#but not in evey piece of media i watch/read

[sea-owl]

I'll be honest I have way more respect for character arcs that go the world was cruel to me so I made sure no one would feel that pain again rather than the arcs that go the world was cruel to me so I continued the cycle of pain.

I just always find myself thinking if you hated it so much, then why continue the cycle?

[evafrechette]

It’s a Match

↠ yoongi x jimin | smut | hookup au | 18+ | 3.4K

↠ Summary: Loneliness can make you do questionable things. Like signing up to a dating app to suck the cock of a stranger.

↠ Warnings: deep throating, public blowjobs, cum sharing, kind of a social media au - but not, drunk Yoongi, flirting, masturbation, gagging.

Yoongi never thought he'd be desperate enough to download the app on his phone, but here he was at 11:37 on a Friday night, finger hovering over the install button.

"Ahhh fuck it.."

He clicked and watched as the app downloaded and installed on his phone. He never thought it would get to this point. He'd been single for years. Preferring his own company, he never found it necessary to date. People annoyed him, too loud, too intrusive, too manipulative. So he remained alone. But 4 years is a long time to be on your own and he was starting to grow tired of his own hand. Plus he'd watched evey fucking video there was on his favourite porn site a year ago. That should have been the sign he needed to get laid, but his dumb ass wallowed in misery for another 12 months and that's why he's here now, creating a profile in the hopes of getting fucked this weekend.

A frown formed on Yoongi's face, he had been scrolling through profiles for the last 30 minutes and hadn't matched with anyone. He knew it was because he was being incredibly picky, swiping left on nearly every single profile he'd come across. He wasn't gonna get his dick sucked carrying on like this. He swiped left on a profile of a man in his 40s - already starting to bald, arms wrapped around a girl half his age - when his eyes landed upon the profile of a young man.

Yoongi was intrigued. The man had the prettiest face Yoongi had ever seen, beautiful plush lips pulled into a seductive smile, with his blond bangs hanging over his eyes. Yoongi clicked to view the profile in full, Jimin - the beautiful man's name was Jimin. He used emojis in his profile, which made Yoongi let out a frustrated groan. He hated emojis, too childish. He continued to read the profile and decided that the two of them were too different and even though the man was beautiful he would swipe left, like he had been all night. Maybe it was an accident or maybe Yoongi's subconscious wanted those plush lips around his cock, because instead of swiping left he swiped right.

He put the phone down and got up to make a drink. He shouldn't have a coffee this late, but apparently he was living recklessly tonight. With the steaming hot drink in his hand he climbed back onto his bed. He took a sip of the dark hot liquid when he heard the ding of a notification. He cautiously leaned over and grabbed the phone, swiping away his lock screen. He could see that he had been notified of a match, so he quickly opened the app, curious as to which one of the very small pool of men he'd swiped right on that would like him back. Yoongi could feel his cheeks starting to heat up. He didn't expect to match with the blond with the lips to die for. Not only that, but the man had messaged him too.

Yoongi couldn't tell him the truth, he WAS going to swipe left, what the fuck happened with that anyway.

Yoongi choked on his coffee, Jimin looked like an angel, but an angel wouldn't talk that way. How the hell does he respond to that? Does he even want to respond to that? He placed his coffee on the side table and dragged his hand through his hair. If he didn't take this opportunity his blue balls would actually kill him. Well fuck, his response just made him sound like the world's most pathetic asshole.

Yoongi checked the time, it was quite early in the morning now. The coffee had helped wake him up, but the prospect of meeting with the cute man had him feeling even more awake than what was humanly possible. The two of them talked for the next few hours. Sharing stories of their worst dates, childhood pets, who was more powerful Superman or Ironman and their favourite songs. Yoongi finally said goodnight and put his phone on the charger. They had agreed to met at Jimin's favourite bar the 'Hit List' at 8pm that night. Seventeen hours for Yoongi to work himself up into a worried hot ass mess. Fucking great. And yet as he stared up at the ceiling a small smile broke out on his face.

Yoongi spent his Saturday doing everything he possibly could to distract himself from his date that evening. Was it a date? Do you call meeting some random off the internet to possibly fuck a date? He was too old for this shit. He rearranged his vinyl collection, read a decent chunk of his new book and practiced a few new songs on his guitar. Once the sky had turned a beautiful shade of orange and pink Yoongi knew he had to stop stalling and get his ass ready. He took an extra long shower, debating on whether to do some manscaping (since all the young kids do it these days) before deciding not to. He liked his bush, and if pretty boy wasn't a fan well tough shit for him.

He teamed his black and white shirt with a pair of black jeans ripped at the knee, a leather jacket and finished it off with a few pieces of jewellery. With one last look in the mirror Yoongi slid his phone and wallet into the pocket of his jeans and left his apartment. Just as he stepped into the lift his phone pinged. It was a message from Jimin.

