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#but other than that 👍
sleepy-purple-sloth · 9 months
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I've just found out about this song and WTF!?!?
THE SCREAM IS GERARD WAY!!!
I know he can scream, just look at bullets but BLACK METAL???
Man... I'm speechless...
Now I hope mcr5 (that is definitely real they will definitely release it next year) is metal
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salthien · 4 months
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[clonking isafrin together like dolls for my enrichment]
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lamentfulwarbler · 6 months
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“Dazai is the big spoon!” “No, Chuuya is!” NO YOU’RE BOTH WRONG! SKK CUDDLE LIKE THIS:
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ash-and-starlight · 2 months
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they're inventing a new sport called extreme acrobatics to defend a white woman and tumblr just won gold and set a new olympic record!!!1!11 🥇congrats!
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uncanny-tranny · 9 months
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The absolute biggest thing I've learned as a trans guy: there is nothing more masculine and manly than not caring about looking or acting masculine or manly. Growing your masculinity or manhood takes time and care - you have no obligation to let the world water your garden when you can do that just fine (and you can, even if it doesn't feel like you can!)
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dryya-doesnt · 4 months
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Dangerous things are cooking in the waxwitch kitchen and that isn’t the only thing that’s getting cooked….
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jayjay-thejet-plane · 22 days
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not my usual artstyle AT ALL but i was tracing jakes (for practice since hes hard to draw and i was feeling art blocked) and then fell into a 4hr trance…
traced stuff and ref:
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treasureteamtango · 7 months
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touhou doodles using the random 2hu generator
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xinyuehui · 19 days
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*dead dramatic entrance*
长乐曲 · Melody of Golden Age · 2024
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day 8 - i still don't know how to draw humans/human-adjacent but more stress anyway 🌈 yay
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scudelia55 · 9 months
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“Together or nothing, we come as a package”
“If he’s happy, I’m happy”
“We make a really good couple(romantically)”
“Kiss kiss? (while suggestively tapping on his own cheek)”
ok carlos
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many-gay-magpies · 3 months
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god what really gets me about dead boy detectives and what i think i love so much about the show and the relationships in it is that like. the romantic and sexual relationships aren't portrayed as being more unique or important than the platonic relationships. they're all just RELATIONSHIPS.
charles and crystal's attraction to each other and eventual hookup isn't this big end-all be-all relationship that shatter charles and edwin's friendship and draws charles' attention away from edwin; it's just a THING that happens. they're just two people that care about each other and happen to also be attracted to each other, and a hook-up happens, then they decide that neither of them are in the right place for it and it's nothing awful. crystal kisses charles, but it isn't some big spectacle of her declaring her love for him; it's just her saying goodbye and that she cares about him, like her hugs with niko and jenny and her handshake with edwin.
edwin realizes he loves charles romantically and tells him, and charles says he doesn't really love edwin romantically BACK, but it's okay, because they still love each other so much in so many other ways that this one tiny difference could never change them—and it doesn't!! they're still just as close, still care for each other just as much, still SHOW that care for each other just as much. their relationship didn't completely end because edwin loved charles in a way charles couldn't reciprocate, but at the same time it isn't "solved" by edwin getting over it, because there's nothing TO solve. it's just another type of love, added to everything that already exists between them. and they have LITERALLY FOREVER to figure out what it means.
the relationships between edwin & niko, crystal & niko, and crystal & edwin aren't given any less weight for being solely platonic, just as charles & crystal's relationship and edwin's feelings for charles aren't given (that much) MORE weight for being romantic. crystal and charles' conflict in the closet is about EDWIN, about how they're BOTH his friend and BOTH want to get him back; it has very little to do with the feelings between THEM, romantic or otherwise. similarly, the weight of charles' and edwin's relationship isn't diminished in the LEAST by charles not reciprocating the romantic side of his feelings (or SAYING he doesn't reciprocate, at least—we can all argue about the legitimacy of that in the notes).
i'm sure there are more examples than this, as well as probably some examples that CONTRADICT this, but like... by and large, it feels like dead boy detectives is a show where all the relationships are given equal weight regardless of platonic, sexual, romantic, or familial status, and as someone on both the asexual and aromantic spectrums who has struggled time and time again with shows casting out the importance of all other relationships in favor of prioritizing romance, that is INCREDIBLY refreshing to see.
