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insipid-drivel · 5 months

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Horses: Since There Seems To Be A Knowledge Gap

I'm going to go ahead and preface this with: I comment pretty regularly on clips and photos featuring horses and horseback riding, often answering questions or providing explanations for how or why certain things are done. I was a stable hand and barrel racer growing up, and during my 11 year tenure on tumblr, Professional Horse Commentary is a very niche, yet very necessary, subject that needs filling. Here are some of the literary and creative gaps I've noticed in well meaning (and very good!) creators trying to portray horses and riding realistically that... well, most of you don't seem to even be aware of, because you wouldn't know unless you worked with horses directly!

Some Of The Most Common Horse + Riding Mistakes I See:

-Anybody can ride any horse if you hold on tight enough/have ridden once before.

Nope. No, no, no, no, aaaaaaaand, no. Horseback riding has, historically, been treated as a life skill taught from surprisingly young ages. It wasn't unusual in the pre-vehicular eras to start teaching children as young as 4 to begin to ride, because horses don't come with airbags, and every horse is different. For most adults, it can take months or years of regular lessons to learn to ride well in the saddle, and that's just riding; not working or practicing a sport.

Furthermore, horses often reject riders they don't know. Unless a horse has been trained like a teaching horse, which is taught to tolerate riders of all skill and experience levels, it will take extreme issue with having some random person try to climb on their back. Royalty, nobility, and the knighted classes are commonly associated with the "having a favorite special horse" trope, because it's true! Just like you can have a particularly special bond with a pet or service animal that verges on parental, the same can apply with horses. Happy horses love their owners/riders, and will straight-up do their best to murder anyone that tries to ride them without permission.

-Horses are stupid/have no personality.

There isn't a more dangerous assumption to make than assuming a horse is stupid. Every horse has a unique personality, with traits that can be consistent between breeds (again, like cat and dog breeds often have distinct behavior traits associated with them), but those traits manifest differently from animal to animal.

My mother had an Arabian horse, Zipper, that hated being kicked as a signal to gallop. One day, her mom and stepdad had a particularly unpleasant visitor; an older gentleman that insisted on riding Zipper, but refused to listen to my mother's warnings never to kick him. "Kicking" constitutes hitting the horse's side(s) with your heels, whether you have spurs on or not. Most horses only need a gentle squeeze to know what you want them to do.

Anyway, Zipper made eye-contact with my mom, asking for permission. He understood what she meant when she nodded at him. He proceeded to give this asshole of a rider road rash on the side of the paddock fence and sent him to the emergency room. He wouldn't have done it if he didn't have the permission from the rider he respected, and was intelligent enough to ask, "mind if I teach this guy a lesson?" with his eyes, and understand, "Go for it, buddy," from my mom in return.

-Riding bareback is possible to do if you hold onto the horse's mane really tight.

Riding a horse bareback (with no saddle, stirrups, or traditional harness around the horse's head) is unbelievably difficult to learn, particularly have testicles and value keeping them. Even professional riders and equestrians find ourselves relying on tack (the stuff you put on a horse to ride it) to stay stable on our horses, even if we've been riding that particular horse for years and have a very positive, trusting relationship.

Horses sweat like people do. The more they run, the more their hair saturates with sweat and makes staying seated on them slippery. Hell, an overworked horse can sweat so heavily that the saddle slips off its back. It's also essential to brush and bathe a horse before it's ridden in order to keep it healthier, so their hair is often quite slick from either being very clean or very damp. In order to ride like that, you have to develop the ability to synchronize your entire body's rhythm's with the rhythm of the horse's body beneath you, and quite literally move as one. Without stirrups, most people can't do it, and some people can never master bareback riding no matter how many years they spend trying to learn.

-You can be distracted and make casual conversation while a horse is standing untethered in the middle of a barn or field.

At every barn I've ever worked at, it's been standard practice with every single horse, regardless of age or temperament, to secure their heads while they're being tacked up or tacked down. The secures for doing this are simple ropes with clips that are designed to attach to the horse's halter (the headwear for a horse that isn't being ridden; they have no bit that goes in the horse's mouth, and no reins for a rider to hold) on metal O rings on either side of the horse's head. This is not distressing to the horse, because we give them plenty of slack to turn their heads and look around comfortably.

The problem with trying to tack up an unrestrained horse while chatting with fellow stable hands or riders is that horses know when you're distracted! And they often try to get away with stuff when they know you're not looking! In a barn, a horse often knows where the food is stored, and will often try to tiptoe off to sneak into the feed room.

Horses that get into the feed room are often at a high risk of dying. While extremely intelligent, they don't have the ability to throw up, and they don't have the ability to tell that their stomach is full and should stop eating. Allowing a horse into a feed/grain room WILL allow it to eat itself to death.

Other common woes stable hands and riders deal with when trying to handle a horse with an unrestrained head is getting bitten! Horses express affection between members of their own herd, and those they consider friends and family, through nibbling and surprisingly rough biting. It's not called "horseplay" for nothing, because during my years working with horses out in the pasture, it wasn't uncommon at all for me to find individuals with bloody bite marks on their withers (that high part on the middle of the back of their shoulders most people instinctively reach for when they try to get up), and on their backsides. I've been love-bitten by horses before, and while flattering, they hurt like hell on fleshy human skin.

So, for the safety of the horse, and everybody else, always make a show of somehow controlling the animal's head when hands-on and on the ground with them.

-Big Horse = War Horse

Startlingly, the opposite is usually the case! Draft and carriage horses, like Percherons and Friesians, were never meant to be used in warfare. Draft horses are usually bred to be extremely even-tempered, hard to spook, and trustworthy around small children and animals. Historically, they're the tractors of the farm if you could afford to upgrade from oxen, and were never built to be fast or agile in a battlefield situation.

More importantly, just because a horse is imposing and huge doesn't make it a good candidate for carrying heavy weights. A real thing that I had to be part of enforcing when I worked at a teaching ranch was a weight limit. Yeah, it felt shitty to tell people they couldn't ride because we didn't have any horses strong enough to carry them due to their weight, but it's a matter of the animal's safety. A big/tall/chonky horse is more likely to be built to pull heavy loads, but not carry them flat on their spines. Horses' muscular power is predominantly in their ability to run and pull things, and too heavy a rider can literally break a horse's spine and force us to euthanize it.

Some of the best war horses out there are from the "hot blood" family. Hot blooded horses are often from dry, hot, arid climates, are very small and slight (such as Arabian horses), and are notoriously fickle and flighty. They're also a lot more likely to paw/bite/kick when spooked, and have even sometimes been historically trained to fight alongside their rider if their rider is dismounted in combat; kicking and rearing to keep other soldiers at a distance.

-Any horse can be ridden if it likes you enough.

Just like it can take a lifetime to learn to ride easily, it can take a lifetime of training for a horse to comfortably take to being ridden or taking part in a job, like pulling a carriage. Much like service animals, horses are typically trained from extremely young ages to be reared into the job that's given to them, and an adult horse with no experience carrying a rider is going to be just as scared as a rider who's never actually ridden a horse.

Just as well, the process of tacking up a horse isn't always the most comfortable experience for the horse. To keep the saddle centered on the horse's back when moving at rough or fast paces, it's essential to tighten the belly strap (cinch) of the saddle as tightly as possible around the horse's belly. For the horse, it's like wearing a tight corset, chafes, and even leaves indents in their skin afterward that they love having rinsed with water and scratched. Some horses will learn to inflate their bellies while you're tightening the cinch so you can't get it as tight as it needs to be, and then exhale when they think you're done tightening it.

When you're working with a horse wearing a bridle, especially one with a bit, it can be a shocking sensory experience to a horse that's never used a bit before. While they lack a set of teeth naturally, so the bit doesn't actually hurt them, imagine having a metal rod shoved in your mouth horizontally! Unless you understand why it's important for the person you care about not dying, you'd be pretty pissed about having to keep it in there!

-Horseback riding isn't exercise.

If you're not using every muscle in your body to ride with, you're not doing it right.

Riding requires every ounce of muscle control you have in your entire body - although this doesn't mean it wasn't realistic for people with fat bodies to stay their weight while also being avid riders; it doesn't mean the muscles aren't there. To stay on the horse, you need to learn how it feels when it moves at different gaits (walk, trot, canter, gallop), how to instruct it to switch leads (dominant legs; essential for precise turning and ease of communication between you and the horse), and not falling off. While good riders look like they're barely moving at all, that's only because they're good riders. They know how to move so seamlessly with the horse, feeling their movements like their own, that they can compensate with their legs and waists to not bounce out of the saddle altogether or slide off to one side. I guarantee if you ride a horse longer than 30 minutes for the first time, your legs alone will barely work and feel like rubber.

-Horses aren't affectionate.

Horses are extraordinarily affectionate toward the right people. As prey animals, they're usually wary of people they don't know, or have only recently met. They also - again, like service animals - have a "work mode" and a "casual mode" depending upon what they're doing at the time. Horses will give kisses like puppies, wiggle their upper lips on your hair/arms to groom you, lean into neck-hugs, and even cuddle in their pasture or stall if it's time to nap and you join them by leaning against their sides. If they see you coming up from afar and are excited to see you, they'll whinny and squeal while galloping to meet you at the gate. They'll deliberately swat you with their tails to tease you, and will often follow you around the pasture if they're allowed to regardless of what you're up to.

-Riding crops are cruel.

Only cruel people use riding crops to hurt their horses. Spurs? I personally object to, because any horse that knows you well doesn't need something sharp jabbing them in the side for emphasis when you're trying to tell them where you want them to go. Crops? Are genuinely harmless tools used for signalling a horse.

I mean, think about it. Why would crops be inherently cruel instruments if you need to trust a horse not to be afraid of you and throw you off when you're riding it?

Crops are best used just to lightly tap on the left or right flank of the horse, and aren't universally used with all forms of riding. You'll mainly see crops used with English riding, and they're just tools for communicating with the horse without needing to speak.

-There's only one way to ride a horse.