*******************

Jimin is sitting at the bar when Yoongi arrives. He's deep in conversation with the bartender, so Yoongi stands by the entrance awkwardly looking around. It's a nice place, very quiet and intimate. It's dark, a few low hanging lights scattered around and tealight candles sitting in a whisky glass on each table. To his right is a large floor to ceiling window, surrounded by a mix match of old leather chairs. There is a faint smell of smoke in the air. Oddly this smell starts to calm Yoongi down, it reminds him of his grandfather. Okay, now he's nervous again. Thinking of his grandfather at a time like this?

"I'm a fucking mess." he mutters to himself as he walks over to the bar.

"Uhh sorry to interrupt, Jimin right?"

The blond turns his head and smiles, he is really more beautiful in real life Yoongi thinks to himself. He's wearing a black shirt with one too many buttons undone, his hair parted in the middle falling gracefully to each side framing his angelic looking face.

"Mmm that's right and you are?"

Um what?! Fuck, Yoongi knew he made a mistake by coming here. Ahh fuck, why did he have to make that stupid profile? He loved Amateur Bareback 3-Way #2, he could have easily watched it 100 more times.

"Relax cutie, I'm just playing, you should have seen your face," a giggle escaped from Jimin's lips. "Nice to meet you Yoongi." he stood up and extended his hand out to shake. Yoongi quickly wiped his sweaty hands on his jeans and returned the handshake. Jimin's hand was engulfed in Yoongi's. He looked down and couldn't help but smile at the scene. Jimin's hands were so petite compared to his. It was a rather lovely sight.

"Order yourself a drink and we'll go sit over there." he pointed to the leather chairs Yoongi has been eyeing up earlier. He ordered an Irish Mule for himself and a Negroni for Jimin. He carried the drinks to the table, while Jimin followed closely behind. A little too close Yoongi thought. He could smell his perfume starting to mix with the smoke smell. It was a delicious combination.

The first half an hour was straight up torture for Yoongi. Even though the two of them had spent the night messaging each other it was different once he was sitting face to face with the most stunning man in all of Seoul. Yoongi avoided eye contact, mumbled and laughed dryly at Jimin's jokes. He was well and truly fucking this entire thing up.

Jimin huffed "You don't have to stick around you know, you can leave whenever you want."

Yep. He had fucked this up.

"Uhh it's not that," Yoongi starts to bite at his thumb nail "Jimin, I'm terrible at this. People stress me the fuck out, I haven't been laid in four years, I don't like leaving my apartment, you are lovely, fantastic even and that's making me even more nervous."

Jimin played with the hoop in his ear while looking directly at Yoongi, he tilted his head to the side "How can I help you relax? I thought we clicked last night?"

They did

"I'm sorry I make you nervous, I can't help it that I'm so cute." Yoongi finally looked into Jimin's eyes and they burst into laughter.

"It's not your fault. Fuck it, I need another drink . . or five that will help." he rolled his eyes before waking back to the bar.

With a few more drinks in him Yoongi was relaxed, he could feel the whiskey warming up his body. The heat in his stomach though, he was sure that was because of the attractive man sitting in front of him. The discomfort had finally vanished and instead a mellowness had fallen over the two.

"I've always liked older men." Jimin purred, his delicate small fingers, adorned with multiple silver rings, brushing against the now half empty glass.

"Aiisshh I'm only two years older than you!" Yoongi huffed, folding his arms across his chest.

"Yeah, but you act like you're nearly 60.” Jimin let out a hearty laugh, his eyes turning into crescents, cheeks plump and slightly pink. He slapped the table causing their glasses to shake. Yoongi quickly grabbed his to prevent it from spilling.

"It's not that funny." he didn't want to admit it, but the blond's laugh was hypnotic, he could watch Jimin laugh for hours and never tire of it.

Jimin straightened up, fingers now tracing the rim of the glass "I bet you don't fuck like an old man though."

Yoongi gulped and looked directly into Jimin's brown eyes, gone was the playful light, it was now replaced with desperate firey lust. He knew what the outcome of this date could be, and yet he was still nervous. He could feel his heart starting to race, his breath becoming faster. "Aaahh shit" Yoongi thought to himself as his left hand started to twitch, the blond's smell - a mix of orange blossom and patchouli was becoming overwhelming, he needed to calm down, he'd cum within seconds if he didn't get his shit under control.

"Heh, well I guess you'll find out later huh?"

Jimin reached over and ran his soft fingers over Yoongi's hand, playing with the bracelets that sat around his wrist.

"Why don't I find out now?"

Yoongi's friends love roasting him for his personality change when drunk. All of a sudden the quiet reserved man becomes giggly and loud. Cracking terrible jokes and singing at the top of his lungs. Sober Yoongi would never dare dream of taking a stranger to the bathroom to jerk off. Drunk Yoongi though? Try to stop him.

"Mmm Jiminshi are you sure?”

Jimin giggled at this "You are SO cute" he continued to draw his fingers over Yoongis hands "Of course I'm sure, do you wanna go back to mine? Or we could go to yours if you're more comfortable with that..."

