One of the earliest examples of Leo’s “I’ll do my own thing to accomplish our goal without discussing it with my team first” is in episode one. It’s super, super quick, and ultimately inconsequential, but it subtly sets up a great precedent that I think is very interesting.
When the boys need to grab the medallion from Splinter without Splinter noticing, Raph, Mikey, and Donnie huddle together with Raph taking the lead in trying to devise a plan to get the mystic device. Meanwhile, Leo slinks away and grabs the device by clocking the situation (by knowing his father well enough to predict his actions - something he does with each family member multiple times in the series) and making a move on his own.
It works out perfectly fine, and is ultimately the best move, and it’s honestly okay that he didn’t consult everyone for something so small when it’s such a non issue to get it, but it nicely sets up how this tends to go in the series, including how it goes in the movie.
To be honest episode one is actually really good at setting up a lot of things for each character in the long run, this is just one example that caught my attention, as small and unassuming as it is.
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what are your thoughts on Harumi x Kuai Liang (I need to see them in your art style)
To be completely honest with you, I’m still neutral to them- but he looked pretty happy in the recent trailers!
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Is there a canon reason why people think Kabru sleeps around? Like it’s a very wildly agreed upon headcanon - at least, that he has the reputation for it - like in fanfiction/art that I’ve seen
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Why does Ren have 4 ears? Are they all real or is one set fake?
Hehe I’ve gotten this question a lot actually! They’re all real— I like to think hybridization isn’t always a clean balance of traits, so Ren just unfortunately ended up with two sets of ears— his Dog ears being much more receptive to sound, naturally— and sometimes when the extra intake of sound is too overwhelming, I imagine he wears earplugs in his human ears to help adjust :> it’s a bit weird, but idk! i like to make designs funky and nonconventional! I liked the idea that Ren had hearing struggles due to wonky hybridization and just kept the concept :>
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once again i really do think armand’s morality and view of his own morality is summed up by “i tried to be good, am i no good?” because he KNOWS he’s not, but he so desperately wants to be good in any way he can be, so that he can be desired. and this in turn means he is deep in denial about any bad he has done other than the deep seated feeling that he is simply “bad” as a vague concept and not the sum of his actions. anyway who’s up thinking normal thoughts about characters.
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i think kirishima apologizes even if you're in the wrong.
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Obsessed with Fyodor’s as yet unknown backstory today. And not just in the ‘I need to know’ way but… idk there’s something about the way he seems to wholeheartedly believe that what he is doing will result in the removal of sin. Thinking about how he doesn’t have a god complex but is instead a follower of what he believes to be god’s will. Thinking about how he places himself as above others anyways by taking their free will from them. I think about how his ability didn’t attack him and instead seems to be working with him. The gem is in his hand, the hands he kills with, the righteous hand? I think about that gakuen profile that I can’t find anymore but I know I saw where his likes are generally good and selfless things like peace, and about how, if this is true, he’s been an extreme idealist all along. I think about how senseless violence, the people who can’t stop killing each other, seem to disgust him. That he wants to cleanse it. That he repeatedly uses the very thing he wants to cleanse as a weapon regardless. I think about him and Dazai being foils and wonder if his plan to remove the sin of ability users includes his own self-destruction. I wonder where his self-assurance in the necessity of his cruelty and the perfection of God’s intentions comes from. I wonder how old he actually is.
As funny as the idea is to me that he’s just like that… is it kind of weird that I hope whatever his deal is ends up being a gut-punch?