Not. At. All. At most teaching ranches, you'll get two options: Western, or English, because they tend to be the most popular for shows and also the most common to find equipment for. English riding uses a thinner, smaller saddle, narrower stirrups, and much thinner bridles. I, personally, didn't like English style riding because I never felt very stable in such a thin saddle with such small stirrups, and didn't start learning until my mid teens. English style riding tends to focus more on your posture and deportment in the saddle, and your ability to show off your stability and apparent immovability on the horse. It was generally just a bit too stiff and formal for me.

Western style riding utilizes heavier bridles, bigger saddles (with the iconic horn on the front), and broader stirrups. Like its name may suggest, Western riding is more about figuring out how to be steady in the saddle while going fast and being mobile with your upper body. Western style riding is generally the style preferred for working-type shows, such as horseback archery, gunning, barrel racing, and even rodeo riding.

-Wealthy horse owners have no relationship with their horses.

This is loosely untrue, but I've seen cases where it is. Basically, horses need to feel like they're working for someone that matters to them in order to behave well with a rider and not get impatient or bored. While it's common for people to board horses at off-property ranches (boarding ranches) for cost and space purposes, it's been historically the truth that having help is usually necessary with horses at some point. What matters is who spends the most time with the animal treating it like a living being, rather than a mode of transport or a tool. There's no harm in stable hands handling the daily upkeep; hay bales and water buckets are heavy, and we're there to profit off the labor you don't want or have the time to do. You get up early to go to work; we get up early to look after your horses. Good owners/boarders visit often and spend as much of their spare time as they can with spending quality work and playtime with their horses. Otherwise, the horses look to the stable hands for emotional support and care.

So, maybe you're writing a knight that doesn't really care much for looking after his horse, but his squire is really dedicated to keeping up with it? There's a better chance of the horse having a more affectionate relationship with the squire thanks to the time the squire spends on looking after it, while the horse is more likely to tolerate the knight that owns it as being a source of discipline if it misbehaves. That doesn't mean the knight is its favorite person. When it comes to horses, their love must be earned, and you can only earn it by spending time with them hands-on.

-Horses can graze anywhere without concern.

This is a mistake that results in a lot of premature deaths! A big part of the cost of owning a horse - even before you buy one - is having the property that will be its pasture assessed for poisonous plants, and having those plants removed from being within the animal's reach. This is an essential part of farm upkeep every year, because horses really can't tell what's toxic and what isn't. One of the reasons it's essential to secure a horse when you aren't riding it is to ensure it only has a very limited range to graze on, and it's your responsibility as the owner/rider to know how to identify dangerous plants and keep your horses away from them.

There's probably more. AMA in my askbox if you have any questions, but that's all for now. Happy writing.

#horses #horseback riding #writing #writing tips #long post

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ambrosiagourmet · 7 months

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I've been thinking about Laios' succubus lately. Mulling it over a bit.

Because I've seen these pages brought up a fair bit, but almost entirely in the context of shipping (on all sides, really). And I really want to understand what they are doing for the story beyond that.

When I went back to reread the scene and section, a few things caught my interest: the way Laios responds to both forms of his succubus, the themes of the volume the chapter is found in, and the other events of the chapter itself.

So let's dive into those three things, and what I think they say about the succubus scene's purpose.

Laios is never fully frozen by the succubus

So. If you compare Marcille and Chilchuck's reactions...

to Laios':

There is a difference. Sure, the basics may look the same once it turns into Scylla Marcille, but even then, it functions differently.

Chilchuck and Marcille are completely frozen once they catch sight of their succubus. Izutsumi, as well, isn't able to look away, and completely freezes up once her 'mom' starts talking to her. As Chilchuck describes, "just looking at them makes you unable to move."

And yet, Scylla Marcille has to actively convince Laios to comply. He even looks away from her at one point!

Laios accepts this succubus, but he is never actually helpless to it in the same way. Taken in? Convinced? Sure, at least enough to let things happen that he probably should question more than he does. But magically compelled? Not really. Not the same way as everyone else is. So that's interesting. But let's move on for now.

2. Volume 9 is all about drive and desire

I don't often look at chapters within the context of the volume they are included in, but I think there's some really fun things to be found with that perspective in mind.

For one, volume 9 starts with an exploration of what desire brought Laios to the dungeon:

And ends with a question of what desire brought Laios to the dungeon:

It's also very concerned in general with questions of why people do what they do. Why they are in the dungeon, why they are with the people they are with, why they stay, what they fight for.

In addition to Laios, we see it with Marcille...

Izutsumi

Kabru

and Mithrun

Hell, we even get it for the demon!

It's certainly not the only volume concerned with desires and motives, but it is particularly focused on these ideas.

The succubus scene fits quite well into the ongoing question about desires, especially Laios' desires. It is even placed at an interesting spot within the volume. The volume is six chapters long, and the scene takes place at the start of the 4th chapter. It's almost smack-dab in the middle.

With all this in mind, it is interesting that, with both versions of the succubus Marcille, it's not totally clear which parts of her Laios is rejecting.

The first version of Marcille looks human, but Laios attacks when he identifies her as a monster. The second Marcille looks like a monster, but he seems to believe that she is the real (human)(ish) person that he knows. So is he rejecting the monster at first, and then accepting the person? Or is he rejecting humanity and only interested in the monstrous?

Something to consider as we look at the next point...

3. the rest of the chapter is a seduction, too

This is one of those things that might not be apparent on a first reading, but is crystal clear on a revisit. We see the succubus try and charm Laios over 7 pages, and then see the Winged Lion do the same thing for the next 19.

Much like the succubus, it offers the mingling of monsters and humans. Much like the succubus, it offers belonging.

(and this is the point where I absolutely must also link this post by fumifooms on the succubus, which has some great ideas on how the scene is informed by Laios' trauma and desire for acceptance!!!)

But, back to the point. The Winged Lion wants to feed on Laios just as much as the succubus did, and it uses similar strategies to try and make that happen. Though this chapter isn't really the turning point for the next Lord of the Dungeon (it is Marcille who will, eventually, become the Lion's next victim), it certainly behaves like it is.

Laios is convinced. The succubus gets its meal. By the end of the volume, the reader begins to understand how concerning his desires are. Together, it is all very good at building up that sense of dread and pending disaster, as we see exactly how and why Laios might just fall into the Lion's open arms and bring about the end of the world.

So that's the three things I noticed. But there's still something I want to touch on by looking at the way these observations overlap, and what they reveal, together.

As I said, by the end of the volume, you can feel the tension growing. Just as Kabru and Mithrun do, you look back for an answer to the questions that have been built, chapter by chapter: why is Laios here? Where will his loyalties fall? This chapter, and scene, seem to prove the inevitable truth: he will choose the monster, of course. He will choose the seductive, easy power of the Winged Lion.

But the details of what actually happens tell different story: one in which the Lion is wrong.

First, as a reminder - even in Scylla Marcille mode, the succubus never fully entrances Laios. It convinces him, but it doesn't have him completely under its thrall.

Similarly, in the dream, the Lion does convince Laios to embrace the world he is offering. But even within that dream, Laios continues to ask questions that will be vital to him later. It is because of those questions that Laios comes to a new understanding about Thistle.

And it's this realization that he cites later as part of his reason for refusing the Lion's offer.

He is thinking through things the entire time, just like he continues to question the succubus even after it turns into Scylla Marcille.

Laios also expresses an interesting reason for why he wants to see the future of this world. He's not just invested because it would mean people liking what he likes, or him getting to spend time with monsters. The thought that comes immediately before his acceptance is about what he wants for monsters and people.

I don't think it's a coincidence that this statement - "we're living beings that share the same world, but all we can do is keep killing each other" - can apply to the various humans races just as much as it does to humans and monsters. The thing he is thinking about here isn't just a matter of his personal daydreams. It's an idea that underpins every conflict in the story.

Laios caring about how people as well as monsters in this manner is something that the Lion gets wrong every time. Even at the end, he still frames Laios' desires entirely around hating people and loving monsters.

The Lion has heard him express an opinion about the future of the world! It happened right there in the dream, right in front of him! He just didn't take it seriously, and didn't view it through any lens other than "Laios likes monsters more".

He's convinced that he understands how to get to Laios. Maybe the Lion can't truly see everything, or maybe his vision into everyone's deepest desires has made it hard for him to realize how much choice still matters. That people can, and do, choose which desires to act on, and how to act on them.

Whatever the case, he's wrong about Laios, and the story shows us this over and over again.

After all, look at how the succubus interaction plays out:

A monster uses Marcille to appeal to Laios...

He realizes that something about the situation is wrong, and rejects her.

It changes strategies, and makes new offer: to turn him into a monster.

It also assures him that his friends are, or will be, taken care of.

He accepts. Or rather, allows the monster to have its way with him.

But Laios is not as helpless as he initially appears, and what the Lion thinks is a successful seduction also contains the seed of an idea that will allow Laios to later resist him.

We even get to see Izutsumi playing a similar role in both instances, as the one person fully able to take action in the face to the illusion.

The story lays out what is going happen, and then explicitly tells us that the demon and the succubus are thematically related.

The chapter performs a great sleight of hand here - everything about it seems to indicate that Laios is doomed give in to the option to have his deepest desires realized. But if you look closer, it also contains the evidence that he won't. There's a lot more going on for him.

Yes, he still falls for obvious tricks. He is still extremely into monsters, and he still doesn't feel like he fits in with other people. He may, deep down, crave to surrender to the monstrous - to let it absorb him. But he questions more than he seems to. He considers more than people realize. He cares so much more than anyone gives him credit for.

And I think this is part of why we see the succubus called back to so many times, especially with the wolf head addition to his Monster Form, which he specifically added due to his encounter with the Scylla Marcille.

This all stays with Laios. It doesn't just foreshadow the path of the story, it is fundamental to how and why he walks that path. It's not about him choosing monsters, and it's not about him choosing people. It's about how he considers both, and cares about both.