Without thinking Yoongi stood, grabbed the blonds arm and pulled him up. They walked towards the exit, but before descending the stairs they took a left and made their way into the restroom. Once inside Yoongi pushed Jimin against the door and started kissing at his neck. "Fuck! Jimin, there is no way in hell I can wait to get back to my place, I need to feel you now." Yoongi whispered between kisses.

Yoongi leaned down and kissed his exposed chest, thank fuck Jimin had left those top buttons open. They had been torturing Yoongi all night long, but now he was thankful for it. Jimin's skin was so soft and it faintly smelled like cherry blossom lotion but he wanted more. He was desperate for more. Jimin ran his hands through Yoongi's hair and grabbed hard. Small moans escaped his lips, which drew Yoongi even crazier. He undid the buttons on his shirt and stood back. Jimin had the body of a god. Perfectly sculptured, with beautiful brown nipples begging to be sucked on. Who was Yoongi to deny god his wish?

Jimin let out a squeak when Yoongi ran his tongue over his nipples, hungrily licking and sucking at them. His right hand found it's way to the bulge in Jimin's pants and he pressed his palm down onto it. Jimin was now starting to get louder which made Yoongi smirk, he lightly nipped on Jimin's nipple before standing up and leaning in to sloppily kiss Jimin on those perfect, perfect lips, the taste of spice and bitterness still lingering.

"Uuuhhh Hyung, please touch me."

"That's what I'm doing Jimin."

"No you asshole, I want to feel you properly, get my fucking dick out." Yoongi stopped and looked at Jimin, slightly taken back by the tone of his voice. But he just smiled back - a wicked smile.

Yoongi got onto his knees and began undoing the zip of Jimin's pants. He pulled them down to his ankles, he then drew his hands up Jimin's legs, enjoying how smooth they were. He palmed Jimin's cock through his underwear eliciting a moan from the man above him. Yoongi pressed his face into Jimin's clothed cock. He took a deep breath, Jimin smelled wicked, his arousal mixed with body lotion was rousing. He alternated between sucking and licking on the cock trapped behind Calvin Klein underwear. He repeated this action a few more times before finally removing the now very damp briefs.

Jimin wasn't the biggest cock Yoongi had ever seen, but he was thick and absolutely smooth. He stroked his long fingers over his chiseled abs, along Jimin's length and then down to his balls which he cupped in his hand, massaging back and forth. He let go and brought his hand to his mouth, running his tongue over his entire palm. It was so fucking dirty and Jimin shuddered at the sight. He reached back up and gripped Jimin's cock in his now saliva covered hand. He drew his hand up and down at a frantic pace. He was too worked up to go any slower, but Jimin didn't seem to mind by the noises he was making. Oh shit, he was being too loud now. They'd get caught and thrown out or even worse the cops called.

"Shit Jimin, you need to be quiet or someone will hear us.”

“Mmm Yoongi I don't think I can cutie, why do you think I said we should get out of here."

Yoongi huffed and slowed his hand down. Out of the corner of his eye he saw Jimin's briefs, so he picked them up, stood and shoved them in Jimin's mouth.

"That should shut you up.... Is that okay? I can take them out if you don't like it.”

Jimin shook his head and moaned around the underwear. His mouth was stretched open and drool already starting to pool at the corners. What a fucking beautiful thing to witness. Pleased with himself Yoongi got back on his knees and kissed the tip of Jimin's cock. His tongue played with the slit, circling it before he slowly kissed down each side of his shaft. He then licked the base to tip, never taking his eyes off Jimin's. They both looked so fucked already, pupils blown out, flushed cheeks and lips swollen from the rough kissing earlier.

He started pumping slowly, wanting to tease Jimin a little, the blond was impatient though and bucked his hips into Yoongi's fist, letting him know he wanted and desperately needed it faster. Yoongi let out a small chuckle and started to move his hand at a pace the gorgeous man would enjoy. Muffled moans of pleasure let Yoongi know he had found the magic speed. He continued like this for a few minutes before letting go and taking Jimin's cock in his mouth. Oh he tasted good - of course he did he was perfect in every way why would this be any different? Yoongi hollowed his cheeks as he bobbed up and down on Jimin's length, taking it deep before pulling up and letting go with a 'pop'.

He took hold of Jimin's cock and rubbed his lips all over the head, spreading precum all over his lips and chin. He felt like such a slut, but he was loving every moment of it. Yoongi closed his eyes and slowly buried Jimin's entire cock in his mouth until it hit the back of his throat. He moaned around the feeling, this was what he had needed. To feel stuffed by a pretty cock attached to a pretty man. Jimin was squirming above him, his panting and moans muffled by the briefs in his mouth, but there was no doubt he was in ecstasy just like the cock starved brunette. Yoongi felt petite hands fist into his hair and start pulling and pushing trying to take some control of the situation, Yoongi slowed down and allowed Jimin to start fucking into his mouth.

