#but it’s perfectly possible to do

[flagellant]

yeah we might be brothers in christ but so were cain and abel so shut the fuck up before i decide to find a rock about it

[zillychu]

Consider for a moment: A slow-burn identity reveal “no one knows” AU with an emphasis on ghosts being taken seriously as an actual, world-changing threat.

Ghosts are treated as an exceedingly dangerous, but unavoidable force of nature. They can come and go without warning, through naturally occurring spontaneous portals. They're territorial, driven only by obsession and hunger for the living. Particularly powerful ghosts are on par with natural disasters.

Life goes on because there's simply no other option. All major buildings have varying levels of ghost shields, some stronger than others. Just about everyone has some form of personal shield, weapon, or general deterrent. For the most part, humanity takes this apocalypse in stride, barely keeping it all together because there's just enough safety to keep them all sane.

Which is why the rumors of Phantom being able to fully mimic a human body incites panic in Amity.

Phantom was already a nightmare as it was–one of the most powerful and intelligent ghosts on record. His territorial fights with other ghosts for haunting (hunting) grounds in Amity have made global news several times already. Powerful ghosts could appear more human–but to think he was transforming down to a cellular level? Hiding among them? Bypassing ghost shields and alarms? Picking them off one by one?

The focus is mostly with Lancer's class, and how the school deals with this new threat on top of everything else. Everyone is a suspect, no one is safe, and Danny Fenton in particular gets slowly more and more exhausted, apathetic, and… unnerving.

The stress, the lack of sleep, the fighting, no one to turn to, not even his best friends or family–it takes a toll on him. Starving himself doesn't help, but he refuses to do more than take small bites from the ambient life energy and emotion of the living around him. Nothing that won't actually do lasting harm. He begins to slip up more and more, which Sam and Tucker begin to notice but haven't quite connected the dots yet.

But, well. What else can Danny do when Pariah Dark comes knocking on Amity’s doorstep, and his whole class is in the line of fire?

[biggest-gaudiest-patronuses]

it is. so weird to me that I'm having to say this again after a real-life cartoon supervillian already once ran for president on a platform of hatred & fascism and won, but.

it's November, please fucking vote

[sporesgalaxy]

i have been sitting here. VEXED by the idea of a one piece cowboy AU. because i want it so bad. but on land, what exactly has the same omnipresence and-yet avoidability of The Ocean, to serve as a devil fruit weakness? the same capacity for providence AND destructiveness? Sand, theres too much sand, we dont Love it the same, and you don't sail over it the same way, no no, and sunlight, that changes where you'd fight too much, I don't want everyone to be running into cave systems to fight all the time. BUT THIS MORNING IT HIT ME LIKE A TON OF BRICKS. CHURCH

[flightdescending]

badly frankensteins the thing

[miodiodavinci]

congration

you done it

[skunkes]

[tcfactory]

An idea I will need to flesh out more for a daemon AU:

Whatever injury someone suffers will leave a mark on their daemon too. Scars, tattoos, slave brands, you know, all kinds of things will appear on the hide of the daemon. With high enough cultivation it is possible to hide these marks on someone's body, but only the highest level cultivators can make them disappear from their daemon.

Shen Qingqiu is not nearly high enough in his cultivation to heal his daemon. So he hides it instead - people know that his daemon is a wolf, but it hardly ever appears in anybody's sight, capable of wandering at seemingly endless distances of its human.

Shen Yuan transmigrates from a world that didn't have daemons and the System isn't quite cruel enough to split his soul in half like that, so he gets placed in the body of a senior cultivator who has suffered grievous trauma and a severe qi deviation after he lost his daemon in a night hunt. Shen Yuan remembers this plot point in passing, a nameless Qing Jing hallmaster who had to leave the mountain because he never recovered. He eventually died seeking shelter in Huan Hua Palace, but only after confiding in the Old Palace Master that it was Shen Qingqiu who killed his daemon out of jealousy.