And it's about the forces that think they already know his answer. Mithrun and Kabru. The Winged Lion. The succubus.

It's about how they are wrong.

#dungeon meshi #delicious in dungeon #dungeon meshi spoilers #laios touden #winged lion #dunmeshi analysis

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masterhallmark · 6 months

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Rant incoming

I feel like the problem with a lot of Disney's live action remakes (and arguably Wish) is they're trying to appeal to a crowd that no longer exists, namely the people who used to claim that the Disney Princesses were sexist.

All the interviews tend to include, "Well she's not chasing a MAN anymore" which...almost no one sees the princesses like that, anymore. Virtually NO ONE still believes the princesses are man-chasing sexist caricatures of women.

Cinderella is now hailed as an abuse victim who stayed strong long enough to get help to get out of her situation. Anyone who says she should have saved herself is basically regarded as a victim blamer. And it's very clear in the film she wasn't looking to marry the prince, she just wanted a night off. She was the only one who wasn't in line to meet him. She didn't find out she met the prince until he went looking for her!

Snow White is now hailed for her negotiation skills, ability to calm down after extreme stress (she had a moment of panic and had to cry for a bit, but who wouldn't after finding out The Queen hired someone to kill you?), and ability to take charge of a house of adult men. And again, she was an abuse victim, this time trying to escape ASSASSINATION ATTEMPTS. While she dreamed of her prince, it was secondary to her main goal of SURVIVAL. There are also entire video essays about how Snow White gave hope to people during The Great Depression.

Everyone acknowledges that Ariel wanted to be human BEFORE meeting Eric. We all know she was a nerd hyperfixating on humans, and also standing up to her prejudiced father.

We understand Sleeping Beauty wasn't the main character, the Three Good Fairies were, AND PHILLIP WOULD NEVER HAVE BEATEN MALEFICENT WITHOUT THEM! He literally depended on them! WOMEN SAVED THE DAY! But even then, is it really such a sin for a girl to fantasize about romance and fall for someone with corny pickup lines?

We all understand Jasmine just wanted someone to treat her LIKE A PERSON. She rejected every Prince before Aladdin because they treated her like a prize. So why did they need her to want to be Sultan? How did that make her more feminist when she already wanted to be treated like an equal and have a say in her future? Is it only empowering if you want a career in politics?

We admire that Belle, despite living in a judgemental village, was kind to everyone (even though she found the village life dull), and her story teaches girls that the guy everyone else loves isn't always a good guy. What's sexist about teaching girls about red flags? And she didn't start being nice to The Beast until he started treating her with respect and kindness.

Do I really NEED to defend Mulan or Tiana? I think they speak for themselves.

Rapunzel was yet another abuse victim who just needed a little help to get out of her bad situation. In this case, she also needed to learn that she was an abuse victim, and that what Mother Gothel did WASN'T normal, much like many victims of gaslighting.

And don't get me started on the non-princess animals.

Perdita had a healthy relationship with Pongo to the point she was open to express her pregnancy fears to him, and was ready to TEAR APART Cruella's goons for daring to touch her puppies as well as adopting the other puppies. Like, she was so ferocious the goons mistook her for a hyena! She's basically that "I AM THAT GIRL'S MOTHER!" scene from SpyXFamily if Yor were a dog. She and her husband were a TEAM.....but they made a Cruella live action to turn her into a girlboss?! The literal animal abuser!? THAT'S the woman you wanted to put on a pedestal when Perdita was RIGHT THERE!?

Duchess kept her kittens calm after they had been catnapped and was classy as heck. Nice to everyone regardless of social class during a time period where that was uncommon.

Lady stood up to Tramp when she believed he had abandoned her and didn't really care about her. She found out he was a heartbreaker and was like, "Nuh uh. No. You are not doing that to me! You put me through enough."

Miss Bianca from The Rescuers was IN CHARGE the whole movie, and was willing to risk life and limb to save an innocent child. THAT TINY MOUSE TOOK ON ALLIGATORS! And she picked Bernard to accompany her because he was the only one who wasn't ogling her. And then in the sequel SHE DID IT ALL AGAIN! I wish I were as brave as her.

Like, the public haven't accused these ladies of being sexist caricatures since 2014 (Actresses and actors don't count, they're out of touch like the rest of Hollywood) yet Disney is operating under the assumption that the public still thinks that way, hence all the "sHe'S nOt AfTeR a MaN iN ThIs VeRsIOn" talk.

The live action remakes are trying to attract an audience that doesn't really exist much, anymore, and back when it did exist, was comprised mainly of people who didn't actually watch the films. The Disney princesses are no longer seen as sexist, and feminine qualities are no longer seen as weak or undesirable.

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tonycries · 7 months

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Men In Uniform Do It Best!

Dirty Lil' Secrets

A Picture Lasts Long (But Not As Long As That D*ck)

I'm Addicted, I Admit It!

Give Me Tough Love

Never Ever Seen This Before!

We Don't Have No Babies!

Like A Fever

Bad Things (To You)

Prettier When Messy!

Care For You!

Green-eyed Monster

So Lonely In My Mansion!

Kiss Me More!

Girl, I Do This Often

Cause, I Love Freaks!

Sl*t Me Out!

Match My Freak!

WAP!

R U Mine?

Hot To Go!

Girl, You Earned It!

I'm A BIG Stepper!

BODY-ODY!

SOOO ANXIOUS

Long Overdue!

THIS P*SSY DEPRESSED!

The Family Matter?!

I-T G-I-R-L!

I Lasted Ten Rounds!

BRAT!

ONE-SHOTS

Three's a Crowd (But Four...) — “So, are they like holograms? Or can you really touch them?” “Why? Trynna cop a feel, sweetheart?” In which you and your boyfriend find very unconventional uses for his powers.

Why Can't I Keep My Fingers Off You? [Part 1] [Part 2] — There were two things missing in the scene in front of you: 1. The aphrodisiac chocolate your friends had given as a gag gift last Christmas that had been hidden away in the back of your refrigerator. 2. Your dear fiancé.

Dream A Little Dream — For the strongest, it was a privilege to dream. Especially when his dream is you.

Initiation! — “Just a small initiation, nothing too serious.” Couldn’t be too hard, right? So why are you - the all-new frat sweetheart - being pinned to the bed and stuffed full from all ends by your frat brothers?

One More? Please? — A kiss always solves everything! But when a kiss turns into something more…well, it’s only a desperate attempt to unseal yourselves from this damned prison realm, right? Right?

Everybody Knows That I'm a Good Girl, Officers... — You don’t know what’s faster - how fast you were speeding down the highway, or how fast you’re on your knees for the hot officers that just so happen to pull you over.

Hope They Catch Us — When you’re on-screen, it’s always a rivalry to see who’s best - you just never thought that it would be the same struggle in bed.

Unmistakably Yours — In which the strongest bends space and time - literally - after coming back from deatḣ, to do what he’s always wanted to do - you.

Madam Gojo — Gojo Satoru, the strongest clan leader in all of Japan - and the most dangerous, too. You, rejected by the elders, and totally not his future bride, right? Right?

Can't Touch Me (Like Gojo) — In which intentionally making your fríend-with-benefíts jealous ends up with more benefits than you’d think.

The Heir — No, your clan leader husband won’t stop until he gives you an heir. No, you don’t think you’ll make it out alive.

LONGFICS

The Call — After an explosive fight with your boyfriend, you really should feel sorry about being swept up by the blue-eyed stranger at the club - but it’s so hard when he kisses you like that.

Save a Horse, Ride a Cowboy — He knows that you would be one of his favorite stories from his travels. And you know that you want nothing more than to stay by his side. After meeting an alluring cowboy at Ol’ Rustcliffe Saloon, both of you are sure of one thing - this must be fate.

Go For It, Gojo! [Part 1] [Part 2] — You wouldn’t fuck Gojo Satoru even if you were paid…is what you thought exactly five minutes before you were shoved against the wall of this cramped closet, his face stuffed in your soaked panties.

Unhoneymooners!? — The universe was surely playing a joke on you. Here you were, trapped on a luxury getaway with your - dangerously handsome, extremely obnoxious - ex. Either you were going to kill each other or end up pinned beneath him, split apart on his cóck. You just didn’t know what would come first.

AITA For F*cking My Sugar Daddy's Son?! — When your sugar daddy just isn’t paying attention to you, can you really be blamed for fúcking his son? Especially when his son is absolutely obsessed with you.

Bad Boys Bring Roses — You’ve never dealt with the yakuza - not once. So why is the future head of the Gojo clan suddenly coming up to you, demanding that you marry him for 30 days?

The Way You Kiss Me — The four times Satoru tries really hard not to kiss you - his best friend’s pretty younger sister. And the one time he doesn’t.

Isn't That Sweet? (I Guess So) — Oh no! Why do your pantíes keep disappearing? Well, maybe your hot roommate knows the answer…

Haunting You — A bIoody trail of vampire attácks, a political marriage, and four suitors you’re forced to choose from - all haunting you. But none as much as the mysterious stranger that makes everything in you scream that you might just be fated for the very thing your kingdom is trying to escape from.

You'll Taste Me Too! — How do you last three days on a work trip with the man you hate the most in the office? You don’t - you end up pinned underneath him, instead.

We Neva Play! — Turns out, the “r” in rivals stands for “really good séx” when a mission becomes a little too hot to handle.

ONE-SHOTS

Like An Animal — Of course Toji doesn’t want any more kids. Of course he’s lying as he stuffs your pretty cúnt full of his cúm for the third time tonight.

Whiskey, Neat, With a Side of You — When your date stands you up, you’re lucky that the hot bartender is more than happy to keep you company!

F*ck You! (Literally) — Of course, you hated your ex-husband. Of course, you found yourself in bed with him on your wedding anniversary.

LONGFICS

Government Hooker — With the fame and glory of being an international popstar comes the inevitable threat of an overzealous stalker. You just didn’t think that it would also come with a very sexy, buff bodyguard behind your every move.