With each of Jimin's thrusts his grunts became louder as he was getting closer to his orgasm. Jimin wasn't the only one getting close, after having practically become a born again virgin, Yoongi's head was dizzy with arousal and he wasn't sure how much longer he would last, his grip on Jimin's thighs tightening, bound to leave light marks the next morning. He closed his eyes and could feel the heat from his stomach rise throughout his body, his muscles tensing as he felt his release. The wet patch in Yoongi's pants made him feel absolutely filthy. He came just from sucking someone's cock? Before he had too much time to start mulling over how much of a slut he is, Jimin spills his load inside Yoongi's hot mouth. He thrusts hard a few times causing the cum to spill out of Yoongi's mouth and dribble down his chin, landing on the floor.

Jimin hisses as he slowly removes himself from Yoongi's mouth, he leans down and Yoongi yanks the underwear out of his mouth before smashing his lips against the blonds. He doesn't care that his mouth is still full of Jimin's cum, he tastes so good he wants him to experience the intoxicating taste too. When their lips part Jimin stands to put his softening cock away. Yoongi stands with him and looks around the room, avoiding eye contact.

"Umm thanks for that, that was .. uhh really good."

Jimin's bewitching smile returns "Yeah, that was amazing cutie can't say I've ever had my underwear shoved into my mouth though, but there is a first time for everything. Come here and I'll treat you good too."

"Well um, no it's okay. Honestly. I may have cum already." he sheepishly replies, still avoiding any damn eye contact.

A small "oh" left his pouty lips "well I'm glad I could have been of assistance."

The two stood awkwardly for a while before Jimin held Yoongi's hand and walked him over to the sink. He made the older man sit on the bench while he cleaned up all the mess he had made. Yoongi's heart couldn't stop beating. There was no need for Jimin to be so nice after what they had just done, but here he was doing something Yoongi actually felt was more intimate than painting the walls of his throat with his cum.

"Ah there ya go, now you can go back into the real world without anyone suspecting a thing.”

They walked outside together in silence, Yoongi had never had a hook up before. Do you crack jokes? Profess your love? Or just act like what happened never did? His mind was a million miles away when soft fingers were suddenly stroking his cheek.

"Please message me anytime you want to see each other again, and I'll be the one doing all the dirty work okay?"

This made Yoongi blush "Yeah okay. Thank you Jimin, truly I had a great night."

And it was the truth, he had so much fun he could relive the moment in his head for the next four years. Amateur Bareback 3-Way #2 wouldn't be needed when the memory of small hands, captivating moans and cum drizzling down his chin was enough to get him hard again. It had been less than 20 minutes. God dammit!

[aion-rsa]

The Creeping Reality of V for Vendetta

https://ift.tt/2pIaT0k

It's not the Fifth of November yet but that doesn't mean we can't consider how V for Vendetta's dystopian future is closer than ever.

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Remember, remember the fifth of November, the gunpowder, treason, and plot. I know of no reason why the gunpowder treason should ever be forgot.

These are the words that have accompanied hundreds of Guy Fawkes Day celebrations ever since that eponymous Catholic failed to blow up Parliament in 1605. But for many millions the world over, the poem is now synonymous with V for Vendetta, a shockingly subversive studio movie that was released in 2006. More than a decade later that film’s success at celebrating radical political ideas can still be felt by the fact that a movie which glorifies terrorist action (blowing up Parliament and Big Ben) is considered a classic in many circles, and is routinely viewed at the beginning of every November by movie fans the world over. It’s almost a fitting bit of irony that the film’s iconic visage of uncivil disobedience—the sleek and sexy reworking of a Guy Fawkes mask on Hugo Weaving’s face—has similarly become ubiquitous with anarchists, counterculture subversives, and online hackers, who all wear the trademarked Halloween item… that they helpfully purchase from the very capitalist friendly Warner Brothers’ merchandising arm on Amazon.

Nevertheless, the film is always worth remembering on Nov. 5 (or any other day), because director James McTeigue and the Wachowskis’ best screenplay to date succeeded at shrewdly adapting the V for Vendetta graphic novel to the big screen. Alan Moore purists might forever remain skeptical of such praise since by reimagining a seminal anti-Thatcher ‘80s hit piece, the Wachowskis essentially reworked the entire narrative as a brutally anti-Bush allegory (and reconfigured Weaving’s V and Natalie Portman’s Evey as a surprisingly convincing star-crossed pair of lovers from The Phantom of the Opera mold). In the process, Moore’s V went from being the poster child for anarchy to a defender of classical liberalism.

But on its own cinematic terms, V for Vendetta combines slick R-rated action movie set-pieces (that are appropriately theatrical for a comic book adaptation) alongside some pointed criticism of the U.S. government circa 2006, specifically in regard to the War on Terror and the persecution of minorities in right-wing media (remember folks: as recently as 2004, a president ran a successful national campaign by pledging to make a constitutional amendment that banned gay marriage). The film may have unintentionally also endorsed the use of torture for political radicalization, but that’s neither here nor there.

