#but like ground breaking

[ekwolfwriter-blog]

Scrooge Netflix review

Hello Hello everyone. Long time no post - I know. It has been just one thing after another for me. However, I am back and I want to kick this post off with a few thoughts about the new Netflix take on the story A Christmas Carol, named Scrooge. I will give a few thoughts before giving it my spoiler side of it.

First, I will be candid that there is nothing really new to the story that has not done a million times before with a Christmas Carol. Most people know if it by now, so story wise, it is not something to say. Except for one or two characters that I will touch upon later

However, I will say that the animation is rather beautiful. I know some people might not like it, but the CGI does a good job capturing the expressions on characters and some of the harsh cuts of them as well as their more softer side. (Especially for one of the ghost that is rather impressive what they do with it). Additionally the voice acting was really good. Luke Evans playing Scrooge surprisingly worked for him - I know he is not a bad actor, but he certainly had me doing double takes to make sure that was him.

And I will be candid that, from watching the credits, I will say that a lot of work and passion was put into this film in honor of one of the writers and possible song composers - that seems to have passed on. And yes, slight spoiler, but this movie is a musical; so will not go too harsh on the music but I will say that I will be honest a few of them do not really stick. Rest in peace Leslie Bricusse.

Overall, if you are in the mood to give this a try and want something that you can just enjoy the visuals of the film and some more touching/ terrifying moments animated by the story, worth a shot for this Christmas year. Personally can see this being a good something nice to listen to in the back ground and visually appealing

Alright spoilers from here on out.

So, thoughts about this film that are spoiler filled. So be warned.

Personally, this film could have cut a few things and lingered on a few more things. This film has lots of moments that feel like you get why they were in there, but then why did they go that far or make the story really really tug on THAT particular heart string.

For example in the film, Bob Cratchit - Scrooge’s assistant - has a distinctive eye coloring to make him stand out - cool. But then we learn about Scrooge’s past and his partnership with Marely in action - with some additional eyes on them as well but will get to later. And we see a bakery being closed for not paying Marely the fee he lent to them and saying some words that are a bit on the nose of what Scrooge said to Bob before hand - which is nice call back, but still on the nose. And we see a mother carrying a baby that turns out to be Bob and it is supposed to make Scrooge realize that his actions have consequences - I get that. It does work, but I feel they kinda lean on it to make sure visually then paring it with visual imagery of Bob currently in the back to say “This is the child you fucked up Scrooge, you caused this man’s downfall.” And they really hit home how much he affected this family. I think it would have been better that maybe it was not clear as the baby looked like Bob, and then something in a conversation with Bob could have made Scrooge realized the error then instead of having the obvious visual cue.

On a side note - Past was probably my second fav character to Scrooge in this film. She had the most fun with the role as well as visually had so much more flexibility for jokes and visual motifs as well. I love she is literally a candle and the waxy formation of her is mold-able. 

Speaking of visual, I will say that the next thing that I will say was the follow sequence that scene when Scrooge’s fiance/ love Isabel, is trying to talk with Scrooge now before she finally leaves him. And the song that follows it is simple as well as some of the visuals really beautiful as it is just between Isabel trying to plea to her version of Scrooge while Old Scrooge realized her plea and telling his past he needed to take her before she left. It was beautiful and I will say the one song I think - while simple - deserves some love. So attaching a link in below:

https://youtu.be/QUyvmVDwqfw

Also, they have a pupper in the film name Prudence, so cute.

Now there was a time where I think they could have either done away with an extra song or spent some more time with would be the song for the Present - not sure which one it is off the top of my head - or the second song that Tiny Tim and His sister sing. I think both were meh songs, but it would have hit so much harder if they had more time to make the songs for either person a bit more memorable. For me that is. If they were someone’s favorite, that is great.