Madam Zenin — There’s nothing that rouses Toji, the infamous head of the Zenin clan, nothing that will make him lose control - until they take what’s most important to him. You.

ONE-SHOTS

Brooklyn Baby — Everybody wanted to fuck Suguru Geto, lead bassist of Tokyo Special Grades. Said Suguru doesn’t want to fuck anyone else but you. He couldn’t give less of a fuck if anyone walked in right now. In fact, a small part of him wishes someone would.

Golden Boy — Falling right back in love with the cult leader you’re supposed to kíll? Happens more often than you’d think.

LONGFICS

ONE-SHOTS

A Million Dollar Baby! — Turns out, rent can be paid in much more than one way.

LONGFICS

ONE-SHOTS

Welcome To The Itadori's! — Three times Choso really, really wanted to hold you without his family barging in, and the one time he actually does.

FIVE! — Five hours - it’s all it takes for Choso’s baby fever to take over. After all, you’d look so pretty with his kid - five of them, in fact.

LONGFICS

Great With Kids? (You Can Have Mine) — When your younger brother gets a new babysitter, only two questions linger on your mind: 1. How come your parents didn’t trust you in charge? 2. How dare the sexy babysitter be so perfect - it made you want some attention too.

Freak On The Cam! — Choso always loved watching you - his pretty lil’ camgírl - from behind the screen. Who knew he’d love being on-screen with you even more?

ONE-SHOTS

Can't Touch Me (Like Gojo) — In which intentionally making your fríend-with-benefíts jealous ends up with more benefits than you’d think.

LONGFICS

Exes who...

Love Is Blind

“She My Best Friend, Yeah We Not a Couple.”

Wanna Do Bad Things To You

I Wanna Get Freaky On Camera

Lemme Ride, Baby!

Can I Fill You Up, Baby?

"Pull On It. Harder."

Little Heaven

#masterlist #jjk masterlist #jjk x reader #tonynavi

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yandere-sins · 3 months

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Okay! But like... big male yan!omega? Big strong man who doesn't fit into any societal omega ideal! Who gets confused for an alpha because he is so imposing and mean-looking and towers over everyone in any room. Who wants nothing more than to cuddle and purr for his cute small fem!alpha. He just wants to impregnate you, give you little babies for you to protect, but him to take care of. Who is so strong that he can push you down and hump you during his heat/your rut. He uses his omega instincts/hormones to keep you close by. Bby, don't you want to provide for him? He keeps sending you distressed hormones, you need to be a good alpha and keep him happy. Be a good alpha and kiss him better, make him a daddy and let him comfort you when your own alpha instincts flair up. He will be your perfect omega, carrying you around and smooching the top of your head. He will have a ginormous nest to keep the both of you safe and satisfied

Aww, gosh that is so wholesome!! (In yandere terms) I love it!! Thanks for sparking that idea ♥

There's just so much to go off on, and we all know that omegas really wear the pants in the relationship because alphas are just so easy to manipulate. You'd instantly get concerned when you smell the drop in a stranger's mood, just because it's your nature. Yet, you find yourself comforting an unusually big and bulky omega, who immediately hugs and latches onto you as if you two have always known each other. As an alpha, you cannot leave a sulky or unhappy omega to their own devices—even if it feels bizarre to be so caught up with someone you met randomly on a night's out... You have to stay with them and protect them from other alphas that might sniff out the omega, even if the sight of you two inevitably leads to some confusion about who is who. It's quite surprising when other alphas want to get to you instead of the actual omega, but it is he who bares his fangs at them, and you are already drenched in his scent. Even so, your omega still accounts it as your win, letting you have the laurels when the other alphas scurry off in a huff. You find it almost funny, but you are thankful for avoiding a confrontation, even though you have mixed feelings about this situation.

That is until even your friends start to avoid you. They just don't want to hang around a fellow alpha that has an omega tower over them from behind all the time, menacingly. He's scaring them off, although you still believe it's unwillingly. He's an omega, no way he has bad intentions, right? You already don't smell like you used to anymore, and when they tell you to take care of your omega, waving you off with a pitiful smirk, and tell you to enjoy the mated life, you are so confused as to why everyone thinks you two are mated. However, when you confront the omega, you're immediately hit with the smell of rejection and fear. You hate your instincts for instantly reaching out to comfort him instead of continuing your questioning, telling him it's all right. You'll take care of him—just like a good alpha would. Even if you curse yourself, there's not much you can do other than to keep this omega happy. It's not his fault he looks a bit intimidating to others; he's actually quite nice when you talk to him, just like an omega should be. He might even be a bit cute, you have to admit.

You agreed to take him home when he asks you since it's late, and "you know how alphas are"—well, duh! It probably shouldn't have surprised you that when you go over to his place for the first time, there's already a huge nest awaiting you. He's not in heat—you checked that multiple times after you met him—so technically, you shouldn't have anything to fear. You aren't even sure if you want to mate with him if that had been an option, so it was better to be safe than sorry. But damn, that is one hell of a fantastic nest. The blankets and pillows are so soft, the nest smells absolutely delightful with pheromones that kept pestering your nose all night, and a purr escapes you before you can even so much but clarify you're not staying over. The sight of the omega crawling back into his nest, lolling between the comfortable sheets and inviting you in so casually as if you already belong there, makes you gulp, your instincts rampaging, making you want to join him. Society and everyone around you conditioned you to not refuse your omega. Still, even though your body resists, your hormones spiking as you feel a rut incoming, you are so proud of yourself for turning on your heel and running.

It feels like you are a complete disappointment as an alpha, though.

You can't do it! Reasonably, you know that, but your body thinks otherwise. Ruts are too painful and tiresome without a mate to take care of you, and there had been a perfectly capable omega ready to embrace you. And you left. You barely get away a few blocks before you break down, your rut so spitefully overwhelming you, shutting down all your senses, dignity, and pride, that all you can think of is crawling back to the omega and begging him to help you. But even if you want to go back, need to go back, you can't bring yourself to it. All kinds of excuses come to mind: you're not in a place to provide the family life all omegas want, he's probably just using you for his own needs, you're too young to settle with the first omega that crosses your path, and you barely know the omega at all, you two only just me! You can't just get swept off your feet by the first omega that shows you his nest! And besides comforting him a few times, it's not like you two have a deeper relationship—you two are probably not even in love it's all just hormones!

You smell him before he even comes around the corner. Undoubtedly, he smells you, too. His eyes are instantly fixated on the picture of misery you must look like as you sit there on the sidewalk. He probably hates you for refusing him, and you get scared, hoping he won't abuse his power over you. But when he opens his mouth, it's all just sounds of comfort, his arms so strong and warm as he hugs you to his chest, lifting you up. He's not mad at all, and the alpha in you is overjoyed to smell his relief and be treated gently, even if you failed him before. He keeps asking you if you want his help, so concerned with your consent and how could you hold back? You know this omega will help you take care of the rut, make you forget about your inadequacies, and make a family while you two are at it. It's what you want—everyone wants it, right? Who needs free will when you can let your instincts take over and have an omega take care of you and the family you are about to make.

His neck is so perfectly, incidentally exposed to you; how can you not sink your fangs into it, marking this omega as yours while he takes you back to his nest, back home? Everything smells so amazingly, the omega is overjoyed, and you are happy. He's grinning from ear to ear as he puts you back down into his nest, sinking his fangs into your shoulder, your thigh, the nape of your neck. You've not made yourself a good alpha to bond so heavily to, but he does it with pleasure as he starts to take care of the mind-fogging rut that overwrites all your common sense.

"You're mine now. And I'm not letting you go," he says before biting you again and again, every fiber of your being stimulated as you press into him, moaning as if you are the omega in heat. You almost forget you're the alpha, but before that happens, you flip you both around, and the omega lets you, emitting sounds and smells of delight over you taking control, praising you just like a good omega should. So you make sure your omega is comfortable before exploring his body, making sure that by the time you spread your legs, your omega is just as happy as he makes you.

And from now on, you'll do everything to keep it that way.

Just like a good alpha should.

#omegaverse #yandere omega #yandere!omega #yandere talk #yandere #yandere omegaverse #yandere imagines #yandere headcanons #yandere scenarios #yandere fanfiction #yandere writing #yandere stories #yandere oneshots #yandere oneshot #yandere drabble #yandere x reader #yandere x darling #Yandere TW

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emeraldspiral · 5 months

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So another interesting thing about Jane Eyre is its take on relationship inequality.

Like, Jane is 18 at the beginning of the story and Rochester is said to be something like 35-38. And it's not casually brushed aside like that was normal back in the day. It wasn't. Concerns about the age gap are raised within the text. But the story emphasizes that Jane feels comfortable accepting Rochester's proposal, despite the age difference, the class difference, and him being her boss, because Jane feels that Rochester regards her as an equal. When they converse, Jane doesn't feel any tension, like she has to impress him or try to read his mind and say whatever he wants to hear. She feels that he respects her and values her thoughts and isn't compelled to use his power against her if she says something to displease him. Around the midpoint of the story, Jane believes that Rochester is going to marry another woman, and resolves to leave because she's heartbroken, believing that because she is poor and plain Rochester can't possibly be as hurt by their parting as she is, and he'll forget her and move on long before she does. But it turns out to be the opposite. After finding out about Bertha, Rochester begs Jane to stay and insists he'll be miserable forever without her, while Jane, still thinking she's too poor and plain to ever attract someone like him again, resists all temptation and leaves him. And she does this specifically because she feels that if she were to compromise her morals and self-respect to be Mr. Rochester's mistress, then he would lose respect for her and the relationship would fall apart. It was only by maintaining her integrity that the relationship could stay in-tact when the reconciled at the end.

St. John Rivers on the other hand, I don't think is given a definite age, but I think he's intended to be a much younger man, probably in his early 20s. He is poor and without relations aside from his sisters or any other connections, just as Jane. Jane finds out they're actually cousins at the same time she learns she's come into a vast fortune that was willed to her rather than the Rivers, but decides to share her fortune equally with them. So she arguably had more social capital, even though she made an effort to put St. John on equal footing with her, because the money was hers by right and she could've presumably cut him off at any time, just as easily as Rochester could've terminated Jane from her job.