Watch V For Vendetta on Amazon

Just as sweeping as its brava rebranding of Tchaikovsky’s “1812 Overture,” V for Vendetta remains a pop culture artifact about the anxieties felt on the left in the waning years of George W. Bush’s presidency. And with it being so specifically fitted to those critiques, it should in theory seem very dated in the third year of President Donald Trump's tenure in the White House.

Yet, if one looks around, it becomes apparent that we are tiptoeing ever closer to the dystopian future that V for Vendetta warned so vehemently against…

A Government for the People That Watches the People

One of the most chilling (and familiar) beats of dystopian hell envisioned in V for Vendetta is the Orwellian presence of a Big Brother. The film’s cartoonish dictator, High Chancellor Adam Sutler, is clearly meant to resemble Adolf Hitler. However, the filmmakers also selected John Hurt for the role of the tyrant who stripped away his country’s civil liberties. This canny casting recalls George Orwell’s Nineteen Eighty-Four since Hurt starred in the actual 1984 adaptation of that book.

And like that story’s infamous Big Brother, Sutler’s Britain is under constant surveillance by roaming trucks that are eavesdropping on every dinner table, phone, or digital conversation amongst its citizens. This is an obvious allusion to the U.S. PATRIOT Act, which provided extraordinary freedom to government agencies to pursue suspected terrorists in October 2001 (less than two months removed from the shadow of 9/11). And its encroachment on civil liberties was as disquieting in 2006 as it is in 2019—after it was extended twice during the Obama administration.

As a U.S. senator in 2005, Barack Obama spoke precisely about reforming the law: “We don’t have to settle for a PATRIOT Act that sacrifices our liberties or our safety—we can have one that secures both.” Yet elements of the PATRIOT Act were only allowed to temporarily expire in its June 2015 extension due to the maneuvers of Senator Rand Paul. Meanwhile Obama, a president I greatly admire, continued to run afoul of civil liberties groups and privacy advocates.

In fact, it was during his administration that Edward Snowden, a former contractor for the National Security Agency, unleashed a cascade of classified documents that showed the NSA was secretly utilizing a global system of surveillance that was gathering massive amounts of information about the private correspondence of both American and foreign citizens. Initially, the White House’s reaction was to brand Snowden as “not a patriot” (he currently lives outside the reach of extradition in Russia) and to suggest that the American people simply needed to become “comfortable” with the NSA’s mass bulk collection of millions’ phone records. 

But eventually the Obama White House reversed course, first by appointing a panel to quell concerns of “distorted” information in the press about the “drip, drip” and “Big Brother” perception the U.S. government ascertained overnight. Subsequently, Obama pivoted closer to the side of civil liberties (especially after a U.S. federal judge ruled the bulk collection was probably unconstitutional). In June 2015, the NSA lost the carte blanche authority to collect millions of Americans’ phone records via the White House supported USA Freedom Act (the NSA now needs a targeted warrant from the FISA court).

So, all is well that ends well in this particular case, right? Maybe, except Snowden is still living in exile and considered a traitor by many government officials, the PATRIOT Act persists, the aforementioned parts that Paul was able to see expire were reinstated by the USA Freedom Act, telecommunications companies can still stockpile Americans’ bulk data, which the FISA Court allows access to with a secret warrant, and it is so easy to imagine a scenario where a president less constitutionally minded would not choose to introduce a bill after an intelligence agency was caught with its hand in the wiretapped cookie jar. Or one who would seek to expand its powers further when the PATRIOT Act comes up for renewal again.

In fact, given many of the strongest political winds at the moment, it seems that for every step forward, we’re about to take 50 goosesteps back.

Video of V For Vendetta - 3 - Control Through Fear

The Spread of Misinformation

Another hallmark of any good dystopian yarn is a state-run media arm that inundates and brainwashes a public via the spread of propaganda. Hence one of the most exciting moments in V for Vendetta is when the titular anti-hero invades and commandeers what is clearly intended to be a stand-in for Fox News, using their ability to infest every home in England to now instead offer a rousing cry of “vive la révolution!”

Of course even in 2006, it was unfair to conflate Fox News with being a government-run puppet of the Republican National Party or the Bush administration. In many ways, the tail wags the dog with Fox News setting the Republican Party's agenda, especially now that its standard-bearer prefers getting his news from Fox & Friends as opposed to his own intelligence agencies. By contrast, V for Vendetta simplified mass media misinformation for the sake of narrative brevity. Indeed, the point about the dangers of media misinformation are only more pronounced now than they were 10 years ago.

read more: The Best Dystopian Movies and TV Shows

As broadcaster Edward R. Murrow once prophesized in 1958, “For surely we shall pay for using this most powerful instrument of communication to insulate the citizenry from the hard and demanding realities, which must indeed be faced if we are to survive.” At the time, Murrow was musing about the decline of broadcast news during a period where there were only three channels on television. Today with the increasingly endless variety of media resources in a post-internet and post-social media world, the dissemination of lies and falsehoods is greater than even the Wachowskis’ paranoia could imagine during the pre-iPhone naiveté of 2006.