But I will say there is one scene that I think kinda felt morbid was the scene with Future and one of the characters is practically on Scrooge’s grave. And narratively, there is a point for it as well and it is pretty tongue and cheek music number, it does not help that the dog is the one to try to break the immersion of the song and letting Scrooge keep living in denial when we all know that it is not true. Personally, I don’t mind it but I am sure other’s will find it a bit strange.

And speaking of strange, I will address that while I do love musical films, I know that it is not everyone’s thing. And this has a lot of moments that feel like - I know there is music coming but at the same time does this really need to happen now. Some of them definitely needed to be cut, but otherwise, I liked the music. Not too bad.

Overall, Scrooge is certainly at least a watch and worth a few minutes of your time to watch it.

[frownyalfred]

“Jason wouldn’t want you to do this, Bruce,” Clark says, trying to stop Bruce from doing something Jason would very much want him to do (kill the Joker, barehanded and slowly).

[lilybug-02]

Dewi wouldn’t hurt a fly…usually.

Bug Fact: The African Cicada is the loudest bug in the world reaching up to 107 decibels (about the same as a car horn).

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Masterpost

[beanghostprincess]

On Luffy's birthday, I wanna remind all of you that one of the things that makes him one of the most influential and ground-breaking shonen protagonists is that he makes things happen. No fate or prophecy or destiny leads his path. He's the one choosing, freely, what he wants to do and he will do it. And in consequence, he makes things happen in the manga that affect everybody around him. The story doesn't tell him what to do and instead, he is the one telling how the story should go. That and the fact that his whole character is meant to spread the message of following your dreams and living with laughter and joy are the reasons why celebrating his existence is so important to so many.

[a-small-writer-in-a-big-world]

Also I’m pretty sure someone has said this before but when you first start the alone mission and Soap is changing through channels of his radio you hear a shadow say “we need reinforcements in the North Plaza now!” just a little bit before Ghost answers Soap, showing where he was in relation to Soap.

It a fun detail, especially considering that soap had a head start in running towards Las Almas over Ghost, meaning Ghost is super fast and that Soap was lagging behind because of his wound.

It also shows how skilled Ghost is on his own. You need reinforcement because of one man? Just one?

Yeah, I’d be pretty terrified too.

[wigglebox]

Destiel Pride - Day 4; Divine Purpose

[fruityumbrella]

one piece is set in a nautical world with presumably nautical idioms and exclamations to match, right, like swearing by the sea rather than on a god etc. to wit, there's five seas (the four blues + the grand line) so we can assume when you're feeling particularly dramatic, you might refer to all those vast oceans to get your hyperbolic point across.

keeping that in mind, lets live in a stupidly romantic corny ass world for a moment ok? take my hand.

"I swear on all six seas, if you don't shut the fuck up right now—"

"What?" Sanji looks at him like he's stupid. Nothing new, really.

"Ha, even you're going deaf having to listen to your own annoying ass whining all the time, Cook. I was—"

"No, you—"

"Don't interrupt me! Oi!" he yelps as a wooden spoon bounces harmlessly off his shoulder. He's not impressed that Sanji manages to catch it before it hits the counter.

"You said six seas," Sanji states.

Zoro stares back in lieu of an answer.

"Huh, maybe this has something to do with why you're always lost. There's only five seas, dummy."

And ah, now he gets what the idiot cook is on about. He's surprised and a little disappointed, honestly. You'd think the guy would be a little more aware about his own fucking dream, but whatever. He's got that annoying smile, smug and cocky like he's oh so much better than Zoro.

"Would you like me to count them out for you? I know it's a big number, it's probably confusing for a simple creature like you."

Zoro crosses his arms in clear warning, something the cook, as always, blatantly ignores. He's leaning on the counter that's between them now, eyes sparkling with glee. Idiot. Zoro's thoughts do not have a fond tone to them. Thoughts don't have tones at all, thank you very much.

Sanji lifts a hand and proceeds to count off on his fingers with the precision of a drill sergeant.