Shen Yuan has all the excuse to be a little weird and people are really worried about his well-being, but all that worrying gets stifling really fast, so he takes to wandering the bamboo forest to get a bit of peace and quiet. When he meets the scarred, silent wolf in the forest "oh that must be a daemon" is not his first or even his fifth thought. The beast is matted and skittish enough that after some thinking he concludes that is must be a neglected spiritual beast. Perhaps one that was left to roam the forest alone after his master died. He can't tell what kind of wolf beast it is though - he really wants to get close enough to puzzle out what the coat pattern is supposed to be under all those scars - so he keeps trying to follow and befriend the wolf.

He thinks it's going great. He got close enough to bemoan not having anything on hand to give the wolf a good brushing once! But then he is called to the bamboo house one evening and he thinks this is it, I'm going to be sent packing today.

Shen Qingqiu doesn't send him away. He gestures instead at the very familiar giant wolf sleeping on an old mattress and the grooming equipment laid out on a nearby table. "He said you wanted to brush him. No need to be shy now, shidi."

[chirpsythismorning]

Fun fact: In the original pitch for Stranger Things, El had a little brother.

After being rejected by almost 20 studios for the Montauk pilot, the Duffers were finally green-lit by Netflix. It was at this time that they began casting and then writing the first season officially, which included reworking a lot of that first episode.

This led to the removal of the brother reference, and with it, removing any sort of arc El could have had about her apparent brother.

But the thing about this moment, is that it might not have been scrapped entirely...

Going into the final season, no one can explain why or how El recognized Will back in 1x02. And while there are plenty of things on the show that are left unexplained, with a small portion likely left that way with the intention to uncover it later, what sets this moment apart from the rest is that there are very few possibilities here.

Because for starters, the story presents El's ability to see people in the void in s1 as requiring either a picture of that person for reference, or having met that person before.

But when El see's this picture of Will, she's never met him before. Or maybe she has, but we wouldn't know because they never showed us. They could have just not done this scene at all, given that it's clearly a copy/paste/edit of something scrapped from the pitch. Or they could have even still included it, but explained it.

One explanation could be that the lab had shown El a picture of Will before, similar to what they did with the Russian agent they wanted to spy on. But then that begs to question, why would the lab show El a picture of Will? Why would they want to see what he was doing? That alone is incriminating in and of itself, implying that Will is more connected to the lab than we realize.

The only other, and frankly most likely explanation, would be that El stumbled across Will at some point on her journey between escaping the lab and Will going missing. This is actually something that happens in The Other Side comic, which explores all the things Will may have experienced during his time in the Upside Down.

Though it’s worth noting the comics aren’t technically canon, and I highly doubt they would outright spoil everything in relation to Will’s time there, years before it was intended to be revealed. But still, let's humor this for a moment given that I do think Will's time in the UD is going to be very relevant in s5, which means it's highly likely they will finally address how exactly El saw him.

Basically, in the comic, Will see’s El walking through the woods, almost apparition like, glowing as she passes by, while also sporting the Benny’s burgers shirt. This means they would have crossed passed within a short span of time, between when El escaped Benny’s when the agents arrived, but before she was found by the boys.

Though it’s worth noting that we’re seeing this all from Will’s perspective. This means from the UD, Will was capable of seeing El on the other side, despite them being on different sides. And not only that, but she also looks back at him.

What confuses me about this, is that it doesn’t make sense for El to be in the woods, only to randomly decide to pop in to the void for a moment. She was trying to escape the lab and everything that came with it. I doubt she had any desire to lurk back there for some reason, not until someone encouraged her to. Not to mention, it would make no sense for her to go there and see Will if she wasn't even looking for him in the first place. And so this would mean Will and El could see each other, with Will being in the UD, and El being on the other side.

While it does seem pretty far off, given that you would think Will and El wouldn't be able to see each other from different sides, it is true in the story that El not only recognizes Will, but knows that he is in danger. She mentions that he is hiding specifically.

Which means she has likely seen him within the last 24 hours regardless.

This, in combination with Will being able to respond to El in the void at the end of the season in Castle Byers, when no one else outside of Terry and flayed-Billy have been able to, seems to imply that there is indeed something special about Will that makes him capable of communicating with El from the UD. Not only that, but El also seems to have an ability to be in this constant knowing state of how Will is doing, without even checking again to confirm. She's just certain of it. And she seems terrified about it.