With more information than ever at folks’ fingertips, the desire to insulate one’s self in a media echo chamber has ironically become only more desirable for millions.

To use V’s veiled punching bag of Fox News as an example, a University of Maryland study in 2010 found that Fox News viewers were more misinformed about factual information than those who consumed their primary news stories from any other major resource. Also, misinformation is arguably more dangerous to public discourse than even uninformed voters, because the misinformed are often more confident in clinging to discredited information.

Nine years later, it’s now a lot easier to fall down the rabbit hole of innuendo and ideological fanaticism (i.e. lies) than it was in the age when cable news reigned supreme. The more people become insulated in partisan echo chambers, the easier it is to create the effect of a brainwashed society hinted at in V for Vendetta—government run or otherwise.

Consider that Frank Luntz, a Republican pollster and once frequent Fox News commentator, showcased this bizarre resistance to reality  among a group of Donald Trump supporters. Preferring a particular political candidate for president was their right, but when Luntz emphatically proved the future Republican nominee Trump lied about how many Syrian refugees President Obama attempted to bring into the U.S. in 2016—for the record it was 10,000 refugees while Trump falsely asserted it was 250,000—the reaction was apathy, including comments like “he’d let in as many as possible” and “what is in his heart?”

Luntz further found that only three of the 29 Trump supporters sampled believe that Obama is a Christian. One even insisted that he believed Obama was sworn into office in 2009 on a Quran. Also the general consensus was to prefer news from far right-wing leaning media like Breitbart (a site that willfully sided with the Trump campaign over its own reporters, even in an incident of alleged physical assault) and talk radio while anything considered “mainstream media” was to be viewed with hostile skepticism and outright denial. This was years before a fanatical Trump supporter, who watched the president call all non-right-wing media “the enemy of the people,” mailed several pipe bombs to CNN in addition to those of nearly a dozen of Trump's political opponents and critics.

Additionally, Steve Bannon, the former executive chairman of Breitbart News LLC, was hired by Donald Trump to be his campaign's CEO, further muddying the waters of collusion between political leaders and the partisan, extremist media they court--although after Bannon fell out of favor with the mercurial president, Breitbart happily threw him to the wolves and fired the fallen Trump advisor from his returned chairman role, all to curry favor with the veritably lying and tweeting president.

In this current climate of media tribalization, it is far easier for a demagogue like Sutler to lie his way to power and to then retain it.

Video of Opening scene from V for Vendetta

Persecution of Minorities

V for Vendetta begins with a blunt and on-the-nose depiction of the kind of politics that High Chancellor Adam Sutler and his Norsefire Party represent. Roger Allam’s Lewis Prothero is obviously meant to be a cross between Howard Beale and Joseph Goebbels when we hear his televised voice before even realizing we’re watching Natalie Portman and Hugo Weaving’s robed introductions.

From the very first frame, Prothero, and by extension the political party he represents, hisses his disdain for those inherently responsible for all of the problems in the world: “Immigrants, Muslims, homosexuals, terrorists, diseased-ridden degenerates, they had to go! Strength through unity, unity through faith!”

read more: The Best Sci-Fi Movies on Netflix

Drawing a parallel between the nativist bigotry represented by V for Vendetta and the current disintegration of the Republican Party is like tracing with a ruler. While V for Vendetta’s fears about the persecution of the LGBT community turned out to be thankfully unfounded in the Obama Years with “Don’t Ask Don’t Tell” repealed and gay marriage now the law of the land, everything else Prothero espoused hatred for is again in the national conversation… except with even less nuance. This includes how the Trump adiministration is targeting people who identify as transexual as Other, beginning with banning them from the military.

It would almost be redundant to bring up how Donald Trump—the preferred president of David Duke, a former Grand Wizard of the KKK, and Neo Nazis everywhere—suggested in 2015 that we should ignore the Constitution and founding tenets of this country by creating a religious litmus test for entry while banning all Muslims (which he has now made a restricted version of the law of the land via executive order). So let’s just focus on what the man who once inferred he did not know what the KKK represented. While on CNN in 2016, the GOP candidate said, “I think Islam hates us.” For the record, this also insinuated merit to Anderson Cooper’s question about whether Trump believed Islam was “at war with the West?” 

Let this sink in: The President of the United States insinuated that a religion of 1.6 billion people (that’s roughly 23 percent of the global population) is at war with the United States. It certainly gives his voters a boogeyman to fear in the shape of nearly three million fellow American neighbors. In the 2018 midterms, he shifted the focus back to his original boogeyman when he turned the media's attention to an “invasion” of South American refugees from a crumbling caravan a thousand miles away walking through Mexico on foot.