And yet, Jane's relationship with St. John is vastly more unequal than her relationship with Rochester. Even though Jane practically worshiped Rochester but only cares for St. John as a brother and is acutely aware of his faults, she still finds herself desperately craving his approval in a way she never did with Rochester. And St. John is willing to exploit that intentionally. He asks her to do things she doesn't want to and make sacrifices for him just because he knows she'll do anything to please him, and that's why he thinks she's the perfect wife for him. Where Rochester tries to explain himself and persuade Jane not to leave him by addressing her concerns, St. John basically tries to command Jane to marry him and refuses to accept her "no" as final. He withholds affection from Jane as a tactic to get her to compromise in order to reconcile with him when he's the one who should be apologizing to her and considering her needs and not just his own. Jane knows that she can't ever be happy with him because he doesn't respect her and his lack of respect only makes her want to seek his approval, which he is all too happy to exploit for his own benefit.

But Jane ultimately stays firm and rejects St. John's proposal of a loveless marriage, just as she rejected Rochester's proposal of an unlawful marriage, because both situations were doomed to fail if she didn't put her own self-respect first.

So this novel from 1847 was really saying that power dynamics aren't pure black and white. Age and class and wealth and status can be a factor in making a relationship unequal, but you can also be equal on pretty much all social axis and still have inequality in a relationship. What's really important is that there's mutual respect.

#jane eyre #charlotte bronte

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punkshort · 27 days

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Swept Away | Chapter 6: Undertow

Pairing: sugardaddy!Joel Miller x f!reader

Chapter Summary: Joel does his best to distance himself after that morning on the yacht, but you finally have enough of his games after attending an art gallery exhibition.

Chapter Warnings: language, slow burn, sugar daddy/baby vibes, food and alcohol consumption, jealousy, sexual tension, flirting, threat of physical violence, good ol' fashioned argument where reader demands some goddamn answers, fingering

A/N: thank you @txtattoostark for beta-ing ❤️ And Happy Birthday @pedropascalsbbg 🎂

WC: 8.7K

Series Masterlist

You weren't going to beg. At least, that's what you told yourself over and over whenever Joel grazed a hand over your back at dinner or you caught him staring at you in your bikini just a little too long.

It had been five excruciating days since the yacht. Five days since that morning you shamelessly fucked yourself on his lap. And five days since you had found another envelope of cash on your pillow after you took a shower. You had stared at it, stomach churning with shame before you tossed it in your bag with the other unopened envelope. You had held out hope that the morning on the yacht would finally tear down his walls and he would let you in, but the cash on your pillow told you that you were wrong.

Ain't part of the deal.

Was that all this was? Were you too naive to think there was something more developing between you?

More than once that week you laid in your bed and wondered how he managed to get you all twisted around so fast. You don't let people steamroll you and you know your worth. That was his assessment of you when you first met, and he was right. That first day in his office you could hardly stand his overly confident and pompous attitude. You stood up for yourself and had a fucking spine. So where did that girl go?

Why don't you hear my terms first and then decide how much your dignity is worth?

How much was your dignity worth now? You rolled onto your side and pulled your knees to your chest, your stomach suddenly feeling queasy. You've never, ever acted this way over a man before. Was it because he kept rejecting you? Were you really that vain? No, that wasn't you. It was something more. You liked him... or, at least, you liked the parts of him he allowed you to see.

And, you don't quit. You're determined.

You breathed out a heavy sigh and rolled out of bed, giving up on the idea of sleep. You had plans to get lunch with Zoe that afternoon but until then, you had nothing but time to kill. Joel had thrown himself back into work the minute you came back from the yacht, so he spent most of his time doing that or he joined Glenn and the others to golf or play cards in the afternoons. He rarely came up for air. If he joined you by the pool, he stayed in the lounge chair, no matter how warm it was, but you could feel his eyes on you when your back was turned. You knew deep down this attraction wasn't one sided, but his resistance was driving you insane.

It was early. The sun was just beginning to rise, casting the living room in a dark blue hue. You sat with your legs tucked under you on the couch, your robe pulled tight over your sleepwear with a cup of coffee clutched between both hands, watching as the sun began to rise over the ocean.

Stop feeling bad for yourself. You're in fucking paradise.

"Oh, you're up."

"Jesus!"

You swiveled around in surprise when you saw Joel standing between the kitchen and living room, panting and covered with sweat. Your eyes swooped down before you could stop them to take in his drenched shirt and athletic shorts before looking him in the eye.

"I didn't even know you were gone," you said while trying your best to ignore the very physical reaction you were having to a post-workout Joel.

"Got an early start," he said before reaching into the fridge for a water. You turned back towards the windows to continue watching the sunrise because if you didn't, your brain was going to short circuit.

It was silent for a few minutes and you had assumed Joel had went to his room to shower, but suddenly he spoke up directly behind you. "Any plans for today?"

You took a sip of coffee so you could resist turning around to gaze at him with big fuck-me eyes. "Just lunch with Zoe."

He hummed while he chugged his water. The hairs on the back of your neck stood up from his proximity, but you remained firm and refused to turn around.

"Meant to tell you last night - Glenn invited the group of us to his daughter's art gallery. She's the curator there," Joel rounded the couch and sat down next to you with a grunt, causing you to tug your legs closer. "She's got some exhibition show all weekend, supposed to be a real big deal for her. Told 'em we'd go and show our support."

You nodded and took another sip from your coffee, eyes still glued to the ocean.

"Alright."

He pulled his wallet out of his pocket and handed you a credit card. "Why don't you go shoppin' with Zoe and get yourself a dress?"

You finally tore your eyes away to look at the heavy, black card dangling from his fingers.

"I think your assistant already bought plenty of options."

"So what's one more?" he asked with a little grin. He tilted his head to the side and caught your eye before saying, "I want you to pick somethin' out. Not my assistant. Want you to get somethin' you like."

The gesture was weak, but it was there, so you slowly took the card and slid it into the pocket of your robe. "Okay. Thank you."

"You're welcome, darlin'," he said breezily before standing up to head towards his room. Only then did you allow your eyes to slide appreciatively down his back, your gaze lingering until he disappeared down the hall. You set your coffee mug down on the table before pulling the heavy credit card from your pocket to examine it. He infuriated you with how easily he was able to disregard what happened while you had spent almost every waking moment for the past week obsessing over it. Then a slow smile spread across your face as you tucked the credit card away for safe keeping.

If he wanted to play games, you could play right back.

"Holy fuck, girl," Zoe gasped when you stepped out from behind the curtain of the fitting room. She was holding a glass of champagne daintily between her fingers, her long legs crossed over one another as she perched on the edge of a pure white sofa. "That's the one. You have to get it. Joel's gonna lose his shit."

You grinned and turned towards the three panel mirror in front of a small platform. Stepping up, you swished the red satin material back and forth, admiring the way it hugged your curves but the eye was particularly drawn to the long slit up your left leg, ending mere inches away from your hip.

"You think so? You don't think it's a little much for an art gallery?"

Zoe shook her head and stood to join you in the mirror. "No, it's absolutely stunning. It was fucking made for you."

You couldn't stop smiling as you fiddled with the off the shoulder sleeves. "Alright, fine," you conceded as Zoe giddily clapped her hands.

After you carefully stepped out of the dress and handed it to a sales clerk, you put your own clothes back on and made your way through the store to the register when something else caught your eye.

You picked up a matching red silk thong with black lace embroidery, feeling the smooth material between your fingers.

"No brainer," Zoe said before you even questioned if you should get it. You giggled and tried your best to ignore the absurd price tag and brought it to the counter with you. You handed over Joel's credit card while the sales clerk carefully wrapped up both items in what you thought should be solid fucking gold given the price of everything in the store, then you were both on your way back to the hotel.

"Good use of an afternoon, if I do say so myself," Zoe said with an easy laugh. You had to agree, although for a different reason. For the first time all week, you felt like yourself again. The shame and the embarrassment didn't have room in your head while Zoe kept you entertained over lunch. You thought when it came time to shop for a dress with Joel's money, those feelings would come rushing back, but no. You felt confident and sexy and if Joel's reaction to your new acquisitions was half of Zoe's, you would finally have the upper hand.

By the time you arrived back to your room, you were feeling worlds better. You quietly shut the door behind you in case Joel was on a call and kicked off your strappy sandals before making your way into the living space. Joel turned around from the dining table to glance your way once before turning back to his laptop.

"Have fun?"

"Mhmm, thank you," you told him, sliding his card across the table. His eyes flickered from the card to your face to the wardrobe bag and small box in your hand.

"Found somethin' you liked?"

You grinned and nodded vigorously. "Very much."

Joel could pick up on your improved mood almost instantly and a wave of relief washed over him. He kept fucking things up with you, but that was no surprise. What was a surprise was how bad he felt when it became apparent you were hurt by something he did or said. He convinced himself it was all for the best, anyway. The more he pushed you away, the easier it would be.

"That's great," he said, eyes trailing after you as you walked towards your room. "Goin' to meet Glenn and the others for golf in a bit." He fucking hated golf, but he sucked it up to rub the right elbows. "You gonna be alright on your own for dinner?"

You glanced over your shoulder and nodded. "I think I'm just going to sit out by the pool and call it an early night. Didn't sleep too well."

You disappeared inside your bedroom and he focused back on his work. You must have went outside because it was so quiet, he became so engrossed in work that he nearly lost track of time. When the calendar reminder popped up on his phone, he quickly shut down his laptop and stood, gathering his things so he could run and get changed, but he only made it one step away from the table before he froze.

He swallowed thickly when he saw you sunbathing, which wasn't out of the ordinary but this time you had chosen to remove your bikini top completely, leaving it discarded in a pathetic little pile next to your chair. You were face down so he couldn't see anything except your perfect ass covered by a deep purple, barely there swimsuit bottom, but it was enough to send a rush of blood between his legs.