"I'm sure you at least know our ocean, the East Blue. There's also the West Blue, North Blue, South Blue, and of course the Grand Line," he wiggles all his fingers as he puts his thumb up for the last one like he's emulating fireworks.

Zoro snorts indelicately. "And?"

Sanji frowns with a tilt of his head.

"And?"

Zoro holds up his index finger.

"And," he says, stifling his amusement as Sanji goes cross eyed trying to follow said finger as it arcs towards him, "your All Blue. Dummy."

He punctuates the last word by poking Sanji in the forehead, snickering when he sputters and swats the digit away in a huff. Then Zoro's words finally sink in, and he straightens up almost too fast. It's not endearing at all.

"Wait," he says quietly, "you count it?"

Zoro doesn't like how Sanji's looking at him with an open expression he's not usually allowed. He looks earnest and sincere. Zoro feels suddenly out of his depth.

"Don't you?" he deflects uncomfortably.

"Well yeah, but that's different. You're—" he shrugs half heartedly and looks away. Zoro can't tell if the end of that sentence was going to disparage him or the cook. Odds are likely split down the middle. Sanji keeps looking at him, and he feels pinned. The bright look is gone, replaced by something more reserved but perhaps...searching? Considering, at the least. It's making him increasingly self conscious. He needs to get out of here.

"Okay. I'm gonna steal some alcohol now," he says shortly, striding to the cabinet and swiping a bottle before Sanji blinks out of his stupor.

[s-citrus]

Woe, madcom be upon ye! Updated designs/headcannons!

[gabe-lovebot]

councilor 3D model

i learnt 3d modelling from the ground up to bring him to life. he's yours now. do whatever you want with him

[link]

please credit me if you make something using the model (or even ping/link me to it, i would love to see what you made!)

currently available as a .blend, .fbx and an SFM port.

[beaulesbian]

ONE PIECE ep. 1115 || Bepo saving Law

Trust them, Captain! From the extremely cold port of the north till now, we've always survived! So none of us will die here! We've overcome so much together! So, Captain! Don't die! Please, don't die!

+ manga ch. 1081

[vaggieslefteye]

HUSK, Hotel Bartender & Concierge | 1x04 - Masquerade

"Oh, I FORGOT — you're the wise-old bartender who's seen it all! Get the fuck over yourself and pour me a real drink."

[waitineedaname]

what do u think ritsu would do if he got stuck in a time loop

oh he would go insane. like, immediately. you know how in a lot of time loop stories, there's a point where the character kind of loses it? it would take no time for ritsu to reach that point. like as soon as he realizes he's trapped, he will Freak The Fuck Out. he'll either throw himself really intensely into trying to figure out how to end the time loop, or he'll go completely off the deep end and start blowing shit up because it'll all be reset by the next day. potentially both.

of course, this is all presuming he's alone in the time loop. I think if he had someone else trapped in the time loop with him, he'd be less likely to lose his mind and instead would work really hard with them to break it. but if he's by himself in the time loop, he would not cope well

[inbabylontheywept]

Want Better Things

“You thought that was a bioweapon?” 

The translator broke down for a second as the creature did a sort of broken exhale. Connotations were all that came through. Vague implications. Pity, the software flashed. Disgust. Anger.

A pause as it decided.  

Sadism. 

Valta was already backing away. The final decision didn’t change his behavior, it just made the hall feel far, far too short. 

“I didn’t order it deployed. I didn’t make it.” 

The thing was staring at him, and he couldn’t look away. The two eyes moved in such perfect tandem that he didn’t think it was conscious. It only had binocular vision because it only needed binocular vision. Always the predator, never the prey. 

And now it was moving in on him. 

“Oh, but what if you had? Then I could tell you all the things that were wrong with it.” 

One of its hands - a sprawling, five fingered  spindly thing - traced carelessly along the station's walls. 

“No incubation period. Symptoms arrive within 40 minutes of exposure. No time to spread undetected. Minimum should be one week. Embarrassingly low.” 