V for Vendetta features flashbacks of Sutler rounding up British Muslims, and gay and lesbian citizens to be taken to camps. While Trump has not suggested anything quite that drastic for Muslims (yet), he campaigned pretty damn close to it in regards to undocumented immigrants. And then he acted on it as president, supporting and then attempting to defend a policy designed to ruin immigrant families by locking children in cages. This makes good on a campaign launched by the claim that a majority of undocumented migrants are “rapists,” which in turn led to millions of Trump supporters chanting “build a Wall.”

One imagines that if Prothero was a real person, he’d have been in the bleachers right next to them, talking about how he also agrees about shipping off minorities in a “humane” way to a place where they’d be “happy.”

“He’s Completely Single-Minded and Has No Regard for Political Process”

Ultimately, however, the easiest way to glimpse our ever growing flirtation with Sutler’s future is to see how parts of our culture already march to the sound of the fictional character’s bark. Midway through V for Vendetta, V surmises that Sutler’s career began with “a deeply religious man and a member of the conservative party. He’s completely single-minded and has no regard for political process. The more power he obtains, the more obvious his zealotry and the more aggressive his supporters become.”

Obviously, the Wachowski Siblings, as well as Alan Moore before them, were revisiting the rise of Adolf Hitler in a modern context. I would not suggest that it is a 1:1 comparison, but so much of how V describes Sutler could be used at this very moment to detail the popularity of Donald Trump.

In terms of political process, one only has to look at the Republican president’s woefully dishonest campaign promises and then often fractured policy, be it rounding up illegal immigrants or now claiming he has the power to revoke birthright citizenship without a Constutional amendment, despite it being enshrined in the 14th Amendment. In 2016, he ranted and raved about how he plans to immediately deport 12 million people living in America without due process, a claim he echoed in 2018 by playing ignorant to due process. Even Bill O’Reilly once called him out on that fact, pointing out in 2016 that under the Constitution, anyone detained on American soil (i.e. not just crossing the border) has the right to be processed in our judicial system—a harrowing (and impossible) feat if it is to be immediately implemented around 12 million times. Yet Trump just shrugged the facts off, repeating, “They’re here illegally,” as if repetition and magical thinking will make it constitutionally sound or at all humane.

Then again, Trump’s entire rhetorical approach has already been documented as operating on a fourth grade reading level, and it is as effective as the emphatic leader of V for Vendetta’s fictional conservative party. Increasingly, folks cheer when he suggests attacking cornerstones of American life like the freedom of the press. Much like how Sutler reacted to a political TV parody that made him look the fool, the Donald let his thin skin show when he suggested, with the utmost earnestness, that one of the things he wants most is to “open up libel laws.”

Even if the Supreme Court settled long ago in 1964 that you need to prove an organization reported inaccurate information it knew to be false with malicious intent, Trump would like to be able to sue “The New York Times [when they write] a hit-piece which is a total disgrace or when The Washington Post, which is there for other reasons, writes a hit-piece. We can sue them and win money instead of having no chance of winning, because they’re totally protected.”

His whining about the press suggests a chip on his shoulder worthy of when Sutler had a late night comedian disappeared into one of Creedy’s black bags.

Yet these are applause lines for supporters who are indeed embracing V’s visions of a dystopic 21st century where the more power Trump receives, the more aggressive they become. With almost every Trump rally during the heated primaries, there seemed to be another attack, another beating, and another protest devolving into chaos. In January 2016, Trump told an Iowa crowd, “There may be somebody with tomatoes in the audience. If you see somebody getting ready to throw a tomato, knock the crap out of them, would you?... I promise you, I will pay for the legal fees.”

Two months later in North Carolina, a black man was sucker punched by a Trump supporter as he was being escorted by police out of the facility, and it was captured on video. Despite visual confirmation of an unprompted burst of violence from a white supporter toward an African American protestor, Trump lied to his supporters when he said, “It was a guy who was swinging.” He then condoned the violence by saying, “I thought it was very, very appropriate… that’s what we need a little bit more of.” He then later would not refute the alleged attacker’s claims that the protestor was a member of ISIS.

After his ascendency to the White House, many emphatic supporters of Trump have become more violent instead of less so. When a visceral orgy of far-right politics converged on Charlottesville, Virginia in 2017, Neo Nazis, Neo Confederates, and card carrying members of the KKK celebrated an event titled "Unite the Right," including a number of supporters dressed in President Trump's preferred golfing attire as they marched with torches and chanted "The Jews will not replace us," word-for-word the same cries made by Nazis at 1930s rallies. The following day, one such far-right extremist drove his car into a crowd of counterprotestors, killing 32-year-old Heather Heyer. The following week, Trump gave rhetorical cover to racist supporters by saying "there were very fine people on both sides." A year later, a Trump enthusiast sent bombs to Trump critics. A year after that, a far-right terrorist opened fire in a Walmart in El Paso, Texas, killing 22 people and injuring another 24.

Eventually, this is going to devolve into something even more tragic and reminiscent of the 1930s.