#this might be a lot of run-on sentences and me repeating itself because its 2 am rn (sidenote how the HELL did it get that late last i chec#-ed it was like 11???) but i hope u enjoy anyway 👍#magpie thoughts#dead boy detectives#ik before watching the show i saw a lot of people were annoyed by charles and crystal's relationship and thought it felt forced and like#-​they had no romantic chemistry#but honestly. having watched the show. i don't see that at all?#like maybe it's just me being aspec and not getting what ''romantic chemistry'' even IS but like. they were people. they were two fucked up#-people that happened to be attracted to each other and they hooked up when both of them were in low places and agreed to not go any furthe#-after. but beyond all of that they are FRIENDS and they STAY friends and like. they just felt like PEOPLE#the way they were written and the way the actors ACTED IT felt like ten times better to me than the dozens of pinacle romances i've seen in#-other tv shows#(and also i gotta say i love the other CASUALNESS with which sex was mentioned in the early episodes. it wasnt made out to be this big thin#-that only happens when tied to romance; it was just a THING. theyre both hot and in different circumstances they totally would have had se#-about it (and eventually they did but thats besides the point). that's it)#they're people. this is a show full of ghosts and demons and witches and crows-turned-into-boys but they are all fundamentally just PEOPLE#beautiful and fucked up human beings that feel attraction and hurt and fear and love in a million different ways.#AUGH i love this show so much#paineland#payneland#crystal palace#charles rowland#edwin payne#niko sasaki#dead boy detective netflix#dbda
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wizards101official · 11 months
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I know nothing about fnaf 👍 I had to google who purple guy was during the movie
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themyscirah · 21 days
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What runs/stories do you recommend for someone starting WW? Could you please be specific (/nicely)
Yeah ofc!
My Wonder Woman Starter Recs (specific style 😎)
First stops: for an initial introduction to Wonder Woman, I'd generally recommend going to at least one of three places first. These three are:
Wonder Woman: Historia: The Amazons by Kelly Sue DeConnick
Wonder Woman: Year One by Greg Rucka
Wonder Woman: the Hiketeia by Greg Rucka
Of these I generally recommend reading Historia first, as it's a retelling of the origin of the Amazons as a race and how Diana came to be (so it essentially starts from the beginning) and is also the most recent of the them (if that means anything). Something to note about Historia though is that it's a DC Black Label book, so it's events aren't strictly canon in the main DCU and there are some changes and new elements present. I don't think this is something that should discourage anyone from reading it though, it's the best WW origin story out there, and even in strict main canon over the years her origin is one that has had many fluctuations and small (& sometimes big) changes. WW:Historia is three prestige format (longer) issues.
You'll notice the third book there is WW: The Hiketeia. Hiketeia is a great book if you're looking for a view into Diana as a professional and experienced hero. It's a graphic novel so standalone and not too long, and has a great Diana and really interesting plot (Diana vows to protect a young woman and finds herself pressed against the wheels of Greek Tragedy). This is also the first work with Diana done by Greg Rucka, one of her most prolific and loved writers. A sampling of this work (and also Historia) I think gives a good guide to where to go next in terms of runs on her main title.
Wonder Woman: Year One is the second book on the list up there, but I'm mentioning it last here as it's a bit more complicated in terms of format. Unlike other year one books, WW: Year One is actually a series of issues on her main title, showcasing Diana's arrival to man's world in Rebirth (and also current p sure) continuity. The issue numbering for this one is strange (only the even issues 2-14 on WW (2016)) so I recommend looking for this in trade form if possible.
These 3 books I think give a taste of some of the best standalone stuff in the Wonder Woman mythos, and give the reader a good idea of where they may want to go next in terms of longer runs on the title. So I'll break that down here as a Step 2.
STEP 2: WHERE NEXT?
Here I break down some highly recommended runs based on what they have in common with the standalone books from step 1. As a rule, these runs are going to be much longer than the above and generally more connected to the wider DCU and other books. Look for the italics to see the introduction to each new work. Explanation paragraphs follow after each italic/bold rec.
Curious about Greek mythology in WW and the Amazons' origins after reading Historia? Liked the prescence of a supporting cast and Diana learning about Man's World from Year One? Willing to read a longer run? I recommend: Wonder Woman by George Pérez
George Pérez's time on Wonder Woman totally reinvented the character after Crisis on Infinite Earths, and is fundamental in establishing many core concepts of her lore. At 62 issues, 2 annuals, and a 4-issue crossover event at the end (War of the Gods), it's definitely a commitment to read, but it's the most enduring and well-loved run on Wonder Woman for a reason--it's just that damn good. Lots of focus on mythology (although with a lighter tone than Historia) alongside Diana learning her role in relation to Man's World & establishing herself as a hero and ambassador. Pérez's run also has almost-certainly the most expansive and developed supporting cast in WW comics, something that really drives the emotional core of the series, especially in later issues. Obligatory note that this series was written between 1987 and 1992 and contains some very occasional aspects that I thought were in some way dated/uncomfortable etc. while reading (details of Cheetah's origin, depiction of the Bana-Mighdall, Hercules) but despite that I still highly, highly recommend this run. The word fundamental cannot begin to describe it.