Going forward, El never uses a picture of Will to find him. She never did. And more often than not, they don’t show us what she see’s either, not until the very end. And that’s the moment they reveal that he was able to communicate with her.

Again, there was really no reason to have El recognize Will. If anything it complicates things. But the fact that they chose to introduce this concept, with a scene from the original pitch that was related to El’s younger brother, with her pointing at his name cryptically, startling Benny, only to revamp it and have El not say anything at all while pointing at the picture of Will, startling Mike… It just really makes you stop and think.

Which brings me to the other aspect of this that might have people doubting, which is that El’s brother was originally younger than her.

We know Will is not younger than El, so how could this apply to him?

Well, it might be helpful to consider that in the original script, El was actually 10 years old, while the boys were always 12. Meaning that for some reason, they decided to age her up to the age of the boys, aka the same age as Will…

Ever since @erikiara80 shared this brother discovery with me, I have been sort of reeling. It then led to other little discoveries of changes they made between Montauk and Stranger Things.

It’s important to understand that the Montauk bible and the original script precedes what we ended up with in the final product, with it finally changing and evolving months, maybe even a year since that original vision. Even casting occurred before writing started for the first season. We know this because casting announcements were made in June and August of 2015, with writing not starting until August going into early 2016, simultaneously while they were filming.

And believe it or not, what I've discovered is that a lot of the changes they made between their original plans and what we see in the final product, have to do with not only Willel, but also Byler.

If you've read the original script for Montauk, you'll know that Mike's crush on Jennifer Hayes was focused on right from the jump, along with the birthmark on his face being focused on, which was the main cause of the bullying he experienced.

This has actually been talked about recently, and some of the claims people make do fit with what I am genuinely starting to consider here, which is that the initial plan for what makes Mike an outcast shifted.

I think when they completed casting, and started actually deep diving into what they wanted this world to look like, both from a short-term and long-term standpoint, they were presented with some pretty interesting discoveries, arguably already hiding in their initial plans without realizing it.

And this is where it sort of becomes a 'chicken or the egg' situation. Because which one came first? Byler or Willel?

I can't say for certain, because obviously this is all just speculation. But in the case that Willel came first, I think Byler would come very naturally after that.

The Duffers themselves are twins. Then they hire Noah, who is a twin. Then they're thinking and planning for El's past and how her family all fits into this, and they're thinking... wait a damn minute... We could totally Star Wars this bitch!

And then when they think it couldn't get any better, they uncover another layer that they hadn't planned or really considered in their initial plans.

While Will was always going to have sexual identity issues according to the Montauk bible, meaning that the writing process for him likely involved sitting down imagining scenarios that encapsulated this arc for Will from the beginning, they were simultaneously now finding very interesting aspects of Mike's character that made it hard not to at least consider the possiblity that Mike is not exactly straight.

Just think about it. The Byers and Wheelers are basically polar opposites on the spectrum of what a family looks like. While Will's discovery and acceptance of his queerness is interesting to explore because he comes from a low-income, single-mom household, all while having been bullied for years based on his perceived queerness, he also has a mother and brother constantly reinforcing that they will accept him no matter what. They've been sort of hitting us over the head with it for years, and so it wouldn't be very satisfying for his entire arc to merely lead up to something we've known all along. It's pretty much a given at this point.

On the other side of the spectrum, Mike comes from a more upper-middle class family at the end of a cul-de-sac, more aligned with what a nuclear family looks like. Mike's family is also presented as being more conservative, and while Karen does give that very queer-coded speech to Mike in s1 (I'm convinced they only wrote this after deciding to explore queer-coding more heavily with Mike), it also comes with comments from Ted and even still Karen that hint that they are probably not as open-minded and accepting as Will's family is to him. Which means Mike's arc would be a lot more about acceptance around him from his loved ones who we have been led to believe might not be as accepting of his queerness in contrast to Will.

And so as they're putting this story together, and they're being presented with something very interesting. Two similar experiences that play out in different ways because of the characters circumstances.