How is this anger growing right now in a country that actually has seen a growth in job creation, GDP, and access to healthcare while a decrease in the deficit and unemployment over the last six years of Obama's presidency and then increasingly so in the Trump years? There is an obvious racial and deplorable component for a number of voters in this country from the David Duke mold. Still, there are also reasons for justifiable anger with a cataclysmic income inequality gap and stagnant wages, the undeniable stench of money in politics, and the ever modern and unending anxiety of the new century: the threat of terrorism. But demagogues like Sutler and Trump are exploiting these fears and frustrations with such ridiculous ease, and building it on a foundation of hate, nationalism, and bigotry, that it seems almost fictional.

But if you think all of this is slanted, partisan hooey, watch V’s impassioned plea for the people of England to set aside their fear and face an ugly reality inside their culture. Then admit that it is not prescient for the direction our country is headed in.

Video of V for Vendetta: The Revolutionary Speech (HD)

So yes, Americans are closer than ever to achieving the dystopian future imagined for England in V for Vendetta. That’s something to remember, remember for the fifth of November.

A version of this article first ran on March 17, 2016.

David Crow is the Film Section Editor at Den of Geek. He’s also a member of the Online Film Critics Society. Read more of his work here. You can follow him on Twitter @DCrowsNest.

Read and download the Den of Geek NYCC 2019 Special Edition Magazine right here!

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Feature

Books

David Crow

Nov 5, 2019

V For Vendetta

The Wachowskis

Natalie Portman

Hugo Weaving

from Books https://ift.tt/2JjXiVW

[sfdfmoviereviews]

Wachowskis Reviewed #3: V For Vendetta (2005)

The Wachowskis aren't directing this time, and so director James McTeigue gives us Evey (Natalie Portman), a citizen of a future fascist Britain who is saved from the state's finger men by the mysterious V (Hugo Weaving). As V works to single-handedly bring down the government in a campaign that will culminate on the 5th of November, Evey must decide whether his vengeful means are justified in this adaptation of the Alan Moore/David Lloyd comic.

Again, we have to ask whether this movie holds up. V for Vendetta was adapted from a comic that addressed a very specific political scenario from 1980s Britain, and itself addressed the actions of the Bush administration, and so the possibility exists that in 2017 it has lost what relevance it had. Fortunately this isn't the case. Adam Sutler's (John Hurt) regime is a fairly generic totalitarian state-albeit a fairly modern take on Orwell's notions of surveillance and media as control- and so V for Vendetta reads a both a traditional dystopia and a fight against tyranny.

Which is all well and good, except the ostensible struggle against the Sutler Regime is only garnish, fit to confer a plot and allow some cool action scenes. Because V is not a hero. He is obsessed with the titular vendetta, and frequently behaves absurdly. Most acutely, he tortures Evey for his own purposes. none of this is excused by his claim to be an idea more than a man. V for Vendetta is concerned far more with questions of violence and it's philosophical justification, and art and it's value, than it is with portraying simple tyranny.

As such, it’s core is not some action packed climax, nor a great speech, nor the sating of V’s vendetta. It is the story of Valerie (Natasha Wightman), of course. Here we see the principles of a totalitarian regime applied specifically. Here we see what all the rhetoric of control means for a person who for three years had roses and apologised to no one. And the result is not great despair but triumphant clarity, of love and truth and freedom and passion and worth, passed from Valerie to V to Evey, and so when Evey turns to a gun-wielding Eric Finch (Stephen Rea) and says “no”, the movie is done. All that follows is mere conclusion.

There's a refreshing classlessness to the portrayal of art here. The Quran, Maplethorpe, Cat Power, and Benny Hill antics are all given consideration, and shown to be great and worthy. There’s an interesting self-awareness on display, as our characters are constantly commenting on coincidences so remarkable that they cannot possibly be that, and yet must be. There’s an undercurrent of deliberate narrative- not so subtly exposited by Finch’s ominous soliloquy on his predictions for future events- through these people’s lives. This is very definitely a story, which is to say it is very definitely an idea, and ideas we are told are unkillable. This is the most explicit expression of the Wachowskis’ oeuvre of concept-as-genre-cinema.

There are a few creaky moments, notably a security guard threatening to "get Storm Saxon on your arse" as V assaults the BTN tower. While the sequence of V's torture of Evey is still effective, repeated watchings bring questions of exactly how he pulled it all off, and the functioning of the Sutler regime is similarly dubious. There’s a curious element to V’s antics now; either they work as intended, in which case they work, or they don’t in which case they enforce his absurdity.

Performances are generally good, Natalie Portman is great of course but so is Stephen Rea‘s turn as Eric Finch. Hugo Weaving returns from The Matrix and we’ll see Roger Allam again in Speed Racer.

Ostensibly a dystopian action thriller, V for Vendetta continues to be profoundly greater.

Tim

P.S I should note here that the wonderful Emily Asher-Perrin has also reviewed the Wachowski filmography with a focus on queer subtext. you can read it here. I mention this now as the V for Vendetta piece is something else.

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