Liked the experienced Diana of the Hiketeia? Interested to see her attempt to balance the high stakes responsibilities of an ambassador and superhero? Looking for some really badass moments and fights? Haven't read enough terrible tragedy? I suggest: Wonder Woman by Greg Rucka 2003 EDITION.
Some of Diana's coolest moments of all time are collected here. Also one of her most controversial. The 1st Rucka run is very much the story for anyone who liked the Diana of the Hiketeia and the tragedy of that and Historia. 2003 Rucka Diana is a Diana tested, forced to make decisions that are anything but easy, and live with the consequences. She's extraordinarily capable, but her enemies know that and are prepared to that end. This run, along with the Pérez run, rank among my favorite Wondy comics of all time (those and Historia are my top 3). This run is such peak Diana, especially in terms of sheer badassery. Her final confrontation with Medusa is in my opinion perhaps the greatest Wonder Woman fight scene of all time. Her encounter with Athena in the second-to-last issue breaks me every time. Cannot recommend this book more.
*a note abt this run is that it is more context-dependent than the other ones listed here, as it's the run that finishes out the Wonder Woman vol. 2 book and so has some guest appearances from characters introduced in other prior runs (Artemis of Bana-Mighdall, Cassie Sandsmark, and Vanessa Kapatelis, to name a few). I read this run before knowing much (if anything) about any of them, and still enjoyed it a lot, so I wouldn't be worried about this really but just thought I'd mention it.
Rucka's 2003 run is published from Wonder Woman (1987) #195-226. You can also find it in trade and I believe(?) omnibus. Sometimes the Hiketeia is included in collections of this series, as the 03 run is thematically similar in many places, just with a much deeper look at Diana and the world & with higher stakes.
Liked the specific characters and plot threads of Wonder Woman: Year One? Want to see what happens with Diana's exile, or learn more about Barbara Ann? Want a Diana in between the extremes of young and highly experienced? Wonder Woman by Greg Rucka 2016 EDITION may be for you.
...yes I'm putting ANOTHER Rucka book on here. He writes a great Diana, what can I say. This run is the same one that Year One came out of, just the follow ups to that story and versions of the characters. I have this run listed as separate from Year One though, as there's some really big time skips since the events of that first volume. A lot of time has passed since then, and there's more history between the characters, not all of it without drama. This run continues to be weird with the numbering, as well as some artist changes, so I definitely recommend looking into reading this in trade format (physical or digital) if at all possible. My recommended reading order is WW 2016 by Rucka vol. 2 "The Lies" (Wonder Woman: Rebirth Special #1, followed by 2016 main title odd numbered issues 1-11), then Rucka 16 vol. 3 "The Truth" (odds 13-23) then Godwatch (evens 16 through 24) followed by 25? But The Truth and Godwatch combine near the end so that doesn't really work either. This run is so good but recommending it is such a pain because the numbering is so all over the place. On God I never know which order to read this in. Going to revoke my previous statement and say read it as Rebirth Special 1, then only odds 1 through 11, then from 13 through 25 normally. That may lead to some weirdness as you read because the two stories take place at different times and have different art styles, but they come together at the end pretty dramatically so I think it's less confusing to read it this way? Maybe? So strange bc this is one of the go to good starter runs and yet it's set up so unintuitively. If someone has a better way to read this then let me know and ill edit, ik this explanation is super confusing bc neither way to read it is totally ideal imo and I feel I definitely read it in a weird order.
Going to call that a good rundown of some of my greatest recommendations in terms of Wonder Woman comics. If anything wasn't fully clear here or anyone (not just anon) has questions or wants to talk abt WW comics/my choices feel free to send as many asks or dms as you want. Have a good day everybody, & as Diana says, may the glory of Gaea be with you <3
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rozugold · 2 months
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Artfight attacks I did this year :DD
Characters belong to these artists shown in order: @oasisofgalaxies, @bronzeplates, @metfell, @ddragayn, @areus-in-a-little-cave, @possuminnit, @skaterfc
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uncanny-tranny · 1 year
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I love (sarcasm) that the two options for working when disabled are:
1. Work at the risk of (permanently) disabling yourself further. Go home to a paycheck that won't cover much, but at least you have money. Fight the urge to cry when you're home because you're in so much pain and you can't do basic things anymore
2. Don't work. You'll be in just as much pain, plus you will have even less money. Getting a disability check probably won't cover anything, but chin up! A single dollar is better than no dollar, right?!?!?!?!?!?!?!?
Nobody should be forced to make the decision to work or starve, but there's an added layer of torture when your body literally cannot handle these options. My heart goes out to us all, the world can change for the better
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