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i like how during his release event andre seemed real scary and like he still is but also some of his voice lines + the way he acts...hes such a big sweetie pie
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OT3: casey stoner/his neuroses/the concept of valentino rossi that mostly exists in casey’s head
y'know I have this casey stoner... idk what it is. thematic mind map (literal), let's say, that I like fiddling with and adding things to when the mood hits me. and it does always strike me just how many of his struggles during his careers and issues with the sport can in some way be linked back to the valentino rivalry
casey's sense of isolation? super valentino related. casey's feelings of cultural alienation in a paddock dominated by europeans? even when it's not really related to valentino, casey is the one linking those two things together. casey's issues with other riders not being respectful enough on track? very obviously repeatedly about valentino. casey's discomfort with the performance and entertainment-related aspects of the sport? more valentino. casey feeling treated unfairly by the manufacturers, the media, the marshals, the fans.... keeps coming back to valentino. casey's mystery illness really shouldn't be as relevant to the rivalry as it is, but somehow through this combination of public discourse and whatever comparisons casey's brain is cooking up at any moment in time... there valentino is again
one of the most charming things about valentino's feuds is that in each and every single one, both participants end up being deeply weird about each other? just keep knocking off these banger quotes about the other where you read them and go. hm. what's going on there then. I don't want to make it sound like I think casey is the worst offender with this (not when marc and valentino have their whole thing going on, bidirectionally)... but I do think he's the most susceptible to conflating his valentino issues with like... everything else that was going on in his career. to the extent where his alienation with the sport as a whole, his extreme disillusionment from everything related to motogp, really cannot be meaningfully disentangled from the valentino rivalry. at times it feels like, to casey, valentino literally is the sport. and that's the thing casey dedicated his whole life to!! which means you do inevitably end up regularly going 'wow there's a lot to unpack'. add in a dash of neuroticism...
and yeah you're so right anon!! the neuroses are what end up creating the version of valentino that mostly exists in casey's head, a version that casey is just a touch obsessed with. I always think it's interesting how aware casey is that he doesn't know valentino as a person - and to the extent casey does know him, he gets on pretty well with him... but valentino the person isn't all that relevant to him. it's valentino the character who matters - and can you even really know a character? in the end, all casey can do is rely on his own understanding of that character, as imperfect as it is. and, well, in a way casey is trapped with that character forevermore. if one man comes to embody a sport to such an extent and if that sport has been your life's work, how can you not be a little bit trapped? as he tries to make his peace with the sport and his experiences within it, so too has casey settled on a narrative of valentino that helps him make sense of it all... a very specific understanding of his rival that casey has shaped in his mind and still trots out now when he sells his own version of events to the media. casey learned from valentino, casey learned to be a little more like valentino, casey learned to fight valentino with his own tools, casey tells himself a story of that fight. he still continues to do so - and in the end he will never be entirely free of valentino
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I dont feel like doing the background. I refuse. Hes baking..... 🥹 hes baking and hes happy and hes ALIVE....
Version with bg sketch under the cut ✂️👇
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Rafayel is not queer coded because he has (supposedly) feminine aspects to his demeanor and personality and face, he's queer coded (to my burdeningly biggest bulging noggin) (and/or at least a good allegory for queer people or ig certain other minorities i don't know enough about to go on as much about) for having always been about breaking free (or trying) of rigid boundaries and passionately exploring the new even if it's forbidden (the sea's surface, land, the red of the blood of his beloved people mixed in the sea, MC)
one of few who's faced identity-centric pressures even higher than most already do (as a born god whose red strings of fate and love were meant to become puppet strings for a "follower" he once thought would simply be a bride)
and he's disliked the shallowness of humanity even when he's been forced to assimilate and after he's gone through such lengths to understand it in theory
and, you know, sea creatures have a higher tendency to be fluid (badumtss) about "gender", or even when some have binary-centric roles it can be in a way dissimilar to most humans', and queer people of all sorts have always been mistaken as inhuman and monstrous
and Lemuria is literally described as a place more centric on love and freedom
and he accepts change, but would never truly change only for others, as even with a few facades he is overall all about authenticity even with the sometimes smallest things (paint, loving MC not just because of the lost history but the present he does acknowledge as more important) even whenever it's more inconvenient or downright dangerous or makes others have trouble liking him.
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no but fucking really. "i'd love to get your thoughts. let me know if there's anything you disagree with--i won't take it out, but i'm more than happy to tell you where you're wrong ;)" versus "yeah. mm, yeah. yes; sorry, sorry. um. yeah. ......i just want you to like it. ...i'll leave you be." makes me. fucking. OUGH
trent, confident and playful, telling them he's happy to correct them if they disagree with anything he's written versus him anxiously awaiting ted's approval and actively seeking it out, nervous, eager in a sort of rattled anxious way. the confidence versus the hesitancy, the independence versus the want for ted to like it, like him.
and then ted giving him a word of praise and a word of criticism in one--that it's a good book but it shouldn't be called 'the lasso way'--and trent takes it. i honestly think he does disagree, but instead of "telling ted where he's wrong"--maybe just out of respect for what he wants, trust for his opinion--he changes the title. what he said he wouldn't do. for ted. what if i wailed and screamed
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