Will goes missing, and his twin sister with a buzzcut pops up and has the ability to help them find Will.

This leads to several moments where El is being compared to as not only a boy, but Will as well.

Now suddenly, their initial plans to have Mike's arc be about having a girl be interested in him and to hopefully have his first kiss and feel like less of a loser, starts to look a lot like what the experience a queer kid in his position might encounter growing up in the environment that he did.

And if you don't want to take my word for it, just hear the Duffer's themselves hinting at what they initially planned for Mike and the fact that it changed.

The changes don't stop there.

Believe it or not, 'It was a seven', did not exist in the initial pitch. When the boys went outside bickering over Nancy, they leave right after that.

Another thing that changed from the first script, was Scott Clarke's introduction:

And so you might be thinking, who cares? What does that have to do with anything?

Well, it's interesting because the line we end up with on the show is arguably one of the most on the nose Twelvegate proofs to date. Mind you, this is from the first episode:

Why chuck the original version, which was arguably more interesting and fascinating in terms of it hinting at the mysteriousness surrounding this story, only to replace it with him listing off tips about their upcoming test?

Well, I think it's the irony of it all. Here Mr. Clarke is practically telling us where to look to figure stuff out for ourselves what is going on, with all the kids filing out and ignoring him...

I relate to Scott a litttle too much in this shot here, any time I try to drop Willel evidence.

And the changes go on, as they obviously would.

Things like Terry Ives not even being El's mom, but actually a man who more so aligns with the characterization of Murray.

And one very interesting one I almost overlooked was in Hopper's introduction, where instead of a kids drawing done by who we assume to be Sarah, we actually see a picture on the wall of him and his wife and daughter... Interesting that they decided to switch it something that is a lot less definitive in presenting what Hopper's past looked like...

If you've made it this far, congratulations.

If you still think I'm out of my mind, just remember that El was going to have a brother in the original script, but they scrapped the scene and gave a near identical one to introduce her connection to Will instead 😘

[mobius-m-mobius]

Lokius + being romantic foils

- @mcuchallenge - the Final: LOKI vs. Moon Knight

[essektheylyss]

was reminded that people get riled up about this the way they get riled up about pineapple on pizza and honestly, as a knowledge org nerd, it is weird and unnecessary 😌

[alicesoinions]

so a thing about the "5e can do anything" mantra is. any tabletop RPG can do anything; but every RPG is also designed for a specific experience.

you can pick any rpg book and hack its rules away into whatever sort of adventure you want; but the result probably won't be as good as if you used a game properly designed for that

and there's this weirdly common sort of thinking that views D&D as completely moldable, and you can change or remove rules as you see fit, but the rules of other RPGs are set in stone, and one little thing you don't like is grounds for ignoring the entire system

for whatever you want to do, there's probably a good system for it - but also, any RPG can be altered if it's not quite what you're looking for

[theineated]

Radfems: we want to dismantle gender roles

Also radfems: males are whores by their biological construction

[branmuffins22]

Protagonists don't get mad enough, I think.

[ruby-red-inky-blue]

absolute hits from the Circle's doctor:

telling a shell-shocked hysterical sailor "this is my operating room, if you're just going to scream, you need to go outside", but "outside" is either the deck of a ship in the middle of a hurricane or the irradiated, partially flooded hold of said ship

advising a woman who is actively on fire to sit down

trying to offer medical assistance to the woman he is stabbing and who is trying to strangle him

telling a man with a knife protruding from his chest to "chill"

[kaelidascope]

Saw this tag and wanted to assure possible readers that I am super super careful about pre-warnings! I have this note tacked on explaining how I manage overly sensitive content at the start of the fic;

Most of the tags come from off-screen mentions, implications, or said in passing by the characters. Any and all actual depictions of the graphic tags are skippable and isolated in their own chapters. I'd say this one focuses more on artistic depictions and symbolic imagery versus actual dead dove - do not eat. Sometimes one is harder to stomach than the other, but rest assured it's not terrible <3 But it's totally fine if themes like that in general are not up your alley! If you want to give it a try tho, I go overboard with pre-warnings of every chapter

some examples of what they look like;