He had been doing so good. He forced himself into staying busy, staying away from you, because otherwise he knew it wouldn't take much to tear down what little defenses he had left, especially after that morning on the yacht. And now here you were, practically laid out on a silver platter for him once again while he fought with his inner demons.

Forcing one foot in front of the other, he began to move slowly down the hallway, the destination his bedroom but his eyes remained glued to the window at the end of the hall. He was within arms length of his room. If only he had moved just a hair faster because then he wouldn't have seen you sit up to get a drink of water. He wouldn't have seen the towel you had been laying on get stuck on the arm of the lounge chair. And he wouldn't have caught a quick but very revealing eye full of your bare chest.

"Shit," he whispered to himself as he continued to stare, feeling like a creep but still unable to move. You had quickly covered back up, unaware he had seen a thing as he stood cemented to the ground outside his bedroom, his cock uncomfortably hard. So hard that it made his stomach hurt.

He should have fucked you when he had the chance.

No, that would be wrong. You had no idea the type of man he was, and you deserved far better than him.

But maybe you would like him anyway.

He shook his head, muttering no under his breath as he tore his eyes away from you and slipped inside his bedroom.

He wouldn't fall for it. Not again.

"Glenn's daughter's name is Rose," Joel had told you in the car. He was forcing himself to stare out the window instead of your exposed leg in that slinky fucking dress that made him lightheaded the moment he first saw you in it. "His youngest. It's her first big exhibition as a curator. Supposed to be mostly abstract art from a local artist that's growin' a large following online."

You hadn't been to an art gallery since you were in high school. Art was never really an interest of yours and it was a topic you knew very little about, so you prayed nobody would try to test your knowledge at any point during the night.

When you first stepped into the modernist building, you had to take a moment to absorb your surroundings in awe.

The floor was a shiny, dark hardwood that contrasted nicely with the off white walls which held stunning paintings around the entire room. There was the occasional piece of furniture, a couple of chairs or a table, but the room was designed mostly with space for movement in mind.

The room itself appeared to have three or four partially closed off smaller rooms, most likely created that way so the artist could break up different sections of their collection. And most of the lighting came from the small spotlights hung directly above each wall so it allowed guests to view the works of art in the best possible light.

"This place is beautiful," you whispered so only Joel could hear. He had his arm wrapped protectively around your waist, hardly giving his surroundings a second glance when he had you looking like a piece of art right next to him.

"Hey, Miller," a deep voice said from behind, startling you both. Turning around, you tried to keep your face from falling when you were greeted by Scott and Tammy. Scott stretched out his arm and Joel reluctantly removed his grasp on you to shake his hand.

"Some place, huh?" Scott remarked, glancing around at the art while you and Tammy tried to avoid looking at one another.

"Yeah, seems like a really talented artist," Joel replied. Scott shrugged and made a face just as a young woman in her early twenties walked slowly past, all alone, and stopped in front of a blue and pink painting.

"Abstract ain't really my thing," he said, "I'll have to take your word for it." You frowned and looked around incredulously.

"Are you kidding?" you asked without even thinking. All three looked at you in surprise and the young woman nearby tilted her head to listen.

"What do you mean?" Tammy asked with an air of fake politeness.

"What I mean is this artist is extremely talented," you said, sweeping your arm out to your side to gesture to a wall of paintings. "Look at the way they used complimentary colors in each piece. Look at the texture. I don't know much about abstract art, either, but if you can't feel something when you look at these paintings, you probably should check your pulse."

The young woman smirked to herself and walked away while Scott and Tammy stared at you in surprise. The corner of Joel's mouth twitched and he ducked his chin into his chest.

"N-no, you're right," Scott stammered guiltily, taking another look around the room. "It's always good to broaden your horizons and try to find enjoyment in things you don't expect. Right, Tam?"

You smiled sweetly at them both as you felt Joel's hand slink around your waist again.

"Yes," Tammy hissed through her teeth. "Of course, you're right. Why don't we go admire the paintings that look like someone kicked a few cans of color over the canvas and called it a day?"

Scott's ears turned a little red and excused them both. While they walked away, you caught them angrily whispering to each other and you turned to smirk at Joel.

"Sorry," you told him. He just shook his head and steered you in the opposite direction.

"No, you ain't."

You giggled. "Yeah, you're right."

Then much to your surprise, he leaned over to kiss the top of your head. Before you had a chance to react, you were greeted by Glenn and Mary.

"Oh, there you are!" Mary exclaimed before wrapping her fingers around the shoulders of a beautiful blonde girl who appeared to be in her mid twenties. Her hair was brushed back into a neat, professional bun and she wore a white blouse with flowing sleeves and well fitting black slacks.

"This is our daughter, Rose," Mary beamed. You both eagerly shook her hand and introduced yourselves before you added, "This is such a lovely gallery, thank you for having us."

"Pleasure's all mine," she said with a wide grin. "Truthfully I was terrified only five people would show up."

You laughed and glanced quickly around the packed room. "Looks like it's a little more than five."

"And I'm so grateful," Rose said sincerely. "The artist is so talented that I would have felt horrible if we had a poor showing."

"Where is the artist, anyway?" Glenn asked.

"They have an anonymous persona, it's how they prefer it. Even online, no one knows their real name or what they look like. Took a while before they even trusted me enough to meet face to face," Rose explained with a smile and shrug. "Genius tends to bring along little quirks."

Shortly thereafter, someone else stole Rose's attention and with a quick wave to Glenn and Mary, Joel led you away to look at the art a little closer.

"So, what'dya think so far?" Joel asked, plucking two glasses of champagne from a serving tray before joining you in front of a pink and blue painting that caught your eye earlier. You thanked him softly for the drink and continued to stare at the painting.

"I'll be honest, I thought I would hate it but I think I'm in love," you joked. Joel chuckled and gestured to the painting with his glass.

"You like this one?"

You nodded and took a sip of champagne. "It reminds me of something," you said, tilting your head to the side, studying each stroke of blues, pinks and bits of white throughout the canvas. "I find it so peaceful to look at."

He nodded in agreement and inched a little closer to your side. "So it makes you feel somethin'."

You flushed and averted your eyes. "I hope that didn't embarrass you."

Joel shook his head. "'Course not. I liked it. I like when you stand your ground and speak your mind."

"Careful what you wish for," you chuckled. He grinned and let his eyes roam up and down your body for a moment before blowing a disbelieving puff of air past his lips and shaking his head.

"Did I tell you how beautiful you look?"

Butterflies erupted in your stomach and you wanted to kick yourself for being so weak for him.

"Thank you," you breathed, watching as his eyes continued to devour you. "I picked it out for you," you added a little nervously. His eyebrows shot up and you held your breath as he leaned in a little closer.

"That right?" he murmured, knuckles dragging gently down your arm and sending a shiver down your spine. "Thought 'bout me when you were tryin' on dresses? Wondered what I would like the most?"

"Mhmm," you hummed, eyelids growing heavy as you fell under his spell with ease. "And I got something else, too," you whispered, knowing full well you were pushing it, but you couldn't resist.

It took him a moment, but he figured out what you meant. You could see it in his eyes when they flickered down to your waist and then back up. They turned a shade darker and his jaw tensed, like he was physically trying to restrain himself.

"Careful," he warned lowly. The way he said it made you wonder if he was talking to you or himself.

"Or what?" you teased, cocking your head to the side playfully. He maintained his intense stare for another moment before dragging his gaze away and clearing his throat. His eyes found the painting again and he jutted his chin towards it.

"You really like it that much?"

You blinked, trying to keep up with the quick change in tone. At this point, you weren't sure why you were surprised anymore. Turning back to look at it, you nodded.

"Alright, then," Joel said firmly. "Excuse me."

You swiveled around and watched him weave his way through the crowd, making a beeline for Glenn, Mary, and Rose. You had to stifle your laugh when you realized what he was doing, but then you made eye contact with a set of dark brown, almost black eyes next to Rose and the smile slid right off your face.

Of course Brooks would be there. Why didn't you think of that sooner?

When you spun back around to give the painting one last look, you were surprised to find a young woman standing next to you admiring the painting, as well.

"Sorry," she said sheepishly, then tucked a loose piece of brown hair behind her ear. The rest of her hair was pulled into a messy bun and she wore a midnight black suit with a matching tie.

"No need, I wasn't paying attention," you said sweetly. The pair of you stood in silence for a few minutes while the laughter and clinking glasses from the other guests occupied the air.

"Isn't this piece beautiful?" you asked her, trying to strike up a conversation. She grinned and shrugged.

"What do you find beautiful about it?"

You looked back at the painting, letting your gaze slide over the differing shades of blues, pinks, and whites.

"It's calming," you said. "I feel like I've seen it before but I can't pinpoint where."

The young woman nodded, urging you to continue.

You studied it a moment longer and then let out a dry chuckle. "You know, I'm gonna sound crazy, but there are these pink seashells in the ocean. My fiancé picked some up for me when we were swimming last week. It reminds me of the way they looked through the water, like the pink all distorted with the blue."

"That's exactly right."

You turned to her in surprise. "W-what do you mean?"

She stuck out her hand and you could see the beginnings of a tattoo running up her sleeve. "I'm Ellie. The artist."

"Oh, my god!" you practically exclaimed, covering your mouth before remembering your manners and shaking her hand, giving her your name. "You are incredibly talented," you told her, "and I swear I'm not just saying that."

"I know," she said, releasing your hand and shoving it back into her pants pocket. "I heard you defending me to that asshole and that overly botoxed wife of his. Thank you, by the way."

You laughed and shook your head in disbelief. "You're so welcome." You looked back at the painting as you tried to calm your racing thoughts. "So the seashells on the ocean floor inspired this?"

"Yep," she said, rocking back and forth on her heels. "That one over there's palm trees in a tropical storm. The one next to it is all the different colored beach umbrellas at a resort. And the one all the way in the corner is -"

"Wait, let me guess."