The pressure the thing was putting on the wall increased, the gentle glide turning into a buzzing scratch. Humans were strong, but not strong enough to cut through metal like this. The suit had to be powered and clawed. 

“Spread through contact. Limited waterborne. No airborne. Intended mechanism of infection is viral load being put on hands from scratching, and then passed into the environment. Pathetically inefficient.” 

The translator was working, but the thing was overeunounciating each word. The meaning was being passed along by a clean, helpful voice in his suit, even as the sound was being passed on through the environmental speakers. And the sound was dreadful - clicks of ceramized bone jarring against each other, wet muscles modulating air into something sharp and rasping. 

“Mechanism of death? Lysis overload. Could be dangerous if it was transmitted into the lungs, but since the initial load tends to be dermal all we wind up with-”

It took its helmet off. 

It took its helmet off. 

It took its helmet off it took its helmet off it took its helmet off in a biozone it - 

It looked a little pink, actually. A little scratchy. It lifted a delicate, taloned hand and rubbed its face against it for a moment before finishing. 

“-is a rash.”

Valta’s prey drive had glued him to the spot. It was too close. The stupid, stupid part of his brain that still thought he was grazing on Duranga hoped that if he stood still long enough, it might not notice him. 

The human paused a moment before continuing. 

“Do you know why they sent me? Alphonse Ericsen, PhD, MD, civilian doctor, here to speak with you?”

Valta’s snout twitched. The suit translated the gesture for him. 

“No.” 

“Because one of our grunts is a dumb fuck,” the human said simply. “And he spent two days fighting on your station with his helmet off. He got infected that way and brought back your stupid, itchy plague to our carrier ship, and now we’ve all spent the last 8 hours scratching ourselves raw. But the jokes on you, because when we were treating that guy you know what we found? That he was in the asymptomatic phase of a COVID infection. So if this-”

It gestured to its pink face with a snarl. 

“-is your idea of a bioweapon, then COVID is going to be your apocalypse. But if you work with me, and shut everything the fuck down for the next three or four months, I might be able to save most of you.” 

Valta unstuck at that. He’d spent weeks down here, worrying about nothing more than the next skirmish. Now he was looking at a genuine existential threat. 

“...What? Why would you help us? We wanted you to die. All of you. I wanted-”

The human cut him off with an exasperated wave of his hand. 

“You wanted something stupid. Doesn’t mean I have to join you. Best I can do to fix you is keep you alive and hope that you feel ashamed later. That, I genuinely look forward to. Now come on, you’re going to be the one explaining to all your friends what’s at stake here. My bedside manner is so bad that they limited my patients to virology slides and USMC marines. I think that’s actually one rung below the guys that just dissect cadavers.” 

Valta would’ve made an amused hum at that, but something already felt scratchy inside his throat. 

[ofekma]

"noo but this time it's different! Our antisemitism is morally justified! We really do have a good reason to hate the jews!" - every antisemic person at any point in history.

[mewvore]

drawing my funny sex life moments is genuinely important to me like I want people who might not know it that sex can be deeply unserious and hilarious and queer sex especially can be goofy and ridiculous and fun. theres always someone whose expectations for what needs to be done and how are built from adult media that presents a fantasy version of sex first and foremost, and if one person like that sees my stupid fat cat persona and is able to relax a lil bit and feel less intimidated, then I've done what I set out to do. Also its just fun to draw myself fuckin

[philosophiums]

I have given into peer pressure.

Below the cut is my un-referenced, not proofread, off-the-cuff thoughts on the main JJK characters and their tendencies to have traits that contradict themselves, which not only makes them more rounded characters but also creates a really interesting situation in which characters have mirrors and foils not only with other characters, but also with themselves.

The point of this post is that the characters in JJK are complex. None of them are one-trick ponies and all of them contain multitudes and have, at least once, contradicted themselves and their beliefs.

Might be spoilery? I tried to keep it vague enough that it shouldn't be, but read at your own risk if you're anime only, I guess.

