so Eddie could date him instead. The only comment Steve makes is "She's definitely faking, his dick game isn't that good.")

[xenolinn]

He wants to show off his husband real quick.

[amustikas]

Tiny Soap rizzing up Ghost hardstyle!!

[incaseyouart]

A sketchy set of Rauru busts!! He is quite literally the goat :P

insta | tik tok | twitter | store

[blumineck]

Them: arrows deal piercing damage

Me: hold my quiver

(I couldn't not use this soundtrack)

[catalyswitch]

Some quick sketches cause I was having feelings after the episode yesterday....

[roshellow29]

Brozone✨

[always-coffee]

To a Drowning Man

Here is the weight of a heart:

            dreams gone ragged at the edges,

faded and frayed, the ghost of hope

rather than her full splendour,

            and yet,

it’s enough, isn’t it? She sings

still, not siren but lullaby,

a reminder of strength

in darker times,

            a hand offered

without expectation, just steady

and steady on—

            the constant promise

of softness, breath

to a drowning man

who has ignored his own drowning—

sometimes, love is this

potential:

            glimmer unexpected,

            gentleness unasked for,

a silhouette standing in shadow,

            imperfect heart

shining, a torch song

                        burning

against the dark.

[poppy-purpura]

[another-goblin]

A little self indulgent Wriolette

(made before 4.1 so I've got no idea what's Wrio's personality or what's their actual relationship haha)

[slimeshade]

Company

[inaconstantstateofchange]

Who Builds Theseus' Ship?

This ties in to a greater discussion about Larian's changes to the game post-Full Release, and whether you consider those changes to be a good thing or a bad thing. Personally speaking, the quality-of-life and gameplay mechanics improvements were appreciated, while the direct changes to characters and especially characterization were not so much.

In such discussions, I often see people downplaying the actual changes to characterization that have been made thus far as "minor" things, but I often see one of the most glaring examples of a characterization change left out, because so many people aren't even aware of it ever happening:

Halsin.

For those who don't know, if you were romancing Halsin at the time of the original full release, and for almost four months afterward, if you took him with you to Act 3's orgy scene in Sharess's Caress, he would open up about a situation in his distant past. He would tell you about how he had briefly been "something between guest, prisoner, and consort" in a drow House, and been kept there for three years before escaping.

He stated that this was something that happened "a long time ago", when he was "a foolhardy young druid", which would mean it would likely have been between ages 100 and 245 — or at minimum 105 years ago, and at (likely) maximum 250 years ago. He closed the discussion with a line that really struck me, and that gave me such an appreciation for his character, and for the writers who had created it:

The passage of time has a strange way of polishing even the most arduous of memories into precious keepsakes.

As someone in their late-20s, with a number of traumatic events in my past, this resonated so much both with my experience of those events – once harrowing and haunting, now just simple happenings that do not affect me the way they once did – and as an inspirational message, that hurt would not necessarily linger forever.

Not only that, I really valued the insight it gave into Halsin's personality, further showing him to be someone who was deeply complex and meditative, always looking for meaning and something to take away or learn from any experience. It also served to showcase the likely reality of the relationship elves and druids both would have to the concepts of time and memory. (Another example of this is the experience of Shadowheart's father compared to her mother at the hands of the Sharrans.)

I started playing the game almost immediately upon its release in August, and was intrigued by Halsin from the start. He was someone who was kind and heartfelt, but also very settled in himself and with a simultaneously rigid and very flexible moral code. It was that complexity that drew me to him, and I appreciated the inclusion of a character distinct from the Origin companions, all at close to the lowest point of their lives.

It was to my surprise to find that this appreciation for his character and perspective on his Act 3 revelation was not unanimous. As it turned out, there was a vocal group of people claiming that this writing was problematic, and that Halsin clearly didn't even realize he was actually traumatized, and that Larian needed to fix it. Not everyone joining in with this crusade had even played the game.

And, ultimately, in a pattern they have continued to follow, Larian responded. They fixed it. At the end of November, as part of Patch 5, they uploaded an edited version of the scene with new dialogue, where the player could express this "reality" to Halsin, in one of the most gallingly patronizing statements I've ever seen.

Sounds traumatic. You may need to reflect on that.

(If someone said this to me after I had opened up to them about my trauma and my experience of it to them, we would not be maintaining a cordial relationship afterward.)

Halsin's new response to these dialogue options is a cringing, self-deprecating cascade of how the player is of course right, and he should have known better, and time could "prove to be a trickster on one's recollections" and that perhaps he had "lost perspective".

Quite frankly, it is a completely different character answering, and an almost directly opposing overall message about the role of time in healing, and the path forward when it comes to trauma. No more "one day these events will not hurt to recall the way they do now". In its stead: "only healing that looks a specific way and follows a specific path is acceptable - anything else and you are simply a poor fool lying to yourself."

The following quote is from a comment left on a video of Halsin's original dialogue in that scene, before the changes, and is just one example of how much that representation meant to more than just me to see:

That said, Halsin is trauma recovery goals for me absolutely. Being able to remember without actually being triggered? Being able to fully and freely engage HOW ID LIKE TO instead of being fettered by trauma responses? Goals. I don’t know if I’ll ever get there 100%, we don’t get elven lifetimes irl, but his level of healing brings me hope.

Ultimately, this post is not meant to argue that you should agree with me that one is better than the other. More so, I want to highlight that this existed — for many people, this was their experience of events and characters, and that is not so easily redacted. And I also want to just state, for the record, that Larian's way of approaching narrative and characterization changes to their full-release game has been incredibly frustrating. I did not agree, in August, to play an Early Access game with the inherent understanding that any potential narrative aspect might change at any time. I purchased a full-release game, and immersed myself in the story and the characters, to get to know them as the writers had originally presented.

And when Larian makes these changes based on fan feedback, they are explicitly making decisions about which fans matter, and specifically, which fans matter most. Rather than allowing everyone to experience the story they decided to tell, and draw from it what they take away, and let that spark discussion and engagement, they made the decision to defer to some fans over others, and prioritize their experience of the narrative — something that, no matter how well-intended, is always going to leave a bitter taste in my mouth.