Ellie smiled. "Okay."

You studied it for a minute, tapping your finger against you chin, deep in thought.

"Oh!" you said excitedly. "All the hibiscus flowers along the highway!"

She nodded with a look that told you she was impressed.

"How'd you tell?"

"We drove by them on our first day. You used greys at the bottom and bits of green in between, representing the bushes, right?"

"You got it," she said with a laugh.

"Wow," you breathed as you looked around at her paintings in a completely different light. "I know I sound like a broken record, but you're so talented. You truly have a gift."

"Thanks," Ellie said shyly. "I don't do good in crowds though, so I'd appreciate it if you didn't tell anyone who I am."

"Promise," you said, giving her your pinky finger. She grinned and looped her finger around yours with a firm shake, and then her phone chimed in her pocket. She let you go and pulled it out, her expression unreadable.

"This painting just sold," she said softly, eyes slowly widening. "Shit, I'm sorry. I would've-"

"It's alright," you told her, glancing over your shoulder, but you couldn't spot Joel anywhere. "I think I know who bought it."

Ellie breathed a sigh of relief and put her phone away. "The fiancé?"

You nodded. "I should probably go thank him."

"Thank him for me, too," she joked. "It was great meeting you."

"Likewise," you said, giving her hand one more shake. "Good luck with the rest of the evening."

You weaved your way through the crowd, heading towards the back of the building where you last saw Joel. On your way, you caught Zoe's eye from across the room and waved, laughing when she fanned herself and gave you an exaggerated once over.

"Hi, honey," Glenn said when he spotted you walking by.

"Hi... have you seen Joel?" you asked, then Brooks piped up with an sinister smile.

"Think he went towards the bathrooms with Scott's wife," he told you, pretending to search his brain while his foot tapped restlessly against the wooden floor. Then he snapped his fingers as if struck with a great idea. "Tammy! That's her name, right?"

Your blood felt like fire in your veins and it must have shown because Brooks grinned and shot you a wink before you hurried off towards the back of the room.

The bathrooms were down a long hallway and around the bend. You walked as fast as you could without the sound of your heels causing someone to think you were running. As you approached the turn, you heard Joel's voice before you got a chance to see him. You couldn't hear what he said over your own heavy breathing, but his tone sounded surprised.

When you turned the corner, you stopped dead in your tracks, unable to believe your eyes.

There, right in front of the men's bathroom, was Tammy. She was pressing her lips against Joel's with her long, fake fingernails raking through his hair. You were too stunned and just barely had a moment to process the shocked look on Joel's face, one where his eyes didn't even close and his brows furrowed in anger before he pushed her back and wiped his mouth with his hand.

Before he had a chance to say anything, someone shouted down the corridor, causing them both to swivel in your direction. It wasn't until you had almost closed in on them that you realized you were the one shouting.

"You fucking bitch!" you yelled, lunging forward, completely fueled by white hot rage. Joel's arms wrapped around you before you could hit her like you intended, but you did manage to get your fingers around a good chunk of her hair. She yelped and clawed at your wrist, begging you to let go, but you ignored her pleas. Instead, you shook her head back and forth like a dog and it wasn't until her hair-do was almost completely destroyed that you finally let go, but not before angrily kicking in her direction while Joel hauled you away.

"You fucking psycho!" she screeched, frantically trying to tame her hair as she stumbled against the wall. "Nothing even happened!"

"Stay away from my fucking fiancé or so help me, I'll undo a decade of plastic surgery in ten minutes," you sneered.

"Relax!" Joel told you sternly. He turned his attention to Tammy, who was catching her breath and looked like a dissolved mess. "Get outta here," he snapped, and just like that, she scurried into the women's room to try to fix her hair.

He released his grip around you and you immediately turned on him.

"What the fuck?" you seethed, jabbing a shaky finger into his chest. He held up his palms and shook his head.

"You saw it, I didn't kiss her back, I need you calm the fuck down right now."

You dragged in a deep, ragged breath but you were still driven by unbridled anger.

"You told me this was over," you said through clenched teeth. Joel grabbed your wrists but you shook him off and stepped back. He sighed and pinched the bridge of his nose with his other hand propped on his hip.

"It is," he said calmly. "She was waitin' for me and - y'know what? I don't gotta explain anythin' to you," he glanced up and down the hallway before dropping his voice and towering over you, anger now radiating off him. "Do I gotta remind you this ain't real?"

Tears sprung up in your eyes but you quickly blinked them away. "I don't care. Anyone could have come down this hallway and seen you, and then what? Huh? What if it was Glenn? What if it was fucking Scott?"

He knew you were right, but he just silently glared down at you, each of you breathing heavily as the adrenaline began to wear off.

"I'm leaving," you told him, gathering up your dress and straightening it out. "I'm so sick and tired of your fucking head games and I won't stay here and let you embarrass me any longer."

Something in his expression changed but you didn't linger long enough to find out what it was. You bunched up the skirt of your dress and quickly walked away, doing your best to move fast without breaking a heel. You heard Joel call your name but you ignored him, hellbent on disappearing into the crowd and getting away from him as fast as possible.

Something inside him broke when you said you were leaving. Something deep in his chest he didn't expect to feel, and suddenly he was overcome with an immense amount of guilt and shame. He needed to apologize. He needed to make things right.

Shit, did you mean you were leaving for good? Or just leaving the art gallery? Why did he keep saying the wrong fucking thing?

Panic coursed through his veins in seconds and he found himself rushing after you. He must have looked like a fool when he raced out of the hallway and back into the bustling gallery, head twisting around every which way as he desperately searched for a flash of your deep red dress, but all he saw was a sea of unrecognizable faces.

"Better keep an eye on that one."

Joel spun around, eyes wild, when he came face to face with Brooks.

"Which way did she go?" he asked. Brooks just grinned and casually swiped at his nose with a sniffle and Joel narrowed his eyes.

"Where?" he said, dropping his voice angrily. Brooks held up his hands and chuckled.

"Calm down," he warned, making the hairs on the back of Joel's neck stand up. "She looked like she was going towards the side exit. Looked pretty upset. Hope there's no trouble in paradise."

Something about the way Brooks said it gave Joel pause.

"No," Joel said, eyes flickering towards the door, "We're fine. She just wanted to head back to the hotel."

Brooks nodded and rubbed at his chin. "That's a relief. I'd hate for someone to come along and snatch her up from you."

"What did you just say?" Joel asked, taking a menacing step forward before catching himself. What the fuck did that mean?

"C'mon, you know what I mean," he replied, nudging Joel's shoulder good naturedly as if he were in on some joke. Joel clenched his teeth and tried to refrain from doing something stupid, and if he wasn't Glenn's son, he might not have held back. "Girl like that needs to be taken care of."

"I take care of her just fine," Joel said defensively, and as much as he wished he could figure out exactly what Brooks thought he knew, he didn't have time to waste. "Tell your parents she wasn't feelin' well and we had to leave."

Before Joel stepped away, Brooks winked and gave him a thumbs up. "Sure thing, man."

He hurried through the crowd, a chorus of excuse mes being uttered from his lips every other second until he finally reached the door.

The moment he stepped outside he was hit with the tropical humidity he had somehow grown accustomed to in the past two weeks, but also finally found some quiet.

He took a moment to take a few deep breaths and look around. When he spotted you further down the street with your arms wrapped around your middle and your dress fluttering in the night breeze, he breathed a sigh of relief.

You were waiting for the car to pull around with your chin tucked into your chest and he swore if he had made you cry again he would never forgive himself. But when you heard him approach and lifted your head, he didn't see tears. Instead, he saw disappointment mixed with anger.

He couldn't decide which made him feel worse.

"I'm sorry," he tried, but you shook your head as the car pulled up to the curb. He tried to reach out and open the door for you but you didn't allow it, so he hurried around to the other side of the car and slid into the seat next you.

Once the driver pulled out onto the street, he readjusted himself in his seat and turned to look at you.

"Not here," you said coldly before he could speak, gaze pinned to your window. He clamped his mouth shut and sat back. It was smart. He couldn't risk the driver overhearing something and spreading rumors, so instead he focused on what he was going to say to you to make things right once you were back in the room.

I'm sorry, she doesn't mean anything.

Would that imply you do mean something to him? Of course, you did, but he couldn't share that with you. Not after he just told you twenty minutes prior what you had wasn't real.

I'm sorry, this situation is more complicated than you thought.

Somehow he thought that wouldn't go over well.

He knew what he should really say but he couldn't bring himself to do it. I'm sorry for confusing you and leading you on. I can't help myself, I'm weak.

So instead, he settled on I'm sorry, you were right. If someone else saw, it would have ruined everything.

That is exactly what he said to you once the hotel room door finally closed behind you and you kicked off your heels, snatching them up in your hand and storming into the living room.

"Yeah, no shit," you muttered over your shoulder.

"C'mon, you know what you saw," he pleaded, "you know she took me by surprise when I was comin' outta the bathroom. I had nothin' to do with it. I told you it was over and it is, I don't know why-"

"Good question, Joel," you said, spinning around to pin him with a glare. "Why did she think she could do that? Hm?"

Joel shook his head and shrugged. "I don't know."

"Alright, let me ask you this," you said, dropping your shoes to the floor and perching against the dining room table. "What did she say to you on the yacht?"

"When?"

"You know damn well when," you snapped. You were getting too fed up now to play nice and it felt liberating to have that side of you back once again. You don't let people steamroll you. "When she followed you inside that day before the island dinner. When you told me, I only need to know what you say I need to know. Well, Joel, I need to know. So fucking tell me. What'd she say?"

His nostrils flared when he took a deep breath. People didn't talk to him like that. If it were anyone else, he would send them packing without a second thought, and maybe with a few choice words in return. But you? He couldn't do it. He couldn't stomach the thought of losing you.

"Fine," he grumbled, yanking out a chair at the table next to where you were standing and collapsing into it. He tugged at his tie, loosening the knot so it hung wide at his neck, then unfastened the top two buttons of his dress shirt before he spoke.