The Obvious One: Gojo

Gojo is "the strongest." It's debatable, I think, whether or not being "strong" is a personality trait, but he makes it his defining personality trait. (And I'm not here to do a Gojo character study, so for my purposes, it will be viewed as one.) Obviously, The Strongest is a title given to him by others, but he fully owns it and believes it. This is his identity; it's how he views himself, how he handles himself, and it is a preceding reputation that he gladly leans into. It's not a mask he hides behind, it's a flag he proudly displays on his ship to warn others of exactly who they're dealing with.

It makes sense, then, that Gojo's self-contradiction is that he has the biggest, most obvious weaknesses of all the characters in JJK. The first of these weaknesses is his knowledge of how strong he is. Toji exploits that weakness in the Hidden Inventory arc, and it almost costs Gojo is life. His second weakness is, very simply, Geto. Kenjaku exploits that weakness during Shibuya. Interestingly, Geto is a victim of Gojo's first weakness (Gojo is so self-assured that he seems to extend that assurance to the people around him, thinking that they are "as gods" like him just for being in his presence, and therefore he does not pay mind to Geto's spiraling), and exploits his second. He, better than anyone else, knows that he is Gojo's weakness, and he uses that knowledge to do everything he does before and during JJK 0 without repercussions.

Gojo is framed by himself and by many characters within JJK as being the "savior" of the jujutsu world, but in many ways he was, in fact, its downfall - because of his strength, and because of his weaknesses.

The Main One: Yuuji

Yuuji is the king of contradictions to me. Not all of it is within himself, and in fact a lot of it occurs because a large part of the plot is happening to him instead of the other way around, but he has one dichotomy that I do think is All Him. Yuuji defines himself as a cog - in his thoughts, he has been used and beaten down for evil already, so why not just be used for good as well. He thinks of himself as expendable and easily replaced; a foot soldier in a war being fought by titans. At some point, his goal stopped being to follow his grandfather's last request and instead turned into the simple act of persevering for as long as he can just in case anyone may have need of him. In a way, his outlook and perspective on everything became rather bleak and inhuman - quite literally, as, again, he views himself as nothing more than a cog.

And yet, for someone who has claimed his only purpose is to be used to kill Sukuna, everything Yuuji does is so achingly desperately human and is born out of his own desires to save people. Every other sorcerer has a CT or a fighting style that disconnects them from their foe - be that ranged attacks or weaponry - but Yuuji uses his fists. It's raw and almost savage in a way that is unavoidably intimate and human. He says, "Use me," (and, don't get me wrong, he is used) but even the act of offering himself negates the connotations that revolve around being used and shines such a lovely warm human light on him.

Yuuji doesn't push people away. The other "strong" characters isolate (Gojo has infinity, Yuuta literally fucks off from the narrative, Geto fucks off from jujutsu society, etc.), but Yuuji hoards people and connections (and yes, those become weaknesses, but the thing is: they become strengths, too). Sukuna takes Megumi away from him, but that just makes Yuuji more determined to kill Sukuna and get Megumi back. Everything he does is out of love, and he has a drive to do what he has to in order to save (or avenge) the people he keeps close. That's not exactly cog-like behavior.

The Fandom Discourse: Megumi

In my opinion, of all the characters (but especially the first-years), Megumi is the logical character. Especially when it comes to his job as a sorcerer (fighting and killing curses). He is knowledgeable about the world of sorcery, the most book-smart of the first-years, and he is smart and methodical when he fights.

He is also the only character who has openly admitted that he really only cares about saving the people he wants to save, as opposed to the general rhetoric of saving everyone. He's selfish, and he's not shy about it. Even he doesn't try to rationalize it; it's just part of who he is. Logical, methodical, smart, but also deeply, truly, selfish when it comes to where and how he expends his energy and efforts.