"She was surprised to hear 'bout our engagement. Wondered why I didn't warn her. Asked if we're happy. Usual beatin' 'round the bush shit."

You quirked an eyebrow and crossed your ankles. "What do you mean, beat around the bush? What was she really asking about?"

He raked his fingers through his hair and shrugged. "Y'know. Lookin' to see if I was interested in meetin' up with her during the stay."

"And what did you say?"

He rolled his eyes and gave you a disbelieving look. "The hell you think I said? No. I fuckin' said no."

"And she still kissed you after you said no on the yacht?"

"Yeah," he replied, crossing his arms and glancing up at you. "Think you ruffled her feathers a bit. Got her jealous."

You scoffed and looked away but secretly you found a sick sense of satisfaction from it.

"Happy now?" he asked after the silence dragged on a moment too long for his liking.

"Thrilled," you said sarcastically. You clasped your hands together in front of you and stared down at the floor. He watched you for another minute, feeling the energy in the room begin to shift back to normal, and he smirked to himself.

"What?"

"Never had two women fight over me before," he said with a wide smile, one which he tried to cover with his palm when he dragged his hand over his mouth.

"Yeah, well," you murmured, fiddling with your ring, "I would have wrecked her if you didn't stop me."

"I got no doubt," he replied, his hand dropping to find your exposed knee. Now that you seemed less pissed, his focus was being drawn back to you wearing that dress just for him. And then he remembered your earlier comment and it took every ounce of restraint not to slide his hand up your thigh and under your skirt to see what else you had on.

"We were havin' such a nice time 'fore all that happened," he murmured, his gaze wandering up and down your leg and you felt yourself begin to soften. "Think you were sayin' you bought more than just the dress, hm?"

Goddamnit, how did he do it? How did he manage to pull every emotion out of you in just one evening?

"You wanna see?" you asked, hoping he didn't hear the tremor in your voice or notice the way your legs fell open a fraction more.

He lifted an eyebrow and smirked, gaze still fixed on your bare leg while his hand began to migrate further past your knee.

Yes, he wanted to say. Yes, please show me. Let me see all of you. But he caught himself and his hand stilled.

"Why don't you just tell me, instead?"

"Or you could just move your hand a few more inches and find out for yourself," you teased, spreading your thighs a little more. His fingers pressed into your skin and you saw him swallow.

"Can't, y'know that."

You let out a frustrated huff and pushed yourself off the table, away from him.

"You're confusing the fuck out of me, Joel! One second you're all over me and the next you're pushing me away. And don't try to tell me it's all for show. You do this shit all the time."

You marched into the living room and plopped down onto one of the couches. You were fucking tired. Tired from the rollercoaster evening, tired from Joel's mixed signals, tired from everything.

He stood up with a groan and followed you to the living room, raking his fingers through his hair as he moved.

"I'm tryin' to protect you," he snapped, startling you. "I don't fuckin' trust myself 'round you, don't you see that? Don't you see what you're doin' to me?"

His fingers twitched at his sides as he stood in front of you, imploring you to understand with a pained look on his face.

"Then why are you fighting it?" you whined, standing up. As you approached you saw his shoulders stiffen, but he didn't move away. "Why can't we-"

"'Cause I ain't a good man, darlin'," he said sadly, gaze dropping to the floor. "You deserve so much better."

"But I like you," you told him softly, reaching out and taking his hand. You brought it up to cup your face while a war waged behind his eyes. "I refuse to believe you're not a good man, Joel."

You turned so you could press a kiss into the palm of his hand, then slowly guided his arm lower, all the while staring him right in the eye until his fingertips brushed against the slit in your dress. Your breath hitched as you led him lower, underneath the material until his fingers finally came in contact with the silky red panties trimmed with black lace.

"Fuck," he whispered, cheeks tinting pink and eyes all wide and dark when he felt the wet patch that had seeped through. After that, he couldn't stop himself. "Dirty fuckin' girl," he growled, taking a step closer so he could tower over you while two thick fingers pressed and stroked steadily over your panties. A breathy moan slipped past your lips and you released his arm so you could grab onto his shoulders for support. Joel wrapped his other arm around your waist and walked you back towards the sofa, all the while staring down at you like he was a predator who finally caught their prey.

You thought he would have laid you down but to your surprise, he twisted you both around at the last second and sat down on the couch, legs spread wide. He removed his hand from between your legs and you were about to protest when you heard the deafening tear of fabric. You gasped and looked down to see Joel had torn your brand new fucking dress from the slit up, exposing half your stomach.

"What the f-" you were about to scold him and tell him how much you liked that goddamn dress when he grabbed you by the hips and yanked you forward so he could bury his face against your clothed pussy. Your eyes bugged out of your head and you grabbed his hair to keep you steady, your shaky legs no longer able to be trusted. And when he took a deep, steady breath in through his nose, your face flushed with heat while staining the red satin of your underwear even darker.

"You smell so fuckin' good," he groaned before taking another deep breath. "Bet you taste even better."

"Jesus Christ," you whimpered, your fingers getting tangled in his hair. "Please, Joel, please..."

"Sit on my lap," he demanded, tearing himself away and leaning back into the couch. He slapped the tops of his thighs and ushered you forward with his fingers.

On shaky legs, you obeyed, spreading them wide so you could rest them on either side of his thighs. He stretched up to latch his mouth onto the hollow part underneath your jaw while his fingers resumed their torturous pace over your center.

"You're right, these were made to be seen," he murmured against your throat. Your hips began to rock, encouraging him to keep going with each little sound from the back of your throat. "Got these just for me, huh? Wanted me to see 'em?"

"Yeah," you whined, arms circling around his neck and jaw falling open as he brought you closer and closer to your climax without still having actually touched you.

"What'd you want me to do, baby?" he asked softly. Your breath was growing shallow and the noises you were making were getting louder and he smirked, knowing you were close from just a few minutes of petting you through your clothes. If this is how responsive you were from just his fingers, he couldn't fucking wait to take you apart with his cock. "Tell me. Did'ya want me to bend you over the table?"

You nodded and gasped when his fingers began to move faster. "Everywhere. In the car. At the art gallery. In the fucking elevator... fuck, Joel!"

His cock swelled in his pants, the material already too unforgiving and tight, when you came shouting his name. A shudder ran through your body when you slumped forward to rest your head on his shoulder, but unfortunately he didn't give you the courtesy of recovery because in an instant, he hooked the material of your underwear to the side and two fingers slid right into your soaked cunt.

You weren't sure who groaned louder, you or Joel, but it felt like both of you were equally desperate.

"Oh, fuck," you whimpered, sweat dotting your forehead and upper lip from the welcome intrusion his fingers caused. You forced yourself to straighten back up so you could grab his face with both hands and slant your mouth eagerly over his. His tongue immediately invaded your mouth and his wrist began to snap between your legs, causing your mind to go numb as you focused solely on the pleasure he was giving you.

"Joel," you moaned in between biting at his lower lip. "I don't think I can come again."

"Yes, you fuckin' will," he said roughly. His free hand, which was clutching your hip, began to guide you up and down on his fingers. "You wanted me so bad and now you're tellin' me you can't come again? Gimme what I want and maybe I'll give you what you want."

You nodded dumbly and followed his lead, rolling your hips and then bouncing on his lap until you found what worked and you felt that familiar warmth building low in your stomach again.

"Keep going, just like that," you panted against his lips. He nodded, eyes so dark they looked black as he stared up at you. Your eyes were squeezed shut, too focused on chasing your high to see the way he was looking at you. It was probably for the best because he was fairly certain you would be able to see right through him in that moment and it scared the shit out of him.

"Oh, fuck, baby, that's it," he breathed, pulling you closer so he could hide his face against your throat. He could feel you tightening around his fingers and your nails were digging into his shoulders, the bite of pain sending shivers down his spine. Your moans grew more high pitched and your skin felt hot to the touch. He leaned forward on the couch and, circling his other arm around your waist, tugged you as close as possible while using the force from his entire body to thrust his fingers as deep as he could into your cunt, curling them inside you each time he retracted his hand.

"Oh, god, Joel," you whined breathlessly, stomach tensing the closer you came to your orgasm. "I think... I think I'm gonna-"

You cut yourself off with a shaky moan when you came for the second time, your entire body pulsing in his arms as your orgasm shot through you violently, taking every shred of energy you had left.

You murmured softly against his neck when he eventually dragged his fingers out of you. Your eye cracked open just in time to see him pop both fingers into his mouth and hum appreciatively to himself while still holding you close against his chest.

"You alright?" he asked before kissing the top of your head.

"You ruined my dress," you whispered sleepily. He chuckled, the vibrations from his chest melting into yours, making you smile.

"It's not funny. It was over a thousand dollars."

"Money well spent," he replied before tipping the back of his head against the couch with a deep sigh. He was still painfully hard but you were too weak and tired to do anything about it. He maneuvered you so your legs were no longer spread open on his lap, then hooked an arm underneath your knees. With his other arm around your shoulders, he stood with a groan and began to carry you down the hall.

Your own arms were still wrapped tightly around his neck and once he approached the bedrooms, you opened your eyes to see which room he would pick. It didn't surprise you when he turned into your room but you were too tired to really care.

"You oughta change outta this dress," he murmured as he laid you down in bed.

"Mhmm, I will," you promised, then smiled when he brushed your hair out of your eyes and kissed your forehead.

"Get some sleep," he said, and just as he was about to step back into the hall, you called out his name. He spun around, the sight of you spread out over your bed, all fucked out in a torn up dress giving him pause before he cleared his throat and responded.

"Yeah?"

"You better not fucking tip me this time."

You giggled when you saw the grin on his face and he shook his head in disbelief.

"'Night."

"Good night."

Once he left, you slipped out of the dress but you couldn't bring yourself to throw it out, so you zipped it back up in its bag and tucked it into the back of your closet before drifting off and feeling the calmest you ever felt.

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