And yet, he is also the character who is most willing to die. Now, before half the fandom jumps down my throat, I don't mean to say that he wants to die or that he is constantly trying to - I'm just saying that he is willing to. (Obviously, Yuuji is also a character who is willing to die, but Yuuji is only willing to do so if it would also kill Sukuna, and he is determined to stay alive until such a time. Megumi, on the other hand, doesn't have a similar end-goal ultimatum for death). Yes, he comes at dying from a logical point of view, and yes, he only ever brings martyrdom into the equation if he feels he has no other option, but he has no hesitation when he reaches that point. And you (he) can rationalize self-sacrifice as much as you want to, but that is a very emotionally driven response, regardless of the situation. It's a last stand not only for himself, but for his friends, his family, the world. It's the end of the line for him, and it's something he is willing to do if it means taking out his opponent and making the world safer for everyone else - not just for his "select" people.

He is willing to run away from a fight he cannot win, but he is also willing to do something that he knows for sure will kill him if winning and running are no longer options. And I know that not everyone will see these things as opposites or all that detached from each other, but, to me, intelligent and methodical fighting does not naturally go hand in hand with, essentially, grappling your opponent and jumping off a cliff with them.

The Favorite Child: Yuuta

Like Gojo, Yuuta has access to an overwhelming amount of power. There's no doubt that when it comes to raw energy, he is the strongest sorcerer in his generation. He's exceptionally skilled when it comes to fighting and is often able to get by on simply overpowering his opponents (truly, much like Gojo). He doesn't embody being strong, though - he knows that he is, but it's not something that he considers a defining trait for himself. Instead, Yuuta's whole thing is that he has a tendency to shoulder burdens that other people won't (much like Yuuji, actually) (also it's kind of funny because of all the characters in JJK, I would consider Yuuta to be a "cog" way more than Yuuji, but that's a whole other thing). Yuuta is willing to be a monster, to make hard calls and suffer the consequences, because he has internalized what everyone keeps telling him - that, after Gojo, Yuuta is now "the strongest."

Which means that Yuuta also needs an equally large weakness to balance out that power. But where Gojo had arrogance (and his boyfriend), Yuuta has innocence. There's this pure sort of worldview that Yuuta carries with him that completely counterbalances the part of him that is willing to get his hands bloody. He has this youthful sort of hopefulness and naiveté that if he does the dirty work and puts in effort, then things will work out in his favor because they must. If he is sincere, if he shoulders an unbearable mantle, then everything will be fine simply because he chooses to do so. He does things because they are right and just, and he wants to believe that the universe will acknowledge that and be fair - even though he wouldn't have to do these unnamable things if that was true.

The Less Obvious one: Nobara

Nobara doesn't have a lot of screen time compared to the others, and specifically not a lot of time spent planning for/fighting in the "big fights," but she has one thing that the other characters don't have: self awareness. Nobara is the only character who knows what her contradictions are - she even says them out loud.

She wants nothing more than to be a normal girl who is into fashion, who could be a model, who does her hair and her nails and her makeup, who goes on dates, who has a lot of money and spends it freely. That's her ideal, that's her goal. But that's also who she is right now. She dyes her hair, wears makeup, is feminine in all the ways that would mark her as a girl to strangers on the street, goes shopping and buys too much and makes Yuuji carry her bags. She likes being girly and doesn't shy away from it.

But she is also, and I mean this with all the love in my heart, a feral little gremlin who is willing to bash people's skulls in with a hammer. She's brash and rude and loud. She takes up space and is unapologetic about it. She's vicious on the battlefield. She's not afraid to get bloody, and she hates being viewed as a damsel in distress. She's strategic in her fights, and she uses the fact that opponents underestimate her to her advantage. And she knows all of this, too, and she likes it.

She's self-actualized <3 No notes from me; I love my girl.

Anyway, that's it KSJDBVJKLDFVBJKDFVB There's no real point to this. I'm not saying anything profound, I don't think. This was all just a thought that I had, a little thing that I noticed, and I was bullied (affectionate) into sharing.